Detour to Death

Female authors are rather underrepresented at Paperback Warrior (nothing personal, ladies!), so we put our feelers out for book recommendations of hardboiled vintage crime fiction by women. One name that kept popping up was Helen Nielsen (1918-2002), a popular mystery author of the 1950s and 1960s who also wrote TV episodes of Alfred Hitchcock Presents and Perry Mason. My introduction to her work was the 1953 paperback, Detour to Death (also released as just Detour). The novel remains available today as a cheap ebook and audiobook - both free with a Kindle Unlimited subscription.

Danny Ross is an 18 year-old drifter hitchhiking south from Chicago in search of a fresh start. He gets a ride with a kindly physician named Dr. Gaynor who needs to make a quick detour in the small town of Mountain View where the doc has patients among the locals. After a brief visit at the town’s diner, the Doc heads back to his car where Danny finds him minutes later murdered from a blow to a head. All in all, it’s a pretty basic setup for a pretty standard whodunnit.

Because Danny is both a stranger in town and the one who found the bludgeoned doctor, he’s immediately the prime suspect for the murder and detained pending further police investigation (i.e. beatings). Fortunately, two attorneys - one a drunk and the other an accomplished trial lawyer - team up to investigate the matter to learn the truth. This leads to some astonishingly unrealistic scenes of investigative procedures in which the attorney drags along both the sheriff and Danny to examine the crime scene and interview witnesses in a handful of scenes that defy any understanding of basic law enforcement operations.

While Nielsen could craft a decent mystery with solid prose, she introduces way, way too many characters for a 192 page book. I get that it’s a small town and a lot of people are suspects with varying motives, but I needed a Game of Thrones-style org chart to keep track of the townsfolk, their alliances, and their grievances.

Back to the woman-thing, Nielsen made some narrative choices that I think her male contemporaries would have done way differently. For example, the sheriff beats Danny to a bloody pulp to elicit a confession, but this was done off-page. Does anyone think that author Dan J. Marlowe would have passed up the opportunity to chronicle every nose-crushing blow? There were other examples where Nielsen pulled punches - both literally and figuratively - that serve to make the novel rather soft-boiled.

I could go on, but you get the idea. Detour to Death was just a paint-by-numbers mystery whodunnit. Nielsen could clearly write well enough, but her plotting in this one was a real snooze. Seeing the shortcomings of Detour to Death through a gendered prism may not be fair to other female authors, but we also shouldn’t be grading this softball of a novel on a curve just because the writer was a lady. There were certainly plenty of crappy crime novels written by both men and women in the 1950s. I was just hoping for something better given Nielsen’s reputation for quality. 

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The Woman on the Roof

According to Wikipedia, Helen Nielsen (1918-2002) authored television scripts for classic mystery shows like Perry Mason and Alfred Hitchcock Presents. Before her writing career, she worked as a draftsman during WW2 and helped design aircraft like the B-36, XB-47, and P-80. She authored nearly 20 novels, including a series of detective novels starring District Attorney Simon Drake. Stark House Press has been reprinting some of Nielsen's stand-alone crime-fiction novels like The Woman on the Roof. It was originally published in 1956 by Dell and now remains as a reprint through Stark House Press's Black Gat Books imprint. 

Wilma Rathjen spent a considerable amount of time in a mental institution. There, she rehabilitated and learned new skills. Now, she lives in a rooftop apartment in Los Angeles and spends her spare time spying on her neighbors. The rent is completely paid by her wealthy brother Curtis, a prominent politician and lawmaker. Wilma still likes to keep busy, so she works at a nearby bakery designing birthday cakes. Thankfully, the author's final lines in Chapter One sets up the narrative.

From her rooftop view, Wilma discovered that her neighbor Ruby, a beautiful female dancer and entertainer, was lying in her bathtub dead. But, Wilma didn't want to risk being scolded by the police for snooping or reporting a dead body. She may have to return to the mental hospital where the food is bad and the staff is abusive. She can't do anything to jeopardize her comfy living arrangement. Wilma is still hiding the secret when her friend and neighbor Pop peers through Ruby's window and discovers her corpse. 

The authorities are called and the narrative then focuses on John Osgood, a 40 year veteran police sergeant and Frenchy Bartel, a homicide detective, as they attempt to find Ruby's killer. But, the tension escalates when another tenant is murdered and Wilma sees someone snooping around Ruby's empty apartment at night. The police, and readers, receive a surprise when someone walks into Ruby's apartment claiming to be her husband. Is he the killer, or is it a pesky photographer?

The Woman on the Roof didn't entertain me as much as I had hoped. I rarely strike out with Stark House Press, but I just felt the book was too long and didn't have enough to keep me occupied. It's written well and I enjoyed the characters, but Wilma left something to be desired. With her limited capabilities, I became bored with the events surrounding her. The mystery was engaging enough, and Ruby could have been sexy as Hell. But, she's a bloated corpse before the narrative even starts, so any sexy chemistry was completely voided. Osgood's role was interesting and he turned the story into a procedural investigation, although a dull one. 

Overall, this was my first sampling of Helen Nielsen's work and I'm intrigued enough to try another. Buy a copy of the book HERE.

Paperback Warrior Podcast - Episode 40

Episode 40 of the Paperback Warrior Podcast is our contentious “Women and Minorities” episode. If you can handle the heat, listen to the guys candidly discuss the work of Helen Nielsen, Amber Dean, Joseph Nazel, and Marc Olden. Be warned: This episode is sure to be highly controversial and may spark a worldwide boycott. If you dare, check it out on your favorite podcast app, stream below or download directly HERE:

Listen to "Episode 40: Women and Minorities" on Spreaker.

Inspector Sands #02 - The Iron Gates

Along with her contemporaries like Dorothy B. Hughes, Charlotte Armstrong, Dolores Hitchens and Helen Nielsen, California native Margaret Millar helped solidify the presence of talented female mystery authors in the 1940s and 1950s. She wrote over 25 original novels, mostly as stand-alone works. However, her first three novels starred a Canadian sleuth named Dr. Paul Prye and she repeated that creation with another Canadian detective, Inspector Sands. 

The Toronto homicide detective starred in Wall of Eyes (1943) and The Iron Gates (1945), as well as a short story called "The Neighbors Next Door" in a 1954 issue of Ellery Queen Mystery Magazine. I chose to read the latter novel based on an article by Curtis Evans (via Stark House Press) praising the book. It has been reprinted multiple times in hardcover, paperback, and most recently as an audio book. It was also printed in the U.K. as Taste of Fears.

In The Iron Gates, Millar's prose is pure psychological suspense. In the book's opening chapters, Lucille Morrow is mourning the unusual death of her friend Mildred. These scenes are beautifully written and drape the imagery in a white pane of frosted glass reflecting Lucille's loss and mental anguish. It's a hazy precursor to what eventually occurs later in the book as a historical flashback or retelling. 

Later, readers learn that Lucille is now married to a retired physician named Andrew, Mildred's previous husband. She is the stepmother of his two adult, but childish, kids and the in-law to his worrisome sister, all of which reside in the same house. Due to the death of Mildred, and Andrew's replacement of her with Lucille, there are strict dividing lines in the household based on suspicions and shifting judgments. These alliances and strategic family placements play into the novel's central themes of jealousy and lust.

Inspector Sands becomes involved in the narrative when Lucille goes missing. There's early discussion between characters about a nearby park where a grisly murder took place. There's a cautionary tale told about a wandering ax-man preying on park guests. The idea that Lucille is missing, the nearby murder, Mildred's prior death and this strange ax-man all play into the mystery. Sands doesn't know what to believe and finds the family obtuse about Lucille's whereabouts. Only Andrew seems genuinely concerned about her well-being, opening up a string of guesses on which family member committed murder.

The book takes an interesting twist for the second half. Without spoiling the plot development, a major character ends up in a mental asylum behind “iron gates”. Her reason for being there is cloudy, leaving Sands and a detective to investigate the events surrounding her confinement in the asylum. Most of the book's second half does take place in the asylum as the character interacts with other mental patients and the hospital's staff. I enjoyed these parts of the story, but felt it was a little distracting at times. The behavior of the patients and their involvement in the main character's psyche definitely contributes to the story's development, but it's a marathon. 

As a psychological suspense novel, Millar conveys a lot of emotion in her writing. I enjoy the shading she provides as she draws out each character for the reader to suspect. As I learn more and more about female mystery authors of the 20th century, my research always leads to Millar. She was a a real talent and sadly isn't as relevant now. Her work is mostly forgotten aside from a few reprint houses still preserving her novels. Her spouse, Ross MacDonald, the creator of the California detective Archer, is in more abundance, but honestly Millar may have been the one to read all along. 

The Iron Gates was optioned for film to Warner Brothers and allegedly Millar wrote the screenplay. It was to star either Bette Davis or Barbara Stanwyck, but the film never came to fruition. This novel remains rather timeless and would make for a great modern film with it's real world complexity. My vote is for director David Bruckner (The Night House, The Ritual). Anyone have his number? 

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Death of an Intruder/Twice So Fair

Nedra Tyre (1912-1990), who was born in Offerman, Georgia, received her B.A. from Atlanta's Emory University and her M.A. from Richmond School of Social Work in Virginia. She worked as a teacher, staff writer, social worker, typist, and a sales clerk in addition to being a notable mystery and suspense author. She wrote six stand-alone novels and approximately 40 short stories for magazines like Ellery Queen's Mystery Magazine, Sleuth, Alfred Hitchcock's Mystery Magazine, and Mystery Monthly. 

Stark House Press have recently reprinted two Tyre novels in one volume, Death of an Intruder (1954) and Twice So Fair (1971), along with an introduction by Curtis Evans. Tyre's name was new to me, but thankfully this twofer served as a wonderful introduction to this talented author. Billed as “suspense classics”, both of these novels deliver deeply embedded mysteries that are ratcheted up to higher levels of tension and psychological edginess that is similar to Elizabeth Fenwick (real name Elizabeth Phillips) or Margaret Millar. 

The better of the two novels, Death of an Intruder, introduces readers to Miss Allison, a middle-aged woman who strives for independence after the death of her aunt. Allison finds a charming house, purchases the home, and begins a solitary life of enjoyment and simplicity. However, her bliss is short-lived when an elderly woman, Miss Withers, knocks on her door and invites herself in. After complaining about a rainstorm, Withers begs to stay the night. Allison, a quiet, non-confrontational individual, agrees to allow her uninvited guest to sleep on the sofa. The next morning, Allison is horrified to learn that Withers hasn't left. And she never will.

Through 150ish pages, Allison must contend with an unwanted roommate that violates her sanctity. As the narrative grips readers, Allison learns that Withers may have killed her pet, ruined her relationship with a prospective boyfriend and close friend, and alienated her from the life she once enjoyed. Debating on how to rid herself of the woman, Allison's only choice may be murder. 

Like Allison's introspective problems within her own home, Twice So Fair presents a recent widow, Rosalind, learning about her late husband's mysterious involvement with one of his students. Both of them were found dead in a college studio, but what was their relationship? As Rosalind contends with the loss of her husband, and the obligatory affairs of dissolving a happily married lifestyle by unforeseen circumstances, she is thrust into a mystery when a stranger invades her home. In a darkened room, the man confesses to be an estranged friend of the student found dead beside Rosalind's husband, and begins a conversational journey explaining his orphaned upbringing and potential “six degrees of separation” from Rosalind's life. But, could this uninvited stranger be a killer?

Nedra Tyre is a phenomenal storyteller, and it pains me to know that I've now read nearly half of her novels. I'm surprised, and disappointed, that she didn't write more full-lengths, but due to publisher issues in her late career, she was submerged into the short story market. Her perspectives on life, literary work, social inadequacies, marital harmony, and paranoia are center-stage attractions of these novels. It's nearly uncanny how well she can enter the minds of the characters she creates. 

According to Twentieth Century Crime and Mystery Writers, Tyre had a niche for “superbly handled suspense”, evident with these novels and her short stories “Locks Won't Keep You Out” (1978, Ellery Queen's Napoleons of Mystery) and “On Little Cat Feet” (1976, Ellery Queen Mystery Magazine). I enjoyed her characterizations of both protagonists, with Allison and Rosalind sharing similar outlooks – as dreary as they may be. Interesting enough, there is a sense of wrongdoing on the part of supporting characters, those acquaintances of both Allison and Rosalind. When the support system is most needed, both intimately and professionally, it fails these less-than-confident protagonists. It was clever plotting and development by Tyre to force these characters into independent (irrational?) action. 

If you are new to Nedra Tyre, then by all means this twofer is highly recommended. In general, if you are new to female mystery and suspense writers, Stark House Press have an abundance of long-forgotten, entertaining classics by the likes of Mary Collins, Helen Nielsen, Dolores Hitchens, Ruth Wallis, and Jean Potts to name a few. 

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