Larry Kent #642: Curves Can Kill

Between 1954 and 1974, there were hundreds of novellas and paperback original novels produced in Australia starring hardboiled New York Private Eye Larry Kent. The series was published by the same company that brought the world the Carter Brown mysteries and packaged with salacious cover illustrations similar to the Hank Janson books. The primary authors were Don Haring and Des Dunn, but all the books were released under the house name Larry Kent. Piccadilly Publishing has been reprinting Larry Kent’s adventures as affordable eBooks while maintaining the original cheesecake cover illustrations. I’m starting the series with #642: Curves Can Kill, a 1965 installment written by Don Haring.

The character of Larry Kent started as a newspaper reporter in 1950 on a popular Australian radio drama called, I Hate Crime. The popularity of the radio show launched the novellas and eventually the novels. Kent’s character became a private investigator in the mold of Mickey Spillane’s Mike Hammer. As time went on, the writers borrowed a page from Stephen Marlowe’s Chester Drum and Michael Avallone’s Ed Noon when the hero began accepting espionage assignments from the CIA in selected novels. A variation on this “private eye as spy” gambit is the storyline at work in Curves Can Kill.

The action opens with Kent tied to a chair being worked over by a Romanian goon wanting to know what Kent knows about “Z Detail.” Unfortunately for the wisecracking Kent, he doesn’t know much, so he must continue to suffer the abuse - from both fists and a switchblade - with no reprieve. It’s a brutal and violent opening scene that will play well for readers who like their pulp fiction more extreme than Carter Brown could ever offer.

Fortunately, we don’t need to sit through 120 pages of Kent being carved up with a switchblade. He is rescued and finds himself in the hands of Z Detail, an America-friendly private intelligence outfit with close ties to the CIA. The Z-boys want to hire Kent as a contract operative for the vast sum of $300 per week.

His first mission as a contract operative for Z Detail involves befriending a woman in New York. Kent’s version of befriending looks a lot more like a Carter Brown novel, and the swinging sixties attitude toward women is on full display. None of this would fly today, but that’s part of the fun of vintage fiction. Anyway, the woman has access to a secret that Kent needs to learn, and giving any more info away would spoil the fun for you. Suffice to say that all this eventually ties back to the Romanian goons who tried to filet Kent in the opening chapter.

This is one of those great books that kept surprising me with the quality of the prose and story. I had been misled to believe that the Larry Kent series was disposable fiction with a production schedule too aggressive to be among the outstanding works of pulp fiction. Instead, as I read Curves Can Kill, I found myself repeatedly muttering, “Wow, this is really good.” Fans of violent spy-mysteries with major twists and turns will love this book as much as I did.

There are some slow sections but no boring ones in this Larry Kent mystery-adventure. It all leads up to a shockingly violent bloodbath of a climax - one of the finest I’ve read in ages. Overall, I was very impressed by this paperback, and I’m excited to read some more. With over 800 installments, we are unlikely to run out of Larry Kent content in this lifetime. It’s great to discover a new series with an endless amount of content to enjoy. Highly recommended.

Purchase a copy of this book HERE