Devil in Dungarees

During his life, Marvin H. Albert (1924-1996) was a prolific writer of mystery, noir, Western, and high adventure novels using the pseudonyms of Nick Quarry, Anthony Rome, Ian McAlister, Albert Conroy, and others. He also wrote many books under his own name, including several movie novelizations. In 1960, Crest Books released a 198-page paperback original called “Devil in Dungarees” under the pen name, Albert Conroy. Automat Press has recently re-released the orphaned novel as a Kindle eBook for three bucks.

After nailing young Peggy - maybe 20, maybe younger - in a motel cabin, police officer Walt Bonner is feeling the nerves. You see, he agreed to participate in a bank heist with some guys he barely knows. If it works, Bonner and Peggy - the titular devil who wears her tight blue jeans without panties - can run away to Cuba together and spend their lives porking in a rum-induced haze.

We learn pretty early in the novel that Peggy’s not a completely loyal sex partner. In fact, she plans to take off with another member of the heist crew leaving Detective Bonner without a girl or his share of the loot. The bank robbery itself happens early in the story, and most of the book is dedicated to the aftermath. As far as literary heists go, this one was well-planned and professionally executed. The benefits of having a bent cop in on the planning becomes very apparent - until things go south. The author was clearly channeling the paperbacks of Lionel White and Richard Stark when he wrote this one, and he seems to have mastered the formula.

Albert’s wrote “Devil in Dungarees” in a wandering third-person narration that slides seamlessly from one character’s mind to another’s. There’s an admirable self-assurance to his style that lets the reader know you’re in good hands through the twists, turns, and double-crosses. The paperback’s action toggles between a heist getaway story and a credible police procedural. The sex scenes are well-described and the action is a few notches more graphically violent than most 1960 crime paperbacks.

Overall, I have nothing bad to say about “Devil in Dungarees.” It was a sexy, action-packed heist thriller among the best I’ve ever read. Marvin Albert was the real deal, and I now want to explore more novels by him. Highly recommended.

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The Mob Says Murder

Albert Conroy was one of the cadre of pseudonyms employed by Philadelphia native Marvin H. Albert (1924-1996) to flood the market with his innovative crime and western novels of the mid-20th century. As far as I can tell, he wrote 14 paperbacks as Albert Conroy/Al Conroy between the years 1952 and 1972, including a stand-alone crime-noir paperback from 1958 titled The Mob Says Murder.

Eddie Driscoll is six years into his state prison life sentence for a fatal bank robbery he didn’t commit. In his day, he did plenty of bank holdup jobs, just not the one that landed him in the pen. Driscoll spends his days pining away for his wife who left him and remarried a year into his sentence. Nevertheless, he remains infatuated and in love with the memory of her soft flesh against him.

One day, Driscoll gets an unexpected visitor in prison. It’s a spicy Mexican dame is pretending to be his cousin delivering a cryptic message that Driscoll interprets as an invitation to bust out of the prison with the help of unknown friends on the outside. This evolves into an early-novel breakout that's about as good as any pulp fiction jailbreak I’ve ever read. Before you know it, Driscoll goes from lonely and horny inmate to a most-wanted fugitive.

The person pulling the strings to orchestrate Driscoll’s shaky freedom is a mobster named Bruno Hauser who runs a nightclub and illegal gambling joint called The Ocean Club. Hauser has a problem - the anti-crime governor has been sending state law enforcement goons to Hauser’s joint to bust up the place and interrupt business. Hauser’s solution? The governor must go. Interestingly, the same governor was once the prosecutor who wrongfully put Driscoll away for life. After his guilty verdict six years ago, Driscoll swore revenge on the prosecutor, and Hauser is hoping to utilize Driscoll as an assassin to remove their shared enemy from office permanently. After all, busting a guy out of prison means he owes you a big favor, right?

Albert has crafted another crime-noir masterpiece here. I thought I knew where the plot was headed based on the cover art spoiler, but it quickly became clear that the artist and copywriter had never read the book themselves. The novel’s characters are vivid and the dilemmas - both practical and moral - are taken seriously by the author. The relationships between the characters are especially well-drawn and add a dose of humanity to this ultra-violent and sexy 141-page lost classic. The plot is perfectly constructed and the dialogue is crisp. There’s really nothing to dislike about this novel.

The Mob Says Murder is another work of pulp literary greatness by Albert. The more I read from him, the more I’ve come to believe that he was a uniquely excellent writer of his era and a step above his peers. For reasons unclear to me, I don't believe this one has ever been reprinted since it hit the spinner racks in 1958. Maybe someone will read this review and do something about that. It’s really something special. Get a copy HERE

The Girl with No Place to Hide

Between 1958 and 1961, Philadelphia native Marvin H. Albert (1924-1996) employed the pseudonym Nick Quarry to write a six-book series starring a hardboiled Manhattan private detective named Jake Barrow. The series has been largely lost to the ages until a recent resurrection by Stark House imprint Black Gat Books. The third installment, 1959’s The Girl with No Place to Hide, is back as a mass-market paperback for modern readers to read and enjoy.

Jake is our narrator for this taut 185-page mystery. After leaving a strip club at 2:30 in the morning, our hero witnesses a woman – a real dish, by the way – being dragged into an alley by a thug. Jake dispatches the mauler, saves the damsel in distress, and brings her to his apartment for safekeeping. Her name is Angela, and she’s filled with secrets. Angela is convinced, with good reason, that someone is trying to kill her. However, she doesn’t trust Jake enough to share the complete story. Jake steps out of his apartment for a few minutes before returning to find that Angela has disappeared.

Without a paying client, Jake takes it upon himself to find Angela and learn who is trying to kill her and why. He makes a logical leap that her threat is somehow tied to a grisly murder of a newspaper ad man around the same time and leverages his relationships with NYPD homicide to get the inside scoop. There’s a side plot involving a middleweight prizefighter with an approaching title bout. There’s also wiretaps, heaving breasts, thugs who kill, thugs who need killing, dirty cops, love triangles, torture, extreme violence, and 1950s stylized sex. No joke, this paperback has something for everyone, and the influence of Mickey Spillane’s Mike Hammer shines brightly throughout every page.

As a character, Jake is a hardboiled archetype who loves the ladies, booze, and using his gat when pushed too far. Albert is an unsung hero of the paperback original era who was equally proficient in the crime and western genres, and The Girl with No Place to Hide presents the author at the absolute top of his game. The mystery and its solution were perfectly crafted with enough red herrings to keep the reader guessing until the satisfying solution. Let’s hope this reprint sells like hotcakes, so Stark House/Black Gat bring back more Jake Barrow mysteries. Highest recommendation.

Addendum

Although The Girl with no Place to Hide is the third installment in the Jake Barrow series, the paperbacks can be read in any order. Here’s the original series order – all published under the Nick Quarry pseudonym by Fawcett Gold Medal:

1. The Hoods Come Calling (1958)
2. Trail of a Tramp (1958)
3. The Girl with No Place to Hide (1959)
4. No Chance in Hell (1960)
5. Till it Hurts (1960)
6. Some Die Hard (1961)

Get the book HERE