Paperback Warrior Primer - Nick Carter: Killmaster

The character of Nick Carter (or Nicholas Carter) was created by Ormond G. Smith and John R. Coryell in 1886. Smith was heir to the New York City publisher Street & Smith, the early catalyst for dime novels and pulp fiction as far back as 1855. Smith wanted a private-eye or detective character similar to Old Sleuth or Old Cap Collier to star in various forms of media. The first Nick Carter literary appearance began in New York Weekly, September 18, 1886, in a story called "The Old Detective's Pupil" or "The Mysterious Crime of Madison Square." The serial ran 13 total installments with the setting mostly being Victorian-Edwardian New York.  

Carter is described as 5' 4" and having bronze-skin, gray eyes, dark hair and a square jaw. The character was trained by his father, Old Sim Carter, to fight criminals, essentially becoming the opponent of global evil. He's a genius that is inhumanly strong and a master of disguise. The character was so popular with readers that Street & Smith created the Nick Carter Weekly dime novel series. These stories would later be reprinted as stand-alone titles under New Magnet Library. 

With its premier issue on October 15, 1915, the Nick Carter Weekly publication transitioned into Street & Smith's new Detective Story Magazine (just 10-cents twice a month!). The magazine ran 1,057 total issues, most of which concentrated on short crime-fiction with appearances from pulp heroes like The Shadow. The magazine's first 20 years featured covers by illustrator John A. Coughlin. In 1935, the magazine began suffering financial stress and officially stopped publishing in 1949.

Between 1924 and 1927, Street & Smith attempted a revival of the Nick Carter character in the pages of Detective Story Magazine. These stories also featured many of the same villains that Carter had faced in the prior Nick Carter Weekly publication (Dazaar the Arch-Fiend, Dr. Quartz, etc.). It seemed as if Carter's appearance in literature was over in 1927, but due to the success of The Shadow and Doc Savage, Street & Smith revived the character again. Between 1933 to 1936, the Nick Carter Detective Magazine was published. These stories introduced Carter as a more traditional hard-boiled detective. 

Beyond the page, two Nick Carter shows were featured on radio. Nick Carter, Master Detective radio show aired on Mutual Broadcasting System from 1943 to 1955. Nick Carter's son was the star of Chick Carter, Boy Detective from 1943 to 1945, followed by a film in 1946 under the title Chick Carter, Detective.

In 1908, the French film company Eclair ran a six-episode series starring Pierre Bressol as Nick Carter. Two French films were released, Nick Carter va tout casser (1964) and Nick Carter et le trefle rouge (1965). In Germany, four silent Nick Carter films were released: The Hotel in Chicago (1920), The Passenger in the Straitjacket (1922), Women Who Commit Adultry (1922), and Only One Night (1922). In the US, MGM released a trilogy of Nick Carter films: Nick Carter, Master Detective (1939), Phantom Riders (1940), and Sky Murder (1940). A television show called The Adventure of Nick Carter filmed one pilot, later released as an ABC movie.

The pulp version of Nick Carter continued in comic book form, with appearances in The Shadow, Army & Navy, and Doc Savage comics from 1940 through 1949. There was also a 1972 Italian comic strip and a Nick Carter comic book series from 1975. It lasted 12 issues and stars a character named Nick Carter that is a British soldier in WW2. However, it is not related to the Nick Carter spy series.

Little did fans know that a British secret-agent named James Bond would play a part in reviving the literary character 37 years later.

In the 1960s, Lyle Kenyon Engel began his plunge into paperback publishing. He was heir to his father's magazine publishing company, but sold that to become a publicity agent (supposedly one of his clients was the Today Show) and also a producer of children's records. To make an impact in publishing, he revived the familiar character of Nick Carter to capitalize on the 1960s spy fiction market. 

Nick Carter: Killmaster debuted in 1964 as a marketing attempt to cash-in on Ian Fleming's James Bond. The character was reinvented as a secret agent instead of a detective or private-eye. These novels were to be international adventures with a more robust approach compared to the serials, pulps and dime detective magazines. Basically, everything prior to 1964 was erased and this series was a complete reboot.

The general theme is that Nick Carter is an American secret-agent or spy working for an organization called Axe. The organization's leader is David Hawk. Axe and Hawk work closely with the American government and Hawk answers to "The Chief", presumably the U.S. President. Carter is referred to as N3 and we know there are other agents like him, also known as an N/number combination. In the first book, Run Spy Run, readers learn that Carter served in WW2 and also worked for OSS, the pre-cursor to what is now known as the CIA (like Matt Helm). Read our review of the book HERE.

One of the predominant characteristics of this version of Nick Carter is the three weapons he uses in the field. In the debut novel, it is explained that Carter took a Luger handgun from a German SS officer he killed in Munich during WW2. Carter named the gun Wilhelmina and it's included in nearly every novel. Hugo is the name for his Italian stiletto. He also carries a marble sized gas pellet that goes by the name Pierre. Carter can twist each half of the marble in separate directions and it will release a deadly toxin within 30-seconds, giving Carter enough time to flee the area. 

The Nick Carter: Killmaster series became immensely successful, running from 1964-1990 and offering 261 total novels. Each book on average sold 115,000 copies. Ironically, the series just lists Nick Carter as the author. The real authors aren't credited on the book's copyright page, a painful trademark of the series that frustrates readers, fans and collectors to no end. Engel typically split 50-50 with the authors he hired. He demanded lightning fast work, sometimes novels written in less than three weeks to meet furious deadlines. These books were released monthly, first by Avon and then later by Charter.

Notable author statistics:

- Valerie Moolman authored or co-wrote 11 novels between 1964 and 1967.

- Michael Avalone authored or co-authored 3 novels in 1964

-Manning Lee Stokes, of Richard Blade fame, wrote 18 novels

-Popular crime-fiction author Lionel White authored one Nick Carter book, the 18th installment from 1966. This was his second foray into spy fiction. He also wrote a stand-alone novel called Spykill under the name L.B. Blanco.

- Jon Messmann wrote 15 installments. Messman was a heavy contributor to action-adventure paperbacks. He was behind the popular adult western series The Trailsman along with the short-lived series titles Handyman: Jefferson Boone and The Revenger.

- George Snyder did 8 installments. He also wrote novels for the Grant Fowler series.

- Ralph Hayes authored 8 volumes in the series. He is known for his John Yard: Hunter series and Check Force among others.

- Martin Cruz Smith wrote 3 installments. Smith is primarily known for his Arkady Renko series that is still current to this day. The 1983 film Gorky Park was an adaptation of that series debut.

- Surprisingly, Chet Cunningham only wrote 1 book, # 72 Night of the Avenger, that was co-authored with Dan Streib. 

- Dennis Lynds authored 9 and his wife at the time, Gayle Lynds, wrote another 4. I've read one of Dennis Lynds' novels and I really enjoyed it. It was #211 Mercenary Mountain and it is reviewed HERE. Many will know Dennis Lynds as American author Michael Collins. He wrote the popular Dan Fortune series before his death in 2005.

- Saul Wernick wrote 5. Many remember him as writing the first Mack Bolan novel after Don Pendleton sold the series to Gold Eagle. 

- David Hagbert authored 25 books. He is primarily known for his CIA series starring Kirk McGarvey. 

- Death Merchant creator Joseph Rosenberger wrote 1.

- Jack Canon is the heaviest contributor with over 30 installments. I lost count, but I think it was 35. Not to be confused with Nelson Demille pseudonym Jack Cannon. 

- Robert Randisi authored 6 in the series. He's a respected western writer who also wrote 3 Destroyer books as well.

- Joseph Gilmore wrote 8.

- There are numerous authors that authored three or less that I haven't mentioned, but you can find a detailed list on spysandgals.com or Wikipedia.

- There is yet another Nick Carter series that ran from 2011-2019 called Project. It's written by Alex Lukeman and again features a starring character named Nick Carter that is an anti-terrorist sort of hero. Again, not related to the Nick Carter spy series.

Lyle Kenyon Engel would go on to create Book Creations in the 1970s. Ultimately, it was a cash cow and a rather unique company. Engel would create a series, imagine the story, hire authors to write it and even create book cover art. Then he sold these to various publishers. He was the paperback king and died a multi-millionaire in 1986. 

You can listen to the Paperback Warrior Podcast episode dedicated to Nick Carter HERE and the episode spotlighting Lyle Kenyon Engel HERE.

Nick Carter: Killmaster #181 - The Decoy Hit

Nick Carter: Killmaster series was one of the post popular and enduring titles in men’s adventure fiction with 261 installments between 1964 and 1990. Robert Randisi remains one of the most entertaining and highly-regarded authors in the private eye and western genres. The promise of these two successful brands colliding in Killmaster #181: “The Decoy Hit from 1983 was too intoxicating of a combination to pass up, so here we go.

In 1983, the Defense Intelligence Agency used human couriers to transport sensitive information from Point A to Point B. The paperback’s premise is that a someone is killing these intel deliverymen en route and stealing their top secret paperwork. The U.S. national security community turns to the super-secret government agency called AXE that employs our hero, Nick Carter. The agency chooses Nick to deliver a package to a missing scientist in London for the purpose of locating the man and smoking out the courier assassins.

Along the way Nick encounters Stephanie, the sexy daughter of a murdered DIA courier also seeking to learn the truth about her father’s demise. Of course, this leads to the trope where the professional spy is forced to team up with the erotic, bumbling amateur. Nick and Stephanie’s investigation keep them bouncing from Washington to London to Paris to Switzerland to Rome.

Randisi wrote this installment using the same winning formula he employs in his popular Gunsmith series of adult westerns - extremely short chapters, propulsive action, and lots of dialogue. This makes for a speedy and never-boring read, but it felt more like a mystery than a pure spy novel. Randisi was stuck with some of the dumber traditions the Killmaster series forced upon him, including the proper names given to Nick’s knife and gun (Hugo and Wilhelmina), but those elements of the story were largely just background noise. One upside is that Randisi also brings his knack for graphic sex scenes to The Decoy Hit - kid’s stuff compared to The Gunsmith - but more explicit than Ian Fleming ever dreamed.

Overall, The Decoy Hit is not a masterpiece of espionage genre, but it’s a fun action-mystery from a talented author working with an established franchise. Most importantly, it’s a very good installment in the wildly inconsistent Nick Carter: Killmaster series, and is certainly worth your time.

Afterward:

The Killmaster series employed a deep bench of authors writing under the Nick Carter house name during the 26-year publication history. This made the continuity, quality, and writing style a bit of an inconsistent mess. The best way to navigate the series is to go straight to authors you know and trust. Robert Randisi is one such writer who can always be counted on to deliver a quality product. His Killmaster titles are as follows:

#152: Pleasure Island (1981)
#155: Chessmaster (1982)
#169: The Mendoza Manuscript (1982)
#173: The Greek Summit (1983)
#181: The Decoy Hit (1983)
#184: Caribbean Coup (1984)

Buy a copy of this book HERE

Nick Carter: Killmaster #01 - Run Spy Run

Nick Carter is a WW2 veteran who's employed as a secret agent for AXE. From what I gather in the opening pages of “Checkmate in Rio”, the third installment, AXE works as early penetration for the CIA. Carter's subordinate is a guy named Hawk, who in turn has his own higher authority that remains unnamed in this particular book. The goofy stuff? Carter has silly names for his weapons, and these names come up a lot in the narration. Wilhelmina is a 9mm Luger taken from a German soldier in the war. Hugo is an Italian stiletto. Pierre is a little marble that can be twisted to release deadly gas (which he carries on his scrotum in later books). The names aren't so bad, but I cringe when Carter yells things like, “Quick! Hand me Wilhelmina!”, or when the narrator tells us how good Carter is at everything due to his daily yoga routine. It reminds me of Doc Savage and his fantasy gym training leading to miraculous feats of wonder. It's bonkers, but enjoyable in an over the top way.

In this one, Nick and AXE agent Julia Baron get tangled up in a plot designed by staple arch enemy Judas to blow up world leaders to propel the Red Chinese. It's called “Project Jet” and simply places bombs on planes to kill off various targets. It's a rather elementary plot, but Nick and Julia need to find the perpetrator and the reasoning. The novel is dominantly placed in London with all of the red herrings and suspicious looking smarties. It's here that Nick and Julia get into the sack in an effort to foil the evil mastermind. The book's finale puts both Nick and Julia in an underground horror fest to square off against the steel-handed Judas (of course he is bald, wretched and has a steel hand) and his deformed stooge Braile. It's overly fantastical, but that's part of the charm. As the agents run from location to location, there's intrigue about the location of the next bomb and an exhilarating rush to stop the ominous tick-tock. The book's ultimate plot leads to a plan to assassinate the US President. Published in 1964, I wonder if Avallone/Engel/Moolman wrote this prior to Kennedy's assassination in November of 1963? If not, I would have thought it a bit taboo to resurrect that idea during a time of America's mourning.

Based on this debut, I'm at the table with spoon and fork for 'Nick Carter'. From what I have read, if you can stomach this pulpy fruit, the series only ripens for more tasty and modern flavors later. While book two is still missing in action for me, I'm already on to “Checkmate in Rio” with an eye on book four. Killmaster for life.

Nick Carter: Killmaster #104 - The Fanatics of Al Asad

During his career, Boston native Saul Wernick (1921-1982) authored a handful of pulpy horror and action paperbacks, most notably Executioner #39: The New War, a transitional novel in the Mack Bolan series. Wernick also contributed five novels to the Nick Carter: Killmaster franchise, including a 1976 title, The Fanatics of Al Asad, the 104th book in the long-running series. 

The paperback opens with an Arab terrorist strapped to a hospital bed being questioned by Nick Carter while being pumped full of truth serum. The President and Vice President have just been killed and the Speaker of the House is ascending to the presidency. This normal plan of secession is curtailed when the Speaker is kidnapped and held for ransom by a Palestinian terrorist group known as “Al Asad” (translation: “The Lion”). The terrorists want $100 million cash and arms reduction from Israel - who isn’t  excited about that idea - in exchange for his safe return.

The U.S. intelligence agencies need to neutralize Al Asad and rescue the Speaker - now technically the President - before the three-day deadline outlined in the ransom note. AXE’s best man Nick Carter receives the assignment, which is a good deal for us since he’s narrating the book. He’s assigned a partner from Israel’s intel service named Tamar, and she’s a super-hot babe (slim figure, full breasts) with an expertise in Islamist extremists. 

With Tamar in tow, Nick jets off to the University of Kansas for a quick lesson on Islam and the Koran because AXE doesn’t have a 1976 World Book Encyclopedia. An informant explains that the leader of Al Asad is a Soviet-trained terrorist named Sharif who fancies himself as the King of all Muslims with all the accompanying wickedness that idea conjures. Bottom line: he must be stopped. Secondary bottom line: He’s probably in New York City. 

The Fanatics of Al Asad reminded me of an episode of “24” complete with very specific time-stamps at the opening of each chapter. Despite the sense of urgency, there are time-outs for graphic 1970’s sex between Nick and the fair Tamar. At one point, Nick’s manhunt has him going undercover as a radical Muslim jihadi while cavalierly spouting off facts about Islam the author clearly gleaned from National Geographic. Mostly he spends the book’s first half skulking around Manhattan talking to informants without a ton of action. 

This is the easiest book in the world to pick apart. Dig this: The President and Veep are killed by terrorists and the Speaker of the House (the new, unsworn President) is being held hostage, so the U.S. intelligence community assigns just one guy to handle it? Really? Meanwhile, the rest of America seems to be going about its normal business eating dinner in restaurants, having unabandoned sex, keeping calm, and carrying on? We’ve seen that it doesn’t take much to drive our nation to paralyzed hysteria, but the country is pretty chill because Nick Carter has this handled? I could go on, but I don’t want to spoil the stupidity leading to the book’s climax. 

There’s a lot of dumb stuff in this book that you’ll need to forgive, and I just couldn’t do it. I wanted to like this book, but it just kept getting dumber and dumber as the pages flipped. Toward the end, there were some decent action set-pieces, but the reader needs to suspend disbelief beyond reason to get there. The Fanatics of Al Asad squanders an outstanding premise. Don’t waste your time. You deserve better. 

Buy a copy of this book HERE

Nick Carter: Killmaster #03 - Checkmate in Rio

In May 1964, the third 'Nick Carter' book, “Checkmate in Rio”, was released through the Carter-heavy publisher Award Books. This time, Carter is assigned the case of the missing AXE agents. The opening sequence has Hawk (AXE's superior) providing the intel to Carter and the reader. In Rio de Janeiro, six agents have gone missing in an area that's low-hanging fruit for the notorious Red Countries. Carter and co-agent Rosalind Adler, whom Carter undressed with his eyes in the first paragraph, head to Rio disguised as wealthy enthusiasts soaking up the rays and local hospitality.

As opposed to the series opener, the enjoyable “Run Spy Run”, this book really pushes the envelope and moves Carter into a more violent version. In a remarkable scene where Carter is holding a dazed bad guy in a closet, he reminds himself that he is the KILLMASTER and must complete the assignment by doing just that. As he pushes Hugo, an Italian stiletto, into the enemy, we come to realize that Carter is becoming the slaughter-house spy. It's not always so dark and grim, in fact more changes occur undercover. 'Checkmate in Rio' includes four sex-scenes, with Carter doing the nasty with Adler twice as well as one of the missing agent's wives twice (once as a violent “take me now” screw).

Aside from the intrigue, espionage and sex comes loads of high-velocity action. Here, Carter and Adler get equal stage time in car chases, fisticuffs and gun battles. In one explosive scene we see Carter protecting a mother and child as waves of enemies assault the house. Or, in another, a tight-laced action scene is built around a gas bomb as Carter holds his breath in an attempt to escape the baddies. Whoever penned this...Michael Avallone or Valerie Moolman, it's a stellar entry in this well-respected series.

Nick Carter: Killmaster #211 - Mercenary Mountain

Dennis Lynds (1924-2005) authored nearly 80 novels in his career, achieving an Edgar Award from the Mystery Writers of America. Primarily a mystery fiction writer, Lynds found his most successful character to be 'Dan Fortune', a private detective series that produced 19 installments from 1967 until 1995. As William Arden, Lynds created the 'Kane Jackson' series and as Mark Sadler, the 'Paul Shaw' novels. Surprisingly, my first taste of Lynds talents isn't an acclaimed detective series.

Lynds wrote nine volumes of the 'Nick Carter: Killmaster' series, beginning in 1974 with #91: “The N3 Conspiracy” and concluding with #222: “Blood of the Falcon” in 1987. In 1984, his spouse Gale Lynds, a successful author in her own right, made it a family affair by penning four novels in the series beginning with #190: “Day of the Mahdi”. The subject of this review is Dennis Lynds' 1986 series entry #211: “Mercenary Mountain”.

The novel's opening chapters feature a ragged villager falling into the dusty Ethiopian dirt. After a small dispatch of Ethiopian soldiers pass, the villager stands and rapidly ascends a dense hillside. Assembling a sniper rifle, the villager spots his target - a civilian wearing a U.N. emblem. The soldiers then drag a weak and clearly tortured victim into the clearing and the civilian fatally shoots him. The villager then shoots and kills the U.N. disguised civilian before soldiers begin their pursuit. Eliminating enemies as they approach the hillside, the fearful General calls off the search and the squad departs. The villager, who we now realize is Nick Carter, removes a small cylinder from the civilian's arm and then realizes the tortured man was a CIA operative. In the dirt, the operative had scrawled a clue: “MAMBA”.

Carter telephones AXE's David Hawk to report his findings, including the message and the murder of the CIA man. Hawk asks Carter to investigate, and this leads to a whirlwind of action as Carter teams with a mysterious band of aged fighters, a leftover WW2 French brigade that's part gangster, part thief and part hero. The narrative's focal point is Carter's investigation of multiple thefts of American aid. Who's stealing the supplies destined for the Ethiopian people? Who are the thieves selling the aid to? The clues all point to a grand army of mercenaries operating in Africa under the name The Black Mamba Brigade.

I'm not one to flock to the Killmaster series, but there's no denying Dennis Lynds is a tremendous talent. He goes to great lengths to really push this novel into a sweeping, epic adventure. Carter's weary alliance with the resistance group kept me fully engaged, including his love interest with fighting beauty Chantal. With a nearly nonstop action approach, Lynds propels the team throughout Africa while fighting jailers, mercenaries, Ethiopian soldiers and the criminal network. While the climactic finish retained some pulp flavor, it wasn't completely over the top theatrics.

If you are new to the series, or just simply a casual fan like myself, seek out the Dennis Lynds series novels. You won't be disappointed.

Dennis Lynds:

91: The N3 Conspiracy (1974)
103: The Green Wolf Connection (1976)
113: Triple Cross (1976)
206: The Execution Exchange (1985)
211: Mercenary Mountain (1986)
213: The Cyclops Conspiracy (1986)
215: The Samurai Kill (1986)
219: The Master Assassin (1986)
222: Blood of the Falcon (1987)

Gale Lynds:

190: Day of the Mahdi
194: The Mayan Connection
199: Pursuit of the Eagle
203: White Death 

Buy a copy of this book HERE

Secret Mission #15 - Haitian Vendetta

Don Smith’s “Secret Mission” paperback series spanned the decade between 1968 and 1978. The series wasn’t the cash cow for Award Books that “Nick Carter: Killmaster” was, but 21 installments by the same author certainly wasn’t a business failure. It’s clear that Award Books was trying to steal some of Killmaster’s shine as the front cover blurb promises, “A razor-sharp thriller from the publishers of the Nick Carter series!” while the back cover touts, “Violence and suspense to rival Nick Carter!”

The “Secret Mission” series hero - and narrator - is Phil Sherman, a resourceful international businessman who takes on assignments in foreign lands for the CIA. Nearly every book is titled for the name of the nation where the majority of the adventure takes place. As the series order doesn’t matter much, choosing which book to read based on one’s interest in the host country seems like a good system to me. So this time around, we go to Haiti.

In the later books of the series, including 1973’s “Haitian Vendetta,” Sherman is now an employee of the CIA and no longer an independent contractor. When we join Sherman, he is en route to Haiti to investigate a member of the Haitian Secret Police who may be planning a Cuba-supported coup. Sherman’s marching orders are to prevent the insurrection without shedding any blood. Sherman’s cover is that of an international business consultant scouting locations for corporate outsourcing of unskilled labor.

It doesn’t take long before Sherman is intercepted by the secret police who insist on saddling him with an interpreter (minder) even though Sherman speaks perfect French. It’s presented as a service that the new President-for-Life extends to visiting businessmen. The way that Sherman eventually shakes this tail was a pleasure to read. It’s also amusing that Sherman’s businessman cover fools no one on either side of this brewing conflict. Everyone just correctly assumes that he is CIA.

Another cool aspect of the story is Sherman’s Haitian CIA informant who provides our hero with the local flavor to help him complete his mission of political sabotage. Marcel’s sexy daughter - who may or may not be involved with voodoo - aspires to use Sherman as her personal sex toy. Humming in the background is the interesting cultural tug-of-war between the practitioners of Catholicism vs Voodoo, and the influence the Voodoo religion has over politics and power in Haiti.

At 184 big-font pages, “Haitian Vendetta” is a quick read. It was a cerebral spy story that never ventured into cartoonish territory (well, maybe once), nor was it dense or confusing like Robert Ludlum’s espionage fiction. 

Unfortunately, there wasn’t much action at all in the book for the first 130 pages. Sherman conducted a logical and compelling investigation to determine what, if any, insurrection plans were underway in Haiti, but the novel failed to live up to the promise that this paperback was “An adventure novel of violence and suspense to tie your nerves in knots!” I enjoyed the book, but my nerves remained unknotted for the majority of the reading experience.

The pace of the novel increases markedly over the last 50 pages, and it ends on a pretty exciting action set piece. I think for most readers sucked in by the inflated marketing blurbs and exiting cover illustration, the payoff is too little, too late. I can recommend this book - with reservations - because I love Sherman’s character and Smith’s writing, but this just isn’t a book for paperback adrenaline junkies.

The Liquidator #01 - The Liquidator

Author Larry Powell wrote two 'Nick Carter' novels, “Butcher of Belgrade” (#73, 1973) and “The Code” (#77, 1973) as well as one 'Able Team' novel in “Texas Showdown” (#3, 1982). As Lee Parker, he penned the three-book series 'Donovan's Devils' in 1974. The subject at hand is 'The Liquidator', a five-book series written by Powell as R.L. Brent from 1974-1978. 

The self-titled debut introduces the reader to hardened detective Jake Brand. Brand has plenty of skin in the game and is Hell-bent on crippling the Mob. In a detailed and much-needed backstory we learn that Brand's father was a beat cop, flat footing the streets until a junkie murdered him for fix money. Jake and his brother Roy grew up on the football field, Jake the strong guy blocker and Roy the lightning quick running back. Roy went on to excel off the field as well, working his way into law and cracking down hard on the mob. Too hard. Roy was gut shot and left for dead. Jake left college and joined the academy, eyes on the prize to be as tough as his old man and to fight the mob at every turn. Vengeance puddling with the blood.

What really keeps this book from being the typical early 70s imitator (ending with the letter R) is that it's a bit more epic in presentation. For example, pages 79-87 covers an astounding five year span. Detractors could argue this isn't a propelling story segment, and it could have been fleshed out a bit more. I'm not ruining it for you, but this story probably could have been mapped out to two books...but Award ('Nick Carter') probably needed some quick circulation to offset the mammoth Carter shelf monopoly. 

The spine of the story is Brand's quest for vengeance, toppling his neighborhood mob satellite before moving up to the bigger broadcast. There's some police procedural stuff, written like a young Evan Hunter (honestly), but it's short-lived. Informants are planted in seedy bars and strip joints, populating the story with some diverse characters. An important element is the lovable Captain Ellis, Brand's defacto father. The heart of the story, beyond the grit and gravel of revenge, is the relationship between Brand and his fiance Diane. This element enhances the story, slowing the pace to allow some emotion to settle in. If nothing else, it creates a little more connection for the reader and makes a very determined Brand seem human. I think that aspect was much-needed. 

Overall, 'The Liquidator' gets a thumbs up. It delivers what we would expect from the 70s vigilante yarns. There's some serious shakeups, surprises and a ton of action. Powell shows off his talents as a storyteller, painting wide brush-strokes for this backdrop of mob vengeance but giving us just enough depth to make it engaging and emotional. I need the rest of this series.

The Pursuit of Agent M

DeWitt Samuel Copp (1919-1999) authored fiction and nonfiction books with themes relating to military history, aviation, the Cold War, and espionage. His experience in the Army Air Corps during WWII, and role as a flight instructor pilot provides a unique realism to his writing. Copp also served in the Central Intelligence Agency and taught history and civics at St. Luke's School in Connecticut. 

Copp's literary work includes Notebooks, a three-book series of action-adventure novels written under a pseudonym of Sam Picard. As Nick Carter, Copp authored two novels in the Nick Carter: Killmaster series. The talented writer penned a screenplay for an episode of One Step Beyond, a Twilight Zone-esque anthology show on ABC and scripted episodes for other television programs like Three Musketeers, Kraft Theatre, and Lux Video Theatre. 

His spy-thriller The Pursuit of Agent M has been recently released in a new edition by Cutting Edge in digital and physical formats. The book was originally published as a hardcover in 1961 by Hammond and in paperback by Popular Library a year later. It has remained out of print until now. 

Agent M is Mark Costain, an American spy working for the CIA under the name Mark Vorak. His cover is that he is an engineering director at a Czechoslovakian company that manufactures rockets and missiles. In the time-period of the book's release, Czechoslovakia was a communist country controlled entirely by the very red Soviet Union. 

When readers first meet Costain, he is desperately struggling through the cold, harsh landscape of Czechoslovakia attempting to reach the freedom of the Austrian border. In close pursuit is the Czech military, who have positioned Costain as Public Enemy #1. Considering the novel is a man-on-the-run suspense-thriller, the book's simplistic title is perfectly fitting. 

The Pursuit of Agent M is presented in four acts that feature Czech characters aiding Costain's escape. In the first act, Costain meets an old man tending to his sheep. The brief relationship examines Costain's confession that he was stealing government secrets. The wise old man, who hides Costain from the military, doesn't chastise Costain over killing a police officer. Instead, the old man is infuriated over Costain's “theft” of government intelligence. This surprising response to theft versus murder is an intriguing debate. 

Costain's second meeting is with a poet-philosopher that lives in a one room apartment. The poet insists that he isn't Costain's enemy and allows him safe harbor with food and rest. The only repayment requirement is for Costain to hesitantly listen to the poet's readings asking for praise. When the poet risks death for Costain's getaway, Copp's narrative is morally uplifting, showing readers a most basic human principal. 

The third act, and arguably the most exciting, features Costain's hostage, a woman that is revealed to be the mistress to Krupina, a Czech official coincidentally leading the manhunt to find Costain. This sequence is a fevered, tight-laced portion of Copp's narrative that focuses on the woman's relationship with Krupina, and her efforts to assist Costain as a way to extract revenge on her lover. These events are central to a rural farmhouse with plenty of cat-and-mouse tactics between Costain, Krupina, and the mistress that they both are relying on. It's a brilliant premise that leads to Costain's retrieval of an aircraft, that eventually leads to disaster. 

The book's final act is a resounding resolution that introduces key characters that are paramount to Costain's original mission in Czechoslovakia. The characters include a young woman, Lisa, that shares a romantic chemistry with Costain. It's this satisfying conclusion that breathes a new life into the story, revealing Costain's experiences during WWII, both as a pilot and a prisoner-of-war. The circle becomes complete as Copp presents a roaring sequence of events that spring from a treacherous doctor and his association with the communist government. It's a unique twist on the story relevant to Costain's employer and the horrifying atrocities committed while serving as an undercover agent in the German Gestapo. 

The Los Angels Times said, “The writing and style of the book are superior”, when reviewing The Pursuit of Agent M. I would wholeheartedly agree with their praise as Copp's writing was certainly unique, charismatic, and often endearing. The book, rightfully categorized as a spy-thriller, contains a remarkable amount of emotion - human endurance, philosophy, the consequences of war, moralistic thinking, and personal indebtedness. It's a mature approach to the old-fashioned Cold War, espionage thriller that leaves a strong, noticeable effect on readers. 

As a casual, man-on-the-run story, the novel can be enjoyed as pure escapism, but it would be a travesty to ignore Copp's fundamental, underlining messages sprinkled throughout his work. It really sets him apart from his other military-fiction and espionage contemporaries of that era in a Hemingway style – invigorating circumstances propelling human need and suffering. Whether there is a happy ending is in the eye of the beholder. 

Buy a copy of this book HERE.

Paperback Warrior Podcast - Episode 25

On Paperback Warrior Podcast Episode 25, the guys take a deep dive into the world of Nick Carter: Killmaster. Tom introduces listeners to James Howard’s obscure Steve Ashe series, and Eric reviews the nautical heist classic, “Hell Ship to Kuma.” Check it out on your favorite podcast app or listen online at paperbackwarrior.com. Stream the show below or on any podcast service. You can also download the episode directly HERE. Listen to "Episode 25: Nick Carter: Killmaster" on Spreaker.

Handyman #01 - The Moneta Papers

Along with authoring entries in the Nick Carter: Killmaster series, Jon Messman kept a productive schedule in the 1970s with a successful series run with Revenger before achieving commercial success with the popular adult western series The Trailsman. Perhaps one of the best of Messman's literary career is the six-volume paperback series Jefferson Boone: Handyman. It was published by Pyramid Books and debuted in 1973 with The Moneta Papers. The entire series has been reprinted in new editions by Brash Books with an introduction by yours truly.

Jefferson Boone is a silky, posh hero that works inconspicuously with the U.S. State Department. His father was a career diplomat and had mentioned to his son that the department needed a behind the scenes “handyman” that can plug holes for America's foreign allies. Working with a government liaison named Charley Hopkins, Boone is offered a variety of international assignments that conveniently pads out the series. The first assignment that's revealed to readers is The Moneta Papers, a carefully construed Italian mission that features a real estate transaction as the launching point. But, as readers quickly learn, there's nothing ordinary about this property purchase.

Boone's female friend Dorrie is a wealthy European playmate working to secure her fourth marriage. Dorrie owns a number of remote islands that remain as a lease-to-purchase for the U.S. Government. After a number of years, Dorrie has finally agreed to gift the islands to the U.S. provided they can arrange a paper transaction. The problem is that every delivery man has been murdered in route to secure the transaction. The suspect? Dorrie's fiance Umberto, a spoiled kid who has aligned himself with a career politician that aspires to be the next Mussolini.

Boone's first endeavor is to learn if Dorrie is involved with the failed delivery attempts. Second, Boone must investigate Umberto's past and current political allies. Using disguises, a fast Ford Mustang and his snub-nosed .38, Boone embarks on a perilous mission to learn the truth. Messman's writing incorporates Formula 1 racing, various shootouts, a Swiss Alps skiing adventure and sexcapades (albeit more topical than descriptive) to propel the narrative.

Fans of James Bond and Nick Carter should like Messman's protagonist. While Boone is an international, intellectual hero, the author carefully avoids pure snobbery. In fact, Boone's budding romance with a small-town Indiana school teacher helps ground the hero with more American wholesomeness. By 1973, it was a crowded market for these types of globe-trotting champions. Thankfully, Messman's series and character stand the test of time. This was an excellent novel. Get the book HERE

Paperback Warrior Unmasking: Interview with Ralph Hayes

At 91 years of age, Michigan author Ralph Hayes is still writing men's action-adventure novels. With a resume boasting nearly 100 books, he's experienced five fruitful decades of published work in the US, UK, Germany, Finland, Sweden and Italy. At the time of this writing, Hayes has just released his newest novel, a gritty western titled “Wanted: Dead or Alive” for Black Horse, his publisher of the last 10 years.

In a series of letters, Paperback Warrior had the opportunity to interview the living legend about his career, his paperbacks and what the term “genre fiction” means to him.

While employed as a successful Michigan attorney, Hayes married a highly-regarded artist. Her passion and interest in the arts inspired Hayes to relinquish his law practice in 1969. The couple moved to Key West, and Hayes began a torrid affair with his typewriter, one that stuffed the paperback shelves with multiple series titles such as 'The Hunter,’ 'Agent of Cominsec,’ 'Stoner' and 'Soldier of Fortune.’ In fact, Hayes created and/or contributed to seven individual series' including the wildly popular 'Nick Carter: Killmaster' paperbacks.

“I didn't start writing seriously until 1969. A story of mine originally appeared in Alfred Hitchcock Mystery Magazine in 1967 called ‘The Gumdrop Affair.’ It was later included in two separate college textbook anthologies. I've sold almost 40 short stories to literary quarterlies, men's magazines and mystery magazines,” Hayes said.

When asked if any of his shorts were later re-worked into novels, the enthusiastic author was quick to point out that his short stories don't turn into novels. “I would never try to broaden a short story tale into novel length,” he explained. “Short stories are an art form apart, and in no way inferior in importance to the novel. On the other hand, when an editor asked me to cut a couple of scenes from a novel, I later developed those scenes into short stories. Writer's Digest asked me once to do an article telling other writers how I went about it.”

Hayes' robust bibliography includes riveting, exotic locales that are par for the course in the men's action adventure genre. Ranging from vigilante globe-trotting adventurers to mercenaries, Hayes has a unique sense of realism within his writing. “I have been to East Africa twice. I've also been to South Africa, Egypt, Ethiopia and Morocco,” he said. “I have also been around Europe by both moped and car. I've went to Hong Kong and Peru to visit Machu Picchu. All of this with my artist wife, now deceased, whose art is in private collections all across this country and Europe.”

His earliest series, 'The Buffalo Hunter', starring western protagonist O'Brien, can be sourced back to its 1970's debut paperback “Gunslammer,” also known as “Secret of Sulpher Creek.” That series, which Hayes still contributes to, parallels the author's career from 1970 until now and encompasses 11 total novels. “Rugged, intimidating. Rawhides. Can't read or write but speaks several Indian tongues. A perfect wild-country survivalist,” described Hayes when asked to characterize his cowboy hero to unfamiliar readers.

The author lists his 'Buffalo Hunter' novels as some of his best work, but he is particularly fond of a 1979 book entitled “Hostages of Hell.” “This is based on a real-life terror attack on a US embassy. My research for the book included actual correspondence with the US ambassador in Khartoum,” he said.

From 1967 through the early 80s, Hayes wrote over 60 novels. The 1970s were a particularly  productive era for the author, growing series titles like Buffalo Hunter, The Hunter, Check Force, Stoner and Agent of Cominsec for familiar publishing houses like Manor, Leisure/Belmont Tower and Zebra. By the early 80s, one can see his writing reduced to just a few stand-alone novels, most as historical romance pieces.

“When publishing took a nose dive in the mid-eighties, we returned to Michigan where I resumed my law career, but still doing some writing,” Hayes explained. By 1992, Hayes began producing westerns again with two stand-alone paperbacks for Pinnacle. Just seven years later, Hayes would experience another productive era, penning westerns for UK publisher Black Horse, an imprint of Robert Hale Publishing.

“The recently published westerns at Robert Hale and Crowood have been newly-written novels, starting with ‘The Tombstone Vendetta’ about Wyatt Earp and the OK Corral. ‘The Last Buffalo,’ ‘Fort Revenge’ and ‘Coyote Moon’ form a trilogy of O'Brien the Buffalo Hunter stories that make up one long saga, and I suspect ‘Fort Revenge’ is about the best of that genre,” he said.

The author, who cites his favorite writers as Ernest Hemingway, Jane Austen, John Le Carre and B. Traven, has a lot to say about what people perceive as genre fiction. “The idea that genre fiction is somehow inferior in quality to so-called mainstream fiction, and is not as literary, is artificial bull-puckey,” Hayes said. “Mainstream also is genre, psychological studies, social issues, etc. are all genres, and most of that is not as entertaining as other genres. Entertainment is the primary objective of all fiction, the other, lesser goal being enlightenment, which should never dominate the story. If you have a cause to espouse, the proper literary form is an essay or a non-fictional book.”

Hayes continued, “In drama, all of Shakespeare's plays were genre. Jane Austen's novels are genre. Poe's stories are genre. All in this developed use of the word. ‘The Sun Also Rises’ is genre, and ‘The Old Man and the Sea’ is also, in my revised classification system. People who like to maintain the 'mainstream is superior' notion would rank ‘The Grapes of Wrath’ above Jane Austen's ‘Pride and Prejudice,’ a love story or light romance. But it isn't. The love story is better, both in entertainment and enlightenment.”

In conclusion, Hayes has a diverse bibliography that includes period pieces, mystery, adventure, vigilante, romance, science fiction and thriller - all thought-provoking and entertaining in their own right. “So, lets dispense with mainstream and literary as description of fiction and categorize all works as some kind of genre,” he said.

Ralph Hayes Bibliography

AGENT OF COMINSEC

1. The Bloody Monday Conspiracy - 1974 Belmont Tower
2. The Doomsday Conspiracy - 1974 Belmont Tower
3. The Turkish Mafia Conspiracy - 1974 Belmont Tower
4. The Hellfire Conspiracy - 1974 Belmont Tower
5. The Nightmare Conspiracy - 1974 Belmont Tower
6. The Deathmakers Conspiracy - 1975 Belmont Tower

THE BUFFALO HUNTER

1. Gunslammer (aka Secret of Sulpher Creek) - 1970 Belmont Tower
2. Four Ugly Guns - 1970 Belmont Tower
3. The Name is O'Brien - 1972 Lenox Hill
4. Hellohole - 1973 Leisure/Belmont Tower
5. Treasure of Rio Verde - 1974 Remploy
6. Vengeance is Mine - 1978 Manor
7. Five Deadly Guns - 1984 Ulverscroft
8. Revenge of the Buffalo Hunter - 1992 Pinnacle
9. The Last Buffalo - 2013 Black Horse
10. Fort Revenge - 2013 Black Horse
11. Coyote Moon - 2015 Black Horse

CHECK FORCE

1. 100 Megaton Kill - 1975 Manor
2. Clouds of War - 1975 Manor
3. Judgment Day - 1975 Manor
4. The Peking Plot - 1975 Manor
5. Seeds of Doom - 1976 Manor
6. Fires of Hell - 1976 Manor

* DANIEL BOONE: LOST WILDERNESS TALES

1. River Run Red (as Dodge Tyler) - 1996 Leisure
2. Algonquin Massacre (as Dodge Tyler) - 1996 Leisure
3. Death at Spanish Wells (as Dodge Tyler) - 1996 Leisure
4. Winter Kill (as Dodge Tyler) - 1996 Leisure
5. Apache Revenge (as Dodge Tyler) - 1997 Leisure
6. Death Trail (as Dodge Tyler) - 1997 Leisure

* Ralph Hayes states he wrote a number of these books as Dodge Tyler. Author John Edward Ames wrote the last six installments of the 12 book series. 


THE HUNTER

1. Scavenger Kill - 1975 Leisure/Belmont Tower
2. Night of the Jackals - 1975 Leisure/Belmont
3. A Taste for Blood - 1975 Leisure/Belmont Tower
4. The Track of the Beast - 1975 Leisure/Belmont Tower
5. The Deadly Prey - 1975 Leisure/Belmont Tower

NICK CARTER: KILLMASTER

65. The Cairo Mafia - 1972 Award
67. Assault on England - 1972 Award
68. The Omega Terror - 1972 Award
70. Strike Force Terror - 1972 Award
73. Butcher of Belgrade - 1973 Award
78. Agent Counter-Agents - 1973 Award
86. Assassin: Code Name Vulture - 1974 Award
88. Vatican Vendetta (with George Snyder) - 1974 Award

SOLDIER OF FORTUNE (as Peter McCurtin)

4. The Guns of Palembang - 1977 Belmont Tower
5. First Blood - 1977 Belmont Tower
6. Ambush at Derati Wells - 1977 Belmont Tower
7. Operation Hong Kong - 1977 Belmont Tower
8. Body Count - 1977 Belmont Tower
9. Battle Pay - 1978 Belmont Tower
Vol. 2 9. Blood Island - 1985 Leisure

STONER

1. The Golden God - 1976 Manor
2. Satan Stone - 1976 Manor
3. All That Glitters - 1977 Manor
4. King's Ransom - 1978 Manor

STAND-ALONE NOVELS

Virgin Tate (romance) 1962 Vega
Black Day at Diablo (?)
The Visiting Moon (science-fiction) 1971 Lenox Hill
Treasure of Rio Verde (western) - 1974 Remploy
Love's Dark Conquest (romance) - 1978 Leisure
Forbidden Splendor (romance) - 1978 Leisure
Dark Water (thriller) - 1978 Leisure
By Passion Possessed - 1978 Leisure
The Killing Ground (as John Hardesty) - 1978 Leisure
Savage Dawn (romance) - 1979 Jove
The Big Fall (?) - 1979 Zebra
Hostages of Hell (action) - 1979
Adventuring (western) - 1979 Jove
Golden Passion (romance) - 1979 Leisure
Dragon's Fire (romance) - 1979 Leisure
The Promised Land (romance) - 1980 Leisure
The Sea Runners (action) - 1981 Leisure
A Sudden Madness (mystery) - 1981 Leisure
Last View of Eden (thriller) - 1981 Leisure
Charleston (romance) - 1982 Zebra
Drought! (romance) - 1982 Zebra
The God Game (thriller) - 1983 Leisure
The Scorpio Cipher (thriller) - 1983 Leisure
Sheryl (romance) - 1984 Leisure
Deadly Reunion (mystery) - 1984 Leisure
Illegal Entry (romance) - 1984 Leisure
Mountain Man's Fury (western) - 1992 Pinnacle
Mountain Man's Gold (western) - 1993 Pinnacle
Tombstone Vendetta (western) - 2010 Black Horse
Texas Vengeance (western) - 2016 Black Horse
Rawhide Justice (western) - 2016 Black Horse
Lawless Breed (western) - 2017 Black Horse
The Way of the Gun (western) - 2018 Black Horse
Wanted: Dead or Alive (western) - 2019 Black Horse

Inside McLeane’s Rangers: A Paperback Warrior Unmasking

Unmasking the author behind a pseudonym is a bit of a pastime for modern readers of vintage adventure paperbacks. Recently, the desire to play armchair detective or cultural anthropologist lead to the discovery of the real man behind the somewhat obscure, five-book McLeane’s Rangers series written under the pen name of “John Darby.” A little digging revealed an accomplished journalist who later became a well-established writer in the mystery genre after authoring several other action novels many of you have undoubtedly collected and read. 

The choice of the John Darby pseudonym and McLeane’s Rangers series name is almost certainly a nod to WW2 U.S. Army hero William Orlando Darby who was fictionalized in a movie called “Darby’s Rangers” starring James Garner in 1958. The premise of the McLeane’s Rangers series from Zebra Books is similar to Len Levinson’s “Rat Bastards” novels or any number of the “team of badasses” war fiction subgenre in which a group of misfit military men participate in fictionalized versions of famous battles. In this case, the legendary conflicts involved pivotal moments in the Allied victories over Japanese forces.

Basic internet queries came up empty for any clues regarding the real identity of author John Darby. Likewise, the writing style didn’t provide much of a lead as all the books seemed to be written in the same voice (ergo: likely a pseudonym, not a house name).

All of this begs the question: Who the hell was John Darby?

While internet search engines provided no clues, a deep dive into the U.S. Library of Congress Copyright database revealed that the MacLeane’s Rangers series was authored by someone named Michael Jahn. 

Now we’re getting somewhere. 

According to Wikipedia, Jahn was hired as the first rock music journalist for the New York Times in 1968, a job largely unheard of at big-city newspapers at the time. In that capacity, the Times sent him to cover the now-legendary Woodstock Festival in 1969 among the 400,000 muddy attendees. He remained at the Times for three years covering rock for the “Paper of Record” during a remarkable time in music history. 

Jahn later shifted gears to mystery fiction where he won an Edgar Award in 1978 right out of the gate for his novel, “The Quark Maneuver,” about a homicidal Vietnam vet. This lead to a popular mystery series starring NYPD Chief of Special Investigations Captain Bill Donovan that spanned 10 books between 1982 and 2008. His papers and manuscripts are stored at the at the Columbia University’s Rare Book & Manuscript Library. 

Interestingly, no available bibliography of Jahn lists the McLeane Rangers series as part of his body of work. Luckily, I was able to track down Jahn, now 74, and ask him if he was, in fact, John Darby. 

“Guilty as charged,” he replied. “You’re the first to ever notice that they even existed.”

It turns out that McLeane’s Rangers wasn’t Jahn’s first foray into Men’s Adventure Fiction. Starting in 1975, Jahn wrote five TV tie-in “Six-Million Dollar Man” paperbacks, including the popular, “The Secret of Bigfoot Pass.” Fanboys of the Bionic Man praise Jahn’s adaptations for merging the divergent continuities of the TV series with the Martin Caiden’s “Cyborg” novels that inspired the show. 

Soon thereafter, Jahn wrote two paperbacks tied into the “Black Sheep Squadron” TV show that spun off from the movie “Baa Baa Black Sheep,” as well as a 1981 installment in the Nick Carter: Killmaster Series, “Cauldron of Hell” (#153).

All of this experience opened the door for his own original action series in 1983. “Those days I was friends with a bunch of guys who wrote military-related adventures and I had a history in the genre. Zebra Books was an imprint of Kensington, which was best known for romances. I was invited to write those but never did. I did the McCleane’s series plus four quickie novelty mysteries under another name for them. Zebra paid less than anyone but tended to like everything you did,” Jahn said. 

“When I had offered McLeane to Zebra, it seemed like a good fit. I don’t recall whose idea it was. The Zebra editor was not especially action-oriented. But I think they wanted something different than ‘Black Sheep Squadron,’ maybe an infantry thing suggestive of ‘Merrill’s Marauders.’ I was a fan of ‘Rat Patrol,’ so a handful of men was good.”

Although Jahn was the brains behind the series, the authorship remains a less-than-straightforward affair. “There was a friend of mine, an aspiring writer, who was on the verge of getting evicted and was desperate for money,” Jahn said. “I was up to my ass in work those days with lots of contracts, so I gave him McLeane’s to write and cooked up the byline John Darby. He struggled severely, and I had to re-write his work. After the first two books, I basically took the series back and finished it myself. So if the books seem a bit choppy, that’s the reason.”

Who are McLean’s Rangers? The team of American ass-kickers consists of:

- McLeane: the fearless leader of the group who takes his orders from the top and manages to have a good bit of graphic sex between adventures.

- Contardo: the violent, Brooklyn-born psycho is likely to fall into a deep depression if he doesn’t tear off someone’s face at least twice per week.

- Heinman: the hillbilly of the team earned a doctorate in Oriental Studies from Oxford. Conveniently, he’s also a martial arts expert and speaks several useful Asian languages. 

- O’Connor: the mandatory Chicago Irishman of the team is an explosives expert built like a bull with fists like hams. Spoiler alert: he’s not afraid to use them.

- Wilkins: the expert marksman of the group is also the youngest among them. He knows how to ventilate any enemy with his rifleman skills. 

During the fictional team’s time in WW2, the men covered a lot of ground:

#1 “Bougainville Breakout” - the group’s first adventure pits the Rangers against the entire Japanese garrison in Bougainville. The mission is to destroy a Japanese ammo depo invulnerable to American air attack while securing the release of a captured spy. 

#2 “Target Rabaul” - During World War II, Papua New Guinea was captured by the Japanese, and it became the main base of Japanese military activity in the South Pacific. McLeane’s Rangers are sent there to bring their jungle warfare talents to the Japanese stronghold. 

#3 “Hell on Hill 457” - McLeane and his men parachute into a heavily-fortified Japanese position around a mountain fortress that can only be dealt with using some heavy explosives. 

#4 “Saipan Slaughter” - Only McLeane’s elite commando unit has the skill and the nerve to penetrate the island of Saipan in advance of the pivotal U.S. invasion. 

#5 “Blood Bridge” - In this final adventure of McLeane’s Rangers, the team embarks on a mission to save China from a deadly invasion by the Japanese military juggernaut. 

The McLeane’s Rangers series touches all the important bases of 1980s Men’s Adventure Series Fiction - violence, drama, sex, gore, salty language, and excess testosterone. The paperbacks are generally well-written but clearly not the work of a professional historian or anyone with great inside knowledge of the U.S. Military. For example, the McLeane’s Rangers are a U.S. Marine Corps unit, yet the term “Rangers” is strictly a U.S. Army designation. For readers capable of suspending their disbelief and embracing some fictional escapism, there’s a lot to enjoy in Jahn’s version of WW2. 

For his part, Jahn is learning a lesson about the enduring legacy of Men’s Adventure Fiction of the era. “You know, there’s something going on that I never expected,” he said. “Despite my Edgar Award and the 10 Bill Donovan Mysteries, all of which were critically well recieved, what I’m being remembered for is the 70s and 80s paperbacks. There’s a whole thing about the Six Million Dollar Man. My 1982 space shoot-em-up book ‘Armada,’ which in my opinion was ripped off by the film ‘Independence Day,’ was nearly made into its own film a few years back. I’ve also been asked about Nick Carter. And now you’re asking about McLeane. This is fascinating to me.”

Man from A.P.E. #01 - Overkill

Norman Daniels (real name Norman Danberg, 1905-1995) was a prolific American author who successfully shifted from pulp magazines to paperback originals in the 1950s. After long running pulp series titles including The Black Bat, Daniels saw a resurgence in his popularity by authoring novels in multiple genres. Whether it was crime-noir, military-fiction or a Gothic-romance, Daniels was considered a good - never great - always consistent author.

Perhaps his most widely known paperback work is his Man from A.P.E. spy series of the 1960s. Now, before you think this is a collection of theories and essays on evolution (man from ape, get it?), remember the time frame. By the 1960s, Ian Fleming's James Bond character had become marketing gold. Every publisher and author was cashing checks from the creation of Bond spy-clones. Norman Daniels was no different. He authored eight installments of his espionage series from 1964-1971.  My first experience with the Man from A.P.E. books is the debut, Overkill, published in 1964 by Pyramid.

In Overkill, readers are told that A.P.E. stands for American Policy Executive, a clandestine agency of the U.S. government relatively unknown to America's other intel agencies. The organization uses a select network of spies across the globe to fight terrorists and criminal-masterminds. Really, it's a series of "the good guy Americans fighting those Russian and Chinese baddies." The star of the series is a character named John Keith, an A.P.E. secret agent that goes by the code name Darius. In Overkill's second half, it is disclosed that Keith was a language arts major in college and is able to speak several languages fluently (suspiciously similar to Jack Higgins' spy-character Paul Chavasse from 1962). This comes in handy in negotiations with allies and criminals worldwide.

In this series debut, Keith is assigned the task of locating a missile in Albania. After talking with his Russian sources, Keith learns that years ago Russia provided the Albanians a catastrophically-dangerous medium-range missile. The Albanians hid the missile and refuse to return it to Russia. Through network chatter, Russia and the U.S. discovered that four Chinese scientists are headed to Albania to work on sanitation issues. Of course, this is really a front for China to assist Albania in assembling the missile and destroying parts of Moscow in hopes that the world will blame the U.S. Smartly, Russia has bought the cover story and are allowing the Chinese scientists to cross their country to perform their task. The idea is that the Russians can follow the scientists and discover the missile's secret location. What's Keith's role? He is to work with the Russians in fighting a common enemy.

Personally, this read like a less action-packed Nick Carter: Killmaster paperback. Daniels plays it straight and doesn't provide a funny nickname for Keith's .45. Like Carter, Keith gets laid while on assignment and generally spends most of the job just interviewing people and avoiding hot water. There are some fisticuffs, some gunfire and a compelling investigation as Keith tries to locate the important missile (it could have easily been a gemstone, a world-changing document, a defector, or a KFC recipe) that doesn't really matter in the narrative itself. The journey is important, and Daniels does a serviceable job making this as exciting as it can be. I loved the book's final pages and the inevitable showdown between Keith, his ally and the Russian agents. For that alone, Overkill is well worth the price of admission. I'd certainly read another installment. You would, too.

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