Talk of the Town

Before “Cosmopolitan” was a women’s magazine dedicated to unlocking the mysteries of the female orgasm, it was a publication for the whole family featuring short fiction across several genres. In April 1958, “Cosmopolitan” ran a short story by crime-noir author Charles Williams titled Stain of Suspicion. The story was later expanded into a full novel as Talk of the Town. Subsequent editions of the paperback reverted back to the original title.

The book opens with Chatham getting into an accident in a small Northern Florida town that leaves him stranded for a few days while his car is being repaired. He meets Georgia, the town’s comely hotelier who is getting harassing phone calls accusing her of murdering her late husband. Through narration, we learn that Chatham is a recently-divorced former San Francisco police officer exiled from the force for excessive brutality. Being stranded for a few days in a motel with a damsel in distress is an easy set-up for him to play the hero.

More than other paperbacks by Charles Williams, Talk of the Town is an actual mystery novel with an investigator, suspects and a solution. There are really two mysteries to be solved here. First, who is trying to wreck the health, sanity, and financial security of Georgia through a targeted campaign of obscene accusations and harassment? Second, who actually murdered Georgia’s husband and why? It seems that the whole town has it out for this perfectly pleasant woman. Is she really blameless?

While Talk of the Town is clearly a well-written novel, it lacked the great characters that make me love the work of Charles Williams. This was just a pretty basic mystery novel rather than the superior femme fatale noir from earlier in his career or the maritime adventures of his later works. The small-town mystery itself was pretty ho-hum for my taste and lacked the biting edge of a smutty 1950s crime paperback.

Charles Williams remains one of my favorite authors, but you can safely skip Talk of the Town without missing much unless you are seeking to be a total completist. You won’t hate the book, but it was pretty substandard when placed alongside the author’s best moments.

Buy a copy of this book HERE

River Girl

America is a big country, and in the 1950s Americans still didn’t know one another all that well. To an untraveled guy from Boston, a West Virginian may as well have been a space alien for all the commonalities between their lives. This familiarity divide gave birth to a slew of erotic noir crime novels with the selling point that rural America was filled with hidden, unsophisticated, hot and horny babes ready for action with townies willing to venture into the woods. Sprinkle in some blackmail, murder, and a plot twist - and a crime fiction classic is born. This must have been a successful formula because books like “Backwoods Teaser”, “Swamp Nymph”, “Hill Girl”, “Shack Road Girl”, and “Cracker Girl” - complete with lurid, painted covers - apparently filled the drugstore spinner racks of the 1950s. 

Charles Williams’ 1951 entry into this arena was his third novel, “River Girl” (later re-released as “The Catfish Tangle”). Williams’ later books featured nautical themes and  brought him success and movie adaptations, but “River Girl” was before all that. Like many of the best from the era, “River Girl” was released as a paperback original by Fawcett Gold Medal and has found new life thanks to a reprint from Stark House Books, packaged as a double along with Williams’ 1954 release, “Nothing in Her Way”. 

The short novel stars Jack Marshall as a somewhat crooked deputy working for a very crooked small-town sheriff. Jack serves as the boss’ troubleshooter and bagman for graft collected from the local backroom gambling parlors and whorehouses selling “too-young” merchandise. Despite his supplementary income, Jack is going broke and restless with a disinterested wife at home who doesn’t appreciate him. 

During a solo fishing trip down the river, Jack finds a shack deep in the swamp where an unlikely couple lives. After meeting Doris for the first time while her husband is away, Jack is immediately smitten. All he can think about is Doris despite the intense pressure he’s under from a preacher working to shut down the town’s sin parlors and a grand jury convening to investigate local corruption. When Jack’s infatuation with comely Doris is too much to handle, he pays her another visit and learns that the river girl’s story is far more complex than he ever imagined. Even with the impossible hurdles, could they have a life together?

Man, Charles Williams sure could write. The lust, humidity, and pressure Jack experiences throughout this short novel is palpable. The sexual chemistry between Jack and Doris is hot but never graphic, and the culture of rationalized small town corruption is fully realized thanks to Williams ability to put us squarely in Jack’s narrative mindset. The plot twists are ingenious and largely realistic and the tension builds to a violent, action-packed climax. Throughout the book, Williams adeptly walks the line between a noir crime novel and a forbidden romance story and it works quite well - all the way up to the satisfying conclusion. 

Put this one in your “must read” pile.

All the Way

Charles Williams (1909-1975) was the best American author of 20th century crime-noir fiction that most Americans have never encountered. Thanks to some smart reprint publishers, his work is being introduced to a new generation of readers looking for propulsive plotting and gritty, vivid characterizations. All the Way was a 1958 paperback also released under the title The Concrete Flamingo that has been reprinted by Stark House.

The narrator is a drifter named Jerry Forbes, who’s in Key West, Florida when he spots a sexy dame on the beach giving him the eye. Her name is Marian Forsyth, and she’s a secretary in a small Louisiana town. From the moment they meet, Jerry knows that Marian has a hidden agenda. Even the sex between them feels transactional. For those who read a lot of these types of books, this dame has femme fatale written all over her. 

After getting to know one another a bit, Marian proposes an idea to Jerry. She needs Jerry to impersonate her boss to move money from a stock account into their hands as a prelude to murdering the boss. Marian used to be his mistress, and he failed to marry her. Hell hath no fury and all that. 

As usual, Williams’ writing is head-and-shoulders better than his contemporaries. The monologues he wrote for Marian explaining the humiliation she suffered at the hands of her boss are staggering. The book is a bit of a slow burn, but Williams keeps the emotions running high, so the reader understands the narrator’s anxious longing for this woman bent on destroying another man. 

All the Way is basically the story of a complex and dicey long con. It’s an inventive paperback, but you need to be patient with the novel’s sluggish pace. This elaborate identity theft scheme doesn’t unfold with breakneck action. This culminates in one of the most bleak and tragic conclusions I can remember reading in ages. 

All the Way was compelling and interesting, but I don’t think it’s top-shelf Charles Williams. It would have been more impactful as a 50-page novella in Manhunt Magazine. If you’re working your way through Williams’ entire body of work, you’ll probably enjoy the novel just fine, but don’t make this your first stop. 

Buy a copy of the book HERE.

Gulf Coast Girl (aka Scorpion Reef)

Gulf Coast Girl, by Charles Williams, has a rather complicated publication history. The novel was released in condensed form in the September 1955 edition of Manhunt under the title "Flight to Nowhere". That year MacMillan published it as a hardback entitled Scorpion Reef. Pan published the paperback version under that title in 1958. In 1955, Dell published the book as Gulf Coast Girl with cover art by Robert Maguire. Dell then reprinted it again under that title in 1960 with cover art by Robert McGinnis. In 1972, it was reprinted by Pocket Books as a paperback titled Scorpion Reef and currently it is that title as a $4 ebook offering through Mysterious Press.

Bill Manning is a 33-year old salvage diver that attended M.I.T., served in the U.S. Navy and authored a few adventure stories. While working in the little town of Sanport, Florida, Manning is approached by a young Scandinavian woman who presents herself as Mrs. Shannon Wayne. She wants to hire Manning to dive in a lake to retrieve her husband's lost shotgun. Manning accepts the job, but is skeptical of her real intentions.

At the rural lake location, Manning locates and returns the shotgun, but knows it was a setup. Mrs. Wayne, who is really Mrs. Macaulay, is attacked in the lake house by three men seeking her husband. When Manning defends her from the assailants, the whole story starts playing out. 

Mr. Macaulay is a salvage insurance underwriter that stole $750,000 in diamonds from a shadowy criminal enterprise. That crime-ring is led by a smooth operator named Barclay. While attempting to escape by plane, Macaulay ends up crashing the plane into the ocean. He escapes with his life, but the plane, and the diamonds, sink into a big area called Scorpio Reef. The Macaulay couple has been on the run from Barclay for months. 

A few high-tension events happen that lead to both Barclay, and his cohort Barfield, forcing Manning and Mrs. Macaulay to sail them to Scorpion Reef. Using Mrs. Macaulay's knowledge of the aircraft's vague location, they will force Manning to dive for the diamonds. Once the diamonds are found, Manning and Macaulay will be killed and the criminals will win back their stolen wealth. 

Providing more information on this story would be a disservice to those of you who have not read it. This was the author's first foray into nautical adventure and serves as a precursor to his novels like Aground (1961), Dead Calm (1963) and And the Deep Blue Sea (1971). However, Williams cut his teeth on crime-noir novels that typically featured sexy female accomplices lulling an innocent man into the jaws of unlawful violence. This is the central feature that makes Gulf Coast Girl so exciting.

The author's twisted narrative is interwoven with violence, sexual chemistry and this thick and disturbing feeling that something very bad will happen to these characters. Barclay's lethal threats, enforce the fact that this nautical voyage is indeed a one-way endeavor. Because of Williams' excellent character development, I really cared about the fate of these two admirable characters and felt touched by the emotional love story embedded in the crime-noir.

As an exhilarating nautical adventure or a straight-laced crime-fiction novel, Gulf Coast Girl is such a pleasure to read. Charles Williams was a master storyteller and this novel showcases that talent tenfold. Highly recommended.

Buy a copy of this book HERE

Aground

Charles Williams was a phenomenal crime-noir author who often set his stories in rural small towns. Many of his books included a tramp or a statuesque beauty who wreaks havoc on the male protagonist's moral compass. Like his contemporary John D. MacDonald, Williams also wrote a handful of men's action-adventure novels with nautical themes.

Scorpion Reef (aka Gulf Coast Girl), The Sailcloth Shroud, And the Deep Blue Sea were all hits with crime-noir enthusiasts and the author's fans. One of Williams' most respected works is the 1963 suspenseful sea-thriller Dead Calm. The novel was adapted for cinema in 1989 and featured Nicole Kidman and Sam Neil. However, some readers may not realize that Dead Calm is actually a sequel to Williams' 1960 novel Aground, so I’m beginning at the beginning.

The author introduces readers to WW2 veteran John Ingram. Through flashbacks we learn that John's wife tragically died in an auto accident and that his former business, a port harbor, was destroyed in a fire that also killed his business partner. Now, John works as a boat broker, a profession that has him inspecting boats and assessing their value to lower the cost for his perspective clients. In the book's opening chapters, readers learn that John has been hired by a man named Hollister who wants to purchase a boat for business purposes. After surveying a schooner called The Dragoon in Key West, John calls Hollister and reports that the yacht is in great condition and ready for purchase. John then returns to Miami where he is met by the police.

Unbeknownst to him, John was tricked into participating in stealing The Dragoon from its port. The owner reports that the inspection routine was really just a way to scout the boat for his accomplices. On the night of John's departure, the boat was stolen by three men including Hollister. The whole purchasing routine was really just a ploy to find a suitable yacht worth stealing. John was conned.

After talking with the boat’s owner, a widow named Rae, the two team up to try and locate the missing yacht. Rae wants her property returned and John, feeling partly responsible for the crime, agrees to assist. The police find a dinghy containing Hollister's watch and clothes, yet there's no sign of the Dragoon. Hiring a pilot, Rae and John eventually locate the yacht on a sandy knoll. During high tide, an inexperienced operator ran the boat into a sandy knoll where it remained aground. But once John and Rae board the Dragoon, they discover why the ship was  stolen.

Like Williams' rural crime-novels, Aground features a likable male protagonist who finds himself in an extreme situation. While Rae could be viewed as the suitable replacement for the author's obligatory sexy seductress, she's presented as a more intelligent, brave addition to the story's twists and turns instead of a cunning swamp nymph. As a nautical adventure tale, Williams doesn't quite do the genre justice. Aground seems to be a high-seas clash as the prey attempts to outwit the predator, but the narrative is more effective as a variant on the home-invasion sub-genre of suspense-thrillers. I can't reveal too many details, but John and Rae are forced to fight criminals in a very confined location. It's this edgy, tightrope anxiety that makes Aground so entertaining.

By keeping your expectations geared towards the survival/invasion prose, this book should provide plenty of entertainment. The novel is available as an affordable e-book by Mysterious Press and you can purchase a copy HERE

Girl Out Back

After his successful 1951 debut, Hill Girl, Charles Williams (1909-1975) went on to become one of the most respected crime-noir novelists in history. His penchant for rural small-town crime is enjoyable, especially with the sexy female accomplices his novels typically feature. Nothing exemplifies that more than his 1958 paperback original Girl Out Back, expanded from his 1957 novella, “Operator.”

30 year-old Barney Godwin is a complacent businessman in the small lake town of Wardlow. While he isn't fighting with his nagging wife Jessica, Barney runs a profitable bait and tackle shop. It's here where he first meets the luscious vixen Jewel, a woman equally complacent with her abusive husband. While paying for her husband's boat motors, Jessica pays Barney in new, crisp $20 bills which feature a red stain. Thinking nothing of it at the time, Barney is surprised when an FBI agent visits his store inquiring about unusual money in the area. It's here where Barney's life takes a tumble...he tells the agent he hasn't seen any uncommon currency.

Barney's infatuation with the memorable money is rivaled by his heated desire for Jewel. After learning some details about a recent bank heist, Barney begins to unravel the money mystery. He believes he knows the location of the stolen money, but his obstacles are Jewel's gruff husband and an old, backwoods recluse that's obsessed with pulp detective magazines. How they mix into the stolen loot is the bulk of this clever and engrossing narrative.

Without ruining this superb novel for you, Girl Out Back can be described as a tongue-in-cheek look at the pulp crime genre, including a few hilarious jabs at southern romance and plantation novels. Williams is a master of his domain, and it was interesting for me to read the author's commentary, through story, on the crowded 1950s crime-fiction genre. Girl Out Back delivers an intriguing mystery, a sensual beauty, and a tantalizing scheme for the average man to rise above suburban normalcy. It's a captivating triangle that could only be told by the high caliber talent of Charles Williams.

Buy a copy of this book HERE

Hill Girl

In 1951, paperback original novels were still in their infancy as a medium and Fawcett Gold Medal was leading the charge by getting these short works of genre fiction into the hands of readers hungry for post-pulp entertainment. This was also the year that the reading public was introduced to the writing of Charles Williams with the release of his debut novel, Hill Girl.

Hill Girl is the story of 22 year-old Bob Crane’s return home to an isolated mountain community after a multi-year absence driven by his failed career as a college football lineman and later a losing prizefighter. After the death of his abusive father, Bob’s wild and irresponsible brother, Lee, inherited the family’s house in town, and Bob got the family’s farm in the “bottoms” between the mountains. Bob’s narration explains that the people outside of town “live off in the bottoms and rarely meet people other than the neighbors they have known all their lives.”

Before Bob left home, Angelina was a gangly teen living with her father in the rural hills. In his absence, Angelina somehow grew into a curvy sexpot, and Bob’s married brother has now become infatuated with the backwoods babe. Meanwhile, Angelina’s father is a whiskey bootlegging hillbilly who is insanely protective of his sheltered daughter.

Although the paperback is titled Hill Girl it’s not the lusty femme fatale crime novel I was expecting. Instead, Williams wrote a short, literary novel about the complicated relationship between two brothers who come from a dysfunctional family dynamic and the Hill Girl who enters and further complicates their lives.

Williams is a far better writer than most of his cohorts in the Fawcett Gold Medal stable, and this is in full-effect in Hill Girl. The book is also smattered with several laugh-out-loud lines of dialogue. It’s hard to write in the voice of a hilarious protagonist if the author isn’t a funny guy himself, and I can only assume that Willams was a man filled with humor in life. Williams also knew his was around tragedy as also seen in this short paperback.

This was a fantastic book, but it wasn’t an adventure novel, a crime novel, or a mystery. There was also very little “action” compared to a typical novel covered here. The paperback was originally released before Williams began writing the maritime noir books that became his bread and butter. Instead, Hill Girl presents us with a fascinating and well-written family melodrama that is part romance and part coming-of-age tale. I can give this novel the highest endorsement without any reservations, but you just need to know what you’re getting. Recommended.

A Touch of Death

Charles Williams (1909-1975) is one of the highest-regarded (and most under-appreciated) writers of American paperback crime fiction. As such, it only made sense in 2011 for Hard Case Crime, the prestige reprint house at the time, to re-release Williams’ 1955 novel, A Touch of Death.

It’s been six-years since Lee Scarborough left the world of football, and now he’s down on his luck trying to sell his car to earn some cash. He meets a hot chick named Diana with a proposition. The girl knows where there’s a stash of $120,000 in stolen money, and she wants Lee’s help to recover it. As Diana explains, a banker named Butler disappeared two months ago leaving a $120,000 cash shortage behind at the bank. Diana’s theory is that Mrs. Butler murdered her embezzling husband, disposed of his body somewhere, and has hidden away the $120,000 for a rainy day.

Diana’s plan is to ensure Mrs. Butler is away from her house for a couple days while Lee tosses the place in search of the stashed cash. Lee negotiates a split for a sizable portion of the loot if he finds the cash. Things go sideways almost immediately and Lee becomes an inadvertent kidnapper of Mrs. Butler while the path to victory becomes more and more complicated.

The shifting alliances throughout the novel are entertaining, and the interplay between Lee and Mrs. Butler has some of the best dialogue of Williams’ career as a writer. However, the plot meandered quite a bit and wasn’t always up to the high standard previously established by Williams. A Touch of Death is in the middle-tier of Williams’ non-maritime books. It’s certainly not the best of his work (that would be River Girl) but it’s definitely worth your time.

Fun Fact:

A Touch of Death was also released as Mix Yourself a Redhead (U.K.) and Le Pigeon (France).

Buy a copy of this book HERE

Nude in the Sand

The 1950s and 1960s publishing industry experienced a trend of authors and readers embracing swamp-noir, a concept that features the average man being tempted by a seductress in the backwoods of a rural southern town. Charles Williams and Harry Whittington both excelled in this type of storytelling, which led countless other low to mid-echelon authors to try their hand. Louisiana author and WW2 veteran John Burton Thompson (1911-1994) authored these types of novels. As expensive collectors items now, these vintage paperbacks demand a hefty dollar. 

Thankfully, Cutting Edge Books have gained the rights to Thompson's literary work and have made a number of his novels into new editions for an affordable price. After enjoying his 1962 novels Kiss or Kill and Swamp Nymph, I decided to take another swig with Nude in the Sand. It was originally published by Beacon in 1959. 

The most entertaining aspect of Nude in the Sand is that there isn't a main character. Instead, Thompson uses the novel to tell many different stories about the backwoods shenanigans of several different characters that have merely six degrees of separation. By the book's end it all wraps together cohesively in a satisfying conclusion that crosses these mini-stories over (and under) each other. 

Lecia is a 20 year old vixen living with her mother on a run-down farm. Hope and aspiration are shooting stars rarely glimpsed and never caught. In a bid for money, Lecia's mother sells her off to a wealthy man named Alex who takes the two to his sprawling estate. Lecia is destined to be the despondent, pregnant housewife pushing out babies to create Alex's dynasty. The problem is that Lecia despises Alex due to his violent sexual craving and his affairs with a black slave.

Across the fields is Abe, a retired wealthy man of nobility that has a young black lover named Charline. Readers learn Abe's history with Charline, how he funded her college education, cared for her needs, and is now secretly engaged in a relationship with her. Abe and Charline frequent a hunting cabin where the two intimately share their love. But, Abe understands the age difference and the fact that the town will be thrown in a violent upheaval if their interracial love affair were to be exposed. 

Abe's nephew Merrit is a college graduate and artist that hasn't quite found his footing yet. Abe allows Merrit to live on his estate and find himself. Instead, Merrit finds an imprint in the sand made by the nude Lecia. Over time, Merrit becomes obsessed with the imprints and starts to make a bronze statue of this unknown woman. Lecia doesn't realize that her daily visits to this jungle swimming hole are being captured by the imprints she makes in the sand. Eventually, Merrit and Lecia learn of one another and are connected through Abe. When Lecia's husband Alex begins making moves on Charline, the narrative becomes more complex and enticing – Abe vs Alex over Charline. Merrit lusting for Lecia despite her marriage to Alex. There's also another side story of a male slave that hates Alex for raping other slaves. 

With this many moving parts, it would be hard for any author to excel at all of these concepts and designs. But, Thompson is such a great writer and purposefully develops this plot into a burning bed of affairs, relationships, violence, and raging sex. The novel certainly possesses enough tropes to make it a swamp-noir, but at the same time it also works as a plantation novel, or what some refer to as a “slave gothic”. Alex's violent encounters with the strong, more domineering slave named Bruce makes for a humorous, albeit savage, thread in the story's web of self-pursuit and sexual gratification. Abe's relationship with Charline is nurturing, but is laced with strong dialogue that reflects the civil unrest of a country at war with itself in the mid 20th century. 

Nude in the Sand is a riveting, hot-blooded account of sexual affairs running rampant in the Deep South. With colorful characters and multi-faceted, interlocking storylines, John B. Thompson creates a whirlwind suspenseful romance novel ripe with violence and racial unrest. Fans of Charles Williams, Harry Whittington, and Erskine Caldwell should find plenty to like. Recommended. 

Buy a copy of the book HERE.

Paperback Warrior - Episode 56

You don’t want to miss Episode 56 of the Paperback Warrior Podcast. We tackle the career and work of Charles Williams. Also discussed: Vechel Howard, Howard Rigsby, Gil Brewer's Sin for Me, and a discussion of the films and fiction of S. Craig Zahler. Listen on your favorite podcast app, at paperbackwarrior.com or download directly HERE. Listen to "Episode 56: Charles Williams" on Spreaker.

Nothing in Her Way

The industry often cites heavyweights like Keene, Brewer and Whittington as literary kings within the crime fiction genre. While never as commercially successful, author Charles Williams was equally as masterful, penning a number of 1950s paperback classics. One of these, Nothing in Her Way (1953), has been reprinted as a Stark House Press double with River Girl (1951).

The novel can be viewed in two separate halves with connecting characters and stories. Ideally, it's a heist novel with two different pitches – one involving a risky, elaborate real estate deal and the other a “fixed” horse race. The two heists are thickly woven with a robust cast of scoundrels, each with their own strengths and weaknesses when it comes to the rather dense, but easily digested, story arcs.

Mike (obligatory first person protagonist) and Cathy are out to avenge their fathers' wrongdoing in a botched business transaction. Their fathers worked at a building firm that reached its pinnacle of success supplying infrastructure in Central America. Both men were pinned under a rather scrupulous business arrangement that sent them both to prison while partners Goodwin and Lachlan made off as wealthy benefactors. Fast-forward 16 years and Cathy has formed a fairly spectacular heist-revenge caper.

In the book's opening pages, Mike is recruited by Cathy and a seasoned con man in Bolton. The ploy? Oddly, to con Goodwin into purchasing land he already owns from Mike. While the idea seems preposterous to Mike and the reader, the narrative explores Mike pretending to be a chemist studying sand in a small desert town – desert owned by Goodwin. How does it shake up? No spoilers here, let's just say the first half ends in a fiery crescendo of fists, bullets and a complex getaway. 

The second half, as you might have guessed, focuses on Lachlan. With Goodwin...ill-disposed...the tables are stacked to have Lachlan bet a fortune on a horse race that he perceives is fixed. The idea of a predetermined horse race seems impossible, but it's up to Mike and Cathy to don another disguise to con Lachlan into thinking it's legit. As complicated as that might be, it's further hampered by an old creditor named Donnelly wanting a piece of the stakes...or Cathy dead. 

I just can't say enough positive things about this Charles Williams masterpiece. After reading it, I immediately thought about how it would look as a film. In researching material for this review I discovered it was adapted for film already! In 1963 the book was adapted into the French comedy Peau de banan, which later released in the US as Banana Peel. Whether you track it down or not, don't skip out on this novel. The gem is available both physically and digitally and has been re-printed several times including the Stark House double.

Buy a copy of the book HERE 

Awake and Die

According to Mysteryfile.com, there isn't a lot of information about author Robert Ames. Apparently Ames was a pseudonym used by Charles Clifford, not to be confused with the Charles L. Clifford that authored While the Bells Ran. As Ames, Clifford authored three novels for Fawcett Gold Medal – The Devil Drives (1952), The Dangerous One (1954), and today's subject, Awake and Die (1955). The Stark House Press imprint Black Gat Books published Awake and Die in a new edition in 2023 with the original cover painting by Clark Hulings.

Fans of crime-fiction either really love the “narrative from the deathhouse” stories and novels or they tend to really hate them. I personally don't enjoy parking in the lunatic lot with killers and thieves, but I can make exceptions when the stories are phenomenal, like a good James Cain tale. Jim Thompson, no thanks. If you aren't familiar with this style of storytelling, they are traditionally first-person narration from someone that explains a murder was committed and then provides scintillating details to the reader on the events that led up to the occurrence (hint: the events are always wearing high-heels). Readers assume the writer is wearing orange and sitting under a small window that has a terrific view of the trains if not for those pesky vertical bars. 

In this novel, a guy named Will, a Korean War veteran, begins his narration with, “The day of the killing was one of the most beautiful I ever spent on the water. I didn't know murder was going to be done that night, and done by me.” Simple. Effective. Will is a killer. Then he explains all of the events leading up to his present situation pushing the pen from somewhere. 

Up until Will sees Claire Grace his life is a peaceful one. He has a small boat and spends his day doing hard, but enjoyable, labor raking clams from sea beds before returning to his own three-room house on the river. He's his own man, his own boss. However, an alcoholic woman named Mae moved into his house months ago and she just won't leave. Will doesn't drink so Mae lifts two bottles each night to make up for it. As he begins his account, he has booted Mae to the curb and changed the locks. But, from the water he looks up to see stunning Claire Grace and it all goes to Hell.

Claire is the unhappy wife of a wealthy entrepreneur. When she makes eye contact with Will it is love at first sight. The two go out, dance, and then Claire goes back to her marriage and Will goes back to his empty bed. But, when he returns he finds Mae has broken the window and sits in a drunken bliss awaiting Will's return. In a rage, Will throttles her, breaks her neck, then throws her in the river. From that point it is the “cover up all tracks and smoothly go back to business as usual.” But, it never works that well. 

Will's murder of Mae leads to more murder just to cover up the original murder. Before long he's in deeper than Mae's bloated corpse bouncing off the river bed. When he pulls a young girl named Chris into his death-drama the events spiral completely out of control. But, when Claire knocks on his door, everything seems right as rain. If Will can just escape the cumbersome murders then Claire will leave her husband and the two lovers can sail to a banana country and live a happy existence. But, will Claire be the next corpse?

Charles Clifford or Robert Ames or whoever wrote this should be commended. Lots of authors do the femme fatale dance well, including star performers like Day Keene, Gil Brewer, and Charles Williams. Clifford/Ames certainly keeps pace with them. This wildly entertaining narrative goes into some crazy places that involve the demented elements of crime-fiction – murder, rage, adultery, and jealousy. Just when I thought it was wrapped up the author spins new life into the story and takes it into a different direction.

The highlights, other than Will being non compos mentis, is the extraordinary investigation conducted by a diligent police officer named Roberts. He's the bad good guy...if that makes sense. But, what I really loved about the novel is that the author uses alcohol as the culprit. Each character and violent end involves alcohol. That is a fixture here that remains prevalent as the narrative spins its hypnotic web.

If you love a great crime-noir then look no further than Awake and Die. It's the proverbial top-notch page-turner you are searching for and you can obtain it HERE.

Hell Hath No Fury

In 1953, Fawcett Gold Medal released Charles Williams’ fourth published novel, Hell Hath No Fury. It was later reprinted several times under the alternative title of The Hot Spot, and under that name, it was adapted into a 1990 movie starring Don Johnson and directed by Dennis Hopper.

Our narrator is Harry Madox, the new-in-town, amoral car salesman who observes some odd behavior from the sexy 21 year-old girl in the dealership’s collection’s department. On the same day, he also notices an appalling lack of security at the small town’s local bank. And then there’s the matter of his boss’ voluptuous wife with her lusty eyes trained on Harry.

These three story threads (the girl, the bank, the boss’ wife) are all swirling around Harry’s head when he begins planning a bank heist. As a certified expert in crime fiction bank jobs, I give his plan, execution, and post-robbery actions a solid B+. The complications that arise thereafter are due to minor flaws in the planning amplified by drama with the two women in his life.

Williams’ writing is always top-notch and this is no exception. The prose is crisp, conversational and hardboiled. When one character tells another that he sticks out “like a cooch dancer at a funeral,” you know that you’re in literary good hands. The plot twists and turns were crafted by a master of noir who knows how to reveal great surprises along the way to the conclusion.

It’s hard to believe that Williams only authored 22 novels in his 24-year writing career before his 1975 suicide. His impact on the noir genre really can’t be minimized, and Hell Hath No Fury is a superb example of his early suspense work before he shifted gears to maritime-themed suspense books. Highly recommended.

Man on the Run

In 1958, Fawcett Gold Medal released a new paperback original by noir fiction master Charles Williams called Man on the Run. Mysterious Press has kept the book alive - along with most of the author’s greatest hits - as an eBook for fans who don’t want a 60 year-old vintage paperback disintegrating in one’s hands.

Like a lot of books I tend to read, the novel opens with the narrator jumping off a moving train and taking refuge in a nearby cottage. Russell Foley is being relentlessly pursued by the police because they think he’s a cop killer. If you’ve never read a book before, you might be surprised to learn that Foley is, in fact, an innocent man who has been wrongfully-accused. This is one of those novels where the fugitive hero must solve the murder himself to clear his own name and hopefully resume life as a free and innocent man.

Foley is assisted in his quest for justice by the sexy female owner of the cottage after she comes home like Goldilocks to find rough-looking Foley in her place. Actually, the Meet Cute was more involved than that, but I won’t spoil it for you here. Suzy is a leggy blonde looker with an unflappable and seductive nature (of course), and she comes to accept Foley’s claim of innocence. She’s a great character and the best part of the book. 

Once the relationship is formed, we have a pretty basic mystery novel here with the couple trying to solve the murder of the cop without getting Foley nabbed by the police in the process. There’s nothing wrong with any of this, but there’s nothing particularly innovative here either. It’s a serviceable novel by an author capable of much better. 

It’s important to remember that Williams was among the best of his era. However, Man on the Run is not his best book by a long shot. If you’re looking for a quick and easy noir read, I suppose you could do a lot worse.

Buy a copy of this book HERE

The Naked Jungle

The deeper and deeper I dive into 1950s paperback crime fiction, the more I’m convinced that Harry Whittington is the best among them. Better than Jim Thompson. Better than Charles Williams. Better than Cornell Woolrich. However, Whittington doesn’t receive the critical acclaim of his contemporaries, and my theory is that has everything to do with his tremendous output. After all, the man produced over 150 novels with a myriad of pseudonyms in a variety of genres. His legacy as a master is a victim of his profound work ethic. For my money, I will put the 20 best Harry Whittington novels against anyone else’s top 20 from that era. 

The Naked Jungle was Whittington’s 1955 Ace Books release that survives today as an ebook from vintage crime reprinter Prologue Books. The plot is simple: a plane flying from Honolulu to Sydney crashes in the South Pacific and strands three survivors on a life raft and then a deserted tropical island.

The cast of this very special episode of Lost is:

Krayer is a brilliant know-it-all fueled by logic and a will to survive. It’s his skill that guides his two companions to survive when lost at sea and later stranded on the island. He’s also a loathsome jackass and dangerous control freak.

Fran is his sexy wife. She had finally made her decision to leave Krayer right before the plane went down into the ocean. How will her reliance on her husband to remain alive impact her decision to be rid of him?

And there’s Webb, our enigmatic protagonist running away from his past. He becomes instantly beguiled by Fran from the first time he saw her on the plane. Now he’s marooned with the woman of his dreams and a cunning sociopath who won’t let her go.

The threesome must join together to survive their hostile environment and the growing dysfunction between them. The original cover art of this paperback looks like a cheap-o romance novel, but it’s way more than that. It’s a novel of survival - on the inflatable raft and the inhospitable island. It’s also a psychological suspense novel as Krayer and Webb jockey for position to be the Alpha Male between them with luscious Fran as the prize.

Make no mistake about it, this book is sexy as hell. Because it was 1955, there are no graphic descriptions of coupling, but Whittington knew what he was doing when devising a plot with a high-voltage, erotic charge. There are scenes in this book that you’ll replay in your mind long after you read them because of the palpable sexual energy they emit. You’ll totally understand why Webb wants Fran bad enough to risk his life to have her.

Whittington’s three-person take on Lord of the Flies is a total blast to read. The tension and power dynamics among the three characters was a completely suspenseful reading experience. The man against nature story alone would have been plenty exciting, but the chess game, cruelty, and graphic violence among these three castaways makes this paperback a next-level pleasure. 

Highly recommended. Essential reading. 

The Captive

American author Norman Daniels (real name Norman Danberg, 1905-1995) is best known for re-introducing pulp hero Black Bat in 1939. Daniels authored a number of short stories featuring the character for Black Book Detective. Arguably, Black Bat was the catalyst for DC Comics' iconic Batman. Along with Black Bat, Daniels contributed stories for dozens of pulp magazines like Shadow, Gangster Stories, Thrilling Publications and All Detective. The author's post-pulp career was immensely successful as Daniels utilized a number of pseudonyms to write crime-noir and adventure paperbacks for a variety of publishers. My introduction to Daniels is the 1959 Avon paperback The Captive, which is now available in both digital and paperback editions through Cutting Edge.

Jeff Castle is a WW2 veteran who now lives a quiet life in Africa as a big-game hunter. Upon hearing that his estranged grandfather is dying, Castle arrives on New York's East Side to pay his respects. After stopping in at a local bar for a drink, Castle is seduced by a sultry woman named Alma. After an afternoon of lovemaking at the woman's apartment, Castle steps out to buy a few drinks. Upon his return he discovers that Alma has been strangled to death. In my crime-noir experiences, The Captive was shaping up as a stereotypical “innocent man flees the corpse” novel. Thankfully, Norman Daniels had some interesting variations in store for the reader.

After fleeing the scene, Castle vows to find Alma's murderer. But Castle's quest for vengeance is sidelined when his grandfather advises him that he's the sole heir to his vast fortune. The heart of the estate is 60 small hotels and inns scattered throughout the state. As if it was a dire warning, Castle's grandfather, on his deathbed, pleads that nobody will take the fortune and asks Castle to fight for what is his. Questioning his grandfather's dying wish, Castle begins investigating the hotels he now owns. Shockingly, he discovers that all of the properties are full-staffed brothels.

Digging into the accounting ledgers, Castle discovers a complex earning schedule of rental income and the proceeds from properties' illegal affairs. After attempting to remove prostitutes from one of the larger hotels, Castle is brutally tortured and beaten in a cold dark basement. The Syndicate warns Castle that he may own the properties, but they control and operate all of the affairs. As the plot thickens, Castle learns that Alma's murder may have ties to the Syndicate's warning. In his quest to avenge Alma's murder, Castle finds that he's fighting the mob head-on.

First and foremost, Normal Daniels is an average writer. When compared to mid-20th century contemporaries like Charles Williams, Gil Brewer or John D. MacDonald, there is an obvious shortfall in the prose’s quality. Daniels' dialogue sequences are the heaviest casualty. With that being said, The Captive is still an engaging, thoroughly enjoyable literary work. The pace is brisk and both Castle and a few side characters are really engaging. I particularly enjoyed the author's connection from mobsters to the big-game hunting that Castle is familiar with. In a way it reminded me of the 1951 novel The Killer by Wade Miller (Robert Wade, Bill Miller). The narrative's twists and turns through Castle's new estate left me curious and wholly surprised. Further, I was ecstatic to find Daniels flesh out a familiar opening concept.

With The Captive, Norman Daniels pulls no punches – this is a violent crime yarn from cover to cover. You can buy your copy of the book HERE

Paperback Warrior Primer - Day Keene

Along with the likes of Gil Brewer, Talmage Powell, Charles Williams, and Lionel White, Day Keene is considered a staple of mid-20th century crime-fiction literature. Keene was one of the most prolific authors of that era and authored a slew of paperback originals during the 1950s and 1960s. His body of work is still respected today, evident with the number of reprint houses clamoring for his estate or orphaned novels. In this Paperback Warrior Primer, we are presenting an overview of his life and career:

Day Keene's parents arrived in the U.S. as immigrants from Sweden. Gunart Hjerstedt was born shortly after in Chicago in 1903. Hjerstedt would later use a modified version of his mother's maiden name of Daisy Keeney to establish his legal name as Day Keene.

Keene became a traveling stage actor in the 1920s, performing under the names of Keene and his Hjerstedt name. His notable role was Rosencranz in a traveling production of William Shakespeare's Hamlet. In 1931, Keene was living in New York and sold his first story to the pulp magazines. His first sales were to Detective Fiction Weekly and West magazine. He returned to Chicago later in the 1930s and started writing for radio shows, including Little Orphan Annie and Kitty Keene, Inc., a program about a female private detective that first aired on CBS and later the Mutual Radio Network from 1937-1941. 

In 1938, Keene relocated from Chicago to St. Petersburg, Florida with his second wife, Irene, who had been a Chicago school teacher. For a while, Keene attempted writing radio scripts remotely, but eventually shifted all of his creative energy to penning stories for the pulp magazines. Keene's writing slowed for a time in 1942 when he enlisted in the U.S. Army in Pinellas County, Florida.  

During his pulp fiction era of 1940 to 1952, Keene authored 250 published short stories. He sold another 16 short stories to the digests after the pulp magazines died off in the 1950s. He used the pseudonym John Corbett for stories when there was already a Day Keene story appearing in the issue. Ramble House has a number of Day Keene's short stories compiled into trade paperbacks. You can get them HERE. In the late 1940s, Keene relocated to Los Angeles and subsequently bounced between there and St. Petersburg. 

The birth of the paperback original was a catalyst for Keene to switch from short stories to full-length novels. Keene's first novel, Framed in Guilt, originally released as a hardcover - but then quickly re-released as a paperback from Graphic Books. As an aside, Framed in Guilt was released in Great Britain under the title Evidence Most Blind and remains in print today from Stark House Press. In 1951, Keene collaborated with Gil Brewer to write the published novel Love Me and Die. 

The recycling and expansion of short stories into full novels was common during that time. Keene sold a story called “She Shall Make Murder” to Detective Tales in November 1949. That became the basis for the Keene novel, Joy House, that was written in 1952, rejected by multiple publishing houses, and finally published in 1954 by Lion Books. The novel has also been reprinted by Stark House Press and remains available today. The editor of the novel at Lion Books was none other than Arnold Hano, and our review of that book is HERE. His story "Wait for the Dead Man's Tide" was featured in the August 1949 issue of Dime Mystery. It was later re-worked into the novel Dead Man's Tide, which was reprinted by Stark House Press.

Early in his career as a writer, Keene signed on with a literary agent named Donald MacCampbell, who also represented a fellow St. Petersburg, Florida author named Harry Whittington. Keene and Whittington became lifelong friends and socialized in the same Florida writing clique as Gil Brewer and Talmage Powell. Using MacCampbell, Keene's novels were first offered to Fawcett Gold Medal, who had right of first refusal. If they declined the novel, it would be shuffled down the hierarchy to other publishers like Lion, Ace, Avon, Pyramid, and Graphic Books. In the 1960s, Keene switched from shorter crime-fiction novels to denser, more mainstream novels like L.A. 46 and Chicago 11.

Keene died in North Hollywood, California on January 9, 1969. 

In his life he wrote about 50 novels, over 250 short stories, and 1500 radio scripts. Thanks to reprint houses like Stark House Press, Armchair Fiction, and Wildside Press, many of his greatest hits are still available today.

You can read all of our reviews of Day Keene's novels, including our podcast feature, HERE. For further reading, we recommend Cullen Gallagher at Pulp Serenade. Gallagher wrote an excellent introduction called "Run for Your Life: Day Keene's Wrong Men" for a Stark House Press reprint, which was the source material for this Primer.

Ship Trial

New Yorker Frank De Felitta (1921-2016) served in WW2 and began his writing career in the 1940s working on radio programs like The Whistler. In the 1950s, he wrote for anthology television shows like Suspense, Tales of Tomorrow, and Danger. As a novelist, De Felitta hit the big-time with his late 70s bestsellers Audrey Rose and The Entity, both of which were adapted to film. De Felitta has been on my radar for a long time simply because he directed one of my favorite horror films ever, 1981's Dark Night of the Scarecrow. I'm trying out his writing with a review of Sea Trial, a 1980 nautical-thriller originally published by Avon with a cover by Ed Scarisbrick. Pictured is the 1982 Avon paperback with a cover by Victor Gadino.

New Yorkers Phil and Tracey are lovers and both are married - but not to each other. When Tracey's spouse reports to a remote overseas job it coincides with Phil's timing to take a "solo" vacation away from the wife and kids. The two Manhattan yuppies meet up in Coral Gables, Florida for a two-week private cruise with a salty charter Captain named McCracken and his wife Penny. It is the perfect getaway for infidelity and hot romance. But, there's something seriously wrong with McCracken and Penny.

On board the 800-foot luxury yacht, Phil and Tracey, who pretend to be married, are initially treated like a king and queen, basking in the sun while being served 24 hours a day by the two hosts. Yet, McCracken seems particularly aggressive in gaining Phil's backstory, often testing him with odd questions about boating (newsflash: Phil doesn't boat) and physical feats of blue-collar strength (newsflash: Phil is a white-collar lightweight). Likewise, Penny is ritually subservient to McCracken and often takes potshots at Tracey for her “easy” life in New York. Slowly, this aquatic paradise is turning into a nit-picky Hell. But, things are about to get much worse.

Days out at sea, McCracken informs the couple that the ship has malfunctioned and that supplies will need to be rationed. Additionally, due to loss of power the ship is being pulled by a current to carry them further out to sea instead of into more popular trading waters where they have a possibility of rescue. The De Felitta's narrative transforms into a survival-horror ordeal as the four face harrowing circumstances that test their emotional and physical prowess. When Phil finds a shipping log of McCracken's prior customers he notices that they have all been rated on a scale from one to ten based on endurance and internal fortitude. What the heck is going on?

While the book's synopsis suggested something supernatural, Ship Trial evolved into something much different. The novel's first half is a slothful voyage as the four characters talk about their experiences and personal lives. There is also a good bit of tepid, non-graphic lovemaking between Phil and Tracey and a ton of cooking and tasting delicacies. As much as these events seemed trivial and unnecessary, it sets up the second half of the book splendidly. When the author makes the switch from lollygagging to “oh my God we're all gonna die” the abruptness adds to the entertainment. It's like rubbernecking on the highway to see just how bad the carnage really is and then rear-ending the car in front of you. Sea Trial turns the corner and prepares for a fast-paced ride to oblivion. 

If you love survival-horror or maybe just the high-seas tension and suspense of Charles Williams (Aground, Dead Calm), Sea Trial is worth its weight in gold. I loved this book and I think you will too.

Note - If you want more survival-horror aspects of nautical adventure, read our reviews for Kenneth Roberts' Boon Island, Hammond Innes' The White South, Jack London's The Sea-Wolf, and Max Brand's The Luck of the Spindrift. Buy a copy of Sea Trial HERE

God's Back was Turned

Here at Paperback Warrior, we continue to delve into the literary works of Harry Whittington. While some of his books have been reprinted by the likes of Stark House Press, Black Lizard and Prologue Crime, many of his published works remain completely out of print decades after their original publication date. I recently acquired God's Back was Turned, a 1961 Fawcett Gold Medal paperback written under Whittington's real name (not one of his many pseudonyms). The paperback has yet to be reprinted, so I needed to know if it’s a lost treasure. I quickly tugged the book out of it's sleeved home and began reading.

The book's setting should be a familiar one to Harry Whittington fans – central Florida. It's in this rural stretch of farm country where the backwoods, uneducated family of Cooks live. The father is a stern redneck farmer named Shack. His bone-headed family is a myriad of assorted personalities, each of them remaining close to a neanderthal state of grace.

There's the obese Sister Helen, a character that is described as the “fattest woman ever seen outside of a circus.” She plays the part of cook, maid and mother-figure to the family. Brother Calvin is a replica of his father Shack, a stubborn farm-hand who possesses the most rudimentary approach to life. Brother Jaime is mute, a disability that theoretically stems from his mother dying during his delivery. His inability to speak is linked to his guilt of “killing her by being born.” And then there's Brother Walter.

Brother Walter left home 12-years ago to become a traveling preacher. At the pinnacle of his success, Walter's various congregations reached into the tens of thousands. His pulpit soapbox testimony was the proud voice of a sinner who's reached a state of immortality (and immense wealth) due to God's good graces. To reinforce that Holy stature, Walter uses the old poisonous snake-handling trick. In doing so, he “faith heals” thousands of afflicted attendees. However, with every well-funded ministry crusade, there's a deep rooted scandal. After a Miami newspaper, backed by a committee on evangelical validity, condemns Walter's mission as a scam, the once wealthy religious superstar returns home. That's where the novel begins.

Brother Walter's reunion with the family doesn't go as expected. Instead, the newspaper declaring Walter's fall from grace is shown to his  father and siblings. Caught up in the joy of having Walter home in his shiny Cadillac, the family is awe-struck by Walter's picture in the paper. They are oblivious (or illiterate) to the fact that the entire article has waylaid their Brother Walter into financial distress and forced obscurity. Instead, they throw a grand party and declare that Walter has returned home to heal Jaime the mute. That's right, sham artist Walter is going to make his brother speak using the devout word of God. Walter, who fails to convince the family that his road show was a ruse for rubes, is forced to watch hundreds of cars descend onto the farm to witness the Greatest Miracle of their Lifetime.

While all of this is happening with the Cook family, Whittington also introduces two other characters that consume large portions of the narrative. The first is Tom Balscom, an old farmer who’s close friends with the Cooks. In fact, Tom's prior wife (wife number two for the box-score) was Sister Hazel, the oldest Cook daughter who ran away from Tom and disappeared forever. After frequenting a truck stop diner, Tom falls in love with a young waitress named Willie Ruth. In layman terms: Old farmer Tom falls in love with the hot, apron-wearing, very young waitress vixen named Willie Ruth. He brings Willie Ruth to the Cooks to show her off and is immediately scolded by Shack for marrying this sultry Goddess. While Willie Ruth prepares for her inevitable date with destiny – a marriage consummation on a creaky old bed with Old Farmer Tom – she starts making eyes with Jaime.

The other character is a black sharecropper named Lucian Henry. He's married with eight kids and is the proverbial “white hat good guy” of the story. Lucian just wants to whistle and plow fields with his best friend, a mule named Lisse. But, there's Miss Lovely, a gorgeous red-blooded, very white nymph that has a hankering for the help - a theme that Whittington explored later in his plantation sagas. Despite her father's scolding, Miss Lovely refuses to leave the help alone. The author's narrative is like a vice-grip, slowly sucking Lucian into a sexual vortex controlled by Miss Lovely. His path is simple: ignore her advances and keep working or give into his desires and then consequently face the obligatory torture and death by a very white lynch mob.

You can probably tell by this point that God's Back was Turned is a really fun book. It's clear that Harry Whittington's imagination was running buck-wild. The novel combines the author's love for a good love story, his sensual writing style, his experience with the Plantation Gothic genre and his forte of utilizing crime-noir tropes to tell a good story. I want to emphasize that this isn't a traditional crime-noir novel. Nor is it a romance novel. It's an unusual hybrid of styles that made Whittington so unique. Like a good Charles Williams swamp-nymph novel, Whittington's use of the rural landscape and its host of flavorful characters is a winning formula that is just so enjoyable. Harry Whittington was the king of the paperbacks for a reason. While this novel is expensive, it may be worth pursuing as a special treat for yourself. Don't turn your back on this one.

Buy a copy of this book HERE

Mona (aka Grifter's Game)

Ten-time Edgar Award winner Lawrence Block rose to prominence in the 1960s and 1970s with his Evan Tanner and Matthew Scudder novels. It’s noteworthy that, like Donald Westlake, Block’s early literary work was soft-core porn titles published under pseudonyms like Sheldon Lord, Lesley Evans and Jill Emerson. The first book published under his own name was Grifter's Game. The book was originally titled The Girl on the Beach (Block explained that it had a Brewer/Williams/Rabe feel), but Fawcett Gold Medal changed the title to Mona when they published it in 1961. In 2004, Charles Ardai's Hard Case Crime imprint republished the book as Grifter's Game, as the imprint’s very first release.

The paperback introduces an adept conman named Joe Martin. As we meet Martin, he's arrogantly embracing the receipt of a hotel bill while secretly telling readers that he doesn't have the funds to cover it. After skipping out on the bill, Martin heads to Atlantic City where he steals a suitcase, and identity, from a man called Leonard K. Blake. After settling into a two-week stint at a posh seaside hotel, Martin's silver lining begins to tarnish – he discovers Blake had a lucrative amount of heroin tucked into the suitcase. Martin's hopes of running another successful con becomes even more convoluted when he meets the young, beautiful Mona Brassard.

Lawrence Block's writing - even at this early stage - is so tight and effective. The book doesn't possess an ounce of filler or padding. Instead, the compelling plot speeds along as Mona and Martin's heated passion intensifies. The convincing narrative offers an unusual balance beam for readers to walk – cheer on Martin's criminal behavior or hope that all of the characters face a downfall. With no distinct heroes, I was still invested in the characters’ slow, spiraling descent through robbery, murder and adultery. Block's ending gave me chills, a monumental feat considering it was originally published 60-years ago.

Mona is a masterful crime-noir that proved Lawrence Block was something truly special even 60-years ago. Today, his writing is just as good. Do yourself a favor and read this author. Become familiar with his work. Tell others about it. The affordable Grifter's Game version by Hard Case Crime is a must-have and a great starting point to embrace this author's bold and impressive crime-fiction.

Buy a copy HERE