Wilderness

Sparked by the violent 1972 film Deliverance (based on the 1970 novel by James Dickey), the 1970s were filled with literary and film thrillers involving hunters or hikers encountering criminal activity in the remote wilderness. Author Robert B. Parker established his cash-cow character of Spenser in 1973 and decided to venture out with his first stand-alone novel in 1979, a Dell paperback aptly titled Wilderness that remains in-print today. The book is a deep-forest survival tale that pits the average citizen against hardened criminals in desolate Maine.

While jogging home from the gym, successful author Aaron Newman witnesses a woman being shot in the head. After talking with the police, he identifies the shooter as a notorious bad guy named Karl Randolph. Aaron agrees to testify against Karl in court with the police’s assurances that Aaron’s identity won't be revealed until the testimony begins. However, after returning home from the police station, Aaron finds his wife Janet nude and hogtied with the initials K.R. carved into her abdomen. Freeing her, Aaron receives a call saying that his family won't be murdered if he tells the cops that he fingered the wrong guy as the shooter.

Placed in a conundrum, Aaron takes the safe road and tells the police it was all a mistake. The cops, knowing that Aaron has been threatened, urge him to testify. Their warnings that Randolph never lets any witness live haunts Aaron and Janet. The two seek out their good friend Hood, a badass Korean War vet, to hunt down Randolph and kill him instead of prolonging the ongoing fear. After flunking a few attempts, the three decide the hit is best executed at Randolph's secluded mountain cabin in the Maine forest. But it's here where things get complicated and the three find themselves facing a group of armed men in the rugged wilderness.

Even though the “wilderness” aspect doesn't really come to fruition until halfway through the novel, the suspense leading up to the outdoor thrills is riveting. Oddly comical, the scenes where three civilians attempt to organize the murder of a vicious mobster over beer and steak were just so much fun to read. There's some action early on, the proverbial cat-and-mouse tactics and some interesting revelations about Aaron and his wife that add more depth to this action-thriller.

While the title Wilderness bluntly describes the book's eventual setting, I can't help but think that Parker was speaking of the savage human condition in all of us. When faced with the threat of death or family harm, Aaron and Janet delve into a dark, almost neanderthal state where survival of the fittest is the only thought. Whether it's an underlying subtext on humanity or just simply a twist on the western frontier tale, Wilderness excels as a pleasurable reading experience. I continue to find great things about Robert B. Parker's writing style, and Wilderness is just another fine example of his remarkable storytelling ability. 

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Paperback Warrior Podcast - Episode 60

On Episode 60 of the Paperback Warrior Podcast, we discuss the legacy of the Hard Case Crime paperback imprint with loads of reviews of the good, the bad, and the missteps from the popular publisher. Also, Tom preps for a Dallas book-hunting trip with advice from Eric, and a crazy story from 1987 you won’t believe. Listen on your favorite podcast app, stream below or download directly HERE:

Listen to "Episode 60: Hard Case Crime" on Spreaker.

Timothy Dane #8 - Hell is a City

In his introduction to the Ramble House reprint of William Ard’s 1955 novel Hell Is a City, Francis M. Nevins makes a compelling case that the paperback is the finest installment in the popular ten-book series starring Manhattan Private Eye Timothy Dane. I’m also told that the series can be read in any order, so why not start with the best?

It’s ten days before the mayoral election in New York City. The polls indicate that corrupt mayor, Big George Kramer, is looking at a tough race against his challenger, the honest Manhattan District Attorney. The idea of losing the race is galling enough to the mayor, but the prospect of facing a subsequent investigation into his graft and embezzlement fills Big George with a special kind of terror.

Meanwhile, a disturbed young man kills a vice cop trying to engage in coercive sex with his virginal sister in a fleabag hotel. The scared siblings - Rita and Jamie - got away from the scene of the crime, but they know darn well that it’s only a matter of time before the cops catch up with them.

These two plot lines collide when the mayor decides to leverage sympathy for the dead cop to smear his anti-corruption opponent. Private eye Timothy Dane enters the scene after being engaged by a local muckraking newspaper to investigate the cop killing and poke holes in the mayor’s martyr narrative. Meanwhile, Rita and Jamie are on the run without knowing who they can trust.

Overall, Hell Is a City is pretty good, but I question those who say it’s Ard’s masterpiece. I enjoyed Wanted: Danny Fontaine and All I Can Get way more. The heroes of those novels are way more interesting and charismatic than Timothy Dane. Hell Is a City is a well-crafted bit of crime fiction, and you’ll probably enjoy it just fine. I just question how high it should be on your priority list. I think I probably got sucked in by the hype, and by that measure, the paperback under performed.

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Hoke Moseley #01 - Miami Blues

Beginning in 1953, the novels of Charles Willeford pushed crime fiction boundaries with his distinctive plots and genre-bending conventions. Thirty years later, Willeford concluded his career with his Hoke Moseley series of hardboiled noir thrillers, novels that would prove to be the author’s best-selling works. The series ended after four installments coinciding with his 1988 death. Willeford originally titled the first book Kiss Your Ass Goodbye, but the publisher insisted on the more benign title of Miami Blues for the 1984 release.

Miami Police Homicide Detective Hoke Moseley responds to an airport crime scene involving a dead Hare Krishna who bothered the wrong traveler and paid the price. We also meet Freddy Fenger Jr., a freshly-released ex-con ripped with muscle and responsible for killing the Hare Krishna. The story basically toggles between Hoke’s investigation and Freddy becoming an established resident of Miami with an expertise in strong-arm robberies.

The characters in Miami Blues are colorful and vivid. In Florida, Freddy quickly finds himself a girlfriend - a dimwit prostitute named Susan (professional name: “Pepper”), and watching their relationship quickly slide into dysfunction made for fascinating reading. As the orbits of Hoke and Freddy began occupying the same airspace, things become both violent and, at times, hilarious. Miami Blues isn’t a mystery at all but rather a propulsive thriller that sets up a violent confrontation at the novel’s climax and delivers the goods when the time is right.

There is a gritty and raw feel to Willeford’s early work that is replaced with a smooth readability of Miami Blues. It’s clear that the veteran author sought to emulate a quirky Elmore Leonard vibe, and Willeford achieves that goal with additional edginess, political incorrectness and hardboiled violence. Miami Blues far outshines Elmore Leonard’s Florida crime novels in quality despite the fact that Leonard made more money with his inferior products. Make no mistake, Willeford is the real deal.

In short, Miami Blues is one of the best books I’ve devoured this year. It’s a quick and breezy read, and I can’t wait to enjoy the rest of the series. Don’t sleep on this one. Highest recommendation.

Addenda:

The Hoke Moseley Series:
1. Miami Blues (1984)
2. New Hope for the Dead (1985)
3. Sideswipe (1987)
4. The Way We Die Now (1988)

In 1990, I saw the film adaptation of Miami Blues starring a young Alec Baldwin. I recall enjoying the movie although I remember nothing about it 30 years later. Despite this utter gap in my memory, I’m comfortable saying that the book is way better than the movie. It always is.

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Designing Fiction: A Richard Himmel Paperback Primer

Did one of America’s most famous interior designers have a side-hustle writing tawdry paperbacks at the advent of the new medium? Today we take a peek behind the curtain and present you with the untold story of author Richard Himmel.

Richard was born in Chicago in 1920 and called the city home for nearly all his life. The young man loved the written word and attended University of Chicago to study writing under the tutelage of his mentor Thorton Wilder, the writer of Our Town. 

“He always intended to become an English teacher. He was a voracious reader,” Richard’s son John Himmel told Paperback Warrior. “In his library, he had first editions, including a D.H. Lawrence collection. He was always drawn toward the literary arts.”

Richard’s plans to teach writing were sidelined by World War 2. When the time came to serve, he enlisted in the U.S. Army. However, an illness prevented him from being shipped overseas into the fields of battle. “The Army realized early on that he was a pretty smart boy, and he was assigned to General Patton’s staff,” John explained. “He wrote pamphlets and brochures for all sorts of things such as identifying Japanese aircraft as well as a primer on the Japanese language.”

After the war, he returned to Chicago with the intention of becoming an English teacher. While waiting for this to occur, he took a job at his sister’s housewares store in the northern suburb of Winnetka. “He began taking on decorating jobs and his career was made,” John said.

Richard’s knack for colors and spacing eventually made him one of the most sought-after interior designers in the United States with high-profile clients including boxer Mohammed Ali and Hugh Heffner’s Playboy Club. However, as his business was growing and becoming established, he never lost his love of the written word. 

Around 1950, a new outfit called Fawcett Gold Medal had plans to revolutionize the publishing industry by releasing all-new novels directly to the paperback format with salacious painted covers. For the past decade, paperbacks had just been reprints of successful hardcover literary works. The idea of releasing original material in a 25 cent paperback filled an important hole in the book market for readers after the pulp magazines had disappeared. Paperback originals were poised to be the next big thing, and publishing houses like Fawcett Gold Medal needed talented authors who could write compelling prose quickly.

At the time, Richard – and all of America – had become infatuated with the prose of Mickey Spillane and wrote a book called I’ll Find You about a hardboiled Chicago lawyer named Johnny Maguire who functions as a private eye for his clients. Richard submitted the manuscript to Fawcett Gold Medal, who released the book in 1950 as the imprint’s fifth paperback original. The book was an instant success and saw five printings through 1955 and a second life in 1962 when it was re-released as It’s Murder, Maguire. 

“He got a literary agent in New York named Sterling Lord, and they worked together to get his books published,” John said. This put Richard in good company as Lord represented some of the biggest names in 20th Century literature including Jack Kerouac, Ken Kesey, and Howard Fast. 

The second installment of the Johnny Maguire series was The Chinese Keyhole from 1951. It’s an odd sequel because there is no mention of Chicago whatsoever whereas the first novel was steeped in local Windy City sites and flavors. Another major change is that The Chinese Keyhole is a spy novel, not a hardboiled crime story. There’s a hasty explanation at the beginning of the book that Attorney Johnny Maguire was also an occasional spy for a shadowy U.S. intelligence agency. The paperback is great, but it was a weird and abrupt genre shift. My theory is that Richard wrote the book as a stand-alone spy thriller and his literary agent or publisher told him to edit the book to make it Johnny Maguire #2. Mickey Spillane taught the publishing world that there’s money to be made in series characters, and Himmel was apparently happy to oblige.

Later in 1951, Fawcett Gold Medal released the third Johnny Maguire novel, I Have Gloria Kirby and things went gangbusters. Over one million copies were sold firmly establishing Richard as one of the bestselling authors in the Fawcett Gold Medal stable. It was also a big year for Richard and his wife for another reason - the arrival of their son. They chose a familiar name for the boy: John Maguire Himmel. 

Throughout the 1950s, Richard was working during the day as an interior designer and at night as a successful writer pecking away at his typewriter with two fingers and a cigarette hanging out of his mouth. “Growing up, I still remember that sound, and I still have his typewriter” John said.

The success of the Johnny Maguire series opened the door for Richard to get his romantic and sexy mainstream novels published as well. The best of these books (The Sharp Edge, Beyond Desire) were also published by Fawcett Gold Medal while others found homes and multiple printings elsewhere. The Johnny Maguire series continued for five total installments through 1958’s The Rich and the Damned.

This was followed by a 19-year hiatus from writing and publishing. “There was a period in his life when he wasn’t really writing because his career as a designer took off,” John said. “He really didn’t have much time to write, but it was always in his mind. Eventually, he went back at it.”

Richard returned to publishing with three longer stand-alone thrillers between 1977 and 1981, each with page counts exceeding 300 pages. The novels were successful and moved the action to international settings, including Iraq, Cuba, and China. By this time, Richard was a high-profile member of Chicago society, and each subsequent paperback was greeted with increasing fanfare. John recalls the release party for his dad’s 1979 Cuba thriller, Lions at Night. Richard used a parking lot on a busy street corner of Chicago’s famed Magnificent Mile for the extravagant outdoor gala. “He rented actual lions and guys dressed in guerilla fatigues for a big-ass party there, and he sold a lot of books,” John said. “My dad was quite a showman.”

Richard’s final manuscript, a novel with a working title of The Uncircumcised Jew, failed to find a home. The book was submitted to publishers through his agent in the 1990s and just didn’t sell. Richard’s literary winning streak had ended. “I think he got a little bit discouraged,” John said. 

Aging and dealing with health issues, Richard’s career as a novelist ended, but he never fully retired from the decorating business. According to John, his father was sick for a long time at the end of his life. “He was a heavy smoker and obviously a workaholic. He also didn’t get much exercise.” Heart problems lead to his death in 2000 in Florida.

Today, Richard is mostly remembered as a visionary in the field of interior design. John took over the business and has continues in the field keeping the Himmel name alive as the go-to brand for upscale decorating clients. 

The Johnny Maguire series, one of the most successful side-jobs of the paperback original era, was almost lost to the ages until Lee Goldberg’s Cutting Edge Books started reprinting the books in 2019 as trade paperbacks and affordable ebooks. John is thrilled that his father’s literary work has found a new audience in a new century. “There was very little that he put his mind to that didn’t excel. My dad was a generic genius.”

Richard Himmel Bibliography:

1950 I’ll Find You / It’s Murder, Maguire (Johnny Maguire #1)

1950 Soul of Passion / Strange Desires / The Shame

1951 The Chinese Keyhole (Johnny Maguire #2) 

1951 I Have Gloria Kirby / The Name’s Maguire (Johnny Maguire #3)

1952 - The Sharp Edge 

1952 - Beyond Desire 

1954 Two Deaths Must Die (Johnny Maguire #4)

1955 Cry of the Flesh

1958 The Rich and the Damned (Johnny Maguire #5)

1977 The Twenty-Third Web

1979 Lions at Night

1982 Echo Chambers

Footnote  

Thanks to Paperback Confidential: Crime Writers of the Paperback Era by Brian Ritt for providing information used in this feature. 

Night Extra

World War 2 veteran William P. McGivern worked as a a police reporter for the Philadelphia Bulletin and The Evening Bulletin before publishing his first novel in 1948. Specializing in crime-fiction and mysteries, McGivern's journalism experience clearly played a large influence on his narratives and plot-points. Nothing showcases that more than his novel Night Extra, published by Pocket Books in 1957.

The book's hero is newspaper reporter Sam Terrell. While working the “night extra” (a special late evening edition of the newspaper recapping important events), Terrell receives a tip that Richard Caldwell, white-hat candidate for mayor, may be having an affair with a mob kingpin's girl. After interviewing the girl, Terrell learns that she has secretly relayed some mob details to Caldwell in hopes that he can use it to win the election. However, hours later it's reported on the police scanner that the girl has been found dead in Caldwell's apartment. Terrell thinks it's a frame job and can validate it with an eyewitness that says the killer wasn't Caldwell. When his sources are questioned and his story buried, Terrell sets out to set the record straight for the public.

Like any hardboiled crime-fiction protagonist, Terrell interviews key witnesses and participants to shake down an unnamed city's corruption. McGivern's contemporary, author David Alexander, utilized the same formula for his eight-book series starring Broadway Times reporter Bart Hardin (1954-1959). Other authors like Richard Sale and Fredric Brown wrote short-stories starring newshounds that worked like private-eyes to break or solve murder cases. McGivern's positions his hero to crack the case, but he stacks the deck with crooked cops and politicians for the hero to combat. The author adds some social commentary on the media's ability to sway voters with their story, an ethical message that is still prevalent today.

Night Extra doesn’t reinvent the hardboiled formula, but the author certainly showcases his talents and strengths in perfecting it. This was a fast-paced narrative with some touching characters in which readers will invest. I'm not sure if Terrell was a recurring character in McGivern's other novels. But if he wasn't, he should have been. Highly recommended.

Buy a copy of this book HERE

Paperback Warrior Podcast - Episode 59

Paperback Warrior Podcast Episode 59 features a discussion of William McGivern with a review of his classic, Night Extra. We also discuss Armchair Fiction, Sterling Noel, William O’Farrell, Milton Ozaki, Reporter sleuths, Michael Brett and more! Listen on your favorite podcast app, stream below or download directly HERE

Listen to "Episode 59: William P. McGivern" on Spreaker.

Burns Bannion #01 - Kill Me in Tokyo

The Burns Bannion series about a Karate-loving American private eye in Japan lasted for eight installments between 1958 and 1967. The author was listed as Earl Norman, a pseudonym for Norman Thomson, who actually lived in Japan during the American occupation following WW2. The first installment in the Burns Bannion series, 1958’s Kill Me in Tokyo, has been reprinted as an ebook by an enterprising outfit called Fiction Hunter Press.

Bannion is an enjoyable and conversational narrator guiding the reader through this fun adventure. As the novel opens, he explains to the reader his experience as a karate student in Japan. Remember that in 1958, Karate was something new and exotic to Americans providing today’s readers an interesting perspective from the future. Bannion is fresh out of the U.S. Army and disinclined to leave Tokyo - mostly because he’s got a hankering for Asian chicks, particularly a stripper named Princess Jade.

One night at the nudie bar, an American drunk mistakes Bannion for a private eye and hires him to find his lost love, a girl named Mitsuko. The money is good and Bannion is pretty well-connected in Tokyo, so he rolls with it. His transformation into becoming a private eye is guided by stereotypes of fictional gumshoes. He knows he needs to get a trench coat and a weapon, for example. Guns being illegal in 1958 Japan, Bannion opts for his karate hands. The author was clearly having some fun within the tropes of the hardboiled PI genre. There’s even a reference to a private eye in Los Angeles with short white hair and a broken nose that’s clearly a shout-out to Richard Prather’s Shell Scott.

Norman also avoids the temptation to make his novel a Fodor’s Guide to 1958 Tokyo despite clearly having a keen insider’s view of the city. There’s just enough local flavor to keep the setting interesting without boring you with National Geographic details as Bannion searches for the missing Japanese girl dodging karate kicking killers along the way.

I loved this book. The plot wasn’t amazing or innovative, but it was well-written and a helluva lot of fun. Bannion is a great companion, and nearly every chapter has him either kicking ass or getting his ass kicked in martial arts fights while bedding down Asian women along the path to a solution. Copies of the Bannion books are pretty scarce in the wild, so I’m really hoping that Fiction Hunter Press makes some dough on this first installment, so they can digitize the other books in the series.

Addendum:

The Burns Bannion series:

Kill Me In Tokyo (1958)
Kill Me In Yokohama (1960)
Kill Me In Shinjuku (1961)
Kill Me In Atami (1962)
Kill Me In Shimbashi (1959)
Kill Me On The Ginza (1962)
Kill Me In Yokosuka (1966)
Kill Me In Roppongi (1967)

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Monster From Out of Time

Bram Stoker Award winner Frank Belknap Long (1901-1994) was part of the “Lovecraft Circle” of fantasy writers that included contemporaries like Robert Bloch, Robert E. Howard and Clark Ashton Smith. While primarily focusing on horror and science-fiction, Long also authored a number of fantasy and adventure novels. My first experience with the author is his fantasy novel Monster From Out of Time, published by Popular Library in 1970 with cover art by the famed Frank Frazetta.

In the book's prologue, an engineer named Ames is working a construction zone on a shoreline in Mexico. A young woman named Tlacha is watching the man's labor when a ravine opens in the ground and seemingly swallows Ames in a blinding light. Hoping to retrieve Ames, the young woman is enveloped by the light and disappears.

In Chapter One, this same catastrophic event happens again, only to a scientist named Dorman and his girlfriend Joan. The two are sunbathing on the coast when they witness a large underwater behemoth rise from the depths. Hoping to identity the creature, Dorman and Joan are swallowed by the light and find themselves deposited in a strange place surrounded by ice and snow. After nearly freezing to death, the two eventually find Ames and Tlacha and the couples share their stories and improvise a plan to survive.

Monster From Out of Time is clearly influenced by Edgar Rice Burroughs' Barsoom series. It follows the proverbial “fish out of water” concept of the average person thrust through time into another world. The concept typically features a central survival element that ascends into an exploratory adventure for the traveler. Long utilizes that same idea for the four main characters. Instead of another world or planet, the location is the Ice Age.

From my research, the general consensus is that Monster From Out of Time isn't a fair representation of Long's literary skills. In fact, many people disliked the novel and found it saturated with dialogue. At 127-pages, I would nearly agree. There is some action, loosely depicted on the cover, but it comes near the very end of the lean paperback. The characters are just average, and the narrative is a slow-burn.

If you collect these types of stories, or just want this for the artwork, I totally get it. For me, I'm more focused on the book's content, and this book just wasn't very good. If someone has a better suggestion for Long's fantasy novels, I'm all ears.

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Ride the Gold Mare

While spending a majority of his career penning non-fiction, Ovid Demaris authored a number of crime-fiction novels. While I've had mixed reactions to Demaris' literary work, I enjoyed his 1959 novel The Long Night. Hoping for another positive reading experience, I read the author's first novel, Ride the Gold Mare, published by Fawcett Gold Medal in 1957 and reprinted by Cutting Edge Books in 2020.

The book stars Phil Lambert, a tenacious Hollywood reporter whose focus is the city's deadly heroin distribution network. In the novel's opening pages, a crooked cop named Fusco violently kills a drug pusher. The murder is witnessed by two druggies who flee the scene of the crime. Lambert learns of the murder and suspects that Fusco may be tied to the Syndicate. In an effort to break the story, Lambert tries to stay ahead of Fusco in learning the whereabouts of the two witnesses.

At this early career stage, Demaris was clearly influenced by Jim Thompson's writing style. Ride the Gold Mare is saturated with characters who remain rough around the edges and undesirable. Weepy and Doris, for example, are both losers who never stray far from the gutter begging for drug money. There's a stripper longing for love, a wife begging for faithfulness, a dealer skimming off the top and an average man positioned on the brink of the vast criminal underworld.

Much of the narrative focuses on the aforementioned Sergeant Vince Fusco of the Los Angeles Narcotics Squad. In essence, he is the consummate villain, a narcissistic dirty cop who clashes with the public he’s sworn to serve. In many ways, he's the prototype for the sadistic mob killer that Demaris would later create and utilize for his 1960 novel The Enforcer.

Among the miscreants, delinquents, hookers and dealers, the cast of characters is bleak, created with a sense of depravity by the author. The narrative is littered with profanity, drug use and sexual aggression that is somewhat uncommon for a 1957 Gold Medal paperback. Like John D. MacDonald's 1960 novel The End of the Night, Ovid Demaris' Ride the Gold Mare is a brutal look at youth gone wild with no safety barriers or censorship. It's an epic, violent clash between lawbreakers that swirls into a compelling, fast-moving crime-noir read from beginning to end. The book is a fantastic first-effort from an author who simply excelled in this genre. 

Note - Ride the Gold Mare is also part of a four-book compilation entitled California Crime. The omnibus is available from Cutting Edge and features three other crime-noir novels authored by Demaris - The Enforcer, The Long Night and The Hoods Take Over.  

Buy a copy of this book HERE

Best of Manhunt: Volume 2

In 2019, Stark House Press generated a commercial and critical hit with the release of The Best of Manhunt, an anthology of stories from the legendary 1950s crime fiction digest. Knowing a good thing when they see it, the reprint publisher has compiled a second volume of blood-on-the-knuckles tales from the popular magazine’s heyday for an August 2020 release.

By way of background, Manhunt began publishing in January 1953 capitalizing on the success of a new breed of hardboiled authors with Mickey Spillane leading the pack supported by muscular authors including Evan Hunter and David Goodis willing to make five cents per word for their stories. While the magazine’s run stretched into 1967, everyone knows that the publication largely lost its way by the mid-1960s. As such, the new anthology front-loads the content with stories primarily form the 1950s.

Before the stories, the reader is treated to a series of essays about Manhunt Magazine by scholars Peter Enfantino, Jon L. Breen, and Robert Turner followed by over 400 pages of twisted, violent short fiction. Anthology editor Jeff Vorzimmer intentionally sought out many “deep tracks” from the magazine’s history choosing many authors who never achieved paperback stardom. There’s a lot to enjoy in stories by John M. Sitan, Roy Carroll, and Glenn Canary who share the pages with heavy hitters including Bruno Fischer, Donald E. Westlake, and Erle Stanley Gardner.

Reviewing an anthology is always a challenging task - particularly in a literary buffet filled to the brim with this much quality. Here are some thoughts regarding a handful of noteworthy stories in the collection:

As I Lay Dead by Fletcher Flora (February 1953)

Fletcher Flora brings the reader a perverse and twisted little tale. Cousins Tony and Cindy work each other into a sexual lather while oiling each other’s skin on the man-made beach. Meanwhile, their wealthy, fat grandpa floats in the lake nearby. It occurs to the lusty twins that if something happened to grandpa, they’d be free - and financially-set - to run away to Acapulco together where the booze, sun and screwing never stops.

Flora’s novels are often tinged with a heavy dose of non-graphic sexuality, and “As I Lay Dead” amplifies that aspect of this writing. Murder, blackmail, and double-crosses are also on the menu making for a perfect story. Whatever you do, don’t skip this one. It’s everything that dark crime fiction should be. With over 160 published short stories to his name, I can’t help but think this might be his best magazine work.

Shakedown by Roy Carroll (April 1953)

Roy Carroll was a pseudonym for Robert Turner, a short story guy who started in the pulp magazines. His literary agent was Scott Merideth, who curated a lot of the talent that appeared in Manhunt. It was at Merideth’s urging that Turner shifted his style from over-the-top pulp writing to the gritty and realistic crime digest format.

“Shakedown” is narrated by Van who has just knocked up a chick at work and has no intention of doing the right thing by the poor girl. He comes up with the idea that she should bang their boss, pin the pregnancy on him, and be set for life as the old man’s wife.

As you can imagine, the plan goes very wrong when the boss doesn’t take kindly to being shaken down by a knocked-up employee in his typing pool. If you can handle some 1950s misogyny with your crime fiction, you’re going to enjoy this one just fine.

One More Mile to Go by F.J. Smith (June 1956)

I could find next to nothing about author F.J. Smith other than the fact that several of his stories appeared in various Alfred Hitchcock anthologies. “One More Mile to Go” is a rare third-person narration from the pages of Manhunt. A small-town Louisiana shopkeeper strangles his nagging wife in her sleep and needs to hide the body somewhere (a recurring theme in Manhunt).

Along the way to the body stash site, he’s pulled over by a state trooper, and the interaction feeds the tension of the situation. It’s a good, simple story. Nothing revelatory, but certainly not a waste of your time.

The Geniuses by Max Franklin (June 1957)

Richard Deming is the only author to appear twice in the anthology with one story under his own name and this one under his Max Franklin pseudonym. “The Geniuses” is about two teenage thrill-killers long before murderous youth was a regular occurrence in American life.

Bart and Edward are high-IQ college kids who find themselves to be social pariahs among their campus peers. A conversation about how one might craft the perfect murder takes a nefarious turn when they begin experimenting with these ideas on a classmate. It begins as an intellectual exercise and then becomes deadly real high-wire act. Under any name, Deming is a solid talent and was rightfully among the bedrock of the Manhunt talent pool.

Girl Friend by Mark Mallory (September 1957)

Mark Mallory was a pseudonym for Morris Hershman who did a lot of writing in the mid-20th Century in the science fiction, war and crime genres. He was also a regular contributor to Mike Shayne Mystery Magazine.

“Girl Friend” is a diabolical little story told as an interrogation transcript of a 14 year-old girl accused of murder. As the story unfolds, the kid appears to be the daughter of a prostitute pressed into service herself. Her mom would command top dollar for the girl by telling the clients she was a twelve year-old virgin. As the nightmare narrative shifts into a murder confession, the brilliance of this nasty little story really takes shape. Despite the disturbing set-up, don’t skip this gem.

Midnight Caller by Wade Miller (January 1958)

Wade Miller was the popular collaboration of Robert Wade and Bill Miller that produced so many outstanding crime and adventure novels in the paperback original era. “Midnight Caller” is a short-short story - only two pages long - about a woman being menaced by a sexually-aggressive intruder in her bedroom. It’s a tense little story with a fun punch line at the end.

Paperback Warrior Verdict:

The Best of Manhunt 2 is another masterpiece of short fiction that will be an essential part of any hardboiled library. I’m hoping that it’s another monster success for Stark House to justify more volumes in the future. Highly recommended.

Buy a copy of this book HERE

Paperback Warrior Podcast - Episode 58

On jam-packed Episode 58 of the Paperback Warrior Podcast, we discuss author Jack Pearl as well as many other topics including: Cancer perks! Ed McBain! Maltese Falcon! Len Deighton! Ace Doubles! Christmas in August! And much, much more. Listen on your favorite podcast app, stream below or download directly HERE

Listen to "Episode 58: Jack Pearl" on Spreaker.

The Crooked Circle (Too Many Murderers)

Before writing house-name adventure paperbacks in popular series titles including The Aquanauts, Nick Carter: Killmaster, John Eagle: Expeditor and Richard Blade, author Manning Lee Stokes (1911-1976) was already successful in a variety of genres. In 1951, Graphic Books published his paperback original crime novel titled The Crooked Circle, and the book was re-released by the same publisher as Too Many Murderers in 1955. The novel has found new life as a modern trade paperback from Oregon publisher Armchair Fiction.

Our narrator is a 40 year-old, rather unsuccessful ex-cop turned private eye named Steve Paget in fictional Steel City, USA (think Cleveland or Pittsburgh). Against all odds, Steve lands a new client, an eccentric rich guy named Jeff Torrance, who wants to pay Steve good money to have sex with Torrance’s pretty and long-legged wife. I won’t spoil the reason behind this indecent proposal, but after some in initial resistance, Steve agrees to the undercover seduction for a $100,000 fee. Business is business after all, and Mrs. Torrance is a tasty little dish.

Along the way, Steve gets beaten with a wrench and must contend with a dead body that could derail his future plans. Most of the action in the novel’s second half takes place on a remote estate where Steve is pretending to be a guest of the Torrance family looking for an opportunity to seduce the lady of the house and complete his mission. There are long stretches in the paperback where not much happens, and Steve fails to have enough charisma to fully carry the story devoid of any action.

Things pick up quite a bit as we near the climax and the double-crossing gamesmanship among the cast escalates. A murder plot is hatched that becomes a somewhat brilliant and cinematic set piece worth the wait. The Crooked Circle was a decent novel but nothing special until the satisfying ending. It’s interesting to read Stokes’ work before he became a go-to series-novel hired hand. If you can stand some uneven pacing at the paperback’s midsection, the reward at the end is pretty great.

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Devil May Care

Childhood friends Robert Wade and H. Bill Miller were responsible for the most successful collaboration in vintage genre fiction. Together they wrote around 33 novels under the Wade Miller and Whit Masterson pseudonyms selling around 15 million copies of their mystery and adventure paperbacks. Many have said that their finest work is their eighth book, Devil May Care from 1950, recently reprinted by Stark House as a double paired with Sinner Take All from 1960.

The hero of Devil May Care is Biggo Venn, a fortysomething soldier of fortune working the speaking circuit for $50 per gig telling globetrotting adventure stories to meeting hall audiences. After a speech in Cleveland, Biggo reconnects with his old friend with a business proposition for the aging mercenary.

The feds deported a Sicilian mobster named Tom Jaccalone who is now living comfortably in Mexico. Biggo is hired to deliver a letter to the mobster that will exonerate him and allow Jaccalone to return to the U.S. legally and resume his racketeering. The letter is a signed confession from someone else admitting to the crime that caused Jaccalone to be deported from the U.S. The gangster is willing to pay $20,000 to get his hands on the letter, and Biggo just needs to deliver the confession to Mexico and earn some easy cash. Of course, Biggo accepts the gig.

The action shifts to Mexico, and the mission turns out to be more complicated than originally represented. Biggo’s point-of-contact for the exchange is murdered. It seems the mobster who took over Jaccalone’s U.S. rackets following his deportation isn’t excited about the prospect of a possible exoneration and repatriation resulting from Biggo’s delivery. This leaves Biggo in Mexico caught in the crossfire between two rival gangsters - both of whom want the letter Biggo is carrying. One has $20,000 for Biggo, and the other has a bullet with his name on it.

In Mexico, Biggo falls in with an impossibly sexy bar hostess named Jinny. There’s also a local Mexican torch-singer that Biggo wants who seems to run the town. Whether these women are friends or foes is a twisty question as the plot develops. Meanwhile, a rival mercenary from Biggo’s past also surfaces in the same Mexican town on the Baja Peninsula to repeatedly throw a monkey wrench in Biggo’s plans.

Overall, Devil May Care is a fine novel. Some of the treatment of the fictional women in the paperback would never fly today, so consider yourself warned if that type of thing bothers you. It’s also a bit padded and slow in the middle section as Biggo hangs around Mexico becoming involved in relationships while waiting to make contact with his buyer.

But once the climactic ending begins, things get great very quickly with lots of cool plot twists and turns. Overall, I’m sure you’re going to like Devil May Care quite a bit, and I completely understand why many say it’s the strongest Wade Miller release. Recommended.

Fun Fact:

Devil May Care was the 9th novel published by the legendary Fawcett Gold Medal paperback imprint. The book never had a second life after multiple Gold Medal printings throughout the 1950s, so the Stark House reprint is a big deal. Buy a copy HERE. 

Valley of the Assassins

Using a combination of the names Ian Fleming (James Bond) and Alistair MacLean (Where Eagles Dare), author Marvin Albert (1924-1996) conceived the pseudonym of Ian MacAlister in the early 1970s. The prolific author of crime-fiction, tie-in novels, and westerns authored many books under his own name as well as the names of Al Conroy and Nick Quarry. Conveniently, at the height of the 1970s high-adventure market, Albert used the MacAlister pseudonym to write four genre novels. I enjoyed his 1973 WW2 adventure Skylark Mission, so I was anxious to read Valley of the Assassins, another of Albert's stand-alone paperbacks published by Fawcett Gold Medal in 1975 under the MacAlister name.

The novel introduces a boater named Eric Larson. While being a part-time adventurer, Larson spends most of his life around the Persian Gulf escorting tourists, gun-runners and exiles into and out of Iraq, Iran and Saudi Arabia. In the opening pages, Larson discovers three bodies lying on a series of rocks in the islands known as the Arabian Nights. After learning that two of the men are dead, Larson nurses the remaining man back to health and delivers him to authorities in Iraq. Unbeknownst to Larson, the man hides a treasure map on Larson's boat.

Later, Larson is attacked on board his boat by two dagger-wielding assassins. After disposing of the killers, Larson discovers the map and goes down a rabbit hole following the treasure and a secret cult of assassins that can be traced back to 1072 AD. Larson teams with a Kurdish woman named Darra, the daughter of a famous freedom fighter. He also reluctantly agrees to an alliance with an Iranian cop and together the group embarks on a mission to locate the treasure.

Albert's intentions with this book are solid. The makings of any good desert adventure story would surely include a Middle Eastern treasure hunt involving Kurdish rebels and a secret order of assassins. However, the narrative crawls slowly and incorporates way too-many history lessons of the region. Of the novel's 190-pages, only 30-pages really have any action or movement. The author simply regurgitates what he likely learned from National Geographic for much of the book.

I never felt invested in the main character’s success or well-being and found the academic nature of the prose boring. This is a very different book from the high-adventure, high-octane action of Skylark Mission. I still have two more of these Marvin Albert/Ian MacAlister novels to read, but now I'm in no hurry.

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Sin for Me

As a key contributor during Fawcett Gold Medal's paperback gold rush, the 1950s and early 1960s proved to be a fruitful time for Gil Brewer. Novels like 13 French Street (1951), Flight to Darkness (1952) and The Red Scarf (1955) cemented his place among John D. MacDonald, Day Keene and Jim Thompson as cornerstones of essential crime-noir fiction. As his career soared, his personal life descended into the murky waters of alcohol abuse and depression.

By 1962's Memory of Passion, Brewer had found himself nearing rock bottom, and the author experienced his first major gap between titles as fans waited four years for 1966's The Hungry One. A new publishing imprint, Banner Books, secured original titles from Harry Whittington, David Goodis and Gil Brewer in hopes of building a successful brand. In Brewer's case, that arrangement led to only two books, The Tease and Sin for Me, both published in 1967. Those two novels proved to be the end of Brewer's successful literary career. He would continue writing a few more years under house names doing series work and television tie-in novels, but Sin for Me was essentially Brewer's last crime-noir paperback. Both of Brewer's Banner novels, The Tease and Sin for Me, have been reprinted by Stark House Press as a double with an introduction by scholar David Rachels

Whether intentional or not, Sin for Me reads like a fast-paced western tale. It's a wild manhunt story through the forests and mountain ranges of Colorado. But unlike a dusty, violent cowboy saga, Sin for Me is classic Brewer – a femme fatale story involving greed, sexual desire and bad people. Really bad people.

The book's main character is real-estate agent Jess Sunderland. He's recovering from a bitter divorce from Germaine, a sexy, mountain-bred seductress. To rebound, Sunderland now works for an old colleague named Brownie. In the opening pages, Sunderland receives a call from a beautiful woman named Caroline Jones. After having Sunderland show her numerous houses for sale throughout Denver, she finally confesses the true nature of her business. She was involved in a Florida bank heist with Germaine's new husband. After the heist, Jones was abandoned and finds herself estranged from the money she helped steal. Now she wants Sunderland to assist her in locating the stolen money at Germaine's residence. Like many of Brewer's flawed and doomed protagonists, Sunderland agrees.

Brewer thrusts readers into a chase for stolen loot through Denver and the rural outlying areas. The characters are introduced quickly and often I had to re-read pages to determine which character belonged to which portion of the story. There's a fraud investigator from Jacksonville, Florida, Germaine's backwoods family members, and the various criminals who have tasted the money along the road to misfortune. The finale comes in the form of a western scene – rifle fire from mountain passes between burly men vying for the riches.

As a finale to Brewer's successful crime-noir career, Sin for Me is rather disappointing. The plot moves briskly and introduces too many characters whose cameo appearances clutter the story's elementary dynamics. There was a bank heist. The robbers turned on each other. Sunderland wants the money. It's a simple approach that could have remained rudimentary even given Sunderland's desire to have Germaine back in his arms. However, the book's rushed pace and shallow characters left something to be desired. Like any Brewer novel, it's a fun reading experience but one that could have been better. Packaged with the far superior The Tease, Stark House Press has balanced the great and the average together at an affordable price. It's definitely worth the money, but buy the reprint for The Tease. 

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Paperback Warrior Podcast - Episode 57

On Paperback Warrior Podcast Episode 57, our feature is on the life and work of Richard Himmel with a review of his sexy spy paperback The Chinese Keyhole. Also discussed: Flipping books for cash! Harry Whittington! Ashville, North Carolina! Sleaze fiction! The Mantrackers by William Mulvihill! And more vintage fiction hijinks! Listen on your favorite podcast app or at paperbackwarrior.com or download directly HERE Listen to "Episode 57: Richard Himmel" on Spreaker.

Mona (aka Grifter's Game)

Ten-time Edgar Award winner Lawrence Block rose to prominence in the 1960s and 1970s with his Evan Tanner and Matthew Scudder novels. It’s noteworthy that, like Donald Westlake, Block’s early literary work was soft-core porn titles published under pseudonyms like Sheldon Lord, Lesley Evans and Jill Emerson. The first book published under his own name was Grifter's Game. The book was originally titled The Girl on the Beach (Block explained that it had a Brewer/Williams/Rabe feel), but Fawcett Gold Medal changed the title to Mona when they published it in 1961. In 2004, Charles Ardai's Hard Case Crime imprint republished the book as Grifter's Game, as the imprint’s very first release.

The paperback introduces an adept conman named Joe Martin. As we meet Martin, he's arrogantly embracing the receipt of a hotel bill while secretly telling readers that he doesn't have the funds to cover it. After skipping out on the bill, Martin heads to Atlantic City where he steals a suitcase, and identity, from a man called Leonard K. Blake. After settling into a two-week stint at a posh seaside hotel, Martin's silver lining begins to tarnish – he discovers Blake had a lucrative amount of heroin tucked into the suitcase. Martin's hopes of running another successful con becomes even more convoluted when he meets the young, beautiful Mona Brassard.

Lawrence Block's writing - even at this early stage - is so tight and effective. The book doesn't possess an ounce of filler or padding. Instead, the compelling plot speeds along as Mona and Martin's heated passion intensifies. The convincing narrative offers an unusual balance beam for readers to walk – cheer on Martin's criminal behavior or hope that all of the characters face a downfall. With no distinct heroes, I was still invested in the characters’ slow, spiraling descent through robbery, murder and adultery. Block's ending gave me chills, a monumental feat considering it was originally published 60-years ago.

Mona is a masterful crime-noir that proved Lawrence Block was something truly special even 60-years ago. Today, his writing is just as good. Do yourself a favor and read this author. Become familiar with his work. Tell others about it. The affordable Grifter's Game version by Hard Case Crime is a must-have and a great starting point to embrace this author's bold and impressive crime-fiction.

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Killer Mine

After a string of remarkable 1940s and 1950s bestsellers, author Mickey Spillane became a Jehova's Witness and took a long hiatus from writing. Upon his return, Spillane continued his popular Mike Hammer installments. However, he also started writing stand-alone novels and novellas like 1965's Killer Mine. This 80-page work was packaged with the stand-alone novella Man Alone in 1968 and published by Signet under the title Killer Mine. After nearly a year of reading full-length novels, I decided to tackle the Killer Mine novella for a change of pace.

The story is set on a seedy side of Chicago and introduces readers to Lieutenant Joe Scanlon, a tough-as-nails cop who grew up in the area before joining the fight in World War 2. Post-war, Scanlon worked his way up the ladder and moved on to a less crime-ridden part of the city. However, after four homicides are found to have a common thread, the brass ask Scanlon to return to his old stomping ground to find the killer.

Like any good police procedural, the narrative incorporates interviews with eye-witnesses, friends and peers that appear hazy when it comes to morals, ethics and doing the right thing. Scanlon's partner is surprisingly a female cop who works juvenile delinquents, but she's brought into the case as a disguise to allow Scanlon to appear that he is married and returning back home. Once Scanlon's dives into the details, he learns that all four murdered men were once his childhood friends. To solve the mystery, Scanlon recounts portions of his childhood to the reader in a race to find the killer.

At 80-pages, Killer Mine works well as a brisk police procedural. Like Mike Hammer, Scanlon is quick to violence, throwing his hefty girth around mobsters, hoodlums and whores to gain clues and information about the victims and the killer. Ultimately, whether any of it is interesting is probably based on your love of procedural books. While Killer Mine isn't a run 'n gun action extraordinaire, it's still compelling enough to turn the pages. As a good afternoon distraction, you could certainly do much worse.

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Skylark Mission

Marvin Albert (1924-1996) was a prolific author of men's action adventure, western, mystery and crime-fiction novels. The Philadelphia native wrote a number of detective, mafia and western novels under the pseudonym Al Conroy. He also wrote a six-book series of private-eye novels starring Jake Barrow under the name Nick Quarry. In the 1970s, Albert capitalized on the high-adventure genre of British thrillers made famous by the likes of Alistair MacLean. Using the very British sounding pseudonym of Ian MacAlister, Albert authored four stand-alone high adventure novels – Strike Force 7, Valley of the Assassins, Driscoll's Diamonds and the subject of this review, Skylark Mission. The paperback was published by Fawcett Gold Medal in 1973.

The 175-page novel is divided into four parts – The Trap, The Mission, The Trek and The Assault. The opening chapters introduces readers to a man named Sam Flood, a merchant sailor aboard the S.S. Fleming  (an ode to the James Bond author?) during World War 2. The freighter is attempting to sail through the Vitiaz Straits, a guarded canal thick with Japanese torpedo boats. The destination is northern Australia, a temporary safe haven from enemy-occupied New Guinea and New Britain. After the ship is struck and sunk, Flood and two-dozen passengers are forced to navigate back by sailboat to a Japanese torpedo base in the New Britain jungle. The opening act climaxes when Flood escapes the base and makes a daring run through the jungle to find an Australian widow named Nora. Together, the two contact allied forces from a Coast-Watcher's tower.

The bulk of the narrative follows protagonist Captain Mike Shaw and his partner Corporal Neal Miller as they embark on a do-or-die mission to destroy the Japanese base. By doing so, they can liberate the prison camp and provide a safe zone for the fleeing fleets to safely journey to Australia. The author's depiction of the fighting-man Shaw is enhanced by the character's need to avenge his wife and children's deaths at the hands of Japanese forces. As an older character, his skills and abilities are balanced well with the much younger, more able Miller. To help offset some of the doom and gloom, Albert places a comedic character into the narrative, a drunken former WW1 flying ace named Qualey. Once the mission unfolds, the story flirts with the romantic pairing of Shaw and Nora – two widows horribly affected by war with a saving grace found within each other.

Skylark Mission is popcorn fiction done right. Albert is a terrific writer, and his ability to skirt the surface of this action-packed narrative is a testament to his storytelling. While being laced with WW2 atrocities, the book doesn't weigh down readers with a lot of emotional baggage. The emphasis is high-adventure, fisticuffs and blazing gunfire to please men's adventure readers and fans. In emulating the British style, Albert's delivery recalls a Jack Higgins novel, complete with a propulsive narrative and just enough variance in characters to keep readers invested in their destiny and fate. In other words, it simply doesn't get much better than Skylark Mission.

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