The seventh installment of The Executioner series is 1971’s Nightmare in New York. Finally, the riveting action arrives both domestically
and sequentially in this triumphant return to form for author Don Pendleton. After
the series’ debut quartet, the thrill-ride slowed as
it was exported to Europe. The fifth and sixth volumes were off-target for Bolan and his experienced skill-set. Humor, perverse sexcapades
and a bizarre treatment of the character left plenty to be desired. With Nightmare in New York, the series experiences a revival with one of the best entries in Pendleton’s
initial 38-title run.
A dark, ominous tone is set in the book’s prologue.
Pendleton recaps the first six books and advises that Phase One and Phase Two
of the Mafia War, which he calls “The War of Attrition”, has ended. He promises
readers that Phase Three is here and it’s “The War of Destruction”. Pendleton prophesizes:
“He will hit them now in their omniscience, in their omnipotence; their
omnipresence, he reasons, will then fold under its own weight. Bolan is in the
saddle, his mount is destiny, his target is the Kingdom of Evil – wherever its
ugly head may rise”.
The grim nature at the beginning spills into the book’s
opening scenes of Bolan arriving stateside through Kennedy International
airport. Flanking the emerging Bolan is Sam “The Bomber” Chianti and his
Manhattan-based Gambella Family. In a strange, yet superbly written encounter,
Bolan exits a helicopter into a hail of gunfire. He escapes - with hot lead in
the shoulder and a small tear in his hip - thanks to a trio of young beauties.
The book starts to settle in as Bolan is nursed back to
health by the three young women. The author takes the opportunity to establish
a relationship and continue to build on Bolan’s need for love despite hopeless
abandonment of normalcy. The Gambella Family is now the primary target for Bolan,
particularly Chianti’s lifelines. In Bolan’s acute awareness of Mafia
operations, he leisurely kills three hired hands in a hotel, stuffing them in a
trunk before shaking up the mob shops and racketeering joints.
In hilarious
scenes, we see Bolan talk the talk and walk the walk right into the lairs of lieutenants
and Mob don Freddie Gambella (snatching a cool 25K on the way out). Frequently,
he kills and leaves his trademark marksman badges. This is the classic Bolan we
saw in Phase One and Phase Two, that slick and violent destroyer; the swift and
cold hand delivering point blank justice.
After learning of the brutal rape, torture and death of one
of the trio of young girls, Bolan is the grimmest we’ve seen him since the
original War Against the Mafia. He hits the mob hard in a meat packing plant,
at one-point firing round after round into the head of a deceased enforcer. Her
age, beauty and prior friendship sets Bolan on a vengeance trail. He calls a
local television station and coolly warns:
“I am going to destroy the Gambella
Family. One by one, crew by crew, business by business – I am going to wipe
them. I will not be bought off or scared off by threats against defenseless and
innocent persons, and if one more sweet kid is turned to turkey because of me,
then these turkeymakers are going to discover what a real nightmare is all
about. There is no escape for these people. I know each of them, I know where
they go and what they do, and I am going to hunt them down, all of them, and I
am going to execute them.”
This book not only flashes the same gritty badge as the early
part of the series, it also recalls key characters. Bolan has a verbal exchange
with undercover enforcer Leo Turrin, an older ally from the opening quartet. He
asks Turrin about Valentina and the status on his younger brother (whom we
haven’t heard much about until now). I love how Bolan explains to Turrin in the
exchange, “I’m no detective. I’m an infantryman”. No truer words have been
spoken about this turbulent character. The book’s finale captures Bolan’s
barbarous assault on Stoney Lodge, the Gambella headquarters. The heated
exchange leaves Bolan with only one choice – go fight the next battle in a war
he can’t win.
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