Inspired by 'The Executioner', Pinnacle released a 35-book series titled 'The Butcher' from 1970-1982. Under house name Stuart Jason, a majority of the first 26 installments were written by James Dockery. These can be read in any order and the concept is fairly simplistic: Bucher was a crime overlord of the Syndicate's East Coast Division. After personal conflicts, he left the business only to find a price on his head from the international underworld. The 23rd volume is titled “Appointment in Iran”, published in 1977 with cover art by Fred Love.
The book begins with Bucher waiting on his 21 year-old sex doll Caroline to arrive at his apartment. Instead, he receives a call from the Mob stating they have his lover and request a meeting. Weary of the invite, Bucher hesitantly accepts and walks a half-hour to a nearby bar to discuss the details. After an introductory firefight – Koosh! - Bucher meets with lower echelon hustler named Jake the Juggler before being escorted to see kingpin Sleek Pazulli.
The proposal is intriguing. Pazulli and the underworld will collectively lift the hit on Bucher for one international favor – they want an assassination performed in Iran. They give Caroline back as an opening gift, then offer Bucher the job which he accepts. Only the details of the hit won't be provided until Bucher arrives in Beirut. The whole thing seems ill-advised, especially when Caroline mysteriously tags along. What's her purpose other than being a lousy lay?
The narrative's second-half is a tight thriller as Bucher attempts to learn more about the Syndicate's involvement in the Middle East. Along the way he faces Israeli intelligence, Palestinian terrorists and the Syndicate once he discovers the identity of the assassination target (no spoilers). Dockery's best ideas revolve around Caroline. She's sexy, flirtatious and dangerous, leaving Bucher an agonizing choice on which “rod” to use.
I almost threw this whole series out after reading Dockery's horrendous 'Butcher' debut, “Kill Quick or Die”. But, the cover art for “Appointment in Iran” seduced me and I'm thankful for it. The plot is easy to follow with a smooth narrative that led me to think this was written by Michael Avallone, who authored the last nine books of the series. But, according to Spy Guys and Gals, it was written by Dockery. I verified with a few resources online and it all led to the same conclusion. Nevertheless, “Appointment in Iran” was extremely enjoyable and provides a glimmer of hope that this series does include some gems.
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Our feature this episode is Ed McBain’s popular 87th Precinct series coupled with Eric’s review of the first installment “Cop Hater.” Additionally, Tom covers Lawrence Block’s “The Girl with the Long Green Heart.” Stream below or on any popular streaming service. Download directly here (Link).
Listen to "Episode 20: Ed McBain" on Spreaker.
Whit Masterson was a pseudonym for the literary collaborations of Bob Wade and Bill Miller, who were also prolific under their other pen name, Wade Miller. “A Cry in the Night” was a 1955 kidnapping thriller released as a Bantam paperback that was also titled “All Through the Night” in hardcover and adapted into a film starring Raymond Burr and Natalie Wood in 1956. The novel remains available today as a cheap eBook - free, in fact, if you have Kindle Unlimited.
“A Cry in the Night” opens just after midnight where our villain, a perverted sociopath, is lurking around the lover’s loop on a hill above a Southern California harbor. He’s a ghoulish creep - sneaking up to the windows of cars containing couples, so he can better listen to their passionate gasps for his own solo sexual thrills. A confrontation with a couple of lovers goes sideways, and he ends up driving away with young Liz while leaving her boyfriend unconscious in the dirt. The perv has inadvertently become a kidnapper.
When the boyfriend regains consciousness, he is disoriented and concussed. The police pick him up wandering the streets in the middle of the night and throw him in the drunk tank to await court in the morning. After realizing that he’s not just some wino, the cops begin to piece together that something sinister and awful must have happened to the missing Liz at the make-out spot. An early plot twist reveals the personal nature of the investigation for the department’s leadership.
The police characters are just awesome. There’s a pair of patrolmen who know each other so well that they can finish each other’s sentences. There’s a Lieutenant nicknamed Old Ironhead who appears to be a tactical genius dispatching police resources where they can do the most good. There’s a sex crimes detective awakened to provide subject matter expertise to save Liz before it’s too late. “A Cry in the Night” is one of the best police procedural novels I’ve ever read as it shows the teamwork involved in a proper critical incident response.
This is a compressed-time paperback in which all the action transpires over a five-hour period with each chapter designating the turning of a new hour. Third-person perspective changes allow the reader to follow the sequential events through the eyes of several characters. The writing is smooth and the pages really fly by. The cop scenes depict a logical and competent investigation conducted with great urgency. The scenes with the kidnapper and victim recall a horror novel - or, at the very least, a dark suspense story filled with menace and terror. Wade and Miller created one of the most disturbing psychos since Norman Bates.
The cat and mouse game between the police and the kidnapper comes to a satisfying conclusion at the novel's climax. I can quibble with some of the law enforcement choices made, including the involvement of a civilian in a tactical operation, but why bother? After all, it’s just pulp fiction.
Wade and Miller wrote a hell of a lot of books together, and I have only scratched the surface of their body of work. However, I can comfortably say that “A Cry in the Night” is the best of their novels that I have read thus far. Highly recommended.
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Steve Frazee (1908-1992) was a Colorado native and major contributor to the pulp and paperback western genre. The author wrote a number of Disney tie-in novels like “Swiss Family Robinson” and “Zorro”. He even authored a series of adventures starring television canine “Lassie”. Frazee wrote very little crime-noir other than “Running Target”, his 1957 novel published by Fawcett Gold Medal. After hunting down a copy, it's really just a simple western in disguise.
Oddly, “Running Target” doesn't feature a chief protagonist. Instead, it's an ensemble cast featuring a group of man-hunters searching a dense mountain range for four escaped prisoners. Led by the noble Sheriff Rudd, the players are:
Newton – Deputy Sheriff; pacifist who refuses to kill
Pryor – Deputy Sheriff; proud Sheriff's son
Jaynes – Voluntary Deputy; local businessman and sociopath
Smitty – Volunteer; female business owner who was robbed by one of the prisoners
Frazee's narrative style is very elementary. It is 160-pages of...man-hunting. The book follows the group as they track the prisoners through the forests. Between waking up and making coffee to the hiking and camping, the author spends extraordinary amounts of time beating around the bush (pun intended) without any story development. One could argue that the constant complaining, bickering and insults could be the focus, but why?
There's an interesting side story of Smitty carrying a small, curiously wrapped package in her bag. The author hints there will be some big reveal, and honestly this literary gambit kept me hanging in there page after page, but he pisses the whole idea away with three sentences three-fourths into the novel. Spoiler – it amounts to absolutely nothing.
Like walking barefooted on a steamy gravel road, flipping these pages was a painful, agonizing effort. But it also left me questioning a number of things. First, the fact that the armed pursuers are on horseback in the mountains makes this a traditional western. However, it's obviously set in the 1950s with the car, plane and radio that are mentioned and shown. Why even add those factors? Just call it a western and eliminate the contemporary setting. Second, could this novel have been a short-story the author originally wrote? Perhaps someone convinced him to pad the hell out of it to compose a full-length paperback. Sadly, I'd say that was probably the case as the padding was plentiful. It was probably a western too. But, Fawcett used popular paperback artist Mitchell Hooks to hook both crime-noir readers and their hard-earned money.
While I won't dismiss Steve Frazee's work, because I'm sure he has plenty of great westerns to his credit, “Running Target” has run right into our Hall of Shame. This book is an absolute turd.
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Bill Adkins, an author about whom I know next to nothing, wrote a three-book series of paperback adventures starring Cessna pilot David Hill. All three novels were released in 1976 by Popular Library and were quickly forgotten after failing to make a splash. The opening installment was “Prison at Obregon,” and the cover introduces Hill as a “high-flying adventurer who’ll dare anything for the right price in cash and kicks.”
The book opens with playboy business consultant David flying his Cessna to Acapulco with a chick he hardly knows. He invited her along solely because of her great legs - a decision that makes total sense based on the author’s description of the legs. The Acapulco trip was prompted by an invitation from David’s Mexican friend who offers the small-aircraft pilot $100,000 to smuggle a load of marijuana back into the U.S. in his plane for the Mexican Syndicate.
David accepts the assignment but chickens out after drawing unwanted attention from Mexican law enforcement. This turns David from a Mexican Syndicate ally to a loose end in the eyes of some dangerous hombres. Can David’s friend to broker a peace treaty with the Mexi-mob and have everybody make some some money in the process? Can they stay one step ahead of the federales?
Adkins’ writing is pretty good, but the plotting of this series debut sure needs some work. The first half of the paperback consists of false starts and aborted missions before the actual story begins in the novel’s second half. I also found it hard to root for the hero. He’s kind of an arrogant jackass who’s good in a fistfight and between the sheets but otherwise without charm or distinction. Moreover, he’s agreed to smuggle drugs into the U.S. just for kicks. The author was clearly a Cessna pilot as each “action” scene contains pages and pages of flight details - too many for my tastes.
The last 60 pages of the book form the real story, here - and set up the conceit for the remaining two books in the series. I’m in a tough spot because I don’t want to spoil the first, largely lousy, 110 pages for you that brings us to the “good part.” Let’s just say this: as the title indicates, there’s a prisoner locked up in a Mexican jail in the City of Obregon who needs to be busted loose. The airplane smuggling hi jinx story quickly becomes a jailbreak adventure. The scenes inside the Mexican prison where characters jockey for position within the inmate hierarchy were pretty great, and I wish there were more of that in the paperback.
Overall, “Prison at Obregon” is a total mess of a novel that could have been saved by a stern editor to rework the plot into something that flowed with greater coherence. There are some cool ideas explored and some of the action sequences were solid, but not enough to save this one. I have the other two books in the series, but I’m not sure if I can stomach them. For your purposes, your time and money are best spent elsewhere.
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The first “Sgt Hawk” paperback was published by Belmont Tower in 1979. The novel features a heroic, gruff US Marine Sergeant leading soldiers in the South Pacific Theater of World War 2. Not much is known about author Patrick Clay, but the book was apparently successful enough to warrant three sequels - “Return of Sgt Hawk” (1980), “Under Attack” (1981), and “Tiger Island” (1982). I'm a sucker for Belmont's military fiction and “Sgt Hawk” generally receives positive reviews. I'm digging in.
Like Len Levinson's 'Rat Bastards', Sgt Hawk's platoon is made up of hardened, battle-scarred grunts with vulgar mouths. Hawk is a country boy from Mississippi, thrust into leadership by wielding an uncanny fighting spirit. In many ways, Hawk could be a misplaced western hero superimposed onto war-torn Japanese Islands. He's a lovable character with a deep accent, an attribute that helps calm the civilian population while also motivating his troops. When readers are first introduced to Hawk, he's a monumental workhorse leading his men through dense foliage to destroy a pillbox. He takes the hardest route himself before risking his soldier's lives. Hawk's that kinda guy.
After an early skirmish, Hawk and fifteen troops are offered a special assignment. As the US pinches the eastern portion of the island, US intelligence fears that the Japanese will retreat to the northwest quadrant. Hawk's role is to protect a Dutch rubber plantation, an asset being utilized by the Allies. Once Hawk arrives at the plantation, the narrative settles into the cusp of the story – Hawk's interaction with the plantation's wealthy owner and family while trying to solve...a murder mystery.
The Van Speer family have owned and operated the plantation for fifteen years and don't immediately welcome Hawk and his men. Cut-off from the rest of Europe, the Van Speers don't fully grasp the war's impact. The family's oldest daughter, Gretchen, is smitten with Hawk and the two form a budding romance over the course of a few weeks. While Hawk and his men await the inevitable conflict, they appear to have an enemy on the farm. The platoon is slowly picked off one-by-one in a macabre “Ten Little Indians” series of murders. Could one of Hawk's men be a traitor? Or, is it an early advance of Japanese forces?
Patrick Clay does a tremendous job in maintaining the suspense until the very end. I had an early theory that panned out, but it kept me guessing for the majority of the book. The author propels the narrative in a multitude of ways. The romance between Hawk and Gretchen adds depth to these characters and allows the rock-solid Hawk character to become soft for readers. The murder mystery is slowly developed and adds a touch of eerie isolation. But, when the action hits, it's non-stop brutality that comes in waves.
“Sgt Hawk” delivers a gritty, violent war tale with a unique murder mystery as an added touch. The sequels are fairly pricey and, to my knowledge, aren't available as ebooks. In particular, the third book seems to be the rarest, pitching a double-digit prices online. Against my better judgement, I spent and arm and a leg to buy the remaining books. This is an exciting series with a ton of potential, and I'm excited to review the batch.
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British author John Gardner (1926-2007) enjoyed a literary career that flourished with a number of spy and espionage thrillers. The prolific author was chosen by Ian Fleming's estate to author 14 'James Bond' novels, successfully maintaining Fleming's approach and tone. While the James Bond empire kept Gardner gainfully employed throughout the 80s and 90s, his first foray into the spy genre was an eight-book series starring lovable, but intentionally incompetent British spy 'Boysie Oakes'. The debut, “The Liquidator”, was published in 1964, but my first taste is the sixth series installment, “Traitor's Exit”, originally published in 1970.
From what I gather, “Traitor's Exit” is unlike any other book in the series. In fact, Boysie Oakes isn't even the main character. Instead, the story is told in the first person by Rex Upsdale. Rex is a low-caliber author barely surviving off of royalties produced by his own spy series, “Gascoigne”. His bills are a Mount Everest of bad debt, and he's still holding out for anyone in Hollywood to actually adapt his series to film instead of signing worthless movie option contracts. Let's say that Rex isn't turning away any knocks on the door. Thankfully, after authoring a controversial magazine article about an authentic British spy named Kit Styles, Rex receives two visitors.
Kit Styles was the golden boy of British spies. Unfortunately, he defected to Russia during the Cold War, spilling numerous state secrets and propelling Russian momentum. The DI-5 (England's version of the CIA) have offered Rex the deal of a lifetime. They offer to pay off all of the author's debt, a check for $10K and the promise to never ask for favors again. But, what could possibly warrant this sort of cash? They want Rex to fly to Russia and interview Styles for a magazine article. Easy, peasy...who's got the checkbook?
Gardner's clever writing is a satirical look at the spy genre both from the stance as an author and reader. Rex describes his “Gascoigne” series as an exploitation on the spy boom, stating that anyone who could write got on the bandwagon. He even boasts that he wrote the second book in the series standing on his head. I think this is Gardner's unique insight into the era's publishing industry.
Once trouble arrives, which introduces Boysie Oakes into the plot, Rex often has a fantasy novel running through his mind as a form of mental escape. It's a unique writing style by having the reader not only engaged in “Traitor's Exit”, but also the swanky private-eye story that's running through Rex's thoughts (which is an obvious ode to Raymond Chandler). Gardner is also very conscious of his peers, with having two characters in the book namedrop 'Modesty Blaise', 'Matt Helm' and 'Callan'. Often Rex asks (screams) for these fictional characters to assist him in the most dire situations. Gardner is clearly having a blast with the story and characters. His presentation and dark humor is reminiscent of Jimmy Sangster, who penned two spy novels called 'Touchfeather'. It's these types of books that Gardner views as tongue in cheek.
Overall, this was just a fantastic, very funny novel with plenty of action-adventure to please the serious diehards. “Traitor's Exit” will be the perfect entrance into John Gardner's stellar work. This one is a must.
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In this episode, we have a hardboiled discussion regarding censorship in our favorite genres. Eric reviews “Bloody Jungle” by Charles Runyon and Tom covers “Modesty Blaise” by Peter O’Donnell. You don’t want to miss this one! Stream below or on your favorite podcasting service. Download the episode directly at (LINK)
Listen to "Episode 19: Hardboiled Censorship" on Spreaker.
Household name Jack Higgins, real name Henry Patterson, achieved mega-success with his novel “The Eagle Has Landed” in 1975. Selling 50 million copies, consumers then flocked to his books, prompting savvy publisher Fawcett Gold Medal to conceive a clever marketing design. Fawcett reprinted a much earlier series of hardback books starring British secret agent Paul Chavasse in 1978. The mainstream literary community didn't realize these novels were written by Harry Patterson under the pseudonym Martin Fallon, originally published between 1962 and 1978. The Fawcett series had new artwork and the author's name as the more familiar Jack Higgins. Thankfully, it wasn't just a cash grab because these books truly deserved a bigger audience.
In the series debut, readers learned that Paul Chavasse is a British operative working for a special organization called The Bureau. Paul works under the direction of Bureau Chief Mallory and takes on jobs that are too tough for MI-5 or Secret Service. There's not much history that is pertinent to the story. However, we learn that Paul's parents were French and English, he's fluent in most languages, and has been with The Bureau for 10 years going into “Midnight Never Comes,” the fourth series installment.
The novel opens with Paul weak and broken after an ill-fated assignment in Albania chronicled in the series third novel, “The Keys to Hell”. Paul has gunshot wounds and broken bones that haven't healed. Yet, The Bureau wants him to pass an endurance and shooting test. Ultimately, Paul fails and is seemingly put out to pasture. While on leave of absence, Paul reflects on his career and life and wants out of the espionage business. However, all of that is turned upside down in the opening chapters.
While in London, Paul finds himself in the middle of a robbery at an Asian restaurant. After Paul saves the restaurant and a young woman, the business owner volunteers to replenish Paul's stamina and health using ancient traditions. A few weeks later, Paul is as good as new and even passes the endurance test for The Bureau (which results in an exhilarating plot twist). His newest assignment is to stop a wealthy Australian terrorist named Donner from acquiring a new rocket prototype. The mission's locale is the northwest section of Scotland, a rural and rugged coastline with thick fog, battering winds and locals who love to kill strangers.
“Midnight Never Comes” is a more subdued Chavasse novel and downplays the globe-trotting intrigue. The book reads like a rural adventure crossed with an unusual Gothic sensibility. In fact, Higgins paints the atmosphere with a cold mist and sets the climactic finale in an crumbling lakeside castle. Is it a spy novel or the next 'Doc Savage'?
Thankfully, readers will be delighted with the storytelling and suspense. Higgins seems to really enjoy this character and it's a triumphant installment in a highly rewarding series. I can't say enough good things about it. Either buy the originals, or pick up the mass market reprints from the 2000s.
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Joseph Gilmore's biggest contribution to the men's action-adventure genre is the Nick Carter: Killmaster series. Beginning with Strike of the Hawk, Gilmore authored eight series installments from 1980 through 1985. According to Glorious Trash, Gilmore also wrote Operation Nazi – USA under the name James Gilman. My only experience with the author is his 1973 vigilante-styled paperback Vendetta, published by Pinnacle. The novel was re-printed in 1976 with the pictured cover art.
New York patrolman Alex Braley is on a mission to knock off key players in the illegal drug distribution game. While most 70s vigilante novels begin with the protagonist's loved ones being murdered, Gilmore takes an abstract approach. Instead, there's a brief explanation that one year ago Gilmore's wife got hooked on drugs and died from a poisonous batch. There's not a single individual or crime ring to avenge, so Braley starts with the top drug distributors and works his way down. Thus, the book begins with Braley hogtying a higher echelon gang leader before delivering the brutal kill shot to the cranium.
Like Robert Lory's Vigilante series, Braley conducts himself like a straight-laced citizen to his friends, peers and co-workers while secretly planning mob hits. He utilizes a local book shop to purchase mystery and crime novels. In one hilarious scene the store owner condemns the Perry Mason novels and proclaims that Mickey Spillane and Don Pendleton are far superior. Braley normalizes his everyman persona. He plays golf and racquetball, and as the narrative becomes a bit more dynamic, Braley even delivers a West Coast hit while portraying to co-workers that he was on a much-needed vacation in Bermuda. That's ballsy.
During the the Los Angeles killing, Braley falls in love with a single mom. This relationship begins clouding Braley's vigilante mentality. While delivering fatal blows to the Syndicate, it is Braley's love interest that starts to align his fake persona with reality. Soon, the NYPD begins sniffing Braley's trail to determine if he is the mob assassin. Gilmore takes the action from the West Coast, into Seattle, New York, Vermont and even Europe in a grand globe-trotting pursuit.
But is any of it really original or engaging?
Not particularly. In fact, this is like Pendleton's Bolan without the originality. As the pages turned, I was reminded again on how good Don Pendleton's The Executioner novels are and the direct, albeit phony, comparison Gilmore makes to that innovative series. Vendetta isn't a terrible novel. Depending on how many 70s men's action-adventure novels you read in a year, this novel may perform better than expected. For me, I'm averaging 10-12 books per month and understand there are far better novels of this variety.
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Laurence James and Angus Wells were both prolific UK authors that were at the core of the Piccadilly Cowboys group of western, action and science-fiction writers. The four-book series entitled 'Wasteworld' launched in 1983 to capitalize on the nuclear hysteria of the 1980s. It's a post-apocalyptic series written by James, Wells, or a combination of both. While the verdict is still out on who actually authored the series, it was certainly a great run of action-adventure titles. After a rough start with the debut, I enjoyed the subsequent novel “Resurrection” immensely. Does the third book capture that same enjoyment?
1984's “Angels” begins with hero Matthew Chance gathering supplies to continue his journey to Salt Lake City. His wife and kids are residing in a spiritual encampment, and Chance has traveled from New Orleans to Texas throughout the course of the first two books to free them. Still in Texas, Chance has now met up with a scraggly scavenger and his snarling dog. After an intense encounter, the two agree to work together to secure a souped up Dodge Charger across town. Unfortunately, its guarded by the Nightpeople (think of those sand creatures from Star Wars). I won't ruin the fun for you, but the authors inject some terror into this car heist.
However, the bulk of the narrative revolves around a sadistic group of Hell's Angels bikers and their ill-will towards Chance. Like a twisted scene from David Alexander's 'Phoenix' series, the bikers force Chance into a motocross nightmare featuring spikes, chains, traps and guns. It's an exhilarating sequence that propels Chance into another adventure that reaches fruition by the book's finale. I was surprised to find that “Angels” climaxes in a cliff-hanger requiring top dollar for the fourth and last paperback of the series.
I've ran the gauntlet of 80s post-apocalypse paperbacks like 'Swampmaster', 'Phoenix', 'Roadblaster', 'Deathlands', 'Survival 2000', 'Last Ranger', etc. I'd say I've enjoyed this series more than any of them. You will too.
Note – Wells/James inserts a reference to Cuchillo, an Apache warrior that starred in the 'Apache' series of 1970s westerns penned by a combination of Laurence James, Terry Harknett and John Harvey. This mirrors the cameo appearance that Cuchillo makes in James' 'Deathlands' series. Wild!
Author Charles Runyon experienced commercial success with his fourth published work, 1965's crime-fiction novel “The Prettiest Girl I Ever Killed”. The Korean War vet followed up that novel a year later with a rather unique literary choice. Like Harry Whittington, Runyon authored a single fictional novel about the Vietnam War, “Bloody Jungle.” It was published by Ace with cover art by famed western pulp artist Gerald McConnell.
Lieutenant Clay Macklin is a battle-hardened Green Beret stationed at Phu Duc, near the Cambodian border. As the novel opens, both Macklin and his demolition Sergeant Bill Cranor locate a North Vietnamese defector crawling through the base's outer perimeter. Under some distress, the defector warns Macklin and company that a battalion of NVA soldiers have regrouped and are heading to Phu Doc the next night. With only 34 US personnel on base, the team feels that the NVA will slaughter the team and the 2,500 sympathetic villagers.
In an early plot twist, Macklin and select riflemen are separated from the base as Phu Duc is overcome with NVA. Stranded miles from the nearest US camp, Macklin drags a wounded man into a small village where he befriends a young woman and her baby. Here, Macklin learns more about the attacks and where the NVA are campaigning next. As the narrative explores Macklin's harrowing journey, Runyon enhances the storytelling with a budding romance between Macklin and the villager.
“Bloody Jungle” has many twists and turns on its ultimate road to Hell. I can't spill much of the second half of this novel, but it's a real powder-keg ready to explode. Runyon takes readers through jungle battles, base bombings, torture sequences, romance and even some detective work in downtown Saigon. At only 160-pages, the action is nearly non-stop and extremely violent. This isn't a novel for weak stomachs...but I think readers familiar with the author's work realize there is a violent temperament in many of his characters. Overall, this is an expensive, rare paperback that deserves a reprinting.
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Former World War 2 paratrooper Charles E. Fritch (1927-2012) was mostly known as an author of science fiction short stories, but he also served as editor of “Mike Shayne Mystery Magazine” from 1979 to 1985. He wrote a couple crime novels under the pseudonyms of Eric Thomas and Christopher Sly, and half of an Ace double from 1959 titled “Negative of a Nude” under his own name.
Mark Wonder, our narrator, is a Los Angeles private eye taking pictures of a philandering husband on the beach with a younger woman. He meets a hot redhead named Cherry, who turns out to be an off-duty stripper, and takes her back to his place. Just as Mark is about to get lucky with the babe, a crazy sequence of events occurs (no spoilers, here), and Mark finds himself without the girl or the film from his camera bag.
Meanwhile, Mark has another photographic-related mystery to solve. A new client is being blackmailed by someone threatening to release nudie pics of the client’s wife. The client wants the Mark to identify the blackmailer and recover the negatives before the wife’s private parts become a public record.
Of course, the mysterious photographic happenings evolve into a murder mystery with a wrongfully-accused man needing to clear his name. Mark is a very enjoyable, wise-cracking private eye to join for 140 pages, and the novel is sexy, breezy, enjoyable fun. There were a few to many characters to keep track of, but mostly I enjoyed the heck out of “Negative of a Nude” and want to read more of Fritch’s work.
Postscript
Author James Reasoner worked with Charles Fritch when Reasoner was a regular contributor to Mike Shayne Mystery Magazine. Reasoner recalls, “Sam Merwin Jr. was the editor when I broke in there, followed by Larry Shaw, who came and went so fast I never had any contact with him, then Chuck [Fritch] for the rest of the magazine's run. Chuck was Sam's assistant when I started and I assume was still there for Shaw's brief tenure before taking over himself. Wonderful, wonderful guy. He got out of editing after MSMM folded and wound up working at the California DMV for many years. I reconnected with him on-line the last couple of years of his life and was glad I did. He also wrote short stories under the name Chester H. Carlfi, an anagram of his real name.”
“Negative of a Nude” has slipped into the public domain and reprints are available in hardcover or paperback from Fiction House Press, a company that really should be sending Paperback Warrior free review copies of their excellent output.
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You’re in for a real treat this episode as Tom discusses his favorite series of all time, the Matt Helm books by Donald Hamilton. Eric reviews “Death Squad #1” by Dan Streib while Tom covers the inspiration for the movie “Bullitt” starring Steve McQueen, a paperback titled “Mute Witness” by Robert Pike. Stream below or on your favorite podcast service. Download directly at (LINK).
Listen to "Episode 18: Matt Helm" on Spreaker.
Author George Fennell is a former US Army Special Services Security Agent. While little is known about him, he did author a two-book series starring US Army Special Forces Captain Mike Brent. Both were printed by Pinnacle in 1970 and caters to the men's action-adventure consumer who enjoys cover art riddled with bullets, bombs and bravado. I enjoyed the debut book, “Blood Patrol” and was hoping that the sequel would be just as enjoyable. Did it deliver the goods?
“Killer Patrol” drops Mike Brent and his first Lieutenant Hans Schmidt (the only two survivors from the debut) into Costa Verde for a Latin American undercover adventure. The US is facing backlash from the United Nations due to a revolutionary band of guerrillas using signature American firearms, the M-16 and M-60. However, US intelligence is reporting that these weapons are being manufactured by Russia and supplied to the fighters as a means to smear the US name while maintaining communist influence in the region. Brent and Schmidt are assigned to trace the supply train and destroy it.
If I were asked to introduce genre newbies to 70s men's action-adventure, I'd certainly entertain “Killer Patrol” as a logical choice. It's short, explosive and maintains a furious pace. Further, it runs the gambit of every mandatory genre trope – sex, espionage, gunfights, explosions. But, it's also so symbolic of the genre. Consider this: in one fell swoop, Fennell delivers an underwater detonation of a submarine, a climactic train battle, a nautical boat battle, interrogation/torture (they are the same in these types of books), a prisoner escape and an aerial battle while still dedicating the entire third chapter to sex. Incredible!
While “Blood Patrol” was nearly perfect, the last chapters of the novel suffered with too much stimulation in one place. Here, Fennell seems to have a little more space with moving targets in a coastal country. The dialogue exchanges between Fennell and Schmidt are darkly hilarious, but still conveys a violent aura. In terms of violence, this one rivals any Bolan body-count by allowing the heroic duo to utilize a variety of firearms. It's like one of those video games where the player just grabs victim's guns and keeps charging on.
“Killer Patrol” is fun, over-the-top and insanely addictive. Unfortunately, these two books comprise the entire series. Pinnacle canceled the novels shortly after publication. I'll never fully understand how a series like 'Death Merchant' could be wildly successful while these novels just fell by the wayside. It's one of the more frustrating aspects of reading these old books. Nevertheless, you'll have a blast with this short-lived series.
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“The Thrill Killers” was the third and final installment in the short-lived 'Super Cop Joe Blaze' series from Belmont Tower. All three novels were released in 1974 under house name Robert Novak. The authors of the first two books are a mystery, with some guessing it was either Nelson DeMille or Paul Hofrichter. However, it's a fact that Len Levinson ('The Rat Bastards') authored “The Thrill Killers.” Len advised Paperback Warrior that it was his fifth published novel and it is “probably a little rough around the edges.”
In an interview with the Glorious Trash blog, Levinson admits that “The Thrill Killers” wasn't originally a Joe Blaze novel. The first two books feature Sergeant Blaze working with his partner Nuthall and Captain Coogan. Neither of those two characters are in “The Thrill Killers.” Instead, Nuthall is swapped for a character named Olivero. Additionally, this third installment unveils that Blaze is divorced from a woman named Anna. The main character remains gruff and savage although he's now packing a Browning 9mm instead of the old-school revolver he survived with in the series' first two books. The displaced continuity is simply because Levinson had written a totally different character for an unnamed series. Belmont Tower editor Peter McCurtin insisted that Levinson just change the name to Joe Blaze and submit it. Thus, “The Thrill Killers” forever exists as a Joe Blaze novel.
Under the skilled hands of Levinson, Joe Blaze #3 is written as more of a police procedural. There are a number of suspects, locations and side-stories that add a more dynamic, mystery approach compared to the “all guns, all glory” approach to the prior novels. In this installment, New York City's nurses are being targeted by two sexually charged lunatics. The perps rape women in a VW van before cutting the victims’ throats and dumping the bodies. Levinson's writing has never been for the squeamish, and this is no exception.
Blaze dons his gumshoes and hits the streets searching for clues while breaking every rule in the book. His hot-headed temperament leads to bar fights, gang assaults and a fairly intense parking garage shootout. Between eating sausage and pepper sandwiches, he has a one night stand with a middle-aged woman and ponders his life as a cop. There's an elevated violence in Levinson's writing style, with pushers and peddlers adding a seedy, authentic element to the trashy New York streets of the 1970s. Surprisingly, the book's finale is in a courtroom...imagine that.
Overall, “The Thrill Killers” was an entertaining conclusion to this quite satisfying police series, and it’s an easy recommendation to readers of violent adventure fiction of the 1970s.
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Carter Brown, real name Alan Yates, was an English-born Australian writer who authored over 300 short mysteries. His stirring, sultry formula starred three interchangeable investigators in Al Wheeler, Danny Boyd and Rick Holman. Occasionally his work would dabble in supernatural themes that were easily debunked and solved in the book's finale. “The Lady is Transparent”, published in 1962 by Signet, adheres to that consistently fun formula.
Lieutenant Al Wheeler becomes a ghostbusting investigator after receiving a call from the county sheriff. There's been a murder on an eerie locale called Old Canyon Road at the top of Bald Mountain. With a fiery crescendo of thunder and lightning, Wheeler arrives at the sweeping Gothic mansion in the forest. His welcoming host is Justine Harvey, a beautiful vixen adorned in a skimpy white gown. Wheeler's lust for the woman nearly supersedes his assignment.
Through a spacious network of halls and rooms, Justine leads Wheeler to an immensely large door that's locked from the inside. Justine explains that her family heard a scream from inside, and they feel that “The Gray Lady” killed Henry Slocombe behind the door. Wheeler, ignoring the folklore, shoots the lock out and indeed finds Slocombe dead in bed with wounds that appear to have been created by a wild animal.
Confined in the locked room mystery genre tropes, Wheeler interviews all of the home's residents. He learns that wealthy Ellis Harvey owns the home. Ellis has allowed his brother Ben to reside there along with Justine, her equally attractive sister Martha, and a planned groomsman for Martha in George Farrow. Wheeler concentrates his efforts on learning more about Martha's dead lover Slocombe and Ellis' arrangement for Martha to marry George.
The supernatural aspect of Carter Brown's novel is The Gray Lady, the ghost of a dead woman who haunts the room where Slocombe was murdered. Further, Slocombe was entranced by the folklore and kept a tape recorder running in the room. The audio results are surprisingly convincing – there was definitely a mysterious woman in the room. The questions abound – who is she, how did she get in and is she truly the dead woman's ghost?
At 120-pages, “The Lady is Transparent” delivers the patented Carter Brown experience. With Wheeler's obligatory scotch and skirt-chasing, he stumbles his way through a locked room/haunted house mystery permeated with scorned love, jealousy and greed. It's an atmospheric, entertaining quick read that delivered what the author intended – a sexy, whodunit romp.
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It appears that in the late 1970s and early 1980s, Bantam Books launched their “Bantam War Book” line of military-fiction paperbacks. In my research, Lyle Kenyon Engel packaged previously published novels from Ballantine and Bantam into reprints catering to military history fans and readers. In some cases these were brand new titles as with 1982’s “The Double Cross Squadron” by unknown author William Parker Evans. Copyright research seems to support the theory that Evans was a real person, but there's no evidence to suggest he wrote any other books. Whether Evans or someone else authored this book is anyone's guess. We may never find the answer, but what we do know is that “The Double Cross Squadron” kicks total ass.
The novel follows five special agents working for British intelligence in 1941, months after the Battle of Britain. These men, and one woman, are led by John King and have been intensively trained to be pilots in Germany's Third Reich Air Force. Hitting the Germans internally, through a strategic network known as Operation Eros, the “Double Cross Squadron” gain access to important German secrets used to thwart the Nazis. Interestingly, as much as this looks and feels like a daring WWII adventure tale, it's really a heist book in disguise.
King and company learn that the Nazis are importing a large shipment of industrial diamonds from Amsterdam. The Allies need the diamonds to continue manufacturing weapons – whoever has the most industrial diamonds can make the most sophisticated weaponry. An elaborate plan is hatched to intercept the diamonds during transfer. To make a successful getaway, King disguises himself as a German Commander, risks his team's lives, and jeopardizes the network of underground operatives that support him.
I can't give away too much in this review because I don't want to rob you of the enjoyment you'll surely receive by reading this novel. Evans, whoever he might be, is a superb writer and transforms what could have been a rather dry, complicated spy story into a fun, easy-read paperback ripe with humor and compelling characters. The author creates a unique “casino for spies” that really helps lighten the mood. Also, there's an unforgettable knitting scene between four Nazis in a bar...believe me you don't want to miss that.
“The Double Cross Squadron” should be on your shopping list. I'm hoping the other Bantam War Books are as equally entertaining. This one was a real treat and deserves a wider audience.
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Lawrence Cerri (1923-1987) wrote a number of war novels in the 70s and early 80s under the pseudonym Lawrence Cortesi. As a veteran himself, serving in the South Pacific Theater during WWII, Cerri's literary work is somewhat technical, constructing timelines, battle plans and scenarios within the detailed ranks and divisions that participated. While fictional, this New York author had a real expertise of the subject matter, relying on veterans and families' accounts to document his novels. My first experience with Cerri is the 1979 Belmont Tower paperback “Rogue Sergeant”.
The protagonist is battle-ridden Private Mike Renna, a three-year veteran of WWII. Distinguishing himself with a Purple Heart, the Silver Star and a Bronze Star, Renna was promoted three times to Sergeant. Each time Renna went AWOL, refused orders or generally just refused to conform to military hierarchy. From Normandy to the Battle of the Bulge, Cerri's novel is really just a five-month account of Renna's service.
“Rogue Sergeant” isn't the rousing men's WWII adventure novel I was expecting. Most of the action takes place during the book's last 20-pages. If this was a lightweight, early Belmont novel at 154-pages, the author may have effectively gained a foothold. But at 220-pages, this is a slow-burn chore as Renna gains an injury and recuperates repeatedly through the plodding narrative. Thankfully, the only saving grace is a romance tale buried in the counterfeit bravado – not a real attribute here at Paperback Warrior.
Other than this novel, I have one other Cerri paperback, 1978's “Escape from Mindanao”. Based on the quality of “Rogue Sergeant”, I'm in no hurry to read it.
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Episode 17 presents an investigation into the wildly popular sub-genre of Plantation Fiction, sometimes referred to as Slavery Gothics. Eric is proud to present his newest addition to the Paperback Warrior Hall of Shame. Eric reviews a 1973 Pinnacle novel called "Brannon!" by Daniel Streib. Tom investigates the mystery behind a 1969 boxing/plantation fiction novel called "Mantee". Stream it below or download directly (LINK). You'll find the episode and show wherever great podcasts are streaming.
Listen to "Episode 17: Slavery Gothics (Plantation Fiction)" on Spreaker.
