The twelfth installment of Donald Westlake’s 'Parker' series - published in 1969 under the pen-name Richard Stark - is a fantastic hardboiled crime novel with a plot that significantly diverts from the formula of a standard heist story with favorable results.
Unlike previous books in the series, the paperback opens mid-heist with Parker in a four-man crew successfully executing a bank robbery during an armored car delivery. The thieves flee to a hideout to split the cash when a violent double-cross occurs sending the betrayer, George Uhl, into the wind with the stolen loot. Parker survives the ordeal with a new mission: Find Uhl and get back the money.
Stranded with no cash, no car, and no gun, Parker uses his resourceful mind to hunt Uhl up and down the east coast in a multi-state, high-stakes game of cat and mouse. What follows is part treasure hunt, part vendetta tale, and part man-on-the-run story. Parker also leads the reader through a tour of the criminal underworld filled with gun-selling black marketeers, fences for stolen items, duplicitous homosexuals, and an underground banking system where guys like Parker can stash their nest eggs.
“The Sour Lemon Score” is a testament to Westlake’s versatility as a storyteller as the criminally-minded Parker serves as his own private investigator in a missing person case that, if successful, will culminate in the murder of his prey and the re-theft of ill-gotten gains. Westlake’s invention of a subculture where an informal network of professional thieves can be manipulated and leveraged against one of their own is utterly fascinating and filled with colorful characters and great moments.
On the hunt, Parker is perpetually irritated by the exasperating array people he encounters as he chases the leads to locate Uhl. For the most part, Parker lacks the charm, patience, and people skills to engage in the normal slow-dance that brings fictional investigators closer to the truth. However, a manhunt investigation conducted “Parker-style” makes for some exciting reading while turning the traditional P.I. genre novel on its ear.
The ultimate confrontation between Parker and Uhl is incredibly satisfying and fraught with further complications for our anti-hero. “The Sour Lemon Score” is a short book that seems even shorter because the propulsive nature of the events makes it hard to put down. Like all the Parker capers, consider this one required reading for fans of classic men’s adventure and crime fiction. Highest recommendation.
Postscript:
Check out the helpful blog from our friends at www.theviolentworldofparker.us for more in-depth literary analysis of the Richard Stark Universe.
'The Gladiator' is billed as “In the great tradition of Spartacus!”. It's debut, “Hill of the Dead” was released by Pinnacle in the US in December of 1975. The author's name of Andrew Quiller is a pseudonym utilized by writers Kenneth Bulmer, Laurence James and Angus Wells. It's tied to the American series called 'The Gladiator', but also to the European version deemed “The Eagles”. It's a five-book run that's supposedly penned completely by Bulmer (or at least the first three).
The book's beginning is actually the ending. The reader is placed in a Roman Colosseum circa 75 a.d. A notorious gladiator named Vulpus the Fox is doing battle with a unnamed prisoner to the delight and roar of the crowd. As Vulpus is about to strike the bloody death blow...he hesitates. The combatant advises Vulpus, “Aye. It is Samuel ben Ezra. No ghost. Come brother, strike. I have had enough of debts”. And with that intriguing statement, Vulpus, Samuel and the reader go back in time to learn the history of both fighters and what events led to this battle.
Vulpus is actually Marcus Julius Britannicus, a young Roman soldier in the Tenth Legion. He was awarded the service by his father, Flavius Silva. Marcus' father is now dead and Marcus is committed to the Roman Army and to rising in the ranks of leadership. The legion is to wipe out the remaining Jewish forces in Jerusalem. The last fortress standing is Masada, fifty miles southeast of Jerusalem overlooking the Dead Sea. It's 1000 feet up and defended by the Zealots. Marcus, anticipating a strike on the fortress in the coming days, visits a Jewish whorehouse prior to battle. While in the act, Jewish troops descend on the building in an attempt to destroy Marcus and the Roman soldiers. Samuel ben Ezra, showing mercy on his soon-to-be attacker, allows Marcus to escape through a window. The two become friends and Marcus swears a debt to Samuel for saving his life.
Later, Marcus is in charge of the first assault on Masada but is torn between annihilation of the Zealots (including Samuel) or an escape plan for Samuel and his sister to flee before the battle begins. The novel really comes alive in this finale, ripe with both action, intrigue and anticipation of the inevitable Marcus/Samuel showdown. The novel ends where it began and the reader is left with a cliffhanger. Hopefully, it continues this story-line in the second book “The Land of Mist”.
Overall, Marcus is a worthy protagonist and a character with many different dynamics. His youth, experience and skills are central to the book's strengths. While emotional, the author incorporates many battle sequences featuring a sole Marcus or as a legion featuring the character. There's a love interest, the blood debt and the history of both Marcus and Samuel for the reader to absorb (or in my case devour). At just 162-pages and large print, this is an easy one day read that will leave you scanning auction and used store sites for the second entry.
“Hostage for a Hood” was a 1957 paperback by under-appreciated crime novelist Lionel White who specialized in fantastic heist and caper stories. The book has been reprinted for 21st century readers by Stark House as a double along with White’s “The Merriweather File” from 1959 and an introduction by Brian Greene.
“Hostage for a Hood” opens with a simple car accident - a bit more than just a fender-bender - in the suburban community of Brookside. The accident involves doting housewife Joyce Sherwood (and her poodle) striking a car containing Harry Cribbins and Karl Mitty (dressed as policemen) who are en route to meet others for their meticulously-planned armored car robbery. The tension of heist day is compounded by the accident, and the crooks kidnap Joyce to ensure that their robbery happens on the required timetable.
White employs a clever “time jumping” style in this one - like Quentin Tarantino’s “Pulp Fiction” - where the events of the novel aren’t always portrayed in exact chronological order. There’s also a good bit of third-person perspective jumping as well. It’s an effective storytelling trick that keeps the reader hungry to learn what brought the characters this far. White was an immensely talented writer, so the narrative is never confusing, and readers won’t be lost along the way. The story ping-pongs from the planning of the heist, to the missing person’s investigation, to the robbery’s aftermath where the thieves find themselves with an attractive, yet unexpected, guest for their getaway.
Cribbins and Mitty are colorful and well-drawn hoodlums. Cribbins is a criminal mastermind of sorts (think Richard Stark’s Parker), and Mitty is his hulking, dimwit sidekick. A handful of secondary characters - some important, others not - round out the robbery crew for this well-orchestrated caper. Through White’s adept perspective changes, the reader is also treated to an excellent police procedural story, as well as the tale of Joyce’s husband searching for his missing bride. I found the scenes with the police and the husband piecing the puzzle together to be among the most satisfying of the novel.
The tension of the story increases the longer the holdup crew occupies the safe house with their hostage. All this is builds to a violent conclusion, and the resolution is handled perfectly. It’s hard to read Lionel White without comparing his work to Richard Stark, and “Hostage for a Hood” can hang with the best of the heist sub-genre. Highly recommended.
Along with plenty of Bolan affiliated action, Dan Schmidt wrote two military team-based series' – 'Eagle Force' and this one, 'Killsquad'. It launched in 1986 with the debut “Counter Attack”, eventually running through nine total installments on the Avon publishing label. This novel, “Mission Revenge”, is the second of the series picking up just 18 days since the events of “Counter Attack”.
The Hangman John Smith is recuperating with his half-dozen killers after the shake-downs in Algeria and Syria. While the World Strike Force is running the show, Killsquad is ultimately a trickle down effect with Smith commanding his team. As the series promises, we know “Mission Revenge” is just another assignment for Killsquad. The reader wants fireworks and Schmidt concocts a familiar story to set the tone.
Eli St. Judas is called The Preacher. He's a TV evangelist taking money from the poor and gullible and building his New Order Church regime in West Virginia. Coincidentally, this same set-up was used by Rich Rainey for his “The Protector #2: The Porn Tapes” using a vile character named The Reverend. Or by Norman Winski for his “Hitman #3: Nevada Nightmare”. Turns out placing a crooked, perverted preacher on the pulpit is a sermon action-adventure readers love to hear. The Preacher has built a mountain fortress in West Virginia and hired an ex-Green Beret team called Charlie Company to protect it (similar to Schmidt's use of Eagle Force vs Phantom Plague in “Eagle Force #3: Flight 666”). We know Charlie Company is going to fight Killsquad...but how much of The Reverend plowing his Queen from behind do we need before we get to the inevitable confrontation? Sadly, this one takes a great deal of patience.
Sometimes this author swings for the fences and lands the perfect combination of action and dialogue. With “Mission Revenge” it just all falls flat. There's a side-story of Russian soldiers being kidnapped and held for ransom...but by this point no one cares. Sure, it is Killsquad invading the religious compound to capture The Preacher but it's just a failed plot that's redundant and more convoluted than its own good. It's a hard pass from me. I carried that cross so you wouldn't have to. 'Killsquad' may not get a resurrection from me anytime soon. Stay away!
In 1953, Fawcett Gold Medal released Charles Williams’ fourth published novel, Hell Hath No Fury. It was later reprinted several times under the alternative title of The Hot Spot, and under that name, it was adapted into a 1990 movie starring Don Johnson and directed by Dennis Hopper.
Our narrator is Harry Madox, the new-in-town, amoral car salesman who observes some odd behavior from the sexy 21 year-old girl in the dealership’s collection’s department. On the same day, he also notices an appalling lack of security at the small town’s local bank. And then there’s the matter of his boss’ voluptuous wife with her lusty eyes trained on Harry.
These three story threads (the girl, the bank, the boss’ wife) are all swirling around Harry’s head when he begins planning a bank heist. As a certified expert in crime fiction bank jobs, I give his plan, execution, and post-robbery actions a solid B+. The complications that arise thereafter are due to minor flaws in the planning amplified by drama with the two women in his life.
Williams’ writing is always top-notch and this is no exception. The prose is crisp, conversational and hardboiled. When one character tells another that he sticks out “like a cooch dancer at a funeral,” you know that you’re in literary good hands. The plot twists and turns were crafted by a master of noir who knows how to reveal great surprises along the way to the conclusion.
It’s hard to believe that Williams only authored 22 novels in his 24-year writing career before his 1975 suicide. His impact on the noir genre really can’t be minimized, and Hell Hath No Fury is a superb example of his early suspense work before he shifted gears to maritime-themed suspense books. Highly recommended.
Author Nicholas Cain is a former US Army MP, sergeant and Vietnam Vet. After penning his experiences for the manuscript “Saigon Alley”, he was later rejected by publishers and convinced by Zebra to convert it to a series entitled 'Saigon Commandos', which ran 12 total books. Cain wrote the 'War Dogs' series as Nik Uhernik, eight entries of 'Chopper-1” as Jack Hawkins as well as writing three novels for 'Able Team' as Dick Stivers. In 1989, the 'Little Saigon' series debut, “Abel's War”, was launched by Lynx Books. It was the first of six novels starring Police Lieutenant Luke Abel, a former MP and Vietnam War vet. The character parallels the author's own life, but is it worth reading? Sadly...it's hit or miss.
Protagonist Luke Abel worked seven years in Old Saigon, three in Santa Ana and another ten years for the L.A.P.D. The book's beginning has Abel working for an elite Department of Justice arm called M.A.G. (Metro Asian Gang) task force. The traditional territorial boundaries between police and Sheriff's departments in the L.A. metropolitan area are largely ignored by M.A.G. The officers selected for this division are skilled veterans approved by the Justice Department and given free reign to conduct investigations as detectives. The book's premise is the rivalry between Chinese and Vietnamese gangs in Little Saigon as the Tet Lunar New Year festivities approach.
This debut plays out like a weird episode of 'ChiPS'. There's talk of the rivalry and a few centralized run-ins with a gang leader, but overall it is just a series of daily procedures in the life of a M.A.G. Officer. None of it is really that interesting and it has taken nearly 2 weeks to complete all 214 pages. It's a bit cumbersome with a lot of flashback sequences revealing Abel's MP work in Vietnam and his unfortunate separation from Xinh, the love of his life. I'm hesitant to agree with the book's title as there really isn't an “Abel's War” to be found here. It's just a standardized police procedural that sort of mucks along. Depending on how much you like the police sub-genre is the gauge on “Abel's War” entertaining you.
I'll pass on the next volume but I'm giving a tip of the hat to Nicholas Cain. His volunteer service time in Vietnam (despite a high draft number) and as a Colorado state trooper is commendable. In 1990 he stopped writing to concentrate on private investigation.
Extensive polling of Men’s Adventure Fiction fans has firmly established that the Parker series of heist novels by Donald Westlake (writing as Richard Stark) is the most popular series of all time. The ninth book in the series, “The Rare Coin Score”, is a great example of why this is the case.
This 1967 installment finds Parker set for money but restless and bored. He’s running through loose and disposable women like old Kleenex while he awaits an invitation from his broker to join a promising heist crew for a good score. Instead, he meets Billy.
Billy is an amateur and a fool putting together a crew of professionals to knock over a rare coin convention in Indianapolis. It’s a challenging heist because the convention will be in a hotel guarded by Pinkerton men. Moreover, collectible coins are hard to steal because they require the thieves to be able to distinguish the valuable ones from the dead weight. And then you’ll need to fence the coins with someone who will give fair value for the plunder. Despite his legion of shortcomings, Billy knows coins has the hookup for the fence, so Parker and other pros go forward with the planning despite their misgivings about the guy.
“The Rare Coin Score” is also the Parker novel where our hero meets Claire, the woman who becomes a significant figure in Parker’s life for the remainder of the series. Parker’s interest in Claire provides the tension of the novel because Billy has his eyes on her as well. Can everyone just set aside their pettiness, puppy love, and jealousy to rob a coin convention like professionals?
It’s not too much of a spoiler to tell you that the heist goes sideways. The Parker novels generally follow the same narrative structure in that most of the novel is told in third-person narration from Parker’s perspective. However, there’s always a section that puts the reader into the head of the other characters leading up to the heist before returning to Parker for the action-packed conclusion. It’s this insight into the secondary players that always reveals the egos, spite, and hidden agendas that ultimately undermine the smooth success of the job. Westlake was an amazing writer, and this literary revelation trick never fails to deliver excitement.
Some Parker paperbacks need to be read in specific order (the first three, for example) and others stand alone nicely. “The Rare Coin Score” is one of the better books in the series that does not require any historical knowledge of previous books. It’s a great origin story for Parker’s girl, and a damn fine heist novel by the master of the genre. Highly recommended.
Atlanta native and author Ralph Dennis launched the 'Hardman' series in 1974 for Popular Library. The debut, “Atlanta Deathwatch”, introduces us to the series hardmen, the aptly titled Jim Hardman and his African-American “protector” in Hump Evans. The series ran 12 volumes, finishing with “The Buy Back Blues” in 1977. In December 2018, Lee Goldberg’s Brash Books imprint will reprint these classics starting with the debut: https://bit.ly/2C4BASi
While certainly dressing the part as the typical 1970s armed-action fare, this debut showcases a much deeper narrative that doesn't quite match the stereotypical cover. Sure, the book has the #1 plastered on the jacket, complete with a painting of guns, car chases and a female hostage, but under all that, I would theorize that these books were planned as stand alone mystery novels that happened to feature the same sleuths. With the popularity of 'The Executioner', I'm sure the publisher rode the marketing wave and presented this as another men's adventure series instead of the straightforward mystery that truth-in-advertising ethics would dictate.
Jim Hardman was an Atlanta detective who lost his gig when his girlfriend Marcy fingered him as an accomplice for her crooked employer. Now, Hardman is an out of shape, financially-strapped everyman taking odd jobs for cash. With a bit of anti-hero flavoring, Dennis has Hardman running drugs up to New York for cash while taking “private eye” type jobs to pay the rent.
Accompanying him is Hump Evans, an ex-NFL player who hit hard times and is in financial dire straits himself. Evans is the enforcer, often playing strongman to protect Hardman from the inherent danger of these odd jobs. For 1970s Atlanta, there is plenty of racial tension that spills over into the investigations. Often, Hardman is canvassing black bars and needs Evans front and center. Other times, it's Evans as the minority in the all-white bars probing bit characters for info. So, what exactly is this Atlanta Deathwatch? Well, that part of it is fairly complex.
Hardman takes on a small job watching Georgia Tech student Emily Campbell's activities. Her father is concerned with her well-being and poor academics and pays Hardman to play spectator. It seems innocent enough until Emily winds up dead in the backseat of a car. Before Hardman can even begin piecing together clues, he's forced into a job by a black crimelord simply called The Man. This mysterious criminal was Emily's lover and he's paying Hardman and Evans to locate her killer. Along the way, they run into Emily's former lover along with more criminals associated with The Man. Emily's father, ex-lovers and politicians are all suspects, but as the clues pile up...so do the bodies.
Ralph Dennis has a real passion for the mystery genre and
'Hardman' possesses all of the key elements that make up the genre – plenty of suspects, a riveting whodunit question, strong characters and enough momentum to keep the reader second-guessing the prior clue's validity. What really sets these characters apart from the jacket's misconception is just how average they are. In one hilarious scene, Hardman is attacked by two enforcers in a car. It's written in the first person and our protagonist reminds us that in these unfortunate situations, the only thing he can do is fart while vomiting all over himself.
Hardman is a poor lady's man – losing Marcy and then somehow gaining her affection/sympathy again. There's not even big guns, knives or fists here. Hardman carries a .38 revolver, and former star athlete Evans is a shotgun man. In fact, the author could have easily ran with Evans being the stereotypical 70s black guy. However, Evans isn't conveyed that way to the reader. I kept thinking of an O.J. Simpson sort of character...”gray” in a time when black and white were clearly defined.
Some have compared the Hardman series to both Robert B. Parker's 'Spenser' as well as Mickey Spillane's hard-boiled 'Mike Hammer'. Regardless of influence, Ralph Dennis clearly has a lot of talent and provides the reader with an enjoyable mystery novel that finishes with a bang. I'm already on the lookout for book two.
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Between 1947 and 1966, Thomas B. Dewey wrote dozens of hardboiled mystery novels - most of which featured successful P.I. series characters, Pete Schofield and Mac. He also wrote a couple stand-alone crime novels under the pseudonym “Tom Brandt,” including 1954’s “Run, Brother, Run!” The original 25 cent paperback may be hard to find, but Wildside Press now has it available as an eBook for a buck and a paperback reprint for a ten-spot.
As the novel opens, Jim Stuart is a financially-struggling Chicago private investigator working undercover in a prison as an inmate for an insurance industry client. He’s monitoring the activities of a prolific jewel thief named Big John Halloran, whose latest heist landed Big John in prison but failed to recover any of the valuable jewels he stole. As such, the insurance company hired Jim to pose as an inmate in hopes that Big John would provide a clue leading to the recovery of the stolen jewels.
Jim’s inmate cover is that of a bank robber, and this attracts Big John’s attention. Things get complicated when Big John hatches a prison break plan with his crime partner that relies on Jim’s participation. Killing a prison guard would create unwanted collateral damage in the undercover assignment, but escaping with Big John might lead Jim to the hidden jewels.
The prison break and getaway occur fairly early in the novel, so a sizable segment of the fast-moving book’s first half occurs while the crew is hiding out in Big John’s secluded mountain lodge. Big John imports a group of girls to entertain the escapees with bawdy songs, striptease acts, and sex. This creates a dilemma for Jim as one of the girls knew him years ago in Chicago under his real name. Will she remember him, alert Big John, and blow the assignment? And then how can he ensure her silence?
Eventually, Big John invites Jim to participate in a heist that a repugnant criminal associate has planned. Although this goes beyond the scope of Jim’s undercover assignment, he agrees in hopes that his involvement and proximity to Big John may lead him to the jewels and the successful completion of this assignment.
The plot twists and turns in some interesting ways, and to the novel’s credit, I was never really sure where it was headed. Dewey’s writing is superb, and Jim’s undercover high-wire act is perpetually nerve-wracking for the reader to experience through the first-person narration of the protagonist. Finally the ending was sufficiently bloody and violent to please the action junkies along for this ride. Overall, a solid crime novel from a reliable author in classic era. Recommended.
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It's hard not to find model Steve Holland's likeness when browsing the 50s, 60s and 70s Men's Adventure line. The American actor portrayed the iconic Flash Gordon in 1954, appearing in 39 episodes. Switching from actor to male model, he appeared in several comics released by Fawcett and Gold Key as well as manly magazines like 'Men' and 'Man's Story'. Holland's biggest contribution was the paperback action genre, with his likeness adorning covers for 'The Executioner', 'The Man from O.R.G.Y.', and 'Jason Striker'. His most renowned work is modeling as “The Man of Bronze”, the pulp fiction hero 'Doc Savage' for Bantam's paperback reissues.
Holland's face can be found on countless comics, magazines and books, but when the 80s hit, was there a new version of Steve Holland? In 1985, New York model Jason Savas originally posed as 'M.I.A. Hunter' Mark Stone for the publisher Jove. The curly black hair, smooth shave, Bruce Wayne chin and high cheekbones was the perfect image of the 80s self-reliant hero. Vigorous, bold and exhibiting droves of masculinity, action readers needed this bravado to match the bullets. Savas was that guy, and his likeness adorns a majority of Stephen Mertz's 16-book series.
Savas was an extremely popular model for cover artists to use throughout the 80s and early 90s. In fact, in the late 80s it is hard to find an action series that doesn't feature a painting of Savas, geared in fatigues and headband with the always present CAR-15. He's always grinding his teeth, ready for battle and exhibiting the internal fortitude to fight your fight. It wasn't always in Southeast Asia or Colombia against drug cartels and communists. No, you could find Savas riding the range (Louis L'Amour), six-shooter in hand with a Winchester in the scabbard. He was there as a street savvy vigilante (Avenger), an ex-CIA mercenary (Eagle Force), a doomsday warrior (Out of the Ashes) or the Vietnam grunt (Vietnam: Ground Zero). Savas knows more about our genre than we do. So much that he wrote his own action novel in 1999. "The Messenger" features a Gulf War veteran working as a bike messenger and fighting crime in New York City.
How Savas was able to become the face of the 80s is anyone's guess. Unfortunately, this Paperback Investigation hit a cold trail. We can't locate an address or anyone who is familiar with his whereabouts. If you or someone you know has a contact, send them our way. In the meantime, we have tons of paperbacks to remind us that Savas is Mark Stone, Matt Hawke, Ben Raines...and you and I.
“The Score” by Richard Stark (a pseudonym of Donald Westlake) was the 1964 entry in the series starring the gruff and businesslike thief known only as Parker. The novel was later released under the name “Killtown,” and in the book’s opening scene, Parker kills a man with his bare hands while walking down a New Jersey street. This sets the tone for both Parker as a no-nonsense character and the events that follow.
He’s in New Jersey to be pitched a plan for an audacious and complex heist promised to bring in $250,000. The idea is to take over an entire desolate North Dakota town and steal everything - the bank vault contents, loan company cash, the jewelry stores, and the payroll of the local mining company. To pull this off, a lot of good men will be needed for the job. The problem: the guy who identified the target and assembled the initial team is an amateur with unknown motives. Can he be trusted?
Parker devises a plan that would rely on 12 men working in concert over one night to paralyze the town and make off with the loot. The dozen trusted thieves assembled for the job are a wonderful cast of characters - especially when they are chewing the fat about their chosen profession. One conversation about the importance of paying income taxes on ill-gotten gains was particularly hilarious and insightful.
“The Score” also features the first appearance of Alan Grofield, the summer stock actor who finances his dramatic pursuits by pulling heists. Grofield serves as the comic relief in this novel, and the reader is treated to his origin story. He reappears in later Parker installments and even had a four-book spin-off series of his own. In this one, Grofield makes some problematic choices along the way that compromise the success of the mission, and the reader learns a lot about him as a person.
“The Score” is structured pretty much like other Parker heist novels: Recruitment, Planning, Execution, Getaway, Resolution. Part Three of the story places the reader in the narrative heads of characters other than Parker, and this was especially fascinating because of the intricacy involved with the moving parts of a 12-man crew. The weaving of the female characters into the story arc was particularly well done and served to humanize the hardboiled guys in the story.
A heist novel without bumps in the road would be tiresome, and some curve-ball compilations arise in “The Score.” I won’t give them away here other than to say that the problems that manifest themselves in this one were my favorite parts of the story and elevate this paperback among its genre cohorts.
Although this was the fifth entry in the Parker series, it stands alone nicely as a self-contained novel without reliance on prior installments. It’s a fairly perfect series, and pitting one installment against another is a fool’s errand - you might as well read them all. In any case, suffice it to say that “The Score” is absolutely essential reading for hardboiled fiction fans. Highest recommendation.
Postscript:
Fans of the Richard Stark books would be well-served to visit the fan site “The Violent World of Parker” which dissects his work with an impressive academic rigor.
The website is: www.violentworldofparker.us
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In 1989, author Dan Schmidt launched his 9-book run of military action in 'Eagle Force'. Before that series, the writer created a similar series in 1986 – 'Killsquad' (not to be confused with the Manor 1975 series). This series ran 9 installments on the Avon label and utilizes Schmidt's knack for team-based combat yarns. He's a meat and potatoes writer, low on plot and big on run 'n gun episodes of violent warfare. That's essentially what we get with this series debut, “Counter Attack”.
In 'Eagle Force', a hardened Vietnam veteran named Vic Gabriel recruits three mercenaries to forge a global fighting force. 'Killsquad' was the apparent template, with John Smith as the hardman on the recruiting frontlines for the first half of this novel. Smith's resume is an impressive one – anti-terrorism at Camp Peary, five years as a paramilitary operative in Central and South America, Special Forces sniper, fifth-degree black belt and a need to avenge the murder of his French girlfriend years ago. The CIA is now running a World Strike Force and ask Smith to recruit six men from death row. In “Dirty Half-Dozen” style, the book explores each character and their training for these clandestine missions.
Williams is a former bank robber with a murder streak and an eye patch. Schnell is a big German soldier of fortune (and a racist). White is a former KKK henchman (Schmidt teams three whites vs three blacks). Barnes is a hit man from Harlem. Walker is a former boxing champion. Jackson is the wildcard, a seemingly innocent fisherman from Florida who was fingered for a murder he didn't commit. What's interesting is the fact it's an 80s team-based action novel that doesn't feature a single Vietnam veteran. Shocking.
With the meet and greet, we immediately realize there will be inner turmoil on the team. Diversity and guns don't mix well with these books and this one is no exception. The general idea is watching Smith whip the guys into shape and prepare them for the first mission. The curveball is that Smith's superiors cut training to only a week and spring two missions on him. The first involves Smith running a solo mission to liberate a hijacked 747 in Athens. The second is the six men running their own assignment by destroying a Syrian terrorist compound with the aid of a gunship. Will the death row inmates cut and run or will they stick around and complete the mission? Can Smith knock out the Islamic terrorists before they rape and kill every jew on board the plane? These are all in the mix as 'Killsquad' presents it's first entry.
If you like Schmidt's writing then this series is probably mandatory. Genre fans know his 'Stony Man' and 'The Executioner' work, as well as stuff like 'Hellrider' and 'Eagle Force'. “Counter Attack” moves at a brisk pace and covers a lot of ground in the Middle East, Greece and the US. There are a few side stories with the German member as well as Smith's conflicts with his own department. In the future, the internal conflict and deception within the World Strike Force will probably be center stage. I'm on board for this one. “Counter Attack” is an absolute winner!
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The Greatest Men’s Adventure Series Ever: A Paperback Warrior Poll
In November 2017, Paperback Warrior conducted a highly-scientific and totally statistically valid poll of members of the Men’s Adventure Paperbacks Facebook Group asking the 4,000+ members to list their Top 3 genre series names of all time.
The results were weighted based upon the respondents’ preference rankings, and the results were audited by the accounting firm of Simon & Compton LLC to ensure mathematical purity and scientific rigor.
The complete results for the “Best Series Ever” poll are listed below:
1. Parker - Richard Stark
2. Matt Helm - Donald Hamilton
3. Travis McGee - John D. MacDonald
4. Quarry - Max Allan Collins
5. Destroyer- Murphy & Sapir
6. Doc Savage - Kenneth Robeson
7. Matt Scudder - Lawrence Block
8. 87th Precinct - Ed McBain
9. Burke - Andrew Vachss
10. Tarzan & Martian (tie) by Edgar Rice Burroughs
During his life, Talmage Powell (1920 - 2000) wrote over 500 short stories published in the pulps and the digests. He also wrote a handful of highly-regarded crime novels, but mostly he is remembered for his short fiction. I sampled a handful of Powell stories from various anthologies to assess the quality of his work.
The Alfred Hitchcock brand of short fiction has been an enduring legacy since the 1956 launch of Alfred Hitchcock’s Mystery Magazine (AHMM) followed by countless paperback short story anthologies published by Dell with cheeky titles and attractive cover art. Over the years, I’ve found these anthologies a great way to sample authors before investing time and treasure into their novels. Powell’s stories were a regular fixture of both AHMM and the related paperback compilations.
Another great way to collect a ton of Powell short stories on-the-cheap is to check out the Kindle editions of the “Talmage Powell Crime Megapacks” from Wildside Press. There are two of them, each containing 20 short stories from Powell’s vast body of work in the genre. Best of all, they are only a buck each on Kindle.
Powell’s crime short stories pack a quick punch - most of them are only a dozen pages or so. They are supposed to have been easy reading and generally very good. Having never consumed Powell’s crime fiction, I read a handful of his entries from multiple anthologies for these capsule reviews:
“Lone Witness”
Before appearing in the 1971 Hitchcock short-story collection, “Down by the Old Bloodstream,” this one was published in AHMM in January 1966. It is also included in the first volume of the “Talmage Powell Crime Megapack” for your Kindle.
Marco and Timothy are ostensibly best friends and business partners, but Marco secretly hates Timothy over a stolen girl. This presents a world of opportunities when Timothy comes to Marco’s house and confesses that he has just killed a man.
Marco snaps into action to leverage the situation and get rid of his frenemy for good. Unfortunately, it’s just not that simple. This short-short story is a total delight, and the twist ending is consistent with the Hitchcock brand.
“Mac Without a Knife”
The May 1965 issue of AHMM was the first appearance of this story, and it made the cut for the Hitchcock paperback, “Let It All Bleed Out” from 1973 - making the story a Bobby Darin reference inside a Rolling Stones pun.
The “Mac” is question here is our narrator, an ex-con fresh out of the joint named MacKensie who has taken a job at a low-end roadside aquarium at the insistence of his parole officer. The failing business is hemorrhaging money, and the boss is forced to sell the porpoise to make ends meet. It’s Mac’s job to catch the mammal in its tank and get it ready for the transfer without killing it.
Things go sideways quickly as we learn the truth of the boss’ real intentions, and Mac is trapped in the tank with the aquarium’s hungry shark, Atlilla. This was a very exciting adventure story - a classic man vs. man vs. shark tale in a confined environment. You definitely should check this one out.
“Old Man Emmons”
The 1970 Hitchcock anthology, “Get Me to The Wake on Time,” reprinted the story, “Old Man Eammons” after it initially appeared in AHMM in February 1962. It is also compiled in the first “Talmage Powell Crime Megapack.”
Charlie and Laura are newlyweds. Before the marriage, Charlie agreed that Laura’s sickly father could live with them, so Laura could give the old man the compassionate care of a loving daughter. The problem is that the old man is driving Charlie nuts. He decides that Old Man Eammons has to go, but what would Laura think?
This tale is a great example of Powell’s knack for economical storytelling. Over the course of nine pages, we get to read the setup, the plan, and the execution of deadly crime. Unfortunately, the twist ending to this one was a bit of a letdown.
“I Had A Hunch And...”
This supernatural crime story originally appeared in the May 1959 issue of AHMM and was later compiled in the Hitchcock anthology, “Witches Brew” In 1965.
At the opening of the story, Janet realizes she’s dead and her ethereal form is floating around her suburban estate where her freshly-murdered body is awaiting discovery . She recalls that she was murdered by a servant after catching him stealing her jewelry from a safe. It becomes clear to Ghost Janet that her spirit won’t be free until the servant pays for his crimes.
This was an cute ghost story likely aimed at female mystery readers. Once again, Talmage’s prose was superb. The ending was clever enough to leave any reader happy to have invested 15 minutes enjoying this light tale.
“The Vital Element”
This Powell story of murder and its aftermath originally ran in November 1967’s AHMM and was included in Hitchcock’s 1978 “Rogue’s Gallery” anthology. It is also included in Wildside Press’ “Second Talmage Powell Megapack” for Kindle.
The first-person story opens with a scuba diver examining a woman’s corpse at the bottom of the Gulf of Mexico with her ankles bound by rope attached to a cement block. The reader quickly learns that the discovery of the sunken corpse was no accident, and the diver is trying to solve the problem of the fraying rope that will eventually snap and lead to the discovery of the body when she pops up like a cork.
Just when the reader has it all figured out, the story ends with a twist on top of a twist. While the ending is a bit abrupt, it’s dark and diabolical stories like this that put Alfred Hitchcock on the map.
“The Heir”
In August 1969, AHMM ran the story “The Heir,” and it was selected for inclusion in the Hitchcock Dell paperback collection, “I Am Curious (Bloody)” published in 1971.
This is a really odd story and it took quite a few pages before revealing the direction it was headed. Richie and his friends are teenage juvenile delinquents (maybe more like at-risk youth) who are given an opportunity to live on the estate of a wealthy, do-gooding eccentric named Mrs. Duffield. The boys help her with chores but mostly get to loaf around her pool and grounds.
Mrs. Duffield takes a special liking to teenage Richie, and confides in him that she’s heartbroken that her son is an ungrateful hippie who has forsaken his mother. Out of a sense of loyalty to the woman who has extended her kindness to him, Richie decides to find out the deal behind her estranged son - and things get strange. This is another satisfying story that successfully captures a unique period in America’s counterculture with a sinister edge.
“Somebody Cares”
This story originally appeared in the December 1962 issue of “Ellery Queen Mystery Magazine” and was later collected in two excellent anthologies: “A Century of Noir” edited by Max Allan Collins and Mickey Spillane and “The Arbor House Treasury of Mystery and Suspense” edited by Bill Pronzini, et al.
It’s a police procedural about a new detective who is assigned to be partners with a seasoned veteran with decades of experience. A young girl Is found dead in a park, and the reader gets to ride along as the pair of detectives solve the case.
The beautiful thing about this story is that it does a very realistic job of portraying the drudgery associated with a police neighborhood canvass, yet the story itself is never boring. Powell’s first-person writing is superb, and the life lessons embedded in this mystery will stay with you long after the final page.
“Vengeance is Mine” is the sixth 'Buffalo Hunter' book. It was released by Manor in 1978 and continues the saga of vigilante/hunter O'Brien. Author Ralph Hayes loves creating impossible moments for this protagonist and “Vengeance is Mine” is no different.
The opening pages has O'Brien out hunting for buffalo with his trademark Sharps. He receives some unwanted visitors at his campfire and quickly finds himself staring down three barrels. Two are Cameron boys – an older brute named Darcy and his violent 12-year old brother Billy Joe. The third, Emmett, is a hand on the Cameron farm. When the shooting begins, O'Brien ducks behind some horses and can only watch as Darcy accidentally shoots Billy Joe. O'Brien then kills Darcy. Emmett runs off to the Cameron ranch to report that O'Brien killed Darcy and Billy Joe in cold blood.
Ranch owner and father Silas Cameron and his two remaining sons put a warrant out for O'Brien's arrest. Soon, a posse catches up to the surprised O'Brien and they violently assault him. On the verge of death, O'Brien is then tied to a horse and dragged through the desert rocks. Emmett and the posse leave O'Brien to die under the hot sun. But it will take more than that to kill this seemingly immortal cowboy.
An old rancher named Jarvis stumbles on the dying O'Brien and brings him back to his house. After nursing him back to health, O'Brien gains his strength and begins to help the old man with hunting and farming as repayment. While he's out hunting, more baddies stumble upon Jarvis, tie him to a chair and ruthlessly beat him. When they learn that Jarvis has no money or belongings, the group decides to kill him. But, O'Brien is hunting them from outside and Ralph Hayes absolutely shows no mercy. Our Buffalo Hunter SLAUGHTERS the group with a combination of knife, fists and bullets. This is the 70s and this western series is about as violent as it gets.
As O'Brien is getting back on the buffalo trail, he's arrested in Willow Creek by a backwoods sheriff and deputy. They throw him in jail and then work out a way for the town to lynch him by spreading rumors that O'Brien is a child killer. Meanwhile, Silas has paid a quick draw gunfighter named Waco Kid to hunt down O'Brien and kill him. As O'Brien is treed with a noose at the hands of the town, the Waco Kid shows up to save O'Brien...just so he can drag him back to Cameron and kill him there. Later, O'Brien kills Waco only to find that he is now hunted by the law, Cameron and a ton of drifters and hardmen looking for O'Brien's head for reward money.
On the run with his Sharps, knife and Winchester rifle, O'Brien finds that a specific bounty hunter named Certainty Sumner is on his back trail. He heads to the town of Sulphur Creek, a familiar place to fans of the series. This town was freed from outlaws by O'Brien in the first book, “Gunslammer”. Only now the town has reversed their outlook and wants to sling up O'Brien for money. The finale has a vicious cycle of violence as events come full circle and O'Brien fights a town, the law, bounty hunters and Cameron.
What is really interesting about this book is the appearance of Certainty Sumner. In this one, Sumner is a bounty hunter and really a bad guy. But, Hayes has two later novels featuring a bounty hunter named Wesley Sumner (“Lawless Breed”, “Way of the Gun”) – who may or may not be the same guy. In those books, Sumner is a more likable character but still a killer. If you read this particular novel...well you get what eventually happens to Sumner. But I won't ruin it for you.
If you like Ralph Hayes, then you will certainly love this novel. It has all of the characteristics that make this author so enjoyable – clearly defined good guy, vile criminals, over-the-top violence and a lighting fast pace. “Vengeance is Mine” is just about the best of the series, but I still have a handful of these books left to read including a few that Hayes says are at the top of his writing game. We'll see how it shakes out...but this one is really hard to beat.
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Stephen Frances apparently sold over 10 million copies of his popular “Hank Janson” series, but his “John Gail” spy novels never gained much sales traction during their seven-book run. This is a particular shame as the novels were a gritty and human take on the James Bond spy craze that dominated men’s adventure fiction in the 1960s.
John Gail is an operative for PLEADON, a shadowy, private spy organization financed by a group of benevolent millionaires seeking greater justice and security around the world. As “Hate is for the Hunted” opens, Gail is growing bored and restless in London living the life of a millionaire on his benefactor’s dime. He is itching for more assassin work and wants his next clandestine assignment. This is particularly fascinating since he started the series as a broke, pacifist, Philosophy major selling encyclopedias door-to-door in London.
The new assignment involves locating and rescuing a sexy female PLEADON operative who has fallen off the grid during an undercover assignment as a prostitute in a high-end brothel. Could the female agent’s disappearance somehow tie into the recent death of another operative who was involved with exclusive and secretive hedonist society?
While the first three John Gail books were espionage and political adventures, this one is more of a straightforward undercover investigation novel. The secret society penetrated by Gail is pretty interesting - think “Eyes Wide Shut” meets “Django Unchained” - until the story evolves into “The Most Dangerous Game” territory. Frances’ plotting and pacing are superb. My only quibble with his writing style is his instinctive pulp author habit of using exclamation points to build excitement in the narrative! This was a practice that action writers should have outgrown by 1968! Although it didn’t detract from my enjoyment of the story, it was definitely hard to ignore!
Overall, this was a decent paperback for the genre and era, but it wasn’t anywhere near as good as books 1-3 of the series. This one stands alone as its own story more so than the first three novels, but the overall quality is diminished a tad. It’s still a good, action-filled story with plenty of kinky sexual situations and shocking violence - as well as an excellent final 50 pages. Recommended.
Postscript - Series Order Controversy:
There is some confusion regarding the proper numbering of the John Gail books. According to Stephen Frances’ biographer, Steve Holland (author of “The Trials of Hank Janson”), the John Gail series was originally released by U.K.’s Mayflower Books in the following order:
This Woman Is Death
To Love and Yet to Die
The Sad and Tender Flesh (The Ambassador’s Plot)
Hate is for The Hunted
The Sweet Shame of Fury
The Caress of Conquest
Cry for my Lovely
However, Award Books only released volumes 1, 2, 3, 4, and 6 in the United States. You’ll need to find British editions of books 5 and 7 to be a completist. Moreover, none of the paperbacks have been digitized into eBooks, and my sources in contact with the author’s estate tell me there are no plans to give the John Gail books a new life in the 21st Century. And that’s a shame.
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Carter Brown (real name: Alan Yates) was a British author living in Australia who wrote mystery paperbacks about American detectives. His most popular character was police detective Al Wheeler, and the books in that series were a ton of fun.
It was quite a publishing coup when Stark House Books won the right to reprint early Al Wheeler books that were never published in the U.S. The second volume of Stark House’s Carter Brown collection contains a helpful introduction by Rick Ollerman followed by three Al Wheeler books originally published in Australia in 1956:
“No Harp for My Angel”
“Booty for a Babe”
“Eve, It’s Extortion”
The story synopsis said that “No Harp for My Angel” takes place in Florida (home of Paperback Warrior Headquarters), so that was the one I chose to read and review this round.
As advertised, the short novel opens with California police detective Al Wheeler on holiday in Ocean Beach, Florida. Because he’s on vacation and because this is a Carter Brown book, he spends a fair amount of his vacation time trying to get laid. This quest leads Wheeler to hit on a hot chick in a bar whose date is Johnny Lynch, the mysterious new tough guy in Ocean Beach who owns a gambling joint. An altercation ensues putting Wheeler on the wrong side of Lynch’s ire - as well as Zero, Lynch’s right hand man, who looks and acts like an “overgrown gorilla.”
With the central conflict of the paperback firmly established, Wheeler is pressed into service to investigate the disappearances of several young women in Ocean Beach since Lynch and his goons blew into town. Because Wheeler has no legal authority in Florida, he assumes an undercover persona to conduct his investigation.
Thereafter, it’s a pretty standard mystery novel. The sex in 1950s Carter Brown is rather toned down compared to his work in later decades, but the story structure is about the same. His work has always been an easy - but satisfying - read. He wasn’t necessarily a master of the genre, but once he figured out his formula for success, he rode that pony for a long time and sold a lot of books in the process. No harm done there.
As time has gone by, Carter Brown paperbacks have become scarce on used bookstore shelves. As such, the Stark House revival of his work is coming at exactly the right time, and “No Harp For My Angel” is a fine entry-point into this iconic series. Recommended.
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Narc was a violent 7-book run published between 1973-1975. The debut, simply titled Narc, was released by Lancer (Enforcer, Conan). The remainder of the series was published under the Signet brand. The author's name on the cover is Robert Hawkes, but this is really Marc Olden of Black Samurai fame.
The “Narc” is John Bolt, a former New York City blue who comes down hard on police corruption. Lying in a hospital bed, Bolt meets a guy named Craven and is told about the Department of Dangerous Drugs (D3). They offer him $25,000 a year, ten weeks of training in DC and assignments all over the country working strictly narcotics. The book opens six years into Bolt's career with D3. Our hero is in La Playa with five other narcotics agents to arrest Antoine Georges Peray, a major player pushing $2 billion in heroin. This opening scene has a convoy of cars carrying Peray, Bolt, agents and local enforcers to the airport. Peray's guerilla fighters descend on the convoy in an effort to free their man. In what could be the best opening pages of any book, we find Bolt using a .45 and sawed-off shotgun as he weaves between and under cars cutting off the guerillas at the knees. His own men turn on him and we immediately realize that Bolt is an absolute badass. It's a massive firefight that has Bolt utilizing grizzly methods to bring Peray into the US. Unfortunately, this opening scene is really the best part of the book. The rest is about average.
The novel focuses on a high-profile dealer in the US named St. James Livingston. Livingston has shut down all of the drug traffic in NYC while awaiting a massive shipment from Peray. His drought has increased tensions and hostilities in the city with users needing fixes and dealers needing cabbage. With Bolt capturing Peray, it clogs up the pipeline. Needing the drugs and the big payout, Livingston puts hits on Bolt, including targeting Bolt's girlfriend Pavanne. There's numerous side stories including Peray's daughter and a former colleague named Zan. The narrative is propelled with Bolt infiltrating gangs, Narc teams and collaborating with local law enforcement to stop Peray's shipment of white death into New York.
This Narc debut is an effective, gritty 1970s action vehicle. While the beginning is clearly the best Olden has to offer, the average continuation of the storytelling is worth the price of admission. With Olden's writing style I was reminded of the equally good The Liquidator run by Larry Powell. It's a similar character with both authors writing in the same vein. Quick, punchy with equal shares of dialogue and action – Narc is definitely a good start to a well-respected series.
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The prior 'Hunter' novel, debut “Scavenger Kill”, introduced us to former Green Beret John Yard. In that book, Yard is presented as a wealthy entrepreneur who guides big game hunts in the Nairobi area of Africa. He teamed with his colleague, African police officer Moses Ngala, to stage the first “vigilante” styled hunt and kill. The target was an unscrupulous pharmaceutical company headed by a gelatinous villain named Lavalle. “Scavenger Kill” was on an international scope, ranging from Canada to London. I liked Ralph Hayes ambition to write in a more epic fashion and he continues that trend with this second series installment.
“Night of the Jackals” begins at Camp Pritcher Army base in Georgia. It's a special forces training facility ruled by a notorious Hitler-like Captain named Ernst Rohmer. The opening has a young black man, Wendell Jefferson, ordered to do the old “dig a grave and then fill it back in” routine. His superior, Sergeant Pruitt, issues an abundance of thunderous racial slurs and threats, provoking Jefferson to attack him. The end result is imprisonment in the stockade.
Wendell's brother, Aron, a decorated Vietnam veteran, visits the stockade demanding to know what has happened. He quickly discovers Pruitt's racism and that Rohmer is running the base. It's here where we learn that Rohmer had fought for the Third Reich, and later contracted his services all over the globe as a commanding soldier of fortune. Aron experienced Rohmer's atrocities in Vietnam firsthand and questions why the Army would want a cutthroat dictator training it's men (the reader does too).
Later, a drunken Pruitt and Rohmer fatally beat Wendell in his cell. They politically escape punishment, track down Aron and leave him battered and near death. How does this connect to 'The Hunter'? Aron and Moses Ngala (the series' co-hunter/hero) are old friends. Aron knows Moses is in law enforcement, so he reaches out to him (in a weird scene where it seems Aron ran into Moses by accident). Regardless, Moses and the series protagonist, John Yard, discuss the events from the prior book and decide to do another vigilante job to kill Rohmer and end his reign of terror.
Without spoiling too much of the second half, Yard and Moses travel from Africa to Paris trailing Rohmer. The result has both of them fighting for the Syrians over the Israel border. It's a wild chain of events that completely spins “Night of the Jackals” from vengeful vigilante to espionage thriller before covering a battlefield saga and planting the story in a brutal prison. Author Ralph Hayes hits every single sub-genre of Men's Action Adventure in one fell swoop.
Like his 'Stoner' series, the action shares some of the same exotic locations – African deserts and villages like Lagos and Nairobi. Hayes has mastered “prison fiction”, perhaps building off of 'Buffalo Hunter' debut “Hellhole”, a gritty western set in a ruthless Mexican prison. Additionally, 'Stoner' installment “The Satan Stone” mirrors that same prison scenario in Africa. Now, the finale of this novel has both Yard and Moses inside a violent prison-styled base ran by the sadistic Rohmer. It's repetitive, often using the same sequence of events, but Hayes does it so well that it's the story we want him to tell. At this point in time, this author could be my favorite of the genre. It's a bold statement, but I'm not searching the used stores this hard for any other author.
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In 1961 - around the beginning of his crime fiction career - Lawrence Block submitted a hardboiled private eye novel to Fawcett Gold Medal called “Coward’s Kiss.” When it was finally published, someone at Fawcett changed the title to “Death Pulls a Doublecross.” Decades later when Block began reprinting his early works, he changed the title back to “Coward’s Kiss” where it remains available today as a Kindle eBook and a well-performed audiobook.
Ed London is a stereotypical hardboiled private-eye and when we meet him, he is working on an unusual assignment. He is tasked with quietly removing the corpse of a sexy female murder victim from a Manhattan apartment and then dumping the body in Central Park for later discovery by authorities.
We quickly learn exactly why an otherwise good and ethical PI would do something so uncharacteristically evil. I won’t spoil it here, but it’s a satisfying enough reason that drives the rest of the story. The other big driving storyline is a missing briefcase with unknown contents that good guys and bad guys are both trying to locate - giving the paperback the feel of a NYC treasure hunt inside a standard whodunnit.
It’s fun to read Lawrence Block’s early work with the knowledge that he went on to be a grandmaster of the mystery genre. No one would classify this book as one of his greatest hits, but you can see the greatness in its infancy. The book was never boring and had plenty of violence, gunplay, blood, and death. A nice romantic sub-plot develops and our hero gets laid a couple times. There really is something for everyone in this short paperback.
If you’ve ever read a mystery novel before, you won’t have much difficulty solving this one. However, the joy of a Lawrence Block book isn’t the destination, it’s the ride. This one is a fun journey. Recommended.
Postscripts
“Death Pulls a Doublecross” (or “Coward’s Kiss” if you prefer) was originally written as a TV tie-in novel based on “Markham,” a private-eye series starring Ray Milland that aired for one season in 1959–1960. Block liked the finished product so much, he never submitted the TV tie-in version and edited it as a stand-alone mystery novel for Fawcett Gold Medal.
The character of Ed London would have been a natural for a series of hardboiled mystery novels. Block never brought the character back for any more paperbacks, but London starred in three novellas published in Men’s Adventure Magazines in the 1960s. All three novellas have been compiled in Block’s collection of his early short fiction, “One Night Stands and Lost Weekends.”
The other Ed London stories are:
“The Naked and the Deadly” from “Man’s Magazine,” October 1962, reprinted in “Guy, December 1963.
“Stag Party Girl” from “Man’s Magazine,” February 1963, reprinted in “Guy,” February 1965.
“Twin Call Girls” from “Man’s Magazine,” August 1963, reprinted in “Guy,” August 1965.
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