Island of the Pit

According to Goodreads, Irish author James Gribben (1915-1986) authored plays, short stories and novels under his own name and also under the pseudonyms Kingsley West and Vincent James. There isn't much information online, but I did locate a paperback he wrote under the James name called Island of the Pit. It was originally published in England by Ernest Benn, Ltd in 1955 as a hardcover, later published by Messner in the US in 1956. My version is the 1957 Popular Library (800) paperback, although it was reprinted a second time in paperback by Digit Books (R379) in 1960. 

Joe Trasker and his wife Helen have been casually sailing the Pacific Islands the last two years. On their return trip to the US, they stop by an inhabited island to buy supplies for the voyage. It's here that Joe is reunited with an old war buddy named Kane Hadley. In the brief backstory, readers learn that Joe is disabled due to mortar-shell fragments in his leg. Kane was the guy that carried Joe to safety while under fire.  

After a night of drunkenness, Joe and Helen start their return trip, but unfortunately make an invite to Kane to join them. Kane accepts, and then things grow chaotic over time.

Kane has an affection for Helen, and she becomes uncomfortable in his presence. Joe notices that Kane hasn't gotten over the war, as if he still misses the action. The three of them discover an abandoned island, and upon further inspection, learn there is gold laced throughout the rocky terrain. Kane, who has experience as both a smuggler and gold miner, insists that they stop for a few weeks and get as much gold as they can carry. Joe and Helen are simple people, and don't have a deep desire for wealth. Kane is the opposite, lusting for gold so he can buy another boat to capture more gold.

Island of the Pit is a character study of two very different people and their conflicts with insecurity, greed, jealousy, and other weak conditions of the human spirit. Kane's discovery of the gold, combined with his own restless demeanor, is a negative combination that's further hampered by his attraction to Helen. This greedy darkness envelopes Kane's thoughts and actions, eventually transforming him into a lethal aggressor. 

Gribben's writing is so descriptive and I really enjoyed his use of lighting to depict the story's mood. There are a number of passages where light is used to foreshadow coming events. It's a really unique presentation that helped broaden the limited setting of these three characters on a deserted island. I also enjoyed the commentary on marriage and the “less is more” message that reinforced Joe and Helen's position as the wiser, level-headed supporters. They truly want to rehabilitate Kane, but realize that his self-interest is too prevalent. 

Island of the Pit was just a real pleasure to read. It's a smart, emotional journey that's compelling despite the predictability. The descriptive writing style, dynamic characters, and social commentary were well worth the price of admission. You owe it to yourself to track down this lost gem. 

Buy a copy of this book HERE

The Pilot's Daughter

Audrey J. Cole in a former nurse and current contemporary thriller writer living in the Pacific Northwest. Reviews for her 2021 aviation hijacking potboiler were universally favorable, and the Kindle sample sucked me into the story. 

An aircraft cleaner is blackmailed into stashing a package containing a handgun onto a Seattle aircraft bound for Honolulu. Eventually, the hijacking occurs, and the terrorist’s demands are different than the ones we’ve seen before. Leave it at that as I don’t want to spoil it for you. 

We also meet a bunch of the passengers, including a spoiled socialite and a homicide detective. The action unfolds in the air with an awesome fight scene and close-up gun-fighting, resulting in the deaths of the pilots and the need for someone to fly and land the plane in Hawaii. 

Cora is a recent widow who is on the flight to Honolulu. She’s en route to American Samoa to attend a ceremony honoring her dead husband who recently perished in a helicopter crash while doing relief work. We quickly learn that her dad was a pilot, so the title of the novel gives it away that she’s an important character. 

As information about the terrorists comes to light, it becomes clear that the reader’s assumptions about the motives and ideologies is a barrel of red herrings. Not every passenger is who they claim to be, and the surprises and twists are doled out slowly over the course of the terrorist-adventure-mystery. 

The adventure story of getting the plane safely on the ground — allowing the main characters to find romance on Earth — was genuinely exciting and worth your time. However, the real agenda of the hijackers was a major let-down and required a suspension of disbelief that made me question if the author really stuck the landing. 

Overall, The Pilot’s Daughter is a well-written aviation adventure by an author worth discovering. If you don’t take it too seriously, you’ll probably have a lot of fun reading it. 

Buy a copy of this book HERE.

The Haiti Circle

Our coverage of beautiful women running from scary places continues with The Haiti Circle, a 1976 gothic paperback with the name Marilyn Ross on the cover. The author is really William Edward Daniel Ross, a prolific Canadian writer that authored over 50 gothics in the 60s and 70s. A few of his books have been published as audio books recently by Paperback Library with narration by Romy Nordlinger. 

In The Haiti Circle, a woman named Agnes is suffering from the recent loss of her mother. After a nervous breakdown, Agnes journeys to Haiti for a vacation and a life reset. It is here that she meets a Creole doctor named Martinez, who immediately falls in love with her. Understanding she is a teacher, Martinez introduces Agnes to wealthy widow Mr. Dodge and his daughter Germaine. Agnes learns that Germaine's mother committed suicide by jumping from the high walls of Seacrest, the family mansion. Now, Germaine is in need of a tudor and caregiver.

Once Agnes starts her new job, she begins hearing rumors of voodoo rituals on the island. There are a number of shady characters living at Seacrest, so speculations runs rampant on which white people are involved in the voodoo cult. Agnes is targeted by some sort of curse that places a tarantula in her bed and bats in her room. Further, Agnes sees a “zombie” outside of the mansion and learns it is a link to a prior suicide before the Dodges took ownership of Seacrest. 

Ross uses essentially the same character as the female protagonist in each of his novels. Agnes is the same cookie-cutter character as Jan (Phantom Manor), another Jan (Dark Legend), Victoria (Dark Shadows series), and Stella (Fog Island) – teacher/tudor, vulnerable, single, unsuspecting. The mysteries are numerous, which makes the book a little more tolerable. Also, the idea of a zombie and the whole voodoo-cult-thingy is just wacky enough to make the book interesting. I had a few guesses on who the culprit was, but the ending surprised me. 

The Haiti Circle is one of the better Ross novels I've read. Recommended for its spooky ambiance, a number of compelling characters, and a surprise ending. I also enjoyed the audio book version, although I'm tired of Nordlinger's narration. 

Buy a copy of this book HERE

The Old Man and the Sea

Ernest Hemingway (1899-1961) is one of the most popular, influential and respected authors of all-time. He was involved in WWI and WWII, won the Nobel Prize in Literature, and was a world traveler. I confess I've never read Hemingway and felt that he may be too literary for my tastes. But, as I read more and more classic literature, I've become less intimidated by the greats and find a deep appreciation for their literary work. Thus, my first Hemingway experience is one of his last great works, The Old Man and the Sea. Hemingway wrote the novella in 1951 while in Cuba and it was published in 1952 by Scribner. It was adapted to film three times.

I believe The Old Man and the Sea's beauty lies in its simplistic prose. Hemingway, known for avoiding wasted motion, tells a very rudimentary story that is exactly what the title implies. It's a simple fishing story about a very old man, seasoned by the sea, attempting to capture the big one. 

The protagonist is Santiago, an experienced fisherman that has gone through a rather uncanny streak of fishing 84 straight days without catching a fish. His peers have come to think of him as unlucky. His only real friend, it seems, is a young boy named Manolin, who is Santiago's protegee. The boy takes care of Santiago by bringing him bait, food, and covering him up when he gets cold. The two share a common interest in American baseball, specifically the New York Yankees and Joe DiMaggio. 

Santiago ventures out to sea again, only this time he goes further out into the gulf stream, where he uses four fishing poles. Eventually, Santiago captures the biggest fish of his life, an 18 foot marlin that may weigh more than 1,000 pounds. The issue is that Santiago has spent two nights at sea, far from home, and now must transport this huge fish. There's a wound to his hand, lots of sharks, and the hot sun to contend with on the return journey. 

This is a very light adventure story that has an underlining premise that shines through. Hemingway's writing addresses aging, but also alienation. Santiago is originally from Spain and speaks a form of Spanish that isn't necessarily welcome in Cuba. His unlucky streak and age makes him very different than his peers, ousting him to the fringes of his own society. The story also speaks of human kindness and the idea that human companionship is a cycle. Santiago was there for Manolin when he was younger, now Manolin is there for him when he is older. It is really quite beautiful and Hemingway tells the tale in his own remarkable, signature, way. I hope to read more Hemingway. 

Buy a copy HERE.

Gun Hell

Riley Ryan only wrote one novel in his life, but he gained some mileage. His sole novel was a western that began its shelf-life as The Dakota Deal, originally published by Lion Books in 1954. It was later reprinted by Lion Books again as Gun Hell. In 1966, it was published by Tower as The Oath. It was translated into Swedish and released as Blod for Blod. Most recently, it has been published by Cutting Edge Books as Gun Hell and also included in the publisher's compilation Big Bold West 12. Why so many printings? It's an unusual western. 

Johnny Burr makes a habit of burying his guns. In fact, he buries them and then shortly has a revelation and digs them back up. Readers learn he does this a lot. But, Burr is conflicted on what he wants in life. Should he attempt to live a happy existence free from his past or ride the trail for vengeance? That's the conflict that saturates Ryan's narrative.

In flashback sequences, Burr recounts the night that his farm was burned by bandits and his wife was raped and killed. During the attack, Burr sliced the bandit leader on the chest, leaving several deep gashes. These cuts were a mark, and now Burr is hunting for the scarred man. But, he isn't a violent guy, and generally isn't cut from the same cloth as your typical paperback hero. So, it's unique in the way that the hero is weak and discouraged. 

Like most westerns, Ryan uses the old western trope of a range war as the battleground for Burr and the bandits to settle the score. There's the Big Horn and Little Horn ranges, one filled with livestock, but very little water, the other the exact opposite. The range war erupts near Fargo, North Dakota and Burr finds himself employed by both ranches as he hones in on his wife's killer. There's a load of violence at the end, and occasional skirmishes leading to the finish. There's also a romantic relationship introduced that brings Burr full circle – bury the guns or fire them.

If you enjoy range war westerns and unlikely heroes, then Gun Hell should be a rewarding reading experience. It's certainly different, but carries the same traditional staples as the typical mid-20th century western. Recommended. 

Buy a copy of the book HERE.

Judge Not My Sins

As I documented in my Frisco Flat review, Stuart James was a staff writer for True and Popular Mechanics as well as a sports reporter for the Delaware Valley Advance. He authored original paperbacks for lowly publishing houses like Tower and Monarch. Thankfully, some of his novels have been dusted off and resurrected thanks to Cutting Edge Books. Enjoying their new edition of Frisco Flat, I chose to read Judge Not My Sins next. It was originally published in 1951 by Midwood.

What I enjoyed the most about James' narrative may be something he didn't intend for me to enjoy all that much – pulp story writing deadlines and publishing. David Markham, the book's protagonist, is a 34 year old pulp writer living in New York City. He wants to write the great American novel, but his agent encourages him to grow as a writer and take the necessary stepping stones to achieve greatness. He puts David through the paces, first with newspapers, then on to writing for the pulps, and then articles as he moves into a better market. But, readers are introduced to David as he navigates the world of pulp fiction, the middle rungs on the tall literary ladder. 

David's life is at a crossroads. He's become complacent with writing pulp fiction, a problem he analyzes by suggesting he has already “written the same damned story fifty times” and to write another will simply require changing the characters. His agent says the writing is very good, it isn't literary garbage, and that “blood 'n guts” sells. Money is the reason David clicks the typewriter keys. He's married, although separated. He has two kids, but he only sees them once a month. His paychecks mostly go to his wife and their mortgage. All of these headaches catapult David into the arms of a mentally deranged woman named Leslie.

Like a Gil Brewer or Orrie Hitt novel, Judge Not My Sins develops into a devilish relationship study. Leslie is gorgeous, lives with her dog, and meets David for a one-night stand at a bar. David becomes engrossed with the woman and finds himself hopelessly falling in love. But, Leslie doesn't like David's commitments to his wife and kids. She also doesn't understand his writing career and what he hopes to achieve. As she beckons chaos and confusion, David's agent and wife prove to be responsible and less pretentious. It's this storm of emotions that drive David to the brink of madness while competing to meet five writing assignments and a movie novelization, his so-called “big break.” 

Based on publishing houses and lack of a household name, it's so easy to write Stuart James off as a hack sleaze writer. But, his career deserved better. He's such a great author and injects a personal insight into this novel, what is essentially a book about the writing experience. I'm sure that the career turmoil and rejections riding David were all firsthand experiences James suffered throughout his journey. 

Judge Not My Sins is a powerful look at self-absorption, complacency, mental illness, and the complexities of marriage and divorce. It's a paper life, but its life. I'm not sure why James wasn't able to break into the middle echelon of paperback writing (at the very least), but based on this book alone, he deserved a better hand than he was dealt. Hopefully, this new shuffling of the deck by Cutting Edge Books will deal him a win. 

Buy a copy of the book HERE.

Cut Me In

According to Stark House Press, the publisher that reprinted Cut Me In (1959) via their subsidiary Black Gat Books, Jack Karney was born in New York in 1911 and specialized in crime-fiction. He was married with three children and spent his entire life in the same Lower East Side neighborhood in New York City. He tried out for the police department, but ultimately ended up working in the Civil Service within the District Attorney's office. He authored a number of titles like Tough Town (1952), Cop (1952), and Knock 'em Dead (1955). As Mike Skelly he authored the novel There Goes Shorty Higgins (1953). Cut Me In is my first experience with Karney's work.

This novel is similar to other 1940s and 1950s crime-fiction where the rise from rags to riches becomes a captivating look at criminality. Like Benjamin Appel's The Life and Times of a Tough Guy (1960) and Ed McBain's Big Man (written as Richard Marsten, 1959), Jack Karney centers his narrative on Coley Walsh, a young beat cop working the New York streets. His wife died, and now he raises his crippled son while living with his mother on swing shifts. Coley's righteous path becomes corrupt with the simple longing for a patrol car and a promotion to investigator. Coley decides to cut some corners on the way to the top.

While working the beat, Coley saddles an armed robber that is fleeing from the police. In a devilish conversation, Coley learns that the police precinct is corrupt with several key personnel working hand-in-hand with the Syndicate. They run the protection rackets, gambling joints, and swindle politicians to do their bidding. Coley conceives the idea that he should assemble a small group of police officers willing to push the Syndicate out. But, these criminal elements would then be replaced by Coley and his guys. Instead of looking out for the Syndicate, they should become a new Syndicate. 

Through 200 pages, Karney documents Coley's rise through the ranks from small time to the big man. The most compelling portions concern Coley's relationship with a small business owner named Joseph Cantor and his adopted daughter. Coley looks out for Cantor, and understands he represents everything right about America – work hard, build a legitimate owner-operator business, serve the community. In creating his criminal empire, Coley realizes guys like Cantor are prime targets for protection rackets, thus an emotional conflict arises within Coley's pursuit of fortune. It's this conflict that really propels Karney's well-written narrative.

Cut Me In was a wonderful reading experience laced with criminal plans, fall-guys, payoffs, heartbreaks, and violence. Karney's writing style relies heavily on dialogue to tell the tale, and the author created enough diverse characters to keep the story alive and moving. The book's beginning and ending are its strongest parts, with the finale a real barn-burner with flourishes of action and cool-headed resolve. The balance was exceptional, and a difficult feat considering the moving parts. Karney was a pro and Cut Me In must surely represent some of his best work. Recommended. 

Buy a copy of this book HERE.

Blood of my Brother

Roll out the red carpet. Vacuum it. Fluff it a little with the heel of your shoe. Why? The festivities are about to begin. The Hall of Shame is receiving its newest member, the 1963 paperback Blood of my Brother, written by the very talented Stephen Marlowe (real name Milton Lesser). Only, Marlowe didn't want to use his name for this turd. Instead, he used the name C.H. Thames. To rub salt in the wound, Armchair Fiction reprinted this book. 

In the opening chapter, spoiled college kid Johnny Baxter is with an unknown person cracking a safe in a mansion. Next chapter, Johnny is found floating in the ocean. Dead. His car went off of an embankment and crashed into the lake. Johnny's father is devastated and regrets some of his fatherly decisions in life. Johnny's step-brother Dave is a modest attorney in town and the star of the family. He goes to identify the body and believes his brother was murdered. 

Dave believes there is foul play because Johnny's car is turned the wrong way in the lake. That's it, that is the big piece of evidence. Pay no mind to the flask, the fact that his brother was an alcoholic, the reckless lifestyle, the fast Jaguar. Just the wrong direction in the lake. The next 129 exhausting pages consist of Dave interviewing the college faculty, Johnny's roommate, the fraternity brothers, and Johnny's father. Readers already know that Johnny was stealing money from his father, so that little little morsel is quickly chewed up and dismissed. Second, if Dave can't figure out that Johnny's roommate, Tony, is the killer, then there is no reason for him to be an attorney. Here's some clues:

1 – Tony is flatass broke. 
2 – Tony has clothes and jewelry belonging to Johnny.
3 – Tony has a freakin' gun under his bed.
4 – Tony won several medals for killing a ton of bad guys in the Korean War.
5 – Tony tells lies.
6 – Tony seems jealou....nevermind, you get the idea. TONY IS THE DAMN KILLER! 

But, Dave interviews hundreds of people and discovers that Johnny has cleverly blackmailed every one of them. He's taken photos of them doing the humpty-hump, caught them in elaborate forgeries, threatened to report cheating to the faculty, and on and on. It's ridiculous to think Johnny Baxter has this many blackmailing schemes in the works and that this little California college is hosting this many blackmailing schemes. These people aren't that interesting. But, none of it matters! Pages 12 through 141 serve absolutely no purpose whatsoever. You can read the first 12 pages and the last 9 and that's the book. Open, shut, the end. A pointless endeavor. My suspicion is that Marlowe knew this book sucked. That's why he didn't want his name associated with it. I also think that he gave his readers a secret code so they would stay away from this novel - the title. The acronym is B.O.M.B. 

It brings me great pleasure to return this book to its little plastic book condom, complete with a piece of sticky scotch tape across the horizontal flap. I have no plans to ever open it again. I'm placing it in our virtual purgatory for bad books. Thus, the Hall of Shame remains open. This book does not. 

Buy a copy of this book HERE.

Paperback Warrior Podcast - Episode 99

On this last double-digit episode of the Paperback Warrior Podcast, Tom and Eric delve into the life and career of an underrated crime-fiction author named James McKimmey. Tom talks about a new Day Keene reprint and Eric discusses two brand new Stark House Press editions. Reviews include a 1984 spy novel called The Girl from Addis by Ted Allbeury and House of Evil, a 1954 crime-noir by Clayre and Michael Lipman. Listen on any podcast app, paperbackwarrior.com or download directly HERE

Listen to "Episode 99: James McKimmey" on Spreaker.

Dark December

According to Wikipedia, Alfred Coppel, real name Jose de Arana-Marini Coppel (1921-2002), served as a fighter pilot in the United States Army Air Forces during WWII. The Oakland author then began a prolific writing career using pseudonyms like Alfred Coppel, Robert Cham Gilman, and A.C. Marin while writing for pulp magazines. Coppel is mostly known for science-fiction, but he also authored action-adventure and espionage. He transitioned into full-length original novels, including his bestseller, Thirty-Four East, about the Arab-Israeli conflict. My first experience with the author is his post-apocalyptic novel Dark December, published by Fawcett Gold Medal in 1960. 

U.S. Major Kenneth Gavin spent WWIII in an underground bunker in Alaska. From that safe and secure location, Gavin was a “missile-man”, a launch pad operator in charge of firing nuclear warheads at the Soviet Union and other foreign enemies. After two long years of global destruction between warring countries, the military, and ordinary life, has crumbled. Sensing no real purpose to the missile launches, Gavin is released from his service in Alaska.

It is Gavin's intention to travel south into San Francisco to finally reunite with his wife and daughter. It has been months since he had spoken with them and he just wants to return home. But, the journey won't be easy. Most of the population has descended into anarchy, with diseases, malnutrition, and radiation being catalysts for humankind's ruin. There is still a military presence available, so Gavin aligns with a military patrol led by Major Collingwood, an arrogant, mentally unstable superior that feels right at home within the destruction and chaos. When Gavin witnesses Collingwood ordering a group of bandits to be executed, the two come to a disagreement. The end result – Collingwood swears he will murder Gavin. 

Escaping from Collingwood, Gavin meets up with a young woman and a boy and the three form a partnership to travel safely through California. Unfortunately, they run into a fanatical group of teenagers that have a penchant for torture and depravity. When Gavin discovers they have a Soviet pilot locked in a shed, he learns just how dark and sadistic civilization has become.

Alfred Coppel does everything right in his nightmarish look at a bombed out America. It's the traditional monomyth featuring the lone hero on a quest through a perilous landscape, essentially the oldest storytelling formula. Coppel's examination of humankind's descent into sadism and nearly Neanderthal behavior is the book's real strength. Gavin is the unconventional hero, a man who has seemingly killed millions with the press of a button, but now can't cope with the idea of taking another life. His journey through the wasteland, as a pacifist, is really a unique twist on what would otherwise be an “all guns blazing” survival tale like the numbered men's action-adventure titles that would arrive 20+ years later – The Survivalist, Deathlands, The Last Ranger, Phoenix, etc. Coppel's writing is more insulated, concentrating on human psychosis or the boundaries of sanity when threatened with extinction. It's smart.

If you enjoy post-apocalyptic novels, then this is an easy recommendation. But, if you enjoy books ranging from Lord of the Flies to novellas like Heart of Darkness, then this should be an appealing, disturbingly entertaining read as well. 

Buy a copy of this book HERE

Thirty Pieces of Lead

It's hard to believe that just down the road from me, here in the Sunshine State of Florida, the Nazis invaded. It's a little known fact, something that isn't often discussed in the history books. But, on June 16th, 1942, a submarine assisted four German spies to step on the sands of Ponte Vedra Beach, just south of Jacksonville. Their mission was to destroy bridges and the parts of the railroad system using dynamite. Thanks to the efforts of the FBI, they were captured and executed before their mission was accomplished.

Using this unique piece of history, Frank Kane, author of the successful Johnny Liddell private-eye series, constructed a short-story called "Thirty Pieces of Lead" for the September, 1945 issue of Crack Detective Stories. To my knowledge the story has never been reprinted, but you can read it for free HERE or scrolling below.

At the story's beginning, an Italian prisoner-of-war named Musico is being interrogated by a Gestapo colonel. Musico has served time in a concentration camp, along with his mother and wife. The bullish interrogator suggests that Musico was separated from them at some point, and would probably wish to visit with them again. Musico tells himself that he already knows the fate of his loved ones. But, he plays along. The colonel explains that a group of highly trained professionals is planning a landing on the American coastline, and they want Musico to assist them. In return, Musico will get to see his wife and mother again. 

Musico is an ex-mob runner that ran bootleg products out of Chicago ten years ago. Musico tells the colonel to call his old mob boss, and explain the landing operation and ask that they pave the way with the police and Coast Guard. To insure the request is legit, Musico provides his interrogator a password so the mobster will know the request came from him. Musico says the mob has no loyalty to America and will work with the Nazis. Further, Musico volunteers to join the landing in an effort to accomplish the mission and to see his loved ones again. But, Musico has a clever plan for revenge in mind. 

At just a few pages, this story has so much life in it. It explodes with detail and ties into this little piece of history in a really unique way. I love the mobster aspect to it, and the idea that the mob and the Nazis are featured in the same story – two despicable factions that are being combated by this courageous, yet defenseless prisoner. Short stories can really be hit or miss, but this one was a sure-fire winner. Recommended!

A Night for Treason

Before John Jakes struck gold with his Civil War epic North and South, he was a paperback author for dudes like us. A Night for Treason was a 1956 spy thriller that was released as an Ace Double with many subsequent reprints over the years. 

Our hero is an American secret agent named Max Ryan. The novel begins with an exciting action set-piece with Max hijacking a truck filled with military supplies. It’s a violent and fast-paced opening that sets the tone for this short, peppy paperback. 

We are quickly introduced to our villains: a shadowy European-based organized crime and intelligence cabal known only as The Combine seeking to steal American industrial secrets for its own profit and benefit. The focal point for this showdown between The Combine and Max’s agency is an Atomic energy conference hosted on the estate of an Air Force colonel. It’s up to Max to figure out who the technology thieving Combine spies are among the guests and neutralize them without getting whacked himself. 

The Air Force colonel has a sexy, 26 year-old niece named April who is the hostess of the conference and a pivotal player in the weekend’s intrigue. John Jakes keeps the narrative exciting with well-crafted action scenes every few pages. His plotting is basic but serviceable. 

Overall, this early work from a future famous author is about as good as one of the better Nick Carter: Killmaster installments. If you can score a cheap copy of A Night for Treason, you won’t regret reading it. However, it’s unlikely you’ll remember it for long after you’ve moved onto the next paperback in your stack. 

Buy a copy of this book HERE

Whiteout #01 - The Snow

Flint Maxwell is an Ohio native and author of horror and fantasy titles. He's authored a post-apocalyptic series called Jack Zombie, co-wrote the Midwest Magic Chronicles novels, and contributed to the short-story collection 25 Gates of Hell featuring horror authors like Brian Keene. The author's own short-story collection, The Bitter Cold, was published in 2018. My first experience with the author is his 2020 five book series of post-apocalyptic novels, Whiteout. I'm starting with the series debut, The Snow, published in multiple formats by Dark Void Press.

Through first-person perspective, readers are introduced to Grady Miller, an Ohio firefighter that experienced a harrowing tragedy that left a little boy dead. Trying to recover from the trauma, Grady pals around with his two childhood friends, Stone and Jonas. The three buddies want to celebrate July 4th in tradition in a lakeside cabin at fictional Prism Lake. The festivities of drinking beer and telling stories is fun for the trio, and the author conveys their friendship and inner-loyalty to the printed page quite well. However, “The Three Musketeers” are about to experience outright horror.

The three awaken to find that it's snowing. On the fourth of July. In Ohio. Once the snow starts falling, it never stops. The friends soon learn that the radio stations and internet are out and soon the power begins to fade. As a blizzard soaks the landscape, the three also learn that their fears, the things that trouble them the most, are becoming real things outside. The dead kid begins calling to Grady from the snow. Dark figures are seen in the distance. Spiders as large as cars start crawling. It's a nightmare scenario. But, is it any good?

For the most part I enjoyed the book for what it was. This is clearly the origin tale, and it ends right when the action begins to escalate. The setup was appropriate, the characters introduced, and doomsday ushered in to create the backbone of the series. I found it to be truly scary at times, but for the most part it's just gloomy and depressing. Like most post-apocalyptic tales, the team-building is a necessity and the survivors have to possess some sort of past tragedy to overcome in the post-apocalypse. It suspiciously reminded me of Christopher Golden's more superior novel Snowblind, which has nearly the same concept.

I plan on reading the next installment soon. I found The Snow to be enjoyable enough to warrant an extended look at the series. Flint Maxwell is creative, has a plan, and forms the story well. Recommended. 

Buy a copy of the book HERE.

The Big Steal

Irish author Athwill William Baker used pseudonyms like Howard Baker, W. Howard Baker, W.A. Ballinger, John Long, Desmond Reid and Richard Williams to write crime-fiction, science-fiction, and espionage novels. He began his career as a journalist, joined the Army during WWII, and later became the editor in charge of Panther Books. He's mostly remembered for his contributions to the serial police procedural Sexton Blake, inspired by Sherlock Holmes. He also authored a 16 book series starring Richard Quintain, a British Secret Service agent. My first experience with the author is his stand-alone caper novel The Big Steal. The book was published in 1964 and has been printed a total of four times, each with different artwork and different publishers.

Sep Ryder was an Italian veteran of WWII that fought for the Fascists and personally knew Mussolini. Due to his violent behavior, and military record, he was placed in the mental institution Broadmoor by the British government. However, he escapes the facility and puts together a plan to rob $2.5 million from Heathrow Airport. But, he needs a team.

Baker writes this short novel as one long series of introductions. We meet Phineas Norton and his wife Marcia and quickly learn that Ryder and Marcia are having an affair. Then there is Bill Simmons of the Daily Post, his ex-wife, guys named Bruno and Clifford, and the list goes on and on. The plan is for Phineas to become a passenger on board one of the aircraft landing at Heathrow. He will warn the crew that he has a bomb on the plane. This puts the entire airport on lockdown and a lot of people on the ground preparing for the plane's arrival – ambulances, cops, journalists, etc. While all of this commotion is happening, Ryder and his drivers, gunmen, and strong guys will rob the place and drive an ambulance out of town. Phineas then will tell them he made the whole thing up. Because there is no bomb. Until there is one.

This book was mostly enjoyable and could have been something special if the cast of characters was cut in half. The pacing was a frenzy of activity, propelling the plot and creating a lot of drama, intrigue, and excitement for the book's payoff. But, there's just so many characters that it was hard to keep track of histories and where all of these people are in the plan. I spent a majority of my reading experience confused, but Baker's writing was really good and kept me interested. In the future, I'd like to read another Baker novel to compare quality. Lukewarm recommendation for The Big Steal. 

Buy a copy of this book HERE

The Deadly Deep

Jon Messmann created and authored the long-running adult western series The Trailsman. He authored series titles like The Revenger and Jefferson Boone: Handyman. He also wrote novels in genres like gothic, romance, and espionage. At the height of the Jaws frenzy, Messmann authored an aquatic horror novel called The Deadly Deep. It was published by Signet in 1976. 

The book stars a journalist named Aran, who specializes in complex scientific discoveries. He has a unique talent of describing these highly intelligent theories and results in an easily understandable language for casual readers. This talent has led to Aran being a notable journalist and literary awards winner. But, Aran is about to take on his most difficult writing assignment – chronicling the end of the world. 

Across the globe, the fishing and tourism industry is suffering serious setbacks due to violent deaths in oceans and rivers. The cases range from people swallowed by whales, consumed by lobsters, or severely bitten by an array of historically docile fish. There is no central location for the occurrences, although Aran specializes his research in the American Northeast. There are a number of controversial theories from professionals in various lines of work, but no one has the answer. Does Aran?

What I really loved about The Deadly Deep was the very last page. It closed a chapter of my life that I never want to remember. I believed Messmann was the invincible wordsmith, a literary hero of epic proportions. But, this novel proves he was less than perfect, which is totally acceptable considering the amount of novels he cranked out year after year. 

In 220 pages of plodding, directionless writing, Messmann places his protagonist on the phone with various authorities agreeing or disagreeing with numerous theories on aquatic animals and trends. There are attacks sprinkled throughout the narrative, but these characters are never properly introduced, so their dismemberment by crabs doesn't have much meaning. At one point I expected some hero to jump in and save the day, but the whole novel is just endless discussions about sea life. 

The Deadly Deep is deep boredom. Don't waste your time. This one is nothing short of awful. 

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Matt Helm #05 - Murderer's Row

Murderer's Row, the fifth installment in Donald Hamilton's Matt Helm series of spy-fiction, was published in 1962 by Fawcett Gold Medal. The novel was loosely adapted into a film of the same name in 1966. I've mostly enjoyed the series and Hamilton's writing, so I'm continuing in proper order with this installment.

Like the last entry, The Silencers, the next dangerous mission involves a female agent working for the same three-lettered, clandestine organization as Helm. Mac, Helm's boss, explains that the coast of Virginia – Chesapeake Bay – is experiencing an elevated amount of foreign vessels. The theory is that the area is hosting a trafficking operation with foreign powers extracting key personnel from the U.S., including a top-rated scientist with important knowledge regarding American security. The agency wants to locate the scientist and either retrieve or kill him.

A female agent has been inserted into the operation to gain intelligence, however, her perceived credibility has been compromised. Mac, and the agency, need her to regain credibility through nefarious means. Helm is to travel to her hotel room and dish out a scolding punishment from the agency, a savage, violent beating to whip her into shape. The room is bugged by the bad guys, so they will hear and see the beating and realize that this agent does in fact work for the U.S. and is being reprimanded for her poor performance. Mac's last agent, a young rookie sensation, failed miserably on the assignment. Helm is pulled from a Texas vacation to do the job right. Mostly, it all goes accordingly until the female agent unexpectedly dies during the beating.

Helm “killing” a fellow agent creates a tidal wave of issues for him and the agency. Mac attempts a retrieval, and at one point Helm is set-up in an attempt to bring him back to Washington. Helm wants to complete the mission, his superiors feel he is unable to. Against orders, and without support, Helm eventually finds the scientist's daughter, and gets tangled in a wild set of circumstances where he pretends to be a mob hitman named Petroni. There's a dense, complicated family affair between the woman, the scientist, and a bitter married couple. Individually, they each want to pay Helm/Petroni to kill another family member. Surprisingly, Helm accepts the jobs.

Hamilton really threw a curveball into this series installment by creating a unique, nearly comedic approach to the typical spy formula. The female agent dying during the beating was shocking, but where Helm goes after that opening event was just so bizarre and entertaining. Helm's insertion into a high-level, deadly family dispute was amazing, especially considering he agrees to kill two family members for money. It's all for show, of course, but the means to an end is an exciting chain of events that eventually leads from hotels to back-roads, then jail to a boat, then a massive hurricane that bounces the characters around during the book's rousing finale. It was superb pacing and plot development. 

Murderer's Row is probably a high-point in the Matt Helm series. It has a really clever storyline, a plausible sequence of extraordinary events, and a deep character study of the family dynamic and the strenuous ties that bind. This one is just fantastic and highly recommended. 

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Steve Bentley #04 - Mistress to Murder

Mistress to Murder, the fourth installment in the Steve Bentley series, was published in 1960 by Dell. The book's author, E. Howard Hunt, wrote the series using the pseudonym Robert Dietrich. Bentley is former military and runs a successful accounting business in Washington D.C.'s turbulent political beltway. While dabbling with stocks and blondes, Bentley always finds himself as a pseudo private-eye working random cases that fall into his lap. In the aptly titled Mistress to Murder, now available in a brand new edition by Cutting Edge, Bentley becomes entangled with a wealthy international family in the posh D.C. suburbs. 

From a rural stretch of Northern Virginia blacktop, Bentley sees a young woman fall from her horse. After running to her aid, Bentley is stopped by the woman's chauffeur. Helping the woman into the car, the chauffeur becomes aggravated with Bentley's assistance and nearly K.O.'s him with one punch. Thankfully, Bentley memorizes the vehicle's license plate. Later, back at his home, Bentley discovers that the woman secretly placed a necklace in his pocket.

Consumed with the woman's odd behavior and injury, Bentley hires his old PI friend, and series staple, Artie to locate the vehicle's residence. It belongs to Baron Alejandro Esquivel, located in the high-end district of Georgetown. Bentley goes to the home, receives a cool welcoming, and meets Esquivel's young wife Anita, which eventually leads to a quick make-out session. Bentley pries himself away from Anita and is re-introduced to 19-yeard old Megan, the woman Bentley helped previously. Megan behaves normally, is “sick in bed” due to the fall, and both Anita and The Baron are keeping watch. But, Megan slips a note to Bentley asking him to meet her that night.

At the meeting, Bentley learns that Megan, and her half-sister Anita, are originally from Venezuela. Their father, the original Baron, was partners with Esquivel in a shady, yet lucrative, business. Long story short, their parents were suspiciously killed, Esquivel became the new, yet fraudulent Baron, married Anita and now the three of them live unhappily ever after. Anita cheats on Esquivel and Megan is the princess trapped in the castle. But, the wrench in the gears is a string of pearls that are internationally coveted and now owned by Esquivel. They are a sort of collector's piece worth well over $100K. Like these things tend to go, murders begin, the pearls are stolen, and Bentley is caught up in the deadly ruckus.

Hunt borrows similar plots of the first two Bentley novels. In the series debut, Murder on the Rocks, the plot involves a precious emerald, a South African ambassador and two women searching for the stone. In the series second installment, End of a Stripper, a man being dragged from a strip club discreetly places a small camera in Bentley's pocket. The camera is then traced back to the man and the purpose of the novel. However, Hunt writes Bentley so well that the recycled elements can be easily overlooked. 

Mistress to Murder, and the Steve Bentley series as a whole, is excellent crime-fiction written by an experienced, seasoned pro. While Bentley doesn't receive the same fanfare as other private-eye literary heroes, I think his steadfast willingness to do good things for people in peril is unmatched. The crimes are detailed, the characters dynamic, and the pace is flawless. All of the elements contribute to Mistress to Murder's success. This is just another great novel proving that this series is a cut-above your average gumshoe procedural. 

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The Devil's Collector

Between 1975 and 1980, Robert Colby (1916-2006) authored six stories starring a mercenary vigilante named Brock — all published in Alfred Hitchcock Mystery Magazine. The stories — along with a previously-unpublished installment — have been compiled into a single volume called The Devil’s Collector.

Each of the stories is titled “Paint the Town…” followed by a color. So, the first story is “Paint the Town Black” and the last one is “Paint the Town Aquamarine.” When we meet Brock in the opening story, he’s dressed as a fancy dandy walking into a roadhouse bar in a seedy part of town. After attracting all sorts of attention from the rough characters inside, Brock leaves the tavern and walks toward the city.

Of course, some hoods accost the soft target on the street, and Brock goes Charles Bronson on the punks taking their money in the process. Later in the story, he dispatches another thief while also swiping the cash and explaining, “There is a tax on evil…and I am the collector.”

Colby was clearly influenced by the men’s adventure vigilante paperback craze of the 1970s, when he crafted the first story. His innovation was making the vigilante a foppish gentleman seeking to line his own pockets with crime money rather than a ‘Nam vet with a vendetta.

In later stories, Brock graduates from street punks and begins targeting con-artists, counterfeiters, and thieves. These stories (including “Green”) are more con-man tales where Brock’s cleverness wins the day, recalling the Saint series by Leslie Charteris. In other stories (“White”), he’s more of a Travis McGee salvage consultant who recovers stolen loot for a victim while extracting his “tax” for himself.

Overall, The Devil’s Collector is an innovative short story collection with a unique lead character given room to evolve over seven stand-alone stories. You may or may not want to mainline all these short works back-to-back. I think the collection would be more satisfying as a palate cleanser between longer pieces. In any case, call it a winner. Recommended. 

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Paperback Warrior Podcast - Episode 98

Gil Brewer is a fixture of mid-20th century crime-fiction, and on this episode, Eric and Tom discuss his life and career. Tom tells listeners about a new collection of short-stories by Robert Colby and Eric highlights the career of crime-noir writer James M. Fox. Reviews include a post-apocalyptic novel that was the basis for the 1979 film Ravagers and a Manning Lee Stokes classic. Listen on any podcast app, paperbackwarrior.com or download directly HERE

Listen to "Episode 98: Gil Brewer" on Spreaker.

Invitation to Violence

During his literary career, Lionel White (1905-1985) was a master of the heist caper novel, with over 35 books to his name before his death in Asheville, North Carolina. Invitation to Violence was a 1958 paperback that has recently been reprinted by Stark House with an informative introduction by paperback scholar Cullen Gallagher. 

As the novel opens, Vince Dunne is a 19 year-old hoodlum pulling off an elaborate jewelry heist with his crew. As usual, the author does a tremendous job bringing the reader along for the ride. As often happens in paperback heists, things go crazy sideways when the cops arrive and the whole joint becomes a shooting gallery. Vince narrowly escapes the chaotic crime scene with the bag of jewels. 

Meanwhile, our “hero” (of sorts) is Gerald Hanna, an insurance actuary and all-around square. Fate brings Gerald into the orbit of Vince as the young thief is making his escape from the heist gone sour. While driving home from his Friday night poker game, Gerald finds himself in the middle of the shootout between the cops and the hoods. Young Vince jumps into Gerald’s car and forces the insurance man at gunpoint to be his getaway driver. As they are escaping the scene, a wayward bullet ends Vince’s life, leaving Gerald driving away with a dead heist man and an assload of hot jewels in his passenger seat. 

In a moment of impulsive greed, Gerald dumps the Vince’s lifeless body on the side of the road and drives home with the dead man’s pistol and the stolen jewels. Gerald initially takes shelter in his tiny apartment with the hot rocks that everybody spends the rest of the novel seeking. 

We are introduced to a small cadre of side characters, including  Gerald’s pain-in-the-ass fiancé and Dead Vince’s genuinely sweet twin sister. There are cops and robbers on the hunt. The author toggles between the third-person perspectives of all these competing parties jockeying for the truth and the jewels. 

I enjoyed Invitation to Violence quite a bit. It’s not the best Lionel White offering due to the lack of much violence, action or plot twists, but the machinations of all these characters positioning themselves to come out ahead was very compelling. The ending was tidy and largely satisfying making this one an easy recommendation. 

Buy a copy of this book HERE.