Sacketts #01 - Sackett's Land

Louis L'Amour remains the most popular and mainstream western author with sales exceeding 300 million books. With over 100 original novels, most of which are still in print, the writer's prolific presentations of America's wild frontier have influenced or impacted countless authors, screenwriters and even U.S. Presidents. While most of his literary work was stand-alone westerns, L'Amour also created five specific series titles – Talon, Chantry, Kilkenny, Hopalong Cassidy and the wildly successful Sacketts.

The Sackett series began in 1960, ten years into L'Amour's literary career of authoring full-length novels. Starting with The Daybreakers, the series ran for 17 total installments, finishing in 1985 with Jubal Sackett. L'Amour died in 1988, and I would imagine if he had lived longer he would have continued with more contributions to the series. While The Daybreakers was the first novel to feature members of the Sackett family (circa 1870), the series publishing order isn't parallel to the time periods L'Amour would explore. In fact, the family's origins weren't fully explained until 1974's Sackett's Land, which is the beginning of a four-book adventure series chronicling the family's history from 1599-1620. The remainder of the Sackett novels take place in the mid to late 1800s. Paperback Warrior typically indexes based on the chronology of the story, so essentially Sackett's Land is represented as the first novel.

The book begins in Cambridgeshire, England in 1599. Protagonist Barnabas Sackett is living a meager life in a marshy residence called The Fens. While never starving or destitute, Barnabas works in the quarries and lives off the acreage he inherited from his father Ivo, a career fighting man. While crossing an area called Devil's Dyke, Barnabas finds a large sum of old coins in the mud. With aspirations to buy an adjoining piece of property, Barnabas heads into town to appraise his riches. But his joy is short-lived when he becomes embroiled in a dispute with the Earl's nephew, Rupert.

Realizing that he can't remain in England, Barnabas decides that America, the New World, might be a fresh start. With his riches, he buys supplies that will allow him to trade and hunt for furs in America. Hoping to capitalize on the lucrative fur-trading business, he arranges to sail with a Captain who respected his father. After an early connection with the Captain's beautiful daughter Abigail, Rupert and thugs mug Barnabas and place him on a ship of pirates heading to the New World. It's here where he leans heavily on his survival skills, outwitting the pirates while enslaved. But, his joy is short-lived when he finally arrives in the mysterious New World. Contending with pirates, Native Americans, wildlife and the harsh weather, Barnabas realizes that his dreams of a new start may bring about his bitter end.

With Sackett's Land, L'Amour's writing prowess is clearly influenced by Robert Louis Stevenson and Johann David Wyss. This is an adventure story, complete with swords, muskets and cannonballs. While it is an alternate approach for L'Amour, it was evident that after 80+ novels of 1800s gunslingers, the author wanted to explore different eras of storytelling. The novel's epic presentation, with historical context, was a dynamic and welcome change. L'Amour emphasizes the numerous adversities many of our forefathers experienced as they entered a vast, mysterious land in North America. It was also clear that Barnabas' story would continue, with lots of foreshadowing inserted by the author. The book's next titles focus on the main character's dreams of going “to the far blue mountains”, a goal that Barnabas sets after viewing the far off peaks and ridges.

Overall, Sackett's Land is one of my favorite novels of any author. I've read it a couple of times and have encouraged many young people to explore the book as well. While American schools continue to heap Shakespeare plays on students, I wish they would incorporate this novel into their required reading curriculum. It is these novels that have become the new “classic literary tale”.

Note - If you enjoy this novel, Fair Blows the Wind (1978) is a similar tale focusing on the first Chantry member to arrive in America circa 1600s.

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Junkie (aka Frenzy)

Jonathan Craig (real name: Frank Smith) was an excellent crime fiction novelist of the 1950s and 1960s who really deserves to be remembered today. His Sixth Precinct police procedural mysteries were his best known books, but he also left behind an impressive array of stand-alone novels as well. In 1952, Falcon Books published a Jonathan Craig book called Junkie marketed to leverage the public hysteria over drugs and jazz. The novel was reprinted in 1962 by Lancer Books is Frenzy, and remains available today as an affordable ebook.

Steve Harper is a Washington, DC jazz trumpeter whose mentor and best friend Hal has been murdered by strangulation in his own apartment. Here’s the catch: before the police found Hal’s body, someone identifying themselves as Kathy Mason called the cops and said she’d killed Hal and was going to kill herself. The problem is that Kathy is Steve’s steady girlfriend. Now Kathy is missing and the cops want Steve’s help in finding her. Is she even alive? And if so, is she a murderer?

The possibility that Kathy killed Hal can’t be dismissed out of hand because she is a recovering drug addict. I’m talking about Smack, Junk, Horse, The Big H, also known as the plague of the jazz scene: Heroin. Steve thought she was off the junk for the three months they’ve been dating, but the evidence is pointing towards her continued usage and the possible murder of Hal.

Junkie/Frenzy is deceptively packaged as a salacious look behind the curtain of the seedy world of drug addicts when it’s actually a pretty straightforward murder mystery by an outstanding crime fiction author. The plot moves along quickly, and the characters are well-developed and three dimensional. The author explores the male instinct to rescue beautiful, damaged girls, and it’s easy to have empathy when Steve’s white knight complex is on full display.

There are some decent twists and turns along the way, and the author keeps the action and revelations flowing nicely throughout the short paperback. The mystery itself has a satisfying conclusion, and while this isn’t Jonathan Craig’s masterpiece, it’s certainly another one in his win column. 

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Nick Carter: Killmaster #181 - The Decoy Hit

Nick Carter: Killmaster series was one of the post popular and enduring titles in men’s adventure fiction with 261 installments between 1964 and 1990. Robert Randisi remains one of the most entertaining and highly-regarded authors in the private eye and western genres. The promise of these two successful brands colliding in Killmaster #181: “The Decoy Hit from 1983 was too intoxicating of a combination to pass up, so here we go.

In 1983, the Defense Intelligence Agency used human couriers to transport sensitive information from Point A to Point B. The paperback’s premise is that a someone is killing these intel deliverymen en route and stealing their top secret paperwork. The U.S. national security community turns to the super-secret government agency called AXE that employs our hero, Nick Carter. The agency chooses Nick to deliver a package to a missing scientist in London for the purpose of locating the man and smoking out the courier assassins.

Along the way Nick encounters Stephanie, the sexy daughter of a murdered DIA courier also seeking to learn the truth about her father’s demise. Of course, this leads to the trope where the professional spy is forced to team up with the erotic, bumbling amateur. Nick and Stephanie’s investigation keep them bouncing from Washington to London to Paris to Switzerland to Rome.

Randisi wrote this installment using the same winning formula he employs in his popular Gunsmith series of adult westerns - extremely short chapters, propulsive action, and lots of dialogue. This makes for a speedy and never-boring read, but it felt more like a mystery than a pure spy novel. Randisi was stuck with some of the dumber traditions the Killmaster series forced upon him, including the proper names given to Nick’s knife and gun (Hugo and Wilhelmina), but those elements of the story were largely just background noise. One upside is that Randisi also brings his knack for graphic sex scenes to The Decoy Hit - kid’s stuff compared to The Gunsmith - but more explicit than Ian Fleming ever dreamed.

Overall, The Decoy Hit is not a masterpiece of espionage genre, but it’s a fun action-mystery from a talented author working with an established franchise. Most importantly, it’s a very good installment in the wildly inconsistent Nick Carter: Killmaster series, and is certainly worth your time.

Afterward:

The Killmaster series employed a deep bench of authors writing under the Nick Carter house name during the 26-year publication history. This made the continuity, quality, and writing style a bit of an inconsistent mess. The best way to navigate the series is to go straight to authors you know and trust. Robert Randisi is one such writer who can always be counted on to deliver a quality product. His Killmaster titles are as follows:

#152: Pleasure Island (1981)
#155: Chessmaster (1982)
#169: The Mendoza Manuscript (1982)
#173: The Greek Summit (1983)
#181: The Decoy Hit (1983)
#184: Caribbean Coup (1984)

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Johnny Liddell #01 - Fatal Foursome (aka About Face)

After Dashiell Hammett successful Continental Op series of 1920s detective stories, the publishing world was ablaze with private-eye novels and short-stories. Adding fuel to the fire, Brett Halliday (real author: Davis Dresser) launched an empire of novels and magazines starring detective Mike Shayne. Mickey Spillane's Mike Hammer rose to the occasion and sold millions of paperbacks. It's no surprise that by the late 1940s, prolific crime novelist Frank Kane would enter the fray with his private-eye, Johnny Liddell. The series included 29 novels and numerous short-stories. The debut full-length, About Face, was published in 1947 but later was re-named Death About Face. In 1958, Dell reprinted a majority of these novels with new cover designs, including About Face, which was renamed The Fatal Foursome.

In the series' first three installments, Liddell is a New York City sleuth working for a detective agency called Acme. Later, the character would be an independent private-eye free from any pesky agency’s rules and regulations. In this series opener, Liddell has been summoned to Hollywood to investigate the disappearance of a pretty-boy movie star named Harvey Randolph. The client is a rotund, loud-mouthed producer who may have more than just a professional interest in the actor's exodus.

Liddell's procedural routine involves a lot of people, a lot of questions and a lot of alcohol. Once the protagonist finds Randolph, things escalate rather quickly. Everyone involved in Randolph's disappearance is suddenly wearing bullet-holes and Liddell fears he might be next. While teaming with a sultry reporter named Toni Belden and coroner Doc Morrisey, Liddell navigates a complex world of insurance fraud and body doubles. But is any of it really entertaining?

If you love detective fiction, then Frank Kane's literary creation is just right for the genre's era. There isn't anything overly complicated about the character – he's got the rod and know-how to discover who's taking the next powder. It's slightly humorous, overly fantastic (using the ol’ make-a-new-face-for-the-criminal-routine) and soaked with masculinity. While Liddell is one-dimensional, the pairing of Toni and Doc expanded the narrative to allow different viewpoints and theories on motive and murderer. I preferred their commentary more than the hero’s insights.

While certainly a mainstay in crime-fiction, Frank Kane's debut Liddell story is average at best. Maybe social media groups or a deep dive online could produce a “best of” list of preferred series reading. For me, the debut doesn't catapult Frank Kane into my next batch of books to read. There's so much better stuff out there.

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The Survivalist #01 - Total War

Paperback Warrior has covered a lot of post-apocalyptic fiction paperbacks of the 1980s. Series installments in the Deathlands, Out of the Ashes, and The Last Ranger to name a few. One of the longest running post-apocalyptic series was The Survivalist by Jerry Ahern and his wife Sharon. It was originally published by Zebra from 1981-1993 and consisted of twenty-nine total books. In a 2010 interview with Survival Weekly, Jerry Ahern described the series as one long soap opera, a giant novel of around two million words. Since Jerry's death in 2012, Sharon has collaborated with mystery-thriller author Bob Anderson to write and publish an additional seven novels between 2013-2019. The entire series has been made available at an affordable digital price.

The series debut, Total War, introduces readers to John Rourke, his wife Sarah and their two children. As a former medical student, Rourke dropped out of college and joined the military. As a career soldier, Rourke later joined the CIA in their Counter Terrorism division. Now, Rourke spends his time training survival and fighting techniques globally. In the book's opening act, John departs the family's Georgia home on a business trip to Canada. It's during this time that WWIII takes place.

The book's first half is a slow-burn with a dozen characters, including the U.S. President, positioning pawns to defend Pakistan from the Soviet Union. During the increased tension, U.S. and Soviet subs come to blows and the chain reaction has 60% of America dead. The U.S. President's delay on launching nuclear missiles left most of the American military defeated but still destroying 40% of the Soviet Union's population and devastating their industrial complexes.

Once the elaborate, and plodding, chess match is over, Total War shifts into the traditional post-apocalyptic formula. With John aboard a passenger jet, the pilots become blinded and John is forced down in Albuquerque, New Mexico. Across the country, Sarah and the kids are dealing with looters and marauders who quickly attack their residence. After a number of skirmishes and fighting, John and an unlikely ally face an army of savage bikers. Faced with insurmountable odds, John fights for the opportunity to gain enough supplies and fuel to start the long journey back to Georgia to locate his family.

Doomsday series titles such as Phoenix, Roadblaster, and Swampmaster all have familiar threads – brutal motorcyle gangs and an obligatory quest for the protagonist to find a loved one. This mono-myth is a common one and is often placed in extreme scenarios like nuclear war and zombie outbreaks. In the case of the Survivalist debut, the familiar formula actually works quite well. I read the book in one sitting and was extremely pleased that the Ahern shifted the novel's premise from political power plays to a rugged, hardened action story complete with characters that were engaging. While the tale is well-told, the storytelling technique was outstanding if you simply suspend disbelief.

While I've been critical of Ahern’s other work (I'm pointing at you Track), I'm glad I was able to find enjoyment with this series. I'm looking forward to reading more installments and encourage you to seek out these affordable digital reprints. If you love panic and hysteria, you'll find this is a real treat. 

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Seven Ways from Sundown

Clair Huffaker (1926-1990) was a WW2 veteran, screenwriter and author. While writing in a number of literary genres, Huffaker's most prolific production was westerns. A number of his novels were adapted for film including 1958's Badman, which was re-titled The War Wagon starring John Wayne. A number of his readers cite two distinct novels as his best – 1973's The Cowboy and the Cossack and 1959's Seven Ways from Sundown, which was later adapted into a film starring Audie Murphy. Having a copy of Seven Ways from Sundown collecting shelf dust, I decided to give it a much needed evaluation.

Readers are introduced to Seven Smith in the novel's opening chapter. Smith, a young and inexperienced lawman, joins the illustrious Texas Rangers for his first assignment. After sparking a love interest with a young woman named Joy, Smith finds himself at odds with Lieutenant Herly. After learning that Herly has been pining for Joy for a number of months, it is only a matter of time before Smith's difficult assignment is revealed. Herly orders both Smith and Sergeant Henessey to track down a notorious outlaw named Jim Flood. The unlikely duo are on a death march – Flood's infamous history proves he is a cold-blooded killer and Hell with a gun.

Over the course of several weeks, Smith and Henessey track Flood through Texas, Mexico, Arizona and Utah. Along the way Henessey teaches Smith how to ride, shoot straight and speak the truth. It's the timeless coming-of-age story that finds a brutal ending in a Colorado snowbank. Forced to fend for himself, Smith tracks and captures Flood, but the return trail to the Rangers proves to be an extremely perilous mission.

At 120-pages, I read this novel in one sitting. Needless to say, Seven Ways from Sundown is an engaging, entertaining western novel authored by a talented storyteller. With my extensive experience with the genre, it is hard to find a refreshing, unique take on the western formula. Huffaker's narrative is a definitive, heartfelt journey that connects two characters – the inept and the skillful. Over time, the experienced Flood mentors young Smith into an ironic twist – Flood is keeping Smith alive on the hostile journey, yet realizes that by doing this he is inching one step closer to the inevitable noose. Smith is determined to bring Flood to justice, yet must rely on him to survive heavy snowfall, dusty deserts and throngs of cold-blooded bounty hunters.

Seven Ways from Sundown pulls at the heartstrings with a propelling narrative that produces humor, sadness, irony and excitement. In just 120-pages, Huffaker is able to do more with the western formula than what most authors can do over the course of a lifetime.  This is a mandatory read for any fan of the genre. Highly recommended.

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Baby Moll

Before he became a successful author of horror fiction, John Farris wrote crime and mystery paperback novels, including a 1958 release titled Baby Moll initially published by Crest Books (Fawcett Gold Medal’s sister imprint) under the pseudonym of Steve Brackeen. The book was re-released under Farris’ own name by Hard Case Crime in 2011 back when the company’s primary business was reprinting lost classic crime fiction titles with snazzy new covers.

Fishing supply store owner Pete Mallory is our narrator, and he’s engaged to marry a blue-blood heiress named Elaine. Pete has a secret past he hasn’t told Elaine that might throw a monkey-wrench in their wedding plans. You see, Pete used to run with a gangster named Macy who controls the rackets in South Florida, and someone has been bumping off members of Macy’s old crew one-by-one with maximum brutality and suffering. Macy needs Pete to come out of retirement, identify the killer, and neutralize him before the gangster boss gets a knife in the belly. The request is spiced with a dash of blackmail, so Pete isn’t in a position to decline. As such, it’s off to Florida for our narrator.

Of course, agreeing to this assignment from his former boss puts Pete squarely in the cross-hairs, and this leads to some vivid, violent, and visceral action sequences throughout the paperback. The core of the novel is Pete’s investigation into who is killing Macy’s inner circle. Is it a rival gangster looking to move into Macy’s turf? Could it be a grudge from the past coming back to haunt the aging racketeer?

The plot also revolves around the fact that Macy is getting too old to run his crime empire. A younger upstart - who may or may not be responsible for all the killing - is on the rise in Florida. Pete finds himself in the middle of all this tension and becomes acquainted with the women in each mobster’s sphere of influence. Evidently, crime bosses and their lieutenants have chronic girl problems. Presumably, one of these women is the Baby Moll from the cover, but the paperback was clearly titled by a Fawcett Gold Medal executive seeking to monetize 1958 America’s fascination with Bad Girls. As is often the case, the actual contents of the book doesn't jibe with the cover art (either iteration) or the title. Consider yourself warned if you were looking for a story about a Godfather’s Woman.

Overall, Baby Moll was a fast and compelling reading experience. It’s a well-told story written with great maturity despite the fact that the author was only 22 years old at the time of publication. Perhaps there were too many characters, but you can just make a list on your bookmark to keep them straight. Thanks to Hard Case Crime, you should have no trouble scoring yourself a copy with new and alluring cover art. However, the story inside is what really counts, and this one is a winner.

Postscript:

If you read and enjoy Baby Moll, you should check out these three other early crime fiction paperbacks by John Farris:

- The Corpse Next Door by John Farris (Graphic Books, 1956)
- Danger in My Blood by Steve Brackeen (Fawcett Crest, 1958)
- Delfina by Steve Brackeen (Fawcett Gold Medal, 1962)

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Paperback Warrior Podcast - Episode 33

On our newest podcast episode, Paperback Warrior presents a feature on prolific crime-fiction author Frank Kane's popular series of Johnny Liddell private-eye books and stories. Tom reviews the 1961 crime-noir novel "Killing Cousins" by Fletcher Flora and Eric discusses "Saigon Slaughter", the seventh installment in the M.I.A. Hunter series. Stream the episode below or on any popular streaming platform. Download the episode directly HERE.

Listen to "Episode 33: Johnny Liddell" on Spreaker.

S-Com #01 - Terror in Turin

By the early 1970s, the team-based commando theme had become a popular market for men's action-adventure paperbacks to explore. The idea probably stemmed from military fiction, but became increasingly more prevalent after Don Pendleton's second Executioner installment, Death Squad. By the 1980s, the sub-genre hit its pinnacle with titles like S.O.B., M.I.A. Hunter, and Phoenix Force among others. To capitalize, Warner Books launched their “Men of Action” line of paperbacks and one of their creations was an obligatory team-based series called S-Com (short for Strategic Commandos). The publisher hired freelance writer Robert McGarvey to author all six volumes under the house name Steve White. The series debut, Terror in Turin, was published in 1981.

The five-member team is led by Stone Williams, a Yale graduate who excelled as a soldier in Vietnam and later inherited his father's lucrative business. After contemplating a mercenary life, Williams forms S-Com to fight the good fight internationally. The team is rather diverse:

Myles – African-American who served with Williams in 'Nam. Martial arts.

Leah – Israeli, the only female member.
Acrobatic and uses throwing stars.

Lucky – Cuban defector. Explosives.

Rod – Australian mercenary. Comedic big man.

The Terror in Turin stems from a terrorist group called “Seventh Mao Force”. It's leader, Vincent Teresio, introduces readers to his communist ideology by blowing up an Italian post-office. Partnered with his girlfriend Gina, Teresio then murders Turin's police chief before shoplifting celebratory bread and wine from a nearby grocery store. However, readers quickly learn that the terrorist group is actually just one guy – Teresio. The explosives used to demolish the post-office were just some sticks of dynamite stolen from a construction site. In fact, other than an AK-47, Teresio has no fighting ability or any other weaponry. How could the author possibly validate such a weak foe for a team of five hardened heroes?

Teresio targets the owner of an Italian auto company, Salvatore DiGrazia. In a botched kidnapping, Teresio grabs Salvatore's daughter Maria and scampers off to his crumbling residence to make the ransom call - $50 million in cash for Maria's safe return. With the police written as just foolish fodder, Leah becomes involved and the entire team quickly hits Turrin to stop the terrorist. Due to the author's weak villain, the majority of the book focuses on S-Com picking a fight with the local mob. While the team searches for a formidable foe, Teresio spends his days playing grab-ass with Maria while threatening rape. Thankfully, on page 154 the team actually confronts Teresio and the whole book mercifully concludes on page 159.

Needless to say, Terror in Turin is a Hall of Shame entry. Don't waste your life reading a page of this nonsense. I've already sacrificed enough time for the both of us. This series is abysmal.

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Travis McGee #09 - Pale Gray for Guilt

The character of Travis McGee was the most successful creation of Florida crime fiction icon John D. MacDonald. The McGee series lasted for 21 installments from 1964 to 1984. Like most long-running series titles of that era, the earlier entries are known to be better than the later ones. MacDonald was smart cookie and wrote the books so they can be read in any order. Today, we’ll tackle the ninth McGee paperback, Pale Gray for Guilt from 1968.

McGee is a self-described beach bum living on a Florida houseboat called The Busted Flush named after the poker hand that won him the boat. To the extent that he works at all, he’s a “salvage consultant” who helps people find things they’ve lost - usually money or people - in exchange for a piece of the recovery. In practice, he functions as an unlicensed private eye (or “knight errant”) for friends and their referrals. In many of the books, McGee has a sidekick named Meyer, an underemployed economist and fellow armchair philosopher who often joins McGee on his escapades. That’s pretty much all you need to know to jump into the series at any point.

Pale Gray for Guilt opens with McGee going to visit a friend of his nicknamed Tush who owns a low-end motel and river marina with his wife Janine not far from the Bahia Mar marina where McGee resides on his own boat. Tush is having financial difficulties, and there’s a major land developer who wants Tush and Janine’s leveraged property. The evil corporation up the road is polluting the river and wants to dredge the waterway to make room for barges. However, these plans are contingent on Tush and Janine getting out of the way.

It’s important to understand that the environment and corporate development of Florida’s coastal waterways were major bugaboos for MacDonald. Many McGee books have the character pontificating about this issue, and it’s clear that McGee is speaking with MacDonald’s voice. Some of MacDonald’s stand-alone novels address this issue head-on, and Pale Gray for Guilt is the McGee paperback that makes corporate greed and land development the enemy of the righteous and the apparent motivation for murder.

As the foreclosure documents are being served upon Tush, his body is found at his marina dead from an apparent suicide. Upon learning this, McGee refuses to believe his friend would kill himself and sets out to find the killer and save the property for the distressed widow Janice. The legal and business machinations McGee employs to stymie the foreclosure are plenty clever. The author had an MBA and enjoyed strutting his business acumen for many storylines through this career as a fiction writer.

The problem with white collar crime stories involving land deals and stock price manipulation is that it can make for some dry and technical reading. The middle section of the novel has a lot of that, and if such things are uninteresting to you, there are 20 other McGee novels that aren’t as mired in business machinations.

Once he gets back to the actual murder investigation, the plot is materially more satisfying. The boots on the ground investigation into the causes and perpetrators of Tush’s death make for a fun mystery novel. McGee’s sidekick for this adventure is a plucky love interest named Puss (I know, I know) who adds some value to McGee’s fieldwork. His normal sidekick Meyer also gets a piece of the action in the paperback’s second half.

Under no circumstances should Pale Gray for Guilt be your introduction to the Travis McGee series. It’s just too slow to hook a new reader. However, if you are acclimated into McGee’s world and open to a financial crime murder adventure, you’ll probably enjoy this one just fine.

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The Sharpshooter #01: Killing Machine

The publishing industry for men's action-adventure paperbacks in the 1970s was a fertile ground to create house names, marketable characters and engaging series titles in pursuit of the almighty dollar. Marketing these books became a cash grab for whomever depicted the best guns and chests on the cover. That wild west mentality created one universal problem for publishers – time. As the production schedule moved at light speed, deadlines and quality became real antagonists. Nothing exemplifies that problem more than Belmont Tower's 1970s series trio The Assassin, The Sharpshooter and The Marksman.

Ignoring some very positive reviews from other critics, I've managed to avoid these three titles for a very specific reason. Literary critic and scribe Lynn Munroe outlines the entire history of these three titles HERE and explains that these books weren't published in the correct sequence. Shockingly, some of the books weren't even published under the correct series name. You may find
“The Sharpshooter Johnny Rock” starring as “The Marksman” or vice versa. You'll conjure up a headache of epic proportions by simply attempting to make sense of it all.

In order to provide insightful commentary here at Paperback Warrior, I've decided to read these books and offer individual reviews solely on the book itself. I may loosely mention continuity, but my main emphasis is story content (as it should be). My first endeavor is the Sharpshooter debut novel The Killing Machine, authored by Peter McCurtin (Soldier of Fortune, Sundance) and published by Belmont Tower in 1973.

The novel explains that the owners of Rocetti Designs were killed by a grenade after refusing to cooperate with the mob. In the book's prologue, their son Johnny, now heir to the company, miraculously survives a drive-by shooting that kills Johnny's brother and sister-in-law. In a thirst for vengeance, Johnny Rocetti is now “The Sharpshooter” known as Johnny Rock. By procuring enough wealth from the family business, Johnny now vows to hunt and kill the mobsters that murdered his family.

By 1973, every author and publisher wanted to recreate the success of Don Pendleton's The Executioner. Essentially, The Killing Machine is a Mack Bolan clone - but an enjoyable one. Johnny's marksman ability in Vietnam is utilized to crush a northeastern Mob family. Like Pendleton's strategy with Mack Bolan, McCurtin has Johnny pitting two rival factions against each other. With the two warring families consistently mired in chaos and paranoia, Johnny's guerrilla snipe and run tactic is successful. Assisting Johnny is the voluptuous Iris, a widow in black who is wielding her own revenge against the mob.

While certainly not original or particularly clever, McCurtin's writing is an enjoyable, fast-paced blend of violence, mob politics and sexual foreplay. The heated chemistry between Iris and Johnny was a welcome addition, and I particularly enjoyed the rural landscape of Vermont as a unique backdrop for a mob-vigilante story. Overall, those of you who loved the pre-Gold Eagle era of Mack Bolan should find plenty to enjoy with The Killing Machine.

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Larry Kent #794 - Hello Dolly...Goodbye

By 1974, Australia’s sexy and violent Larry Kent series was reaching the end of its 800 installment run. In fairness, the first 500 or so were magazine novellas before the series switched to independent short paperbacks in 1965 while continuing with the same sequential numbering. The character of Larry Kent was an American hardboiled private eye similar to Mike Hammer, but he occasionally drifted into espionage work in the tradition of Chet Drum. Today we join Kent in a more traditional P.I. mystery called “Hello Dolly...Goodbye,” the 794th entry in the series. This one was written by an American named Don Haring who emigrated to Australia after WW2 to write a slew of the Larry Kent adventures before his 1981 death in Honolulu at age 58.

The short novel really starts out on the wrong foot as I had to read the first chapter three times to understand the setup. The writing was stylistically fine but extremely unclear. Here’s what I could figure:

Kent is engaged by an NYPD detective on behalf of the department to solve the mystery of two police officers who recently disappeared. One of the missing cops is the kid brother of the detective who hires Kent. That much is clear. The missing officers were investigating a list of names, but the relevance of the list is unclear. The client cop mentions that the list has something to do with a mob from Chicago “interested in aliens.” I assume they meant foreigners and not E.T. Kent also mentions the Secret Service, but there was no indication of why, and the agency is never mentioned again in the novel.

Another thing unclear to me was the era. This paperback was published in Australia in 1974 and takes place in New York City. However, on page one of the novel a character says, “This cop is a client...Write down in your clients’ book. Twentieth of May, eighty...” Does this book take place in 1980? The future? Everyone in the book used a 1940s vernacular and wears fedoras. There’s also a reference to Sonny Liston, an American boxer who competed from 1953 to 1970. I don’t know what to make of any of this, and I guess it really doesn’t matter. The paperback just felt very unstuck in time in addition to the opaque plot.

Anyway, Kent begins working his way down the list of names just like missing cops did. The first name is a famous television personality named Grant Kelso. Unfortunately, Kelso gives Kent the slip before anyone could explain the plot to me. Eventually, he learns that the list of names are all millionaires who belong to a fraternal organization called The Nations Club. Some members are tied into a group that is, in fact, moving people in and out of the U.S. in a scheme that was never entirely clear.

In the author’s defense, there are lots of great scenes in “Hello Dolly...Goodbye” in which Kent is either kicking ass or getting his ass kicked. The hardboiled P.I. patter is amusing and borders on parody at times. Moreover, the collaboration scenes between Kent and the police were also fun to read. Kent shoots and fights his way closer to the truth regarding the two missing cops, but the eventual solutions were rather unsatisfying.

I recently read Larry Kent #642: “Curves Can Kill,” from 1965, and it was awesome - one of the most satisfying private eye-espionage mashups ever. It was also written by Haring when he was clearly at the top of his game. The only thing I can figure is that the Larry Kent series was winding down by 1974, and Haring began just phoning it in to fulfill his contractual obligation because “Hello Dolly...Goodbye” is a total mess. However, I’m not giving up on Larry Kent because I’ve seen how good the series can be. Going forward, I’m going to avoid 1970s installments unless I get a solid tip on a particularly good one from that era.

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Paperback Warrior Podcast - Episode 32

This week we are doing a deep-dive into the life and work of Richard Deming, including a review of his novel, “She’ll Hate Me Tomorrow.”  The first installment of the “Able Team” series is also reviewed, and Eric discusses his brush with fame when he finally spoke to Men’s Adventure cover model Jason Savas about his remarkable career in the publishing industry. Stream the episode below or your favorite podcast app. Download the episode directly HERE.
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Special Operations Command #01 - Special Operations Command

Special Operations Command was a six-volume series of men's action-adventure novels authored by James N. Pruitt and published by Berkley. Pruitt was a former U.S. Army Green Beret master sergeant and winner of the Distinguished Service Cross, two Silver Stars and five Purple Hearts. The Vietnam War veteran also wrote three stand-alone novels of military fiction as well as a short-lived series of NASCAR fiction paperbacks. My first experience with the author is the eponymous series debut Special Operations Command from 1990.

In this series opener, the author introduces the two core members of “SOCOM”, Major B.J. Mattson and Lieutenant Commander Jacob Mortimer IV. In backstory segments, readers learn that Mattson is a career soldier with multiple campaigns as a Green Beret in Vietnam. Mortimer is a distinguished Navy Seal with a majority of his battle experience in Latin America and the Middle East. The two have united under General Johnson's plan to create a diverse, superstar team that can analyze, lead and execute international missions for the U.S. military. While Mattson and Mortimer will perform a supervisory role, they are both willing to suit up for the team's first mission.

In the oil-rich, Ecuadorian town of Lago Agrio, Cuban commie fighters penetrate a dictator's fortress in hopes of kidnapping Juan Garces, the Minister of Finance. In a frenzied (and extremely perverted) exchange, the fighters end up killing Garces and instead foolishly kidnap the U.S. Counsel General. Later, in an attempt to return the Counsel General unharmed, the group of fighters are setup by Ecuador’s dictator who hopes to capitalize on the kidnapping. By creating turbulence between the U.S. and Havana, he hopes to enrich his pockets with more criminal funds while the spotlight is firmly on the hostage ordeal. Once he detonates one of his own oil fields, SOCOM is called in to negotiate.

Unlike other team-commando based entries such as Eagle Force or Phoenix Force, Pruitt showcases a hint of techno-thriller writing. Most of the book's action is presented as board room meetings and briefings from a high level. Eventually the boots hit the dirt, but for the most part they remain unsoiled as planning and execution remain the narrative's focal point. Due to the author's vast military experience, occasionally some sequences were lost on me. This wasn't a major disconnect, but still distracted me from the story.

Special Operations Command was an enjoyable debut for a series that I look forward to exploring periodically. With only six novels, I may read one a year just to preserve the enjoyment. If you are a men's action-adventure reader looking for something to split the difference between Chet Cunningham and Tom Clancy, this series and author may be exactly what you're seeking.

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Johnny Maguire #01 - I’ll Find You

Between 1950 and 1958, prominent interior designer Richard Himmel (1920-2000) wrote five novels starring a hard-nosed Chicago lawyer named Johnny Maguire with the first being I’ll Find You (U.K. title: It’s Murder, Maguire). Both the cover art and synopsis sell the novel as a melodramatic romance, but the reality is that Himmel wrote something likely to please readers of well-written hardboiled crime who are also comfortable with some romance and human drama in their stories. You can obtain this book as well as the entire Johnny Maguire series through Cutting Edge Books.

I’ll Find You begins with Johnny being rousted out of bed by the cops. A female client named Cynthia that he’d attempted to romance was dead, and Johnny was the last person to see her alive. As narrator, Johnny recounts the trajectory of their brief relationship (“She needed some rough stuff, she needed a guy like me to let her have it, to give it to her good.”) that became an obsession to the horndog lawyer. Here’s the thing: Cynthia had Johnny, as her attorney, bring her $200,000 cash the night of her death, and she supposedly committed suicide by walking into Lake Michigan in the pitch darkness with all that cash. Neither her body nor the money were ever recovered making it the most Fawcett Gold Medal demise in the history of death.

Johnny is a very funny narrator and a self-deprecating lawyer. He explains to the reader that he was a night school guy, and he shares an office on Chicago’s State Street full of low-end punk attorneys, poseurs who use fancy stationary to create the illusion of successful practices. He’s a ladies man, dead broke, and completely honest - with one exception. You see, Johnny does some legal work for a local mob boss in Chicago. Nothing serious, but Johnny knows that his client is seriously bent. His relationship with the racketeer makes for an interesting subplot that gets intertwined with the missing girl story.

Naturally, Johnny begins to suspect that maybe Cynthia’s “suicide” was staged, and he can’t get her out of his mind. The plot is really about Johnny conducting an investigation into Cynthia’s disappearance - and possible suicide - based solely on his romantic obsession with her. The mystery brings Johnny down to Florida in search of the truth. To be fair, there’s a lot of romantic content in the Florida part of the book, and if that’s problematic for you, skip this one. If you’re willing to buy the idea that a guy will turn the world upside-down for a woman he hardly knows based on a hunch she’s alive and in trouble, you’re bound to enjoy this short, well-written paperback.

Richard Himmel was an outstanding writer, and I’ll Find You is a quality book. It must have been a successful title for the publisher as the paperback went through five print runs between 1950 and 1955. That’s good news for you decades later because there should be ample old copies for you to find and read today. And you should. This is one of the better genre novels - call it romantic suspense- from the dawn of paperback originals. If it helps, disregard the overwrought romantic cover art and focus on the revolver sticking out of Johnny’s pocket. Recommended.

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Hawk #01 - The Deadly Crusader

Along with the nine-book run of Counter Force (1983-1985), author Daniel Streib's most successful contribution to men's action-adventure was the 14-volume Hawk series (1980-1981). The series' debut, The Deadly Crusader, was published by Jove and introduces an international hero named Michael Hawk. While the novel's artwork was alluring, consumers may have been misled by the character's dangerous profession. Instead of a globe-trotting spy spewing hot lead, this hero is a freelance reporter chasing hot scoops.

The novel begins by explaining that Michael Hawk was voluntarily arrested after breaking into a Russian psychiatric hospital. His prison experience was a planned expose on the happenings in and around the Iron Curtain. In the book's opening chapters, Hawk is returned to the US via a cruise ship headed to a sunshine-drenched Greek island where Hawk begins writing down his prison experiences while delighting in the riches of horny young female tourists.

By page 70, Hawk finds himself wandering around on the Greek island when a shootout occurs leaving one man dead. In an attempt to learn who was killed, Hawk attracts the attention of a wealthy dictator and soon finds his own life in jeopardy. Once his weekend lover is killed, Hawk demands to know more about the mysterious island and the dictator. Streib's narrative, while stretched sinewy thin, offers some insight to the character's backstory while attempting to propel the current story arc forward.

Needless to say, The Deadly Crusader is an uneven and thin narrative to explore. In fact, through the book's 187 sluggish pages, very little actually happens. The author's story never comes to fruition simply because nothing is ever explained to the reader. Streib just assumes readers understand all of the story's nuances through telepathy. In fact, I'm not sure this began as one full story. My theory is this book is a culmination of broken stories that were never finished and instead were just sewn up here to resemble something approximating a series debut. I speculate that Jove, who already had a smash hit on their hands with Nick Carter: Killmaster, thought they could fool their consumers into buying another “similar” series, so they concocted the idea of Hawk. Regardless of Hawk’s creative genesis, this paperback is terrible and I can't imagine the series improved thereafter.

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Parker #10 - The Green Eagle Score

By the time 1967 rolled around, Donald Westlake had really found his groove with the novels he wrote under the name Richard Stark starring a hard-nosed, emotionless thief named Parker. The commercial success of the series had far outpaced the popularity of the comedic crime novels Westlake authored under his own name, and the quality of the Parker stories showed no indication of deteriorating. That was also the year that Parker’s 10th paperback adventure, The Green Eagle Score, hit spinner racks.

The story opens with Parker and his woman sunning themselves on a Puerto Rican beach when a visitor from Parker’s past arrives with a business opportunity. Fusco is fresh out of the joint after doing a three-year stretch and his ex-wife is dating a U.S. Air Force paper-pusher named Devers. The relationship between Fusco, Devers, and Ellen the ex-wife is surprisingly cordial, and they’ve stumbled upon an opportunity for a $400,000 payroll heist at an upstate New York Air Force base. Pulling a theft on a military installation poses some logistical hurdles, so they need an expert planner like Parker to make it happen.

Parker has the appropriate misgivings about working with amateurs, but he leaves the beach and his girl behind, so he can assess the viability of the score in New York. As always, Parker is the consummate, stoic professional, and his time spent in New York casing the base and weighing the pros and cons of the heist make for some predictably outstanding scenes.

Westlake shifts the third-party perspective quite a bit in this installment, and along the way the reader is treated to scenes where ex-wife Ellen repeatedly overshares with her therapist unwittingly tipping the shrink to the upcoming robbery and getaway plan. Could this create a problem for the crew down the line?

There’s a lot of build-up and character drama leading up to the heist. I found it all very interesting, but it wasn’t exactly action-packed. Once the execution of the job is underway and the plan goes sideways, fans of the series will feel right at home. Overall, this wasn’t the best Parker novel, but that’s only because of the high watermark set by the rest of the series. If The Green Eagle Score was a stand-alone novel, it would be regarded as a masterpiece of the heist genre. Instead, it’s just an average installment in a masterpiece of a series. You should definitely read it, but be aware how it stacks up in the Richard Stark canon. Recommended.

Postscript

An exciting book bonus abridgment of The Green Eagle Score was printed in the July 1968 issue of For Men Only magazine under the name "The Young Bedroom Raiders" with some sweet men’s adventure magazine illustrations.

You can check out some screen grabs of the piece at: LINK

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Paperback Warrior Podcast - Episode 31

Saddle up for a wild ride as Paperback Warrior presents an All-Review Western Roundup. We discuss and review our favorite westerns including authors like Richard Matheson, Larry McMurtry, Louis L'Amour, Ralph Hayes and more! The hosts also discuss their favorites of the adult western genre including an epic crossover event featuring adult western heroes. Stream the episode below or your favorite streaming platform. Direct downloads are HERE.

Listen to "Episode 31: All-Review Western Roundup" on Spreaker.

Handyman #01 - The Moneta Papers

Along with authoring entries in the Nick Carter: Killmaster series, Jon Messman kept a productive schedule in the 1970s with a successful series run with Revenger before achieving commercial success with the popular adult western series The Trailsman. Perhaps one of the best of Messman's literary career is the six-volume paperback series Jefferson Boone: Handyman. It was published by Pyramid Books and debuted in 1973 with The Moneta Papers. The entire series has been reprinted in new editions by Brash Books with an introduction by yours truly.

Jefferson Boone is a silky, posh hero that works inconspicuously with the U.S. State Department. His father was a career diplomat and had mentioned to his son that the department needed a behind the scenes “handyman” that can plug holes for America's foreign allies. Working with a government liaison named Charley Hopkins, Boone is offered a variety of international assignments that conveniently pads out the series. The first assignment that's revealed to readers is The Moneta Papers, a carefully construed Italian mission that features a real estate transaction as the launching point. But, as readers quickly learn, there's nothing ordinary about this property purchase.

Boone's female friend Dorrie is a wealthy European playmate working to secure her fourth marriage. Dorrie owns a number of remote islands that remain as a lease-to-purchase for the U.S. Government. After a number of years, Dorrie has finally agreed to gift the islands to the U.S. provided they can arrange a paper transaction. The problem is that every delivery man has been murdered in route to secure the transaction. The suspect? Dorrie's fiance Umberto, a spoiled kid who has aligned himself with a career politician that aspires to be the next Mussolini.

Boone's first endeavor is to learn if Dorrie is involved with the failed delivery attempts. Second, Boone must investigate Umberto's past and current political allies. Using disguises, a fast Ford Mustang and his snub-nosed .38, Boone embarks on a perilous mission to learn the truth. Messman's writing incorporates Formula 1 racing, various shootouts, a Swiss Alps skiing adventure and sexcapades (albeit more topical than descriptive) to propel the narrative.

Fans of James Bond and Nick Carter should like Messman's protagonist. While Boone is an international, intellectual hero, the author carefully avoids pure snobbery. In fact, Boone's budding romance with a small-town Indiana school teacher helps ground the hero with more American wholesomeness. By 1973, it was a crowded market for these types of globe-trotting champions. Thankfully, Messman's series and character stand the test of time. This was an excellent novel. Get the book HERE

Larry Kent #642: Curves Can Kill

Between 1954 and 1974, there were hundreds of novellas and paperback original novels produced in Australia starring hardboiled New York Private Eye Larry Kent. The series was published by the same company that brought the world the Carter Brown mysteries and packaged with salacious cover illustrations similar to the Hank Janson books. The primary authors were Don Haring and Des Dunn, but all the books were released under the house name Larry Kent. Piccadilly Publishing has been reprinting Larry Kent’s adventures as affordable eBooks while maintaining the original cheesecake cover illustrations. I’m starting the series with #642: Curves Can Kill, a 1965 installment written by Don Haring.

The character of Larry Kent started as a newspaper reporter in 1950 on a popular Australian radio drama called, I Hate Crime. The popularity of the radio show launched the novellas and eventually the novels. Kent’s character became a private investigator in the mold of Mickey Spillane’s Mike Hammer. As time went on, the writers borrowed a page from Stephen Marlowe’s Chester Drum and Michael Avallone’s Ed Noon when the hero began accepting espionage assignments from the CIA in selected novels. A variation on this “private eye as spy” gambit is the storyline at work in Curves Can Kill.

The action opens with Kent tied to a chair being worked over by a Romanian goon wanting to know what Kent knows about “Z Detail.” Unfortunately for the wisecracking Kent, he doesn’t know much, so he must continue to suffer the abuse - from both fists and a switchblade - with no reprieve. It’s a brutal and violent opening scene that will play well for readers who like their pulp fiction more extreme than Carter Brown could ever offer.

Fortunately, we don’t need to sit through 120 pages of Kent being carved up with a switchblade. He is rescued and finds himself in the hands of Z Detail, an America-friendly private intelligence outfit with close ties to the CIA. The Z-boys want to hire Kent as a contract operative for the vast sum of $300 per week.

His first mission as a contract operative for Z Detail involves befriending a woman in New York. Kent’s version of befriending looks a lot more like a Carter Brown novel, and the swinging sixties attitude toward women is on full display. None of this would fly today, but that’s part of the fun of vintage fiction. Anyway, the woman has access to a secret that Kent needs to learn, and giving any more info away would spoil the fun for you. Suffice to say that all this eventually ties back to the Romanian goons who tried to filet Kent in the opening chapter.

This is one of those great books that kept surprising me with the quality of the prose and story. I had been misled to believe that the Larry Kent series was disposable fiction with a production schedule too aggressive to be among the outstanding works of pulp fiction. Instead, as I read Curves Can Kill, I found myself repeatedly muttering, “Wow, this is really good.” Fans of violent spy-mysteries with major twists and turns will love this book as much as I did.

There are some slow sections but no boring ones in this Larry Kent mystery-adventure. It all leads up to a shockingly violent bloodbath of a climax - one of the finest I’ve read in ages. Overall, I was very impressed by this paperback, and I’m excited to read some more. With over 800 installments, we are unlikely to run out of Larry Kent content in this lifetime. It’s great to discover a new series with an endless amount of content to enjoy. Highly recommended.

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