Robert E. Howard's Conan licensing is a moving target in the comics industry. Many associate the character with Marvel based on the success of the 1970s Conan the Barbarian comic and the Savage Sword of Conan magazine. However, the character was a dominant force when Dark Horse comics purchased the license, only to lose it to Marvel decades later. Recently, the entertainment studio company Heroic Signatures purchased the licensing and offers their IP to anyone with a thick wallet – like British publisher Titan Comics.Titan began publishing their series, Conan the Barbarian, in August of 2023 through a licensing agreement with Heroic Signatures. In February, 2024, the inevitable The Savage Sword of Conan black and white magazine was published. Like any respectable Conan fan, I bought two copies of the first issue in hopes that I can wallpaper my future grandchildren's home in thousand-dollar bills. I hope to review more modern Conan publications so I thought I would begin here with the first issue of The Savage Sword of Conan by Titan Comics.
My issue features the cover created by Joe Jusko, an astounding artist that painted Conan the Barbarian trading cards in the 1990s. In other Conan-related works, he provided interior illustrations for the Conan: Adventures in an Age Undreamed RPG and Dynamite's Red Sonja. The other Jusko cover associated with this issue is the FOC cover which is the full panel with no fonts or title. The cover is also featured in black and white in the inside to accompany a Conan short-story titled "Sacrifice in the Sand" by Jim Zub, which was inspired by Jusko's art.
Roberto De La Torre is an important artist in modern Conan. De La Torre was an active contributor on the Conan the Barbarian (2019-2021), King Conan (2021-2022), and Conan: Exodus and Other Tales (2021) titles that were all published by Marvel. I really enjoy his artwork and his amazing Conan pin-up is on page three. Additionally, Rebeca Puebla (007: King and Country, Bettie Page) provides a pin-up of Belit on page six. Fans of the 1970s Conan the Barbarian comic will enjoy artist Howard Chaykin's pin-up of Solomon Kane on page 77.
As you open the magazine, the first thing that really stands out is a personal introduction by Conan royalty, Roy Thomas. He provides a brief history of Conan in the comics and the pains and triumphs of the character in print. Thomas also adds that he was invited by Titan to write more Conan stories for this magazine – an offer he is apparently taking them up on.
The issue's main story is "Conan & The Dragon Horde". It was written by John Arcudi, a veteran comic storyteller that wrote in Savage Sword of Conan issues #150-152, 158, 165, 182 and also penned stories for Savage Tales. Arcudi is a dynamic, all-around author that has contributed to hundreds of comic titles since 1986. The story's art was created by Max Von Fafner. He created the cover for Conan the Barbarian #3 (2023), Conan: Battle of the Black Stone #2 (2024), and a variant cover for this Savage Sword of Conan issue.
In the story, Conan is serving as a general in a Hyrkanian cavalry division headed to a large fortress in the Hyrkania desert. Conan is leading a band of soldiers, bandits, and mercenaries that are assisting an ousted prince in returning to the fortress to seize a lucrative treasure hold. There are twin soldiers serving the prince (who totes around two lions) that immediately piss Conan off when they insult a Turanian woman, Ineah, serving as a weapons engineer.
Soon, Conan beds down Ineah and Von Fafner leaves nothing to the imagination. She is gorgeous. But, she proves to be a capable fighter and a brilliant mastermind in terms of weapon placement and use. The bizarre part of the story is when a dinosaur – yes a dinosaur – breaks from the fortress and attacks Conan's men. Thankfully, Ineah saves the day with her ballista.
When Conan and company make camp outside of the fortress, they are surprised that no one from within the compound has bothered to attack them. As the days continue with no activity, Conan uses his thief background to climb into the city to determine what is actually happening there.
I felt that the story was just okay. The artwork leads the way, as usual, and Conan's mannerisms and leadership is par for the course. There's nothing to dislike about Arcudi's writing, but it didn't wow me like a traditional first issue's lead story should.
The aforementioned “Sacrifice in the Sand” short story by Jim Zub followed. Honestly, I just skipped it to jump into the Solomon Kane story, “Master of the Hunt”. This is the first of a promised trilogy of stories that places Kane on the hunt for a monster terrorizing a village. The story and art is by Patrick Zircher, a veteran that has worked on numerous Marvel and DC titles like Action Comics, Detective Comics, Superman, Captain America, Avengers, and Iron Man just to name a few. I love Solomon Kane so I was anxious to see what he could do with the character.
The story is set in Glamorgan, Wales on All Hallow's Eve. A blind man drinking ale in a bar explains that this night is when the gateways between worlds is very thin. Outside the tavern, readers are treated to small panels showing some sort of monster attacking and killing sheep. The next day Kane arrives and sees the monster's tracks. He chances upon a woman and her son living in a small farmhouse. The woman explains that her husband has embarked on the “great hunt” with other villagers in search of the monster.
I can't give too much away here due to spoilers, but this was a well-written, fast-paced narrative that excellently “got” REH's Kane character. There are scenes of Kane praying as well as dialogue emphasizing Kane's commitment to God to rid the world of evil. Although the twist ending could be seen a mile away, it didn't detract me from the story and art. The promised sequel should take the characters and monster in a new direction and I'm looking forward to that.
More Solomon Kane is included at the end with an excellent essay penned by Jeffrey Shanks explaining the character's publication history and failure to equal the popularity of Kull and Conan.
Overall, The Savage Sword of Conan #1 was pretty good. There's nothing to complain about, but at this point there is just so many Conan comics, books, collections, ebooks, and stories being published that the market is completely saturated. You could read nothing but Conan your entire life and never get through it all. With that being said, my failure to be overly stimulated by this new version of Savage Sword can partly be blamed on too much too fast. I have the same issue with Batman. It's an embarrassment of riches available to anyone anytime.
Get this issue plus the following two issues HERE.