Joe Broderick's Woman

In the 1970s, Hollywood became fascinated with the large transport truck, aka “big rig”, “18-wheeler”, “tractor-trailer” or simply “Mack”. Films like Smokey and the Bandit (1977), White Line Fever (1975), Breaker! Breaker! (1977), and Convoy (1978) captured the heart and soul of the blue-collar truck-driving man, albeit with plenty of zany, over-the-top action hijinks that elevated the profession into a type of comic book heroism. The genre swerved into the men's action-adventure lane on occasion, prompting series titles like William W. Johnstone's Rig Warrior (1987) and Bob Ham's Overload (1989). 

Manor Books published an action-adventure-trucker novel titled Joe Broderick's Woman. It was released in 1978 and was authored by a possible “one 'n done” author named John H. Arbor. My internet search produced no other results for the author. Based on the quality of the book, I was hoping Arbor had written more. 

Joe Broderick is the owner and operator of a trucking company in Baltimore called Broderick Lines. Joe is former military and now lives a peaceful and successful life delivering the goods to a hard-earned book of business. In the novel's opening pages, readers gain a glimpse of the trucker lifestyle as more of a business with a secretary, driving crew, and various clients adding shipments to schedules. Not exactly Lincoln Hawk stuff (Over the Top, 1987).

Unbeknownst to him, Joe is married to a mobster's former mistress, a nice woman named Aletha. The two met a few years ago after Aletha successfully escaped the clutches of Sartorius Roth, a New Jersey kingpin. Aletha created a new life for herself, but warned Joe that she has a shady past and that someday her past may catch up to her. Now, pregnant, domesticated, and totally in love, Aletha is finally found by Roth's hired hands. While Joe is at work, the goons break into his house and capture Aletha. 

Arbor's narrative is a three-way presentation consisting of the inner workings of Roth's empire and his right-hand man attempting to unseat him. This presentation also includes Roth's reunion with Aletha and the sentence he serves her. There's some graphic violence and rape as Aletha is thrown to the wolves as a sex servant for Roth's men, ultimately losing her sanity in the torture and abuse. The second presentation is that of Roth's current mistress, a woman named Rosalyn. She is skeptical of Roth reuniting with Aletha and wants to keep her position of power. The third storyline is Joe's hunt for Roth and his plans to rescue Aletha.

As a B-grade action novel, Joe Broderick's Woman wins on all levels. It has a great storyline that isn't far removed from the typical vigilante stories we all love – The Executioner, The Revenger, etc. It's brutal when it needs to be, emotional at the right times, and hard-hitting as a Mack truck when the bullets start to fly. I really liked Joe's character and his progressive relationship with a former mob girl named Darla as well as his team-up with a former military veteran named Hap. The vengeance angle never seemed forced to me, which is a testament to Arbor's patient writing style. It all comes to fruition in due time. 

Whether John H. Arbor is a real guy or not remains to be seen. His style is reminiscent of Jon Messmann, but I don't believe Arbor was a pseudonym he used. With Manor publications, unmasking the identity of authors and artists is like trying to locate an honest representative in Congress. We may never find the answer. But don't let the mystery keep you from enjoying Joe Broderick's Woman. It's an entertaining 1970s beat 'em up that crosses lanes with trucker pop-culture. Recommended. 

Buy a copy of this book HERE

The Hunting Shack

James Dickey's 1970 outdoor-survival novel Deliverance was adapted into a film by the same name in 1972. Both were widely successful and prompted numerous imitations. In the publishing world, it was books like Hunter's Blood (1977), Shoot (1973), Deer Hunt (1976), and Wilderness (1979) that carried out the suspenseful cat-and-mouse chase through the wilds of North America. These books typically challenged the American male, average or otherwise, with extreme, barbaric situations in the wilderness. There were a lot of 1970s books with this same premise, and I always try to pick them up when I spot one in the wild. Thankfully, I stumbled on The Hunting Shack, a 1979 paperback published by Dell authored by Gunnard Landers.

The book is set in the rural, icy landscape of a Wisconsin winter. Six average men venture into the wilderness for an annual, weeklong hunting trip. They have a small shack they utilize as lodging, and there's a rivalry between the men on who can land the biggest buck and drink the most alcohol. Midweek, the guys head to the closest town and bed down prostitutes as a way to escape the boring nine-to-five suburbia Hell. But, one of these six men does a little something different every few years.

Throughout the book's 220 pages, readers are thrust into the mind of Glenn, a dentist that joins his five friends each year for the hunting trip. But, Glenn journeys out on his own, away from the other hunters, and routinely kills another hunter. The narrative mentions two hunters being killed in the area in the past, and, as the book begins, Glenn is targeting another hunter. This time, his prey is one of his friends, an experienced hunter named Norm. 

Author Gunnard Landers often used harsh, rural landscapes as a backdrop for his novels. Landers, a Wisconsin native, rancher and Vietnam War veteran, authored a series of books starring an undercover game warden named Reed Erickson. These books take place in places like Minnesota and Alaska. With Landers' skills as a storyteller richly embedded in this sort of sportsman escapism, The Hunting Shack excels in a lot of different ways. 

The novel serves the survival-horror genre with its psychotic portrait of a deranged killer. The concept of a murderer among friends, collectively facing a rugged forest and snowy blizzard, was really entertaining. As a character study, the book centers on Glenn and Norm, two men who are both tiring of their tameness and bridled lifestyle. But, the book is also a wild and crazy look at a lot of stereotypical horny men just simply breaking rank and having a good time. There is a copious amount of sex and drinking, often graphic, as well as some of the typical juvenile banter between middle-aged hunting buddies. There is also a focus on two young prostitutes prospering with their good fortunes over the course of one sweaty, hot evening at the shack. 

The end result is that The Hunting Shack was a pleasurable reading experience that provided plenty of escapism, and presented some fun, although disgusting, beer-belching deer slayers. The book's finale was worth the price of admission and, overall, certainly possesses a Deliverance vibe. Highly recommended. 

Buy a copy of this book HERE

Killinger #01 - Killinger (aka The Turquoise-Yellow Case)

I read something online the other day that said Hell will be attempting to insert a USB into your computer for eternity. The catch is that no matter which side you place up, it will never properly fit. While that form of Hell would certainly warrant good behavior for a lifetime, I have a different version of Hell. It would require the condemned party to be placed on a small deserted island for eternity with an indestructible copy of Keith Parnell's paperback novel, and Hall of Shame inductee, Killinger. 

The front-cover blurb of the 1980 Pinnacle version, placed cleverly beside a rifle-toting, fit-as-a-fiddle Steve Holland, says this about Killinger:

“He likes his wine good, his women bad, and his enemies dead.”

What it fails to mention is that the book is nearly 250 pages in length and that anyone subjecting themselves to one page of this nonsense will suffer unimaginable horrors. This is Roadblaster bad, which is the epitome of bad literature. Whether it slides into the fiction-abomination, smelly cesspool as that novel is in the eye of the beholder, or nose of the sniffer. 

Jedediah Killinger III is retired and lives on a large yacht called Sybaris, docked in uneventful Santa Barbara, California. The boat has a secretary, a Japanese houseboy, 13 flavors of ice-cream, wood carvings of sexual positions, and lots of wine and fresh fish. In his spare time, he works as a maritime insurance investigator. Which brings him into an assignment to look into a shipping junk called Katja that was damaged at sea. Conveniently, the damaged vessel is docked near his own boat.

Killinger's investigation is basically just trying to bed down the daughter of the vessel's owner. He never leaves the dock area, has no actual purpose in the book, and just stands by eating, drinking, and partaking in intercourse with various characters. But, there's a heavy wooden crate on the damaged vessel and two people desire the crate. 

The plot is so dull and boring that it pains me to even outline it here. Two criminals, K.Y. Smith and Count Vaclav Risponyl, both want the crate. But, they feel like they must steal the crate. Think of the old roadrunner and coyote cartoon. There's elaborate attempts to steal the crate, which requires a giant crane, that end in disaster. These attempts are unintentionally comical, convoluted, and completely uninspiring. It's like how a great action installment, like Executioner or M.I.A. Hunter, would have a plot like this for about a half-page just to further the actual plot. Unfortunately, Parnell uses this simple plot for a full 250 page novel. 

Killinger should be avoided at all costs. It's tough, because Pinnacle released two versions, one in 1974 with a different cover and title as The Turquoise-Yellow Case, obviously cashing in on John D. MacDonald's nautical private-eye series Travis McGee and its color-coded naming convention. The 1980 version is simply Killinger. To add lemon juice to the wound, there is a second Killinger novel called The Rainbow-Seagreen Case. Essentially, three opportunities for you to have a Hellish reading experience. Stay alert in the book stores for this literary danger. Handle with care. See something, say something. 

Buy a copy of this book HERE 

Snapshot, 1988

I can remember a time, long ago, when you had to mention that author Joe Hill was Stephen King's son. No one knew who the Hell Joe Hill was. But, times have certainly changed, progressions made, and, despite that I just wrote about the King connection, it is no longer necessary. Joe Hill is a household name. He's created his own successful bibliography, his own creations – his own empire. 

Hill's novel NOS4A2 (2013) was a hit, prompting AMC to create a television series based on it. The same could be said for his novel Horns (2010), which was adapted into a film starring Harry Potter (or Daniel Radcliffe if you must). At the time of this writing, Black Phone has just disconnected from theaters, a film based on Hill's eponymous 2004 short-story. Hill excels in the graphic novel format as well, with popular series titles like Locke & Key (2008-2013), which was adapted into a series by Netflix, and Basketful of Heads, the first in a new DC imprint called Hill House Comics, shepherded by the author.

After reading Hill's novels Heart-Shaped Box (2007), NOS4A2 (2013), The Fireman (2016), and short-story collection 20th Century Ghosts (2005), I've developed a fondness for the author's writing style. After recently watching Black Phone, I went all-in on Joe Hill. I'm watching Locke and Key, downloaded a few of his comics, and just read the novella Snapshot, 1988, the subject of this review. It was originally published by the literary magazine Cemetery Dance, October 2016. It was later published as Snapshot in the collection Strange Weather (2017), along with three other novellas written by Hill. In 2016, Universal purchased the rights to the story for a future film release. 

The story is told in present day, first-person narrative by Mike Figleone. He's recounting for the reader the events that happened to him at the age of 13, way back in 1988. Michael is like the nerdy kid from Cloudy with a Chance of Meatballs. He's a complete whiz-kid, a future Silicon Valley heavyweight. His mother is a bestselling author that ran away to Africa, leaving just Mike and his Dad to fend for themselves.

One day, Mike escorts his senile senior neighbor Shelly back to her house. She complains to him that she's been plagued by a “Polaroid Man”. Of course, Shelly's husband, and Mike, know this statement is just connected to her dementia. But, Mike runs into the Polaroid Man at a gas station the same day. Through a wild series of events, Mike finds a man that can take your picture with a special kind of camera. But, each photograph taken erases parts of your memory. Maybe Shelly's on to something with this whole Polaroid Man paranoia. 

Snapshot, 1988 is a gem. It blends horror, fantasy and science-fiction into the perfect cocktail. The message on dementia and growing old wasn't lost, and, while not being preachy, reminds us of the true terror of big-tech and of future things to come. Mike is easily lovable and offers up some funny, candid commentary that's just right on the nose. It's easy to overdose on 80s nostalgia with so many movies, reboots and throwbacks saturating pop-culture. Thankfully, Hill doesn't overdo the era and offers just enough to keep the story from being indulgent. 

I would be remiss if I didn't mention that Snapshot, 1988 also features cameo appearances from Hill's other work, most notably Black Phone and Locke and Key. If you aren't aware of those creations, then these Easter Eggs will just roll on. Also, like his prior work, Hill connects to his Dad with a mention of the Stand by Me soundtrack, an obvious nod to King's novella The Body, which the movie was based on. 

Overall, there's nothing to dislike about Snapshot, 1988, and there's nothing left to elaborate on without spoiling the plot. Take my word for it, the novella is darn near perfect and highly, highly recommended. Take a shot. 

Buy a copy of this book HERE.

Blood Alley

In 1955, Blood Alley was simultaneously published as a novel and released as a film by Warner Brothers. The premise is that a U.S. Merchant Marine named Wilder is freed from a Chinese prison by a village hoping to utilize his services to escape to British-controlled Hong Kong. The book was authored by A.S. Fleischman, a popular Fawcett Gold Medal writer who specialized in exotic Asian locales to place his action-adventure novels like Shanghai Flame (1951), Malay Woman (1954), and Danger in Paradise (1953). The book was considered “cinematic”, thus Hollywood gained a copy of the book prior to its release and agreed that Blood Alley would be a great film. Fleischman was asked to write the screenplay, thus both formats were released simultaneously. 

Thankfully, Stark House Press has published a majority of Fleischman's novels, including Blood Alley, which is out now through the subsidiary Black Gat Books. 

The book is a nautical adventure tale as protagonist Wilder captains a steamship through a perilous coastal waterway. In the book's beginning, Fleischman is liberated from a long stint in a Chinese prison. The first few chapters focus on the escape, the journey to the village, and his days spent as a clandestine village local. Wilder learns that the village, through bribery and firepower, were able to spring Wilder, but at a price. Wilder is to transport the villagers to Hong Kong, an island that was controlled by the British government for 99 years (which reverted back to China in 1997).

Fleischman inserts a romantic connection for Wilder in the form of Cathy, a British woman who is anticipating that her father, the village doctor, will be able to join Wilder's quest for freedom. Part of the book is the build-up to learn of the doctor's fate and the impact on Cathy's choice to continue the trek to Hong Kong. The voyage is ripe with gunfights, patrol boat chases, and conflicts on the ship as Wilder is placed in a number of territorial and village disputes. The largest portion of the novel has Wilder battling his own ship, a relic from a bygone era that is forced to do the impossible. 

Despite the fact that Blood Alley was a Hollywood flop, even with iconic John Wayne as the star, Fleischman's novel is a better representation of the story. It's a short, fast-paced novel that doesn't necessarily rely on a lot of characters and backstory. I enjoyed Wilder as the narrative's main star, but the chemistry with Cathy was an enthralling, enjoyable element. Nautical-fiction fans won't be disappointed with the plot's development. It's a sequence of terrific visuals that offers up the breathtaking escapism that the genre demands. That alone makes Blood Alley an easy recommendation. 

Buy a copy of this book HERE.

Predator - Concrete Jungle

Nathan Archer was a pseudonym employed by science fiction and fantasy author Lawrence Watt-Evans for the publication of a 1995 media-tie in paperback, Predator: Concrete Jungle. The book was based on the 1989 Dark Horse Comics graphic novel with the same title by Mark Verheiden, which was based on the popular 20th Century Fox movie franchise.

The story is set in New York City during a severe August heat wave. Our heroes are two jaded NYPD homicide detectives named Rasche and Shaefer. The pair used to be narcotics officers, and they were transferred to the murder detail after some excessive force issues. If you’re a fan of fictional excessive force, this is the novel for you.

One night, a gang summit is ambushed and the cops make it to the tenement to find skinned gang-banger corpses hanging upside-down from the ceiling joists with their blood draining onto the floor below. It’s a grisly scene, and the cops fail to initially understand the severity of the threat. Of course, I knew who did it, but I had the benefit of seeing the cover of the paperback.

Rasche and Shaefer are stereotypical 80s movie cops at war with their own ignorant management hell-bent on covering up and minimizing the pending bloodbath to be unleashed on the city. The U.S. Army also gets into the containment and the denial act with all the ineptitude you’d expect from a genre story resting heavily on action movie tropes.

The upshot, as you know, is that Predator monsters from outer space are hunting humans in New York City armed with invisibility shields, energy cannons, pocket nukes, and deadly blades to filet their prey. Fans of the original Predator movie starring Arnold Schwarzenegger will be pleased with some Easter eggs tying this novel directly to the inaugural film.

The writing is mostly satisfactory. The action scenes are vivid and bloody in a plot that moves at a fast clip over 300 big-font pages. The dialogue is embarrassingly bad, but never bad enough to give up on the paperback. If the concept behind this media tie-in paperback appeals to you on any level, I promise it won’t disappoint. Recommended. 

Get the book as part of a three-book omnibus HERE.

The Comanche Kid

James Robert Daniels is a professional actor and director that performed and wrote for theaters like Shakespeare and Company, Cleveland Play House, Kansas City Repertory, and Asolo. He performed at the Kennedy Center, and contributed to Shakespeare festivals in Illinois, Texas, and Oregon. Daniels served in the infantry in the Vietnam War, and used some of his military experience in his first novel, The Comanche Kid. The western was published in 2021 by Cutting Edge Books. 

The book begins with one of the more powerful opening paragraphs I've read:

It was early spring when the ocotillo was in bloom that the raiders come down on us and killed everyone but me and Sally. I remember the ocotillo because the tiny red blossoms looked like splattered blood, even though the rains had washed most of the real blood into the earth by then. 

The narrator is Jane Fury, a 16 year-old girl who survives a Comanche attack that savagely kills her parents and brother. In the melee, her sister Sally is taken captive. After burying her family, Jane tracks down some of the murderers, killing four of the raiding party with her father's rifles. Her primary goal is to find and kill her mother's rapist and murderer, a Comanche warrior deemed One-Eye.

After five action-packed chapters, the novel settles into a literary, coming-of-age tale when Jane, disguising herself as a 14 year-old boy (nicknamed The Comanche Kid), herds her family's remaining cattle into a larger and longer cattle drive. The comparisons to Larry McMurtry's Lonesome Dove are probably found here, the inevitable long and winding trail drive that forces the cowboys, and Jane, into battles against nature, each other, and the Comanche tribe. In this regard, I would also compare it to Ralph Compton's successful Trail Drive series.

On the Six-Gun Justice Podcast, Daniels explained to host and author Paul Bishop that he was influenced by Clair Huffaker's The Cowboy and the Cossack. The concept of a long cattle drive developing characters, personalities, and story helped define the style and framework of The Comanche Kid. Additionally, the author explained that the copious amounts of profanity in his book was something he personally experienced during his military career. Cowboys used coarse language, and the book is more realistic because of it. Daniels' love of Shakespeare is a large portion of the book's dialogue, central to a character nicknamed Shakespeare and his romantic chemistry with Jane.

My personal takeaway from The Comanche Kid is twofold. One, the book is certainly a traditional western tale, falling into one of only a handful of possible genre plot devices - the cattle drive. I enjoyed the thirst for revenge and the extraordinary action sequences that brought the revenge to fruition. But, it's a long journey between points A and B, and by page 300 I was simply worn out. I think I needed something a little more to keep me turning the pages. 

Thankfully, the second, and most prevalent aspect, is that The Comanche Kid is a conversation between Jane and God. This was the unique, most compelling portion of the book. Jane was raised as a God-fearing Christian, but struggles with her beliefs and faith after her family's murder. Throughout the book, she questions God, demands that her questions be answered, and walks a balance beam of faith and non-belief. I thought this challenge for forgiveness, retribution, and the struggles of devotion carried the narrative into a thought-provoking realm of enjoyment.  

If you enjoy sweeping, more epic western novels, then The Comanche Kid is your ticket to escapism. Daniels provides a sense of stirring adventure while successfully capturing an authentic, violent portrait of life on the frontier. Recommended. 

Buy a copy of this book HERE.

Jerry Long #01 - Code Three (aka Dead Shot)

James M. Fox was actually Johannes Matthijs Willem Knipsheer, a Dutch author born in 1908. He moved to Los Angeles after WWII and started writing mystery novels. His best known work is the Johnny and Suzy Marshall series, published between 1943-1957. My first experience with Fox is his three book series of police procedural novels starring Detective Sergeant Jerry Long. To test the waters,  I tried the series debut, Code Three, originally published in hardcover by Little Brown in 1953. It was published as a paperback in 1955 by Bantam under their Pennant Mystery brand (P79). At some point the book was also published as Dead Shot. 

Jerry Long, and his partner Chuck Conley, are called to the scene when a dead body is found under a tree in the park. The dead guy's gruesome appearance suggests he had been given the boots by some tough guys and then dumped. The only identification is a tattoo, which prompts Long to call his buddy at the precinct's records department to inquire about it. 

The dead guy is identified as a local bookie, so Long pursues the guy's ex-wife, a fleeing woman named Jenny, to get some answers. When he drives up to her apartment, guns explode and the woman runs for safety. Later, Long connects the clues that lead to a powerhouse mobster named Manny. Where the book gets really interesting is that Long, who's a city detective, collides with the county sheriff's office. The tug-of-war is one of those “you're traipsing on our turf” territorial disputes. However, Long finds evidence that Manny is controlling the county cops, which forces him on the outside of the investigation. 

Code Three reminded me of a 1958 paperback called City Limits, the second installment of the Mike Macauley series written by Richard Deming using the pseudonym Nick Marino. The central plot of the city versus county law enforcement is similar, complete with the mobster and the hero colliding. Typically, these story elements are often found in crime-fiction detective novels. Adding to the gritty, hardboiled style, I found Fox's writing similar to Mickey Spillane – blood and guts, tough guy talk with fisticuffs, babes, and cold steel. 

My major drawback to Fox's Code Three is the story seems jumbled, fragmented, and often dense in the details. I had a very hard time understanding what was happening, and couldn't quite comprehend the flow of events. Even at a relatively short 120 pages, I struggled to finish this book. I found myself counting pages, which is a surefire signal that I'm completely lost. I love the main character, found his tactics compelling, but the plot development and presentation was jarring. I'm not giving up on Fox with just a small sample size. But, surely you can do better than Code Three if you want to sample the author's work. Buy a copy of this book HERE.

Jerry Long Series

1. Code Three (aka Dead Shot) 1953
2. Free Ride (1957)
3. Dead Pigeon (1967)

Paperback Warrior Podcast - Episode 100

It's the 100th episode of the Paperback Warrior Podcast! Tom and Eric discuss their favorite moments from the show's past three years as well as the life and literary work of pulp and crime-fiction author Cleve Adams. Reviews include a Matthew Scudder installment by Lawrence Block and a 1957 vintage paperback called Sin Pit. Listen on any podcast app, paperbackwarrior.com or download directly HERE. Additionally, you can watch the video version of this episode on YouTube HERE.

Listen to "Episode 100: Cleve Adams" on Spreaker.

Timothy Dane #03 - The Diary

William Ard (1922-1960) was a popular author of mystery and western fiction during the 1950s whose nine-book series starring Timothy Dane remains highly regarded today. The series can be read in any order and Fiction Hunter Press recently re-released the third installment, 1953’s The Diary, as a $3 ebook.

Dane is a fairly typical 1950s Manhattan private-eye who is summoned to the home of a wealthy industrialist seeking to engage his services. The client has an attractive 18 year-old daughter named Diane whose diary was stolen. The old man isn’t particularly worried about this, but his daughter is freaking out and wants a PI on the job — so here we are. The suspect is a Spanish Harlem Mexican hood, who apparently stole the journal while doing some work at the estate.

When Dane makes his jaunt into Spanish Harlem, he quickly learns that the gig isn’t going to be as easy as he thought. Lurking in the background of the mystery is the specter of big-city politics and a race between two candidates to recover the diary and its secrets. There’s also a murder, and that’s the real mystery to be solved. Could the contents of a teenage girl’s diary be worth committing a homicide?

Dane’s engagement evolves into a bodyguard duty looking after the horny Diane, and there’s some sexy seduction within the pages of this 69 year-old paperback. Overall, this was a rather enjoyable, if insubstantial, private-eye mystery. While the Timothy Dane series isn’t the high point of Ard’s body of work, The Diary is a solid installment from a prolific young author whose life was cut short way too soon. It’s good to see publishers keeping his body of work alive. 

Buy a copy of the eBook HERE.

Visual Feature - David Goodis

Major announcement from the Paperback Warrior camp. After nine years of hard work, dedication, and consistency, we are making some changes. First, Episode 100 is broadcasting this Monday, August 29th. To celebrate this milestone, and to mark our next evolution, the episode will be offered in our normal audio version, available on multiple platforms. However, we've entered the film making business.

Episode 100, and hopefully future episodes, will simultaneously launch as videos available on YouTube and our blog at paperbackwarrior.com. Think of these as interactive, documentary styled films that accompany our audio. You wouldn't want to see us just talking into a microphone, so instead, we've created films showcasing books, pulp magazines, MAMs, author photographs, connected places, and tons of vivid artwork. The video matches the audio, offering you a more interactive experience. In other words...we are conquering vintage paperbacks in a whole new way.

In addition to our new episodes, we are creating and offering Visual Features on some of our favorite authors. These short films highlight our prior podcast features in a brand new way, complete with a visualized experience. 

Seeing is believing, so we have our very first Visual Feature online now! It's on respected crime-noir superstar David Goodis. You can watch below on YouTube, or at paperbackwarrior.com. Direct link is HERE.

World's Scariest Places #05 - Mountain of the Dead

We've covered books by horror author Jeremy Bates, most notably his World's Scariest Places series of stand-alone novels. Each book in this series is based on a particular place that is closely associated with a tragedy, haunting, or unexplained event. Case in point is the Dyatlov Pass Incident, one of the greatest unsolved mysteries of the 20th century. Bates uses this incident and location to place his horror-adventure novel Mountain of the Dead, originally published in 2018 via Ghillinnein Books. 

The book is partially presented in first-person narrative by Corey, a bestselling author of non-fiction. He recounts his harrowing expedition to Russia's frosty Northern Ural mountains, one of the most inhabitable regions on Earth. Corey, and his filmmaker buddy “Disco”, journeyed to the region to research the Dyatlov Pass Incident, a 1959 mystery involving nine Russian hikers that experienced gruesome deaths that can't be explained even within the scopes of modern science and forensics. 

In between Corey's portions of the novel, Bates weaves in events from 1959 concerning the actual hikers that were killed in the incident. Bates takes liberties with the incident and victims to create his own version of the murders, complete with Cryptozoology, actual photos, and a rather doomy title for these chapters counting down the amount of days left to live. It's quite fascinating. 

At 420 pages, approximately 15 characters, and two different timelines, Mountain of the Dead may seem intimidating. Oddly enough, it all blends together seamlessly to create one of the better horror novels I've read in some time. Corey's account of what happened to him in Siberia, the underground laboratory, hideous experiments, and ultimate encounter with the horrors of the Dyatlov Pass Incident were simply awe-inspiring. There's a real sense of adventure that envelopes the story as Corey is partnered with a female scientist, a hunter, and a remote guide to explore and locate the history of the events deep in the rural, icy mountain range. Likewise, Bates presents this same snowy adventure with the original nine hikers in 1959's trek through the high-mountain wilderness. 

As if Bates needed any further elements to propel the plot, there is a through-story arc regarding Corey's girlfriend and the tragedy that affected her years ago. Through life fragments and story pieces, readers learn about her life and, by the book's final chapters, her fate. So, there's an embedded mystery within the mystery. It's wildly clever, unique, and entrancing. 

Jeremy Bates is extremely successful and remains one of the bestselling, self-published authors of his genre. Books like Mountain of the Dead are testimonies to his success as an original, believable, and tremendously entertaining author. I love this guy. 

Buy a copy of this book HERE.

Traded Wives

Celebrated jazz musician and author Charles Boeckman authored crime-fiction short stories and novels using his own name through the mid 20th century. However, using the pseudonym of Alex Carter, he authored racy, sexually-charged romance paperbacks for publishing houses like Beacon. I've enjoyed his writing, especially his Alex Carter novel Boy-Lover (1963). I recently purchased another Carter novel, Traded Wives. The book was published in both the US and Canada simultaneously in 1964. The American version was published through Beacon (8711X, cover artist unknown). The Canadian version by Softcover Library (S95157) recycled Clement Micarelli's painting from Orrie Hitt's 1962 novel Love Thief.

The novel presents three couples and a single woman living in a new housing community called Garden Acres. Each of the couples is struggling in various ways that revolve around intimacy. Boeckman depicts each marriage through revolving chapters that explain each character's backstory, the evolution into marriage, and the physical wants, desires, and jealous rage within this sexual suburbia. 

Debbie and Bobby have just moved into Garden Acres after graduating from high school and becoming pregnant. Their parents are wealthy, respectable contributors to the community that can't afford any negative influences. They immediately force the two kids to become married and quickly convert the couple into expecting, stereotypical middle-class suburbanites. The problem is that Bobby is still running around with the town's young hotties and Debbie isn't thrilled to be settling down after bedding down the senior class's male students. That's a real problem.

Charles is an alcohol distributor and sales rep that travels the back roads of America selling booze. He smokes cigars, drives a Cadillac, and has a loud-mouth that mostly spews dirty jokes. After meeting backwoods country girl (and virgin) Barbara Lee, he talks her into marriage and they quickly move into  the thriving sexual landscape of Garden Acres. Barbara Lee wants to pursue a college education and learn more about the modern world. After conquering Barbara Lee, Charles sets his eyes on his neighbor Cheryl. 

Tony is a white-collar guy living the American dream – playing golf on the weekends, mowing green grass, and relaxing in the shade with his newlywed wife Cheryl. The problem is that Cheryl isn't into sex, thus creating a physical barrier between the two. Tony is sexually frustrated with Cheryl and she is equally angered with his insistence on intimacy. 

Boeckman was just such a great storyteller of these noir novels. Despite the titles and covers, these novels aren't any different from a Nora Roberts novel today. There are no graphic sex scenes or much (if any) profanity. In cinematic ratings, these are probably PG-13. But, that doesn't make them any less intriguing or enjoyable. 

The story-lines are detailed with plot and character development that's simply superb. The narrative thrusts these unhappy couples into a wild mix of sex, fantasy, and appeasement. Debbie with Tony and Bobby, Cheryl with Tony, Charles with Cheryl, and Bobby with a divorced, sexually starved woman named April. It's a mingling of affairs and it's fantastic. I also enjoyed the “crime-noir” aspect of Tony, Charles, and Cheryl's love-triangle. It becomes violent and engaging and is probably the real highlight of the novel. The end result is that Traded Wives is highly, highly recommended. 

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Resident Evil #01 - The Umbrella Conspiracy

Resident Evil is arguably the greatest survival horror media franchise of all time. The Capcom video game, known as Biohazard in Japan, began its life in 1996 on the very first Sony Playstation. Countless sequels were created across multiple generations of gaming systems. Six live-action films were produced, a television show, animated films, comic books, and novels. With novels as our primary focus, I picked up a Pocket Books paperback called The Umbrella Conspiracy, the first of a seven-book Resident Evil series published between 1998-2004 and authored by S.D. Perry, daughter of Steve Perry (Conan, Star Wars, Matador).

The first thing you need to know about The Umbrella Conspiracy, and this book series, is that you don't need a Resident Evil education to read and enjoy this. This series starts at the very beginning and mostly consists of novelizations of the video games. This first book is a novelization of the very first game, so those of you unfamiliar with the franchise can start right here. Don't be intimidated.

Raccoon City is a small town with an urban area, lots of dense forest, and rural fields. But, this quiet little community is experiencing an unusual number of vicious homicides. People are found dead in the Victory Lake area, mutilated as if mauled by a savage animal. Rumors run rampant, the police have no solid leads, so a special force is brought in to help solve the case - S.T.A.R.S. (Special Tactics and Rescue). This division is made up of highly trained, paramilitary specialists that are privately funded.

The S.T.A.R.S. unit is divided into two teams, Alpha and Bravo. While there are a lot of members in the unit, the ones that really matter to this series are Alpha's Chris Redfield, Jill Valentine, Rebecca Chambers, Barry Burton, and Albert Wesker. If you enjoy all of those 70s and 80s team-commando paperbacks, then this group should be easily likable. The members realize that everything has been searched at Victory Lake, but there is a large abandoned mansion, the Spencer Estate, at the foothills of The Arklay Mountains that may hold some answers.

Wesker sends the Bravo team in by chopper, but soon they radio back that the helicopter has crashed in a secluded area. Alpha team is sent in by chopper and immediately discover that some of Bravo have been attacked and mutilated. Soon, the team is attacked by ravenous, skinless dogs. In an effort to stay alive, Chris and others flee through the forest to the Spencer Estate. Inside, they find that it isn't abandoned at all. Instead, the mansion is filled with research equipment, labs, and evidence of hideous experiments. When Chris is attacked by a zombie, the proverbial sh#t hits the fan.

I absolutely loved this book. I immediately finished the last page and hopped online to order the second installment, Caliban Cove. From an action-adventure stance, this book is loaded with firefights in all parts of the mansion. There's the undead to contend with, a traitor in the group, and monsters galore as the team navigates the cavernous house in search of clues. As a horror novel, it works on a violent, gory level as the survival horror introduces puzzles and traps for the squad to solve. 

While there isn't much to really complain about, I did get confused often as the point of view changes to different squad members throughout the house. Rarely are they all together in the same room. Instead, the book feels slightly “epic” at 260 pages due to the constant change in characters. I really enjoyed both Rebecca and Jill, and from what I understand they make a big impact in future books. In researching the series, it appears that Wikipedia has the series listed as:

1 The Umbrella Conspiracy (1998) Novelization of Resident Evil (1996) video game

2 Caliban Cove Original novel (1998)

3 City of the Dead (1999) Novelization of Resident Evil 2 (1998) video game

4 Underworld (1999) Original novel

5 Nemesis (2000) Novelization of Resident Evil 3 (1999) video game

6 Code: Veronica (2001) Novelization of Code: Veronica (2000) video game

0 Zero Hour (2004) Novelization of Resident Evil: Zero Hour video game 

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Dark the Summer Dies

Walter Untermeyer Jr. (1915-2009) was a New York lawyer and a WW2 Navy veteran who only authored two books in his life. His first paperback, Dark the Summer Dies, from 1953 has been reprinted by Stark House as part of a trio of vintage femme fatale noir novels from Lion Books. 

Our narrator is an affable, wet-behind-the-ears, 18 year-old kid named Tony who is working at a swanky country club pool as a swim and dive instructor for the summer. The poolside babes are always wearing next-to-nothing and it’s making the poor boy horny as Hell. Sadly, his sweet high school girlfriend doesn’t put out. 

At the club, Tony meets a super-hot flirtatious married woman named Vicky, whose husband is frequently away on business trips. You see what’s coming? Of course you do. She invites Tony over to enjoy a porterhouse on the grill, and you know the steak isn’t the only meat getting tenderized that night. 

When writing in Tony’s voice, Untermeyer mimics the colloquial tone of Holden Caulfield from J.D. Salinger’s A Catcher in the Rye, a successful novel released two years earlier. His plotting, however, needs some serious help. The paperback is a relationship drama about pushing the limits of social norms and sexual taboos, but not much happens for most of the book. It’s certainly not a crime novel, and the “shocking” ending will land with a thud to anyone accustomed to reading actual shocking paperbacks from the era. 

I wanted to like this novel with every fiber of my being, but it was pretty lousy — despite some well-written prose. The Stark House collection containing this book also includes Sin Pit by Paul S. Meskil, an absolute masterpiece of the femme fatale noir genre, so it’s probably still worth your $20. 

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Island of the Pit

According to Goodreads, Irish author James Gribben (1915-1986) authored plays, short stories and novels under his own name and also under the pseudonyms Kingsley West and Vincent James. There isn't much information online, but I did locate a paperback he wrote under the James name called Island of the Pit. It was originally published in England by Ernest Benn, Ltd in 1955 as a hardcover, later published by Messner in the US in 1956. My version is the 1957 Popular Library (800) paperback, although it was reprinted a second time in paperback by Digit Books (R379) in 1960. 

Joe Trasker and his wife Helen have been casually sailing the Pacific Islands the last two years. On their return trip to the US, they stop by an inhabited island to buy supplies for the voyage. It's here that Joe is reunited with an old war buddy named Kane Hadley. In the brief backstory, readers learn that Joe is disabled due to mortar-shell fragments in his leg. Kane was the guy that carried Joe to safety while under fire.  

After a night of drunkenness, Joe and Helen start their return trip, but unfortunately make an invite to Kane to join them. Kane accepts, and then things grow chaotic over time.

Kane has an affection for Helen, and she becomes uncomfortable in his presence. Joe notices that Kane hasn't gotten over the war, as if he still misses the action. The three of them discover an abandoned island, and upon further inspection, learn there is gold laced throughout the rocky terrain. Kane, who has experience as both a smuggler and gold miner, insists that they stop for a few weeks and get as much gold as they can carry. Joe and Helen are simple people, and don't have a deep desire for wealth. Kane is the opposite, lusting for gold so he can buy another boat to capture more gold.

Island of the Pit is a character study of two very different people and their conflicts with insecurity, greed, jealousy, and other weak conditions of the human spirit. Kane's discovery of the gold, combined with his own restless demeanor, is a negative combination that's further hampered by his attraction to Helen. This greedy darkness envelopes Kane's thoughts and actions, eventually transforming him into a lethal aggressor. 

Gribben's writing is so descriptive and I really enjoyed his use of lighting to depict the story's mood. There are a number of passages where light is used to foreshadow coming events. It's a really unique presentation that helped broaden the limited setting of these three characters on a deserted island. I also enjoyed the commentary on marriage and the “less is more” message that reinforced Joe and Helen's position as the wiser, level-headed supporters. They truly want to rehabilitate Kane, but realize that his self-interest is too prevalent. 

Island of the Pit was just a real pleasure to read. It's a smart, emotional journey that's compelling despite the predictability. The descriptive writing style, dynamic characters, and social commentary were well worth the price of admission. You owe it to yourself to track down this lost gem. 

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The Pilot's Daughter

Audrey J. Cole in a former nurse and current contemporary thriller writer living in the Pacific Northwest. Reviews for her 2021 aviation hijacking potboiler were universally favorable, and the Kindle sample sucked me into the story. 

An aircraft cleaner is blackmailed into stashing a package containing a handgun onto a Seattle aircraft bound for Honolulu. Eventually, the hijacking occurs, and the terrorist’s demands are different than the ones we’ve seen before. Leave it at that as I don’t want to spoil it for you. 

We also meet a bunch of the passengers, including a spoiled socialite and a homicide detective. The action unfolds in the air with an awesome fight scene and close-up gun-fighting, resulting in the deaths of the pilots and the need for someone to fly and land the plane in Hawaii. 

Cora is a recent widow who is on the flight to Honolulu. She’s en route to American Samoa to attend a ceremony honoring her dead husband who recently perished in a helicopter crash while doing relief work. We quickly learn that her dad was a pilot, so the title of the novel gives it away that she’s an important character. 

As information about the terrorists comes to light, it becomes clear that the reader’s assumptions about the motives and ideologies is a barrel of red herrings. Not every passenger is who they claim to be, and the surprises and twists are doled out slowly over the course of the terrorist-adventure-mystery. 

The adventure story of getting the plane safely on the ground — allowing the main characters to find romance on Earth — was genuinely exciting and worth your time. However, the real agenda of the hijackers was a major let-down and required a suspension of disbelief that made me question if the author really stuck the landing. 

Overall, The Pilot’s Daughter is a well-written aviation adventure by an author worth discovering. If you don’t take it too seriously, you’ll probably have a lot of fun reading it. 

Buy a copy of this book HERE.

The Haiti Circle

Our coverage of beautiful women running from scary places continues with The Haiti Circle, a 1976 gothic paperback with the name Marilyn Ross on the cover. The author is really William Edward Daniel Ross, a prolific Canadian writer that authored over 50 gothics in the 60s and 70s. A few of his books have been published as audio books recently by Paperback Library with narration by Romy Nordlinger. 

In The Haiti Circle, a woman named Agnes is suffering from the recent loss of her mother. After a nervous breakdown, Agnes journeys to Haiti for a vacation and a life reset. It is here that she meets a Creole doctor named Martinez, who immediately falls in love with her. Understanding she is a teacher, Martinez introduces Agnes to wealthy widow Mr. Dodge and his daughter Germaine. Agnes learns that Germaine's mother committed suicide by jumping from the high walls of Seacrest, the family mansion. Now, Germaine is in need of a tudor and caregiver.

Once Agnes starts her new job, she begins hearing rumors of voodoo rituals on the island. There are a number of shady characters living at Seacrest, so speculations runs rampant on which white people are involved in the voodoo cult. Agnes is targeted by some sort of curse that places a tarantula in her bed and bats in her room. Further, Agnes sees a “zombie” outside of the mansion and learns it is a link to a prior suicide before the Dodges took ownership of Seacrest. 

Ross uses essentially the same character as the female protagonist in each of his novels. Agnes is the same cookie-cutter character as Jan (Phantom Manor), another Jan (Dark Legend), Victoria (Dark Shadows series), and Stella (Fog Island) – teacher/tudor, vulnerable, single, unsuspecting. The mysteries are numerous, which makes the book a little more tolerable. Also, the idea of a zombie and the whole voodoo-cult-thingy is just wacky enough to make the book interesting. I had a few guesses on who the culprit was, but the ending surprised me. 

The Haiti Circle is one of the better Ross novels I've read. Recommended for its spooky ambiance, a number of compelling characters, and a surprise ending. I also enjoyed the audio book version, although I'm tired of Nordlinger's narration. 

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The Old Man and the Sea

Ernest Hemingway (1899-1961) is one of the most popular, influential and respected authors of all-time. He was involved in WWI and WWII, won the Nobel Prize in Literature, and was a world traveler. I confess I've never read Hemingway and felt that he may be too literary for my tastes. But, as I read more and more classic literature, I've become less intimidated by the greats and find a deep appreciation for their literary work. Thus, my first Hemingway experience is one of his last great works, The Old Man and the Sea. Hemingway wrote the novella in 1951 while in Cuba and it was published in 1952 by Scribner. It was adapted to film three times.

I believe The Old Man and the Sea's beauty lies in its simplistic prose. Hemingway, known for avoiding wasted motion, tells a very rudimentary story that is exactly what the title implies. It's a simple fishing story about a very old man, seasoned by the sea, attempting to capture the big one. 

The protagonist is Santiago, an experienced fisherman that has gone through a rather uncanny streak of fishing 84 straight days without catching a fish. His peers have come to think of him as unlucky. His only real friend, it seems, is a young boy named Manolin, who is Santiago's protegee. The boy takes care of Santiago by bringing him bait, food, and covering him up when he gets cold. The two share a common interest in American baseball, specifically the New York Yankees and Joe DiMaggio. 

Santiago ventures out to sea again, only this time he goes further out into the gulf stream, where he uses four fishing poles. Eventually, Santiago captures the biggest fish of his life, an 18 foot marlin that may weigh more than 1,000 pounds. The issue is that Santiago has spent two nights at sea, far from home, and now must transport this huge fish. There's a wound to his hand, lots of sharks, and the hot sun to contend with on the return journey. 

This is a very light adventure story that has an underlining premise that shines through. Hemingway's writing addresses aging, but also alienation. Santiago is originally from Spain and speaks a form of Spanish that isn't necessarily welcome in Cuba. His unlucky streak and age makes him very different than his peers, ousting him to the fringes of his own society. The story also speaks of human kindness and the idea that human companionship is a cycle. Santiago was there for Manolin when he was younger, now Manolin is there for him when he is older. It is really quite beautiful and Hemingway tells the tale in his own remarkable, signature, way. I hope to read more Hemingway. 

Buy a copy HERE.

Gun Hell

Riley Ryan only wrote one novel in his life, but he gained some mileage. His sole novel was a western that began its shelf-life as The Dakota Deal, originally published by Lion Books in 1954. It was later reprinted by Lion Books again as Gun Hell. In 1966, it was published by Tower as The Oath. It was translated into Swedish and released as Blod for Blod. Most recently, it has been published by Cutting Edge Books as Gun Hell and also included in the publisher's compilation Big Bold West 12. Why so many printings? It's an unusual western. 

Johnny Burr makes a habit of burying his guns. In fact, he buries them and then shortly has a revelation and digs them back up. Readers learn he does this a lot. But, Burr is conflicted on what he wants in life. Should he attempt to live a happy existence free from his past or ride the trail for vengeance? That's the conflict that saturates Ryan's narrative.

In flashback sequences, Burr recounts the night that his farm was burned by bandits and his wife was raped and killed. During the attack, Burr sliced the bandit leader on the chest, leaving several deep gashes. These cuts were a mark, and now Burr is hunting for the scarred man. But, he isn't a violent guy, and generally isn't cut from the same cloth as your typical paperback hero. So, it's unique in the way that the hero is weak and discouraged. 

Like most westerns, Ryan uses the old western trope of a range war as the battleground for Burr and the bandits to settle the score. There's the Big Horn and Little Horn ranges, one filled with livestock, but very little water, the other the exact opposite. The range war erupts near Fargo, North Dakota and Burr finds himself employed by both ranches as he hones in on his wife's killer. There's a load of violence at the end, and occasional skirmishes leading to the finish. There's also a romantic relationship introduced that brings Burr full circle – bury the guns or fire them.

If you enjoy range war westerns and unlikely heroes, then Gun Hell should be a rewarding reading experience. It's certainly different, but carries the same traditional staples as the typical mid-20th century western. Recommended. 

Buy a copy of the book HERE.