Slave Island

Author Simon Finch was born in Rio de Janeiro, where his father served in the Diplomatic Corps. Finch was educated abroad before attending university in England for studies in Classical History. His first three novels consist of the Vesuvio Trilogy, including Golden Voyager (1978), Pagan Voyager (1979), and Voyager in Bondage (1981). Avoiding any heavy lifting, I opted to try Finch's stand-alone novel Slave Island, which was originally published by Souvenir Press in 1983 as a hardcover, then later in 1984 in paperback by Pan with an amazing cover by Gino D'Achille.

The 300-page paperback begins in Boston with Billy Peake, a young English colonial, awaiting a shipment of Mexican silver to arrive on a convoy ship. However, the ship's captain and a local businessman named Easton conspired to swindle Peake out of the cargo. After convincing Billy to rut out all of his frustrations at the local whorehouse, the two get Billy drunk and throw him on a ship destined for Africa's slave coast. Two days later Billy awakens to find himself in bondage. 

Arriving in Africa, Billy is placed into caged slavery and forced to mate with a young white woman named Jenny. At first Billy refuses, but as time marches on the two do the wild monkey dance and get it on. Then, the two are forced to walk with a parade of slaves across the continent to an island north of Madagascar named Slave Island. It's a prison dedicated “for the worst Arabian, Turk, and European scum, a Tower of Babel in the ocean for more sinner than saints.”

I know what you're thinking – this sounds awesome! A wild adventure ripe with jungle savagery, the inevitable fight to the death on an island prison, nautical battles, and a revenge plot as Billy fights his way to freedom in the Hellish heat of Slave Island. Well, scratch all the excitement off that excursion list. This literary cruise is headed to a penis extravaganza led by a phallus-obsessed captain named Simon Finch.

I mentioned the page count earlier. Out of those 300 pages, approximately 200 is dedicated to just straight, plain 'ole porno. I'm fairly certain Finch is making up for something because nearly every word is “phallus”, “penis”, “meat”, “sheathed manhood”, “prick”, “throbbing member”, “shaft” or just “dick”. I thought author Dan Streib was fascinated with genitalia, but he's no stiff competition for Finch. This dude is dialed into dick in a big boner way. 

Look, Savage Island is mostly what I would consider a plantation novel or a slave gothic. Lots of African American men being sold into slavery and forced into wild sexual encounters with lonely white women. If that's your thing, you may dig this. There's also plenty of cathouse antics, tons of rape, and some wild (I mean wild!) stuff with dicks being sliced off and stuffed with sand and then being placed on sticks to...well you get it. Maybe 100 hundred pages is the rough and tumble adventure stuff, which is where I like it, and I mostly just skipped all the graphic sex. If you like the plantation stuff, Slave Island is probably a must. There's nothing particularly discouraging about Finch's writing other than his unhealthy fixation on dick. I'm not reading a word of the author's other stuff and will count Slave Island as a one-time sentence. I'm sure I'll never be a repeat offender.

Buy a copy of this book HERE.

Paperback Warrior Primer - Nick Carter: Killmaster

The character of Nick Carter (or Nicholas Carter) was created by Ormond G. Smith and John R. Coryell in 1886. Smith was heir to the New York City publisher Street & Smith, the early catalyst for dime novels and pulp fiction as far back as 1855. Smith wanted a private-eye or detective character similar to Old Sleuth or Old Cap Collier to star in various forms of media. The first Nick Carter literary appearance began in New York Weekly, September 18, 1886, in a story called "The Old Detective's Pupil" or "The Mysterious Crime of Madison Square." The serial ran 13 total installments with the setting mostly being Victorian-Edwardian New York.  

Carter is described as 5' 4" and having bronze-skin, gray eyes, dark hair and a square jaw. The character was trained by his father, Old Sim Carter, to fight criminals, essentially becoming the opponent of global evil. He's a genius that is inhumanly strong and a master of disguise. The character was so popular with readers that Street & Smith created the Nick Carter Weekly dime novel series. These stories would later be reprinted as stand-alone titles under New Magnet Library. 

With its premier issue on October 15, 1915, the Nick Carter Weekly publication transitioned into Street & Smith's new Detective Story Magazine (just 10-cents twice a month!). The magazine ran 1,057 total issues, most of which concentrated on short crime-fiction with appearances from pulp heroes like The Shadow. The magazine's first 20 years featured covers by illustrator John A. Coughlin. In 1935, the magazine began suffering financial stress and officially stopped publishing in 1949.

Between 1924 and 1927, Street & Smith attempted a revival of the Nick Carter character in the pages of Detective Story Magazine. These stories also featured many of the same villains that Carter had faced in the prior Nick Carter Weekly publication (Dazaar the Arch-Fiend, Dr. Quartz, etc.). It seemed as if Carter's appearance in literature was over in 1927, but due to the success of The Shadow and Doc Savage, Street & Smith revived the character again. Between 1933 to 1936, the Nick Carter Detective Magazine was published. These stories introduced Carter as a more traditional hard-boiled detective. 

Beyond the page, two Nick Carter shows were featured on radio. Nick Carter, Master Detective radio show aired on Mutual Broadcasting System from 1943 to 1955. Nick Carter's son was the star of Chick Carter, Boy Detective from 1943 to 1945, followed by a film in 1946 under the title Chick Carter, Detective.

In 1908, the French film company Eclair ran a six-episode series starring Pierre Bressol as Nick Carter. Two French films were released, Nick Carter va tout casser (1964) and Nick Carter et le trefle rouge (1965). In Germany, four silent Nick Carter films were released: The Hotel in Chicago (1920), The Passenger in the Straitjacket (1922), Women Who Commit Adultry (1922), and Only One Night (1922). In the US, MGM released a trilogy of Nick Carter films: Nick Carter, Master Detective (1939), Phantom Riders (1940), and Sky Murder (1940). A television show called The Adventure of Nick Carter filmed one pilot, later released as an ABC movie.

The pulp version of Nick Carter continued in comic book form, with appearances in The Shadow, Army & Navy, and Doc Savage comics from 1940 through 1949. There was also a 1972 Italian comic strip and a Nick Carter comic book series from 1975. It lasted 12 issues and stars a character named Nick Carter that is a British soldier in WW2. However, it is not related to the Nick Carter spy series.

Little did fans know that a British secret-agent named James Bond would play a part in reviving the literary character 37 years later.

In the 1960s, Lyle Kenyon Engel began his plunge into paperback publishing. He was heir to his father's magazine publishing company, but sold that to become a publicity agent (supposedly one of his clients was the Today Show) and also a producer of children's records. To make an impact in publishing, he revived the familiar character of Nick Carter to capitalize on the 1960s spy fiction market. 

Nick Carter: Killmaster debuted in 1964 as a marketing attempt to cash-in on Ian Fleming's James Bond. The character was reinvented as a secret agent instead of a detective or private-eye. These novels were to be international adventures with a more robust approach compared to the serials, pulps and dime detective magazines. Basically, everything prior to 1964 was erased and this series was a complete reboot.

The general theme is that Nick Carter is an American secret-agent or spy working for an organization called Axe. The organization's leader is David Hawk. Axe and Hawk work closely with the American government and Hawk answers to "The Chief", presumably the U.S. President. Carter is referred to as N3 and we know there are other agents like him, also known as an N/number combination. In the first book, Run Spy Run, readers learn that Carter served in WW2 and also worked for OSS, the pre-cursor to what is now known as the CIA (like Matt Helm). Read our review of the book HERE.

One of the predominant characteristics of this version of Nick Carter is the three weapons he uses in the field. In the debut novel, it is explained that Carter took a Luger handgun from a German SS officer he killed in Munich during WW2. Carter named the gun Wilhelmina and it's included in nearly every novel. Hugo is the name for his Italian stiletto. He also carries a marble sized gas pellet that goes by the name Pierre. Carter can twist each half of the marble in separate directions and it will release a deadly toxin within 30-seconds, giving Carter enough time to flee the area. 

The Nick Carter: Killmaster series became immensely successful, running from 1964-1990 and offering 261 total novels. Each book on average sold 115,000 copies. Ironically, the series just lists Nick Carter as the author. The real authors aren't credited on the book's copyright page, a painful trademark of the series that frustrates readers, fans and collectors to no end. Engel typically split 50-50 with the authors he hired. He demanded lightning fast work, sometimes novels written in less than three weeks to meet furious deadlines. These books were released monthly, first by Avon and then later by Charter.

Notable author statistics:

- Valerie Moolman authored or co-wrote 11 novels between 1964 and 1967.

- Michael Avalone authored or co-authored 3 novels in 1964

-Manning Lee Stokes, of Richard Blade fame, wrote 18 novels

-Popular crime-fiction author Lionel White authored one Nick Carter book, the 18th installment from 1966. This was his second foray into spy fiction. He also wrote a stand-alone novel called Spykill under the name L.B. Blanco.

- Jon Messmann wrote 15 installments. Messman was a heavy contributor to action-adventure paperbacks. He was behind the popular adult western series The Trailsman along with the short-lived series titles Handyman: Jefferson Boone and The Revenger.

- George Snyder did 8 installments. He also wrote novels for the Grant Fowler series.

- Ralph Hayes authored 8 volumes in the series. He is known for his John Yard: Hunter series and Check Force among others.

- Martin Cruz Smith wrote 3 installments. Smith is primarily known for his Arkady Renko series that is still current to this day. The 1983 film Gorky Park was an adaptation of that series debut.

- Surprisingly, Chet Cunningham only wrote 1 book, # 72 Night of the Avenger, that was co-authored with Dan Streib. 

- Dennis Lynds authored 9 and his wife at the time, Gayle Lynds, wrote another 4. I've read one of Dennis Lynds' novels and I really enjoyed it. It was #211 Mercenary Mountain and it is reviewed HERE. Many will know Dennis Lynds as American author Michael Collins. He wrote the popular Dan Fortune series before his death in 2005.

- Saul Wernick wrote 5. Many remember him as writing the first Mack Bolan novel after Don Pendleton sold the series to Gold Eagle. 

- David Hagbert authored 25 books. He is primarily known for his CIA series starring Kirk McGarvey. 

- Death Merchant creator Joseph Rosenberger wrote 1.

- Jack Canon is the heaviest contributor with over 30 installments. I lost count, but I think it was 35. Not to be confused with Nelson Demille pseudonym Jack Cannon. 

- Robert Randisi authored 6 in the series. He's a respected western writer who also wrote 3 Destroyer books as well.

- Joseph Gilmore wrote 8.

- There are numerous authors that authored three or less that I haven't mentioned, but you can find a detailed list on spysandgals.com or Wikipedia.

- There is yet another Nick Carter series that ran from 2011-2019 called Project. It's written by Alex Lukeman and again features a starring character named Nick Carter that is an anti-terrorist sort of hero. Again, not related to the Nick Carter spy series.

Lyle Kenyon Engel would go on to create Book Creations in the 1970s. Ultimately, it was a cash cow and a rather unique company. Engel would create a series, imagine the story, hire authors to write it and even create book cover art. Then he sold these to various publishers. He was the paperback king and died a multi-millionaire in 1986. 

You can listen to the Paperback Warrior Podcast episode dedicated to Nick Carter HERE and the episode spotlighting Lyle Kenyon Engel HERE.

Paperback Warrior Podcast - Episode 18

You’re in for a real treat this episode as Tom discusses his favorite series of all time, the Matt Helm books by Donald Hamilton. Eric reviews “Death Squad #1” by Dan Streib while Tom covers the inspiration for the movie “Bullitt” starring Steve McQueen, a paperback titled “Mute Witness” by Robert Pike. Stream below or on your favorite podcast service. Download directly at (LINK). Listen to "Episode 18: Matt Helm" on Spreaker.

Chopper Cop #01 - Chopper Cop

'Chopper Cop' debuted in 1972 as a Popular Library paperback. Author Paul Ross is actually Dan Streib, the man behind 70s action oriented series' like 'Killsquad', 'Hawk', 'Steve Crown' and 'Death Squad'. The series would last three installments with Streib writing the first two. While the cover, font and badge logo would indicate a high-paced action formula fitting of Streib's writing style, the end result is an entirely different type of story. Personally, I think this was probably a grand misplacement of what literary power-broker Lyle Kenyon Engel envisioned when hiring Streib. Engel would later denounce the author, furthering the theory that the supply didn't meet the demand.

Think of series debut, “Valley of Death”, as an eerie, Gothic investigative novel. Odd I know, but Streib's use of heavy sea fog, moonlit graveyards, old mansions and an abandoned mining town are the perfect backdrops for this dense thriller. They are almost characters themselves, springing up from time to time to introduce darkness and death.

No, this isn't the long-haired, biker riding “Easy Rider” that's depicted on the book cover, but our hero Terry Bunker does dress the part. He works for the California Governor, sort of a special operative piece that is utilized by leadership as an official State Department of Criminal Investigation...investigator? He receives requests from the Governor to solve crimes. He's extremely successful, allowing him to refer to leadership as “hey guv” despite hatred from his departmental peers.

The debut mystery is a rather grim one; young wealthy women are committing suicide in San Francisco and Sacramento. Yet, they are reaching out to their loved ones posthumously through bizarre phone calls or supernatural apparitions lurking just outside the window. The crime? Whoever is behind the ghostly apparitions are ransoming the return of these resurrected dead girls for millions of dollars. The culprit might be a strange seaside cult that's sacrificing drugged women for cash. But that doesn't explain the seemingly life after death undertaking of these heists.

Bunker isn't as funny as say...Kolchak, Fox Mulder or Carter Brown's bumbling detective Al Wheeler. But he's no Shaggy either. This character is vulnerable, even scared at times as he navigates ghosts and graves to find the criminal leader. But he can get the job done. It's a slap in the face to readers looking for a hard-edged, bone-breaking chopper cop. But once you can forgive the creator, this is a really fun mystery that had some longevity. I could see this sort of thing working on multiple levels, whether supernatural or just a “crime of the week” featuring some abstract scenario. Unfortunately, the struggle between publisher and author led to this being canned shortly thereafter. I'm on the hunt for book two.

Buy a copy of the book HERE

Death Squad #01 - Gang War

Dan Streib penned a short-lived two book series entitled 'Death Squad' in 1975. This Belmont Tower publication was written under the name of Frank Colter and had a similar outline as the 1975 five volume series “Kill Squad”, also written by Streib as Mark Cruz (credit to Glorious Trash blog for that tidbit of info). The idea is a familiar one – three cops take to the streets to fight crime without a uniform. The idea is that they can accomplish far more by spending their own personal time and fortunes on fighting crime than the pension/benefit loaded daytime gig. Thus the debut, “Gang War”, comes to fruition.

The novel is set in San Diego with an opening scene involving a 15-yr old girl being raped by a trio of young men. Officers Paul Scott and protagonist Mark Sanders (Mike or Mark, the author changes the first name nearly every chapter) arrive on the scene just in time for Scott to be shot to death in the groin. Another two officers, Sam Durham and Raul Gomez, arrive on the scene and all agree to either take a week off or dip into their sick-leave bank as the best course of action. 

Together, the two piece together the rape scene and trail the whereabouts of a pin that was found by the girl. It's a yacht club pin and Sanders knows the location. Once there, he stumbles on a high-society group of young Berkley kids who are all members of a violent union entitled Terrorist Liberation Army. Those chapters find Sanders and Durham on a high-speed boat chase off the coast tracking a young terrorist/rapist. Afterwards, the trio gets hit with a browbeating by their superiors.

In a scene worth expansion, Sanders beds down a young woman named Jessica, suspecting she may be an involuntary member of the group. Afterwards, Sanders apartment is bombed with the author's gory explanation of eyes and limbs flying. Knocked off in the blast is a housekeeper. Next, the trio are lured into a hostage negotiation at the city zoo where Sanders is ambushed and pushed into a deadly firefight among the zoo's many tourists. The author has one grandmother slayed with a point blank face shot while another man is mowed down by whirling helicopter blades. 

The finale has Sanders facing the last remaining terrorists in a warehouse. Shockingly, the author has a penchant for groin shots and has a woman mercilessly shot in the vagina (with the prior shot severing a breast!) and another man shot through the scrotum. That's three distinct genitalia shots if you are keeping score at home. The suspense build-up is just the idea that Jessica could be an innocent pawn in the terrorist front or the dreaded mastermind. I'll leave the conclusion for you to discover. 

Streib is an average writer at best. “Gang War” comes across as a cookie-cutter team-based vigilante yarn. Take it or leave it if you are into that sort of thing. Being only two books, I'll probably read the sequel for giggles. 

Note – Despite the cover, Sanders does not utilize a miniature lightsaber. 

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