Forgive the Executioner

I wasn't able to determine anything about author Andrew Lane. There is another writer named Andrew Lane with titles like Young Sherlock Holmes, Crusoe, and The Six Directions Sequence, but based on his date of birth in 1963 it would make him just a high school student in 1978, the year that Forgive the Executioner was published. 

This 225-page New English Library paperback introduces readers to Alan Paine, a married man with a young son and daughter. Living in West of England, Paine's father was British and his mother American. Serving the British military, Paine became an expert marksman and explosives specialist. After serving in the Vietnam War, Paine retired to a paper-pushing clerk working for the county on the nine-to-five grind. 

As the book begins, Paine's daughter is walking through the forest on the way home. She's attacked by three men, raped, and then shot. When Paine's wife and son go searching for her they stumble on the same three men and are rewarded with fatal shots to the head. 

In the following chapters readers learn that nearly two years has passed and Paine is now working under the alias Max Case as an explosives expert and assassin for the Irish Republican Army (IRA). By working within the IRA ranks he secretly creates “accidents” that kill his fellow soldiers. However, Paine's vengeance isn't strictly reserved for the IRA. He also uses his deadly role as a way to kill the opposing Protestants that vow to keep northern Ireland within British reign.  Paine doesn't care who he murders because he feels that the whole bloody war led to his family's death. 

Other than Paine, the other main character in the book is a woman named Siobahn. She's working for the Protestants as a double agent in the IRA. Her leadership leads to many IRA soldiers perishing under “mistakes”. Paine meets Siobahn and the two develop a romantic involvement. The book's finale involves Paine being ordered to break out the three IRA men that killed his family.

Forgive the Executioner is an unusual novel. At times it works like an effectively tight counter-terrorism novel with Paine planning and performing hits on an assortment of mid-tier terrorists. These scenes are presented well and deliver just enough violence to satisfy any vigilante-fiction reader. However, the book becomes so silly in parts that I often contemplated if Lane was writing satire. 

Several times in the book Case changes his look by simply cutting and dying his hair blonde and shaving. This miracle makeover gives him the ability to weave in and out of close compatriots as a different person. Often he fools people he has closely worked with in the past, including Siobahn, who he fools into believing he's two different people. It is this sort of nonsense that makes it unbearable to even suspend disbelief for enjoyment's sake. I get the 'ole face switcharoo bit from the pulp era, but this is 1978. 

My other issue is the over-the-top graphic sex. This book reads like a porn novel with Case plowing through pus...women...on nearly every other page. I get the hyperbolic sex scenes, but the women he's with nearly gasp themselves to death when he whips the manhood. 

My guess is if you enjoy workaday action-adventure paperbacks then Forgive the Executioner shouldn't be a far cry from plain 'ole titles like The Butcher and Nick Carter: Killmaster. Tepid recommendation, but good luck finding a copy. 

Paperback Warrior Guest Appearance on Zak Skiver

I teamed up with Zak Skiver for a discussion on vintage fiction! Topics covered included a deep dive into the disturbing suspense thriller Flowers in the Attic, an overview of Jim Butcher's Dresden Files, the differences in Conan in Robert E. Howard stories compared to the comic form, and Zak's newest novel New Town. Watch it HERE or stream below:

 

Hacking Mall

Shortly after Brian G. Berry authored the Chopping Mall novelization, the publisher, Encyclopocalypse Publications, pulled the book from store shelves and severed ties. Berry's first response? Write another horror/science-fiction hybrid set in a shopping mall in the 1980s. The end result is Hacking Mall, independently published in 2024. 

Berry places readers in a Dystopian-styled 20th century where the stock market has crashed, society has devolved, and most inner cities now bristle with jacked up criminals possessing military grade materials. Their higher-than-usual toughness warrants a special type of police force – Defender 2000.

Chapter 11 is a nightmarish flashback of how the book's main character, Alex Murphy, was badged and sent out into the world after four grueling months of police academy. He's partnered with Jackson and the two are investigating gunshots stemming from blocks upon blocks of ghetto tenements. The probe leads to a massive firefight in a meth lab. Alex barely survives the lab's explosion while his partner is seemingly incinerated within. 

In the book's present, Murphy, along with two other officers, have been selected to wear Defender armor. These “sleeves” envelop the men in bullet-proof steel, complete with internal advanced optics programmed to locate criminals. Integrated into the armor is an advanced weapons system including automatic guns, a laser sword, and the ability to release a toxin that creates horrific delusions and a lust for murder. 

As the narrative guns its way through neighborhoods overwrought with crime, Murphy and the other Defenders begin to lose control of their sleeves. The automatons abandon their predetermined set of coded instructions and force their users to kill both criminals and innocents. The machine-over-man scenarios appears periodically and disorients the officers. 

Arden Plaza Mall is a local shopping center that now houses a criminal empire ran by Kane, a lunatic with an aggressive penchant for rape and murder. When the Defenders are ordered to penetrate the mall, Kane and his army fight back using their own sophisticated weapons. Caught in the crossfire are innocent prisoners hoping the battle will provide a small window to attempt escape or for an uprising. The mall has its share of bad guys, but none compare to a behemoth cannibal nicknamed The Butcher. He performs exceptionally well as the ultimate final boss. 

Berry describes himself as a mood writer that loves 1980s B-movies. Hacking Mall pays homage to the low-budget trash films like Warrior of the Lost World (1983) and 1990: The Bronx Warriors (1982), but the most obvious influence is a more mainstream offering in Robocop. Berry's protagonist even shares the same name with the cybernetically enhanced Detroit police officer. There's also a character named Zed that just happens to be the name of a villain in the Full Moon riffraff titled Slave Girls from Beyond (1987) and the hero's name in Zardoz (1974)  . But, it wouldn't be a 1980s-styled action-adventure paperback without the CAR-15 automatic rifles, a mainstay in something like Stephen Mertz's long-running M.I.A. Hunter series of shoot 'em ups. 

Hacking Mall is an installment in Berry's series of stand-alone books titled VHS Trash. However, the waves and waves of baddies being obliterated by the heroes is like a side-scrolling arcade shooter (call it a NeoGeo Novel). It's excessive, exaggerated, and ridiculous – but that's the central appeal. To quote 1980s pro-wrestling personality Jim Cornette: “For the kind of people who like this type of thing, that's the kind of thing that those people like.” I'm one of those people. Hacking Mall is a nostalgic highly recommended romp. Get it HERE.

The Yuletide Butcher

According to his Amazon bio, author Mike Duke was a police officer for 12 years and now instructs military, law enforcement, and bodyguards blade and hand-to-hand combat techniques. He's a fan of horror and science-fiction, which I assume led to his love for writing it. In 2021, he launched a three-book series of science-fiction novels called Amalgam. His horror books include Crawl, Ashley's Tale, and Low. My first experience with the author is his Christmas-themed horror novella The Yuletide Butcher, released in 2021. 

For 20 years a killer nicknamed “Yuletide Butcher” murders a random person in Detective Rick Allen's city (Allen with two arms, not one). The killings are innovative and feature a calling card. The killer places holly leaves in one of the body's natural, or newly created, orifices. This year, the city has called in an FBI agent to review Allen's most recent profiling in hopes of avoiding another senseless murder.

While all of that is sorting itself out in the narrative, the author also has another storyline fashioned about a jaded suburbanite family man that becomes mentally unhinged. Jack Randal engages in a heated argument with his wife at a nearby shopping mall. He leaves the wife and kids and checks in at a hotel with his favorite hooker. After numerous sex romps, mostly off the page, Randal comes up with an idea. 

The day before Christmas Eve, he breaks out his fake ID (that he just happened to reserve for this very occasion) and meets with his accountant to transfer all of his money to an offshore account so it can't be traced. Together with his tramp, the two can go to Cambodia and live it up exploring exotic temples. But, he has some baggage to sort through that may involve killing a family, staking their corpses on the lawn, and then burning down their house. Could this Jack Randal crazy family man be the Yuletide Butcher? Can Detective Allen and a stereotypical idiot FBI agent trace the clues?

This 55-pager isn't fantastic by any means. In fact, it is just downright stupid at times. Like the police officer asking Randal's wife if they can check her spouse's credit report and credit card transactions. How, or why, would she have anything to do with providing permission? Or, the FBI agent shocked to discover that the detective actually used profiling techniques to narrow down the suspect list. Or, the entire investigation halting because Randal's “basement door” is locked and there's no key. Or that the guy is paying for dirty movies on PPV at the hotel. Who does that in the 21st century?

However, as a kooky horror tale loaded with violence and horrific outcomes, The Yuletide Butcher is still a wildly good time. Think of it as watching a late Friday the 13th installment – you suspend disbelief to have a good time watching people maimed and knocked off in savage style. If you can do that, and not be offended by grotesque brutality, then these 55 pages will just fly by and you'll ask for a sequel. So, Mr. Mike Duke, is there a sequel? Please take my money, or at the very least show me where that life-size Alien Xenomorph statue is from the book's biography page. 

Buy a copy of this book HERE.

Hawkwood

Andrew P. O'Rourke (1933-2013) was a judge and County Executive of Westchester Country, New York, He was also the Republican candidate for New York governor in 1986, eventually losing to Mario Cuomo. Along with his political aspirations, O'Rourke pursued a short writing career in the 1980s. He authored two men's action-adventure novels, The Red Banner Mutiny (1985) and Hawkwood (1989). Discovering the latter novel at a used bookstore, I was intrigued enough by the artwork to tackle this 275 page Bantam novel. 

The novel's opening chapter is one of the more suspenseful sequences I've read in a long time. The set-up is that a man and his family have been targeted by Mob killers. These opening pages play out as a cat-and-mouse game where the assassins are in the man's house hunting the family from room to room. But, the man has a trap door that leads through the walls to a hidden staircase. In an attempt to escape with his family, they are caught in the basement and systematically murdered. 

Next, a Vietnam veteran named Gerald H. Wood is on a plane recalling his most recent assignment, disabling an alarm system. Readers quickly put together that Wood clipped the electronic system so the Mob assassins could kill their target. Through a backstory that runs about 50 pages, readers are introduced to this titular hero. Wood graduated from college earning an engineering degree. Rather than pursue that lucrative career, he enlisted in the military and attended Officer Candidate School. Later, he became a Green Beret and gained himself 15 months in Vietnam. In the military he met and fell in love with a kingpin's daughter. Welcome to the family.

Hawkwood becomes a rather epic, sweeping character study when Wood becomes disenchanted with the Mob lifestyle. His wife wants a divorce, but Wood realizes divorce to the Mafia is more like death. In a convenient way, Wood is transporting four-million bucks on a commercial airliner when the plane crashes. Wood barely escapes death, but finds the disaster the perfect cover to flee the Mob. Using the cash, Wood takes the name of John Hawkwood, a historically famous Englishman turned mercenary. The book's second-half deposits Hawkwood in Argentina, and through a wild series of events, he's thrust into a war between Argentina and England in the Falkland Islands. 

Obviously, there is a lot to unpack in Hawkwood. The origin portion of the novel is similar to Mark Roberts' introduction of Mark Hardin, the protagonist of The Penetrator series. There are some similarities with that title as well as James Dockery's presentation of Bucher in The Butcher series. The idea of a man on the run from the Mob is a popular one and O' Rourke does it well. The author is able to bridge together a number of major storylines, as well as transition the novel from a vigilante style, containing a few typical genre tropes, to a mercenary military adventure. Those are all positives.

The only negative aspect to Hawkwood is a deep transition into a type of Tom Clancy tech-thriller with time spent on analysis of the Argentina/English war and some of the military history associated with the highly contested Falkland Islands. I felt this removed Hawkwood from the action, and displaced a lot of the momentum and character building. I also found the ending fitting, but it certainly was a finale that could have created a series. The character's transformation, and setup, would have made for a sequel and future series installments if the author or Bantam wanted to pursue a continuation. 

Hawkwood should appeal to fans of 70s and 80s action-adventure titles like Death Merchant, The Butcher, and The Penetrator. While slightly more literary, it has all of the genre tropes that those hefty series titles possessed. Recommended. 

Buy a copy of this book HERE

Penetrator #03 - Capitol Hell

We've covered the first two Penetrator novels, authored by Mark K. Roberts (odd numbered installments) and Chet Cunningham (even numbered installments) using the pseudonym Lionel Derrick. This was a long-running men's action-adventure series published by Pinnacle in the style of The Executioner and The Butcher (among others). Mostly, this is just fun escapism that's completely disposable. The series is available in audio book format through Books in Motion, narrated by Gene Engene or Kevin Foley, which is typically how I enjoy this series, and in digital by Wolfpack.

In the series third novel, Capitol Hell, Mark Hardin (The Penetrator) witnesses a car crash involving a Mob goon. The criminal's dying breath whispers the word “SIE”, which leads Hardin to a special Washington D.C. club called Societe International d'Elite. This reminded me of Ian Fleming's Moonraker, when James Bond is invited to join the posh club at Blades in London. Hardin not only wants to learn more about the club and its relation to the dead mobster, but also who assassinated the press secretary to the President of the U.S., which just so happened to be Hardin's buddy. 

There's an oddball cast of club members that have established a secret club within the club. They dress in robes, partake in weird chants, and have obligatory plans to take over the world. This club nonchalantly provides hypnotic drugs to the VP and have a strategy to blow-up Airforce One, which is utterly ridiculous. Also, once the club takes control of the U.S. (and I guess the Speaker of the House, Senate leader, and Secretary of State) they will force more military chaos in Latin America to increase their profits.

For the most part, Capitol Hell is a fun ride filled with outrageous moments of unintentional hilarity and wild action-adventure. Hardin is nearly indestructible, gets laid by two women, and fights this clandestine cult-club on a golf course and in old Williamsburg, Virginia. His tools of the trade are his trusty Colt Commander .45 and a dart gun (1 dart for sleepy, 2 for death!). These books tend to connect to each other in small ways, and Capitol Hell connects to the last two events in Los Angeles and Vegas. It isn't necessary to read them in order I suppose, but why not? If you are taking the trouble to track down the series, buy them in sequential order. 

Get the eBook HERE.

The Butcher #33 - Go Die in Afghanistan

Here is The Butcher score so far. On a scale of 1 to 10, 1 being “burn the book now” and 10 being “use PTO and read it in one sitting.” 

#07 Death Race is a 1. Seriously, it is that bad. 
#23 – Appointment in Iran is like...a 7. It's a lot of fun. 
#01 – Kill Quick or Die is a 3. 
#12 - Killer's Cargo shuffles in at a 6.
#35 – Gotham Gore is a 1. 

Using the skills I acquired in Mrs. Miller's 6th grade math, that's an average Butcher score of 3.6. That's filthy ugly. But, my problem is that I own the whole series. I hope you don't.

Go Die in Afghanistan is supposedly a series stand-out. It was published by Pinnacle in 1982 and authored by Michael Avallone. It also has a great painted cover by the esteemed Earl Norem. At just shy of 200-pages, the premise has Butcher, aka “Iceman”, in Afghanistan to rescue a NASA nuclear missile expert from those pesky Soviet invaders. He knows he's never accepted a more crucial challenge. I know I just want to avoid placing a metal fork between the pages and microwaving the book.

The narrative begins with Butcher planning a departure from Tel-Aviv. After receiving a call from White Hat (a U.S. spy agency), Butcher is advised that his next mission starts right now. But first, he shoots an old villain named Peanut Man Pennzler and stuffs him in a hotel closet. Then, the hero heads to Afghanistan to rendezvous with the rebel forces opposing Soviet occupancy.

The rebels are intensely infatuated with Butcher and are well educated on his prior exploits with the mob. A fierce, sexy rebel named Tzippora advises Butcher that her “juices flow for him.” In a rather gross sex scene, Tzippora advises Butcher that it's that time of the month, but can't suspend her desires. Butcher admits that this “birds and the bees” encounter with Tzippora will be unlike anything he's ever experienced before. 

Eventually, Butcher and Tzippora are captured by the Soviets and harshly interrogated. Butcher uses the old explosive chewing gum routine (chew it, then throw it, kaboom!) and escapes. But, before the final dash, Butcher shoots his P38 from the hip and precisely places a bullet down the barrel of a Soviet's gun. Avallone describes Butcher as the equivalent of Robin Hood, Davy Crockett and Sergeant York. Then, all of the supporting characters die, Butcher returns home. The end.

As silly as this all sounds, and believe me its totally bonkers, Go Die in Afghanistan is still fun. At this point, I have to start treating The Butcher title as a modern pulp. His silly, over-the-top, completely impossible antics are no different than say...Black Bat or Masked Detective. It's zany 1930s and 1940s pulp hero nonsense, but more dirty and violent. 

I can't think of The Butcher as a serious spy series on par with Matt Helm or Nick Carter. It's the wrong way to look at this series. Suspend disbelief, put your mind into a pulp magazine, and then read The Butcher. It  may be the only way to gain any sense of enjoyment. If not, then you'll end up with an exploding microwave. 

Go Die in Afghanistan is a 6, bringing the average score up to...4. Yikes.

Narc #02 - Death of a Courier

Marc Olden (1933-2003) is a familiar name for crime-fiction fans. He authored series titles like Black Samurai, Narc (as Robert Hawkes), and The Harker File. In addition to series titles, Olden penned 17 stand-alone novels and two works of non-fiction. We've covered both Black Samurai and Narc and I was anxious to read more of his work. After enjoying his Narc debut, I wanted to revisit the character with the second installment, Death of a Courier. It was published by Signet in 1974.

You can read the series in any order. The gist is that John Bolt is a seasoned narcotics agent working for a government agency called D-3. The agency has ten regional setups covering all 50 states. Nine of these operations cover 49 states, the tenth covers New York City, where Bolt has worked for over a decade. He reports to Sam Rand, who then reports to a guy named Craven, D-3's head honcho. 

Death of a Courier lives up to its name. The novel's premise is that drug couriers for Vincent DeTorres, a Cuban mob, are being murdered by enforcers working for a New York mobster named Don Rummo. Bolt's entrance into this drug war begins in Central Park when a courier he is tailing is shot and killed by hired guns. Reporting the incident, Bolt then learns that couriers in big cities are being killed. He then gains the assignment of digging into the details, and this is where Olden shines.

Undercover, Bolt infiltrates DeTorres' mob by partnering with an enforcer named Ortega. There are numerous firefights, but the most memorable one entails 20-pages. In it, Bolt and Ortega find themselves in a Detroit airport to receive a large shipment of heroin. Thankfully, the deal falls apart and the scene explodes as these warring factions shoot it out in close quarters. Bolt's use of a .45 Colt and shotgun reminded me of the intensity of the opening scene in the series debut. Olden describes these action scenes with so much detail that readers can almost smell the cordite. 

While the war between rival mobs is really interesting, Olden introduces another exciting addition to the plot. There is an included backstory of Bolt's former partner, Paris, being brutally beaten by racists. In rehabilitation, Paris feels that the agency failed him. Months later, Paris kills the racists and enters a life of criminality. Bolt learns that Paris has re-emerged as an enforcer for Don Rummo and that he has vowed to kill seven Narc agents, one for each year that he served the agency.

Needless to say, Death of a Courier was simply awesome. Olden is a great storyteller and I felt that the narrative was soaked with realism. A year before this novel, the author wrote a non-fiction book titled Cocaine, a deep dive into New York's drug trade. Partially due to this, the Narc series doesn't seem terribly far-fetched like a Butcher or Death Merchant entry. Further, Olden's martial-arts studies lends credit to some of the fight scenes. 

If you are bored with the superhuman vigilante stuff, Narc is a must read title. These books are becoming more and more pricey, so I encourage you to get them now. Remember to search under Olden's pseudonym of Robert Hawkes. You'll thank me later.

The Butcher #07 - Death Race

The Butcher was a Pinnacle series of men's action-adventure novels that ran 35 installments from 1970 through 1982. While it's a bit confusing on who wrote the novels, the series is mostly authored by either James Dockery or Michael Avallone under the house name of Stuart Jason. While I despised The Butcher debut, Kill Quick or Die, I loved the 23rd entry, Appointment in Iran. I've always enjoyed action novels set in Alaska, so I was curious about the “cold weather” premise of the series' seventh novel, Death Race, published in 1973.

The novel's first 14-pages outlines the origin of The Butcher – real name Bucher (one word). He was a Syndicate killer who left the mob and then became a high-priced target for his former employers. Bucher joined a secret branch of U.S. Intelligence called White Hat and now serves his country by globetrotting to foreign locales and eliminating criminals. For Death Race, Dockery places the quick-draw crime-fighting hero in southwestern Alaska to complete a rather bizarre assignment.

White Hat has learned of a grave threat at a remote military installation called Dewline. The outpost is maintained as a joint venture between Canada and America to provide an advanced warning in the event of an enemy's attack by land, sea or air from the northern part of the world. The shadowy organization informs Bucher that Dewline's key personnel have been murdered and replaced by sinister doubles. Bucher is to learn why and how this invasion began and to provide pertinent details to White Hat regarding how to alleviate the situation.

Bucher makes the journey by snowmobile to the remote outpost. There, he infiltrates the facility as a research scientist and begins to dig into the details about the facility's origin, it's key components and the ultimate betrayal of American and Canadian intelligence. Dockery's utilization of Bucher's Syndicate killing power is vividly displayed as he targets the sinister doubles and fights the resistance man to man. Eventually, Bucher is able to eliminate....wait! Hold up. Let me stop right here.

The above paragraph was wishful thinking on my part. Here's what really happened...

Upon arrival in an Alaskan village called Kasynguk, Bucher visits a woman named Sonya Rostov hoping to learn about her brother's murder at Dewline and his subsequent replacement with an “evil twin”. However, Bucher falls in love with Sonya and leaves her house twice over the scope of 184-pages. Dockery spends pages and pages having Bucher confess his wants and needs to the needy, sexually-starved Sonya. Bucher and Sonya do the nasty at her place and at a relaxing bath house. Eventually, Bucher decides to marry Sonya and the two engage in an Alaskan ritual that most of the world calls a wedding ceremony. Bucher plans to leave White Hat and live off of his savings, learn to fish and bump uglies with Sonya for the rest of his life. Oh, and he leaves her house once to go to Dewline and kill an old foe named Dr. Wan Fu who fakes his own death in the syndicate because he had an extra brain growing on the side of his head that made him wicked and motivated him to attempt to destroy the lower 48 states by taking over Dewline while raising ravenous dogs to devour humanity. Yeah, Bucher goes and shoots that guy.

Death Race is a waste of paper. I wouldn't trust it to be a beer coaster for fear that it's awe-inspiring stupidity could somehow poison my beer and make me as stupid as the book's storyline. My personal bucket list entry #2 of “Visit Alaska” has been ruined by this preposterous, insanely written piece of literary garbage. It's clouded my frosty, wonderful visions of this snowy beautiful region of Earth and replaced it with the memory of this literary Hell. Reading Death Race was a race to the final page begging for the awfulness to end. Counting pages, counting paragraphs, counting the number of words to reach the end of a page. I took one for the team and read what could be one of the worst books of the series. Kill Quick or Die, as shitty as it was, could have been written by John Steinbeck compared to the steaming pile of trash known as Death Race. Stay away readers...for God's sake stay away. Hall of Shame...open the doors wide for this fat load of crap.

Buy a copy of this beer coast...book HERE and don't tell anyone you own it.

He-Men, Bag Men, and Nymphos

During the 1950s and 1960s, Men’s Adventure Magazines like Stag and For Men Only told salacious stories - often masquerading as non-fiction journalism - of daring deeds and lusty ladies around the world. The magazines were illustrated with vivid action drawings by many of the same artists who created the cover art for the vintage action and crime paperbacks we adore.

Robert Deis and Wyatt Doyle have preserved many of the great stories and art from these magazines in a series of anthology books called Men's Adventure Library published by New Texture. These books are associated with the website MensPulpMags.com. One such compilation focuses on Walter Kaylin (1921-2017), a top writer in this interesting sub-genre. The book is called He-Men, Bag Men and Nymphos, and it’s a lovingly-curated Kaylin Greatest Hits collection with 15 of the writer’s stories from the men’s adventure magazines spanning from 1956 to 1978. There are also a few tribute pieces about Kaylin and his work.

Reviewing a short-story compilation is always a challenge, so I’ll just touch on three representative highlights:

“Snow-Job From a Redhead”

This story originally appeared in the June 1956 issue of Men. It’s a first-person narration by Fred who violently steals a small statue of a black bull from a fellow crook in an ambush doublecross. He’s part of a small smuggling crew meeting at a rooming house near Los Angeles operated by a sexy redhead who’s initially resistant to Fred’s advances.

What is it about the statue that makes it worth killing to possess? Can Fred withstand pressure from the local police? Will he get lucky with the redhead? Can he get away with his mini-caper, or will his lustful big mouth get in the way? All of these questions are answered in this gripping short story.

Kaylin writes in a dialog-heavy style without a lot of exposition, which allows the reader to catch up to the action in progress. The anthology editors were wise to start the compilation with a great double-cross story like “Snow-Job From a Redhead.” After finishing it, you’ll want to move onto other Kaylin stories.

“The Nymph Who Leads an African Death Army”

With a title like that, I needed to know more, which was often the idea behind the headlines and illustrations in these men’s magazines. This particular story originally appeared in the October 1960 edition of Men. The piece is presented as a piece of journalism - like a feature one might read in the National Geographic or The New Yorker - but every word came from the mind of Kaylin.

The story is about Max Bosch and his group of international solders-of-fortune known as the Butcher Boys who arrive in Camaroon and take over a peaceful village. The group of tough thugs is presented in contrast to Harry Tapp, a benevolent American living peacefully among the natives, establishing small businesses such as a general store and used car dealership. He’s a prince of a guy who teaches the Africans to play “Three Blind Mice” on the trumpet, a plot point that becomes brilliantly relevant as the tale moves to its violent climax.

Kaylin could write a helluva fight scene and this story has plenty to enjoy as Tapp turns to a full-breasted hill woman named Aunt Edna for assistance with his mercenary problem. She has a close relationship with a badass crew of African jungle dwellers, and she’s happy to supply them as muscle for Tapp’s crusade against Bosch’s Butcher Boys...for a price.

As alliances shift and the bloodbath becomes inevitable, “The Nymph Who Leads an African Death Army” becomes an exciting survival story and a high-point of this superb collection.

“Surf Pack Assassins”

Kaylin was such a prolific contributor to these
magazines that his stories often appeared under pen names to hide the fact that his imagination was saturating the market. This was the case for his piece in the August 1967 issue of Male magazine titled “Surf Pack Assassins” originally published under the pen name Roland Empey.

Kaylin has a lot of fun with this one trotting out the surf lingo in this story of an informal American surfing club riding the waves as part of an international hang ten tour. They’re a rowdy crowd who surfs all day and drinks themselves blind by the beach bonfire every night. Harmless fun, right?

As the story continues, it becomes clear that not all as it seems with the surf society. African democracy leaders are dying in cities corresponding with the surf crew’s travels. Yes, as the title promises, these aren’t ordinary surf-bums, they are a covert group of talented killers.

Meanwhile, a member of a U.S. intel agency is investigating the surfers to see if its even possible that a group of burnouts could possibly be assassins. The undercover infiltration story is exciting stuff and every bit as good as the best Nick Carter: Killmaster paperback. The story went on a bit too long, but it was a thoroughly enjoyable read.

* * *

He-Men, Bag Men and Nymphos is an important collection of delightful stories from a writer who deserves to be remembered. The guys at Men's Adventure Library should be commended for putting together such a lovely-packaged book packed with winning stories and illustrations from the original magazine stories.

Mostly, I’m glad Walter Kaylin is being remembered. He was a talented writer with an interesting niche market that could have easily been lost to the ages if it weren’t for this important volume. Kaylin wrote a single mystery novel for Fawcett Gold Medal called Another Time, Another Woman published in 1963 that I’d like to check out sometime. In the meantime, there are a smattering of Kaylin magazine stories in other anthologies covering this genre to read and enjoy. Highly recommended. 

Buy a copy of this book HERE

Death Merchant #70 - The Greenland Mystery

During the 1970s and 1980s, men's action adventure fiction offered a robust selection of serial titles like The Destroyer, The Executioner, The Penetrator, and The Butcher. The catalyst was Pinnacle Books, a successful mass market paperback publisher that catered to male consumers and readers. Beginning in 1971, Pinnacle added Death Merchant to their impressive catalog of titles. The series was written by Joseph R. Rosenberger and featured a character named Richard Camellion, a globe-trotting CIA agent. Along with his cunning military tactics, Camellion was a master of disguises, allowing him to infiltrate hostile forces both as a spy and a combatant. The series ran 71 installments from 1971 through 1988 including a double-sized novel, Super Death Merchant: Apocalypse. While I've read Rosenberger's other literary work (Geneva Force), my first experience with Death Merchant is oddly the last book of the series, #70 The Greenland Mystery.

Like The Polestar Incident, which was the series' 21st installment, The Greenland Mystery features an extraterrestrial storyline. This isn't the first action-adventure series to introduce the possibility of aliens into the mix. The Executioner #84 and #273 both featured Mack Bolan fighting a Black Ops team around the mysterious Area 51 in Nevada. In this novel, Camellion and his partner Quinlan are assigned to an exploratory station in Greenland. Once there, Camellion learns that the research scientists have discovered an alien city buried deep in the ice.

With Rosenberger's writing style, readers are accustomed to the author's bizarre narratives and deep political analysis. The idea that aliens crashed in Greenland and built a city isn't particularly swerving out of Rosenberger's lane. The CIA is worried that the pesky Russians will invade the research facility and scavenge any alien technology that exists. Camellion, Quinlan and a small team of agents scout the facility and create ambush spots along the perimeter. Once the obligatory invasion begins from the Russians, it's up to Camellion's team to hold the line and protect the resources.

My issue with Rosenberger and Death Merchant is that the battle scenes are overly technical. Readers should be enjoying the “rock'em sock'em” action instead of the author theorizing that the 12.7 DshK is more powerful than the 14.5 KPV MG. It's overindulgent to describe every firearm on the battlefield down to the ballistic metrics. I just read the second installment of Peter McCurtin's Soldier of Fortune and it is vastly superior to Death Merchant simply because the focus is on developing characters and story instead of an armory.

When the action heats up, The Greenland Mystery is just an average read. If I could carve off 80-pages of technical nonsense, these books would be far more appealing. After reading this installment, I've reassured myself that having just three Death Merchant books on my bookshelf is more than enough. The series has its fans, I'm certainly not one of them.

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The Avenger #02 - Houston Hellground

Journeyman Chet Cunningham authored a four book series from 1987-1988 titled The Avenger. It's an odd title because the series was released by Warner Books, a publisher that already had another Avenger title in their catalog. Warner published reprints and new titles of pulp hero The Avenger (released under the house name Kenneth Robeson) from 1972-1975, totaling 42 books. There's no connection otherwise between the two series, but it's nevertheless confusing.

The Avenger's second installment, Houston Hellground, was published in April 1988. I enjoyed the eponymous debut and this series does have a sense of continuity (unlike high-numbered titles like The Butcher). The first novel introduced us to Matt Hawke, a San Diego DEA agent who finds his wife brutally murdered by drug cartels. Strained by the chains of bureaucracy, Hawke breaks free by quitting the DEA and running his own brand of unsanctioned justice. After annihilating West Coast drug distributors, he sets gun-sights on a Houston kingpin named Lopez.

Cunningham is the quintessential “meat and potatoes” author, simplifying the story and lacing it with high-caliber action. Hawke's mission is two-fold: Rescue a DEA agent from Lopez's grip and cut the distribution lines in and out of the nearby port city. Teaming with a beautiful ex-cop named Carmelita, the two become a destructive force under Cunningham's skilled hands.

Houston Hellground delivers a ton of gunplay, increasing the violence a notch or two to properly satisfy seasoned (read that as bloodthirsty) men's action readers. Remember, this is a late entry published in 1988. There's a brutal torture scene that involves sexual assault – not for queasy stomachs. Further, Hawke and Lopez (who's fighting a rival) collectively waste every adversary in vivid detail. Surprisingly, I was lucky enough to be one of the few survivors. Houston Hellground is another solid entry in an entertaining, yet neglected series.

Fun Fact – Artist Greg Olanoff did the covers for the entire series. His model was Jason Savas, the same model he used for the first five M.I.A. Hunter books.

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The Butcher #23 - Appointment in Iran

Inspired by The Executioner, Pinnacle released a 35-book series titled The Butcher from 1970-1982. Under house name Stuart Jason, a majority of the first 26 installments were written by James Dockery. These can be read in any order and the concept is fairly simplistic: Bucher was a crime overlord of the Syndicate's East Coast Division. After personal conflicts, he left the business only to find a price on his head from the international underworld. The 23rd volume is titled Appointment in Iran, published in 1977 with cover art by Fred Love.

The book begins with Bucher waiting on his 21 year-old sex doll Caroline to arrive at his apartment. Instead, he receives a call from the Mob stating they have his lover and request a meeting. Weary of the invite, Bucher hesitantly accepts and walks a half-hour to a nearby bar to discuss the details. After an introductory firefight – Koosh! - Bucher meets with lower echelon hustler named Jake the Juggler before being escorted to see kingpin Sleek Pazulli.

The proposal is intriguing. Pazulli and the underworld will collectively lift the hit on Bucher for one international favor – they want an assassination performed in Iran. They give Caroline back as an opening gift, then offer Bucher the job which he accepts. Only the details of the hit won't be provided until Bucher arrives in Beirut. The whole thing seems ill-advised, especially when Caroline mysteriously tags along. What's her purpose other than being a lousy lay?

The narrative's second-half is a tight thriller as Bucher attempts to learn more about the Syndicate's involvement in the Middle East. Along the way he faces Israeli intelligence, Palestinian terrorists and the Syndicate once he discovers the identity of the assassination target (no spoilers). Dockery's best ideas revolve around Caroline. She's sexy, flirtatious and dangerous, leaving Bucher an agonizing choice on which “rod” to use.

I almost threw this whole series out after reading Dockery's horrendous Butcher debut, Kill Quick or Die. But, the cover art for Appointment in Iran seduced me and I'm thankful for it. The plot is easy to follow with a smooth narrative that led me to think this was written by Michael Avallone, who authored the last nine books of the series. But, according to Spy Guys and Gals, it was written by Dockery. I verified with a few resources online and it all led to the same conclusion. Nevertheless, Appointment in Iran was extremely enjoyable and provides a glimmer of hope that this series does include some gems.

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Paperback Warrior Podcast - Episode 13

We close out the month of September with a feature on Max Allan Collins and his series of books starring the hitman Quarry. Tom reviews "Quarry's Choice" from 2015 and Eric tackles the 23rd installment of 'The Butcher' series, "Appointment in Iran". Tom and Eric look back at the best of September and offer a sneak peek at October's lineup of reviews. Stream the show below or on any popular streaming service. Direct Downloads LINK Listen to "Episode 13: Quarry" on Spreaker.

Paperback Warrior Primer: The John Raven Mysteries

Considering the enormous success of series staples like “Mack Bolan,” “The Butcher,” and “The Penetrator,” it would make sense that publishers would want to steer their marketing and branding efforts into the look and feel of the Gold Eagle or Pinnacle product lines. Brutish bullies, fast cars and the damsel in distress surrounding bold fonts, a serial number, and an immortal gun-toting hero. These elements are the centerpiece of the book’s plot, so why not run with that for the marketing flair? Back in the day, every bookstore and pharmacy in America had a prominent display of these book covers depicting all of the above hallmarks of the 70s and 80s costume party known as the Men's Action-Adventure genre.

This packaging approach was an economic success story for a lot of publishers. But what exactly could publishers do when they didn’t really posses written content suitable for a Men’s Action-Adventure series? That seemed to be a problem confronted by Berkley Books back in the day, and they had an interesting solution to this lack of supply.

In 1981, book shoppers may have seen a new action hero adorning their paperback aisles. His name was Raven, and Berkley released “Raven #1 – Raven Settles a Score” in the US with a tag line that introduced “The playboy ex-cop in the sizzling new action series.” The cover design certainly dressed the part with the scantily clad woman, a sleek car, and a turtleneck-clad hero with gun-in-hand. New subscribers had a great opportunity to get in on the ground floor with this alluring new series. The problem with “Raven #1” is that it wasn't a new series at all. In fact, this novel was actually the sixth book in a pre-existing series originally marketed as the 'John Raven Mysteries' – and the story was a far cry from the cover’s promise of an extraordinary action-hero debut.

'Raven' author Donald MacKenzie received most of his official education at a hodgepodge of England, Canada and Switzerland's school systems. However, like so many of writers, his true education came through life experience. MacKenzie was jailed numerous times - once in the U.S. for five years and another time in England for three. In fact, his life was so tumultuous that he wrote two autobiographies chronicling his checkered past - “Fugitives” (1955) and “Gentlemen at Crime” (1956). He began writing stand-alone crime novels in the late 1950s, with titles like “Manhunt”, “Knife Edge” and “Double Exposure.” But it wasn't until 1974 that he really hit his stride.

The 'John Raven Mysteries' ran from 1974 through the writer's death in 1993. The series comprised 16 total entries about an ex-British Inspector named John Raven. It was published in England by Macmillan and featured standard and unremarkable mystery novel cover designs that bore zero resemblance to the gun-toting bold font and Raven branding that Berkley invented for this benign series. To their credit, the bland covers of the original novels made no attempt to deceive or rook their intended audience. The plots themselves are more international man of mystery stories. There's plenty of espionage, international escapades and a sense of heightened alert – but John Raven just isn't an action hero in even the broadest definition of the genre. They were more like Tom Clancy writing Sherlock Holmes starring Spenser. Not exactly 'Hawker' or 'The Revenger' as Berkley conveyed the series in their deceitful packaging.

The grift behind “Raven Settles a Score” was simple enough for Berkley. After obtaining the license from British publisher MacMillan, they falsely staged the books as a new American series by dressing them up in packaging dripping with testosterone. The publisher either didn't know the chronological order of the original stories, couldn't get the rights to the earlier books, or simply just didn't care. It appears that Berkley simply slapped a #1 on whatever book was handy to score some quick cash from ill-informed male book shoppers looking for some action.

Berkley’s opening shot, “Raven Settles a Score,” begins with a walk down memory lane among series regulars John Raven and Inspector Jerry Soo. The whole scene is confusing to the uninformed reader with talk about a recent marriage, Soo's current happenings and the presumed defeat of a villain named Drake. Later, some alliances form that were clearly the bi-product of some incidents in prior books from the British Raven mystery series. Any reader believing this was truly the opening episode in a new series is bound to be lost. To hamper things even more, the “Settles a Score” reference in the book's title actually refers to the prior book altercations between Raven and his nemesis, Drake - a malevolent figure in this book that Soo/Raven both want to defeat for the greater good. Again, there's very little action and most of the book is simply positioning characters in key locations where Korean Embassy officials are hiding bad deeds while utilizing drug squad members as cover. There's a damsel in distress, but she’s buried in dialogue and never actually seems to need Raven’s help all that much. In fact this whole novel (or the 95-pages I could tolerate) is really just a ton of dialogue among a humongous cast of characters with very little explanation or entertainment value.

Apparently, Berkley's ruse didn't generate an enthusiastic reaction among readers. The publisher ran only four titles before canceling the whole debacle:

Raven #1 - Raven Settles a Score (originally 1979's sixth entry)
Raven #2 – Raven in Flight (oddly the second novel from 1976)
Raven #3 – Raven After Dark (renamed from 1980's fifth book, Raven Feathers His Nest)
Raven #4 – Raven and the Paper Hangers (originally the seventh title from 1980)

The entire 'John Raven Mysteries' series:

Zaleski's Percentage (Macmillan, 1974)
Raven in Flight (Macmillan, 1976)
Raven and the Ratcatcher (Macmillan, 1977)
Raven and the Kamikaze (Macmillan, 1977)
Raven Feathers His Nest (Macmillan, 1980); US title Raven After Dark
Raven Settles a Score (Macmillan, 1979)
Raven and the Paperhangers (Macmillan, 1980)
Raven's Revenge (Macmillan, 1982)
Raven's Longest Night (Macmillan, 1984)
Raven's Shadow (Macmillan, 1984)
Nobody Here by That Name (Macmillan, 1986)
A Savage State of Grace (Macmillan, 1988)
By Any Illegal Means (Macmillan, 1989)
Loose Cannon (Macmillan, 1991)
The Eyes of the Goat (Macmillan, 1992)
The Sixth Deadly Sin (Macmillan, 1993)

Buy "Raven Settles a Score" HERE

Malko #01 - West of Jerusalem

I was left scratching my head at the recent news that Michael Fassbender will produce and star in a Hollywood film adaptation of the ‘Malko’ series of paperbacks by Gerard de Villiers. Why Malko? Why not Mack Bolan? Why not Donald Hamilton’s Matt Helm? The paperbacks I’ve seen on the used bookshelves sure don’t look like much.

The Malko series (called the S.A.S. series in France) began in 1964 and was written in French by Gerard de Villiers (1929-2013) with 200 installments and millions upon millions of copies sold. An English translation of the first book in the American numbering scheme, “West of Jerusalem” was released by Pinnacle Books in August 1973. The novel was installment #9 in France, but I get the impression that series order isn’t all that important in the Malkoverse, so I picked up a copy at the used bookstore to see what all the fuss was about.

The series hero is Malko Linge, an Austrian prince who graduated from Harvard in 1954 and has been working on a contract basis for the CIA for a decade when we join him in the 1960s. He inherited a castle in Austria that is in need of serious renovations, so he continues taking CIA gigs to generate sufficient cash flow to pay contractors. Malko’s foreign background provides the operative with instant cover and credibility while operating overseas. His public face is that of a dashing international jet-setting playboy - pretty much the truth for the Austrian nobleman. As is typical in these type of books, Malko is the best we have.

“West of Jerusalem” opens with the dramatic public suicide of the CIA director. His aides and colleagues are baffled by his mysterious demise and turn to Malko to investigate the reason. The trajectory of the case sends Malko to New York, Switzerland and beyond with plenty of action along the way. The novel has a block of key scenes in the 1960s psychedelic subculture - a setting I’ve always found annoying and cliched. There’s also some rather retrograde depictions of gay people in the story. Bear in mind, the paperback was originally published in 1967, so these quibbles are really just artifacts of the era.

Even though Pinnacle packaged the novel with a corny painted cover indicative of the publisher’s lowbrow early-1970s offerings, Malko has more in common with Ian Fleming’s James Bond than Don Pendleton’s Mack Bolan. Malko is a professional spy conducting an investigative mission in order to solve a vexing mystery. There’s plenty of violent action, but it’s never cartoonish or over-the-top as we see in The Butcher or The Penetrator paperbacks. Moreover, the villain’s plan is reasonable - nothing silly like a Nick Carter: Killmaster story. There’s also a realism to the author’s writing unseen in other big-font, painted-cover paperbacks of the era. The English translation is solid with no indication that the original manuscript was written in French. Moreover, this is a CIA adventure (as opposed to a French intel service), so readers of American spy fiction will find themselves on familiar cultural ground.

With some minor quibbles, I enjoyed the hell out of this fast-moving, well-written paperback, and I now have a better understanding why the series was wildly-popular in Europe. I can’t wait to hunt down other early entries and review them for you here. Regarding the forthcoming Hollywood adaptation, I’m no longer asking why. A better question is: Why did they wait this long?

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The Best of Manhunt

Running from 1952 to 1967, “Manhunt Magazine” was the premier American journal for hardboiled crime short fiction. The publication was originally conceived as a showcase for the literary aesthetic popularized by the work of Mickey Spillane and succeeded in finding a market for the finest crime fiction authors of the 20th century.

“The Best of Manhunt” is a 2019 anthology from Stark House Press containing 384 pages of stories from - and essays about - the legendary “Manhunt Magazine.” The non-fiction pieces were written by Lawrence Block, Jeff Vorzimmer, Scott & Sidney Meredith, and Barry Malzberg. More importantly, the anthology reprints 39 short stories from a who’s-who of mid-20th century crime fiction.

Reviewing 39 short-stories in one article wouldn’t be satisfying for the reader or reviewer, so allow me to provide some perspective on a sampling of the short works by authors we regularly cover here at Paperback Warrior.

“Mugger Murder” by Richard Deming

“Mugger Murder” is the first of two Richard Deming short stories included in “The Best of Manhunt” (the other is the fantastic “Hit and Run”). It originally appeared in the magazine’s April 1953 issue, and is narrated by police reporter named Sam. It’s a tidy little story about a coroner’s inquest surrounding a murder in an alley that may or may not have been committed in self-defense during a mugging. I think the story would’ve made a great first chapter to a novel, but it stands well enough on its own. Fans of Mack Bolan and vigilante fiction will really appreciate this one. Deming is an unsung master of crime fiction, and this story is a bite-size taste of his talent.

The Scrapbook by Jonathan Craig (Frank E. Smith

Jonathan Craig was a pseudonym used by Florida author Frank E. Smith. He wrote both noir and police procedural crime fiction with a sizable catalog of both short stories and full novels. “The Scrapbook” is from Manhunt’s September 1953 issue, and it’s the most dark and sinister story I’ve read by the author. Old Charlie has been working in a warehouse for years hauling boxes. He’s got his eye on Lois, a sweet young tease working at the same business. He thinks she’d be a nice addition to the scrapbook of women hidden in his home - all of whom are victims of sex killings coinciding with Charlie’s annual vacations. That’s all I’ll tell you here, but this is one of those stories that puts you smack dab into the mind of a real psycho, and it’s not a tale you won’t forget anytime soon.

Night of Crisis by Harry Whittington

While many of Harry Whittington’s novels remain in print, his short story output is awfully hard to find these days. For this reason, it’s a real treat to see this short story from October 1956 made the cut. “Night of Crisis” is about a guy named Jim who witnessed a tavern robbery that evolved into a homicide. The cops are grilling Jim rather hard for a guy who claims to be an innocent bystander to the crime. Upon arriving home, Jim’s wife and baby are missing. Could these things be related? This is one of the longer stories in the paperback, and it’s pretty suspenseful, not bad. However, it’s not one of the stronger stories in the anthology nor is it up to Whittington’s high standards.

Frozen Stiff by Lawrence Block

Lawrence Block wrote the Forward to the Stark House anthology reminiscing about his experiences with Manhunt when he was a young and struggling writer. The editors also included a clever short story from the future mystery Grandmaster called “Frozen Stiff” from June 1962. It’s a diabolical little story about a butcher who wishes to attempt suicide by locking himself in the walk-in freezer following his terminal cancer diagnosis. He wants his devoted wife to enjoy the life insurance proceeds without being crippled by medical bills. Of course, ending one’s life in that manner is easier said than done. As expected, this is a great little story and a perfect way to kill 15 minutes.

Conclusion

I’ve only dipped my toe into the water of this anthology, but I can already assess that this may be the greatest short story compilation I’ve ever owned. It’s certainly the one most in keeping with Paperback Warrior’s fiction obsession. The stories are brutal and filled with final-page twists - or in other words: essential reading. Highest recommendation.

Fun Fact Postscript:

Stark House’s “The Best of Manhunt” (2019) isn’t the first Manhunt anthology. In 1958, Permabooks released a paperback called “The Best From Manhunt” edited by Scott and Sidney Meredith. Don’t waste your money on the vintage paperback (like I did) because all 13 stories and the introduction are included in the new Stark House compilation - along with 26 additional tales. Another reason to buy the new one: So they’ll release a Volume Two...

This book was discussed on the fourth episode of the Paperback Warrior Podcast: Link

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The Vigilante #05 - Detroit: Dead End Delivery

Despite the off-putting artwork, 'The Vigilante' series is surprisingly engaging. Debuting for men's action publisher Pinnacle, the series began its six-book journey in 1975 under the direction of paperback promoter Lyle Kenyon Engle and writer Robert Lory. The series' through story is everyman Joe Madden avenging his wife's murder over the course of six-weeks. Following the geographical format of long running series like 'The Executioner', 'The Butcher' and 'The Penetrator', each novel presents a new city to host Madden's vigilance. This fifth novel, “Detroit: Dead End Delivery”, was published in 1976 and is only the second series installment to feature a painted cover.

Madden, a structural engineer by day, utilizes his consulting firm as a useful cover. As a frequent flier, Madden's newest assignment is an awards show in Detroit to accept a career accolade. But the Motor City has a lot more to offer, evident in Madden's social engineering on a back-alley where the novel's traditional opening chapter pits the “The Vigilante” against a criminal duo.

Later, Madden meets with an old friend named Hart and a private detective, Voll. Hart works for Regius Developments, an innovative manufacturer designing a new concept in automotive engines. Hart explains to Madden that the company has experienced an inside theft of two-thirds of their development. Hiring the P.I. Voll, the two suspect that an executive named Elliott Tander is behind the theft. However, the suspicion seems slightly misplaced; Tanner is married to the company's majority owner. What's the motive?

The Vigilante certainly doesn't place its limelight on executive, white-collar crime. Within 100-pages, “Detroit: Dead End Delivery” gains genre traction when Madden discovers the crime-ring. From hired killers to gambling debts, Madden stumbles into a powerful Detroit Syndicate that may have ties to his prior wet-work in Chicago and New York.

This is an enjoyable sixth installment that sets the stage for the series finale in Washington D.C. Madden's self-reflection begins to gravitate from anger and grief to remorse. In one poignant scene, Madden is approached by an attractive woman who asks about his career. His guilt-ridden, somber response conveys the character's blackest emotions: “I Destroy”.

After five-weeks and 42 kills (4 of which were female), the series finale, “Washington D.C.: This Gun for Justice,” is shaping up to be an explosive finish. Coming soon...

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The Butcher #01 - Kill Quick or Die

The 35-book series The Butcher was conceived by the Don King of the paperbacks – Lyle Kenyon Engel. Like many of these 70s and 80s action-adventure yarns, a series of literary works about a hot-headed, globe-trotting gruff crime fighter was really par for the course. Based on the overwhelming success of Pinnacle's own The Executioner, Engel formed The Butcher in 1970 as a Pinnacle property possessing a rotating author schedule under house name Stuart Jason. Aside from Lee Floren's contributions to books 10 and 11, James Dockery wrote the first 26 novels. Michael Avallone authored the last nine.

Kill Quick or Die is the series debut and provides the obligatory origin. Bucher has enforced Syndicates for a number of years, but has a change of heart and leaves the rackets. Joining a mysterious crime-fighting organization called White Hats, Bucher receives assignments to battle international crime rings. In doing so, he must contend with the Syndicate and the lucrative contracts they offer for his demise. 

Our introductory mission is tracking down a Chinese scientist named Dr. Fong who's invented some type of micro-transformer that holds a lot of energy. If the bad guys can gain access to it's power, they control Earth...somehow. None of it really makes any sense, but the reader tags along as Bucher fights the baddies in places like Atlanta, Cairo and Israel. 

Meeting a former lover named Tzsenya, the two team-up on a Middle Eastern conspiracy to pipeline wealthy terrorists into the US. Bucher aims to stop the pipeline, but wants to learn how the pipeline works. Putting Dr. Fong and the micro-transformer horseshit aside, Bucher finds a torture fiend named Lobertini who melts his prisoners in the bowels of an old castle. Thus Fong, Lobertini, escaping the hitmen and avoiding Tzsenya's lovemaking invites (Bucher doesn't mix pleasure and business) is the entire premise of the novel. 

Normally, this sort of thing we could file under Killmaster and for the most part just have a lot of silly fun. Unfortunately, Dockery is underwhelming as a storyteller. His abstract writing style (read that as flaky) has more in common with Joseph Rosenberger, another author that I steer clear of. With Kill Quick or Die, and subsequent entires, Dockery uses pulp language to describe 70s action. Our hero routinely says things like “Shuck your heater” or jabs with “Son of camel filth” insults. Dockery describes shots like comic books – Koosh! 

Overall, the plotting is so convoluted that I stopped caring by page 100. It's a literary minefield of bad writing. Kill Quick or Die is simply bad fiction. Here's the pot calling the kettle black – why would anyone spend time reading bad fiction when there's hundreds of golden gems of the 50s, 60s and 70s left to explore? I weep for the time I've wasted on so-called genre classics like The Butcher.  

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