In May 1964, the third 'Nick Carter'
book, “Checkmate in Rio”, was released through the Carter-heavy
publisher Award Books. This time, Carter is assigned the case of the
missing AXE agents. The opening sequence has Hawk (AXE's superior)
providing the intel to Carter and the reader. In Rio de Janeiro, six
agents have gone missing in an area that's low-hanging fruit for the
notorious Red Countries. Carter and co-agent Rosalind Adler, whom
Carter undressed with his eyes in the first paragraph, head to Rio
disguised as wealthy enthusiasts soaking up the rays and local
hospitality.
As opposed to the series opener, the
enjoyable “Run Spy Run”, this book really pushes the envelope and
moves Carter into a more violent version. In a remarkable scene where
Carter is holding a dazed bad guy in a closet, he reminds himself
that he is the KILLMASTER and must complete the assignment by doing
just that. As he pushes Hugo, an Italian stiletto, into the enemy, we
come to realize that Carter is becoming the slaughter-house spy. It's
not always so dark and grim, in fact more changes occur undercover.
'Checkmate in Rio' includes four sex-scenes, with Carter doing the
nasty with Adler twice as well as one of the missing agent's wives
twice (once as a violent “take me now” screw).
Aside from the intrigue, espionage and
sex comes loads of high-velocity action. Here, Carter and Adler get
equal stage time in car chases, fisticuffs and gun battles. In one
explosive scene we see Carter protecting a mother and child as waves
of enemies assault the house. Or, in another, a tight-laced action
scene is built around a gas bomb as Carter holds his breath in an
attempt to escape the baddies. Whoever penned this...Michael Avallone
or Valerie Moolman, it's a stellar entry in this well-respected
series.
This is one of those books where the plot feels like an afterthought, a mere excuse to write some kick ass action scenes and sex scenes. Mission accomplished.
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