Steve Holland: Paperback Hero

Michael Stradford served as the VP of A&R for Quincy Jones' Qwest Records, represented Sony Pictures Home Entertainment in both creating, producing, and overseeing content creation, and assisted in launching a film distribution platform at Warner Bros. Pictures. He has authored numerous books, including Black to the Movies and Other Pop Culture Musings and MilesStyle: The Fashion of Miles Davis. My first introduction to Stradford was an awe-inspiring 2021 book about model and actor Steve Holland, The World's Greatest Illustration Art Model. It was a follow-up to the author's first Steve Holland retrospective, Steve Holland: The Torn Shirt Sessions. 

The newest entry in the Steve Holland Library is Stradford's Steve Holland: Paperback Hero, which is in our wheelhouse here at Paperback Warrior. My office is wallpapered in hundreds of paperback book spines, of which, over half are probably sporting a painted cover of Steve Holland performing a breathtaking action pose while holding a gun, riding a horse, embracing a beautiful woman, or just gazing back at me with that “friendly but I mean business” stare. Typically, I buy everything with his face on it. The paperback rule of thumb is if Holland is on it, it's at the very least readable. It's like a signature of approval from the publisher, writer, and the character he embodies. 

Steve Holland: Paperback Hero is 212 glorious pages of colorful book covers indexed by genres like Spycraft, War, Westerns, Sci-Fi, etc. In Stradford's introduction, he explains that he has over a thousand Holland covers in his database, and a 45-page checklist averaging 42 titles per page. He estimates it to roughly 1900 titles sporting cover art that featured Holland. This doesn't include covers that couldn't directly be linked to Holland, but perhaps featured a likeness. Needless to say, Stradford is the world's foremost Holland historian. 

As a fan of vintage paperback fiction, I was thrilled to read Stradford's notes on the various series titles and novels. Each section features a few series titles and a summary of quantity, run length, and a brief description of the series. For example, the first section, Spycraft, features series titles like Coxeman, Nick Carter: Kill Master, and Man from O.R.G.Y. I was thrilled to see larger than life, colorful scans of the Killsquad series, featuring paintings by the legendary Bob Larkin. The artist is also featured in many of the pages, including four large panels of Conan paperbacks.

I love author Hammond Innes, but truthfully, I was drawn to the Avon paperbacks of the late 1960s. Those covers by Frank McCarthy are simply awesome, and Stradford focuses on that run specifically, with beautiful scans of the covers and a description of McCarthy's style. Another talented author, Jack Faragasso, is spotlighted in the Sci-Fi section, with a brief history and excerpts from an interview Stradford conducted. Some of Faragasso's cover art is featured here, ranging from Michael Moorcock's Hawkmoon to Lyle Kenyon Engel's Richard Blade series. 

Fans of men's action-adventure titles like Fargo, Peacemaker, The Protector, Jason Striker, The Penetrator, and The Lone Wolf are in for a visual feast in the Tough Guys section. Artwork by the likes of Mel Crair, Ron Lesser, and George Wilson are featured in full-page panels. A surprise to me was Holland on a cover of Ian Fleming's Goldfinger, painted by Frank McCarthy. There is also a larger section detailing Holland's modeling for The Spider, complete with black and white stills used for the various paintings. 

Once again, Michael Stradford has provided an amazing, visual buffet of many Steve Holland paperback covers. The amount of full-panel book scans, diversified by different genres, really shapes the impact and historic clout that Holland made in the 20th century publishing business. It's uncanny how often he appears, but this volume details the artists and notable series titles that made it happen. Overall, this is another mandatory addition for any paperback reader and collector. Recommended! More info at stevehollandbook.com. 

Buy a copy of this book HERE.

Star Trek - Ice Trap

Listen, you can journey down any internet rabbit hole and find heaps of Star Trek information regarding movies, games, toys, comics, and novels. I'm not going to saddle you with a bunch of information about publishers, series titles, and years. Ice Trap is the 60th installment in a series of Star Trek tie-in books published by Pocket Books between 1979 to 2002. These books feature the original series characters that debuted on NBC in 1966 – Spock, Captain Kirk (William freakin' Shatner), etc. - aboard the USS Enterprise. I'm not a Trekkie, but I've watched episodes here and there of all the Star Trek shows. So, a 1992 book that looks like a “Dirk Pitt in Star Trek” adventure appealed to me. Don't fault me on my Star Trek knowledge. I'm the most pedestrian fan of any casual Trekkie circle.

The crew of the USS Enterprise is assigned the mission to investigate a missing research shuttle on the frigid ice-crusted planet Nordstral. The planet serves the pharmaceutical industry by harvesting plankton for drug use. But, the research crew has gone missing and some of the industrial workers have gone mentally insane. With McCoy, it is Kirk's job to find the sources creating these psychotic episodes. On the flip side, Uhura and Chekov dig into the whereabouts of the research shuttle by conducting interviews with the planet's inhabitants, an alien race known as the Kitka. 

Most of the book's narrative and plot development consist of Uhura and McCoy working directly with Nordstral Pharmaceutical's guides across the icy tundra. The mystery lies in the fact that one of the guides may be a murderer keeping outsiders from the precious plankton. The investigation by Kirk and McCoy deals with the scientific aspect, but as the book gains momentum into the finale a hefty action sequence unfolds with the two trying to escape a flooding ship. Also, to add a horror aspect to the action, the novel introduces a giant underwater sea monster. Can you say KRAKEN?

The book's cover suggests the author is L.A. Graf. In reality, the Graf name is a trio of authors named Julia Ecklar, Karen Cercone, and Melissa Crandall. The perspectives in the book change numerous times within each chapter, so the abrupt character switches were jarring. I found myself re-reading pages to discover which group of characters I was in the midst of. This may have been a result of rotating authors writing certain parts, or it was designed that way. But, the effect wasn't enough to ruin the adventure. Ice trap was a lot of fun to read and placed me in a Star Trek mood for more installments of the series. If you love space travel or a good icy adventure, this one is recommended.

Buy a copy of this book HERE 

Conan - Black Tears

The 1968 Lancer paperback collection Conan the Wanderer begins with “Black Tears”, a short story by L. Sprague de Camp and Lin Carter. It was also featured in Orbit Books omnibus The Conan Chronicles 2. The story was later adapted by Roy Thomas and Ernie Chan in issue #38 of The Savage Sword of Conan. 

The story picks up right after the events in “A Witch Shall Be Born”. Conan is the chief of the Zaugir, an outlaw band of Kozak horsemen, a role he obtained by usurping their former leader Vladislav. Unbeknownst to Conan, the Zuagir have a traitor in their ranks, a former blood brother of Vladislav named Vardanes. Off page, Vardanes makes a deal with the rival Turanians to have the Zuagir ambushed on a mountain pass. 

The story begins with the Turanians lying in wait for Conan and the Zuagir to reach the pass. Once Vardanes reaches safe passage through the pass, the sky is filled with arrows as the remaining Zuagir are attacked. Thankfully, the Zuagir possess the fighting spirit to charge up the hill and crush the weak Turanians. Seeing the disaster, Vardanes rides off to escape the carnage. One enemy is left behind, a former acquaintance of Conan's named Boghra. Conan tricks Boghra into revealing that the traitor was Vardanes.

Conan is later drugged by the Zuagir and left to die in the desert. His Hellbent quest for vengeance against Vardanes wasn't widely supported by his men. After five days of riding, Conan stumbles upon a city rumored to be a myth, a place called Akhlat the Accursed. Dehydrated, Conan falls from exhaustion and is nursed back to health by two of the city's residents. They explain that the city has been cursed by a vampiric force that drains the life from every living thing. Supposedly, their religion states that a man will come to liberate the city, thus Conan is assigned a task. He must destroy the ancient enemy while also finding and killing Vardanes (who just happens to be in the city as well).

Parts of this story reminded me of Robert E. Howard's “The Scarlet Citadel”, especially the inevitable boss-fight in the city's underground tunnels. The stone statue part of the story was reminiscent of “Shadows in the Moonlight”, with a little bit of “Red Nails” thrown in with the inner-city stuff. I really enjoyed the story and found it to be a perfect companion to “A Witch Shall Be Born”. The descriptions of mountains, tunnels, and the “beast” were executed very well. I know some Conan fans really don't like Carter or de Camp's pastiche style, but as I've stated in numerous reviews, I find their work to be enjoyable. 

Depending on your timeline, this story is followed by “Shadows in Zamboula” or John Maddox Roberts' Conan and the Manhunters, which takes place in southwest of Turan.

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The Diamond Boomerang

There are a lot of vintage paperback authors that have military experience. I don't believe there is any authors we've discussed here that can match the experience and military level of Lester Taube. He began his military career in a horse artillery regiment. Later, he served as an infantry platoon leader during WW2 and participated in combat in Okinawa and Iwo Jima. During the Korean War, Taube served as a company commander and intelligence officer. During the Vietnam War, he was stationed in France and Germany as a general staff officer working in intelligence. Taub retired as a full colonel, moved to France, and began writing books. Based on my count, I believe he has eight total novels published. The only experience I have with him is his 1969 novel The Grabbers, which was later published in paperback by Pocket Book under the title The Diamond Boomerang. 

Dan Baldwin's tragic past is cleverly revealed in the middle of The Diamond Boomerang. Until that point, readers are left guessing as to the reasons Baldwin is drinking his life away. In the book's opening pages, Baldwin is in a North African bar broke and broken down. In first-person perspective, Baldwin looks up from the gutter he's been flung into and sees Tom the Trooper. Baldwin has a little nickname for everyone and everything. Thus, Tom the Trooper plays a big part in the book's engaging narrative.

Tom the Trooper offers Baldwin a mercenary job on a diamond heist in Southwest Africa. There is a large diamond cartel that controls seemingly endless fields of diamonds that spew out of an underground vein. The fields have so many diamonds that the cartel has to destroy or dump them in the ocean for fear of saturating the market and reducing value. Tom the Trooper, Ahmed the Arab, and Miss Steel Tits are in on the heist. After successfully placing the boat along the coast, the foursome evades the cartel's intricate security system and grabs the diamonds. Everything goes well. Until it doesn't. 

Like a great western story, the bad guys double-cross the main character and leave him shot up in the desert to die. In one of the best action sequences I've read in a long time, the foursome tangle with the security guards in high-speed chases, helicopter gunning, nautical escapes, and plain 'ole praying. But, the narrative unfolds when Tom the Trooper attempts to kill everyone to escape solely with the goods. Only, he didn't kill Baldwin dead enough. The author introduces an amazing little side story that puts Baldwin on death's door to fight with hungry vultures. Let me say for the record, I've never read a better story of a dying man fighting a vulture. That’s saying a lot considering I’ve read Robert E. Howard’s “A Witch Shall Be Born”. I read those pages twice just because it was so damned entertaining. If you read nothing else in this book, read the man versus vulture chapter.

The novel's first half is absolutely perfect and written in an unusual way with Baldwin telling the story in proverbs and bizarre analogies. Like these:

“Their miners are herded more rigorously than permanent members of a Georgia chain-gang, indentured longer than Greek whores in an Arab harem, and kept under closer observation than reigning movie stars.”

The book is saturated with this sort of thing, and either you will love it, like I did, or absolutely despise it. There probably isn't a middle ground. But, the second half of the book is a little more serious and on the nose. The second half is like a James Bond story as Baldwin meets the cartel leaders and falls in love with a woman connected to the whole thing. Baldwin then takes an assignment to find Tom the Trooper and recover the diamonds that he helped steal. This second half takes place in London on urban streets, swanky mansions, and high-rise apartments. It's a sharp contrast to the “soldier of fortune” storytelling in the book's opening half. I found that swerve slightly abrasive, but it still totally worked for me.

If there is that one book that symbolizes everything we love and adore here at Paperback Warrior – obscure, awesome books that no one has ever heard of – it is The Diamond Boomerang. It's probably the best book I've read this year and punctuates an author's name that I will search for in every dingy basement and dusty bookstore I find.

Buy a copy of this book HERE 

Victims

Jack Pearl is a pseudonym used by Jacques Bain Pearl, a WWII veteran, an engineer, and a full-time novelist. He is one of those names that crime and military-fiction fans will drop from time to time, but no one really reads. Most of his books are out of print, and some have connections to various television franchises, which may complicate reprinting a majority of his literary work. After reading three of Pearl's novels, I quickly became a fan. He is a terrific straight-laced author that focuses on life in the military, law-enforcement, and fire-fighting. 

Paperback Warrior has a primer on Jack Pearl HERE and a lengthy feature for the 58th podcast episode HERE. While preparing for both of those projects, I was able to read synopsis' for a lot of his books. One that really intrigued me was Victims, a police procedural novel set on Christmas Day in New York City. The book was originally published in hardcover by Trident Press, a division of Simon & Schuster, in 1972 and by Pocket Books in paperback in 1973. Sadly, I believe the book is out of print now. But, you can read it for free on Archive.Org HERE. Supposedly the book was adapted into a film, but I can't locate any record of it at the time of this review.

The novel begins in a theater showing The Green Berets, starring the iconic John Wayne. During one of the firefight scenes, a man holding a shopping bag slips into a tiny room behind the theater screen. While he remembers his Vietnam War experience fighting the “Cong”, he gingerly drops the bag and presses a button on a transmitter that arms a bomb. Outside of the theater, he presses the button and the theater screen erupts into a wall of fire. Bleeding audience members panic in pursuit for the door holding burn and shrapnel wounds. The stage is set for a bomber villain.

Captain Archibald Bender commands a respectable bomb squad. At home over dinner, he is called by a local Sergeant and advised of the bombing. Through dialogue, readers learn that this is just another bombing in a string of domestic terrorism. The bombers are members of the Splinters, an independent black militant group of the Black Panthers. The bombings are a declaration of war on the whites. When Bender arrives at the station, Pearl introduces the supporting characters that will be assisting Bender in his investigation. 

Surprisingly, the book's plot isn't on the theater bombing. Instead, Pearl introduces one of the smartest plots I've read in a long time. A member of the Splinters arms a bomb on Christmas Eve inside a gigantic Macy's department store. But, in a mix-up I won't spoil for you, the bomber gift wraps the bomb to resemble a Christmas present. The idea was to drop it somewhere inside the store and allow it to detonate overnight. You see the Splinters don't want to kill anyone, they just want destruction. But, the bomber stooge accidentally places the gift-wrapped bomb inside a box of presents that are being gifted to the children visiting the store Santa. When little Donnie Evans sits on Santa's lap, he receives the little bomb. Donnie then leaves the store with his mother and carries the bomb back home and places it under the tree. Needless to say, Christmas morning for Donnie and his family will be a real blast. 

Through a string of wild events and accidents, Bender learns that a bomb is in Macy's. But, through the fast-paced interviews, interrogations, and procedural meetings, Bender still doesn't know where the bomb is and the time of detonation. The only person that can help Bender stop the Christmas bombing is the bomber himself. Pearl's introduction of the bomber and his conversations and assistance with locating the explosive device was simply brilliant. While the bomber doesn't actually know where the device is, he makes a deal with Bender to help find it. 

If you love Ed McBain's 87th Precinct novels, then Jack Pearl's Victims is a must-read. The procedural investigation and the collaboration of other law-enforcement personnel was similar to an excellent 87th Precinct book. The character flow was superb and the plot development was one of the best I've read. This is a suspenseful crime-fiction thriller that has a promising opener, but then delivers on the promise by the book's fiery finale. Pearl can write his ass off, and it shows in the narrative's gritty details. The clash of races, civil unrest, and the mournful regret of Vietnam War veterans were all key elements that enhanced the story. It doesn't get much better than this. Victims is a high recommendation.

Buy a copy of this book HERE

Firebrats #02 - Survivors

Lots of married couples find it hard to live with each other. Some detest spending long periods of the day with their partner for life. Imagine going to work with your wife every day? Thankfully, Scott and Barbara Siegel aren't one of those couples. In fact, their marriage is so strong that it supported both of them living, loving, and working side-by-side. Beginning in the early 1980s, both Barbara and Scott Siegel authored books together under numerous franchises like G.I. Joe, Transformers, Dragonlance, Star Trek, and Dark Forces. The majority of their literary work is the young adult genre.

For years I've hunted for a four-book series by the Siegels titled Fire Brats. It's an odd title, but a familiar scenario. Two Americans attempt to live and survive in the aftermath of a devastating nuclear bomb attack. The books were published between 1987-1988 by Archway, a subsidiary of Pocket Books. At the time of publishing, the paperback market was ripe with post-apocalyptic titles like The Survivalist, Deathlands, and Doomsday Warrior. I've never seen a copy of any of these books out in the wild. The books are scarce, which drives up the second-hand costs. I've seen these novels fetch up to $50 on Ebay. But, archive.org has the last three series installments available to read online.

Skipping a series debut is typically frowned upon in this household, but in this case it was necessary. Jumping into Survivors, the second installment, I quickly get the gist of the series. Matt (male) and Dani (female) are teenagers that grew up in the small town of Fair Oaks. From what I gather through the characters' brief reflections, the United States was nuked by an unknown country and now its major cities and metropolis areas are piles of rubble. Dani and Matt were able to seek shelter underground, and as Survivors begin, they emerge four days later on a journey west. Apparently Dani's parents were killed, but Matt's family may still be alive in California, thus the series will follow their trek through the wastelands.

The two characters spend a night in an abandoned Burger King (in what may be Colorado), and then attempt to cross a large river on a homemade raft. The raft disintegrates and the two are briefly thrust into the raging river to become separated. Eventually, the two reunite and journey into the wilderness and find a cabin that is fully stocked with weeks of food. The place even has running water, farm animals, books, and a fireplace. This is paradise for Matt and Dani, so they decide to stay for a while.

The cabin's owner is an old man named Ordway, who surprises the kids with a pointed shotgun. He has dealt with a lot of bad guys since the bombs fell, so he immediately thinks these teens are out to rob and murder him. After marching the duo outside for an execution, Matt is able to fight the old guy. As a result, the kids wrestle his gun away and Ordway breaks a leg. After explaining they mean no harm, and that they thought the cabin was abandoned, Ordway loosens up and makes a deal with the kids. He'll train them on what they will need to know to survive in this new world. They will help him around the house for a few weeks until his leg heals. 

At 155 pages, Survivors mostly spends the bulk of the book on the two kids interacting with Ordway to learn how to make weapons, hunt, and what to eat in the forest (who knew you could eat tree bark?). The book's last 50ish pages introduces a small band of mean scavengers looking to capture/rape Dani and claim the house. The finale has the kids using slingshots and bows to defend the cabin while Ordway attempts to fend off the attackers with a broken shotgun. 

Despite being juvenile fiction, I found Survivors to be a lot of fun. It reminded me of the first Survivalist novel with the prepping techniques and education, but the quest and action is reminiscent of Survival 2000. Dani, Matt, and Ordway possess endearing qualities that make them lovable. The introduction of the bad guys was inevitable, and the final fight and pursuit was engaging and well-written. While the book lagged a little in the middle, it was a good intermission to prepare for a rowdy end. 

I look forward to reading the rest of the series and I'm grateful that someone took the opportunity to scan most of the books. They are long out of print and very few libraries or book stores carry them in their current catalogs. If you love the 1980s post-apocalyptic stuff, then Fire Brats is sure to please. In a similar fashion, you might also enjoy the dystopian 1980s series U.S.S.A., which seems to be equally hard to find and expensive. Archive.org has at least one of the series' three books.

Buy a copy of this book HERE

Conan - The Castle of Terror

Lin Carter and L. Sprague de Camp teamed together to author “The Castle of Terror”, a short story starring Robert E. Howard's Conan. The story was first published in the Lancer paperback collection Conan of Cimmeria (1969), which was later reprinted by Ace. Additionally, the story was featured in Sphere Books omnibus collection The Conan Chronicles (1989). The story was adapted into comic format in Marvel's Conan the Barbarian #105. That comic story was also collected in Dark Horse's The Chronicles of Conan Vol. 13: Whispering Shadows and Other Stories (2007).

What I enjoyed about this story is that the authors wanted to expand on Howard's “The Vale of Lost Women”, which was never published in the author's lifetime. This era of Conan's life begins after “The Queen of the Black Coast”, with the titular hero in the jungles of Kush. It is here that he becomes the tribal chief of the Bamulas, which is outlined in “The Vale of Lost Women”. Carter and de Camp further explore that concept in the beginning of “The Castle of Terror”.

In the story's opening pages, Conan is on the run across the flat prairies of Kush. It is revealed that Conan was the Bamula tribal chief for approximately one year. But, a harsh drought occurred in the region and the tribe felt that Conan was the reason for the hardship. Ousted from power and forced into exile, Conan now finds himself with dwindling supplies and chased by lions. At dusk, Conan stumbles onto a strange scene, a crumbled Gothic-styled castle atop a stretch of dead grass. The pursuing lions stop their pursuit and refuse to go near the old house. Hoping to escape the rain, Conan goes inside.

While Conan is seeking shelter in the house, a band of Stygian slave raiders is also seeking shelter from the elements. They too go inside the cavernous house. Inside, Conan has an experience of astral projection, seeing himself outside of his body. Spiritually, he's attacked by hundreds of ghosts before awakening from his trance. At the top of a staircase, Conan witnesses the slaughter of the Stygians by a hideous hundred-headed spider-like creature. Escaping the house, Conan is forced to kill the remaining Stygian.

“The Castle of Terror” includes Conan reflecting on the old stories he heard as a child about King Kull of Atlantis, one of Robert E. Howard's other characters, the prototype for Conan. Conan recalls the stories of Serpent People inhabiting the land prior to mankind, an element that plays into the Kull mythos, including the very first sword-and-sorcery story in the US, “The Shadow Kingdom”, featuring King Kull. Additionally, the idea of natives refusing to follow Conan across a type of forbidden or sacred ground was used in Howard's “The Black Stranger”, which later was morphed into Treasure of Tranicos. But, instead of natives, “The Castle of Terror” uses lions. Arguably, the Kull short story “Skull of Silence” has comparisons as well, complete with Kull charging into a monolithic black house reportedly haunted by a cosmic horror.

This may be one of my favorite stories by Carter and de Camp. I love the eerie atmosphere and its similarity to an old Hammer Horror or Universal vampire flick. The concept of weary travelers attacked by a supernatural entity in a dark castle is sometimes overused, but in this story it works really well. The descriptions of the house, the creepy atmosphere, and the sense of urgency placed on the character to escape the lions was perfectly crafted. It's a remarkable combination and a mandatory read for fans of dark fantasy and horror.

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Mistress of Orion Hall

We keep reading and reviewing the robust body of literary work by the talented author Jon Messmann. From men's action-adventure titles like Nick Carter:Kill Master, The Revenger, and The Handyman, Messmann was a total success story, contributing to hundreds of paperback titles while creating one of the highest selling adult-western series titles of all-time, The Trailsman. While he was busy entertaining red-blooded American men, Messman also authored romance novels and gothic-suspense paperbacks for the ladies. Using the name Claudette Nicole, Messmann authored more than a handful of these books for the top tier paperback publisher of the time, Fawcett Gold Medal. 

Cutting Edge Books have released nearly all of Messmann's romance, vigilante, nautical-adventure, and gothics, including The Mistress of Orion Hall. It was originally published by Fawcett in 1970, and has remained out of print until now. This new edition of the novel is available in both paperback and ebook versions with updated cover art. 

The book begins in an interesting way, the death of the book's title character, the Mistress of Orion Hall. But, this was simply an early flashback to “long ago” when a woman was killed in a massive mansion by men in shrouded hoods. Needless to say, the book quickly moves to present day Vermont by introducing the protagonist, a young woman named Lisa. 

Like any good gothic paperback premise, Messmann knows that he needs a reason for the young female character to inhabit a large mansion on a rocky seaside bluff. Lisa needs to be an unemployed nurse, teacher, or nanny, or a newlywed returning home with her dashing new husband. Oddly, this one is fairly simplistic. Lisa speaks Greek and her Aunt Maggie is reopening the family's long abandoned mansion in Cyprus. She needs Lisa to come and live at the mansion and become a language translator for the many guests destined to stay at the luxury house. 

The journey with Maggie to Cyprus is met with a number of deadly occurrences. First, Lisa is nearly killed on the ship trying to save her aunt from falling overboard during a storm. Once she arrives at the mansion, she is pushed over the cliff and nearly perishes on the rocky coastline. An auto accident occurs as well, leading Lisa, and Maggie, to suspect that the mansion is either haunted or someone is attempting to stop the house's grand opening. 

In some ways, this traditional gothic tale reminded me of Frank Smith's gothic titles written under the pseudonym Jennifer Hale. The idea of the main character discovering an old painting of a woman who looks just like her is a common genre trope. Smith used it as a main plot point in his 1973 novel The Secret of Devil's Cave. With the central mystery of who, or what, is stalking the Orion Hall inhabitants, Messmann carefully walks the balance beam of presenting a physical murderer or a supernatural entity. If you've read one gothic or read them all, the answer is always the same. But, kudos to the author for allowing some nautical action to play a big part in the book's finale. Interesting enough, when Messmann unveils the answer to the mystery, it resembles a plot he used for his 1972 action-adventure novel A Bullet for the Bride. 

Like most of Messmann's literature, The Mistress of Orion Hall is another entertaining novel that follows paperback traditions of the time. Whether it has aged well is in the eye of the beholder, but I found it to be on par with his other gothic titles. Cutting Edge Books has nearly all of them at affordable prices, so there is plenty to choose from. 

Buy a copy of this book HERE.

Time Warriors #1 - Fuse Point

Before his death in 1999, David North did a lot of paperback writing for the Gold Eagle imprint, including four Executioners, two Super Bolans, two Heroes, and one Able Team. In 1991, they gave him his own time-jumping adventure series called Time Warriors that lasted three installments. The first novel in the short-lived series is called Fuse Point.

The novel opens with a chemical weapon human rights atrocity in an Iraq stand-in committed by a Saddam Hussein stand-in. It’s a well-written opening firmly previewing who our villain will be, consistent with the Gold Eagle paperback plotting style. We later find out that this Saddam is developing a chemical weapon that transforms the peaceful into psychotic, murderous loonies straight from 28 Days Later. If only there were a U.S. Government hero who could stop him…

And then we meet said hero arriving at a Bangkok Airport. His name is Black Jack Hogan, and he’s the strapping fellow who looks like Thor on the book’s cover. He’s a troubleshooter for a U.S. Government Intelligence agency — sticky situations only, please. He doesn’t even make it out of the airport before assassins dispatched by Saddam try to kill him. That’s the kind of life Black Jack lives.

During the attack, Black Jack sees an apparition of an ancient muscle-man with a giant curvy sword eviscerate one of the airport assassins. He initially writes it off to a mirage because he hasn’t read the back of the book. Dreams of the bearded warrior persist, and we learn that his name is Brom. Black Jack is able to summon Brom thanks to an experience our hero once had in Cambodia, where he was saved by Buddhist monks. Likewise, Black Jack is periodically transported back in time to fight shoulder-to-shoulder with Brom in battles against rival barbarians.

The two timelines are brought together by necessity. Saddam’s nefarious chemist is Dr. Nis, who is actually an ancient magician named Nis from Brom’s realm. Stopping Nis from destroying 1991 will, in turn, help Brom with his own Nis-related chaos in the distant past. A buddy, team-up adventure is born!

The author knows his way around bloody, violent action sequences and the plot certainly keeps moving. You’ll either love or hate the New Age mysticism baked into the plot, but you’ll never be bored. The story arc is fresh from the Gold Eagle lunchroom vending machine, but it’s a formula that worked well for over a thousand novels across dozens of series titles.

If you’ve got a hankering for a Conan-meets-Bolan collaboration, you’ll probably like this first installment in the short-lived Time Warriors series. You pretty much know what you’re getting from the cover in this competently-done, but inconsequential, men’s paperback adventure.

Note - Gold Eagle gave the same sort of deal to an author named John Barnes. Beginning in 1993, he was commissioned to write a trilogy of books called Time Raider that featured a similar premise as Time Warriors.

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The Bleeding House (aka The House)

Hilda Lawrence (1906-1976) was a pseudonym for Hildegarde Kronmiller Lawrence, a mid-20th century author that wrote four novels in the 1940s. Nearly all of the books feature the characters of Mark East, a private investigator in Manhattan, and two New England spinsters, Miss Beulah and Miss Bessy. My only experience with the author is her last published work, Duet of Death. This 1949 offering consists of two short novellas – The Bleeding House (aka The House) and Death has Four Hands (aka Composition for Four Hands). 

Cutting Edge Books has recently published new editions of The House and Composition for Four Hands. Each novella is featured as a paperback and also collected digitally in the omnibus Best Pulp Noir Fiction Volume Nine: Four Hardboiled Novels. I chose to concentrate my efforts on The House. 

The book is presented in first-person by Isobel, a young woman living in a large, cavernous mansion left to her by her late father. Her dull days are spent under the constant scrutiny of her callous mother. Her only enjoyment in life is spying on her neighbors, a group of middle-aged cousins and friends that indulge in drinking affairs that typically involve rumors of Isobel's father, her mother, and her household. 

Through's Isobel's recollections, readers learn that Isobel's father died under mysterious circumstances. He acquired a terminal illness and spent his dying days with blue-collar men at a nearby labor camp. But, his death was linked to a tragic, fiery car accident on a road between the two dwellings. 

In the book's opening chapters, Isobel begins seeing a mysterious figure in the house. Her father's dog, which she inherited after his death, senses that the stranger may be a family member. Other signs begin to appear that perhaps Isobel's father isn't really dead. Is she mentally experiencing things she desires or is something supernatural occurring? Lawrence's spongy narrative twists and turns as Isobel, and her cavalier fiance, attempt to unravel the family mystery. 

As a veteran of 60s and 70s Gothics, it was interesting to see Lawrence using that same formula 15-20 years before the genre's paperback boom. Arguably, the author was inspired by Mary Roberts Rinehart, who cleverly invented some of the genre's consistent tropes in her early 1900s fiction. Atmosphere is key to these stories, and I felt like Lawrence missed an opportunity here. Otherwise, the book's central mystery, defining characters, and the obvious Gothic overtones were a real pleasure to experience. If you enjoy these cozy mansion-mysteries, then The House is worth visiting. 

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Conan - Conan the Bold

John Maddox Roberts is a Vietnam War veteran that served in the US Army from 1967 until 1970. His first novel, The Strayed Sheep of Charum, was published in 1977. Specializing in historical mystery and adventure, Roberts authored the successful Ancient Rome series SPQR, published as 13 installments between 1990 and 2010. He also authored titles like Stormlands, Hannibal, Space Angel, Cingulum, Island Worlds, and Falcon. My experience with the author is his contributions to the Conan pastiche novels published by Tor. Many Conan fans point to Roberts as one of the better authors of the post-Howard era of Conan literature. Roberts authored eight total novels featuring the hero, including Conan the Bold, originally published in 1989 with awesome cover art by Ken Kelly.

In Roberts' novel, he captures Conan's life at the age of 15 or 16, shortly after events in Conan of Venarium. After the sacking of Venarium, Conan headed south and wrestled with adventures in Pictland. It is here that he suffered injuries (off page), and as Roberts' novel begins, young Conan is being nursed back to health by a nice family in southwestern Cimmeria. In an interesting encounter, Conan is off hunting and reunites with a Great Valley Pict warrior named Tahatch. In reflection, Conan recounts his experience in the Pictish wilderness and battles with the Black Mountain Picts. After a battle, Conan first met Tahatch in a cave where the two struck up a friendship and Tahatch was able to mentor the young hero in ways of wilderness survival.  

When Conan returns from his hunting trip, he finds that his family, and the girl he was potentially to wed, all massacred by a band of slave raiders. Conan vows to track the raiders down and kill each of them. The book's narrative has Conan teaming with a swords-woman named Kalya, who has her own traumatic connection to the slave raiders. Together, the duo travel through Aquilonia, Ophir, Koth, Shem, and the River Styx over the course of nine months of hunting raiders.

Roberts compiles a lot of side-stories and small adventures in this 280 page novel. Aside from presenting these two heroes, the narrative spends a lot of time on the slave raiders led by a nefarious individual named Taharka. As the plot develops from different points of view, Taharka runs a gambit of slave raiding, pit fighting, robbing, and murder. These plot jumps feature an evil sorcerer named Alexandrias that uses drugs to bolster his fighting spirit. Readers experience the pit fights between slaves, Alexandrias, and Kalya, as well as prison breaks, boat fights, the liberation of a caravan, and numerous characters, the highlight being a dagger throwing phenom named Vulpio. 

Aside from too many story elements, Conan the Bold is a fantastic pastiche novel showcasing Conan's teenage years. At times the hero seems much older than 16, with dialogue suggesting he has lived a lot longer. But, the Conan Wiki has an excellent article justifying some of Roberts' writing and that Conan could have potentially experienced a lot of these things even at such a young age. If you are looking for a great adventure novel that fits into an old fashioned traditional western revenge yarn, then look no further than Conan the Bold. Recommended.

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The Rest Must Die

Kendell Foster Crossen (1910-1981) was a popular author that created and wrote the crime-fiction series Milo March and the pulp superhero Green Lama. He contributed to a number of genres, including radio scripts for series titles like The Saint and Mystery Theater. Crossen used a variety of pseudonyms like M.E. Chaber, Clay Richards, Christopher Monig, and Bennett Barley. I am a huge fan of post-apocalyptic fiction, so I was attracted to Crossen's The Rest Must Die. It was published by Fawcett Gold Medal in 1959 under the pen name Richard Foster. 

The author introduces readers to a handful of characters in the opening pages of the book. The locale is New York City and the two main protagonists are Bob, an advertising agency for Chaber, Crossen, and Monig (get it?), and a longshoreman named Joe. These are the guys you want on your team when a nuclear bomb wipes out the entire city. Conveniently, Bob and Joe, who don't know each other yet, each head to subway stations when they hear the siren wail of a bomb warning.

Inside Penn Station and 53rd Street Station, the survivors huddle together and listen to the ominous sounds of seven nuclear bombs pound the city into dust. Thankfully, Bob, Joe, and a dozen other survivors possess the wherewithal to understand that nothing above ground exists and that their only hope of survival lies in organizing roughly 3,000 people into small groups, each assigned to a group leader. 

The book's first half, roughly 90 pages, was mesmerizing as survivors traveled the subway on foot gathering supplies from the basements of pharmacies and department stores. Like any good post-apocalyptic novel, the true terror is humanity itself. It only takes a couple of days before people begin to spiral into savage depths of greed. The groups begin to war with each other, but the biggest threat is a mobster and a cop who team-up, oddly enough, to create a faction loaded with a supply of guns the mob had kept in a hidden underground locker. It's up to Bob and Joe to hunt down the faction's members and eliminate them. 

As you can imagine, I loved this book. It really has everything a good doomsday novel needs to be memorable and exciting. The bombs, fallout, radiation, rationing, dividing, conquering, it's all right here in these 200 pages. The novel still remains relevant today with many of the survivors dividing based on preconceived notions of stereotypes and former jobs. Bob is quick to notify everyone that whoever they were in a former life no longer matters. Despairingly, he reminds the survivors that they are now simply subway residents with no family and no home. By minimizing, Bob is able to calm most of the surviving population. It was so elementary, but a brilliant reminder that life resets often. The book's not-too-preachy message is that there's never an ending, only a reset and continuation. Sort of like Jeff Goldblum's Jurassic Park mantra - "Life Finds a Way". 

The Rest Must Die is an easy recommendation for anyone that loves post-apocalyptic fiction. It's a realistic look at how humanity is quick to turn on each other when the chips are down. But, the author laces the message with a lot of action and excitement. It simply doesn't get much better than this.

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Something for the Birds

Here's the deal. Amber Dean's real name was Amber Dean Getzin and she lived from 1902 until 1985. She wrote 17 total novels, but 10 of these were part of an amateur detective series starring Abbie Harris. What's left are stand-alone stories, mostly suspense or crime-fiction that uses odd plot devices to keep novels unique and innovative. Case in point, Something for the Birds (hardcover 1959, paperback 1961), which features bird watchers mixed up with a heist team. It's crazy. It's unbelievable. It's entertaining as Hell. 

First things first, if you love both Lionel White and Dan Marlowe's characters plotting to knock over a bank while also conspiring to knock off one or two of their own heist team, then you'll love half of this book. No question. From that perspective, Dean showcases Frank and his three teammates (2 male, 1 female) planning a bank heist in Rochester, NY. Mostly, they perform well and get away with the money. Interesting enough, they decide to mail the stolen loot to a general delivery address in the small town where they plan to chill until the heat is off. 

The small upstate New York town the heist crew picks is inhabited by a group of friends that spend their free time as “birders”. I had to look the term up, but it's basically Paperback Warrior nerdiness, only with birds instead of books. These jokers keep log books of flight patterns, migration, what bird is mating (giving the bird) to another bird, species, calls, etc. Like, totally spaced out on birds. 

One of the birders has a lazy daughter that ships a package of dirty laundry back home for washing. Inevitably, because this is a crime-fiction novel, the birder accidentally gets the box of stolen cash and the bank robbers receive the dirty clothes. The mail is so unreliable. However, the birders never stop to open the box they have mistakenly received because they are on the hunt for bird eggs. But, the robbers know the birders have the money and are suspicious that they will go to the police. Frank and his team, which are warring with each other over the botched plans, head into the forest to shoot the women. Thus, this book's second-half is a suspenseful womanhunt birdwatching adventure with some mild humor. 

Something for the Birds was a lot of fun to read and is on par with Deadly Encounter in terms of tight, concise plot development. Dean's novels possess quirky characters in unusual circumstances, performing “outside the box” hobbies or careers. She does create some reader abrasion by constantly changing character perspectives and locales. But, I was okay with the dizziness. In regard to the mailing fiasco, I believe the author had another novel with the premise wrapped around a New York Post Office, but the title escapes me.  

Overall, if you enjoy heist books and the ultimate fallout when the plan goes south, then Something for the Birds is a soaring recommendation. Don't let this one fly away.

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Zanthodon #02 - Zanthodon

The Zanthodon series was created by science-fiction and fantasy author Lin Carter. Inspired by “hollow Earth” concepts by Edgar Rice Burroughs and Jules Verne, the series explores the adventures of action-man Eric Carstairs and his zany employer Professor Potter as they navigate an immense underground world. The series ran five total installments, all published by DAW and now available through Wildside Press. Considering how much I enjoyed the debut, Journey to the Underground World (1979), I was excited to read the next novel, simply called Zanthodon (1980).

For new readers that are picking up the series at this juncture, Zanthodon begins by summarizing the events from the first book. In this novel, main characters like Eric, Potter, Darya, Jorn, and Hurok are misplaced in Zanthodon, each forced to fight to survive in the cruel, harsh landscape. There are dinosaurs, giant spiders, Neanderthals, Cro-Mags, pirates, and cave dwellers that all play a hand in the characters becoming alienated from each other. 

Through the narrative, these characters eventually reunite under unpleasant circumstances. While either stumbling blindly or captured, the characters find themselves trapped in a giant cave system that is occupied by slaves mastered by the evil Gorpaks. Rape, torture, and sacrifices to enormous bloodsucking leeches are all commonplace in the Hellish tunnels. Needless to say, Eric comes up with a prison break plan that occupies most of the narrative's second-half. 

Zanthodon is much better than the series debut and offers up wild adventure in so many different ways. Whether it is pirates, monsters, evil villains, deadly soldiers, prison breaks, and sword fights, the book is saturated with nonstop action. Lin Carter's prose is rather goofy at times, especially considering he was using the concept that all of this is a real manuscript simply published for the public's sake using an alias of “Lin Carter”. It reminds me of all the MAMs back in the day that were “told by the real participants to the unknown writer”. It's really silly, and I wish the whole thing was presented in third-person to avoid the confusion of “this was relayed to me”. But, aside from that, there is nothing to dislike about the story. 

If you are familiar with Lin Carter, you'll recognize the formula of one event leading to another crazy event, like one long chain-reaction that the characters are experiencing. It's a lot of fun and makes for a breezy, easy to read action-adventure worth its salt. Highly recommended. Bring on Hurok! 

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Conan - The Vale of Lost Women

Many of Robert E. Howard's stories weren't published during his lifetime. His Conan the Cimmerian original short “The Vale of Lost Women”, estimated to have been written in 1933, was published in Magazine of Horror in the Spring, 1967 issue. Glenn Lord discovered two versions of the story, one as a 17 page draft and another finished version at 21 pages. According to the Deep Cuts blog, there was never any indication that the story was submitted to the pulps. Aside from its original publication, it was featured in Conan of Cimmeria (Lancer 1967), The Conan Chronicles Vol. 1: The People of the Black Circle (Gollancz 2000) and Conan of Cimmeria: Volume One (Del Rey 2003). 

“The Vale of Lost Women” takes place after the events of “Queen of the Black Coast” and Belit's death. Conan has joined the Bamula tribe in the jungles of Kush, becoming their new tribal king. In an effort to propose a possible truce, Conan visits a rival tribe called The Bakalah. It is here that he meets a white female prisoner named Livia. He learns that both Livia, and her brother, are scientists from Ophir that were captured by Bakalah warriors. Livia's brother was tortured to death, and she's certainly next to die. 

Livia suggests to Conan that she is a virgin, and after he refuses to free her, she offers him her body. Conan then agrees to help her escape. Later that day, she sees Conan walking towards her carrying the bloody severed head of the Bakalah's tribal chief. In fear that Conan, now drenched in crimson, is coming for her, she escapes on horseback into the jungle. It's this portion of the story where things take a bizarre turn.

Livia falls from her horse and discovers she's in a beautiful valley that is home to a tribe of black lesbians! But, the lesbians are using poisonous orchids to create a hallucinogenic effect, placing Livia in a trance. She finds that these lesbians are sacrificing her on an alter to a giant black bat! Thankfully, Conan has trailed Livia and fights off the giant bat thing. Livia, fearing that Conan will attempt to claim her, becomes frightened. However, Conan simply advises her that he made a mistake in accepting her proposal to give herself to him. Arguably, he is suggesting there is no honor in that. Instead, he agrees to guide her to the Stygian border where she can eventually find passage to Ophir. 

There isn't much to Howard's story, which probably contributes to the possibility that it was never submitted for publication during the author's lifetime. The imagery of Conan slowly walking through carnage holding a severed head is memorable, but aside from that there isn't a whole lot to highlight. But, the story does present a rarely seen moment of the hero's life as the Bamula leader. 

Besides “The Vale of Lost Women”, Lin Carter and L. Sprague de Camp authored a 1969 story called “The Castle of Terror” that briefly recaps Conan's tenure with the Bamulas, stating he ruled the tribe for a year. It further states that a severe drought struck the region of Kush, which the Bamulas blamed on Conan, ultimately forcing him into exile. Roland Green's 1994 novel Conan at the Demon Gate also depicts Conan's time with the Bamulas and his rise to ruler of the tribe. Marvel's Conan the Barbarian adapted events from “The Vale of Lost Women” in issues #101-104. 

Personally, I feel that artist Ken Kelly's cover art for Conan the Bold, a 1989 paperback by John Maddox Roberts, is a good recommendation of Conan battling a "bat creature" while protecting a girl, an event that happens in "The Vale of Lost Women" but oddly never occurs in Roberts' novel. Also, Conan battles a "dark bat thing" while protecting a girl in Conan the Barbarian #9, an adaptation of Howard's 1934 horror story "Garden of Fear". Both Kelly's artwork for the novel and Roy Thomas's writing in the comic just remind me of "The Vale of Lost Women" for some reason.

Death of an Intruder/Twice So Fair

Nedra Tyre (1912-1990), who was born in Offerman, Georgia, received her B.A. from Atlanta's Emory University and her M.A. from Richmond School of Social Work in Virginia. She worked as a teacher, staff writer, social worker, typist, and a sales clerk in addition to being a notable mystery and suspense author. She wrote six stand-alone novels and approximately 40 short stories for magazines like Ellery Queen's Mystery Magazine, Sleuth, Alfred Hitchcock's Mystery Magazine, and Mystery Monthly. 

Stark House Press have recently reprinted two Tyre novels in one volume, Death of an Intruder (1954) and Twice So Fair (1971), along with an introduction by Curtis Evans. Tyre's name was new to me, but thankfully this twofer served as a wonderful introduction to this talented author. Billed as “suspense classics”, both of these novels deliver deeply embedded mysteries that are ratcheted up to higher levels of tension and psychological edginess that is similar to Elizabeth Fenwick (real name Elizabeth Phillips) or Margaret Millar. 

The better of the two novels, Death of an Intruder, introduces readers to Miss Allison, a middle-aged woman who strives for independence after the death of her aunt. Allison finds a charming house, purchases the home, and begins a solitary life of enjoyment and simplicity. However, her bliss is short-lived when an elderly woman, Miss Withers, knocks on her door and invites herself in. After complaining about a rainstorm, Withers begs to stay the night. Allison, a quiet, non-confrontational individual, agrees to allow her uninvited guest to sleep on the sofa. The next morning, Allison is horrified to learn that Withers hasn't left. And she never will.

Through 150ish pages, Allison must contend with an unwanted roommate that violates her sanctity. As the narrative grips readers, Allison learns that Withers may have killed her pet, ruined her relationship with a prospective boyfriend and close friend, and alienated her from the life she once enjoyed. Debating on how to rid herself of the woman, Allison's only choice may be murder. 

Like Allison's introspective problems within her own home, Twice So Fair presents a recent widow, Rosalind, learning about her late husband's mysterious involvement with one of his students. Both of them were found dead in a college studio, but what was their relationship? As Rosalind contends with the loss of her husband, and the obligatory affairs of dissolving a happily married lifestyle by unforeseen circumstances, she is thrust into a mystery when a stranger invades her home. In a darkened room, the man confesses to be an estranged friend of the student found dead beside Rosalind's husband, and begins a conversational journey explaining his orphaned upbringing and potential “six degrees of separation” from Rosalind's life. But, could this uninvited stranger be a killer?

Nedra Tyre is a phenomenal storyteller, and it pains me to know that I've now read nearly half of her novels. I'm surprised, and disappointed, that she didn't write more full-lengths, but due to publisher issues in her late career, she was submerged into the short story market. Her perspectives on life, literary work, social inadequacies, marital harmony, and paranoia are center-stage attractions of these novels. It's nearly uncanny how well she can enter the minds of the characters she creates. 

According to Twentieth Century Crime and Mystery Writers, Tyre had a niche for “superbly handled suspense”, evident with these novels and her short stories “Locks Won't Keep You Out” (1978, Ellery Queen's Napoleons of Mystery) and “On Little Cat Feet” (1976, Ellery Queen Mystery Magazine). I enjoyed her characterizations of both protagonists, with Allison and Rosalind sharing similar outlooks – as dreary as they may be. Interesting enough, there is a sense of wrongdoing on the part of supporting characters, those acquaintances of both Allison and Rosalind. When the support system is most needed, both intimately and professionally, it fails these less-than-confident protagonists. It was clever plotting and development by Tyre to force these characters into independent (irrational?) action. 

If you are new to Nedra Tyre, then by all means this twofer is highly recommended. In general, if you are new to female mystery and suspense writers, Stark House Press have an abundance of long-forgotten, entertaining classics by the likes of Mary Collins, Helen Nielsen, Dolores Hitchens, Ruth Wallis, and Jean Potts to name a few. 

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Man Alone (aka Steve Douglas of Sleepycat Ranch)

In 1971, Belmont/Unibook published a book with a rather odd title, Steve Douglas of Sleepycat Ranch. I don't know who the author is, but the book's cover is amazing. However, I own the 1975 version of this same book, a Belmont Tower paperback called Man Alone. The author's name on the cover is E.H. Manring, a name that could resemble a real author or simply a pseudonym for any number of action-adventure writers of that decade. However, I believe the author is an old pulpster based on my reading experience with the book.

Traditional western formulas tend to fall into a handful of scenarios. Arguably, the most popular of these is the ranch stealing stories where either some wealthy bullish land baron forces the average working man to fight for his right to ranch or cattle-rustlers are stealing livestock from the average working man. Either way, it is always about a land grab with the trophy being water, gold, cattle, money, or the beautiful woman (mostly the widowed variety). Man Alone is that story, only modernized to fit the late 20th century.

Steve Douglas is a former U.S. Marine and a rodeo riding superstar. Nowadays (in 1971 that is), he is a horse rancher with a big 'ole spread in Arizona. Big city goons representing the Syndicate arrive with a proposition to buy out Douglas in an effort to take his horses to the races. Douglas says no, so the goons spike his punch, place him on an airplane, and advise the pilot to casually dump Douglas in The Grand Canyon. Thankfully, the pilot is a Yaqui from Old Mexico, so he shows pity on Douglas and takes him to his family's place across the border. Like a typical western, Douglas is initiated into the family through a ritual and then it is all guns blazing as Douglas grabs an M-16, some grenades, and a sawed-off and heads back to his ranch to kill the baddies and get his horses. 

Hold your horses right there mister. I totally forgot to mention that Man Alone, aka Steve Douglas of Sleepycat Ranch, is a G-rated pulpy juvenile family-friendly novel. So, shave off everything up top after the words “...through a ritual.”

Instead of maximum carnage, Douglas teams up with a Yaqui attorney to fight the baddies through legal means. It's a courtroom brawl instead of a slobber-knockin' beat'em up. There is a brief fistfight on the sidewalk, but it's short and Douglas's own girlfriend is involved. Instead, this vengeance yawn is a childish romp with very little payoff. 

The author uses quotations whenever Douglas is thinking to himself (I despise that), and consistently ends sentences with an exclamation mark! At one point a character tells another to “speak American” and “give it to me in U.S.A." instead of Spanish. To squeeze a lemon in the gash, there is even a gold mine with a curse. 

I debated on putting this into the Hall of Shame, but that isn't really fair. It isn't necessarily the author's fault that the book was marketed as a modern, gritty mob-buster. It also isn't the author's fault that I am a veteran of dirty westerns where the 'ole Double-D is being squeezed by a depraved rapist posing as a thriving businessman. So, it's a no contest. But, leave Man Alone alone.

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Brother and Sister

Do you remember the Don Pendleton series The Executioner? Of course you do, don't be ridiculous. Even a perfect stranger completely alienated from men's action-adventure literature will know who Mack Bolan is. Probably. Anyhow, in the debut of that series, War Against the Mafia, Mack Bolan is in the U.S. military and serving in Vietnam. He receives a letter from home advising him that his parents are dead. So, he comes home and starts banging on mobsters. 

But, if there was a PornHub take on War Against the Mafia, say 17 years before Mack Bolan and 30 years before the internet, it could have a U.S. military serviceman receiving a letter from home telling him that his parents are dead. So, he goes home and starts banging his sister. That's the introduction of Brother and Sister, a Monarch paperback original from 1961 authored by Edwin West, who is none other than the famous Donald Westlake who uses the name Richard Stark to pen the Parker series, the best heist books of all-time. 

Seventeen year old Angie's child-body has developed into voluptuous womanhood. So, she's consistently fighting off the sex-starved Bob by the dim light of the dashboard radio every Friday night. But, she's finally had enough lip-puckering and wants to totally take a low blow. So, she informs heavy-handed Bob that her parents are gone and if he can slip in and out really fast, they can successfully liberate her body from its virgin prison. But, when Bob pulls into Angie's driveway, all of the house lights are on and an old aunt is in the doorway. Angie learns that her parents have both died in a horrible car wreck. Bob's receipt of the news is equally devastating, but in a different way. 

Paul is twenty-one and an Airman Second Class in the United States Air Force. After bedding down a young woman in Germany, he marries her and they both live happily ever after for four consecutive months. But, one day Paul arrives home early and finds his wife serving as a blow-up doll for a another hump-happy Airman (see what I did there?). Paul divorces his slut of a wife, and after a few months receives the devastating news that his parents have died in a car wreck. The only thing he can think of is his little sister Angie. He has to come home quick.

After the funeral, Paul and Angie decide to just live together in their childhood suburban home. When Bob comes over to provide Angie physical therapy to mourn, Paul punches his lights out and sends him packing. After a few days, Paul begins to think of Angie in a different way. Angie begins to substitute Paul for Bob in her own mind. Before you know it, Paul and Angie are doing the nasty and pretending like they are married. It's a lot of incest. I mean a lot.

Thankfully, Westlake throws in a bit of crime-fiction when Paul and Angie's devious uncle appears to claim the house as his through a series of neglected loan payments. Apparently holing up in your dead parents' house committing acts of incest does come with a price. There's a mortgage payment and bills to screw with too. Ultimately, the book's second-half is like a countdown to madness as Paul and Angie begin to question their own sanity. The book's closing pages will be stuck in my mind forever. It was such a wild, crazy romp to the finish with a climax that borders on dark psychological horror. 

Despite how you feel about incest (hopefully we aren't bipartisan on this), Brother and Sister was a thrill to read. Westlake is a masterful storyteller, and even when he wasn't writing crime-fiction, he could stir the emotional suspense. If you love Westlake, this is an easy recommendation. But, if you just want a wild and crazy leap into a PG-13 level sexcapade (nothing graphic here), Brother and Sister is the way to do it.

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Conan - Conan the Rebel

Prolific science-fiction and fantasy author Poul Anderson (1926-2001) wrote one Conan novel, 1980's Conan the Rebel. It was originally published by Bantam in 1980, then reprinted by the publisher again in 1981. Ace Books reprinted the novel twice, 1988 and 1991. England's Sphere Books also reprinted the novel in 1988. Tor Books published the novel as a hardcover in 2001 and a softcover in 2003.

What makes Conan the Rebel really interesting is that it is set in a time-period of Conan's life that directly places him in the middle of a Robert E. Howard story called “Queen of the Black Coast”. In Howard's story, originally published in 1934, Conan joins a sailing crew led by raven-haired pirate-queen Belit as they ravage the Stygian coast on their Tigress ship. The beginning of the story is Conan's introduction to Belit and incorporation into the life of piracy. The second half of the story is the Tigress destruction and Belit's death. However, in the middle of the story Howard suggests that the duo had a wonderful life together sailing the high seas as lovers. This is the era that Anderson hones in on.

In Conan the Rebel, both Belit and the titular hero are experiencing love and adventure at sea. But the two become targets of a sorcerer who is serving the dark god Set. In the opening pages, the Stygian magician Tothapis is warned by Set that both Conan and Belit are now a loving couple (that won't produce children). Set tells Belit that a magical ax will be used to wreak havoc on Stygia. Tothapis, gaining insight from Set's rather vague vision, assembles a meeting with a military leader and a vile priestess. The military man recognizes the ax in the description as the powerful Ax of Varanghi. Putting two and two together, the group focus on killing Conan to keep him from using this ax to destroy's Set's sanctuary. 

While Anderson's narrative is rather dense with characters and multiple story arcs, the collective whole is a rousing action-packed, sword-and-sorcery novel. There are multiple allies assisting Conan through various aspects of the adventure. Readers are provided varying backstories for each character to build validity and purpose to their inclusion in the plot development. The adventures incorporate nautical aspects, jungle escapism, a prison break, treasure hunting, and the wicked supernatural entities summoned by the magician and priestess. 

Conan the Rebel was a real pleasure to read and an entertaining romp through a small, isolated portion of Conan's spectacular history. Belit would later die in “Queen of the Black Coast”, so the character in the books and short story is short-lived. However, in the Conan the Barbarian comics by Marvel, she is featured predominantly in issues 58-100. Dark Horse's own Conan the Barbarian comic featured Belit through issue 25, later partially collected in the trade paperback Conan Vol. 16: The Song of Belit.

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