Men's Adventure Quarterly #11

Believe it or not, Robert Deis and Bill Cunningham are all the way up to issue 11 now of their Men's Adventure Quarterly Magazine. They just keep churning these books out and each one of them is just a real masterpiece of vintage fiction from the 1950s, 60s, and 70s. This new issue is available now and I thankfully have my copy. I love the whole UFO and alien thing. I've been following that stuff since I was a little kid watching Unsolved Mysteries on NBC each week and from watching the Sightings show on Fox. Of course, I love the X-Files as well. So, I was happy to see that this new publication is the UFO Issue. 

In the book's introduction, Bob Deis explains the connection between UFO pop-culture and the Men's Adventure-Magazines, which honestly I didn't even realize until I saw this issue was coming out. Deis explains how he grew up in Dayton, Ohio, home of Wright-Patterson Air Force Base, where the Project Blue Book was headquartered (the U.S. government's official investigation into UFO sightings). Deis traces the public's interest, and awareness, of UFOs to magazine format in the Spring 1948 issue of Fate.  Later, the 1950 issue of True contains one of the most significant stories on UFOs, authored by Major Donald E. Keyhoe, which Deis examines in detail. This issue contains that article in its entirety, which is just fascinating. Deis goes on to outline UFO articles that appeared in Real, Man's Magazine, Saga, and Argosy among others. 

There are amazing magazine covers of various issues of True Strange, an odd men's adventure magazine, with an introduction by Deis for the article "Are They Hiding the Truth About Flying Saucers?" by Frank Edwards. 

Gary Lovisi, who's an amazing voice of vintage fiction, has an article titled "Space Sploitation", which examines the Flying Saucer phenomena as it relates to paperbacks published by the likes of Popular Library, Panther, and Fawcett Gold Medal. 

"The Way-Out World of Mr. Adamski" is an article by W. Douglas Lansford. It first appeared in Climax in October 1961. That article is in its entirety in this issue with an introduction by Deis explaining the history of George Adamski, a man who released a photo of a cigar-shaped UFO to the press in 1947. He claimed he saw 184 UFOs fly over California's Palomar Observatory. 

This book is chock-full of UFO articles, including "UFO Agents of Terror" from an October 1967 issue of Saga which discusses the government's attempts at silencing people that speak out about UFO phenomenon. Another interesting one is "The New Menace of U.S.O.'s" in the November 1974 issue of Male. This talks about the frequent sightings of UFOs being seen underwater. 

Popular British paperback collector Jules Burt has an article in this issue about Gerry Anderson's UFO TV series. He goes into the history of the show and the extension into paperback fiction, comics, and movies. There's also a gallery of actresses from the show. Plus this issue's gallery pages captures a lot of beautiful women that have performed in science-fiction movies like Forbidden Planet, Devil Girl from Mars, and Tarantula.

There is just so much to enjoy in this issue even if you aren't a UFO fan or believer. The vintage artwork, magazine covers, movie posters, actress pin-ups. I mean what's not to like? This is another solid issue and I highly recommend it. 

Get the issue HERE

Paperback Warrior Hits Music City, USA

Is there more than just country music in Music City? Nashville, TN will never be the same when Eric hits an antique mall, Half Price Books, and Landmark Booksellers in search of rare paperbacks. There's book covers, authors, novel history, world famous hot chicken, the iconic Grand 'Ole Opry, and the fake Parthenon in this must-see shopping spree! View below or directly on the YouTube channel HERE.

The Sun Eater #01 - Empire of Silence

Christopher Ruocchio of Raleigh, North Carolina authors giant space opera fantasy novels that his fans and critics cherish. He wrote a six-book (thus far) epic series and related in-universe works under the series name, The Sun Eater with the first volume being the 763-paged Empire of Silence (2018).

Our hero is Hadrian Marlowe who lives in a future long after Earth was evacuated by humans who then colonized the universe. We are told that Hadrian was a hero in a battle against an alien force called the Cielcin that harvested humans for meat as they destroyed entire planets. It was Hadrian that won the war and beat back the aliens by exploding their home star with an impossible ship, cementing his lore as The Sun Eater.

But this act of heroic genocide was in the past. When we join Hadrian, he is living far away from anyone as a recluse. The inhabitants of the Sollan empire assume he is dead, which is the official story. All of this is fronted in Chapter One, and then Hadrian goes back to tell the reader how he got here.

As our narrator, Hadrian takes the reader through his life story, including the childhood lessons from a sword master and the obligatory rivalry with his own brother. He is the son of a wealthy and cold industrialist in the uranium mining business - not glamorous nobility - but a harsh man of business ruling his planet of workers, a place called Delos.

During Hadrian’s young adulthood, the Cielcin were already laying waste to entire planets far from Hadrian’s home. Like distant wars in our own world, Hadrian was able to disassociate atrocities from galaxies far away. As telegraphed in the opening chapter (why do that?) Hadrian’s extended coming of age story and rise to greatness is a windy road to his saving of humanity and destruction of the enemy race.

As a science-fiction space operas and thick fantasy epics go, this one is readable and compelling. The buyer’s market for this genre seems to demand 800-page epics, but Empire of Silence would have been stronger and faster-moving at half the size. Regardless, Ruocchio is a fine author who embraces the “rise to greatness” trope and executes it quite well. Dune and Star Wars and countless other media have told variations of the same plot, but genre fiction relies on these familiar story arcs as comfort food — no penalties assessed.

The downside to Empire of Silence is that it could have been titled, "Hadrian: The Early Years". The novel ends with Hadrian setting off on another adventure for which we may be another six books away from resolving. As good as this first novel was, I may not have the stamina for another 4,000 pages to reach a resolution. We’ll see. 

Get the book HERE.

Deathworld #02 - Deathworld 2 (aka The Ethical Engineer)

In Deathworld, readers were introduced to series star Jason dinAlt, a professional gambler who has psychic powers. By the book's end, Jason is living with his girlfriend on a mining planet called Pyrrus. Deathworld 2 begins on Pyrrus as Jason is watching a vehicle enter the planet's atmosphere and touch down. When he greets the ship he is captured by a crazed man named Mikah. Apparently Jason's casino winnings on the planet Cassylia (taking place in Deathworld) using psychic abilities has made him a wanted fugitive. Mikah's intention was to take Jason to Cassylia so he could pay for his crimes. But, in an attempt to escape, Jason smashes the ship's steering and the craft crashes on a barbarically neanderthal planet. 

Both Mikah and Jason are slaved by a warring clan and are forced to escape. However, their escape leads to another enslavement by a rival clan. Jason then tricks the clan and manages to escape only to be captured again by another rival clan. Do you see where this is going? Jason then manages to escape that clan, bring electricity to a rival clan and send a rescue beacon for a possible rescue. 

There are so many things wrong with Deathworld 2. I contemplate whether Harrison actually wrote this novel as a sequel to Deathworld. Perhaps he wrote the meat and potatoes of this novel and then carefully just changed the main character's name to Jason and added in a page or two at the beginning to bridge the books. This version of Jason doesn't seem to possess any psychic ability, but instead has an abundant knowledge of engineering – something that wasn't elaborated on in the series debut. Jason can create electricity and build spaceships while retooling complex engines and factory machines. If Jason was an engineer of this magnitude then there was really no reason for him to be a professional gambler/criminal in Deathworld. The characterization isn't uniform.  Additionally, Harrison just recycles the basic plot design – capture, trick, escape – repeatedly. There is also an injection of machismo and a philosophical debate on religion and faith. 

As much as I love Harry Harrison's writing style, Deathworld 2 is a real clunker. Skip this book. 

The Island of Doctor Moreau

H.G. Wells (1866-1946) is widely considered the father of science-fiction. He authored over fifty novels, some of which are still being adapted today into mixed media formats. Sci-fi, fantasy, and even horror writers often cite Wells as an influence on their work. His most popular novels include The Time Machine (1895), The Invisible Man (1897), War of the Worlds (1898), and the subject of this review, The Island of Doctor Moreau (1896). 

In the novel's beginning, Edward Prendick and two other passengers board a lifeboat as their passenger ship sinks into the southern Pacific Ocean. Eventually Prendick, a dehydrated starving husk, is the only survivor. A ship spots Prendick and rescues him, but in a wild turn of events Prendick is forced from the vessel and placed in a dinghy where he must face the very real possibility that his terrifying ordeal is recycling. Thankfully, a passenger on the ship named Montgomery takes pity on Prendick and allows him a stay on a very strange island. 

Prendick, who possesses a scientific education, learns that this eight-mile island is a type of laboratory owned by Dr. Moreau. Prendick remembers that he had read about Moreau's macabre experiments in vivisection and his subsequent banishment from England. Here on the island Moreau continues his work with the assistance of Montgomery and a surgically altered manservant named M'ling. 

Wells' narrative submerges Prendick into the Hellish world of a mad scientist with delusions of Godhood. Prendick learns that Moreau is surgically combining humans and animals. Disgusted and frightened he escapes Moreau's compound only to discover that the island hosts Moreau's terrifying lab result – beast folk. These beasts include humans merged with bears, dogs, sloths, hyenas, wolves, and ape. These beast folk have a bestial lust for Moreau which plays havoc on Prendick's escape.

The Island of Doctor Moreau is a horror novel like no other. Wells ignites a sense of terror as Prendick slowly pulls the curtains from Moreau's freakish lab and discovers the nightmarish prison that he has now joined. There's panic and then a heightened frenzy as Prendick attempts to disable Moreau and Montgomery while also becoming a new “god” for the Beast Folk. Wells easily transforms the mood from moments of somber solitude into grueling action and gun play. The finale is a type of role reversal that was fitting for the nature of the story. 

In a time when humans are now receiving animal organs to survive (ex. Towana Looney), The Island of Doctor Moreau is a grotesque vision of the future. Wells was ahead of his time in predicting favorable medical revolutions through painful trial and error. Gene edits and lab-created organs were a thing of the future but Wells was mired in the wonder. The author presents some trigger-points on Darwin's evolution, animal cruelty, and mankind's pursuit of an animal-state of freedom and survival – no gods, no masters. 

The Island of Doctor Moreau is a classic for a reason. Get your copy HERE.

A Short Stay in Hell

A Short Stay in Hell is a 2012 short novel of speculative science-fiction by an evolutionary biologist and philosopher named Steven L. Peck about a guy who goes to a very unusual version of Hell.

Our narrator is Soren Johansson, who lived a perfectly reasonable and ethical life but nonetheless awakens in Hell after his death. At orientation, Soren is informed by a demon that Hell is actually temporary, and he will eventually get to Heaven if he completes an unusual task.

Soren’s Hell is a vast library filled with shelved books as far as the eye can see. Soren’s task is to go through the books and find the one among them that chronicles his life on earth. There are others in the library working on the same task along with Soren.

The setup for a vast library of this nature filled with mostly nonsensical and irrelevant books was borrowed by the author from a 1941 short story from an Argentinian librarian and author Jorge Borges called “The Library of Babel,” but Peck’s version is more of a smart, humorous, and tragic science-fiction meditation on the pitfalls of living forever.

Can the residents of the library work together to use process of elimination to find their biographies? How big is this library, anyway? There’s adventure and sorrow and romance in these pages wrapped in some serious Big Ideas making this one of the finest short novels I’ve ever read. Highest recommendation. 

Get the book HERE.

Paperback Warrior Conversations - Brian G. Berry

Today, Paperback Warrior introduces an exciting new segment to its video and podcast programming called Conversations. In this inaugural episode, Eric sits down with horror author Brian G. Berry to discuss his action-adventure, horror, and science-fiction novels, his unique writing style inspired by cult cinema and trash VHS, and the recent controversy surrounding his novel's removal from store shelves and his dismissal from Encyclopocalypse Publications. Stream the audio portion only HERE. Watch the visual version HERE or stream below:

Stainless Steel Rat #01 - The Stainless Steel Rat

One of Harry Harrison's most successful series titles was the Stainless Steel Rat. The first published Stainless Steel Rat novel occurred in 1961. The series ran through 2010 with a total of 12 installments. Loving Harrison's series To the Stars as well as his Brion Brandd hero, I decided I needed to explore another of Harrison's titles. As a newbie to SSR, I decided to read the series debut simply titled The Stainless Steel Rat.

In a far-flung future world, James di Griz operates as a smooth criminal traveling solar systems and planetscapes searching for the next heist. In many ways he's no different than any criminal found in the books by Dan Marlowe, Donald Westlake, or Lionel White. He's a cool operator with a penchant for highly stressful and highly productive payoffs. But, where does the rat thing come from exactly? Here's how Harrison cleverly describes the series title and structure:

“Some don't show their weakness until they are adults, they are the ones who try their hand at petty crime – burglary, shoplifting, or such. They get away with it for a week or two or a month or two, depending on the degree of their native intelligence. But sure as atomic decay – and just as predestined – the police reach out and pull them in. That is almost the full extent of crime in our organized dandified society. Ninety-nice percent of it, let's say. It is that last and vital one percent that keeps the police departments in business. That one percent is me, and a handful of men scattered around the galaxy. Theoretically we can't exist, and if we do exist we can't operate – but we do. We are the rats in the wainscoting of society – we operate outside of their barriers and outside of their rules. Society had more rats when the rules were looser, just as the old wooden buildings had more rats than the concrete buildings that came later. But they still had rats. Now that society is all ferronconcrete and stainless steel there are fewer gaps between the joints, and it takes a smart rat to find them. A stainless steel rat is right at home in this environment.”

The beginning of the novel has diGriz knocking over an armored car full of money. Just when he thinks he has perfected the heist he is nabbed by the cops. They appreciate his criminal mind so much, and his historical reign of terror, that they make him a free man in exchange for working for The Special Corps. This is a branch of the League (that's space law) that takes care of the troubles that individual planets can't solve. What better asset to the cause than a criminal?

The first assignment for diGriz is the investigation of a mysterious battleship that is being secretly constructed on a peaceful planet in a tranquil part of space. diGriz's attempts to stop the construction leads to a conflict with a female mastermind of equal dexterity – a sexy seductress named Angelina. She's in the midst of creating a unheard of revolution on a peaceful planet free from problems. When diGriz abandons the Corps to go after Angelina alone it sets off a wild series of interstellar adventures that are perfectly penned by Harrison. 

Anyone worth their salt can see rave reviews online for the Stainless Steel Rat series. I'm here to tell you that all of their applause and approval is justified. This novel is just delightful in its simple plot, furious action, hilarious political intrigue, and the introduction of a marvelous literary character. The Stainless Steel Rat rings a crime-fiction bell complete with genre tropes made bigger and more outlandish with spaceships and planetary travels. If this debut is any indication, then this series is going to be a fantastic reading experience. I'm distancing myself from reading them all back to back. Good things come to those who...well you know what I mean. Highly recommended! Get the book HERE.

The Body Snatchers

Author Jack Finney (1911-1995) authored a number of short stories for glossy magazines like Collier's and Cosmopolitan. His career kick-started when he won a literary award from Ellery Queen's Mystery Magazine. His first novel was 5 Against the House, originally published as a serial in Good Housekeeping in 1953 and compiled into a novel in 1954. He followed that success a year later with what is arguably his most well-known work, The Body Snatchers. It was originally published in Collier's from November through December of 1954 and then as a Dell hardcover novel in 1955. The book was such a hit that it was adapted into a film in 1956 using the familiar title Invasion of the Body Snatchers. It would be adapted to film three more times through 2007.

The Body Snatchers takes place in the northern California county of Marin. The main character is a twenty-something divorced doctor named Miles. In the beginning of the book Miles receives an office visit from an an old high-school flame named Becky. She is also divorced and the two still have a romantic chemistry. Becky is worried and explains to Miles that her cousin believes that the man claiming to be her uncle is no longer really her uncle. He looks the same, acts the same, talks the same....but something is just different. 

Later, Miles receives more patients claiming that there friends or loved ones have been replaced by an identical person (or thing!). Miles feels this is all ridiculous and could be linked to hysteria. But, he visits a guy named Jack and the narrative then takes a spin into some really dark places. 

Inside Jack's home, Miles discovers a nude body draped upon a pool table. Oddly, the body doesn't have any identifying features, as if it is still in the process of being formed or made. Jack shockingly claims that the body was infant-sized a few hours before Miles arrival. The idea is that this body is growing to eventually become a duplicate of Jack or his wife. 

Eventually Jack, Jack's wife, Miles, and Becky find seed pods around town that suggest aliens are being created to look like humans in an attempt to integrate themselves secretly into human society. The narrative's first half is built on shock, awe, and suspenseful discovery. The concept is mysterious and spirals into a paranoid sense that the town is consumed by alien beings. 

The second half of the book is a frenzied plot-development as the characters find themselves in a fight or flight situation as they prepare to leave town. Miles, again as a doctor, feels that it is his obligation and oath to protect the town. Together with Becky, he eventually talks with the alien impostors to discover their overall plan. 

As much as I loved this book and the characters, the ending was extremely disappointing. This is a common complaint with anyone who has read this book. Finney just doesn't stick the landing and it doesn't have a suitable ending. His scientific explanation for the aliens arrival doesn't make any sense when you compare it to the book's ending. But, nonetheless it doesn't ruin the entertainment factor.

There are essays and detailed reviews of this book everywhere and one can journey down any rabbit hole to find influences and critical praise of the book's underlying message. As a fan of Finney's heist novels, I've noticed that the author often creates characters that wish to be something they are not. Often young characters will dream of being wealthy and independent which spurs them into committing crimes before facing defeat, rejection, and guilt. In many ways this book has that same central theme as the alien impostors explain how things are different (better?) when the humans give into the transfer of losing themselves to become this alien form. There is also quick references about the town planning on revitalization with a proposed interstate that will bring with it more traffic and commerce. Also, Miles complains that the replacement of the town's telephone operator for an automated system seems to be a sign that humanity is replacing itself. I loved the subtext that Finney injects into his narrative. 

You owe it to yourself to read The Body Snatchers. Despite the ending, the book is frightening, thrilling, and influential to many of the “invasion” angles you see with science-fiction and horror genres to this day. Highest possible recommendation. 

Nightmare on Ice

John Stephen Glasby (1928-2011) was a British born author that produced more than 300 novels and shorts during the mid 20th century. Most of his literary work was written using pseudonyms or house names like A.J. Merak, J.L. Powers, Victor La Salle, Chuck Adams, and John E. Muller. Bold Venture Press spotlighted Glasby's Nightmare on Ice in their 45th issue of Pulp Adventures. The novelette was originally published under the pseudonym Peter Laynham in Supernatural Stories in 1963. 

The narrative features five men living in a research station miles from civilization in the Arctic. There's three scientists, a mechanic, and a meteorologist. Inside this base sits three main buildings and each of these tiny buildings is connected by a dark narrow tunnel. One of the men mentions that he can hear animal noises outside the doors, which is unusual considering the area is in a heavy thunderous blizzard. 

Days later one of the men is alone in the storeroom and hears scratching at the outside door. Considering the temperature is hovering at 60 below zero, nothing alive should be outside in the storm. The man opens the door, begins screaming, and then the reader is left guessing at his demise. This sort of thing plays out again with another member of the research team. 

With three survivors remaining, one of them tells the others that through the frost-crusted window he could see both of the dead men standing out in the snow. There's discussion among the men that ancient people in that area believed something supernatural lived in the ice and sort of embodied the winter. Needless to say things happen and eventually we're left with one survivor who is armed with a gun and attempting to keep his sanity knowing he's the next victim. But, what is the thing in the ice? Is it a ghost, a creature, Satan himself? I like that Glasby leaves it all subjective. There is an ending to the story, but it's slippery to determine exactly what's happening. 

Nightmare on Ice is a fantastic reading experience with a sense of dread looming in every dark crevice. I love books and stories set in snowy locales or frozen settings so the atmosphere and temperature was perfect. One of my favorite horror films is John Carpenter's The Thing and this novelette contained those vibes, which in itself was based on the 1938 novella "Who Goes There". Glasby's tale is mostly what I consider a horror entry but I guess you can lump it in as a science-fiction with the possibility that the evil thing is from another world or planet. Regardless of genre, this was entertaining and highly recommended. 

You can get Pulp Adventures for ten bucks on Amazon HERE and as I mentioned earlier it contains this novella and a lot of other great content. Bold Venture Press does such a great job with this magazine and I have no qualms supporting their efforts. This issue also contains pulp fiction stories from E.C. Tubb, Shelley Smith, Ernest Dudley, and contemporary stories from authors like Jack Halliday and Michael Wexler. There's also a Rough Edges article written by author James Reasoner reviewing three novels.

Paperback Warrior Podcast - Episode 106

In this episode, Eric delves into the career of author Jack Finney. He wrote science-fiction and crime-fiction novels that included time-travel, heists, and prison breaks. Eric reviews Finney's most famous novel, The Body Snatchers, which was the basis for the Invasion of the Body Snatchers film franchise. In addition, Eric discusses his antique mall paperback shopping and reviews a horror story titled Nightmare on Ice from the newest issue of Bold Venture Press's Pulp Adventures. Be sure to subscribe to our podcast and follow us on Facebook, X, and YouTube. Check the Paperback Warrior blog daily for new reviews and articles. A companion video is available HERE that ties into this episode.

Listen to "Episode 106: Jack Finney" on Spreaker.

Doomsday, 1999

According to The Herald, a newspaper in Scotland, Paul MacTyre (1924-1999) was a pseudonym for Professor Robin James Adam. He joined St Andrews University in 1948 and taught there for four decades. His passion for teaching earned him accolades from his students and peers. He authored a total of three books in his lifetime, Midge (1962), Fish on a Hook (1963), and Bar Sinister (1964). My experience with the author is his debut Midge, which was published by Ace in 1963 as Doomsday, 1999 (F-201). The cover was painted by popular science-fiction artist Ed Valigursky.

The first thing you need to know is that Doomsday, 1999 isn't some sort of science-fiction novel that features life on other planets, aliens, or robots. In actuality, it is a gritty military thriller with some technical nuances. If you told me the book was written yesterday and the title was really "Doomsday, 2099" I wouldn't even question it. The author basically constructed this post-apocalyptic styled novel as military-fiction, popularized by the WW2 books that were in abundance in the mid 20th century.

The book is set in a time-period that is decades after oblivion on Earth. Unlike a lot of the post-apocalypse titles made famous in the 1980s, this story doesn't have roving gangs of nomads, mutants, or bikers. There's no Mad Max stuff because all of that is in the past here. Earth has cycled through the nuclear war, the traveling gangs, and wars for leftover Beanee Weenee. Instead, what's left is a makeshift army called Guards. The  great armies are dead: British, Russian, American, Chinese. The Guards are in charge of large camps that house civilians. The civilians work as slaves getting water and tending to the Guards. They also help create a special drug. More on that in a bit.

The main character is a guy named Angus who serves as a hunter for the Guards. The hunters live in the wilderness in a team of four and are responsible for killing deer for the Guards. In turn, the hunters pretty much live on their own and are supplied just enough food and ammunition to keep on hunting. But, ammunition is almost gone and humanity is on the cusp of extinction because of the aforementioned drug. 

The Guards can keep supplies longer by making a special drug that makes the population (what little is left) sterile. They secretly feed the drug to the population and literally just count off the dead each day. Eventually, everyone will die out and Earth becomes the next Mars. However, Angus and the hunters find a Chinese jet that has crashed in the forest. They see the Guards immediately get to the jet and kill all of the passengers except a female named Major Liu. She explains that the makeshift Chinese army still has all of the same problems as the Guards, but they run things a little more gently. Angus discreetly frees Liu and the two begin to understand that they can escape all of this nonsense, kill the Guards, and free mankind. That's a loose summary of what the narrative unfolds. 

As I mentioned earlier, Doomsday, 1999 (silly title as well as the original of Midge) is a high-tech military thriller. It involves some coordinating and planning to infiltrate military outposts, a run 'n gun sequence of firefights in the forest (there's snow everywhere which is my favorite element), and a prison-break chain of events. Needless to say there is a lot of action and intrigue. 

However, there's a weird element that never really made much sense to me. There are midges (tiny little flying insects) that have mutated and have the ability to bite and burn their prey. Because of the midges, most of humanity is either attacked or killed by these burning swarms of bugs. But, the midges don't hurt Liu or Angus, which is explained because they are “nice”. There is also a telepathic connection between Liu and Angus which didn't really make much sense either. These two elements don't detract from the story, but probably do enhance it if the reader figures out what any of that really means. 

The end result is that Doomsday, 1999 is a pretty good military-fiction novel if you treat it that way. While it is doomsday for mankind, the author focuses on action to propel the narrative. Angus and Liu are very likable characters and their final mission to destroy a reactor was exhilarating. Recommended.

Buy a copy of this book HERE  

Planet of the Apes #01 - Planet of the Apes

My childhood consisted of watching the Planet of the Apes movies, and the television show, on cable syndication repeatedly. My parents saw the original 1968 film at the drive-in and became big fans of the franchise. As I write this, I just finished watching War of the Planet Apes (2017) with them while on vacation and I’m headed into the theater shortly to see the newest film, Kingdom of the Planet of the Apes (2024).

As much as I love this series, my fandom has strictly been dedicated to the screen. I’ve never delved into the labyrinth of literary presence the franchise commands. I decided to try the original novel that launched this blockbuster franchise, Planet of the Apes, authored by Pierre Boulle and published in 1963.

The book was written in French with the title La Planete des singes, which translates to Planet of the Apes in English. The book was published in the UK as Monkey Planet. As one can imagine, the book differs from the movie. Surprisingly, the adage of “the book is better” doesn’t fit this scenario.

The book begins with Jinn and Phyllis, wealthy lovers, living in a far-flung future where space travel is available. Phyllis discovers a floating bottle containing a manuscript and the two begin reading it. From there, the narrative becomes an epistolary novel as the manuscript is presented in a first-person narration by the main character, French journalist Ulysse Merou.

In 2500, Ulysse is invited by a French scientist named Antelle and his protegee to join a long star trek through the galaxy to a place called Betelgeuse. The trip takes two years and because of the time difference, these years are the equivalent of centuries passing on Earth. As they get into the vicinity of Betelgeuse, they land their ship on a planet called Soror. The bulk of the story takes place here as the three explore the planet and become accustomed to its unique lifestyle.

The book and the film version are very similar in the first act. The three men are shocked to discover a naked human female running through the lush forest. They deem her “Nova” due to her golden sheen. Fast-forward a few pages and readers get the iconic scene where gorillas arrive on horseback and begin netting Nova and other naked human “savages” in what appears to be a wild-game hunt. Ulysse and the professor are captured and the protegee is killed. Unfortunately, the narrative’s only action is terminated as well.

The rest of the book is a slow-burn as Ulysse is placed in a laboratory and ran through a series of tests by a combination of apes, chimpanzees, and orangutans. On this planet, humans are like animals with no language skills and very little intelligence. The “monkeys” run the show and are in the place of humans in a weird reversal of evolution. Thankfully, Ulysse’s wherewithal puts him in a situation of impressing his superiors with excellent speech and physical prowess. The professor declines to a Neanderthal state after months of caged life. Ulysse also develops a romance with Nova, who is a fellow prisoner.

Like the film, a chimpanzee scientist named Zira takes an interest in Ulysse and is eventually able to free him. In the book’s finale, Ulysse, Nova and their young child escape the planet and return to Earth to discover…well I can’t ruin the surprise for you. In fact, the author has two surprises at the end, one of which I wasn’t aware of.

Circling back to my original statement, the movie is better than the book. I believe that is a popular opinion shared by many. To be fair, if I read the book with no knowledge of the films, then it is a satisfactory science-fiction novel that has a lot to say about the human condition and the decline of civilization. It’s a cautionary tale that has a mix of social commentary, a small dose of action, and an emphasis on character development (and refinement?). In that regard, the author’s vision is superb and his writing acceptable.

Living with the curse of seeing nine of the series’ high-budget films, the book left me a little winded. I still want to read more novels associated with the franchise, but keep in mind that the later novels aren’t written by this author and are all based on the film and television productions – similar to other big franchises like Star Wars, Alien, Star Trek, and Predator.

Get the book HERE. 

Barsoom #02 - The Gods of Mars

The second of Edgar Rice Burroughs' Barsoom series of sword-and-planet novels is The Gods of Mars. It was originally published as a five-part serial in The All-Story between January to May, 1913. In September, 1918 the serial was compiled into a full-length novel and published by A.C. McClurg. I thoroughly enjoyed the series debut, A Princess of Mars, and I encourage you to read my review of that novel HERE.

In events that aren't particularly clear, John Carter is transported back to Mars after his ten year absence from the Red Planet. The hero apparently died on Earth, and when he awakens it is in the afterlife area of Mars known as the Valley Dor. Think of this place as a sort of purgatory. When Carter arrives here, he witnesses a race of Green Martians savagely attacked by flesh-sucking “Plant Men”. If this purgatory isn't horrible enough, any survivors of the Plant Men vampire-like monstrosities are then consumed by the “gods” of the place, a white-skinned race called Therns, which also eat their victims. 

These opening chapters depicting the events associated with Carter's arrival in Valley Dor are similar to  the horrifying descriptions found in Dante's Inferno. Burroughs' pulls no punches submerging these opening segments into a nightmarish not-so-traditional horror setting. Even in 2023, Burroughs proves to be quite the impactful horror writer (intentional or not). The descriptions of the howls from the cliffs and the “sucking” of blood and flesh were just so memorable. These chapters are amazing. 

This descent into “Hell” continues when Carter, and his old friend Tars Tarkas (Tars is here searching for Carter) escape the Thurns (with a slave girl). However, their escape is short-lived when they run into another race of Gods populating this part of Mars. The Black Pirates of Barsoom, referred to as “First Born” are an ancient race of Martians that feed off of the Therns. Carter and Tars are transported to the underground caves of Omean, a giant prison empire controlled by a “goddess” calling herself Iss. 

There is more action, horror, swashbuckling, science-fiction, sword-and-planet, fantasy, and genre-defying literature in this 190 page paperback than countless other genre novels combined. The Gods of Mars is a more superior work than A Princess of Mars and takes into consideration a lot of religious theory. Valley Dor is a self-indulgent scam created by self-proclaimed Gods to further their own interests. The concept of multiple races in combat over religion is parallel to our own culture now. Burroughs uses aspects of religion, politics, and world history to create Mars' culture, lineage, and all of the various empires, races, and competitors vying for superiority through aggression. It's really a mesmerizing mix that is equally entertaining as it is clever. 

Like the Tarzan novels, Burroughs does fall into his own literary traps with events that are cyclical. In the Tarzan series, Tarzan eventually has a son that displays all of the same heroic characteristics. The same can be said for this series as Carter discovers he has a son on Mars that is an expert swordsman. Tarzan's love interest is often captured by various bad guys and the story revolves around her rescue. The same is found here as Carter jaunts from place to place freeing his enslaved lover and friends. Often, I found that the story was an endless cycle of “capture and rescue”, which I've come to accept as the signature of Burroughs writing style. Love it or leave it. 

The Gods of Mars is extraordinary even with the above-mentioned flaws. It is a high water mark  of Burroughs literary legacy and one that may not be topped with future series installments. I'll be the judge of that as I continue my journey through Barsoom. However, this novel is a mandatory read.

Buy a copy of this book HERE.

Zanthodon #03 - Hurok of the Stone Age

Lin Carter's third installment of the Zanthodon series, also referred to as the Eric of Carstairs series, is Hurok of the Stone Age. It was published by DAW Books (423) in 1981, and features illustrations by Josh Kirby (Krull, Star Wars: Return of the Jedi). If you aren't familiar with the series, I encourage you to read my reviews of the first two installments before reading this review. 

The prior novel, Zanthodon, ended in a cliffhanger as Darya was captured by Barbary Coast Pirates. In this novel's beginning, both Eric and Professor Potter (both men from our present-day USA) have been snatched by what the folks of Zanthodon refer to as Dragonmen. They earned this title because they wear magic armbands that allow them to telepathically control dinosaurs! So, these Dragonmen capture Eric and Professor Potter and take them across miles of Zanthodon's baked Earth to the Scarlet City of Zar. There, the two meet the Sacred Empress of Zar, a woman named Zarys (who is like the twin-sister of Darya).

Meanwhile, Hurok and Jorn the Hunter embark on a rescue mission to retrieve their friends from the Dragonmen. This side-story adventure has the two facing near-death experiences as they cross a treacherous mountain pass called the Wall of Zar and an inland sea known as the Lugar-Jad. Additionally, there are other side-stories that involve a guy named Garth searching for his daughter Yualla, and Tharn searching for Darya. 

Make no bones about it, Hurok of the Stone Age is a convoluted novel packed with alternating side-stories within chapters that make up “parts” of the book. Often, I lost track of who the characters were, which tribe or type of people they represented. When you have characters that are Zarian, Drugar, Sagoth, Cro-Magnon, Thanadar, Gorpaks, etc., I nearly needed an organization chart to just figure it all out. At one point, I decided to just enjoy the adventure and let it all just sort of flop over my head on the who's who battle for clarity. In doing so, I found I really enjoyed the book, particularly Professor Potter's participation in the narrative and his quest to bring gunfire to this bizarre world. 

If you enjoy Lin Carter's absorbing, self-indulgent storytelling – high on character count, exotic locales, plot holes a mile wide – then this is a really fun read. Punt the logistics, suspend disbelief, and look over the convoluted meshing. In doing so, you'll not only love this novel, but appreciate the entire series. 

Buy a copy of this book HERE

Atomic Werewolves and Man-Eating Plants

The pulp-fiction and men's action-adventure connoisseurs Robert Deis and Wyatt Doyle are back at it again with a brand new volume for their Men's Adventure Library series (published by New Texture). The book is aptly titled Atomic Werewolves and Man-Eating Plants and it is a beautiful collection of vintage men's adventure magazine stories about ghosts, aliens, robots, vampires, werewolves, and creepy rats. Like many of their prior offerings, this book is available in an expanded hardcover edition as well as paperback.  

The collection begins with “A Century of Weird Tales”, written by PulpFest organizer Mike Chomko. This is an informative history on Weird Tales magazine's history, including full color cover panels by the likes of Virgil Finlay, Matt Fox, and Margaret Brundage. Chomko illustrates how Weird Tales really found its identity in 1924 when Farnsworth Wright assumed the editorial role. At that point, the magazine began a prosperous creative flow populated by some of the best writers of the 20th century – Robert Bloch, Robert E. Howard, Henry Kuttner, Hugh B. Cave, and Manly Wade Wellman, as well as artists like Hannes Bok, Jack Williamson, and Margaret Brundage. 

In “Weasels Ripped Their Flesh”, horror editor, critic, and author Stefan Dziemianowicz examines the influx of early, weird pulp-fiction stories that appeared in the mid to later 20th century Men's Action-Adventure Magazines (MAMs for short). Dziemianowicz points out that these MAM editors would often browse back issues of old pulp magazines to find riveting stories they could feature in their own publications. Titles like Cavalier, Fury, Men, and Peril featured stories previously authored by the likes of H.P. Lovecraft, Ray Bradbury, and Theodore Sturgeon. The article also includes artwork by John Leone and James Bingham.

Both Deis and Doyle offer their own experienced insight on “A Turn for the Weird:, a massive 27-page essay that not only explores the richness of weird pulp-fiction stories in the pages of MAMs, but also serves as an informative introduction on the many stories that saturate this impressive short-story collection. The duo also use this medium to explore the idea of MAMs historically featuring brawny, barrel-chested heroes that were impervious to harm. They show a stark contrast between the usual flavor of MAM writing to the more harrowing horror and terror tales that were sprinkled in. In these stories, readers welcomed the change and grew to accept that these heroes were prone to “fear, panic, mutilation, and fatalism.” The text also examines how the violence and savagery of these MAM stories served as an unexpected coping tool for military veterans that predominately bought and read these publications.

The stories culled from the MAMs and presented here offer a variety of creatures, traditional horror, science-fiction, and just plain 'ole weird writing. The authors featured include Gardner F. Fox, H.P. Lovecraft, Manly Wade Wellman, Rick Rubin, and Theodore Sturgeon. For eye candy, glorious artwork from John Leone, Basil Gogos, Mark Schneider, Vic Prezio, Clarence Doore, Dwight Howe, Fernando Fernandez, John Duillo, Norm Eastman, George Cross, and Mort Kunstler to name a few.

Needless to say, if you love horror, science-fiction, pulp-fiction, MAMs, or collectively the amazing body of work created by both Robert Deis and Wyatt Doyle, then this book is a mandatory addition to your library. With a title like Atomic Werewolves and Man-Eating Plants, why wouldn't it be? 

Buy a copy of this book HERE.

To the Stars #03 - Starworld

Along with series titles like Stainless Steel Rat and Bill, the Galactic Hero, Harry Harrison wrote a number of science-fiction and fantasy novels during his long and respected career. I've concentrated on reading the author's trilogy To the Stars, Homeworld (1980), Wheelworld (1981), and today's topic, Starworld (1981). 

The story so far is that Earth is completely ruled by the rich that have established a two-class one-world government administered by the United Nations. You have the rich controlling everything, including Earth's far-reaching “territory”, a series of slave planets that serve as manufacturing and service for the lower-class Proles. A whiz engineer named Jan figures out that Earth is hiding human history and is seized by the authorities and sentenced to death on a farming planet. All of this is captured in the first book, Homeworld.

In Wheelworld, Jan orchestrates an uprising on the farming planet to usurp an old woman's rigid authority. Her concept of being complacent and living to serve Earth with harvests of corn is overthrown by Jan's forward-thinking, liberal approach to do things in a more democratic way. Jan later discovers that his short uprising on Earth led a series of events that have forced Earth into a war with the only country not participating in the one-world government, Israel, as well as rebels from all of the slave labor planets. On the last page of Wheelworld, Jan joins the rebellion to take down Earth's power-hungry leaders.

Starworld is a buzzsaw filled with non-stop action as Jan and other patriots form a strategic plan to organize the rebellion into a fighting force. This fertile story-line incorporates a lot of different elements ranging from espionage to military combat. At the root of Harrison's riveting narrative is a dilemma facing Jan – he must learn to trust the man who murdered his sister (events that occurred in Homeworld). Enhancing the plot development is preparation for a spacecraft battle and overtaking a military base in the Mojave Desert. Jan also has a romantic relationship with a woman that plays a key part in the rebel's success.

Once you've read Homeworld and Wheelworld, you get the idea where this novel is heading. It's much more epic than the two prior installments and often places Jan in a minor role for some of the developing plot. While the military campaign and ultimate war seems like a grand spectacle, the novel is still less than 200 pages, so an org chart or notes isn't a requirement. This is lightweight science-fiction for casual genre fans. Recommended! 

Buy a copy of the book HERE.

To the Stars #02 - Wheelworld

Harry Harrison was a popular science-fiction author that created a number of memorable series titles and characters. His most popular works are those involving the Stainless Steel Rat and Bill, the Galactic Hero. While I haven't explored those titles yet, I did enjoy my first foray into the author's To the Stars trilogy, Homeworld, originally published in 1980. Needless to say, I continued my space-travels with the second installment, Wheelworld, published one year later.

This trilogy, which has nothing to do with another of Harrison's works called Deathworld, is fairly easy to understand and enjoy, so those of you loosely reading science-fiction should be tall enough for this ride. In Homeworld, readers learn that in the 23rd century, Earth is ran by a one-world government administered by the United Nations. The rich make up a conglomerate of authority that rules the proles, the other class of humans that simply exist as slaves in manufacturing and service. Earth's rich and powerful controls the outlying planets and moons, creating slave planets that simply manufacture goods to ship to Earth. The people on these planets live a life of labor, void of any knowledge of human history.

Jan (male), the series hero, is a microchip whiz that lives a life of luxury on Earth. He figures out the whole conspiracy that forces the proles into servitude and tries to stop it. By teaming with the Israelis, the only country that isn't part of the one-world government, Jan learns about the hushed human history, the plight of mankind, and the big lie fed to the world by “big brother”. By the end of Homeworld, Jan is captured, his sister is murdered, and he is sentenced to life as a slave on a farming planet. 

As Wheelworld begins, readers learn that four years have passed since Homeworld's final page. Jan is living on the agriculture planet Halvmork. Here's the deal on this planet, because it is an integral part of the story. The planet, which is much smaller than Earth, is off-tilt by a few degrees which creates one massive season every four years. On this planet, there is twilight on one side of the planet and temperatures hovering around 80s degrees for four consecutive years. Jan, and the other harvesters, grow corn during this time. After four years, the weather shifts on that part of the planet to 150 degrees and nonstop sunlight. So, after four years, Jan and the others await ships to arrive to take the corn back to Earth. Then, via mobilized transports (like large tanks), the entire population travels thousands of miles to the other side of the planet to take advantage of the four year period that is twilight and 80 degrees there. Cool, right?

This population of slavers has its own governing body, an old woman who is antiquated in her ways and butts heads with the forward-thinking hero. Jan is in a romantic relationship with the old woman's daughter Alzbetta, and the two want to become married but it is forbidden. This is a splendid side-story that propels the book's central plot. As the book begins, it is harvest time and the four years is coming to an end. The sun is beginning to shine and the forecast is heating up. But, the ships don't arrive, which is a major problem. 

Jan makes the decision to take all of the corn on the motorized trek across the planet. His reasoning is that the ships may arrive on the other side of the planet and the corn will be needed there. But, the old woman refuses to do this so Jan has to strong-arm her family to do the right thing. This creates a physical fight between Jan and a family enforcer, which leads to a riveting trial and execution thing at the book's end. But, the real pleasure of Wheelworld is the “wheeling” across the planet as the team fights through volcanic ash, huge crevices in the Earth, swarms of insects, and the human turmoil and factions that develop on the road trip. 

Honestly, Wheelworld can work perfectly as a stand-alone novel. It is a road trip adventure as Jan and the team work their way from Point A to Point B to avoid natural disasters. In some ways, the book reminded me of Damnation Alley by Roger Zelazny as a futuristic obstacle course pressed for time. In the trilogy, this is really the hinge that gets from the Earth action in Homeworld to the Earth War story in Starworld. But, regardless of your approach, Wheelworld is a fantastic novel and a great reading experience. 

Buy a copy of this book HERE.

Calico

New York Times bestselling author Lee Goldberg began his career as a journalist, reporting for national publications, including the Los Angeles Times, Newsweek, and the San Francisco Chronicle. After breaking into screenwriting, Goldberg contributed to shows like Murphy's Law, Monk, The Cosby Mysteries, and Spenser: For Hire, as well as producing and writing episodes of Monk and Diagnosis Murder. Twice nominated for an Edgar Award by the Mystery Writers of America, Goldberg's literary work includes the bestselling title Fox & O'Hare (with Janet Evanovich), as well as The Dead Man, The Jury, Ian Ludlow, and Eve Ronin series. 

Perhaps his most ambitious novel to date is Calico, coming November 7, 2023 by independent publisher Severn House. While it possesses all of the exemplary crime-fiction elements perfected by Goldberg, this stand-alone thriller journeys into a unique, untapped resource that's never been used by the 40-year veteran. The end result might surprise you.

Like Goldberg's other Los Angeles detective Eve Ronin, Calico's protagonist Beth McDade has a tumultuous history with the force. After a romantic encounter with a fellow officer, McDade is released from duty and forced to relocate to the San Bernardino County Sheriff's Department. She was warned upon her arrival three years ago, “The interstate here only goes in one direction – away. Nobody wants to be in Barstow and those who do, you don't want to know.” 

Barstow, California is where McDade works as one-half of the area's homicide department, prowling a stretch of desert along the Calico mountain range to the north and the Marine Corps Logistics Base to the south, both of which play prominent roles in the book's central story. In between is a variety of military housing, alfalfa farmers, and off-the-grid survivalists residing between fast-food dives and bars. The dismal landscape and dull employment contributes to McDade's spiraling depression, a disorder she routinely treats with alcohol and endless one-night stands with the town's first responders. 

Calico's white-knuckle, straight-laced narrative, is an enthralling police-procedural that features McDade working a combination of home-invasion robbery (shades of Goldberg's own Gated Prey), a missing person case, and a bizarre highway death involving an elderly couple. From a surface level, it seems to be routine, by-the-book police business, but the sun-bleached asphalt masks a disturbing secret that mysteriously connects to the town's mining history in the late 1800s. How does a potential murder victim in 2023 connect to events in 1882? This enticing web will ensnare unsuspecting readers with plenty of surprises along the way.

As a fan of Goldberg's writing for some time now, I was pleasantly surprised with Calico's unforeseen curveball. If you enjoy murder mysteries - complete with the obligatory detective tropes, investigative twists, whodunit suspense, and strong female lead – then you already know that few can do it better than Lee Goldberg. However, by combining all of those crime-fiction staples into an unconventional, widely different approach, Goldberg delivers something altogether new, radical and exciting for his readers. Calico is a very clever crime-fiction novel authored by an absolute pro. Highly recommended. 

Buy a copy of this book HERE.

Star Wars - Heir to the Jedi

Author Kevin Hearne is an established author that landed on the USA Today bestseller list with his debut hardcover Shattered. As an urban fantasy author, Hearne has authored nine installments of the Iron Druid Chronicles series, three novels in the Oberon's Meaty Mysteries, and countless novellas and short stories. My introduction to his work is his Star Wars novel Heir to the Jedi, published by Del Rey in 2015.

I am mostly a casual fan of the Star Wars media bonanza. I've seen the nine feature films repeatedly, and watch some of the spin-off shows. I can't quote you serial numbers on spaceships, but I know enough to just get by. I have only tackled one prior Star Wars book, and didn't care for it. But, as a Luke Skywalker fan, I was immediately drawn to the book's cover. I also liked the era in which the book is placed, snuggled between Episode IV A New Hope and Episode V The Empire Strikes Back. The book is considered canon, meaning it fits directly into the current Star Wars franchise owned and operated by Disney.

In the book's opening pages, Luke is provided a mission from Princess Leia and Admiral Ackbar. He must fly to Rodia in an effort to open a secret supply line to the Rebels. The idea is that the Chekko clan there might work with the Rebels and also manufacture weapons for them. Luke is assigned a floating yacht called the Desert Jewel for the mission, and pairs with the yacht owner's daughter, and deadly sniper, Nakari for the mission. 

The plot is a series of action-adventures ranging from Luke's monster fight on a jungle island, rescuing a cryptographer, contending with an infestation of skull-borer aliens, flying through an Imperial blockade, and of course fighting with other numerous enemies. As each side-story is resolved, it conveniently opens up another side-mission. For example, upgrading weapons by performing a task, locating a missing research crew to earn money, identifying a spy, etc. It reminded me of a modern video game where players work through checkpoints by solving problems. There is an emotional surprise near the end that I felt was a bold move on the author's part (hint - someone dies). This made the book conclude with an impact. More authors should do this. 

As a men's action-adventure reader and fan, the book is like a Nick Carter: Killmaster installment as the action jumps from mission to mission. Ultimately, Luke Skywalker could be any paperback warrior and these planets could be Russian or China when the Cold War raged. It's an espionage spy-thriller with a science-fiction twist that seemed both familiar and nostalgic. As a Star Wars novel, it offers a glimpse into Luke's examination of the Force and his early efforts to use Jedi mind tricks to move objects around. An interesting addition was Luke's disassembly of another lightsaber to see how it actually works. 

Heir to the Jedi is an action-packed novel complete with everything I love about adventure paperbacks. Whether you will love it or not shouldn't be dependent on your Star Wars knowledge or level of love. It's just an enjoyable book and I recommend it. 

Buy a copy of this book HERE.