The Sleeping City

“The Sleeping City” was a novella that originally appeared in the Fall, 1952 issue of Thrilling Detective. It was authored by Mary Hauenstein using the pseudonym of Marty Holland. I enjoyed and reviewed Holland's suspenseful potboiler novel The Glass Heart, and was curious to see what she could do with a hard-hitting heist plot. Both The Glass Heart and The Sleeping City are available as a twofer from Stark House Press, so it made for easy accessibility.

Wade works as a plainclothes cop and lives with his fiancé Betty (separate bedrooms) in her brother's house. He's anxious to climb the career ladder, get hitched, and ultimately find a place of his own. His big break comes when the Gangster Squad's Captain Roberts offers up a sole undercover assignment. Wade is to assume the role of a Chicago hood named Cox, who is expected by a local corrupt businessman named Thompson. The theory is that Thompson is assembling a heist crew to knock off a bank.

The central portion of Holland's novella focuses on Wade easing into his role as a notorious gunman. The real Cox was nabbed at the airport by the cops, and Thompson only knows of Cox through word of mouth and referrals. So, it's an easy infiltration for Wade, as long as he can act and play the part. The idea is that Thompson, Wade, and a couple of smooth thugs are going to rob an armored truck when it picks up a large bankroll. Heist-fiction is always about assembling, planning, and executing, and Holland's approach is no different. But, there's a wrench in the gears with a beautiful woman named Madge, who is part of Thompson's crew. 

Wade falls for Madge, despite being engaged to Betty, and begins to fantasize about the two of them actually going through with the robbery and making a clean break into the High Sierras to live a life of wealthy anonymity. It's more than a romantic escape, as Wade begins to question his own meager existence and potential future suburbanite lifestyle with Betty. Holland introduces a stark balance with Wade and Madge's relationship compared to a bird with broken wings that Wade and Betty are nurturing back to health. It's really quite clever. Also, in a flashback scene, readers discover that Wade saved Captain Roberts' life during WW2, so there's a devout allegiance between the two. 

“The Sleeping City” was a superb story that included a rewarding, furious finale. Holland pulls no punches and delivered some of the best descriptions of gunplay even when compared to her male contemporaries of the time. Her vivid details like “shotgun shooting ejected shells over the shoulder” and “the .38's like little swarms of bees buzzing” added so much to these combat scenes. In terms of violence, her writing of the inevitable gunfight was similar to a much later writer, Marc Olden, who had a real knack for it. 

As a bonus in Stark House Press's reprint of The Glass Heart novel, “The Sleeping City” is a mandatory read. It contains everything we all love about heist and crime-fiction. Holland was a talented writer that is unfairly overlooked. Thankfully, Stark House Press is giving her career much love and respect. Recommended. 

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The Glass Heart

Marty Holland was born Mary Hauenstein in 1919. She began her writing career by authoring short stories for the pulps. Her debut full-length novel was Fallen Angel, published in 1945 by E.P. Dutton and Company. The book was sold to 20th Century Fox and adapted into a film of the same name by Otto Preminger. Her second novel, and the subject of this review, is The Glass Heart, originally published in 1946 by Julian Messner, Inc. The novel, which was adapted into an unfilmed screenplay by James M. Cain, has been reprinted by Stark House Press as a two-in-one alongside the author's novella The Sleeping City, which was originally printed in the Fall, 1952 issue of Thrilling Detective.

The Glass Heart, also published as Her Private Passions, begins with protagonist Curt Blair stealing an expensive topcoat from a patron in a ritzy hash joint in Beverly Hills. Blair, a professional deadbeat, beats out the pursuit of the police by ducking into the house of Virginia Block, a middle-aged woman who just happened to be expecting her new gardener to arrive from an employment agency. Blair has enough streetwise moxy to pass for the job and accepts a measly $20 per week salary to cater to Block. But, the deal comes with free room and board and a convenient way to escape the police.

Blair discovers that Block is a miserable, wealthy bitch that is extremely tight with her money. She rarely pays any of the laborers that work at her house or at her sprawling walnut ranch. She possesses an uncanny knack for ripping people off, but still maintains that she is somehow helping everyone around her (like an ex-wife I know). Blair catches on quick, and is about to hit the road, when another roommate moves in – an attractive long-legged female that enjoys Blair's...company. The two go at it hot and heavy, but then another woman moves in and Blair becomes fascinated with her and her tragic history. 

This was a really entertaining novel and showcased Holland's extraordinary ability to write with a male mindset. Blair behaves like any red-blooded American deadbeat, but the level of detail – mannerisms, thought patterns, physical descriptions – would have been challenging for any other female writer. There's even a clever sort of reversal when Blair says (something to the effect) that he can think like a woman. The inevitable countdown for these four wily characters to blow is a potboiler similar to James M. Cain, which is probably what drew him to the story. If you love the high-tension, stressed love, hushed murder aspects of mid 20th century crime-noir novels, then The Glass Heart should surely be your next read. Highly recommended! 

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To the Stars #03 - Starworld

Along with series titles like Stainless Steel Rat and Bill, the Galactic Hero, Harry Harrison wrote a number of science-fiction and fantasy novels during his long and respected career. I've concentrated on reading the author's trilogy To the Stars, Homeworld (1980), Wheelworld (1981), and today's topic, Starworld (1981). 

The story so far is that Earth is completely ruled by the rich that have established a two-class one-world government administered by the United Nations. You have the rich controlling everything, including Earth's far-reaching “territory”, a series of slave planets that serve as manufacturing and service for the lower-class Proles. A whiz engineer named Jan figures out that Earth is hiding human history and is seized by the authorities and sentenced to death on a farming planet. All of this is captured in the first book, Homeworld.

In Wheelworld, Jan orchestrates an uprising on the farming planet to usurp an old woman's rigid authority. Her concept of being complacent and living to serve Earth with harvests of corn is overthrown by Jan's forward-thinking, liberal approach to do things in a more democratic way. Jan later discovers that his short uprising on Earth led a series of events that have forced Earth into a war with the only country not participating in the one-world government, Israel, as well as rebels from all of the slave labor planets. On the last page of Wheelworld, Jan joins the rebellion to take down Earth's power-hungry leaders.

Starworld is a buzzsaw filled with non-stop action as Jan and other patriots form a strategic plan to organize the rebellion into a fighting force. This fertile story-line incorporates a lot of different elements ranging from espionage to military combat. At the root of Harrison's riveting narrative is a dilemma facing Jan – he must learn to trust the man who murdered his sister (events that occurred in Homeworld). Enhancing the plot development is preparation for a spacecraft battle and overtaking a military base in the Mojave Desert. Jan also has a romantic relationship with a woman that plays a key part in the rebel's success.

Once you've read Homeworld and Wheelworld, you get the idea where this novel is heading. It's much more epic than the two prior installments and often places Jan in a minor role for some of the developing plot. While the military campaign and ultimate war seems like a grand spectacle, the novel is still less than 200 pages, so an org chart or notes isn't a requirement. This is lightweight science-fiction for casual genre fans. Recommended! 

Buy a copy of the book HERE.

To the Stars #02 - Wheelworld

Harry Harrison was a popular science-fiction author that created a number of memorable series titles and characters. His most popular works are those involving the Stainless Steel Rat and Bill, the Galactic Hero. While I haven't explored those titles yet, I did enjoy my first foray into the author's To the Stars trilogy, Homeworld, originally published in 1980. Needless to say, I continued my space-travels with the second installment, Wheelworld, published one year later.

This trilogy, which has nothing to do with another of Harrison's works called Deathworld, is fairly easy to understand and enjoy, so those of you loosely reading science-fiction should be tall enough for this ride. In Homeworld, readers learn that in the 23rd century, Earth is ran by a one-world government administered by the United Nations. The rich make up a conglomerate of authority that rules the proles, the other class of humans that simply exist as slaves in manufacturing and service. Earth's rich and powerful controls the outlying planets and moons, creating slave planets that simply manufacture goods to ship to Earth. The people on these planets live a life of labor, void of any knowledge of human history.

Jan (male), the series hero, is a microchip whiz that lives a life of luxury on Earth. He figures out the whole conspiracy that forces the proles into servitude and tries to stop it. By teaming with the Israelis, the only country that isn't part of the one-world government, Jan learns about the hushed human history, the plight of mankind, and the big lie fed to the world by “big brother”. By the end of Homeworld, Jan is captured, his sister is murdered, and he is sentenced to life as a slave on a farming planet. 

As Wheelworld begins, readers learn that four years have passed since Homeworld's final page. Jan is living on the agriculture planet Halvmork. Here's the deal on this planet, because it is an integral part of the story. The planet, which is much smaller than Earth, is off-tilt by a few degrees which creates one massive season every four years. On this planet, there is twilight on one side of the planet and temperatures hovering around 80s degrees for four consecutive years. Jan, and the other harvesters, grow corn during this time. After four years, the weather shifts on that part of the planet to 150 degrees and nonstop sunlight. So, after four years, Jan and the others await ships to arrive to take the corn back to Earth. Then, via mobilized transports (like large tanks), the entire population travels thousands of miles to the other side of the planet to take advantage of the four year period that is twilight and 80 degrees there. Cool, right?

This population of slavers has its own governing body, an old woman who is antiquated in her ways and butts heads with the forward-thinking hero. Jan is in a romantic relationship with the old woman's daughter Alzbetta, and the two want to become married but it is forbidden. This is a splendid side-story that propels the book's central plot. As the book begins, it is harvest time and the four years is coming to an end. The sun is beginning to shine and the forecast is heating up. But, the ships don't arrive, which is a major problem. 

Jan makes the decision to take all of the corn on the motorized trek across the planet. His reasoning is that the ships may arrive on the other side of the planet and the corn will be needed there. But, the old woman refuses to do this so Jan has to strong-arm her family to do the right thing. This creates a physical fight between Jan and a family enforcer, which leads to a riveting trial and execution thing at the book's end. But, the real pleasure of Wheelworld is the “wheeling” across the planet as the team fights through volcanic ash, huge crevices in the Earth, swarms of insects, and the human turmoil and factions that develop on the road trip. 

Honestly, Wheelworld can work perfectly as a stand-alone novel. It is a road trip adventure as Jan and the team work their way from Point A to Point B to avoid natural disasters. In some ways, the book reminded me of Damnation Alley by Roger Zelazny as a futuristic obstacle course pressed for time. In the trilogy, this is really the hinge that gets from the Earth action in Homeworld to the Earth War story in Starworld. But, regardless of your approach, Wheelworld is a fantastic novel and a great reading experience. 

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Red Sonja #04 - Endithor's Daughter

This fourth installment in Ace's Red Sonja paperback series places the fiery-haired swordswoman in the city of Shadizar, the sister city to Zamora. She's in town searching for work, but struggling for fair payment. Mostly, the jobs consist of guard duty for the various merchants and shippers traveling from Shadizar to neighboring cities. As proficient as Sonja is with a sword, she faces discrimination for being female. The lack of securing a job keeps her planted in this urban city for the entirety of David C. Smith and Richard L. Tierney's novel.

In the book's beginning, a man named Endithor is attempting to sacrifice a virgin by stabbing her with a knife. Guards, and a city leader named Nalor, break into the room and arrest Endithor before the girl is stabbed. Endithor declares that Nalor betrayed him, and that the whole ritual was planned by Nalor in an effort to supernaturally dispose of a political rival named Kus. Endithor is placed on trial the same day, found guilty, and then is tortured to death in the city square as an entertaining public spectacle. Endithor's daughter Areel watched the execution while also planning her revenge on Nalor, thus she gains the book's title.

That's a lot to unpack, but ultimately Nalor felt that Endithor was becoming a fearsome political rival and just set him up to die. So who is this Kus fellow? That's the really cool part of the book. In flashback scenes, readers discover that Kus was an ancient warrior who fell to his knees on a corpse-strewn battlefield. Approaching death, Kus is “kissed” by a beautiful woman. Kus discovers that the woman was a vampire and that she cursed him with the eternal gift of draining victims of their blood to remain alive and ageless. With the gifts of immortality, Kus also has the ability to shape-shift, control minds, and fly around. Kus sleeps in a coffin in a cold basement because he can't be subjected to sunlight. Both Kus and Nalor form a partnership to protect each other's interests – Kus staying alive and preying on the city while also killing off any of Nalor's political rivals and foes. 

Where does Red Sonja fit into all of this? Since she is living in Shadizar at the time of Endithor's execution, she begins to find herself embroiled in the political rivalry. She crosses paths with Areel, learns of Nalor's nefarious ways, and discovers Kus's sorcery and vampiric nature. By teaming up with a local bartender, and a group of mischievous kids, Sonja discovers where Kus is sleeping during the day and then, well, I won't ruin this “fright night” for you. 

Needless to say, Endithor's Daughter is an entertaining combination of sword-and-sorcery and Hammer Horror in a not-so-traditional horror presentation. The book's first-half sets up the characters and political strife occurring in the city. The second-half is the quest to find Kus and dispose of Nalor, which takes some time. The book's last 50 pages were exceptional as the story hit its stride and the inevitable “the blade versus the fangs” finally rose to fruition. But, I stress that the reader needs some patience because the novel is heavy on dialogue, less on action. Prepare accordingly, and then enjoy the Hell out of it. 

Buy a copy of this book HERE.

Jim Breen #01 - The Knave of Diamonds

Jack Karney (1911-????) was an employee of the Manhattan District Attorney’s Office who wrote 11 paperback crime novels in his day, including two Ace Doubles. Insurance Investigator Jim Breen was his two-book “series” character first appearing in 1959’s The Knave of Diamonds. The short novel has been reprinted by Wildside Press as a one-dollar ebook or a ten-dollar paperback. 

Our narrator is Jim Breen, who grew up among the youthful toughs on New York’s Cherry Street. He’s now the in-house investigator for Bender’s Insurance Company, and working the streets of Manhattan is a good deal for everyone because Breen is well-connected on both sides of the law. 

An insured party had $80,000 in jewelry stolen in a home-invasion robbery. Rather than paying out the whole claim, Breen is hitting the streets with the plan of buying back the hot rocks for $30,000 — no questions asked. In order to make the deal happen, Breen needs to find the burglar to negotiate the deal. 

For Breen, that means canvassing hoodlums that he grew up with on the streets. A particular childhood friend comes to mind who may have actually pulled off the heist, but what kind of reception is Breen likely to get when accusing any local hoodlum of a robbery?

Breen faces plenty of resistance along his unusual quest to give $30,000 away to a robber. The fistfight scenes are top-notch, and Breen really gets to kick some ass. Overall, The Knave of Diamonds was a solid, if unremarkable, hardboiled private eye novel that was perfectly-consistent with the genre output in 1959. If you like that type of thing, you’re bound to enjoy this one just fine. 

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Tarzan #04 - The Son of Tarzan

On page 196 of the 1963 Ballantine paperback of The Son of Tarzan, two characters discuss and recap the major plot points of the novel. Nothing orchestrates the ultimate mess Edgar Rice Burroughs created than the conversation these two characters have. 

In it, a dying villain advises Korak, the son of Tarzan (more on that later), that the girl he is searching for isn't with him. He then explains to Korak that he was hired to steal this girl by another guy, and he is the one that now has the girl. Bluntly, Korak responds that he just left that guy and was sent back here to gain the true wherabouts of the girl. The villain explains the girl was originally captured from a Sheik, who had captured her from a royal French family. The guy that hired him wanted to take the girl to London. After he captured her, the Sheik re-captured her and now she's in his village (soon to be owned by the Sheik's half-brother).

Can you follow this convoluted human-trafficking mess? It is a literary nightmare to follow.

For the record, I absolutely love the first three Tarzan novels, Tarzan of the Apes, The Return of Tarzan, and The Beasts of Tarzan, and you can read my energetic praise of those books here on the blog. I was really excited to jump into this fourth series installment, The Son of Tarzan. The novel was first published in All-Story Weekly as a six-part serial from December 4, 1915 through January 8, 1916. It was then packaged as a full-length novel and published by A.C. McClurg in 1917. 

Let's unpack this. The son of Tarzan is a boy named Jack. He was the infant that was supposedly kidnapped by two villains in the last book (spoiler, he wasn't). Fast-forward ten years from the events of the prior novel, The Beasts of Tarzan, and the Clayton family – John/Jack/Jane -  live in London while also managing a sprawling estate in Africa. Jack manages to run away from home in order to guide a familiar Ape named Akut back to Dover in Africa. Akut is the ape that Tarzan befriended in the last book, who now is being used unfairly as a showpiece for the paying public.

In an extraordinary series of events, Jack and Akut are left stranded in the African jungle. The author sort of recycles Tarzan of the Apes to fit the narrative of this book. The first-half of The Son of Tarzan is a coming-of-age tale as Jack transforms from London schoolboy to fierce and confident king of the jungle, Korak the Killer. Despite the over-utilized “fish out of water” formula, watching Korak become the second-coming of Tarzan was awesome. He's a strong, lethal, and intelligent lad that certainly embodies everything we love about his father. With a title of The Son of Tarzan, I was totally committed to a novel about Korak. However, Burroughs messes it all up.

The entire second-half is nothing short of a disaster. As I alluded to earlier, a young French girl named Meriem is snatched by human-traffickers and given to an evil Sheik. In his village, she's routinely beaten by both the Sheik and an old lady. Thankfully, she's captured from the Sheik, but soon finds that the duo who kidnap her are nearly as awful as the Sheik. I lost track of how many times Meriem is passed back and forth between these two guys, the Sheik, the Sheik's half-brother, Korak, and Tarzan and Jane. Ultimately, the best part of this whole fiasco is the time she spends with both Korak and Akut. Meriem falls in love with Korak (obviously) and becomes familiar with not only surviving in the jungle, but thriving. She is the embodiment of Tarzan's Jane. Easy to connect the dots.

As if Tarzan needed another name (he's already John Clayton, Tarzan, Lord Greystoke), he is referred to as Big Bwana in this book (Jane is My Dear). Burroughs disguises that Bwana is Tarzan until the book's climax,” but it isn't hard to figure it out. 

The narrative spins its wheels with the “pass Meriem back and forth” sequence, but there were some emotional investments made into Meriem's relationship with Bwana and My Dar as well as the aforementioned chemistry with Korak. Beyond that, I really disliked the novel's flow and dependence on the human-trafficking plot. Burroughs spent a great deal of time passing Jane around in the last novel, and it seemed like this was just more of the same. 

Hopefully, the series' fifth installment, Tarzan and the Jewels of Opar, takes more of a fantasy or science-fiction flavoring instead of human plight. But, the synopsis of the book suggests that Jane has been kidnapped again. 

Buy a copy of this book HERE.

Conan - Conan

Many of Robert E. Howard's Conan the Cimmerian short-stories were out of print for decades, or had steep auction house pricing that prevented casual fans from reading them. Aside from one Ace paperback, and a series of Gnome Press hardcovers, these previously published stories existed in back-issues of Weird Tales. 

Beginning in the late 1960s, Lancer began publishing affordable paperbacks collecting these original Robert E. Howard published Conan stories. In addition, these collections also included unpublished Conan manuscripts and new material edited or authored by Lin Carter and L. Sprague de Camp. You can journey down any pulp sword-and-sorcery rabbit-hole and read more about the development of these Lancer paperbacks, the discovery of manuscripts by Howard heirs' literary agent Glenn Lord, and both the praise and criticism of Conan pastiche writing, which is included in these Lancer editions. 

I want to simply highlight the stories including in each paperback, beginning with the very first Lancer edition aptly titled Conan. The collection was first published in 1967 and features a Frank Frazetta cover. The paperback, weighing in at just 221 pages, includes two of Howard's most respected and well-known Conan stories, “The Tower of the Elephant” and “Rogues in the House”, with the latter selection influencing the book's cover art. 

“Introduction” - As I alluded to earlier, the development of the Lancer paperbacks is a much talked about event that populates the sword-and-sorcery community. In this five page introduction, author L. Sprague de Camp introduces readers to Robert E. Howard with a brief biography. He also cites a specific letter that Howard wrote to fellow author Clark Ashton Smith explaining how the Conan character was created. In addition, de Camp analyzes the term “heroic fantasy” and how it came to fruition. 

“Letter from Robert E. Howard to P. Schuyler Miller” - This is four and a half pages showcasing a letter that Howard wrote to the science-fiction writer and educator Miller. In the letter, Howard explains the Hyborian nations and comparisons to medieval Europe, Asia, and Africa. The letter also displays Howard's explanation of Conan as the king of Aquilonia for many years. This letter was originally published in the The Coming of Conan hardcover by Gnome Press in 1953.

“The Hyborian Age, Part 1” - Howard's 14-page essay outlining the entire Hyborian kingdom and the rise and fall of the various cultures that make up the sprawling landscape. This was originally contained in the The Phantagraph in 1936, and subsequently in the volumes The Coming of Conan, King Kull, and Skull-Face and Others.

“The Thing in the Crypt” - Some find fault that this book, which is a celebration of Robert E. Howard's Conan creation, offers a non-Howard work as the first fictional story in the collection. “The Thing in the Crypt” was authored by L. Sprague de Camp and Lin Carter, but the reason it is the first actual story in the collection is because the books, edited by Carter and de Camp, are a road map of Conan's chronological life. This story features Conan as a teenager who just escaped a slave pen after being captured after a raid in Asgard. Later, there is a story that Bjorn Nayberg authored (with assists from Carter and de Camp), “Legions of the Dead”, that predates the events in this story. It is found in Conan the Swordsman. In “The Thing in the Crypt”, Conan finds a cave containing a mummified corpse holding a sword. When he takes the sword, the mummy comes to life and the two battle. This story also influenced a similar scene in the Conan the Barbarian film. “The Thing in the Crypt” first appears in this story collection. 

“The Tower of the Elephant” - This first appeared in the March, 1933 issue of Weird Tales. A young Conan arrives in Arenjun and overhears a conversation about the wealth and riches contained in a tall structure deemed The Tower of the Elephant. Always looking for thieving opportunities, Conan climbs the tower with the help of another thief, Taurus. Conan discovers cosmic horror inside the tower and fights to escape. Howard’s endless imagination just flows onto the page with this wild, action-packed adventure. It quickly pulls you into the story with just a few opening paragraphs. The author's prose is just so smooth and stimulating, providing excellent plot development and pacing.

“The Hall of the Dead” - This was a fragmented Conan the Cimmerian document created by Howard and then re-worked by L. Sprague de Camp. This version was first published in The Magazine of Fantasy and Science-Fiction's February 1967 issue. Like many other stories, the era of “The Hall of the Dead” is set during Conan's thieving years, around 18-20ish. It picks up when Conan enters an abandoned, ancient city called Larsha. In a hot-pursuit is a group of Zamorian soldiers who have been assigned to arrest Conan for theft. As Conan explores this abandoned city, he teams up with another thief as the two fight giant slugs and other baddies that are protecting gold within this abandoned city. There's nothing to really dislike about “The Hall of the Dead”, but loyalist complaints favor Howard's original version, which is shorter and features some differences in Nestor's actions in the story and the disappearance of the giant slug. In essence, I felt the story as a whole, regardless of writer, effectively placed Conan in a gloomy post-apocalyptic setting of an abandoned city, albeit a very short visit, and that was very rewarding. 

“The God in the Bowl” - This Robert E. Howard story wasn't published in the author's lifetime. It was rejected by pulp magazine Weird Tales, and after Howard's death, went undiscovered until 1951. It was then edited by L. Sprague de Camp and first published in Space Science-Fiction's September, 1952 issue. The premise reveals that “thief” Conan accepts a job from Nemedia's Governor's son to break into an antique house to steal a precious diadem. This diadem is being kept in a sarcophagus that was apparently discovered in the dark realm of Stygia. However, there is a monster lurking in the house and and the overnight clerk is found dead. The story has a really unique flavor for a Conan story and nearly borders on detective-fiction. Overall, I can recommend “The God in the Bowl”, but there are plenty of other Conan stories you should be reading before this one.

“Rogues in the House” - This story first appeared in the pulp magazine Weird Tales in January, 1934. That same year, it was also featured in a short story collection, Terror by Night, published by Selwyn and Blount. The premise has Conan being assisted by an aristocrat to escape prison. In a series of wild events, Conan, the aristocrat, and a priest are trapped inside of a large house. The house contains a number of deadly traps used to enslave and kill the priest's political rivals. But, this story also influenced the Conan paperback's front cover with Conan battling Thak, an ape-like creature that prowls the house. This story is one of my all-time favorites by Howard and is filled with political intrigue, action, and savage violence. A must read.

“The Hand of Nergal” - Originally a fragmented story authored by Howard  in the 1930s, Lin Carter completed the manuscript and titled it. Along with appearances in Conan, “The Hand of Nergal” was also featured in The Conan Chronicles and Beyond the Gates of Dream. In the story, Conan is a mercenary serving Turan. In the heat of battle, Conan is battling these crazy giant bats when he nearly falls unconscious. Thankfully, Conan had discovered a strange amulet days before, which helps to repel the bats. Conan meets a female warrior and the two of them journey to the city of Yaralet to battle the sorcerer responsible for conjuring up these crazy bats. I really enjoyed this story and found Carter's stroke of science-fiction and fantasy a great blend with the more “on the nose” carnage that Howard's Conan typically creates. The Carter and Howard blend worked well, in my opinion, on the Kull stories, and you get that same sense of adventure, dark sorcery, and utter doom in this story.

“The City of Skulls” - This paperback collection is the first appearance of this story, which was originally titled “Chains of Shamballah” in the first printing's table of contents. This is one of only two stories in the collection that is authored by both Lin Carter and L. Sprague de Camp, void of any Robert E. Howard writing. In this story, Conan's military unit is massacred, leaving only himself, his friend Juma, and a princess alive. The three are taken captive and forced across mountains, through bitter cold winds, and into a warm jungle called Shamballah, the City of Skulls. It's an epic story with Conan and Juma eventually sold into slavery aboard a ship and the princess being promised to a Toad-God-Thing. The story locations are described so well and thrust these characters – unwillingly – into the heart of madness with high altitudes and low temperatures. Mix in the ruthless rowing expedition as testaments to Conan's internal fortitude to soldier on. That's why we read these harrowing adventure tales. Carter and de Camp can tell a great story and I feel like “The City of Skulls” is a worthy addition to this stellar Conan collection. 

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The Spy Who Sat and Waited

Robert Wright Campbell (1927–2000) was a television writer who crafted teleplays for many shows in the 1950s and 1960s, including Maverick and Marcus Welby M.D. He later became a novelist and achieved commercial success with his mystery titles such as The Junkyard Dog and In La-La Land We Trust, both from 1986. His first book was a spy novel from 1975 called The Spy Who Sat and Waited, available today from Kindle Unlimited.

Here’s the premise: During World War I, Germany stationed sleeper agents around the world, and as Germany’s surrender became imminent in 1918, the Krauts told their spies to remain undercover awaiting the inevitable rebirth of the Reich. It’s pretty much the premise of the 2013 TV show, The Americans, where Soviet spies walk among us living as normal Americans for decades. In this case, it’s a German spy chilling in Scotland awaiting instructions while living a shadow life.

The novel begins immediately following WWI when a German sleeper spy, who adopts the name named Will Hartz, relocates from Switzerland to Scotland’s Orkney Islands, a useful port in both world wars. The water surrounding the islands was the site of a dramatic series of events in 1919 where the Germans intentionally sunk and abandoned 52 of their own ships rather than have them captured and redistributed to enemy forces at the war’s conclusion.

Upon settling there, Will buys a pub frequented by fishermen and settles in for a quiet life awaiting tasking from Germany. The author perfectly captures the combination of stress, boredom and loneliness that long-term undercover agents experience. This is exacerbated by the ambiguity of the mission in peacetime and the lack of directions from his superiors back in the Fatherland.

It’s a long wait for Wilhelm, but the author keeps things moving for the reader. Wilhelm follows the developments in Germany via the news from afar, including the rise of a Nationalist party comprised of disgruntled war veterans, led by a man named Adolf Hitler.

The reader is also treated to flashbacks from Will’s life to give us a better understanding of how this mild-mannered fellow became a spy embedded in a small Scottish fishing village. It’s a slow burn more about a man forced to live in a small community with a big secret rather than a typical spy yarn of the era. Nevertheless, the paperback was plenty entertaining for a literary novel about a small man with a big secret.

The first half of the paperback is a character-driven novel about a dormant spy, and the second half has some elements of a spy novel coinciding with the rise of Hitler, if that makes sense. Hitler’s ascendance pushes Will in some uncomfortable directions, and the novel’s central tension is his willingness to go along with orders from the Fatherland after assimilating quite nicely into Scottish island culture for 20 years.

I enjoyed this novel, but it was about twice as long as it should have been. It was not action-packed, but it was very well-written. Will’s journey through the early 20th century made for some good reading, but the reader shouldn’t confuse the book with a fast-moving spy thriller. If “recommended with reservations” is a thing, that’s probably where I land. 

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Quest of the Dark Lady

Ben Haas (1926-1977) sold his first story to the pulps when he was 18 years of age. After serving as a Sergeant in the U.S. Army, and working in the steel industry, Haas became a full-time writer in 1961. He used pseudonyms like Thorne Douglas, Richard Meade, John Benteen, and William Kane. I'm familiar with the author's western writing, but wanted to try something a little different from the author. 

I decided to read another vintage sword-and-sorcery novel, a Haas-penned paperback called Quest of the Dark Lady. It was written under the pseudonym Quinn Reade. The book was first published by Belmont in 1969 using artwork by Jeff Jones. It was printed again by Belmont using a different cover by Jeff Jones. The publisher re-cycled artwork that was first used on the Belmont paperback The Quest of Kadji by Lin Carter. The book was also published in the U.K. by Paramount using that same artwork. 

In the book, readers discover that the Earth was devastated by a nuclear war hundreds (if not thousands) of years ago. What remains is a scarred civilization that resembles the Middle-Ages – men on horseback fight for King and Crown using swords, shields, and magic. The only known human population dwells in a placed called The Iron Lands. It is here that King (sometimes referred to as Emperor) Langax protects the people with a vast military force. Beyond the safety of The Iron Lands lies the Terrible East, a desolate landscape plagued by hideous monsters.

Years ago, Langax made the unfortunate mistake of ousting all of the sorcerers and magicians from The Iron Lands. In doing so, he then became vulnerable to some sort of spell originating in the Terrible East. This spell places Langax in a deep coma. He awakens briefly to advise his staff that the only savior now is an entity (or human) known as the Dark Lady. But, she lies somewhere in the Terrible East. The only person who can find her lies in Langax's dungeon awaiting execution for sabotage. That man is a former high-ranking soldier named Wulf.

There's so much to love about this simple 140-page adventure novel. The mystery surrounding why Wulf lies in a dungeon is slowly fed to the reader in the early pages. Eventually, this backstory is spelled out for the reader, but part of the book's reading pleasure is this core mystery. Surprisingly, Haas also includes a partner for Wulf, a fiery swordswoman who also plays a romantic role. When these two team up with a sorcerer, the three embark on a Hero's Quest to find the Dark Lady and save the kingdom.

This is a wildly entertaining, simple sword-and-sorcery novel that has plenty of action-oriented adventure. The monsters rear their ugly heads, the secret of the Dark Lady is revealed, and Wulf's exposure as an admirable hero are chief components making this an easy recommendation. But, get the second printing if you can locate it. It has interior artwork panels to enhance the great story.

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Exotic Adventures of Robert Silverberg

Robert Silverberg is one of the most popular science-fiction authors of all time. He has won numerous honors for his literary work, including Hugo and Nebula Awards as well as induction into the prestigious Science-Fiction and Fantasy Hall of Fame. Just as he gained a tremendous foothold on the science-fiction and fantasy genres in the 1950s, the publishing industry began to become stagnant with many magazines, digests, and paperback publishers ceasing production. One of those magazines was a Men's Action-Adventure offering called Exotic Adventures. It lasted only six total issues, but Silverberg contributed over 20 stories to the run using a variety of pseudonyms. 

Esteemed MAM historians Robert Deis and Wyatt Doyle have collected these stories into a mammoth volume aptly titled Exotic Adventures of Robert Silverberg. It is part of the duo's The Men's Adventure Library published by New Texture. The book features an informative introduction regarding both Silverberg and his contributions to MAMs, as well as the publication history on the short-lived Exotic Adventures magazine. 

In this intro, I thoroughly enjoyed the education on Silverberg's paperback sleaze novels. The author penned many genre novels for the sleaze publishers like Beacon, Regency, Midnight Reader, and Nightstand. There's an excellent backstory here on William Hamling, who played a prominent role in Silverberg's early success as a writer, including the sex novels and sexology articles that the author wrote. There is also information on Silverberg joining Scott Meredith's agency. Meredith was the premier literary agent of that era, and Deis and Doyle point out that Meredith sold excerpts from Silverberg's sex books to the MAMs to use for their shorts. This was the same thing that was happening with Lawrence Block during that time as well. 

I really enjoy adventure stories, and this volume is packed with some really good Silverberg stories that feature promiscuous women, admirable heroes, and exotic locations. Most of the themes are sex-oriented, with adventurers pushed to the brink of death by some folly they made with a vivacious woman. Nothing showcases that theme more than “Safari of Death”, a short story originally featured in the magazine's third issue with Silverberg using the pseudonym Leon Kaiser. Like many of these MAM stories, the author is the main character and the presentation is first-person. In this story, Kaiser (a married man) relays an affair he had with a married woman on a safari hunt in the French Cameroons. Before the hunt is through, Kaiser learns more about this woman's character and the extreme nature of her lust. Needless to say, “Safari of Death” ends with a grisly scene.

The best story in this volume is “Trapped by Mau Mau Terror”, a short originally published in issue four using a Silverberg pseudonym of Norman Reynolds. The story is set in Kenya during a time when the Kikuyu tribe was on a violent rise to power under the name Mau Mau. The protagonist explains in the first-person how he came to manage a farm in Nairobi. At 30 years of age, with Korean War experience, this young man finds himself in the arms of a woman on a night of horrifying bloodshed. Inside a farm house, the man and his lover fight off hordes of blood-crazed savages over the course of a very violent evening. This was a high-intensity, large body-count as Silverberg and his heroes methodically clear the house of intruders. In some ways, this reminded me of another MAM story called “Night Visit”, which was published in Adam in October 1976 (author and artist unknown). 

It wouldn't be a true MAM omnibus without at least one killer-crab story. The book gives the readers what they want with “Attacked by Monster Crabs”, featured in the magazine's third issue under the pseudonym Dave Callahan. This is a fun, rather meaningless story about a guy and his lover attacked by pinching monstrosities near Belize. Another highlight of the book is a more serious entry called “I Escaped from the Soviet Slave Camp”, featured in the sixth issue under the name Anna Lukacs. In first-person, Lukacs details the horrific invasion of Hungary by the Soviets and her enslavement as a sex-slave. While certainly not the same overtones, the violence and sadistic savagery of this story was similar to a 1967 book I recently read and reviewed called Tortured for Christ, however the focus was on the Soviet's invasion and atrocities committed in Romania. Silverberg's story is excellent and provided a harsh look at the historic horrors perpetrated by the notorious Soviet empire. 

Exotic Adventures of Robert Silverberg is worth its weight in gold and contains some fantastic stories. While this author will forever be ingrained in science-fiction and fantasy, his other literary work was just as exceptional and memorable. I'm glad that Robert Deis and Wyatt Doyle recognized the need to bring these stories to light. They continue to impress with each and every volume. Highly recommended! 

Buy a copy of this book HERE.

Paperback Warrior Primer - Claw the Unconquered

In the late 1960s, the publishing industry was abuzz with the reprinting of Robert E. Howard's Conan stories. Most of these had been missing from the commercial markets for decades, others had been collected in expensive hardback collections that fetched nearly auction-house prices. For the first time, the casual consumer could read these stories, including some that were previously unpublished, in affordable paperback editions courtesy of Lancer. With these new editions, authors like Lin Carter and L. Sprague de Camp were able to also contribute their own Conan stories as pastiches of Robert E. Howard's own storytelling style. 

Lancer, and later Ace, contributed to an influx of sword-and-sorcery pop-culture due to their paperback releases of Conan and other Robert E. Howard stories. The genre exploded with television, movies, and countless paperback novels featuring shirtless barbarians imitating Conan. By the 1970s, sword-and-sorcery was everywhere, so it was just a matter of time before the comic book industry seized their share of the market. 

With the success of Conan on the pages of Marvel, DC Comics became busy creating sword-and-sorcery titles that would compete in the hectic heroic-fantasy realm. In 1975, the company launched their creations, eight new titles that featured scantily-clad heroes holding sharp, gleaming swords. These books were Warlord, Beowulf, Dragon Slayer, Tor, Nightmaster, Starfire, Stalker, and today's topic, Claw the Unconquered. 

With Claw the Unconquered, the creative team made the decision to hone in on John Buscema’s Conan artwork. Who would be the best fit for Claw's artistic design and presentation? None other than Ernie Chan, an artist that spent the prior two years inking John Buscema’s art on Conan the Barbarian. Chan created the covers for the first nine issues, and penciled the interior pages on the first seven before giving the reigns to other artists like Joe Kubert and Keith Giffen.

Gracing the cover of Claw the Unconquered's first issue, titled “The Sword and the Silent Scream”, is a black-haired muscular barbarian carefully straddling a vulnerable young woman. Without the robust Claw logo, one glance would surely register that the book is another Conan issue. But, that was the point – to capture the dedicated readers of Conan the Barbarian and Savage Sword of Conan the Barbarian. Chan perfected this. 

Chan's co-creator of Claw was David Michelinie, who contributed to the creation of some of comics greatest characters in Venom, Carnage, War Machine, and Ant-Man. Michelinie and Chan had worked collectively on other DC books like House of Mystery and House of Secrets. Michelinie's concept was that Claw existed in a place called Pytharia, a land that resembles ancient Earth. Fans of Conan may see some similarities with Pytharia and Robert E. Howard's own landscape found in the Hyborian Age. In essence, it is a sprawling world filled with heroes and villains – noblemen, savages, evil sorcerers, terrifying creatures, and the obligatory beautiful women that need saving. 

At the forefront, like Howard's own stories, is the endless musical chairs played by politicians and their rivals. Conan, against his better judgment, seemingly always found himself embroiled in a political rivalry turned violent. Claw mirrors that same participation, which ultimately sets the table for the character's origin tale in the debut issue.

In the first three pages, readers learn that Claw's real name is Valcan and that he literally wears a red glove over his right fist, indicating early on that something is different about his hand. Claw is strolling through Ichar, the throne city of Pytharia when a thief attempts to rob him. Claw throws the poor soul through a window, then orders meat and wine. His muscles, good looks, and temperament gains an invitation from the attractive waitress to join her upstairs. But, she accidentally dislodges his glove and discovers he has a hairy hand with...claws! Later, it is revealed that the waitress was purposefully trying to verify Claw's identity in an effort to satisfy her master, an innkeeper named Tarmag.

In the streets, Tarmag has his henchmen attack Claw. Fortunately, Claw disposes of them all, but he mistakenly lets Tarmag live (a non-Conan move). The man journeys to Castle Darkmorn (what a name!) and tells (King) Occulas of the Yellow Eye the whereabouts of Claw. His reward? An instant fatal backstabbing by Occulas' guards. But why does Occulas want Claw? 

In a flashback from years ago, Prince Occulas is plotting to take the King's throne and learns from an oracle (named in the third issue as Miftung) that the only thing standing in his way is a man with a bizarre hand. Occulas has a peasant man tortured to learn that someone named Kregar of Kanon Wood has a funny hand. He bribes the King's men to go out and kill Kregar and his family. On page 13, where these events unfold, readers see that Kregar does have a hand that resembles Claw's. While Kregar and his family are all murdered, the men left behind a small infant that had a clawed right hand. Off the page, an angelic hand reaches for the baby and says that “your time is not yet come, for there are tasks awaiting that only you may perform.”

Occulas fatally poisons the King, snatches the crown, and for years thrusts Pytharia into desolate servitude. An older, crueler Occulas is then shown speaking to the oracle about a new threat that arises, a man named Valcan that has a deformity that has earned him the name Claw. Sensing this new threat, the story then circles back to the beginning (present day) as Occulas sends another of his henchmen to kill Claw. With the aid of the beautiful waitress, Claw is deceptively led to the Temple of Kann where a giant beast is awakened with a magical gem. Claw fights the monster, and then leaves the temple as the waitress is left to die. 

What readers gather from the first issue is that the through-story will be Occulas attempting to seek and destroy Claw as the hero journeys from place to place fighting the good fight for the people. The book takes on some other genres, like the traditional western monomyth, science-fiction, and fantasy. Additionally, Claw can't remember his past, so readers will be mysteified as to who the angel was that saved Claw from death as an infant. Through his journeys, he is searching to learn more about his origin and why he is destined to do great things. Magical elements regarding the claw and its purpose begin to shed some light on Claw's destiny. 

Like most of the other sword-and-sorcery books that DC launched, Claw the Unconquered was short-lived. The original run lasted just a total of 12 issues, ending in September 1978. The character made another appearance in 1981 in Warlord issues #48-49. 

Claw continues to exist in comic book continuity. He has randomly appeared in the modern pages of Wonder Woman, Justice League, and Swamp Thing. In a completely different character, there were elements of Claw used for the Primal Force comic also published by DC. The character was re-introduced to Conan fans through a rebirth by Dynamite Entertainment. Claw teamed with Red Sonja in the four-book miniseries Devil's Hands. Additionally, there was a spin-off of that series simply called Claw the Unconquered, which ran a total of six issues and was written by Chuck Dixon. 

While I can't speak on the title after 1978, I highly encourage you to read the full 12-issue run of the original DC comic. If you enjoy 1970s sword-and-sorcery literature, then this is well worth the nostalgic trip through time.

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Chronicles of Counter-Earth #01 - Tarnsman of Gor

There are many different names given to the Gor series of sword and planet adventures. Some refer to it as The Chronicles of Counter-Earth or The Gorean Saga, other monikers exist like The Saga of Tarl Cabot, Gorean Cycle, Gorean Chronicles, and Counter-Earth Saga. Additionally, some readers refer to is as How To Place a Dog Collar on Your Lover in 5 Easy Steps. The series was authored by John Lange Jr under the pseudonym of John Norman. The series ran 37 total installments between 1966 and 2022. The novels have been published by a combination of DAW Books, Ballantine, and Open Road Media. They currently exist in digital and audio versions.

The first thing you need to know about the series is that it is a controversial one. In these books, the author depicts women in an unfavorable light, often showcasing them as material possessions serving as abused collar-bound slaves. These women submit themselves to men by dropping to their knees and placing their arms in a position where it would suggest they are begging. These female slaves are known as kajira. The popular series spawned a subculture lifestyle known as Gorean with its own language. I'm not choosing this platform to either praise or criticize anyone who likes the series or its influence. You do you, and I'll do me. I'm simply sampling the series based on my newfound love for fantasy and science-fiction novels. Nothing more, nothing less.

Before reading the debut, Tarnsman of Gor, I discovered that the early novels in this series are pure sword-and-sorcery  heavily influenced by Edgar Rice Burroughs' Barsoom series (1912-1943). After reading the first few chapters, I discovered it is darn-near a complete ripoff of A Princess of Mars. But, that isn't necessarily a bad thing. 

At the beginning of the book, readers are introduced to a British man named Tarl Cabot, residing in present-day (read that as the 1960s) America. We learn that his mother died when he was young and his father seemingly disappeared. Tarl becomes well-educated at Oxford University and later becomes a professor at a New England college in America. While on a hiking and camping vacation in the rural mountains of New Hampshire, Tarl stumbles on an electronic device that allows him to use his thumbprint to access a document. The device is a makeshift letter from his father dated 1640. Soon, a spaceship appears and beams up Tarl.

Tarl awakens to find that his father is alive and well and a senior leader in a tower city called Ka-Ro-Ba. This city exists on a planet called Gor, which is “hidden” in the same solar system as Earth. The planet is ruled by a mysterious sect of supreme beings known as Priest-Kings and the leaders they have chosen for society are provided insights on the planet's dynamics – like the fact that it is round. The rest of society – those in a lower class – are fed misleading information to keep them on the lower rungs of survival. The lower classes think that Gor is flat. They also don't have access to any modern technology, or have the ability to rise above their intellectual levels. So, most of Gor exists on the same technological level of...say Earth's Bronze Age. Weapons are swords, daggers, shields, spears, etc. But, the most popular vehicles are large winged birds called Tarn, which all of Gor's military seem to ride. 

Without going too far down the rabbit hole here, Gor's various nations tend to war with each other. The winner gets that nation's home stone, which is just a rock with the name of the nation printed on it. Apparently if your nation captures another nation's home stone, then you control that nation. So, the nation of Ar is getting a little too big for their pants, so young Tarl is educated in Gorean culture, including how to fight with the various weapons and how to control and ride the Tarn animals. Why? Because he is going to fly into Ar undercover and steal their home stone. Which makes up the bulk of this series debut. 

Here at Paperback Warrior, we just call them how we see them. I sat down one Saturday for a couple of hours and read this 220-page paperback from cover to cover in one sitting. I was never bored by it. By suspending my disbelief on some of the ridiculous hero saves, I found myself thoroughly entertained. Lange certainly took some liberties with Burroughs' Barsoom series, including the first and last chapters of the book, and I had some hesitation on reading past the first chapter because of it. But, I'm glad I did because this is pure adventure from start to finish.

The book's monomyth story kicks into high-gear when Tarl is “shot down” over the skies of Ar. Landing in the jungle with the King of Ar's spunky daughter Talena, he must contend with giant Spider People, a fight to the death with a master swordsman and survive being crucified on a boat and drawn-and-quartered by flying birds. All of this is carefully navigated as Tarl contends with two brutal villains on a quest to disrupt the power of Ar while questioning his own nation's mission on Gor.

In some ways, this fish-out-of-water tale reminded me of Lin Carter's own Burroughs' rip-off series Zanthodon, albeit a more advanced version in terms of society and landscape. I prefer the Carter series more, but there was nothing about Tarnsman of Gor that was unsatisfactory. In fact, this early indication suggests that Tarl is a hero that disputes the idea of slavery and punishment of women. In one scene he frees a slave girl destined for death, and throughout the narrative he continually promotes equality between himself and Talena. He frees more slaves and has a more respectful view of women than...say...Conan. The most despicable treatment of women I've ever experienced in fiction is William W. Johnstone's Out of the Ashes series, which sets the gold standard in terms of male chauvinism. But, as I've noted, this series apparently retains some quality in the early installments.   

If you enjoy over-the-top, completely senseless science-fiction adventure, then Tarnsman of Gor will deliver a good time. I can't speak for the rest of the series, but this specific book was wildly entertaining. Highly recommended! 

Buy a copy of this book HERE.

Change Partners

Celebrated jazz musician Charles Boeckman (1920-2015) authored crime-fiction novels, westerns, and short stories for the pulps and digests in the mid 20th century. Using the pseudonym Alex Carter, Boeckman authored racy sleaze novels for Beacon Books. I read, enjoyed, and reviewed two of these novels, Boy-Lover (1963) and Traded Wives (1964). I thought I would try another one, Change Partners, originally published in 1963.

In 1960, Ernest Evans, known as the famous singer and dancer Chubby Checker, released a cover of Hank Ballard's song “The Twist”. The song, and Checker's dance move, lit up the club floors and had incredible success on radio. But, “The Twist” dance was considered pretty provocative for 1960. 

In Change Partners, Les Kennedy arrives home from his photography studio to find his suburban housewife Vicki doing the Twist dance in his living room. The way her hips and buttocks twist and shake puts Les into an immediate sexual surrender. After the two make love, they agree to head to the local country club to dance the night away. It is here that Les gets drunk and Vicki gyrates with a used car salesman. Spotting his wife's sexy dance moves on the floor with a stranger, Les makes a club spectacle by dragging her to the car and back home. Things aren't looking good for the Kennedys.

Pretty soon, the club incident spills over into marital disharmony when Vicki begins an affair with the used car salesman from the dance. In retaliation – you know where this is going by the title – Les strikes up an affair with the couple's friend and dance instructor Sybil. The married couple's sexual encounters with other people makes up the bulk of the narrative.

Before you start thinking this story seems tepid and dull, let me remind you that this sort of novel isn't a far stretch from what Gil Brewer and Orrie Hitt were doing with their own sexy crime-fiction. Arguably, those authors created crime stories with the real focus being the tumultuous affairs and sexy flirting to propel the plot. Boeckman is just missing the crime element in his books, but to be clear there is a crime committed in Change Partners that provokes some jail time for the main character. But, it isn't anything exceptional. Instead, the author pursues the hot chemistry and sex (never graphic) that the characters experience as their marriage deteriorates. The emotional baggage, insecurities, guilt, and motivation to adultery is what makes the narrative twist and turn to the literary music.

Like Boy-Lover and Traded Wives, Boeckman pens another gem with this portrait of suburban marital Hell. If you enjoy the riches-to-rags fall from grace noir that stems from crime-fiction, then you'll love this book. Recommended.

Buy a copy of this book HERE

Calico

New York Times bestselling author Lee Goldberg began his career as a journalist, reporting for national publications, including the Los Angeles Times, Newsweek, and the San Francisco Chronicle. After breaking into screenwriting, Goldberg contributed to shows like Murphy's Law, Monk, The Cosby Mysteries, and Spenser: For Hire, as well as producing and writing episodes of Monk and Diagnosis Murder. Twice nominated for an Edgar Award by the Mystery Writers of America, Goldberg's literary work includes the bestselling title Fox & O'Hare (with Janet Evanovich), as well as The Dead Man, The Jury, Ian Ludlow, and Eve Ronin series. 

Perhaps his most ambitious novel to date is Calico, coming November 7, 2023 by independent publisher Severn House. While it possesses all of the exemplary crime-fiction elements perfected by Goldberg, this stand-alone thriller journeys into a unique, untapped resource that's never been used by the 40-year veteran. The end result might surprise you.

Like Goldberg's other Los Angeles detective Eve Ronin, Calico's protagonist Beth McDade has a tumultuous history with the force. After a romantic encounter with a fellow officer, McDade is released from duty and forced to relocate to the San Bernardino County Sheriff's Department. She was warned upon her arrival three years ago, “The interstate here only goes in one direction – away. Nobody wants to be in Barstow and those who do, you don't want to know.” 

Barstow, California is where McDade works as one-half of the area's homicide department, prowling a stretch of desert along the Calico mountain range to the north and the Marine Corps Logistics Base to the south, both of which play prominent roles in the book's central story. In between is a variety of military housing, alfalfa farmers, and off-the-grid survivalists residing between fast-food dives and bars. The dismal landscape and dull employment contributes to McDade's spiraling depression, a disorder she routinely treats with alcohol and endless one-night stands with the town's first responders. 

Calico's white-knuckle, straight-laced narrative, is an enthralling police-procedural that features McDade working a combination of home-invasion robbery (shades of Goldberg's own Gated Prey), a missing person case, and a bizarre highway death involving an elderly couple. From a surface level, it seems to be routine, by-the-book police business, but the sun-bleached asphalt masks a disturbing secret that mysteriously connects to the town's mining history in the late 1800s. How does a potential murder victim in 2023 connect to events in 1882? This enticing web will ensnare unsuspecting readers with plenty of surprises along the way.

As a fan of Goldberg's writing for some time now, I was pleasantly surprised with Calico's unforeseen curveball. If you enjoy murder mysteries - complete with the obligatory detective tropes, investigative twists, whodunit suspense, and strong female lead – then you already know that few can do it better than Lee Goldberg. However, by combining all of those crime-fiction staples into an unconventional, widely different approach, Goldberg delivers something altogether new, radical and exciting for his readers. Calico is a very clever crime-fiction novel authored by an absolute pro. Highly recommended. 

Buy a copy of this book HERE.

Thane #01 - City of Doom

Warren Publishing experienced success with one of their flagship comic magazines, Creepy. The black and white magazine escaped the Comic Code Authority because their rules and regulations didn't govern magazines. While the book would mostly consist of traditional horror storytelling to match its title, by the late 1960s the contents began to alter. This era of comic and paperback publishing found success by concentrating their efforts on sword-and-sorcery tales. This was a fertile landscape dominated by the reprinting of Robert E. Howard's Conan stories in the Lancer paperbacks and the birth of the character in comic format. Additionally, this was the prime-time for artists to show off spectacular genre paintings that sometimes even surpassed the quality of the sword-and-sorcery stories they celebrated. 

In the June, 1967 issue of Creepy (#15, cover by Frank Frazetta), longtime Warren writer Archie Goodwin introduced a new barbarian for readers to cheer, Thane. This character debuts in “City of Doom” with artwork by Steve Ditko (Spider-Man, Daredevil). Uncle Creepy sets the table on the first page: “They had left Thane staked out to die on the black sand of volcanic wasteland, bait for the beaks and talons of the great albino vultures which hunt there.”

This story doesn't prove to be much of an origin tale as very little information is provided on where Thane lives and what role he serves. From the text, and the tradition of the genre, it seems as though he is an adventurer and mercenary. As the strip unfolds, readers learn that Thane was hired by Ultor, leader of a band of raiders called Scythians, to help them fight a battle. After the campaign ends, Thane was promised his share of the plunder. But, the Scythians double-cross Thane and leave him to die. Thane escapes being bound to stakes in the desert and trails his betrayers through the wasteland.

Thane is surprised when a woman calling herself Livia, the High Priestess of the ancient city of Kadith, appears on his path. She requests Thane's help in defending her city from the Scythian raiders. With a chance at vengeance, Thane follows Livia into a large fortress with plenty of winding stairways and dark halls. Soon, Thane realizes he has been betrayed again when he discovers that Livia is actually an evil servant of the city itself. Inside the fortress, the walls and floor come alive as writhing tentacles suck the flesh from bone. Thane finds Ultor being eaten alive by the hideous creature, then must find a way to slash his way through the monster to escape this terrifying living city. 

This is obviously Conan worship, with Thane displaying brutal tendencies, a fiery temper, and the typical dialogue that accompanies the Cimmerian. Like Conan exclaiming “By Crom!”, Thane declares, “By Thoth!” He also expresses his anger by calling his enemy “Scythian Dogs”, recalling Howard's hero throwing down "Stygian Dogs". Ditko's artwork, which is really the highlight, comes alive as Thane enters the dark passageways. His artwork on the bottom of page eight captures the hero's shock when he finds hordes of savages awaiting him. The wide panel on page nine showcasing Thane's sword slicing through the enemy is remarkable and reminds me of something more modern that I've seen in Conan comics (perhaps Dark Horse). The upper panels on page ten capture that same emotional intensity as Ultor screams while being eaten alive. 

This story was a lot of fun and launches what should have been a longer Thane serial for Goodwin. The character appears again in “Angel of Doom” (#16, August 1967, artist Jeff Jones), “Barbarian of Fear” (#27, June 1969, artist Tom Sutton), and “The Last Sorcerer” (#112, October 1979, artist Alex Nino). Additionally, these stories were reprinted in additional issues of Creepy. Three of these stories were completely written by Goodwin, with “Barbarian of Fear” being partially authored by Bill Parente (Vampirella, Eerie). Unfortunately, only a total of four original stories were created starring this character. While cookie-cutter at best, this hero is still entertaining in his own right. Or, I'm just sucker for this era of sword-and-sorcery. 

Check out the Creepy trades collecting the issues HERE