Zorro #01 - The Curse of Capistrano (aka The Mark of Zorro)

Johnston McCulley (1883-1958) was a prolific author for the pulps. He created characters like The Crimson Clown, The Green Ghost and Black Star. On August 9th, 1919, All-Story Weekly presented the first of five installments of "The Curse of Capistrano" (aka "The Mark of Zorro"). It was the first appearance by the Western hero Zorro. McCulley kept writing Zorro stories for decades. The hero became a phenomenon of pop culture with TV shows, movies and graphic novels all dedicated to the masked man. 

In 2016, Florida's Bold Venture Press began reprinting all of the pulp adventures of Zorro. These have been compiled in 6 massive volumes. I'm staring with Zorro: The Complete Pulp Adventures Vol. 1. It contains an original serial "The Curse of Capistrano" plus two short stories, "Zorro Saves a Friend" (Argosy, 11/02/1932) and "Zorro Hunts a Jackal" (Argosy, 04/22/1933). In addition, two informative pieces are included regarding the series location as well as Zorro's appearances in cinema and television.

"The Curse of Capistrano" takes place in the early 19th century in California. This was before California joined the United States. As a result, the state was governed by Mexico. In the story, the Spanish missions and ranches are often terrorized by Mexican soldiers, notably Sergeant Gonzales and Captain Ramon. A masked man dressed in black and calling himself Zorro (The Fox) assists the people in their fight against the tyranny. 

When Zorro helps a young woman named Lolita, the story starts to tighten. Lolita's parents have requested that she locate a proper suitor to marry. Don Diego Vega, a wealthy man living with his father, attempts to swoon Lolita and asks if she will marry him. The problem is that Lolita has her eyes fixed on the dashing Zorro and now her heart is beating for him. However, Lolita doesn't realize that Vega is Zorro. When Captain Ramon forces himself on Lolita, Zorro comes to the rescue, further emphasizing her attraction for the lone hero. Later, Zorro comes to the aid of his friend Fray Felipe while also being hunted by the Mexican army. 

McCulley's story blends romance with action into a Western-style story. The dry and dusty Pueblo of Los Angeles is the perfect place, further enhancing Western themes. Zorro's mission to assist the downtrodden and fight government politicians is crucial to the plot. The first half was a bit slow but the second half was ripe with action, violence and a frantic pace as Zorro performs hit and run tactics through the city. It was interesting that McCulley doesn't reveal that Vega is Zorro until the end of the story. It's no surprise to the reader as there are so many clues that signal Zorro's identity.

If you are a dedicated Zorro fan or just a casual reader, this omnibus is essential reading. The thrilling adventures of this masked hero showcases everything we know and love about the pulps. Buy a copy of this volume HERE.

Zorro: Zorro's Pacific Odyssey #01

Johnston McCulley's Zorro character first appeared in “The Curse of Capistrano” (aka “The Mark of Zorro”), a five-part serial that debuted in All-Story Weekly on August 9th, 1919. For decades McCulley authored stories starring the caped crusader. Spinning off the pulps, Zorro became a pop-culture phenomenon in international television shows and films. Additionally, many authors have taken turns writing Zorro stories and novels, including Susan Kite. The Indiana native authored a trilogy of Zorro novels called Zorro's Pacific Odyssey. The trilogy's first book, Zorro and the Outward Journey, was published by Bold Venture Press in 2022 as both a paperback and ebook. 

Don Diego de la Vega, son of the wealthy caballero Don Alejandro, lives in Mexican governed California in the early 1800s. By day, Diego displays a bit of cowardice to disguise the fact that he is the famed vigilante Zorro. After a series of attacks on prominent citizens perpetrated by terrorists, Zorro rescues a kidnapped child in the mountains. However, days later Diego is captured by the terrorist group, drugged, and then sold into slavery to a British ship headed to Singapore.

When Diego realizes what has happened, he is faced with his fate. The ship's Captain, a horrible individual named Beatty, explains that Diego is an indentured servant that has been purchased for two years of hard labor aboard the ship. When Diego explains the unfortunate incident of the terrorists, his background as an aristocrat, and the kidnapping, Beatty dismisses it as a fabrication. He soon realizes that Diego is quite different and places him as a trustee of the Spanish workers. Additionally, Diego is placed in care of the ship's Supercargo, a man named Bowman. Diego is fond of Bowman and the two quickly establish a father-son type of relationship.  

As the first of a three book series, it is clear that this book is simply the journey. Zorro is being transported from A to B and must contend with the nefarious elements of the ship's crew and his limitations as a slave. I love prison-styled stories and this one certainly fit that sub-genre of men's action-adventure. What makes this such a compelling narrative is the fact that Diego can't transform into Zorro to fight his way out of the situation. He's trapped in a small space without the ability to don a disguise or do battle with a sword (he does later, but I'm not spoiling your enjoyment here). The fact that Diego is ultimately the hero makes this a unique Zorro story. 

While Zorro on the high seas has been done before, Kite's version of this “fish out of water” adventure is very entertaining. It was also an emotional charge reading about the human condition - a panicked, desperate father hunting for his missing son. It was a really effective part of the whole story. There's also an expected cliffhanger that demands the reader to quickly buy the next book. Needless to say, my account has been debited and Bold Venture Press is shipping it out to me as I write this. Money well spent.

 Buy a copy of this book HERE.

Ghost Bullet Range (aka Blood on the Saddle)

One of the most collectible pulp magazines of all time is the August 9, 1919 issue of All-Story Weekly. This publication featured the first of a five-part series called "The Curse of Capistrano". It was the first appearance of the wildly popular western hero known as Zorro. The character and story were created by Johnston McCulley (1883-1958), a World War I veteran from Ottawa, Illinois. Not only did McCulley create Zorro, but he excelled in the pulps by creating characters like The Crimson Clown, The Green Ghost and Black Star. Additionally, McCulley wrote hundreds of short stories and novelettes including Ghost Bullet Range. This novel first appeared in the September, 1942 issue of West. In 1944, Avon released the book as a paperback titled Blood on the Saddle. The book is now available in both softback and ebook version through Florida independent publisher Bold Venture Press.

Ghost Bullet Range features an experienced and highly respected trail boss named Phil Banniton. When readers first meet Banniton, he's in a firefight on the Kansas plains just outside of Dodge City. The fight stems from a quarrel the prior night over beer, poker and a gallon of testosterone. After Banniton won some money off of Sid Boyd, he becomes a target on the range. This gunfight is just an introduction to Banniton to insure readers that he's of the “admirable white-hat traditional western hero” variety. 

Later, one of Banniton's old friends shows up with a message. The Diamond W ranch, owned by Andy Walsh, is being bullied by a nest of land baron vipers. Banniton's reaction to this emotional message is mixed. Walsh raised Banniton and had groomed him as the ranch's successor. But the two had a falling out and Banniton resigned his position at the ranch. Banniton not only severed ties with Walsh, but also extinguished the romantic relationship he was having with Walsh's daughter Ella. Banniton still feels a sense of obligation to Walsh. Additionally, one of Banniton's best friends was murdered on the ranch. These emotions all play a part in Banniton's participation to defend the Diamond W.

McCulley's narrative moves at a brisk pace and is loaded with nonstop action. Banniton's investigation into who is killing off the Diamond W ranch hands is an interesting part of the story. As the body count grows, the only clue seems to be the vague words "spotted steer" that is often whispered by dying men. The trouble comes in waves as Banniton faces this mysterious killer, a rival ranch and a nemesis that's pressuring Walsh to sell the ranch cheaply.

There's nothing to really dislike about Ghost Bullet Range. As an early 20th century western, it contains all of the likable aspects of the genre - noble hero, savage range war, damsel in distress and the evil rival rancher. The spotted steer clue resulted in a rather disappointing revelation, but this wasn't a deal breaker. McCulley's propulsive pace placed these characters in many different locations throughout the story. As a reader, I never found myself confined to a saloon, ranch, prairie or house. The action is a spread out to deliver a more epic presentation.

If you like classic westerns, Ghost Bullet Range is sure to please. Buy a copy of the book and support independent publishing HERE.

Paperback Warrior Primer - Doctor Death

The Doctor Death pulp character has a rather strange history. The first incarnation was in the pages of All Detective Magazine where the dastardly Doctor Death appeared in July through October of 1934 and again in January 1935. In these novels, the nemesis is Nibs Holloway, but that character actually debuted a year prior in the pages of Rapid-Fire Detective Stories. The 1934/1935 Doctor Death stories were authored by Edward P. Norris, although that could have been a pseudonym. No one really knows. After the January 1935 story, things change for the character.

All Detective Magazine folded with the January 1935 issue and that was the end of that particular version of Doctor Death. Then, February 1935 sees the shocking launch of Doctor Death Magazine with Norris replaced by prolific writer Harold Ward (using the bizarre pseudonym Zorro) and nemesis Nibs Holloway replaced by detective Jimmy Holm. This new version of Doctor Death debuts in the novel “12 Must Die”, the lead for the first issue. Then comes “The Gray Creatures” for the next issue followed by “The Shriveling Murders” for the very last issue of the magazine in April. That's it, February, March, April of 1935 – three total issues. Weird, right?

Thankfully, fans of the pulp got two additional novels that weren't originally published in the magazine - “Waves of Madness” and “The Red Mist of Murder”. These appeared in the 1980s in Nemesis Incorporated and Pulp Vault. Note that a publisher called Pulp Classics also reprinted at least one of the Doctor Death Magazine issues in 1979.

In 1966, a paperback publisher called Corinth Regency reprinted the three Doctor Death Magazine novels as paperbacks with amazing artwork by Robert Bonfils. These books were titled the same as the novels – 12 Must Die (CR118), The Gray Creatues (CR121), and The Shriveling Murders (CR125). But, the publisher also threw a fourth book in there titled Stories from Doctor Death and Other Terror Tales (CR129) which included the various shorts that were included in the three issues of the magazine.

In July, 2008 the Altus Press reprinted the Spring 1956 issue of Triple Detective Magazine. This issue featured a novel titled "Doctor Death Returns". It was authored by Steve Mitchell using the pseudonym Son of Zorro (clever). This same issue had also been reprinted in 2002 as Double Danger Tales #56.

But, wait..there's more. In 2009 Altus Press (now part of Steeger Books) published Doctor Death Vs The Secret Twelve Volume 1 which includes the three novels from Doctor Death Magazine with an awesome introduction by Will Murray. The same publisher released Doctor Death Vs The Secret Twelve Volume 2 which featured the two novels that were published in the 80s by Nemesis Incorporated and Pulp Vault. Then, there is also a combination of both volumes in one larger collection called The Complete Exploits of Doctor Death. In that edition there is also a treatment for an original comic strip that Harold Lamb had pitched.

What's Doctor Death all about? The backstory for the Doctor Death Magazine version of the character is that he is really a scientist named Rance Mandarin. He earned his education at Yale and became a Dean of Psychology there. But, somewhere along the way Rancine loses his mind and gets the notion that he himself is more superior to Albert Einstein. With his superior mental prowess he incorporates a fanatical religious crusade into an apocalyptic plan. As a mission from God – he claims – he will work to eliminate all of his contemporaries and completely destroy modern civilization. By returning Earth back to the Dark Age humanity can grow and evolve in different ways under his leadership.

To combat Doctor Death's attempts to destroy Earth with things like death rays and zombie armies the President of the United States forms a Secret Twelve committee made up of leading scientists, government leaders, and even the Mob boss. But, there are law-enforcement agents that do all of the heavy lifting.

Policeman Jimmy Holm is Doctor Death's main foe, an iron-fisted hero that reports to Inspector Ricks, a “policeman of the old school and head of the greatest body of manhunters in the world”. Holm is also engaged to Doctor Death's niece and former assistant Nina Fererra. There is also a psychic thrown in the mix named Elise Lando and the wealthiest man in America, Secretary Hallenberg.

If you are familiar with the “clearly good guy” versus the “clearly bad guy” then this pulp really isn't much different. It resembles many of the other villain-led pulps and stories of the time like Fu-Manchu. The Doctor Death novels are over-the-top and wildly entertaining if you simply suspend disbelief – which is the obligatory stance for reading any pulp material. You should know that if you've read this far. How does it rank with the pulp giants of the time? I'd say middle of the pack. There's nothing spectacular here, but nothing completely disposable. It serves the purpose of escaping our hectic troubled modern world and takes us back to more innocent times. Who can ask for anything more?

Running Target

Steve Frazee (1908-1992) was a Colorado native and major contributor to the pulp and paperback western genre. The author wrote a number of Disney tie-in novels like “Swiss Family Robinson” and “Zorro”. He even authored a series of adventures starring television canine “Lassie”. Frazee wrote very little crime-noir other than “Running Target”, his 1957 novel published by Fawcett Gold Medal. After hunting down a copy, it's really just a simple western in disguise.

Oddly, “Running Target” doesn't feature a chief protagonist. Instead, it's an ensemble cast featuring a group of man-hunters searching a dense mountain range for four escaped prisoners. Led by the noble Sheriff Rudd, the players are:

Newton – Deputy Sheriff; pacifist who refuses to kill

Pryor – Deputy Sheriff; proud Sheriff's son

Jaynes – Voluntary Deputy; local businessman and sociopath

Smitty – Volunteer; female business owner who was robbed by one of the prisoners

Frazee's narrative style is very elementary. It is 160-pages of...man-hunting. The book follows the group as they track the prisoners through the forests. Between waking up and making coffee to the hiking and camping, the author spends extraordinary amounts of time beating around the bush (pun intended) without any story development. One could argue that the constant complaining, bickering and insults could be the focus, but why?

There's an interesting side story of Smitty carrying a small, curiously wrapped package in her bag. The author hints there will be some big reveal, and honestly this literary gambit kept me hanging in there page after page, but he pisses the whole idea away with three sentences three-fourths into the novel. Spoiler – it amounts to absolutely nothing.

Like walking barefooted on a steamy gravel road, flipping these pages was a painful, agonizing effort. But it also left me questioning a number of things. First, the fact that the armed pursuers are on horseback in the mountains makes this a traditional western. However, it's obviously set in the 1950s with the car, plane and radio that are mentioned and shown. Why even add those factors? Just call it a western and eliminate the contemporary setting. Second, could this novel have been a short-story the author originally wrote? Perhaps someone convinced him to pad the hell out of it to compose a full-length paperback. Sadly, I'd say that was probably the case as the padding was plentiful. It was probably a western too. But, Fawcett used popular paperback artist Mitchell Hooks to hook both crime-noir readers and their hard-earned money.

While I won't dismiss Steve Frazee's work, because I'm sure he has plenty of great westerns to his credit, “Running Target” has run right into our Hall of Shame. This book is an absolute turd.

Buy a copy of this book HERE