Alfred Hitchcock's Down by the Old Bloodstream

Summer is here, and that means short stories. With so much going on - vacations, outdoor activity, beaches, sports, etc. - I don’t always have time to direct my attention to a full novel, but there’s always room for a short story. The vintage paperback collections from Dell Books bearing the Alfred Hitchcock brand are a reliable source for great short fiction. Today, we’ll spend some time with Down By the Old Bloodstream from 1971, a collection of stories from the 1960s featuring many Paperback Warrior favorite authors.

“The Happenstance Snatch” by Fletcher Flora

The paperback describes this one as a “novella” but it’s only 24 pages long - make of that what you will. The story is about Banty, a degenerate gambler who loses a bunch of money he didn’t have at the poker table. The winner is a hard case who gives Banty until morning to raise the dough... or else.

Rather than raising the money somehow, Banty and his pal Carny (our narrator) decide to hightail it to an abandoned farm to hide out. En route to the cabin, the boys stop at a rest stop and a foxy girl sneaks into their back seat and falls asleep without them noticing until they’re 100 miles down the highway. After discovering the girl, the two decide to hold her for ransom as a solution to Banty’s problems.

This is a great story with a fantastic guessing game and a clever plot twist finale. If you enjoy a good kidnapping story, check this one out.

“Lucky Catch” by Ed Lacy

Jimmy is a patient in a mental institution who is being released for a weekend - without supervision - to visit his mother. Mom is a domineering sort with obsessive tendencies, so Jimmy plans to take in the city a bit - maybe see a movie or a ball game - before checking in with the old lady.

Blowing off some steam at the baseball game, something happens that makes all Hell break loose. Jimmy is confused and targeted by others, leading to an act of violence. The story ends abruptly with Jimmy gaining an understanding of what he walked into. It’s not a great story, but it’s very short. You don’t need to spend much time before you get to the O’Henry-style ending.

“The Monster Brain” by Richard Deming

Quinn is an insurance fraud investigator who receives his leads from a corporate computer that spits out suspected fraudulent claims - something commonplace today that must have seemed space-age when this 1966 story was first published. In this case, the computer spits out a cluster of rare Typhoid deaths in one town with policies all sold by the same agent with a $10,000 death benefit. Quinn gets the assignment to figure out: coincidence or fraud?

Quinn performs some pretty realistic forensic accounting to develop a suspect for this epidemiological mystery and travels to the small town in search of the truth. This is a diabolically-clever mystery with a satisfying conclusion and a twist ending further cementing Deming’s legacy as an unsung hero of the crime fiction genre.

The Wrongo by Michael Brett

Oakes is a hotel detective and former vice cop. One day in the lobby, he spots a hot chick in a short white dress with a deep tan. His training and experience tells him she’s a pro working the hotel to separate lonely rich dudes from their money. Once you’ve been doing this for a while, you get a knack for spotting the “wrongos.”

Oakes keeps an eye on the girl at the hotel bar until she latches on the wealthy pigeon she’s going to fleece. Oakes takes the gentleman aside and warns him that he’s walking into a bad - albeit attractive - trap. The guest is skeptical of the professional assessment and tells Oakes to buzz off. This sets up a clever, but short, con-artist story that was a lot of fun to read through the final twist.

Overall Assessment:

These four stories alone - there are 14 in the paperback - make this anthology an easy recommendation. The Hitchcock brand name is responsible for bringing a lot of great short works into print, and Down By the Old Bloodstream is an outstanding entry in this paperback series of curated stories. Recommended. 

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James Bond #01 - Casino Royale

The best-known fictitious undercover agent of all time is James Bond. The character was created by British writer Ian Fleming (1908-1964) and appears in 14 of Fleming's novels between 1953 and 1966, two after his death. Beginning in 1981, authors John Gardner, Raymond Benson, Sebastian Fualks, Jeffery Deaver and others continuously added new original novels in the series. The character became an icon of cinema with 27 films in total featuring the secret agent. Needless to say, you can take a deep dive into the character's history and pop-culture phenomenon on your own time. This review is dedicated to the very first James Bond novel, Casino Royale, published in April, 1953 by Jonathan Cape.

James Bond, 007 is an agent of the British Secret Service (MI6) and works for a superior simply named M. Through brief explanations, readers learn that Bond served in WW2, and later books state he was a Royal Navy officer. The 007, pronounced "double-o-7", is partly a symbolic name that the agent killed an enemy of the state. Bond and his colleagues receive various weapons and trainings from Branch Q, a research and development department.

In this first novel, Bond receives a mission from M to join a high stakes baccarat game at the Royal-les-Eaux in northern France. He's assigned a female companion named Vesper Lynd and an American CIA agent named Felix Leiter as support. The mission is to bankrupt Le Chiffre, a stateless man who brings financial advantages to the Russian counterespionage agency SMERSH. After Le Chiffre lost most of his fortune on a brothel front, he joins this lucrative card game in an effort to recoup most of the money. If he loses, SMERSH will probably kill him.

The first 70 pages of Casino Royale are extremely slow with much of the story transfixed with the art of baccarat. Through pages and pages of card playing, Bond attempts to win the game and at one point gains a large sum of money from Felix. Although this first half doesn't provide a captivating story, Fleming definitely shines in the second half of the novel.

Bond's romantic relationship with Lynd builds into a crescendo. Bond is considering leaving the espionage business and marrying Lynd. He even dreams of settling in a suburban environment where foreign adversaries simply do not exist. It is this very humane aspect that makes this book and this character so interesting. Once Bond leaves the casino, Fleming ratchets up Casino Royale with car chases, gunfire, a long and breathtaking torture sequence and the required violence to emphasize that Bond is fighting some truly bad people.

Like Donald Hamilton's Death of a Citizen, there's a savage scene where James Bond evolves into the British agent that we know today. It is the mythology of a very human person transformed by violence into a living and breathing weapon. Hamilton did it with Matt Helm. Pendleton did that to Mack Bolan. Fleming does it with expertise with James Bond. The final sentence of the book is one of the strongest lines in fictional history - in my opinion.

Whether you saw the comedy movie version of Casino Royale or the modern remake with Daniel Craig, nothing is comparable to the book. Considering the first half is rather lackluster, the strength of the second half more than makes up for the failure. The last line of the book introduces themes and villains that Bond will contend with for the life of the series. As an origin tale, Casino Royale delivers on all fronts. Highest possible recommendation.

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The Red Lamp

Often called the American Agatha Christie, Mary Roberts Rinehart (1876-1958) wrote over 50 novels, most of which are considered traditional murder mysteries. She's often credited with inventing the “Had I but Known” mystery style where the chief protagonist conducts behavior that is connected with a crime, thus prolonging the action of the story. She's also noted for the phrase “The butler did it” from her 1930 mystery, The Door. My first experience with the author is her 1925 novel called The Red Lamp, also known as The Mystery Lamp.

Presented as a rather lengthy journal, The Red Lamp's premise is the haunting of an enormous mansion called Twin Hollows. The journal's author, William Porter, inherits this sprawling mansion in a rather mysterious way. His uncle Horace was found dead inside the mansion apparently in mid-sentence of a letter he was penning to someone. His death is suspected to be an accidental fall, but there's a sense that foul play could have been involved. William and his wife Jane decide to spend the summer residing in the mansion's guest house. They later rent the mansion to an elderly man named Bethel and his steward named Gordon.

This kick-starts a supernatural whirlwind of murder, intrigue, and deception.

During the initial weeks of both William and Jane living in the guest house, there is a mysterious outbreak of sheep murders. Later, strange signs are found painted around the house and surrounding areas depicting a circle with an inner triangle. The first deaths begin with a local cop investigating the slayings followed by more people with close ties to Porter. As the deaths, attacks and strange occurrences continue, the common denominator is the house itself. Porter and various caretakers and staff experience ghostly apparitions and noises that seem to be transfixed on a red lamp that casts a bloody hue on the house. Are these apparitions of a supernatural origin? Or, is this town and it's inhabitants spiraling into madness?

The Red Lamp is a hybrid of horror and mystery, never consuming either genre but lying somewhere in the fringes. The claustrophobic, paranoia aspects of Porter's mind saturates the narrative, again simply a diary in its presentation. Like Lovecraft, this cold, unsettling fear erodes the sanity of the book's central character. The unnatural nightly noises and the lamp's omnipresence captures the essence of a truly disturbing horror novel. However, Rinehart attempts to lighten the mood occasionally with Porter's sarcasm and self-parody of his own situation.

Whether the book is a dense, slowly evolving mystery or a horror tale is in the eye of the beholder. While I found the book longer than need be, I still found myself drawn to this eerie, freakishly compelling novel. At 250-pages of smaller print, it's a good workout for committed readers. My first Rinehart experience was rewarding enough to warrant the purchase of three more of her books – The Circular Staircase (1908), The Window at the White Cat (1910) and The After House (1914). In other words...look for more reviews of her work in the coming months.

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Mercy Island

Author Theodore Pratt (1901-1969) was born in Minnesota and later moved to New York, where he worked as a play reader and a writer for the The New Yorker and The New York Sun. He developed his writing skills into a full-time career that included more than 30 novels, some of which were written under the pen name of Timothy Brace. In 1941 his first novel, Mercy Island, was published in hardcover. The film was also adapted for cinema the same year by Republic Pictures. In 1956 the book was published in paperback format by Dell with attractive artwork by Verne Tossy.

Pratt was known to present most of his novels in Florida and the surrounding region. This trope is heavily used with Mercy Island with its Florida Keys tropical location. In the book's opening pages, readers learn that Ramsey, his wife Leslie and an acquaintance named Foster have hired a fishing charter. In an act of reckless abandonment, Ramsey demands that the boat's captain takes the three of them into a choppy stretch of water in a rural portion of the Keys. After catching a big fish, Ramsey's stubbornness with the captain and his companion Wiccy leads to the boat becoming grounded on an isolated tropical island.

Mercy Island's first act is similar to a Burno Fischer short story called "Hostesses in Hell", originally written under the name Russell Grey and published in the March-April 1939 issue of Terror Tales. In the story, a sailor and seven women arrive on a tropical island to escape a devastating storm. Fischer wrote his story like a complete horror tale where Pratt only bypasses the edges of terror. In Mercy Island, the five characters venture onto the island and finds a small house nestled in the dense foliage. There are signs of a turtle that's been disemboweled and eaten as well as indications that more than one person lives in the house. As Ramsey, Leslie and Foster travel further into the house, they begin to realize that the captain and his mate share a secret about the island.

To share anything beyond this premise would be an injustice to prospective readers. Pratt's characters display a number of immoral sins ranging from desire to arrogance. Ramsey's dispute with Foster is adjacent to his battles with the only resident of the island. This is a highly effective melting pot of suspense throughout the first half of the book. The second half was rather slow with a story that seemed to concentrate on island survival, hunting and fishing. As interesting as the characters were, the story itself just fizzled out. I found myself jumping through pages just to escape the boredom of this lackluster island. Mercy Island isn't a tropical destination anyone needs to visit. Read at your own risk.

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The Executioner #213 - Blood Harvest

California native Mel Odom (b. 1957) was a prolific contributor to the Mack Bolan universe, penning almost 30 titles collectively in the Executioner, Super Bolan and Stony Man series. In addition, Odom has also authored a number of television and film tie-in novels such as Sabrina, The Teenage Witch, Roswell and Blade. But, my experience with Odom is strictly the Mack Bolan titles, in particular the Executioner #213 Blood Harvest, published in 1996. Why? The synopsis indicates that Mack Bolan is fighting zombies in New Orleans. 

In the 1990s, one of the urban legends for young people on the bar scene was that a potential one-night stand could end up with one of you waking in a bathtub of ice and realizing that an organ had been cut from you by black marketers. This premise is used to its full potential in Blood Harvest as readers immerse themselves in this horror story in the book's prologue.

Posing as an F.B.I. agent named Fox, Bolan infiltrates a New Orleans homicide investigation to learn more about the organ harvesting ring. Most of the book's narrative features firefights every other chapter as Bolan targets key players in the organ heist. Eventually, Bolan teams up with a female investigator as the two follow the cohorts involved.

The zombie portion of the premise is somewhat accurate. The problem with the harvesting ring obtaining these organs by torturous methods is the timing. Because of the short lifetime of the organs, removing them and transporting them to the rich buyer provides a real sense of urgency. To resolve the problem, criminals use a voodoo priest named Papa Glapion to cast spells on the victims. By placing them in an "undead" hibernation - not breathing, but still technically alive - the bodies can be easily moved to different locations and then harvested to preserve the goods. 

Those of you who know Odom's writing understand that he is a gun porn enthusiast by describing each make, model and caliber of the weapons used by the fighters. I don't typically like this style and feel that it takes me out of the scene completely. I want to feel what the characters feel, not the well oiled South African automatic shotgun with dual magazines. But Odom's writing is serviceable and Blood Harvest is high on action and short on plot. One doesn't confuse these high-numbered men's action-adventure entries for literary masterpieces. If you want Bolan executing baddies (and the undead) in bars, cemeteries, bayous and oil rigs you've come to the right place.

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Tears for Jessie Hewitt

Edna Solomon Sherry (1885-1967) began writing short stories and serials for the pulp magazines in the early 1920s. She collaborated with both Charles K. Harris and Milton Gropper before authoring her debut novel, Sudden Fear, in 1948. The book was adapted into the eponymous 1952 film starring Joan Crawford and Jack Palance. My first introduction to Sherry's work is Tears for Jessie Hewitt from 1958. It was originally published by Dodd Mead under their Red Badge Detective brand and then later reprinted by Dell as She Asked for Murder (with an attractive cover by Robert McGinnis). Thankfully, Stark House Press has reprinted the novel under its original title as a Black Gat Book.  

In this crime-noir novel, Sherry plunges readers into the criminal mindset of Francis Edwards. He is a career criminal that focuses on robbing horse racing gamblers after they strike it rich on large payouts. His motif is to case the tracks locating the big winners. Once he chooses his target, he carefully follows the winner back to their home and steals thousands of dollars from them.

In the opening chapters, Edwards accidentally kills his target during an attempted theft. Fleeing California, Edwards begins to call himself Victor Clyde when he meets a distressed young woman named Jessie Hewitt in a cafe. He learns that Jessie was a budding actress who did not find employment. After working as a typist for a plumbing company, Jessie finds herself at a crossroads. She receives an invitation from her father's lawyer to return to her small New York town of Crawfey. Her father is dying and this will be the last chance to reconcile their bad relationship. After Victor learns that Crawfey is a very rural town that rejects any modern progress or intrusions, he conveniently volunteers to take Jessie there.

Like a Charles Runyon character, Victor's treatment by Sherry is an evolution from a smooth operator to a paranoid psychopath. It is this transformation that makes the story extremely entertaining. It's a perfect personality storm – the criminal influence on the young, innocent and righteous Jessie. Sherry cleverly asks the reader to judge the morality of Jessie's actions when faced with Victor's true nature. Tears for Jessie Hewitt is an outstanding character study. But, fans of mid-20th century crime-fiction should find a great deal to love. 

As criminal behavior intensifies in a frenetic chain of events, the narrative shifts perspective to a New York City police lieutenant named Lance. I really enjoyed this change of direction when Sherry switched to a police procedural that was reminiscent of an Ed McBain 87th Precinct novel. The author also introduces two surprises that really solidified the story. While I felt the book's finale was underwhelming, I was still impressed by Sherry's storytelling skills. If you love suspenseful crime-noir then you'll love Tears for Jessie Hewitt. I'm already searching online retailers for more of this author's work.

Edna Sherry Bibliography:

Sudden Fear (1952)
No Questions Asked (1949)
Backfire (1956), US paperback title: Murder at Nightfall
The Defense Does Not Rest (1959)
The Survival of the Fittest (1960)
Call the Witness (1961)
Girl Missing (1962)
Strictly a Loser (1965)

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Meg

At the beginning of his writing career, Robert Silverberg wrote several sleaze paperbacks for Midwood using the pseudonym Loren Beauchamp. Stark House Press has reprinted two of these early classics in one volume including his 1960 paperback, Meg.

As the novel opens, teenage Meg Tandler is losing her virginity in the backseat of a car with a sexually unremarkable local boy who plied her with beer before going all the way. Meg is a bombshell with full breasts and sensuous hips - a Marilyn Monroe type - and she knows she wants more from life than Idaho could ever offer. So, it’s off to New York to find her fortune in show business.

On Broadway, Meg visits a low-end theatrical agent named Max Bonaventura seeking representation. Max talks a good game and Meg signs with him in exchange for 25% of her future earnings. You see exactly where this is headed when Max has Meg get stark naked at their first meeting, so he can inspect the merchandise. After seeing what she has to offer, Max lays it out like this:

"I'll tell you what to dress and how to look. I'll teach you to sing and act and dance. I’ll tell you when to take your clothes off and when to put them on. I'll tell you when to go to bed with people. You're going to have to do some sleeping around, get me? Nobody gets to the top without paying for it. But you don't let anybody touch you who can’t do you some good."

Driven by ambition, Meg makes peace with Max’s plan to leverage her sex appeal and sleep her way into show business and up the ladder of fame. Despite his cynical amorality, Max is a delightfully colorful character and the main reason I kept turning the pages in this unlikely compelling paperback. The novel’s plot pretty much follows the ups and downs (and ins and outs) of Meg’s career as a sexpot. Because it’s a 1960 paperback, the sex scenes aren’t graphic at all, but Silverberg treats the reader to pages and pages on the allures of Meg’s impossible-to-ignore rack. The writing is predictably solid and Silverberg really knows how to make breasts come alive as central characters of a novel.

Meg rises through the ranks of show business thanks to Max’s never ending supply of publicity stunts, and this makes for a fun and quick read. It’s a predictable cautionary tale about the cost of uninhibited ambition and a pleasant way to kill a couple hours in the summer sun.

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Machine (aka Do It to Me)

Fire/Machine is a new reprint from Stark House Press featuring two novels by Barry N. Malzberg. The two were first printed by Midwood under the pseudonym Mel Johnson. Along with Beacon, Midwood was one of the largest publishers of sleazy books and often featured prominent authors like Donald Westlake and Lawrence Block. Fire was originally known as Instant Sex (1968) and Machine as Do It to Me (1969). Since I love pinball machines, I decided to read Machine. Its premise of a lowly pinball arcade owner struggling with an impending crackdown spoke to me more than the invite to porn fiction.

Malzberg introduces Machine in a conversational fashion. Similar to Stephen King's Colorado Kid, the narrative is basically a guy named Mike Jennings sitting with you, the reader, over drinks. You're in the smoky bar buying drinks for Jennings as he explains his turbulent life over a three-day period in Syracuse, N.Y. While there are signs that Jennings has a criminal history, he advises that none of this is essential to his story. Just the 3 days.

Jennings borrows ten-thousand dollars and takes over the rights to a pinball arcade. Jennings rents the building and these machines, some of which are the smoothest and most difficult games east of Chicago. With a location near the University of Syracuse (Malzberg's alma-mater), the likelihood of students slipping nickels into the machines at a steady pace is fairly high. However, it is 1969 and arcade machines are still considered the work of the devil.

Prior to the mid-1970s, most cities had strict ordinances that denounced pinball machines as illegal gambling devices that corrupted the youth of America. Often illegal machines were seized by law-enforcement and destroyed. To protect himself from any grief, Jennings buys a low-level protection ring that provides some protection from the city. When two cops come in and threaten Jennings with the crackdown, he makes an appeal to his protection plan. They warn him that he is safe, but Jennings begins to suspect that his arcade empire is on the brink of collapse. 

Machine is laced with sex as Jennings is pleasured by a college co-ed named Sandra. As expected, there are graphic scenes that generally consume three to four pages. Jennings is struggling with his relationship with Sandra - she desires commitment. Hindering relations is the appearance of Jennings’ ex-wife Barbara, which obviously translates into more sex pages. Malzberg has a unique ability to compare passionate sex with pinball players fascinated by the sweet rhythm of the machine. While I skipped out on most of the sex, I enjoyed the comparison. 

By and large, Barry Malzberg's presentation is cumbersome. His signature is extremely long paragraphs with very little line breaks throughout. Stark House, and the author himself, agree that the machine is not the best portrayal of Malzberg's work. Many point to his sci-fi novels as real highlights while others suggest his action-adventure men's series Lone Wolf is the best. Machine wasn't particularly brilliant, but I enjoyed the elements of crime fiction enough for it to be worth it. You owe it to yourself to try out a novel by Malzberg. He's a truly unique voice. 

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Back Alley Jungle

Leo Margulies (1900-1975) is a familiar name in the world of pulps, MAMs and digests. Originally from New York, he started as a researcher for 20th Century Fox before becoming the editor of Ned Pines' Standard Magazines. Along with magazines like Mike Shayne, Popular Detective and Thrilling Detective, Margulies also compiled and edited a number of anthology collections including Back Alley Jungle. This 1960 collection of short stories was initially published by Fawcett Gold Medal under the Crest brand name. Here’s some highlights:

Ed McBain (written under the name of Richard Marsten) is the author of the 1952 story entitled “Carrera’s Woman”. In it, a man named Jeff has been working the oil fields in Mexico. After many hard years, Jeff amassed $10,000 in savings. Before returning to America to start a new life he was robbed by a co-worker named Carrera and his girlfriend Linda. When the story starts, Jeff takes Linda hostage behind big rocks. Carrera is across the dry gulch firing futilely into the rocks hoping to kill Jeff and reclaim Linda. During the night, the three parties are at each other's throats with both sides taking potshots across the gap. But the story changes fast as Linda starts to seduce Jeff. Is this an escape strategy or is she sincere in her sexual advances? This is the ultimate question McBain is asking, and it's such a tempting one. I really liked this story and it's a key part of the collection. 

In Steve Frazee's 1953 "Graveyard Shift" story, the close narration focuses on a busy police dispatcher on a late night shift. When a woman holding a gun enters the police station, this lone dispatcher is ordered to place all of the city's patrol cars in one section of the city. The woman's motive becomes clear when the dispatcher locates the pattern - she's purposefully maneuvering the police away from the local casino. Involved in this complex case, it is up to the dispatcher to use code words so that officers redirect efforts to the casino. This is a really unique story that presents a rare, but deserving hero - the police dispatcher.

The longest and most enjoyable story is Richard Deming's 1955 short "The War". This starts with a woman named Janice entering the Rotunda Club, a posh casino owned by Clancy Ross. After a talk and a call upstairs, Clancy greets Janice in his office. In short, Janice is the widow of Clancy's old Army buddy from the Korean War. She explains to Clancy that her husband witnessed a mob slaying and was later gunned down by killers working for a syndicate kingpin named Lawson. During the exchange, the Mob framed Janice so that she would appear as a frustrated wife who shot her husband during a heated argument. After the arrest, the Mob posted bail for her in an effort to then kill her in a way that would resemble suicide. With no friends or allies, Janice fled to Clancy hoping he will keep her safe. This violent and explosive story features Clancy at odds with Lawson over the woman's safety. But is there some secret about her? Deming was a great storyteller and “The War” is absolutely awesome. I can't say enough good things about it.

Other authors appearing in this compilation are Jonathan Craig (Frank E. Smith), Dan Sontup, Mann Rubin, Charles Boeckman, Robert Turner and Don Stanford. There's an additional Ed McBain story titled "Clean Break" that's listed under the pseudonym Hunt Collins.

At 150-pages and 10 solid short-stories, Back Alley Jungle is an absolute joy to read and a fairly affordable used paperback considering the era and publisher. Highly recommended.

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Never Be Caught

“Never Be Caught” is a 50-page noir novella by James McKimmey originally printed as a U.K. hardcover in 1966 along with two other stories. It has been reprinted by Stark House in a collection of McKimmey’s hard-to-find short works now available in trade paperback and ebook formats.

The story begins in San Lupe, California about 80 miles north of Los Angeles - where Billy Marsh (age 22) has fallen in love with Maria Nivero (age 16). When the time comes for Billy to meet Maria’s mom, Mrs. Nivero is not thrilled about the relationship. Billy is a nice young man if a bit aimless - he’s a counter man at the local trucker’s café. Despite her reservations, Mrs. Nivero gives her reluctant blessing and sends Billy on his way.

After Billy leaves mom’s house, she calls in a favor from a cop friend: do some homework on Billy and find out what his real story is. It takes no time at all for the cop to learn that Billy is a fugitive from San Francisco wanted for an armed robbery turned murder. The cops fail to get the jump on Billy in an exciting scene, and we have a couple on the run story as the young lovers flee from the police together.

McKimmey does such a great job with economical storytelling while shifting the third-person perspective between the hunters, the hunted and the helpers. It’s an exciting cat-and-mouse game building to a climactic suspenseful ending that won’t disappoint any lover of action-packed noir fiction.

I’m so glad I took the time to read “Never Be Caught.” The novella cemented my belief that McKimmey was yet another master of the genre unfairly forgotten by the modern era. I’m extra thankful for the publisher who found this obscure story and made the effort to reprint it. Without question, it would have been lost forever if it weren’t for this Stark House revival. Highly recommended.

The new Stark House Crime Classics release compiles the following fiction from James McKimmey:

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Dirty Harry #05 - Family Skeletons

Warner Books released the 12 episodes of the action-adventure series for men Dirty Harry between 1981 and 1983. These novels can be read in any sequence and are based on the character of the three movies Dirty Harry, Magnum Force and The Enforcer. The works are written under the house name of Dane Hartman by the authors Leslie Alan Horvitz and Ric Meyers. Mostly the series is panned by readers, but I still feel compelled to read an installment every few years. Maybe I'm attracted by the artwork. 

In Family Skeletons, the fifth novel in the Dirty Harry series, San Francisco detective Harry Callahan decides to take a holiday in Boston. While this trip allows Harry to escape the fight against the West Coast villains, it will not come without an aura of mystery. Linda, Harry's cousin, asked him to travel to Boston to investigate a religious cult called The Unitarian Church. This cult recruited Linda's daughter, Shanna.   

Through the book's violent narrative, a Boston serial killer plagues the college campus of the church, eventually killing a number of students that have ties to Shanna and other Unitarian members. Harry befriends a Boston homicide detective assigned to the case and they work together to find the killer. As Harry's suspect list narrows, he finds quarrels with the Callahan family – Linda's husband disagrees with Harry's involvement and wants him out of the city. Is he the killer or just a violent stumbling block? 

There is actually a lot to like about family skeletons in comparison to previous installments that left me feeling dissatisfied. Whether this is Horvitz or Meyers, the writing is an upgrade from the standard drivel associated with the series. There is an abundance of action and violence while Harry fights a number of villains through the most violent areas of Boston. Before the twisted ending of the book, there is a shootout and a chase that puts Harry's. 44 against a few shotguns in a grocery store. Suspending unbelief, I soaked everything up and had a great time.   

Family Skeletons isn't a literary masterpiece. It's not even as good as a low-shelf, later Mack Bolan installment. But it is entertaining and jammed with action and mystery. I was surprised by the quality and gained a new respect for this series. I'm destined to read more. 

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Seals #01 - Ambush!

Born in Cheyenne, Wyoming, Kevin Randle earned degrees in journalism, psychology, and military studies. During the Vietnam War, Randle was an Army pilot for two Assault Helicopter Companies. Later, he served in the Air Force and the National Guard and was deployed to active duty in Iraq between 2003-2004. His military experience provides a lot of credibility and realism to his writing. Using the pen name of Eric Helm, Randle is the author of the four-book series Scorpion Squad and the longstanding series Vietnam: Ground Zero. My first experience with his military fiction is his Seals series written under the pseudonym Steve Mackenzie. These novels were published by Avon between 1987 and 1989. I decided to begin with the first, Ambush!

In this installment, the book's premise is based on actual events that took place in the Binh Duong Province northwest of Saigon. Known as Hobo Woods, this dense area of forest served as a concealed location for the Viet Cong to prepare and initiate assaults on the U.S. Army's Fire-Support Base Crockett. This massive firefight consumed most of July 1970 and was one of the last major confrontations of the Vietnam War. Randle himself had experience in this specific location and also used Hobo Woods as the setting in his seventh book in the Vietnam: Ground Zero series.

In the Seals installments, Randle uses Navy Lieutenant Mark Tynan as the consistent hero. In the opening pages of Ambush!, Tynan and his team are positioned overnight near a river. While it is mostly a training exercise prepared by Tynan, the Seals ambush and kill a small patrol of Viet Cong. On one of the enemy soldiers, Tynan finds a bundle of documents saying that the VC were planning a major assault on the Crockett fire support base.

Upon the team's return to base, Tynan gives the documents to his commander, hoping that the intelligence will help Crockett prepare for the attack. Instead, the Navy doesn't want to give the data to the Army because it doesn't want to look bad if the attack never takes place. Instead, documents are ignored and Crockett's caution is never given.

Through most of the story, Tynan's team searches the Hobo woods for more VC and ends up helping Crockett. In an action-packed crescendo, the team splinters into distinct areas of battle – one inside Crockett and the other on the outskirts in the enemy ranks. Randle's attention to detail is superb and allows readers to see these vivid battle stories that seem to emerge from the pages.  

While some of Tynan's team comes back in the second instalment, Blackbird, the action for the remaining books is not always fixed in Vietnam. Tynan's orders lead him not just in Southeast Asia, but also to the Middle East and even the United States to counter international terrorism. I'm really curious to see how Randle develops Tynan over the course of the series, including any of the character's personal backstory. In the meantime, I highly encourage Ambush! if you're fond of reading military fiction.

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Dark Cypress

Michael Avallone (1924-1999) was a prolific author that contributed work to many different publishers and genres. Along with authoring television and movie tie-ins for franchises like Man from U.N.C.L.E., Planet of the Apes, and Friday the 13^th, Avallone penned a number of stand-alone crime-noir and mystery novels. Avallone also authored over 38 private-eye novels starring his character Ed Noon. In the late 20^th Century, Avallone took to writing Gothics using pseudonyms like Jeanne-Anne De Pre, Dorothea Nile, and Priscilla Dalton. Perhaps his best Gothics were penned using the name Edwina Noone, a clever nod to his own private-eye character. My first experience with Avallone's Edwina Noone novels is Dark Cypress, originally published in 1965 by Ace.

The novel stars Stella Owens, a young woman who has arrived at the gloomy, yet magnificent, manor known as Hawk House. Stella has accepted a job as a live-in tutor for Todd Hawk, the only child of a wealthy widow named Arthur Carlton Hawk. Upon her arrival at the mansion, Stella is introduced to Gates, the family's friendly butler, and Dahlia, the family's snobbish housekeeper before being introduced to her young charge.

Stella is immediately consumed with a foreboding atmosphere that surrounds the house and its inhabitants. Dahlia's mysterious behavior serves as an odd voice of authority. Prophetically, she warns Stella that a bedroom upstairs must remain locked and off-limits from any curious exploring. Dahlia's motherly treatment of Todd is both preachy and scolding, a characteristic that lies in stark contrast to Stella's warmer approach. In repeated tutorial sessions, Todd confides in Stella that he is fearful of being taken away soon. He also provides a disturbing account of his older brother Oliver dying in the family's large pool. It's this event that lies at the heart of Avallone's mystery. How did Oliver come to drown in the pool, what's in the locked room and why does Todd suggest that there's an evil presence roaming the dark halls and corridors of Hawk House?

Like any good Gothic, location is key. Avallone's choice to place the characters and events in rural Connecticut during a late New England winter is important. As the tension mounts, the sense of isolation keeps the characters confined to this monstrous structure. Through the narrative, the family's secretive backstory slowly unfolds to explain Stella's precarious dilemma. The storyline is laced with mysterious horror that's nicely balanced with a small offering of romantic development. As a Gothic stereotype, Stella is the vulnerable beauty that becomes trapped in the bad place. Is it the structure or the people that make it a dangerous meeting?

Avallone is just a great author and his use of description makes this chilling novel such a pleasure to read. From cavernous dark forests to narrow, entrapping hallways, Avallone's prose is filled with vivid imagery that proves to be a ghostly character unto itself. If you have a supernatural addiction, Dark Cypress offers just enough sinister happenings to make it a furious page-turner. Unfortunately, the book remains out of print and used paperback copies have become pricey. However, I strongly urge you to spend your hard-earned dollars on acquiring a copy.

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Drag Strip

In the 1930s, California essentially became the birthplace of the hot rod. Americans desiring the need to speed looked to the Golden State and its quality homemade cars and the crafty mechanics behind them. By the post-war 1940s, more and more hot rods were found on drag strips or illegal street races. In 1951, the National Hot Rod Association was formed (NHRA) as a brotherhood for grease-monkeys and rebels. So, it's no surprise to find mid-20th Century fiction enamored with fast cars and racing. It was a whole genre unto itself highlighted by Henry Gregor Felson's 1950 novel Hot Rod, a book that bestselling author Stephen King stated was a big influence on his writing. 

One of the authors that thrived in hot rod fiction was William Campbell Gault. Besides writing his Brock Callahan series of private-eye novels, Gault authored a number of racing novels like Speedway Challenge (1956), Dirt Track Summer (1961), and The Checkered Flag (1964). I found a used copy of his 1959 race-noir, Drag Strip, and decided to give it a try.

Drag Strip is set in a fictional California town called San Valdestro. The town functions as a hotbed for horse shows, a pedigree of showmanship for the neighboring Los Angeles County residents. It's here that Terry is raised in an upper-class household. His father is a successful attorney and real estate investor and his sister collects equestrian trophies and ribbons. Early in the novel, Terry's father presents him a Woestman-Ebbert, a $10,000 car that would cost about $90K today based on inflation. Needless to say Terry is the talk of the town. But when he ends up illegally racing two brothers, Juan and Pete, he finds himself obsessed with backyard mechanics and customizing junk cars. 

There's two main plot points absorbing most of Gault's narrative. The first is Terry, Juan, and Pete creates an automobile club and inviting various members to join based on skill and interest. In a way it is a fish out of water story as Terry finds that a heavy, greasy wrench is far more rewarding than his shiny silver spoon. Terry's descent from spoiled, suburban rich kid to garage mechanic in a rough side of town is a development that was really enjoyable to read. The second story arc features Terry's automobile club wanting to purchase an abandoned airstrip in town. The idea is to formally run a drag strip there and hopefully pick up an endorsement from the NHRA. The two obstacles are a business investor and a group of aviator hobbyists. 

If you enjoy fast cars, or this particular era of motor-sports history, Drag Strip will surely please. As a car novice, I was satisfied with the young adult approach by Gault to tell a moving story about hard work and overcoming adversity. The pairing of the wealthy and the poor was a wonderful blend that is just as effective today as it was 60-years ago. For those reasons, Drag Strip is an easy recommendation.

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Paperback Warrior Podcast - Episode 89

On Episode 89 of the Paperback Warrior podcast, Eric takes the reigns for an action-packed 45-mins of vintage paperback discussion. The show hits the road to visit an exciting pulp convention in Fort Lauderdale, Florida. Also, a feature on the life and work of author and jazz great Charles Boeckman. Plus: shopping, Bold Venture Press, Theodore Pratt and a surprise visit! Listen on any podcast app, paperbackwarrior.com or download directly HERE

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Listen to "Episode 89: Charles Boeckman" on Spreaker.

Make My Bed in Hell

John Sanford (1904-2003) was born Julian Shapiro in Harlem, NY. After graduating from Manhattan's Fordham Law School, Sanford joined his father as an attorney, yet his career in law was short-lived after discovering art and literature by the likes of Ernest Hemingway. In 1931, Sanford authored his first novel, The Water Wheel, the first of three stand-alone titles that are set in New York’s Adirondack Mountains. This fierce and often opposing farmland was the perfect backdrop for the author's impressive storytelling. My first introduction to the author is his 1939 novel Make My Bed in Hell (aka Seventy Times Seven). In 1954, the book was published with misleading cover art as a crime-noir by Avon. In 2021, Brash Books has reprinted the book for modern audiences with an analysis by Cal State professor Jack Mearns.

While Make My Bed in Hell has a rather simple storyline, Sanford's presentation is very dynamic. In a rather unique and innovative style, Sanford writes the whole book as fragmented parts that are placed in various time periods. To add even more complexity to his prose, the author often doesn't identify which characters are talking. The reader is challenged to determine the dialogue's source instead of following a simple “he said” or “she said” formula. While I found myself perplexed at the peculiarity, the concept was a refreshing reading experience.

When the novel begins, middle-aged Aaron Platt walks a snowy path to his barn. It is there that he finds a frigid man lying in an empty stall. In what appears to be a rather cold-blooded response, Platt allows the man to shiver through the night with very little food or water. As night turns to day, Platt's past is presented to readers in jagged sequences. These are dark, extremely depressing visions of Platt's childhood, his endearing mother, and the brutality thrust upon his family by his aggressive and unyielding father. The harsh elements of childhood bullying, family abuse, death, and poverty is presented as a parallel portrait of a rugged, impoverished farming community that faces immense financial adversity.

Sanford really shined as a complex, but readable, young author that had a unique voice. Considering the wealth of literature I have devoured over 30 years, I've never read a novel like this one. Despite its 1939 conception, the book is seemingly timeless considering America's rural towns and communities that are still struggling with financial distress, lack of government funding, and an aptitude that fighting with each other is sometimes the best solution to life's most difficult oppositions. Sanford's characters are hardened by strife and the land they plow and that gritty combination affected me long after the final pages were read. Make My Bed in Hell is the main character's outlook on his tumultuous life and a fitting title for such a poignant literary novel.

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Race Williams #09 - I'll Tell the World

Carroll John Daly’s Race Willams character was the prototype used by Mickey Spillane for his hardboiled detective, Mike Hammer. For that matter, there’s more than a dash of Race Williams in Don Pendleton’s Mack Bolan. Race’s ninth adventure was “I’ll Tell The World,” a novella that originally appeared in the August 1925 issue of Black Mask and remains available today as a reprint.

As the story opens, Race is broke again and hoping for a new client in search of a “confidential agent” for hire. While browsing through the newspaper classified ads, Race sees a coded message that reads:

“Tom: As promised, 69th C.P.W. Two’s day. Eleven years old. Frantic. Dorothy.”

Race smells an opportunity to make some money and his decoding of the message sends him to a Manhattan street corner where someone else’s clandestine meeting is taking place Tuesday at 11pm. Hiding in the shadows, he witnesses a lone woman being abducted by two men who toss her into their car. Ever the stealthy sleuth, Race follows quietly behind.

The confrontation between the kidnappers and Race only serves to deepen the mystery and underscores the depravity uncovered by sticking one’s nose where it doesn’t belong. For her part, Dorothy the kidnap victim is filled with secrets and appropriately skeptical of trusting Race, the stranger who saves her.

The main mystery of “I’ll Tell The World” is: What chaos has Race stumbled upon here? Why the classified ad? Who are the powerful people behind Dorothy’s kidnapping? And what is their agenda? Without a paying client, Race pursues this because he is curious. Just like the reader. Eventually, his curiosity is rewarded with a paying client who engages him to investigate the matter.

And that’s where the story loses its way. Daly falls for the trap of many early 20th Century mystery writers and creates a confusing and labyrinthian plot that is hard to follow and a pain to read. Race’s swagger remains but the plot lost me at the novella’s halfway point. I’m not giving up on Race Williams, but this installment was a bumpy ride best forgotten. 

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Panic!

California native Bill Pronzini (b. 1943) is mostly known for his Nameless Detective, a series of private-eye novels that began in 1971 and has lasted nearly 50 installments. Pronzini has also authored over three-hundred short-stories and compiled dozens upon dozens of story compilations. The author also has a number of stand-alone crime-fiction novels on his resume including Panic!. The book was originally published in 1972 and has since been reprinted numerous times through various publishers.

In Panic!, five characters are placed in extreme situations where they are forced to behave in different ways to survive. In essence, it's a gritty, fast-moving crime-noir that checks off mostly everything one needs for the genre: beautiful woman, drifter on the run, a veteran cop and two deadly criminals. Pronzini's prose is fast-paced with most of the attention on the present, although the narrative thankfully explains a few important elements from each character's past that helps to connect the readers to these four men and one woman.

This short book is divided into four days and first introduces readers to a drifter named Lennox. Using a variety of names, Lennox is on the run from a failed marriage. During the divorce, Lennox is ordered to provide nearly his entire life's savings and assets to his ex-wife including a sizable amount of monthly alimony. Refusing to pay, Lennox leaves town and is now penniless and stranded in a dusty desert town called Cuenca Seco. Earning three hots and a cot, Lennox begins working for the town's cafe owner for a few days. While Lennox is working in the cafe's basement, two hitmen arrive to empty their guns into the cafe's owner. Lennox, being the only other party in the cafe, sees and hears the event and immediately runs into the desert to avoid the two killers.

In separate parts of the narrative, the two hitmen are introduced – one a seasoned, veteran killer and the other a wet-behind-the-ears apprentice learning his new profession. Also, there's a woman named Jana, an accomplished artist and author who, like Lennox, is also on the run. Although her situation isn't illegal, she's running from an affair in New York that has placed her career on the rails. She's arriving in Cuenca Seco to spend a quiet week writing the book that will meet deadlines and urgent requests. Unfortunately, she journeys into the desert to study rock formations on the day of the killing. After a dehydrated, panicked Lennox runs to her in the desert, she's unwillingly caught up in the deadly chase – two people with no food and water on the run through a dry wasteland as killers track them down.

Then there's Brackeen. He's the real star, although his role is a bit underplayed due to the nature of the character. In a rather mesmerizing backstory, the author shows Brackeen as a veteran police officer in San Francisco. On a really horrific day on patrol, Brackeen's career as a police officer comes to a screeching hiatus. After years of alcohol and depression, Brackeen attempts multiple careers in multiple places before finally putting down stakes in Cuenca Seco. Due to the lack of crime (and people for that matter), the town makes Brackeen a deputy. The former big city cop spends most of his day patrolling the desert and getting slouched. However, once the cafe owner's body is found, Brackeen is propelled into the story as a lovable loser. The state authorities refuse to accept his plausible – and very accurate – proposal of why and how the cafe owner was murdered. His validity as a creditable asset to the community is questioned due to his alcohol abuse and downtrodden lifestyle. 

There's so many things to love and enjoy about Pronzini's simplistic storytelling. The quest for freedom, overcoming adversity, retribution, the replacement of heroes and the mere idea that the average citizen's best approach to fixing a problem is self-realization. Pronzini's desert locale is symbolic – it's two characters running through life without the emotional resources to contend with complexity.

Pronzini is always solid and Panic! is just another testament to his strengths as an author. Despite one scene presented as outrageously preposterous in 2021 (blatantly obvious to today's reader), the novel has aged well. Whether you love hard-charging crime-fiction or gritty character studies, this brisk novel is just fantastic.

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Branded

Author Helen Abbott Meinzer (1918-1963) wrote a number of short-stories in the 1940s and 1950s in western pulps like Western Action, Rangeland Romances, 44 Western and Thrilling Western. She wrote these stories using the pseudonym of A.C. Abbott. Along with the short-stories, Meinzer also utilized the name to author two stand-alone novels – Wild Blood (1951) and Branded (1954). Both of these western paperbacks have been reprinted by Cutting Edge Books. Unfamiliar with the author, I chose to read Branded first.

Three years ago, protagonist Rock Kendall owned a large spread of acreage and cattle in Texas with a business partner named Ash Carlton. Unfortunately, greedy Carlton killed a young woman and framed Rock for the murder. Eliminating Rock from the business, Carlton had complete power and control of the ranch. Now, Carlton has expanded his empire into New Mexico using lies upon lies to prepare for a possible state political seat. Rock, a fugitive from justice, rides into New Mexico looking to clear his name and bring Carlton's criminal enterprise down.

Meinzer's writing is just superb as she uses the proverbial “cattle rustling” sub-genre of western storytelling to create an effective and exciting plot. Rock's quest for justice is riddled with obstacles, painful and deadly reminders that guilty until proven innocent was often the frontier's unfair justice system. Through a series of gunfights, fisticuffs and horse-chases, Rock carefully balances two possible love interests – one an untamed wildcat and the other a soft-spoken lady. The hero's twisting turmoil is center stage while Meinzer distributes possible allies and friends as support through the narrative.

Branded is delivered with solid storytelling that stays true to the roots of the genre. The lone hero's battle against the vile villain is a traditional concept - good versus evil in the mountains and plains of an unjust frontier. With its balance of romance and violence, Branded is sure to please western readers.

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The Outcasts

Author Sally Singer (b. 1930) utilized a number of pseudonyms to author lesbian pulp fiction in the mid-20th Century. The most popular of these pseudonyms was March Hastings, a name she used to author 11 novels from 1958 through 1969. My first experience with the author is her 1961 novel The Outcasts, written as March Hasting and originally published by Midwood. The novel has now been reprinted for modern audiences by Cutting Edge Books.

Jennie is a twenty-something New York woman married to an aspiring artist named Brian. They have had a rocky marriage stemming from a failed pregnancy but remain together to avoid an embarrassing divorce. Brian's sexual urges have led him to months of infidelity while Jennie struggles to control her personal desires and sexual frustrations with Brian. As the novel begins, Brian rapes Jennie before instructing her to accompany him to an art show where his work is being shown.

It's at the art show where Jennie is introduced to Brian's business advocate, a luscious, sexually-charged woman named Leigh. In forced conversation, Jennie learns from Leigh that she has had sex with Brian, thus the personal interest in his below-average painting talents. Leigh and her husband are extremely wealthy and they invite both Brian and Jennie to the couple's swanky seaside mansion for the weekend. Jennie, caving to her desire to learn more about Leigh, accepts the proposal despite her white-hot anger with Brian.

As the wet and wild weekend getaway unfolds, Jennie spirals further into her sexually repressed feelings. The first night at the mansion, Jennie witnesses Leigh and Brian engaged in sexual foreplay, a not-so-shocking discovery that leads Jennie to pleasure herself while watching Brian from a window. Jennie's instinct is that Leigh is toying with Brian, perhaps using him as some sort of bizarre and ritualistic way to attract Jennie. Needless to say, The Outcasts takes a turn into full-on lesbian affairs as Leigh and Jennie realize they are both sexually starving from frustrated heterosexual relationships.

The Outcasts, as a 1961 seedy paperback, isn't remotely graphic by today's standards, but Singer writes in a provocative way that is visually stimulating and somehow still timeless. Regardless of whether you like lesbian pulp-fiction (newsflash: this is my first foray into it), The Outcasts has this riveting subplot that involves Leigh's freakish husband. As the novel ascended from kinky foreplay into heightened arousal, Singer successfully incorporates an element that is mostly found in Gothic Romance – the beautiful young woman trapped in the mansion of doom. Leigh's odd basement combined with her equally odd husband added a sense of panic and fear to what would otherwise be a tame lesbian romance. I believe this additional element upsold me from liking to loving this book. Based on sheer reading pleasure, I'll be reading more of Sally Singer's literary work.

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