The Survivalist #02 - The Nightmare Begins

Jerry Ahern’s post-apocalyptic series 'The Survivalist' showed promise in its debut novel, “TOTAL WAR”. Early on in the book, nuclear war breaks out between the Soviet Union and the United States. I won’t give away which side wins; let’s just say we finish in the top two.

Our hero is John Rourke, a trained physician and former CIA agent. A massive nuclear explosion hits while he’s traveling across the country on a commercial flight, and the glare of the blast blinds both of the pilots. Rourke steps up and manages to land the plane by himself somewhere in the New Mexico desert, and the rest of the book is all about protecting the passengers, scavenging the area for guns, and finally heading east in hopes of finding his family back home in Georgia. Near the start of that journey, he and a friend are confronted by a huge motorcycle gang, and in a memorable if unlikely finale, our heroes blow away every last biker.

The second book, “THE NIGHTMARE BEGINS”, is similarly packed with adventure. Rourke has reached Texas, and will have to deal with radiation poisoning, armed paramilitary squads, an even bigger contingent of heavily-armed outlaws, and other perils. Meanwhile, his wife and small children are facing some of the same problems back home, and if anything the drama is even more effective on that front. The book ends on a strong and surprisingly poignant note, setting us up for more adventure in the next volume. 

Both books are good. But they’re not great, and they really ought to be. All the ingredients are there for some solid, breathless action/adventure fiction. Somehow, though, the books are interesting without being exciting, and the hero is very capable but he’s lacking in star power.

Maybe it’s just me. Maybe it’s something about the author’s style that kept me at arms’ length from the material, I don’t know. I felt the same way about “THE BATTLE BEGINS”, the first book in Ahern’s 'The Defender' series, another post-apocalypse epic whose hero might as well be John Rourke’s twin brother. In both series, the material was just fine but the kettle never really came to a boil.

Maybe I’ve been spoiled by other post-apoc series which were written later on, things like 'The Last Ranger' and 'Phoenix', in which there are mutants and cannibals running around and things are much crazier than what we get from Ahern. 

Don’t get me wrong. Overall, these Survivalist books are better than average, and I’ll certainly continue on to the next installment. I have a feeling things will get more... well, nightmarish.

“THE NIGHTMARE BEGINS” is worth your time, and very likely you’ll dig it more than I did, especially if you’re a gun enthusiast and you enjoy reading about the specs of various firearms. Take your reading pleasure to the next level by playing the Survivalist Drinking Game: every time you see the brand name Detonics, take another drink. By the time the book is over, you’ll be so woozy you won’t know whether you’d read it or dreamed it.

The Survivalist #01 - Total War

Paperback Warrior has covered a lot of post-apocalyptic fiction paperbacks of the 1980s. Series installments in the Deathlands, Out of the Ashes, and The Last Ranger to name a few. One of the longest running post-apocalyptic series was The Survivalist by Jerry Ahern and his wife Sharon. It was originally published by Zebra from 1981-1993 and consisted of twenty-nine total books. In a 2010 interview with Survival Weekly, Jerry Ahern described the series as one long soap opera, a giant novel of around two million words. Since Jerry's death in 2012, Sharon has collaborated with mystery-thriller author Bob Anderson to write and publish an additional seven novels between 2013-2019. The entire series has been made available at an affordable digital price.

The series debut, Total War, introduces readers to John Rourke, his wife Sarah and their two children. As a former medical student, Rourke dropped out of college and joined the military. As a career soldier, Rourke later joined the CIA in their Counter Terrorism division. Now, Rourke spends his time training survival and fighting techniques globally. In the book's opening act, John departs the family's Georgia home on a business trip to Canada. It's during this time that WWIII takes place.

The book's first half is a slow-burn with a dozen characters, including the U.S. President, positioning pawns to defend Pakistan from the Soviet Union. During the increased tension, U.S. and Soviet subs come to blows and the chain reaction has 60% of America dead. The U.S. President's delay on launching nuclear missiles left most of the American military defeated but still destroying 40% of the Soviet Union's population and devastating their industrial complexes.

Once the elaborate, and plodding, chess match is over, Total War shifts into the traditional post-apocalyptic formula. With John aboard a passenger jet, the pilots become blinded and John is forced down in Albuquerque, New Mexico. Across the country, Sarah and the kids are dealing with looters and marauders who quickly attack their residence. After a number of skirmishes and fighting, John and an unlikely ally face an army of savage bikers. Faced with insurmountable odds, John fights for the opportunity to gain enough supplies and fuel to start the long journey back to Georgia to locate his family.

Doomsday series titles such as Phoenix, Roadblaster, and Swampmaster all have familiar threads – brutal motorcyle gangs and an obligatory quest for the protagonist to find a loved one. This mono-myth is a common one and is often placed in extreme scenarios like nuclear war and zombie outbreaks. In the case of the Survivalist debut, the familiar formula actually works quite well. I read the book in one sitting and was extremely pleased that the Ahern shifted the novel's premise from political power plays to a rugged, hardened action story complete with characters that were engaging. While the tale is well-told, the storytelling technique was outstanding if you simply suspend disbelief.

While I've been critical of Ahern’s other work (I'm pointing at you Track), I'm glad I was able to find enjoyment with this series. I'm looking forward to reading more installments and encourage you to seek out these affordable digital reprints. If you love panic and hysteria, you'll find this is a real treat. 

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Firebrats #02 - Survivors

Lots of married couples find it hard to live with each other. Some detest spending long periods of the day with their partner for life. Imagine going to work with your wife every day? Thankfully, Scott and Barbara Siegel aren't one of those couples. In fact, their marriage is so strong that it supported both of them living, loving, and working side-by-side. Beginning in the early 1980s, both Barbara and Scott Siegel authored books together under numerous franchises like G.I. Joe, Transformers, Dragonlance, Star Trek, and Dark Forces. The majority of their literary work is the young adult genre.

For years I've hunted for a four-book series by the Siegels titled Fire Brats. It's an odd title, but a familiar scenario. Two Americans attempt to live and survive in the aftermath of a devastating nuclear bomb attack. The books were published between 1987-1988 by Archway, a subsidiary of Pocket Books. At the time of publishing, the paperback market was ripe with post-apocalyptic titles like The Survivalist, Deathlands, and Doomsday Warrior. I've never seen a copy of any of these books out in the wild. The books are scarce, which drives up the second-hand costs. I've seen these novels fetch up to $50 on Ebay. But, archive.org has the last three series installments available to read online.

Skipping a series debut is typically frowned upon in this household, but in this case it was necessary. Jumping into Survivors, the second installment, I quickly get the gist of the series. Matt (male) and Dani (female) are teenagers that grew up in the small town of Fair Oaks. From what I gather through the characters' brief reflections, the United States was nuked by an unknown country and now its major cities and metropolis areas are piles of rubble. Dani and Matt were able to seek shelter underground, and as Survivors begin, they emerge four days later on a journey west. Apparently Dani's parents were killed, but Matt's family may still be alive in California, thus the series will follow their trek through the wastelands.

The two characters spend a night in an abandoned Burger King (in what may be Colorado), and then attempt to cross a large river on a homemade raft. The raft disintegrates and the two are briefly thrust into the raging river to become separated. Eventually, the two reunite and journey into the wilderness and find a cabin that is fully stocked with weeks of food. The place even has running water, farm animals, books, and a fireplace. This is paradise for Matt and Dani, so they decide to stay for a while.

The cabin's owner is an old man named Ordway, who surprises the kids with a pointed shotgun. He has dealt with a lot of bad guys since the bombs fell, so he immediately thinks these teens are out to rob and murder him. After marching the duo outside for an execution, Matt is able to fight the old guy. As a result, the kids wrestle his gun away and Ordway breaks a leg. After explaining they mean no harm, and that they thought the cabin was abandoned, Ordway loosens up and makes a deal with the kids. He'll train them on what they will need to know to survive in this new world. They will help him around the house for a few weeks until his leg heals. 

At 155 pages, Survivors mostly spends the bulk of the book on the two kids interacting with Ordway to learn how to make weapons, hunt, and what to eat in the forest (who knew you could eat tree bark?). The book's last 50ish pages introduces a small band of mean scavengers looking to capture/rape Dani and claim the house. The finale has the kids using slingshots and bows to defend the cabin while Ordway attempts to fend off the attackers with a broken shotgun. 

Despite being juvenile fiction, I found Survivors to be a lot of fun. It reminded me of the first Survivalist novel with the prepping techniques and education, but the quest and action is reminiscent of Survival 2000. Dani, Matt, and Ordway possess endearing qualities that make them lovable. The introduction of the bad guys was inevitable, and the final fight and pursuit was engaging and well-written. While the book lagged a little in the middle, it was a good intermission to prepare for a rowdy end. 

I look forward to reading the rest of the series and I'm grateful that someone took the opportunity to scan most of the books. They are long out of print and very few libraries or book stores carry them in their current catalogs. If you love the 1980s post-apocalyptic stuff, then Fire Brats is sure to please. In a similar fashion, you might also enjoy the dystopian 1980s series U.S.S.A., which seems to be equally hard to find and expensive. Archive.org has at least one of the series' three books.

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Swampmaster: A Paperback Warrior Primer

In the late 1990s, author Jerome Preisler became a prominent contributor to the Tom Clancy spy-world of espionage and covert thrillers. Penning eight Powerplays titles using the Clancy brand, Preisler also wrote television tie-in novels in the CSI, Homicide and NCIS series. Preisler also authored the movie adaptations for Last Man Standing and Mortal Kombat: Annihilation. Before adding “NY Times Bestselling Author” to his name, he authored two early 1990s horror novels for Leisure, The Awakening and The Pact. But, nothing could quite compare to the three-book post-apocalyptic series that Preisler wrote under the pseudonym Jake Spencer. 

Swampmaster, billed as the “first in the mega-mayhem action series!”, consisted of three post-apocalyptic paperbacks written by Preisler and published by Diamond. Considering the timing of publication - all three novels released in 1992 - the post-apocalyptic pop-culture phenomenon had likely evaporated. With successful titles like Out of the Ashes, The Last Ranger and The Survivalist finding a loyal 80s fanbase, the 1990s began a decline in sales and readers. Nevertheless, the publisher and/or Jerome Preisler pursued the post-apocalyptic genre with this short-lived series. 

The series opener explains that America was nuked and what's left are marauders, mutants and a new government called The National Front. Opposing the sadists, racists and warmongers of The National Front is the Free States, territories that have succeeded from the government's tyrannical union. In one of the Free States, a swampy area in southern Florida, resides series hero John Firecloud. He's a Seminole, trained in the ways of the warrior by his father Charlie. Firecloud is proficient with archery and martial arts, two much-needed assets in this doomsday environment.

After Firecloud's village is attacked, Firecloud himself destroys an Apache helicopter with an arrow and disposes of seven heavily armed men. As his father is dying, he passes on a message of leadership to Firecloud, who will now be known as the impressive Swampmaster. Whatever that means. But instead of Swampmaster fighting hunchbacked, radiated ogres, motorcycle psychos and the number one villain of the book, The National Front, the author provides 120+ pages of a planned bombing in Atlanta. 

There are pages and pages of nonsense about a bomb in a briefcase, who's got the briefcase and a car accident victim. The novel's final chapters has Swampmaster team with two kung-fu dwarfs and a former female swat team member to fight a female mutant called Itchy Peg and her two inbred brothers. After Swampmaster is nearly boob-smothered by Itchy Peg and subsequently saved by the dwarfs, the foursome travel north to hijack a train full of carnival oddities so they can fetch a pilot that can fly an Apache helicopter. The end result has Swampmaster swimming through a bay to climb a fort in St. Augustine, Florida to liberate a scientist that potentially can aid the Free States. 232-pages of dull, unexplained trash-fiction that unfortunately leads to a sequel. 

A few months later, Hell on Earth arrives. This second installment begins with Swampmaster and his acrobatic dwarfs fighting a convoy of National Front troopers. There's a hilarious scene where the dwarfs handspring across the battlefield to draw fire away from Swampmaster. While this is happening, the author introduces a carload of mutants dressed as clowns that are slave mercenaries for the government. It is this sort of stuff that carries Swampmaster into the realms of the ridiculous. I'm not sure if it propels the action or unintentionally serves as a distraction.

The bulk of the narrative has The National Front creating a new military compound off of Long Pine Key in the Gulf Coast of Florida. It is here where they plan on utilizing remote control mutants as soldiers under the tutelage of a vile villain named Groll (who plays video games called Hitler's Legacy and Auschwitz). Of course Swampmaster wants to stop the remote control mutants and put an end to Groll's dastardly deeds. The finale has a captured Swampmaster forced into gladiator combat against a seven-foot tall mutant controlled by Groll remotely. While certainly not top-tier literary fiction, Hell on Earth was somewhat enjoyable and an increase in quality compared to the horrific series debut. 

The series third and final installment, Unholy Alliance, reverses any momentum that Preisler had with the prior novel. Instead, what serves as the series finale is arguably on par with the Roadblaster series written by Paul Hofrichter. In other words, it's a cesspool of literature that should come with a warning label akin to this: Contents inside may put you at risk of blindness, erectile dysfunction and lethargic bouts of coma-like fatigue. Contact your physician or nearest urgent care if you read past page 10. 

The set-up is that warring factions – The National Front and Free States – converge on an abandoned Disneyworld to duke it out. It's a fascinating concept, bad guys running around the most famous amusement park in the world while a war party featuring acrobatic dwarfs and a Seminole warrior are attempting to stop them. Just for giggles, the author throws in eight-pages of a savage black bear fighting a doomsday cowboy while a gladiator game ensues with motorcyclists mowing down human heads while a drooling, wheelchair-bound madman watches from Cinderella's Castle. 

How on Earth can you screw this up? It's an amazing, awe-inspiring premise that Jerome Preisler just shits away! It's like Peter North showing up on the set and having no idea where to put it. This should be an easy one, but instead the reader is subjected to pages and pages of gun porn, mindless conversations about Cuban cartels, pointless backstories on meaningless characters that become decapitated in just a few pages. 

This is absolute garbage. If garbage was alive and had a waste can that it put its own garbage in, this book would be the filth-ridden wallpaper adorning the can's inner aluminum shell. 

Thankfully, this series was trash-canned, thrown onto the back walls of garage sales worldwide, finding solace in its mere obscurity. Who is this lone hero Swampmaster? He's John Firecloud and he'll rain on your Macy's parade every single Thanksgiving. He's the guy who hid the chocolate bunny on Easter and told you asparagus tastes great. He only left you a quarter for pulling that bloody stump of a tooth out of your pink gums and John Firecloud is the guy who crapped in the work toilet and left it there to dissolve knowing you'd see it and never unsee it. 

You know what? Jerome Preisler did all of that too when he introduced the world to Swampmaster.

The Hard Corps #01 - The Hard Corps

After their re-branding from Pyramid, the Jove publishing house experienced a retail bonanza in the mid-1980s. At the height of post-Vietnam War action films like Missing in Action and Platoon, Jove launched a plethora of hard-hitting, hi-octane team-commando series titles like M.I.A. Hunter and The Guardians as well as the novelizations for Rambo II and III. Another series title that Jove introduced to the market was The Hard Corps. It ran eight total installments from 1986 through 1989 and was written under the house name of Chuck Bainbridge. In reality, the series was mostly written by William Fieldhouse (M.I.A. Hunter) and Chris Lowder (Deathlands #01). Fieldhouse's efforts are mostly the early volumes with Lowder writing the series' later installments. The eponymous debut, The Hard Corps, is my first experience with the series.

At 320-pages, this paperback is loaded from cover to cover with action. The book begins with The Hard Corps team liberating a Mexican couple from a terrorist group for a million bucks. This early onslaught showcases the five-man team in their element – violently blowing away the bad guys. After the mission, readers are introduced to the team and the series premise.

The Hard Corps is led by William O' Neal, a former Green Beret captain who excels in all combat situations. John McShayne is the team's primary caregiver, a Korean War vet that handles inventory, cooking and some accounting. Joe Fanelli is the obligatory explosives guy. James Wentworth is O'Neal's second in command and a samurai sword expert. Rounding out the bunch is Steve Caine, my personal favorite. Caine is sort of a loner, a survivalist who is comfortable in the wilderness, an expert in blades and designs various traps to ensnare and kill enemies.

These five guys are all Vietnam vets who served together as a fighting force in Southeast Asia. Now they are mercenaries with a unique relationship with the U.S. government. The C.I.A. and F.B.I. promise to leave The Hard Corps alone as long as they share their valuable intel and also agree to do a few odd jobs for the U.S. brass every so often. The team's C.I.A. liaison is a guy nicknamed Saintly.

The Hard Corps are probably the most organized and efficient team in action-adventure literature. Their compound is located in a rural stretch of the Pacific Northwest. It's here that they live, train, park their choppers and do all of the mission planning. As such, it's unusual when a small team of Vietnamese rebels land a chopper at the team's headquarters.

Unbeknownst to O'Neal and company, Saintly has instructed these rebels to find safety with the Hard Corps. The reasoning behind the safekeeping is that these rebels are being hunted by almost 100 Vietnamese government operatives. Before you groan and ask how this many communist soldiers are in the U.S. undetected, let me stop you. You see the Soviet Union's K.G.B. operatives have secret locations along the Pacific coast. It's easy for the K.G.B. to assist in getting these Vietnamese operatives through the U.S.'s southern border undetected. With this many assassins hunting the freedom fighters, the Hard Corps quickly realize that their unwanted guests have brought plenty of baggage. Their entire compound is surrounded and the rebels are their target.

Fieldhouse uses this double-sized debut to not only tell a story but to also dedicate whole chapters to each team member. In long backstories, Fieldhouse showcases each member's childhood and their natural evolution from the streets to the jungle. Some stories were captivating while others were a bit of a snooze. The book's central focus is simply The Hard Corps holding off waves of enemy forces with high-capacity guns and Earth-quaking explosives. The author's descriptions of guns and other weaponry was thankfully held to a minimum but the violence factor was amped pretty high. This series isn't for the squeamish.

At 320-pages, I mostly enjoyed the book but honestly skipped through some of the biographical sections. With so many of these titles, and so little time, I wanted the meat and potatoes action more than an emotional war story about brothers in arms. Regardless, The Hard Corps is one of the better 80s team-commando series titles and remains fairly respected decades later. If you like Phoenix Force, Eagle Force and S.O.B.s, you'll be at home with The Hard Corps.

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The Survivalist #03 - The Quest

Jerry Ahern's The Survivalist is one of the most popular post-apocalyptic titles of the 1980s. The literary series lasted between 1981 and 1991, totaling 29 volumes. In 2013, the series began new installments authored by Bob Anderson and Sharon Ahern. After reading the first two volumes, I like the character of John Rourke a lot. I'm compelled to learn more about his journey through Soviet-occupied America. This third novel, The Quest, was published by Zebra in 1981 and features Rourke in his home state of Georgia. 

There are a number of scenarios that weave together in The Quest. After arriving in Georgia, Rourke leaves Rubinstein at his survival retreat as he explores the area in search of Sarah and the children. After a brief skirmish, Rourke receives a proposal from a former fellow soldier named Bradley. He asks Rourke if he is willing to help find a NASA scientist. In exchange, Bradley will send a correspondence through the resistance network inquiring where Sarah is.

During this time, KGB commander Vladmir Karamatsov visits his wife Natalia in Chicago. In the series second installment, a friendship was formed between Natalia and Rourke. Karamatsov knows this and starts physically and verbally abusing Natalia. In her defense, she injures Karamatsov and runs away from the house. Later, Natalia's father, General Ishmael Varakov, learns of Karamatsov's attack. Varakov wants to get in touch with Rourke, an enemy of the state, to kill Karamatsov. His reward will be complete liberty to him and his family.

By all accounts, Rourke is an extremely busy character in The Quest. By assisting Bradley, Rourke becomes involved in a local resistance operation that eventually loses. Through his exchange with Varakov, the last exciting chapters of the book relate Rourke's mission to kill Varakov.

This series installment is important because it introduces the Eden Project storyline. This will become a major consideration in the series in the future. The involvement of NASA before the nuclear attack, the ultimate goal of the project and its end result constitute a large part of the future narrative. But for now, The Survivalist is a lot of fun and this is just another great chapter in the long storyline. I would recommend you read them in numerical order.

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Doomsday Warrior #01 - Doomsday Warrior

Jan Stacy (The Last Ranger) and Ryder Syvertsen (C.A.D.S.) originally met in the 1960s at Washington Square Park in New York City. Caught up in the beatnik cultural movement, the lifelong friends began swapping story and book ideas as well as songs. After working together on two non-fiction novels, Great Book of Movie Monsters (1983) and Great Book of Movie Villains (1984), the two collaborated on a post-apocalyptic series titled Doomsday Warrior under the pseudonym of Ryder Stacy. The series was published by Zebra and ran for a total of 19 installments between 1984 through 1991. The first four novels, Doomsday Warrior, Red America, The Last American and Bloody America were authored by both Stacy and Syvertsen. The remainder of the series was penned solely by Syvertsen. My review is for the series' debut, Doomsday Warrior.

The first installment is set in the year of 2089 where most of the world is either controlled by the Soviet Union or in a widely contested battle with the communist country. Most of the U.S. was decimated by nuclear bombs and the survivors maintain a meager living either as slaves or wretched scavengers that have succumbed to radiation's side-effects. With the nuclear attack occurring in 1984, the book's characters are all second to third generation survivors, a unique approach that mirrors another popular doomsday series, Deathlands.

The series stars Ted Rockson, an action-oriented adventurer that leads an American resistance group called the American Free Cities. While most of the U.S. is controlled and enslaved by the Soviet Union, underground cities still remain that are free and liberated from communist control. Rockson resides in Century City, an expansive free society that exists under a section of Colorado's Rocky Mountains (similar to Jan Stacy's character Martin Stone in The Last Ranger). Rockson's role is to lead reconnaissance patrols on missions to discover new supplies, weapons and enemy patrols. It's during one of these missions that readers are first introduced to Rockson and his Firefighter Team.

After blowing up a large bridge and a number of Soviet personnel carriers, Rockson's team comes under heavy fire from communist forces. After numerous casualties, the team retreats back to Century City to formulate a new plan of attack. The intense battle is reported back to three Soviet leaders – Killov, Zhabnov and Vassily. The trio, who compete for political power, begin an expeditionary patrol to find more resistance fighters. After locating a few underground cities, the Soviets are able to capture a number of American prisoners. Using an advanced technology called a Mind Breaker, the Soviets are able to pull pertinent information from American prisoners. Soon, the captives begin revealing locations of more underground cities that the Soviets hope to nuke.

The first 189 pages of Doomsday Warrior is clearly a debut novel that focuses on Rockson's attempts to break into a Soviet stronghold in Denver to rescue prisoners. His mission is to retrieve the captives, destroy the Mind Breaker units and prevent the Soviets from gaining the location of Century City. It's a riveting, explosive narrative that rivals and exceeds most of the 1980s post-apocalyptic novels (Wasteworld, Deathlands, Survivalist, Phoenix, Outrider, etc.). While that was enjoyable, the logic behind the book's second half is puzzling.

It is immediately clear that a new book begins at page 189. At 347 total pages, one would think Zebra would have capitalized on this and released the book's second half as second installment. These books were retailing for $2.95 each, essentially Zebra would have been doubling their money from avid consumers. Regardless of the publisher's marketing strategy, Doomsday Warrior's second narrative explores Rockson's attempts to locate a technologically advanced race in America's Pacific Northwest region.

The narrative begins with an expeditionary unit returning to Century City to report a strange mutant male they found near the Pacific coast line. This area remains vastly unexplored and the team was surprised to find people, evolved animals and a swath of jungle and wilderness that remains nearly intact despite the Soviet Union's devastating nuclear attack. Rockson, hoping to journey even further than the former team, recruits three men to assist him in exploring this new, untapped resource.

Stacy and Syvertsen really hit their stride in this second story arc. The narrative finds the crew battling mutant monsters, deadly quicksand, Soviet KGB forces and mutant, Neanderthal men. The team's exploration of a shopping mall was extremely enjoyable with just the right amount of humor to keep me laughing throughout. While the military style tactics utilized in the book's opening narrative are missing, Doomsday Warrior's second half is surprisingly far superior. The epic adventure, fast-paced writing, character development and action was absolutely top-notch.

The Doomsday Warrior series is off to a tremendous start with this rock-solid debut installment. As the series continues, I understand the quality begins to decline. However, knowing what the future holds for the series doesn't spoil the fun of this early volume. If you read nothing else by Stacy or Syvertsen, at least sample this novel. I think it represents everything that fans and readers loved about 1980s post-apocalyptic pop-culture. Recommended.

Buy a copy of Doomsday Warrior HERE

Paperback Warrior Unmasking: Interview with Ralph Hayes

At 91 years of age, Michigan author Ralph Hayes is still writing men's action-adventure novels. With a resume boasting nearly 100 books, he's experienced five fruitful decades of published work in the US, UK, Germany, Finland, Sweden and Italy. At the time of this writing, Hayes has just released his newest novel, a gritty western titled “Wanted: Dead or Alive” for Black Horse, his publisher of the last 10 years.

In a series of letters, Paperback Warrior had the opportunity to interview the living legend about his career, his paperbacks and what the term “genre fiction” means to him.

While employed as a successful Michigan attorney, Hayes married a highly-regarded artist. Her passion and interest in the arts inspired Hayes to relinquish his law practice in 1969. The couple moved to Key West, and Hayes began a torrid affair with his typewriter, one that stuffed the paperback shelves with multiple series titles such as 'The Hunter,’ 'Agent of Cominsec,’ 'Stoner' and 'Soldier of Fortune.’ In fact, Hayes created and/or contributed to seven individual series' including the wildly popular 'Nick Carter: Killmaster' paperbacks.

“I didn't start writing seriously until 1969. A story of mine originally appeared in Alfred Hitchcock Mystery Magazine in 1967 called ‘The Gumdrop Affair.’ It was later included in two separate college textbook anthologies. I've sold almost 40 short stories to literary quarterlies, men's magazines and mystery magazines,” Hayes said.

When asked if any of his shorts were later re-worked into novels, the enthusiastic author was quick to point out that his short stories don't turn into novels. “I would never try to broaden a short story tale into novel length,” he explained. “Short stories are an art form apart, and in no way inferior in importance to the novel. On the other hand, when an editor asked me to cut a couple of scenes from a novel, I later developed those scenes into short stories. Writer's Digest asked me once to do an article telling other writers how I went about it.”

Hayes' robust bibliography includes riveting, exotic locales that are par for the course in the men's action adventure genre. Ranging from vigilante globe-trotting adventurers to mercenaries, Hayes has a unique sense of realism within his writing. “I have been to East Africa twice. I've also been to South Africa, Egypt, Ethiopia and Morocco,” he said. “I have also been around Europe by both moped and car. I've went to Hong Kong and Peru to visit Machu Picchu. All of this with my artist wife, now deceased, whose art is in private collections all across this country and Europe.”

His earliest series, 'The Buffalo Hunter', starring western protagonist O'Brien, can be sourced back to its 1970's debut paperback “Gunslammer,” also known as “Secret of Sulpher Creek.” That series, which Hayes still contributes to, parallels the author's career from 1970 until now and encompasses 11 total novels. “Rugged, intimidating. Rawhides. Can't read or write but speaks several Indian tongues. A perfect wild-country survivalist,” described Hayes when asked to characterize his cowboy hero to unfamiliar readers.

The author lists his 'Buffalo Hunter' novels as some of his best work, but he is particularly fond of a 1979 book entitled “Hostages of Hell.” “This is based on a real-life terror attack on a US embassy. My research for the book included actual correspondence with the US ambassador in Khartoum,” he said.

From 1967 through the early 80s, Hayes wrote over 60 novels. The 1970s were a particularly  productive era for the author, growing series titles like Buffalo Hunter, The Hunter, Check Force, Stoner and Agent of Cominsec for familiar publishing houses like Manor, Leisure/Belmont Tower and Zebra. By the early 80s, one can see his writing reduced to just a few stand-alone novels, most as historical romance pieces.

“When publishing took a nose dive in the mid-eighties, we returned to Michigan where I resumed my law career, but still doing some writing,” Hayes explained. By 1992, Hayes began producing westerns again with two stand-alone paperbacks for Pinnacle. Just seven years later, Hayes would experience another productive era, penning westerns for UK publisher Black Horse, an imprint of Robert Hale Publishing.

“The recently published westerns at Robert Hale and Crowood have been newly-written novels, starting with ‘The Tombstone Vendetta’ about Wyatt Earp and the OK Corral. ‘The Last Buffalo,’ ‘Fort Revenge’ and ‘Coyote Moon’ form a trilogy of O'Brien the Buffalo Hunter stories that make up one long saga, and I suspect ‘Fort Revenge’ is about the best of that genre,” he said.

The author, who cites his favorite writers as Ernest Hemingway, Jane Austen, John Le Carre and B. Traven, has a lot to say about what people perceive as genre fiction. “The idea that genre fiction is somehow inferior in quality to so-called mainstream fiction, and is not as literary, is artificial bull-puckey,” Hayes said. “Mainstream also is genre, psychological studies, social issues, etc. are all genres, and most of that is not as entertaining as other genres. Entertainment is the primary objective of all fiction, the other, lesser goal being enlightenment, which should never dominate the story. If you have a cause to espouse, the proper literary form is an essay or a non-fictional book.”

Hayes continued, “In drama, all of Shakespeare's plays were genre. Jane Austen's novels are genre. Poe's stories are genre. All in this developed use of the word. ‘The Sun Also Rises’ is genre, and ‘The Old Man and the Sea’ is also, in my revised classification system. People who like to maintain the 'mainstream is superior' notion would rank ‘The Grapes of Wrath’ above Jane Austen's ‘Pride and Prejudice,’ a love story or light romance. But it isn't. The love story is better, both in entertainment and enlightenment.”

In conclusion, Hayes has a diverse bibliography that includes period pieces, mystery, adventure, vigilante, romance, science fiction and thriller - all thought-provoking and entertaining in their own right. “So, lets dispense with mainstream and literary as description of fiction and categorize all works as some kind of genre,” he said.

Ralph Hayes Bibliography

AGENT OF COMINSEC

1. The Bloody Monday Conspiracy - 1974 Belmont Tower
2. The Doomsday Conspiracy - 1974 Belmont Tower
3. The Turkish Mafia Conspiracy - 1974 Belmont Tower
4. The Hellfire Conspiracy - 1974 Belmont Tower
5. The Nightmare Conspiracy - 1974 Belmont Tower
6. The Deathmakers Conspiracy - 1975 Belmont Tower

THE BUFFALO HUNTER

1. Gunslammer (aka Secret of Sulpher Creek) - 1970 Belmont Tower
2. Four Ugly Guns - 1970 Belmont Tower
3. The Name is O'Brien - 1972 Lenox Hill
4. Hellohole - 1973 Leisure/Belmont Tower
5. Treasure of Rio Verde - 1974 Remploy
6. Vengeance is Mine - 1978 Manor
7. Five Deadly Guns - 1984 Ulverscroft
8. Revenge of the Buffalo Hunter - 1992 Pinnacle
9. The Last Buffalo - 2013 Black Horse
10. Fort Revenge - 2013 Black Horse
11. Coyote Moon - 2015 Black Horse

CHECK FORCE

1. 100 Megaton Kill - 1975 Manor
2. Clouds of War - 1975 Manor
3. Judgment Day - 1975 Manor
4. The Peking Plot - 1975 Manor
5. Seeds of Doom - 1976 Manor
6. Fires of Hell - 1976 Manor

* DANIEL BOONE: LOST WILDERNESS TALES

1. River Run Red (as Dodge Tyler) - 1996 Leisure
2. Algonquin Massacre (as Dodge Tyler) - 1996 Leisure
3. Death at Spanish Wells (as Dodge Tyler) - 1996 Leisure
4. Winter Kill (as Dodge Tyler) - 1996 Leisure
5. Apache Revenge (as Dodge Tyler) - 1997 Leisure
6. Death Trail (as Dodge Tyler) - 1997 Leisure

* Ralph Hayes states he wrote a number of these books as Dodge Tyler. Author John Edward Ames wrote the last six installments of the 12 book series. 


THE HUNTER

1. Scavenger Kill - 1975 Leisure/Belmont Tower
2. Night of the Jackals - 1975 Leisure/Belmont
3. A Taste for Blood - 1975 Leisure/Belmont Tower
4. The Track of the Beast - 1975 Leisure/Belmont Tower
5. The Deadly Prey - 1975 Leisure/Belmont Tower

NICK CARTER: KILLMASTER

65. The Cairo Mafia - 1972 Award
67. Assault on England - 1972 Award
68. The Omega Terror - 1972 Award
70. Strike Force Terror - 1972 Award
73. Butcher of Belgrade - 1973 Award
78. Agent Counter-Agents - 1973 Award
86. Assassin: Code Name Vulture - 1974 Award
88. Vatican Vendetta (with George Snyder) - 1974 Award

SOLDIER OF FORTUNE (as Peter McCurtin)

4. The Guns of Palembang - 1977 Belmont Tower
5. First Blood - 1977 Belmont Tower
6. Ambush at Derati Wells - 1977 Belmont Tower
7. Operation Hong Kong - 1977 Belmont Tower
8. Body Count - 1977 Belmont Tower
9. Battle Pay - 1978 Belmont Tower
Vol. 2 9. Blood Island - 1985 Leisure

STONER

1. The Golden God - 1976 Manor
2. Satan Stone - 1976 Manor
3. All That Glitters - 1977 Manor
4. King's Ransom - 1978 Manor

STAND-ALONE NOVELS

Virgin Tate (romance) 1962 Vega
Black Day at Diablo (?)
The Visiting Moon (science-fiction) 1971 Lenox Hill
Treasure of Rio Verde (western) - 1974 Remploy
Love's Dark Conquest (romance) - 1978 Leisure
Forbidden Splendor (romance) - 1978 Leisure
Dark Water (thriller) - 1978 Leisure
By Passion Possessed - 1978 Leisure
The Killing Ground (as John Hardesty) - 1978 Leisure
Savage Dawn (romance) - 1979 Jove
The Big Fall (?) - 1979 Zebra
Hostages of Hell (action) - 1979
Adventuring (western) - 1979 Jove
Golden Passion (romance) - 1979 Leisure
Dragon's Fire (romance) - 1979 Leisure
The Promised Land (romance) - 1980 Leisure
The Sea Runners (action) - 1981 Leisure
A Sudden Madness (mystery) - 1981 Leisure
Last View of Eden (thriller) - 1981 Leisure
Charleston (romance) - 1982 Zebra
Drought! (romance) - 1982 Zebra
The God Game (thriller) - 1983 Leisure
The Scorpio Cipher (thriller) - 1983 Leisure
Sheryl (romance) - 1984 Leisure
Deadly Reunion (mystery) - 1984 Leisure
Illegal Entry (romance) - 1984 Leisure
Mountain Man's Fury (western) - 1992 Pinnacle
Mountain Man's Gold (western) - 1993 Pinnacle
Tombstone Vendetta (western) - 2010 Black Horse
Texas Vengeance (western) - 2016 Black Horse
Rawhide Justice (western) - 2016 Black Horse
Lawless Breed (western) - 2017 Black Horse
The Way of the Gun (western) - 2018 Black Horse
Wanted: Dead or Alive (western) - 2019 Black Horse

Duel in the Snow

Hans-Otto Meissner (1909-1992) enjoyed a writing career with three different specialties: political history books, travelogues and adventure fiction. After attending universities at Heidelberg and Trinity, the majority of his life was diplomatic work in London, Moscow, Milan and Tokyo. Utilizing his world travels, Meissner retired and began his career as a successful author. My first experience with Meissner is the novel “Duel in the Snow.” It was originally released in German in 1964. It was later re-printed and published at least three more times in 1970, 1972 and the pictured 1974 reprinting by Pyramid. Each iteration features different cover art.

In December 1941, the US was bombed by the Japanese at Pearl Harbor. Six months later the Japanese targeted another US property, the island of Attu. Focusing all of their efforts on Europe, the US forgot to guard the back door, so the Japanese forces occupied the island and began constructing landing strips that they hoped to use for bombing runs on America's West Coast cities. The location of Attu is important because it lies just off the coast of Alaska. In fact, in 1935 General Billy Mitchell advised the US Congress that whoever holds Alaska will hold the world. He felt it was the most important strategic place on the planet.

The opening pages of Meissner's novel depict the quick occupation of Attu and introduces key characters to the narrative – Japanese Captain Hidaka and Alaskan game warden McCluire. With Attu's grueling weather patterns, complete with frigid temperatures and howling winds, the actual launching of fighter planes from the island was a harrowing endeavor. Meissner's fictional narrative has the Japanese forces conceiving a plan to parachute a dozen soldiers into the northern section of Alaska. Led by the talented Hidaka, their mission is to transmit the weather patterns back to leaders on Attu so they can plan air attacks accordingly. Knowing that the radio broadcasts will be intercepted by US intelligence, the Japanese team will need to consistently travel through the wilderness avoiding detection, never residing in one location for too long. Hidaka's team realizes they will never be retrieved and that this is essentially a do-and-die mission.

Learning of the Japanese mission, the US doesn't have enough resources to allocate to Alaska for a seek and destroy operation. They would need men who not only possess combat experience, but men who are familiar with this barren stretch of frosty wilderness. After assembling a small team of inexperienced Alaskan scouts, US military brass enlists Alaskan game warden and survivalist extraordinaire McCluire to lead the expedition. McCluire hesitantly agrees and the narrative is set into motion with the team hunting Hidaka through the snowy mountains.

How this novel has flown under the radar is beyond me. At a robust length of 256-pages, I was entranced. Meissner's keen ability to develop both parties into likable foes and the patience he uses to create white-knuckle suspense is just so rewarding for the reader. Under the guiding hand of another author, the book could have been rather one-dimensional. While offering the obligatory “seek and destroy” theme, Meissner introduces Alaskan history, regional and Japanese fighting customs and a surreal look at grim survival. Western fans will love the rugged Alaskan interior while military fiction (and even non-fiction) enthusiasts will gravitate to this rather unknown chapter of the war – The Battle of Attu.

No matter which sub-genre you enjoy, the overwhelming sensation is adventure. Hans Meissner has created a stunning action-packed novel that I nearly read in one sitting. I found myself re-arranging my day to avoid any stoppage in the story. I think this book will have that same effect on you. Go hunt down a copy of this extraordinary book.

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Last Ranger 01 - The Last Ranger

The Last Ranger series was published in 1986 through Popular Library. As a post-apocalyptic series, it's a monomyth as protagonist Martin Stone roams the wastelands of America searching for his missing sister April. The series ran a total of ten installments from 1986 through 1989 and was authored by Jan Stacy using the pseudonym Craig Sargent. Some may remember Stacy as one-half of the duo that contributed to the more popular Doomsday Warrior series of post-apocalyptic adventures. 

The opening chapters of this eponymous Last Ranger debut centers around Major Clayton Stone, the father of series hero Martin Stone. The author presents Clayton's early life as well as his exploits as an Army Ranger in Vietnam. Clayton is described as a menacing, mountain of a man, a war hero and survivalist. In fear of the looming Soviet threat (an 80s staple in pop-culture), Clayton creates an enormous fallout shelter inside of a Colorado mountain range,  supplying it with decades of power, food, water and every type of military weapon conceived by man.

Martin Stone is the exact opposite of his father. Before the inevitable nuclear attack, Stone marched in peace rallies, maintained many girlfriends and his claim to fame was being the captain of his school's swim team. Martin Stone was the stereotypical precursor to an ivy school, sweater-wearing yuppy. The two often disagreed on a variety of topics and, in 1989, come to blows after Clayton forces the family into the Colorado shelter before the Soviets bomb America into the stone ages. Father knows best indeed.

The family live in the fallout shelter for about a decade and Clayton teaches his son the tactics to stay alive. For years the two train in martial arts, explosives, various shooting styles and hundreds of different weapons from turret styled machine guns to revolvers and rifles. Clayton turns his son into Rambo while mom and sister serve as quiet spectators.

As the first half of the narrative closes, Clayton dies of a heart attack. Stone dismisses years of training and decides to leave the safety of the shelter. Using an RV, and carrying only a shotgun, Stone and his mother and sister journey into the desert where they are immediately mauled by biker gangs. Apparently, the 80s vision of apocalypse always features the most vial criminal element riding a motorcycle. Thus the enemy of Stone is a moto-psycho group called Hell's Guardians. After killing Stone's mom, the bikers kidnap his sister April and leave Stone broken and battered in the desert.

The novel's second half premise begins with Stone being rescued by Native Americans. Apparently they have returned to the ways of the land, hunting animals and worshiping Earth spirits. In a scene taken right out of a Man Called Horse, Stone is hefted up on hooks through his chest and suspended in mid-air for the night. This painful journey into the spirit world deems Stone a true warrior. He beds a beautiful tribe chick and then returns to his shelter to arm himself for war; a motorcycle with a .50 caliber machine gun turret on handlebars and enough guns and ammo to supply Israel for a weekend.

I thought this was a solid series debut. Clayton's introduction at the beginning was necessary to validate Stone's ascension as the heir apparent. I think the transition from chump to champ was an entertaining read and the eventual story-line of April's disappearance is a good through-story that treads through each of the series' installments. As the series progresses, more of the story will begin to parallel Jan Stacy's own life. You can learn more on author Jan Stacy in our Paperback Warrior Podcast Episode 38 HERE. 

Buy a copy of the Last Ranger debut HERE.

Yellowleg (aka The Deadly Companions)

Mostly known for his children's novels, A.S. Fleischman also authored a number of genre paperbacks between 1948 and 1963. The plots typically possess the crime-noir tropes of the era – beautiful women, innocent men on the run, gun play and money. Like Day Keene, Fleischman only authored one western in his career, Yellowleg. The book was published by Fawcett Gold Medal in 1960 and later re-titled to The Deadly Companions to match the 1961 film adaptation. The novel was later reprinted by Stark House Press in 2012.

Yellowleg is simply the name given to the book's protagonist, a man introduced as wearing a McClellan hat and yellow-legged pants, both leftovers from the American Civil War. As a former Union serviceman, Yellowleg has spent the last eight years of his life trying to find the Confederate soldier that scalped most of his head off. When the book begins, Yellowleg is paired with a young cocky gunfighter named Billy and a veteran survivalist named Turk.

Once the trio arrive in Gila City, New Mexico, Billy and Turk begin discussing a bank heist. Yellowleg wants no part of it, instead he's in town to see an ex-battlefield surgeon. Due to a rifle ball buried in his scarred shoulder, Yellowleg's gun hand isn't as slick and accurate as it once was. It's right after this medical consultation that Yellowleg attempts to shoot a fleeing bank robber. His shoulder gives out and the shot drifts off target killing a young boy. Later, the boy's grieving mother Kit sets off by wagon to the town of Siringo to bury her son beside his dead father. Yellowleg, accepting responsibility for the death, sets off with Turk and Billy to follow the woman and keep her safe. Across this hostile, barren wasteland, the trio not only must contend with a grief-stricken maniacal woman but also warring Apache warriors...and each other.

Like Arnold Hano's 1958 classic western The Last Notch, much of Fleischman's narrative is psychological. There's action and violence mixed into the customary revenge formula, but it's few and far between. In some novels that can be a very bad thing. Not with Fleischman. Instead, he uses this thick, wrenching atmosphere to drain the humanity from the thick-headed, bullish character of Turk. The character of Billy is written in a way that's symbolic with the gunslingers of the west – arrogant, proud, tense and sexually charged. When he isn't groping, he's practicing killing. The mourning mother Kit is a modern woman escaping the downtrodden life of showgirl, bar-room maiden and servant. Her defiance to all that have beaten, betrayed and wronged her is a resounding, triumphant portion of the narrative – intended or not.

Yellowleg, rightfully so, has his own tale to tell. The curse for revenge, his wasted years, his complacency to just accept that his life is only worth living if he can avenge his loss. The fact that he remains under the hat, in the same war-torn clothes of his past, is truly a symbol for Yellowleg's own life. The cloak of revenge that he tightly wears chokes out any happiness or meager satisfaction. His past is the only living he does.

Fleischman carefully constructs the narrative to highlight each character and their ultimate weakness. As a western, it's layered with adventure and sprinkled with enough firefights and gunplay to appease the casual genre fan. Beyond being a great western, it's just a great novel about humanity and the endless struggle with ourselves. If you love Arnold Hano and Clifton Adams, then you'll love this. It's by far one of the better westerns I've read.

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The Azriel Uprising

Bantam Books maintained a torrid schedule of fantasy and science-fiction in the 1970s and 1980s. A lot of these literary works had more in common with the men's action and adventure line than real science-fiction. Case in point is the mislabeled 1982 post-apocalyptic novel “The Azriel Uprising”. The book is written by unknown author Allyn Thompson and features a familiar premise – American citizens attempting to survive in a nuked out United States. It has more in common with “Survival 2000”, “The Survivalist” and “Doomsday Warrior” than say...”Battlefield Earth”. Bantam Books' Science-Fiction label on the spine doesn't really do the book or it's author any justice.

“The Azriel Uprising” presents readers a 1980s America that has been nuked by the Soviet Union. The book picks up ten years after the bombing, in a United States that has now been firmly defeated by the enemy. Most of the US lies in “hot zones”, places that are no longer habitable for both survivors and the Russians. The safe-zones are parts of civilization that are now controlled and operated by the Russians in a bid to eventually control all of North America. These safe-zones feature concentration and labor camps for Americans and a skeleton of society for Soviet troops and sympathizers.

We're introduced to protagonist Donna Wallace, who uses code name Juanita, in the opening pages. She was once a prisoner in a labor camp, escaped torturous conditions and now functions as a courier relaying information to pockets of resistance up and down the East Coast. After blowing up a busload of Soviet troops in Texas, she becomes allies with a former US fighter pilot named Bo. Together, the two journey to Florida to rendezvous with a large unit of American soldiers. As a Florida resident, the recon meetings in overrun shopping malls and restaurants throughout Florida were personally enticing.

At 183-pages, the bulk of the book focuses on Donna and Bo as they travel from Florida to the Northeast gathering supplies and intel for an American resistance battle in the Gulf of Mexico. The campaign, to be launched on July 5th, will be the first to feature several organized survivor groups, including fighter jets and a Navy warship. Collectively, they hope to overrun a labor camp called Valdosta, liberate the prisoners and destroy the 1,200 man army of Soviets.

First and foremost, I've read a lot of post-apocalyptic literature. The radiation aspect, aligning survivalists and fighting the Soviets was extremely popular in 80s pop culture. “The Azriel Uprising” does nothing creative or terribly innovative for the genre or its experienced readers. The action is subdued, but still features a massive gunfight in the last 15-pages. This novel plods along like an apocalyptic road trip...yet somehow I found it surprisingly engaging.

Both Donna and Bo are likable characters and I felt I had a vested interest in all of the components. The small band of fighters reminded me of “Deathlands” to a degree, and the author's descriptive nature really painted a dismal landscape for these characters to exist (like trees and shrubs growing in an abandoned McDonalds).

With horrendous sub-genre series titles like 'Phoenix', 'Swampmaster' and 'Roadblaster', “The Azriel Uprising” is clearly a more entertaining and satisfying read.

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Last Ranger #09 - The Damned Disciples

Jan Stacy's (house name Craig Sargent) 'The Last Ranger' series was nearly finished by September of 1988. The ten-book series reached it's conclusion with the swansong “Is This the End?” in January, 1989. Stacy would later pass away the same year from the AIDS virus, thus being able to conclude this series with definitive closure (everyone dead?) before his death. It's hard to fathom how far 'The Last Ranger' would have ran in good health considering lack of creativity and the genre's gradual demise in the 90s. We'll never know, but based on this turd-cake...the end was certainly near.

“The Damned Disciples” is a rudimentary example of how limited this “post-nuke” sub-genre can be. We can debate for days on the merits of 'Survivalist', 'Doomsday Warrior' and 'Endworld', but at some point even the most faithful would agree it was a bit of drivel in the droves. This ninth installment of 'The Last Ranger' is like an unfunny “Seinfield” episode – its literally about nothing, yet can't scrape together anything resembling entertainment. It's a slow burn with a lifeless character placed in illogical situations. Yet, I should sympathize with the series' mythology – it's the end of the world and anything goes...including a plot.

The book's opening suggests there's robed monks conducting moonlit, midnight pagan rituals in Colorado. A young woman is pushed into an occupied casket and the lid slams. Fast forward to our ranger Martin Stone tucked away in his mountain fortress performing leg surgery on himself. He receives a transmission that someone has April (someone always has April) and they are practicing devious desires. Stone, with no direction and a broken leg, drives his hog to  some vile village named La Junta. 

Stone finds that La Junta residents have been forced into something called Cult of the Perfect Aura by the great leader Guru Yasgar and the Transformer. It turns out Guru is providing all of his minions a special elixir called Golden Nectar. It's like 'Doc Savage' meets The Branch Davidians meets those Scientology quacks. There's some elephants thrown in, a labor camp and absolutely zero interest for anyone involved – it's what I refer to as the Men's Warehouse for Pathetic Plots. Somewhere, in the dull simplicity, Stone becomes drugged and forced to stir the Golden Nectar for weeks. April is here as the drugged, whipping wench/foreman, along with man's best enemy, a drugged, Stone-hating Excalibur (the series mascot and second protagonist behind Stone). There's a surprise cameo of a prior villain...but you have to torture yourself to find who. 

I'd speculate that this book is a subtext of the author's own struggles near the end. It would be fair to think of the Golden Nectar, Stone's drug dependence and constant stirring as perhaps symbolic of Stacy's prescription torment, the endless cycle of day in and day out drug dependence. Considering timing of the release, his death from AIDS and the series' last book asking “Is This the End?”, it wouldn't be a far-reaching theory. Regardless of what inspired the material, it's simply a dull read that offers very little character development (I suppose what's the point), new ideas or any momentous change in series or character. Pass...for God's sake pass.

Dark December

According to Wikipedia, Alfred Coppel, real name Jose de Arana-Marini Coppel (1921-2002), served as a fighter pilot in the United States Army Air Forces during WWII. The Oakland author then began a prolific writing career using pseudonyms like Alfred Coppel, Robert Cham Gilman, and A.C. Marin while writing for pulp magazines. Coppel is mostly known for science-fiction, but he also authored action-adventure and espionage. He transitioned into full-length original novels, including his bestseller, Thirty-Four East, about the Arab-Israeli conflict. My first experience with the author is his post-apocalyptic novel Dark December, published by Fawcett Gold Medal in 1960. 

U.S. Major Kenneth Gavin spent WWIII in an underground bunker in Alaska. From that safe and secure location, Gavin was a “missile-man”, a launch pad operator in charge of firing nuclear warheads at the Soviet Union and other foreign enemies. After two long years of global destruction between warring countries, the military, and ordinary life, has crumbled. Sensing no real purpose to the missile launches, Gavin is released from his service in Alaska.

It is Gavin's intention to travel south into San Francisco to finally reunite with his wife and daughter. It has been months since he had spoken with them and he just wants to return home. But, the journey won't be easy. Most of the population has descended into anarchy, with diseases, malnutrition, and radiation being catalysts for humankind's ruin. There is still a military presence available, so Gavin aligns with a military patrol led by Major Collingwood, an arrogant, mentally unstable superior that feels right at home within the destruction and chaos. When Gavin witnesses Collingwood ordering a group of bandits to be executed, the two come to a disagreement. The end result – Collingwood swears he will murder Gavin. 

Escaping from Collingwood, Gavin meets up with a young woman and a boy and the three form a partnership to travel safely through California. Unfortunately, they run into a fanatical group of teenagers that have a penchant for torture and depravity. When Gavin discovers they have a Soviet pilot locked in a shed, he learns just how dark and sadistic civilization has become.

Alfred Coppel does everything right in his nightmarish look at a bombed out America. It's the traditional monomyth featuring the lone hero on a quest through a perilous landscape, essentially the oldest storytelling formula. Coppel's examination of humankind's descent into sadism and nearly Neanderthal behavior is the book's real strength. Gavin is the unconventional hero, a man who has seemingly killed millions with the press of a button, but now can't cope with the idea of taking another life. His journey through the wasteland, as a pacifist, is really a unique twist on what would otherwise be an “all guns blazing” survival tale like the numbered men's action-adventure titles that would arrive 20+ years later – The Survivalist, Deathlands, The Last Ranger, Phoenix, etc. Coppel's writing is more insulated, concentrating on human psychosis or the boundaries of sanity when threatened with extinction. It's smart.

If you enjoy post-apocalyptic novels, then this is an easy recommendation. But, if you enjoy books ranging from Lord of the Flies to novellas like Heart of Darkness, then this should be an appealing, disturbingly entertaining read as well. 

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Wasteworld #04 - My Way

With 1984's My Way, the four-book Wasteworld series comes to an abrupt end. Authored by a combination of Laurence James and Angus Wells, this post-apocalyptic series centered on U.S. military veteran Matthew Chance and his perilous endeavors to reach his ex-wife and kids in Utah. Beginning in New Orleans, each book showcases Chance's road to survival through warlords, mutants and dictators in the same manner that popular doomsday series titles The Survivalist, Doomsday Warrior and The Last Ranger also did.

In the Wasteworld third installment, Angels, Chance had seemingly met his match with a vicious gang of Hell's Angels bikers. Thankfully, a female Apache warrior named Kathi saved the day in the book's grandiose finale. My Way is a seamless continuation as Kathi and Chance head north into Nevada. After a couple of quick run 'n gun battles, Kathi's part of the narrative concludes and Chance arrives in Las Vegas to begin another adventure.

After meeting a nice mechanic and his hospitable family, Chance learns that Vegas is now controlled by two brothers, Al and Tony Clementi. Like a 1950s crime-noir paperback, the two brothers control the city's gambling venues and drinking halls. When they target the mechanic's young daughter, Chance is thrust into a war with a doomsday crime syndicate. After killing Al, Tony's faction declares war on Chance. While that narrative comes to fruition, a side-story develops with three bounty hunters from Texas hunting Chance through the Vegas rubble.

Despite the book's exciting premise, My Way fails to deliver a pleasant reading experience. Far too often the authors digress from the narrative to explain a minor character's history or to inform readers of an outlaw's infamous history. For example, there's a whole segment on Billy the Kid. While the action was enthralling, I felt it was misplaced and untimely. When key scenes required gunplay, the reader was served dialogue. But when a descriptive scene analysis is required, the characters just shoot it all to Hell.

While publisher Granada probably had a limited circulation (UK and New Zealand only), the sales numbers just didn't produce a commercially-successful series. Unfortunately, My Way wasn’t written as a series finale, so invested readers aren't provided a proper conclusion to Matthew Chance's epic struggle. This novel's poor execution ensured that interest in a proper ending likely dwindled among readers. Looking at the series as a whole, the first and fourth books were lukewarm while the second and third installments were very enjoyable. Having read the Wasteworld saga once, I'm not terribly interested in ever reading it again. It might be worth the time and effort to track down the series, but there are certainly far better books to pursue.

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