Chopping Mall: The Novelization

Roger Corman's Concorde Pictures released Chopping Mall in 1986. The origin of the film's production stemmed from Corman's wife Julie negotiating a distribution deal with Vestron to create a horror film with a shopping mall locale. B-movie screenwriter, director, and producer Jim Wynorski joined the project to write the script (with Steve Mitchell) and direct. This was a partnership with the Cormans that would fuel future cult hits like Big Bad Mama II, Deathstalker 2, and Sorority House Massacre II and III (aka Hard to Die or Tower of Terror). Chopping Mall (initially titled Killbots) had a limited theatrical run but became rental store sustenance for millions of VCRs in the 1980s. Very few teenagers could pass up the amazing font and cover art.

In 2013, author, producer, and editor Mark Alan Miller teamed up with Shout! Factory to release the director's cut edition of Clive Barker's Nightbreed. Now, in 2024 Miller is the founder and president of the nostalgically modern publisher Encylopocalypse, which concentrates on horror, science-fiction, and action novels as both original content, reprints of prized vintage fiction, and new, fresh novelizations of cult films. His former collaboration with Shout! Factory inspired Encyclopocalypse to novelize Chopping Mall, which had previously never been novelized. Shout! Factory owns the rights to publish Roger Corman's film library. The marriage is a perfect curtain-jerk into more Corman films hitting the printed page. 

Chopping Mall's novelizations is by Brian G. Berry, an author of over fifty novels and the founder of Slaughterhouse Press. His most well-known series titles are Shark Files, Slasherback, and VHS Trash. Berry's experience with horror and his novelizations for SRS Cinema makes him the perfect fit for Chopping Mall: The Novelization (release date Nov. 19, 2024).

Berry's take on Chopping Mall mostly follows the film version, which is how I like my novelizations. After just reading Michael Avalonne's Friday the 13th 3-D novelization, which seemingly was written from a different script completely, I appreciate Berry's artistic integrity to preserve the film's original design.

The book, and film, concerns a technological advancement occurring at Park Plaza Mall. To detract theft and unruly behavior, Park Plaza has installed three robots deemed The Protector. They are armed with deadly, flesh-piercing devices like tasers, lasers, C-4 explosive, and pain-inducing pliers when in a pinch. The exterior of these robots is bulletproof. Why any of this is necessary at an average 80s shopping mall is never explained in the film other than security measures. 

One night after the mall closes for business, teenage employees stay late and converge inside one of the mall's furniture stores with their mattress mate. When a lightning storm frays the building's electronics, the robots are glitched and begin hunting the teens in the mall. These mop-headed survivors fight for their lives by stealing firearms, paint supplies (boom!), and other hardware to combat the run-amok robots. Like any 80s horror film there is the proverbial “final girl finale” to keep the faith. 

Berry's novel weighs in at 136 pages and presents these horrifying, stomach-clinching scenes of terror with enough descriptive detail to make it a bloody good time without being distasteful. I loved the breezy flow, shorter chapters, and the quick dismissal of the unimportant characters – pop, chop, and tase for (time) savings.

Unlike the film, Berry goes one step further and doesn't rely on the last page's embrace to welcome the credits. Instead, he includes a four page Epilogue titled “Protector 2.0” that explains the U.S. Army Special Weapons Division, funded by the Defense Department, staged this mall annihilation as an exercise to test how the robots would perform in combat. Berry also includes a scene from an undisclosed testing facility in California where the robots have killed a number of people before finally biting the hand that feeds in Dr. Vanders, in this case ripping her scalp from her head and shoving it in her mouth. Brian Berry can be nasty when he wants to be. 

Chopping Mall: The Novelization is a delightful retail rampage placing consumer combatants into an arena of oncoming death. Or debt from those monstrous credit card machines fueled on American capitalism and 80s excess. That's the believable horror story.

Update - This book was pulled by the publisher for internal discord with the author. I have a full interview with the author discussing the snafu and his position in defending his work. View that interview HERE.

Friday the 13th - Friday the 13th Part 3

In one of the more bizarre occurrences in paperback history, two film novelizations occurred for Paramount's Friday the 13th Part 3 (often listed with III). The first was authored by Michael Avallone, a crime-fiction author that wrote the popular Ed Noon series of detective fiction as well as early installments in the Nick Carter: Killmaster series. Avallone wasn't a complete stranger to spookville. He also wrote gothic romance novels that possessed a familiar supernatural scent that appealed to 1970s readers. His F13 novelization was timed perfectly for the release of the film to theaters in 1982. However, Signet hired Simon Hawke, who had previously penned the prior two Friday the 13th novelizations, to write his own novelization of Friday the 13th Part 3 in 1988. Weird, right?

I like Avallone's writing so I chose to read his take on the film first. As a kid, I rented Friday the 13th films so much that the tapes were at my house more than the rental store. I also camped in front of cable television in the late 80s watching the USA Network air the films every Saturday on the Captain USA show or their Saturday Nightmares prime-time spot. Needless to say, I knew what the next page was going to offer. 

Avallone mostly sticks to the script for 90% of the book. If you haven't seen the film, this one has Jason attacking teen visitors at a nearby farm called Higgins Haven, which is adjacent to the Camp Crystal Lake original battleground. Many fans call this film “the barn one” because the action and body count intensifies in that dwelling. Plus, there's plenty of sharp things in there to penetrate soft bodies.

The hero of the film/book is Chris, a young woman that lived a horrifying ordeal as a child when she saw Jason Voorhees face to face in the woods. While she's dealing with repressed memories of that night, she orchestrates an outing to visit the lake where the murders occurred. She brings friends along that just make for easy slasher fodder – two potheads, a horny couple, a creepy lunatic nerd, and another sensible girl. She also brings her boyfriend Andy along for the massacre as well.

Jason begins hacking his way through the characters, including three black bikers, until Chris is the proverbial last girl. Avallone's writing borders on satire at times as if he is secretly rolling his eyes at the ludicrous concept of the undead killer killing...again and again. The perfect example is his take on the imbecile police in the third chapter, aptly titled “Give Him the Axe!”. Avallone is such a great storyteller that he is able to draw out some of the tension and cat-and-mouse intrigue to heights that even rival Harry Manfredini's intense musical score. 

The book's ending drifts into a different version than what is seen on film. In this book's ending Chris completely decapitates Jason whereas in the film she simply cleaves him in the head with an axe. Big difference. She also awakens in bed with the doctors and police outside in the hallway questioning her sanity. She escapes the room and journeys back to the barn to search for clues that the murders actually happened. She wants to prove that she didn't make all of this up. She finds a leg, a foot, and an arm in the hay before Jason decapitates her. The police then go check on Chris and find her still in bed. The whole scene was a nightmare. 

In the film, one of the best segments is when Chris escapes to the canoe and at dawn she sees Jason peering from a window before Mrs. Voorhees corpse erupts out of the water, which is later proved to just be a nightmare. Avallone omits this segment. I took a peek at Simon Hawke's treatment and he kept his novelization strictly to the film version, which may be why he was hired to do another novelization of the film in the first place. 

I love the Friday the 13th films in the same way that any old timer will tell you they loved all of the Hammer and Universal horror films when they were a kid. Jason, Michael, Freddy, and Leatherface have become the new Wolfman, Dracula, Frankenstein, and The Mummy. This book is a nostalgic trip through time but also showcases a superb writer doing the most he can with an unrealistic story. For that, I applaud the effort. This is an entertaining read.

Halloween - The Scream Factory

The Halloween film franchise has been going strong for nearly a half-century. Who knew that a babysitter killer could spark so much interest from fans while simultaneously creating enough timelines and multiverses to compete with Marvel Comics. Depending on your level of fandom, you are just casually watching Michael Myers stalk his prey through 11 films (Halloween III doesn't count) or piecing together the various movies into separate timelines. For me personally, this is my favorite horror franchise and I watch the films religiously. In my mind, I've organized them all into various categories and timelines, but I've never bothered with the novels. 

In paperback format, there are novelizations for seven Halloween films and at least one fan-fiction novelization (Halloween 5 by Jake Martin). However, besides the novelizations, Berkley published three original paperbacks in the late 1990s – The Scream Factory (1997), The Old Myers Place (1997), and The Mad House (1998). These three novels, averaging 150 pages, were catered for young adults and featured Michael Myers doing what he does best – hunting teens in Haddonfield, IL. The books were authored by Kelly 'O Rourke (aka Kelly Reno) and aren't related to each other. These are stand-alone stories. This review is for The Scream Factory, the first of the three paperbacks. 

Ultimately, this novel only references events in the 1978 Halloween film. There is a mention of a body count, but it isn't correct. The book ignores any sequels, which makes it much easier to simply enjoy as a stand-alone horror novel. The knowledge that the Halloween film ended with Michael Myers being shot by his doctor and then disappearing is the only prerequisite needed. 

It's now 1997 and the small town of Haddonfield talks about Michael Myers as if he is an urban myth. The town's youth mostly designates the killer as a thing of legend, nothing more, nothing less. Myers hasn't been seen since 1978. High school student Lori Parker collaborates with her friend Sally to throw a large Halloween party in the basement of Haddonfield City Hall. The party, aptly titled The Scream Factory, will be a gathering of high school students and a local band (fronted by Lori's romantic interest). 

The events prior to the party leads to Myers appearance. In a series of murders, Myers begins killing some of Lori's friends and members of the town's staff. Myers is described as being covered in mud and having dirty hair, which brought to mind the imagery of “homeless” Myers in Rob Zombie's Halloween remake. Myers also does some things that are more in line with Jason Voorhees (Friday the 13th), showing supernatural strength by dragging a large tree across a highway. But, at other times he is calling Lori on the phone and making bizarre noises or placing jack 'o lanterns at various locations (with a knife). Rather odd behavior that seems to contrast with the movie versions.

The Scream Factory isn't great, nor is it scary. But, I will state for the record that this is more of an “adult” horror novel than young adult in terms of savage violence and some gore. I'm not completely convinced this is a young adult book despite the clownish cover art. If you just have to consume everything Michael Myers, then by all means read this. Otherwise, just stick to the films, novelizations, and the occasional graphic novel.

Buy a copy of this book HERE.

Friday the 13th - Mother's Day

The Friday the 13th film franchise isn't a stranger to media tie-in fiction. Nicholas Valentin Yermakov, using the name Simon Hawke, authored four novelizations of film installments (Friday the 13th I, II, III, VI) and popular crime-fiction author Michael Avallone also authored a novelization, Friday the 13th III (using an alternate ending not filmed). Arguably, the film franchise “jumped the shark” long before 1993, but it was this year that the Jason Voorhees character ventured into an unusual area – Hell.

After seven films of Jason attacking camp counselors, the eighth film, Jason Takes Manhattan, placed the hockey-masked murderer on a yacht and in Manhattan of all things. But, as odd as that film was, it would pale in comparison to the wildly outrageous Jason Goes to Hell. 

1993's Jason Goes to Hell re-positioned the unstoppable undead character into a more supernatural universe that incorporated other people performing as the Camp Crystal Lake killer. In this film, the long rumored idea of Camp Crystal Lake being haunted or cursed comes to fruition. Jason's heart is apparently affected by a supernatural power, so when a possessed coroner takes a bite out of Jason's heart, he becomes the killer. Through the course of the film, various people are “possessed” by Jason's curse. While some fans embraced the film, others felt it went a little far and distanced itself from what made the film franchise so successful – suspense, atmosphere, terror. Jason Goes to Hell also kick-started more unusual franchise additions like Jason X (Jason in space!) and Freddy vs Jason. 

If nothing else, Jason Goes to Hell does deserve some credit for thrusting the film franchise back into media tie-in fiction after a seven year absence. In 1994, Berkley published four young-adult novels that tie-in to the events that took place in Jason Goes to Hell. These four stand-alone novels, Mother's Day, Jason's Curse, The Carnival, and Road Trip. The books were all authored by William Pattison using the pseudonym Eric Morse. In 2011, Pattison released a fifth book, The Mask of Jason Voorhees, as a free PDF download. Being a fan of the film franchise, I decided to try the books out beginning with Mother's Day.

After numerous murders, Camp Crystal Lake now lies abandoned. Somewhere in the vicinity, a hunter named Joe Travers is stalking through the forest and stumbles on a white stone. Curious about the stone, Travers begins digging beneath it and discovers a rotted cardboard box containing Jason's deceased mother's head, which is somehow alive. The head begins to talk to Joe and gives him specific instructions to obtain construction equipment to dig up Jason's hockey mask. In doing so, Joe dons the mask and becomes possessed by the spirit of Jason Voorhees. 

In Newkirk, Massachusetts, the book's young protagonist, high-schooler Carly receives an invite from a high-school dropout named Boone. The plan is for Boone, Carly, and four other kids to take a weekend trip to Camp Cystal Lake to party. Carly, a shy virgin (the prerequisite for Final Girl material) agrees to go if her mother will consent. Later, Carly discovers that Boone called her mother and pretended to be a teacher to gain permission for the trip. So, these six kids head to the abandoned Camp Cystal Lake campground where Jason Voorhees is now alive and well through the body of Joe Travers. This should be fun.

Like the film series, the campers receive a warning when they stop for gas just outside the campground. A man named Ned warns the group “...there's evil in the air all around this lake. If you live here too long, it gets in your blood, it gets you thinking bad things.” Later, readers discover how true that statement is when it is disclosed that Ned lives in a house with his mother's dead body. Obviously, the campers ignore Ned's warning and embark on the camping trip.

Pattison's storytelling is fast-paced and surprisingly violent considering this is a young-adult novel. At just 114 pages, the body count begins to rise around page 80. With six potential victims for “Jason” to prey on, the action moves around the campground with familiar kills happening in the lake's water, around the cabins, and in the dense forest. As the body-count dwindles to just Carly (not a spoiler, anyone worth their salt should realize she is the survivor), the book encompasses that same frenzied feeling executed by the various films – final girl versus Jason. The chase scenes scurry around locked cars, wrecked motorcycles, open graves, and the hiking trails around the lake. 

It was obvious that Pattison really enjoys the Friday the 13th franchise, and his writing was top-notch even with the irritating teenage point-of-view (boy-chasing, social uneasiness). In terms of the violence I alluded to earlier, the book also presents some nightmarish sequences containing slimy grotesque worms. The combination of hack 'n slash and supernatural elements was excellent. If you enjoy the film franchise, then I highly recommend Mother's Day. It has everything you know and love about the films.

Buy a copy of this book HERE. 

The Yuletide Butcher

According to his Amazon bio, author Mike Duke was a police officer for 12 years and now instructs military, law enforcement, and bodyguards blade and hand-to-hand combat techniques. He's a fan of horror and science-fiction, which I assume led to his love for writing it. In 2021, he launched a three-book series of science-fiction novels called Amalgam. His horror books include Crawl, Ashley's Tale, and Low. My first experience with the author is his Christmas-themed horror novella The Yuletide Butcher, released in 2021. 

For 20 years a killer nicknamed “Yuletide Butcher” murders a random person in Detective Rick Allen's city (Allen with two arms, not one). The killings are innovative and feature a calling card. The killer places holly leaves in one of the body's natural, or newly created, orifices. This year, the city has called in an FBI agent to review Allen's most recent profiling in hopes of avoiding another senseless murder.

While all of that is sorting itself out in the narrative, the author also has another storyline fashioned about a jaded suburbanite family man that becomes mentally unhinged. Jack Randal engages in a heated argument with his wife at a nearby shopping mall. He leaves the wife and kids and checks in at a hotel with his favorite hooker. After numerous sex romps, mostly off the page, Randal comes up with an idea. 

The day before Christmas Eve, he breaks out his fake ID (that he just happened to reserve for this very occasion) and meets with his accountant to transfer all of his money to an offshore account so it can't be traced. Together with his tramp, the two can go to Cambodia and live it up exploring exotic temples. But, he has some baggage to sort through that may involve killing a family, staking their corpses on the lawn, and then burning down their house. Could this Jack Randal crazy family man be the Yuletide Butcher? Can Detective Allen and a stereotypical idiot FBI agent trace the clues?

This 55-pager isn't fantastic by any means. In fact, it is just downright stupid at times. Like the police officer asking Randal's wife if they can check her spouse's credit report and credit card transactions. How, or why, would she have anything to do with providing permission? Or, the FBI agent shocked to discover that the detective actually used profiling techniques to narrow down the suspect list. Or, the entire investigation halting because Randal's “basement door” is locked and there's no key. Or that the guy is paying for dirty movies on PPV at the hotel. Who does that in the 21st century?

However, as a kooky horror tale loaded with violence and horrific outcomes, The Yuletide Butcher is still a wildly good time. Think of it as watching a late Friday the 13th installment – you suspend disbelief to have a good time watching people maimed and knocked off in savage style. If you can do that, and not be offended by grotesque brutality, then these 55 pages will just fly by and you'll ask for a sequel. So, Mr. Mike Duke, is there a sequel? Please take my money, or at the very least show me where that life-size Alien Xenomorph statue is from the book's biography page. 

Buy a copy of this book HERE.

To the River's End

Rant - Kensington continues to swindle their fan base by suggesting that William W. Johnstone, who died in 2004, is still alive. On the back inside cover of the publisher's recent release, To the River's End, it states, “William W. Johnstone IS the New York Times and USA Today bestselling author of over 300 books...” Further, it states that he authored titles like Flintlock and Will Tanner: Deputy U.S. Marshal. The fact of the matter is that Mr. Johnstone had been dead over 10-years by the time those books were actually authored by ghost writers. Additionally, it states J.A. Johnstone is the co-writer of this book and that she had a hand in writing a number of prior titles. The reality is that she is Johnstone's niece, heir to the empire, and she hasn't written a published word. The back cover proclaims to readers that William and J.A. “...are the greatest western writers of the 21st century.” Hell, it even states you can email Mr. Johnstone at dogcia.two@gmail.com. If he responds, then I'll tap-dance on water and turn your milk into moonshine. 

Review – To the River's End hit store shelves in October, 2021 and is only the second trade paperback to emerge from the William W. Johnstone camp. Unlike prior Mass Market Paperbacks, this one has a different color scheme, texture, art design and feel. The only other trade paperback that I'm aware of being the Target exclusive, Go West Young Man, from May, 2021. As I stated above, the cover states this is authored by William W. Johnstone and J.A. Johnstone but in reality it is written by one of a handful of revolving ghost writers – some great, some mediocre and some just plain 'ole bad. 

The book is about two trappers, Luke Ransom and Jug Sartain, that partner up to independently capture beaver pelts in the fertile Rocky Mountains. Luke is the weapons expert and fighting man while Jug provides the comedy and tasty biscuits. While the two are skilled trappers, their fierce independence makes them a vulnerable target for the Blackfoot tribe. Without the support of the American Fur company or Hudson Valley, their presence alone infuriates the Blackfoot tribe. This rivalry is the premise of the book.

Like an assembly line, Luke kills the approaching Blackfoot throughout the long winter. But, not just fighting and killing them. It's a slaughterhouse so thick that the main problem isn’t the amount of Blackfoot warriors. Instead, Luke's biggest issues are A) Where to dump all of these bodies and B) What to do with all of the horses he acquires after mowing down these presumably inexperienced, incompetent Native Americans. Jug plays second fiddle and exists just to be shot twice and then nursed back to health. 

To the River's End would be a gripping cold-weather survival tale ripe with action if the protagonists actually faced stiff opposition. Instead, it's like a Friday the 13th film where the immortal Luke elevates the body count using knives, arrows and lead. Readers, you deserve better than this. Author, whoever you are, I'm glad you are working and being paid to write. Everyone deserves the right to make a living with the talents they possess. However, I wish you had more time to write quality books instead of meeting deadlines for this sketchy western brand.

Get the book HERE