Matthew Scudder #05 - Eight Million Ways to Die

Lawrence Block's fifth Matthew Scudder novel, Eight Million Ways to Die (1982), features the alcoholic detective contending with a compelling murder mystery. A young prostitute named Kim Danniken hires Scudder to convince her pimp, an African-American named Chance, to allow her to leave the fold. Kim is tired of hooking, and despite Chance's historically friendly actions and demeanor, she is hesitant about revealing her plans to switch professions. Once Scudder meets Chance, he realizes that her fears weren't valid. Chance is happy to allow her to leave. However, shortly after Scudder explains to Kim that she is free to resign, the young woman is found butchered in a hotel room. 

The plot development builds to Scudder truly caring for Kim and feeling remorse for being involved in Chance and Kim's severance. While not responsible, Scudder still feels as though he owes the dead client a hard day's work to determine who killed her. He works with the police, who are hesitant to receive his tips, and he interviews other prostitutes that Chance had employed. While Chance seems to be the most likely suspect, his alibi is rock solid. Who killed Kim?

What makes Eight Million Ways to Die resonate is that deep down in the city's grime, crime and decay, this novel centralizes Scudder's alcohol dependence. Frequently Scudder attends AA meetings, and challenges himself repeatedly to extend his sobriety into consecutive days. At one point, Scudder hits an eight-day streak. But, his dependence is just too strong. Included in Scudder's struggles is the series stomping grounds like churches, bars, coffee shops, and diners to keep the mood. There are also the obligatory conversations and thoughts about his ex-wife and kids. Some prior characters also re-appear in the novel, furthering some longevity between Scudder and his love interest. 

The book's title contains some weight, mostly emerging from consistent news reports and newspaper articles about various killings throughout New York City involving different methods of death. Scudder reflects that every minute of every day all of us are able to be killed eight million ways. We are all skirting the thin edge between existence and nonexistence each second, which is a true dark sentiment. 

If you ever had the misfortune of seeing the 1986 film 8 Million Ways to Die, starring Jeff Bridges, Andy Garcia, and Rosanna Arquette, I have to sternly remind you that this is not how Lawrence Block's novel should be represented. The film's creators lacked any real interest in what makes this series the very pinnacle of crime-fiction. Arguably, they had no idea what they were doing when it comes to film making, much less how to properly portray Matthew Scudder. Despite the talented cast, the film is just abysmal. 

Eight Million Ways to Die continued Lawrence Block's hot streak and makes for the very best of the series thus far. In fact, this might be one of the best novels I've ever read. Additionally, hearing the audio version of the book with the author's narration was a real pleasure. Highest of recommendations, Eight Million Ways to Die is an absolute mandatory read. 

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Conan - Red Nails

Robert E. Howard's last sole contribution to his Conan the Cimmerian character was the novella “Red Nails”. It was published posthumously in Weird Tales over the course of July, August/September, and October 1936, mere weeks from Howard's suicide in June. The story was reprinted in The Sword of Conan (Gnome Press, 1952), Conan the Warrior (Lancer, 1967), and numerous times through Del Rey. “Red Nails” was adapted to comics in Savage Tales issues #2-3, which was reprinted in Conan Saga #9. 

Conan, in his late 30s, finds female pirate Valeria of the Red Brotherhood in a rural stretch of forest. She had killed a Stygian officer and then fled the city. Conan attempts to join her, urging that they should head to the coast. During the verbal debate on which direction to explore, the duo fight a large reptile monster that resembles a dragon. In the distance, they see a large walled city and head there.

Reaching the city, called Xuchotl, the two agree that this walled place seems desolate, a cavernous void of abandonment and neglect. Inside, the enormous building resembles a large apartment building with hallways and corridors leading in different directions. The entire city exists as a combination of shopping mall and housing, completely enclosed in this gloomy remote structure. 

Eventually, the duo discover a tribe living in the complex called the Tecuhltli, complete with a king and queen that explains the city's unique history. Xuchotl was ruled by two brothers, but one stole the other's wife and then the population split based on loyalties to each brother. The Tecuhltli tribe live in one part of the building, the army and people of Xotalanc exist in another part. Needless to say, the two have been feuding for ages and nails are driven into a pillar to represent the number of slain Xotalanc people, thus the story's title “Red Nails”. 

At novella length, Howard leaves himself plenty of wiggle room to incorporate numerous fights, betrayals, deaths, and action. As Conan and Valeria quickly learn, no one in this mysterious city is particularly noble. I think the narrative's switch from Conan and Olmec's alliance to inevitable confrontation (he wants Valeria) was a smooth transition that allowed some character development, albeit brief. The plot is a little crowded considering nearly the entire story takes place in one structure between warring factions, but the atmosphere and descriptive attention to surroundings enhances the story's depth. Overall, this is an entertaining blood-soaked adventure tale that sits in the higher echelon of Howard's Conan stories. 

Note – S.M. Stirling's Blood of the Serpent (Titan, 2022) full-length novel is a prequel to “Red Nails” and features an original story that details Conan and Valeria's first meeting and the events that Howard described in the opening paragraphs of this story (the death of the Stygian officer). “Red Nails” is also included in that book's ending to preserve a sense of continuity. 

Nobody Would Listen - The Collected Mystery Stories of Elisabeth Sanxay Holding

Elisabeth Sanxay Holding (1889-1955) authored 25 novels between 1920 and 1953. In addition, she wrote over 200 short stories for magazines and digests like Ellery Queen, Alfred Hitchcock, The Saint Detective, and Nero Wolfe. Mostly, she concentrated her efforts on mystery and crime-fiction, however, she also contributed to the science-fiction genre as well. Stark House Press has been releasing many of Holding's novels, novellas, and short stories. The publisher's newest Holding release, Nobody Would Listen: The Collected Mystery Stories of Elisabeth Sanxay Holding, is a mammoth volume collecting 19 stories and novellas as well as an introductory article by Curtis Evans. At over 400 pages in length, there is a little something for everyone. Here are a few of my favorites:

The Strange Children

The Magazine of Mystery and Science-Fiction included this Holding story in its August, 1955 issue. As a fan of “evil kids” fiction and films, I honed in on the ominous story title. This 11 page story features a young woman named Marjorie receiving a call from a distressed mother. The woman explains to Marjorie that she was referred to her by a mutual acquaintance and that she desperately needs a babysitter for her two sleeping children within hours. The woman and her husband have a prior engagement and their sitter and housekeeper are both unavailable. Being late in the evening, Marjorie explains that she shouldn't babysit children that don't know her. What if they wake up and find their parents gone and a stranger in the house? The woman assures Marjorie that the children sleep through the night and won't wake up. Marjorie takes the deal and the family's chauffeur picks her up and drives her to a secluded house in the forest. 

The mother shows Marjorie the house layout and advises her that the children sleep in the bedroom down the hall. There are no other people in the house (this is important). The parents leave and so Marjorie sits in this strange house that is as silent as a tomb. Until she hears a child's laughter down the dark hallway. Looking through the door's keyhole, she finds the children awake in their beds playing with a man in a gray suit. Who is this creepy guy and how did he get in the house? This story is told in a suspenseful way and is just eerily delightful. It's a mix of paranormal, suspense, and mystery and Holding utilizes just enough restraint to keep the reader glued to the pages. Excellent. 

Nobody Would Listen

This is a 20 page story that was first published in Mystery Magazine in August, 1935. Like the above story, this one features an isolated house in the forest, a rainy atmosphere, and a new visitor. 50-year old Mrs. Morrissey has just accepted a new job as a live-in cook and housekeeper for two older women, Mrs. Raleigh and Mrs. Torrance. However, once Mrs. Morrissey settles in, she discovers that the two women have an immense hatred for one another. A nearby neighbor scoffs at Mrs. Morrissey's warning that she fears the two will murder one another. The story is aptly titled with Mrs. Morrissey's repeated warnings fall on deaf ears. Will Mrs. Raleigh and Mrs. Torrance eventually hurt or kill one another, or is this a familiar, old-time rivalry that is nothing more than harmless bickering between two lifelong companions? Holding builds so much suspense and impending doom that it seemingly explodes in the unforgettable finale. Think of “Nobody Would Listen” as a dark character study with a unique atmosphere. Recommended.

Friday the Nineteenth

The Magazine of Fantasy and Science-Fiction included this story in its Summer, 1950 issue. To properly review the story in 2023, I'm citing a popular 1993 film called Groundhog Day. It starred Bill Murray and Andie MacDowell and was written by Danny Rubin, who claimed the concept came to him when he read Anne Rice's 1985 romantic horror novel, The Vampire Lestat, and began thinking about eternal life. In the film, weatherman Phil Connors finds himself reliving February 2nd repeatedly, in a time-loop, in a small tiny Western Pennsylvania town. Oddly, Holding had a similar concept as her plot for "Friday the Nineteenth" – 40 years before Rubin's screenplay. 

Boyce is an average white-collar suburbanite living a mundane life with his boring wife and kids. He begins to fascinate about a relationship with his friend's wife, a plain-Jane looking woman named Molly. On Friday the 19th, Boyce arranges for a meeting with Molly in a downtown bar. There, the two discuss their attraction to each other and the restraints both of them practice when the couples meet at social gatherings. Boyce and Molly make a plan to meet in a more intimate setting the next day, on Saturday the 20th. However, Boyce awakens on Saturday to learn it is Friday all over again. When he meets Molly at the bar, he discovers that both of them realize they are living in a time-loop, constantly reliving Friday the 19th. How do they escape?

Groundhog Day, and other time-loop films like Palm Springs and Edge of Tomorrow, have always fascinated me. I was shocked to find a time-loop story that seemingly matched Groundhog Day, but I would imagine there were even more of these stories prior to Holding's. Regardless, her story injects a Gil Brewer/Orrie Hitt flavor as Boyce becomes the unsatisfied husband and father. I really enjoyed the chemistry between Boyce and his wife and how it changes over time. It was rewarding and entertaining simply examining Boyce's complaints at the start of the story. Everyday events like mowing the grass and taking out the trash become valuable experiences that Boyce wishes to have back when he realizes seeing Molly each day isn't exactly a thrilling experience. 

Other highlights include the private-eye story “Farewell, Big Sister” and three stories starring Captain Martin Consadine, Commissioner of Police on the Caribbean island of Puerto Azul, “People Do Fall Downstairs”, “The Most Audacious Crime”, and “The Daring Doctor”. 

Holding's writing is top-notch and gradually leans from mystery, suspense, thriller, and shades of atmospheric terror. She has a unique writing style where her protagonists think to themselves, but Holding places these thoughts into the form of dialogue with quotation marks. I've seen this method a few times in other early 20th century writers, but it's uncommon to me. If you can accept that, then there is nothing to dislike about any of these stories. The Stark House Press staff has performed a marvelous job of singling out some of her best stories. Recommended! 

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The Maltese Falcon

Samuel Dashiell Hammett (1894-1961) was a military veteran, detective, screenwriter, author, and president of the Civil Rights Congress. He began writing short stories for the pulps in the early 1920s, contributing to publications like 10 Story Book, Black Mask, Saucy Stories, and True Detective Mysteries. Perhaps one of his most popular creations is the Continental Op, a hardboiled detective that appeared in over 35 stories. However, the hero pales in comparison to the massive appeal of Sam Spade. The San Francisco detective first appeared in The Maltese Falcon, a five-part serial that ran from September, 1929 through January, 1930 in Black Mask. The character would later appear in four more short stories and became a Hollywood icon when Humphrey Bogart portrayed Spade in The Maltese Falcon, a 1941 film adaptation. 

Sam Spade shares an office with his partner Miles Archer. The two receive a visitor calling herself Miss Wonderley. This potential new client wants the duo to follow a man named Floyd, who she speculates has convinced her sister to run off with him. When she produces cash, the two agree to the case and Archer is the first to do the checking up. Unfortunately, Spade is notified that same night that Archer has been shot to death. Spade later learns that this Floyd fellow has been killed as well. 

Anyone that reads my reviews knows that one of my biggest pet peeves in literature is starting a novel with a lot of “what the Hell is going on” type of stuff. The Maltese Falcon is one of those books. The first chapters, or arguably the entire first half, purposefully makes very little sense. Wonderley is really a woman named Brigid O' Shaughnessy, who was hired by a man named Gutman in Constantinople to locate a precious statue of a falcon said to have been passed down through the years from the 16th century. This Brigid woman hired another guy named Cairo to help her get the falcon, but then fled to San Francisco with Floyd hoping to make an even more lucrative sell to a higher bidder than Gutman. Forget all of the sister stuff. 

Cairo is now chasing Brigid, while she's being chased by Gutman and the police think Spade is in on the kill of Archer and maybe Floyd because he was sleeping with Archer's wife Iva. It's a tangled plot with a lot of characters and moving parts. Sadly, nothing really ever happens beyond an excessive amount of dialogue, speculation, and finger wagging. At one point, every major character enters the room and they get down to the discussion of who killed who and motives and all of the typical stuff you find in the armchair sleuth business. 

Sure, Spade is a cool character, doesn't say much, and breaks the mold of the Sherlock Golden Age Detective by unconventional means. He doesn't work well with the law, obviously has some anti-hero characteristics (he's sleeping with his partner's wife for God's sake), and becomes an evasive fall guy chasing red herrings galore. He should be easy to cheer, considering he's the least baddest of the bad guys. But, all of these characteristics still left a dull edge. Spade isn't supposed to be a likable guy, but he should damn well be an entertaining one. 

Hammett's storytelling style didn't resonate with me. There isn’t much insight into what any of these characters are thinking. Instead, it reads like a play with the entire novel presented through the dialogue. It is void of any emotional depth.

The idea that this book is cherished by the mystery community seems odd to me. Is it really a mystery novel that needs an adventure, or an adventure novel trapped in the confines of a whodunit? I wanted Sam Spade to grab a suitcase and head to Europe or Asia chasing this Holy Grail-like relic of Spanish lore. The whole idea of chasing the treasure is just begging for a wild globe-trot. But, these things never happen and the mystery doesn't escape a handful of rooms.

Granted, I'm probably saturated in modern detectives or more hard-hitting tough guys from the mid to late 20th century, so finding Sam Spade late in the game didn't do me (or him) any favors. It's like watching Top Gun: Maverick (2022) and then attempting to appreciate The Dawn Patrol (1938). It is probably more my fault than Hammett's, but I still can't justify the hype of Sam Spade or The Maltese Falcon. Overall, this was a snooze fest for me. 

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Come Night, Come Evil

Jonathan Craig (Real Name: Frank E. Smith, 1919-1984) was a Florida resident who socialized with Harry Whittington and Gil Brewer as he was writing over 100 novels and 300 short stories during the paperback era. Come Night, Come Evil was a stand-alone crime noir novel from 1957 published by Fawcett Gold Medal.

The novel opens with Jeff Colby being released from prison into the hands of his loyal wife, Laurie. They have every intention of building a life together and putting Jeff’s legal problems behind them. Unfortunately, Jeff has been assigned a fat, slimy parole officer named Carl Munger, who corners the couple in the prison parking lot during the discharge and immediately begins making Jeff’s life miserable.

Munger is a loathsome bully who extorts a kickback from Jeff’s parolee job wages. Jeff is forced to comply with no backtalk because of Munger’s unilateral authority to revoke Jeff’s parole and send him back to prison to finish his sentence.

Why was Jeff in prison at all? Best to let the novel tell that story as it’s a pretty compelling flashback. Suffice to say, it was a bum rap, and Jeff would like to exonerate himself now that he’s out on the streets. And the only way he can stay out is to appease Munger and his inappropriate demands. Finding the people who set Jeff up and understanding their motivation is the central mystery of the paperback.

The problem is that there are a few other mysteries muddying up the plot in this 128-page paperback. The writing is solid, and some of the characters are written extremely well. Despite that, Come Night, Come Evil is a pretty mediocre affair. If you’re looking for top-shelf Jonathan Craig, proceed directly to So Young, So Wicked. Unless you’re trying to read them all, this one can be easily bypassed. 

Conan - Hawks over Shem

If you look online for the definition for “convoluted”, it should just provide a link to Robert E. Howard and L. Sprague de Camp's “Hawks over Shem” short story. In my quest to absorb as much Conan literature as humanly possible, I read half of this particular short story and found myself so confused that I re-read the first half again, which led to even more confusion. What in the Hell is going on here?

Perhaps the problem with this jumbled, fragmented, mess of a story is that it was originally a manuscript that Howard wrote about ancient Egypt called “Hawks over Egypt”. This version of the story was written by Howard in the 1930s and was first published in The Road of Azrael, a 1979 collection by Grant and later Bantam. It later appeared in Sword Woman and other Historical Adventures in 2011 by Del Rey. 

By 1955, L. Sprague de Camp had re-written “Hawks over Egypt” into a Conan the Cimmerian story with a new title of “Hawks over Shem”. It first appeared in Fantastic Universe's October 1955 issue. It was also included in the Gnome Press collection Tales of Conan the same year. The 1968 Lancer paperback Conan the Freebooter contains the story and its comic adaptation is featured in The Savage Sword of Conan #36. 

It's a fool's errand for me to try and review the story properly considering I received it in a dense fog of endless characters and alliances. Here's my best attempt: Conan and a stranger name Farouz are attacked by four Kushites. After Conan and Farouz kill the assailants, they scamper to a bar (where no alcohol is served) where a discussion happens that serves as plot development. A guy named Othbaal is contending for leadership of Asgalun. He's the cousin of King Akhirom, a lunatic. Othbaal is fighting a commander named Mazdak and a Kushite general, Imbalayo. It's a triangle of politics, backstabbing, and a lot of alliances.

This was just a nightmare to read and I couldn't gather which character was representing which country and who the enemy was. Thankfully, Conan's elementary role was to kill Othbaal and form a friendship with a mistress named Rufia. Together they attempt to leave the city among the factions of Anakim solders, Asgalun citizens, Imbalayo's power-heave, the Hyrkanians, a witch, a bonesucking creature, the crazy King Akhirom, and a Kushite captain. There's some connection to Conan's pirate days, but by the story's end, both Conan and Rufia flee north and this story thankfully ends. 

At 50ish pages, there's a backstabbing and an alliance formed over some minor backstory on nearly every page. I haven't read “Hawks over Egypt”, but I can imagine it must be better and more restrained than this over-indulgent nonsense. Out of the Conan stories I've recently read, this was the worst of the bunch. Avoid this headache.

Deathlands #07 - Dectra Chain

Let's talk about Deathlands. So far, the series has been solid except for the mediocre fourth installment, Crater Lake. I can chalk that up to, “everyone has a bad night”, even paperback warrior Laurence James. But, James rebounded in a big way with the series' turning point, Homeward Bound, and subsequent post-apocalyptic western Pony Soldiers. I was really looking forward to this seventh novel to see where we go from here in terms of location and quality. Dectra Train was published by Gold Eagle in 1988 and remains available as a Graphic Audio Book wherever quality 80s over-the-top, post-apocalyptic literature is offered. 

After the stint in the American southwest, Ryan and the gang enter the redoubt and make the leap. Their jarred landing puts them in another redoubt that appears as if it was just utilized by someone or something. I would imagine this little plot sprinkle will re-surface in a future installment. It's like a Quantum Leap episode where Sam discovers another leaper. 

Inside the redoubt, the group's newest member, the Apache shaman Man Whose Eyes Sees No More, receives his simpler name of Donfil More, inspired by his favorite rock duo, The Everly Brothers. The group emerges from the redoubt and find a barrage of water and a mutant. After contending with the obstacles, the heroes make a raft and battle a great white shark. It turns out that the group have arrived at a seaside area of what once was the state of Maine. The author perhaps adds in a bit of his literary influences by having the group discover a road sign that lists Jerusalem's Lot (the Stephen King fictional town; Salem's Lot) and Miskatonic University (H.P. Lovecraft lore). Total freakout coolness moment. 

On with the show, Ryan leads his band of travelers to a coastal village called Claggartville. The town works in the whaling industry and have a variety of ships and crews, the largest being the Salvation captained by a hideous, sadistic woman named Pyra Quadde. The narrative leads to Ryan and Donfil placed in shackles aboard the Salvation performing hard labor. It's a typical prison-break styled story as the heroic duo attempt to survive their harsh environment while planning an escape. Meanwhile, the rest of the gang are planning to set sail to find Ryan in their hijacked boat. 

Dectra Chain is a total blast. It's like a combination of Lovecraft and Moby Dick in the smooth, velvety afterglow of a destructive mushroom cloud. I like the fact that each of the heroes had a small part to play, including Doc's unwavering voice of wisdom, which isn't completely lost in the violence and gunfire. Some could argue that this is just another nautical adventure with all of the familiar tropes, and there is some truth to that, but having these memorable Deathlands characters fighting it out on the high seas was really clever. I loved the plot development, the bad guys (and girls), the locale, and the journey through Maine in autumn. Overall, another solid installment in what is slowly becoming one of my favorite series titles of all-time.

Buy a copy of this book HERE.

The Last Place God Made

Jack Higgins' (Harry Patterson) The Last Place God Made was originally published in 1971 as a hardcover by Collins. It was published in paperback by Fawcett Crest and remains available today in physical, digital, and audio editions. 

The opening pages introduce Neil Mallory, a young British brush pilot with exceptional skills. He's flying mail routes over and along the Negro River in Brazil. He loses power, runs low on fuel, and with the help of a veteran RAF pilot, is guided to a semi-safe landing. Mallory walks away from the wreckage and meets the guy who helped save his life, Sam Hannah. The two have some drinks together and Mallory learns that Hannah is a well-known guy in these exotic areas, a heavy boozer and women-chaser that loves a good time on someone else’s dollar.

The night before returning to the more friendly, less treacherous metropolis of London, Mallory is seduced by a woman who leads him into an alley and steals his wallet and passport. Mallory, facing unemployment and a perilous financial outlook, accepts a job with Hannah flying packages. But, is there more to this than meets the eye?

Higgins places these two characters at odds with each other while they perform a dangerous mission of assisting nuns on a missionary expedition to care for a tribe of indigenous people. A beautiful model and actress named Joanna learns that her sister, one of the nuns, has been taken captive by the Huna tribe. Joanna has a romantic involvement with both Hannah and Mallory, adding even more tension and abrasion between the pilots. They both agree to assist Joanna in locating her sister, despite the ominous threats the jungle brings. 

In some ways I felt that The Last Place God Made was reminiscent of another bush pilot Higgins novel, 1968's East of Desolation. The two books share pilots as protagonists, and both are set in exotic, “high adventure” locales. East of Desolation is more of a murder mystery while The Last Place God Made is an action-adventure novel. My mild disappointment with this book is that the first 150 pages was a slow burn explaining the region, history, and characters. The build-up of Hannah and Mallory's rivalry was enjoyable, but nothing really happens until the last 60-70 pages. The book's closing chapters is some of the best Higgins action-adventure scenes I've read. The finale places both Hannah and Mallory with heavy firepower in a crumbling old church as hundreds of spear-wielding natives attack. This was well worth the wait. 

The Last Place God Made is a calculated build-up featuring historic details of Brazil, fearless characters, gunplay, treachery, jealousy, crime-fiction, and the high-adventure genre tropes one would expect from the author. It may also be the most violent Higgins novel I've experienced in terms of savage violence and torture. This is not for the squeamish. If you can handle the blood 'n guts, this is another great Higgins offering.

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Dark Shadows #01 - Dark Shadows

Paperback Library published 33 Dark Shadows novels from 1966 through 1972. These gothic paperbacks were based on the American soap opera that ran on ABC television from 1966 until 1971. The paperbacks were authored by popular gothic author William Edward Daniel Ross under his pseudonym Marilyn Ross. Thankfully, these novels make up a stand-alone series that can be read independently of the television show. They re-create the show, evident with this first paperback, the eponymous Dark Shadows, capturing most of what occurs in the Dark Shadows debut episode. But, the paperback series changes some of the characters and even adds new ones that aren't featured on the television version. Thus, it creates its own universe and continuity. If you want to avoid sappy daytime television reruns, then this paperback series is exactly what you need. Plus, it is completely affordable as audio books on CD or on your favorite streaming service like Hoopla or Audible. 

In Ross's series debut, young Victoria Winters arrives in the fictional Maine seaside village of Collinsport. Readers learn that she was orphaned as a baby and she never learned who her parents were. Money was mysteriously supplied to her throughout her upbringing in the form of a mailed check. Now, she is ready for her next job as a governess to a young boy at Collins House, an enormous mansion that houses over 40 rooms. 

Meeting the family, she discovers that Elizabeth Collins Stoddard hasn't left the house in nearly 20 years. Her brother, Roger Collins, is a single guy that possesses a rather dull outlook on life in between his routine cocktails. There's also Carolyn, a rambunctious, spunky young adult that finds relief from the boredom at a local bar. But, the most interesting character is that of Ernest Collins, a symphony violinist that experienced the death of two loves. The first was his wife Elaine, who supposedly died in a car accident. The second was a lover that threw herself from Widow's Hill, a place far above the rocky shore where women apparently jump to their deaths. 

Throughout the narrative, Victoria is tormented by an unseen stalker that plays tricks on her. At night she can hear heavy breathing and footsteps outside of her room. She finds a creepy mask hanging from her ceiling and is attacked in the dark cellar. The scariest moment for Victoria is when her car suddenly loses control and crashes. Of course, Elizabeth and others refuse to believe that anyone is stalking Victoria. But, the mystery points to Ernest as a possible suspect.

Unfortunately, this debut Dark Shadows paperback is a dull, uninspiring read. Ross utilizes long, drawn out dialogue to pad the book's length, leaving readers lulled into a bored mood with the pointless conversations. The attempts to scare or harm Victoria are few and far between, leaving very little activities to keep readers enthralled. Further, the atmosphere is described as sunny and warm, which left me disconnected from the television visuals of the old seaside mansion draped in fog. If I didn't read the title or the “Victoria Winters” name, I never could have guessed this was a Dark Shadows book. In addition, both Elizabeth, Ernest, and his lovers are not included in the television show.

Perhaps the series will improve with more of a supernatural element. Barnabas Collins, despite appearing on the cover of at least one printing of this specific paperback, doesn't appear in the series until the fifth installment. In the meantime, steer well clear of this dud.

Conan - A Witch Shall Be Born

“A Witch Shall Be Born” was published in the December, 1934 issue of Weird Tales. This Conan story, authored by Robert E. Howard, was written on a tight, fast-paced schedule that prior summer. It was published again in Avon Fantasy Reader #10 in 1949,  and was later grammatically edited by L. Sprague de Camp for Conan the Barbarian (Gnome Press) in 1954 and Conan the Freebooter (Lancer) in 1968. While not a terrific Conan story, it does feature one of the most iconic scenes in the character's long history.

Khauran's Queen Taramis becomes awake inside her chamber and finds an image of her twin-sister Salome. This is seemingly impossible because Salome died as a baby. However, Salome advises Taramis that she is indeed alive and well because she was cursed at birth with a crescent shaped birthmark on her chest. In a brief backstory, it is explained that Taramis and Salome both come from a lineage of witches. When Salome was born, she was placed in the desert to die a cruel death by the elements. But, a magician named Khitai found the baby and nursed her back to health while teaching her the fine art of sorcery. 

As a way to destroy her rival sister, Salome teams with a mercenary named Constantius to allow his military to infiltrate Khauran. Conan, who just happens to be the Captain of Taramis' Royal Guard, catches on to the plot. He fights against the infiltration, but is overcome by too many blades. In one of the most iconic, visually descriptive scenes in the Conan mythos, the titular hero is crucified on a large wooden X. This scene was used in the Conan the Barbarian film as a remnant of Oliver Stone's original screenplay based on this story. After Conan's removal, Salome throws Taramis in the dungeon and carries on ruling Khauran for seven months as the fake Queen. 

Conan is pulled from the clutches of a cruel death by a brutal raider named Olgerd Vladislav. Among Vladislav's vast army of raiders, Conan rises to power and eventually usurps Vladislav as the group's new leader. In a bid for revenge against his original tormentors, Conan leads his men back to Khauran to face Constantius, Salome and a dungeon monstrosity. 

Overall, the build-up and momentum to have Conan rescue Taramis and fight the monster is quickly dismissed at the story's end. Unfortunately, Conan is replaced by a different hero, lending a dose of disappointment to what is an average story at best. While this is surely a Conan story, it doesn't feature the hero in a majority of the narrative. In fact, a good portion of the story is simply a letter explaining Khauran's downfall under Salome's rule. 

If you are a Conan enthusiast, then the story is essential to a future work by de Camp. In “The Flame Knife”, Olgerd Vladislav returns for revenge against Conan as a follow-up to the events in this story. “The Flame Knife” is featured in 1968's Conan the Wanderer (Lancer) and became its own novel, Conan: The Flame Knife, in 1981.

The Far Cry

Fredric Brown (1906-1972) authored crime-fiction, fantasy, and science-fiction from 1938 through 1965. He won an Edgar award for his first novel, The Fabulous Clipjoint (1947), and his novel Screaming Mimi was adapted into a 1958 film. Anthony Boucher of The New York Times Book Review described Brown as the successor to Cornell Woolrich. Interesting enough, Brown is also credited as writing one the shortest short stories of all-time, a unique work with only two sentences: “The last man on Earth sat alone in a room. There was a knock at the door.” We've covered his two novels Madball (1953) and The Wench is Dead (1955) and decided to try another, The Far Cry. It was originally published by E.P. Dutton in 1951 and then in paperback by Bantam (#1133) in 1952. It now exists in audio and digital by Bruin Books. 

Family man and real estate agent George Weaver went a little crazy a few months ago. Recently released from the hospital, Weaver is advised by his doctors to take it easy. He has orders to temporarily disengage from his business to allow himself time to settle back into his normal lifestyle. To do this, Weaver leaves his home in Kansas City and heads to a small New Mexico town called Taos. It's here that he finds a vacation home, a dreary, rural house where he can rest, paint a little, and drink. Weaver gets a great deal on the place because a woman was attacked in the house and stabbed several yards away. The real estate agent can't seem to find a buyer due to the home's nefarious history. So, Weaver agrees to spend the summer there for free in exchange for fixing up the place. 

Through a journalist friend, Weaver learns about the woman's murder eight years ago and is offered a little side hustle. Weaver can take photos of the area and his friend can write up a sensational article about the murder for a tabloid. However, Weaver begins to become invested in the mystery. The police could not locate anything regarding the woman's past – where did she come from? Equally puzzling was that the police weren't able to learn much about the house's owner and supposed murderer. Where did he come from? Where did he escape to? Weaver submerges himself into the case and finds himself emotionally connected to the crime in troubling ways. 

In reading The Far Cry, I notice that Stephen King possibly borrowed the idea from this novel to create his classic horror bestseller The Shining. There are a number of striking similarities between the two works, notably an alcoholic protagonist writing while taking care of a rural empty dwelling that has a murderous history. If one were to get extremely specific, both books feature a boy who sees the victim and both of these works feature a similar ending. It might be a stretch, but at the very least they are certainly similar. Additionally, King has cited Fredric Brown as an influence.

Brown uses the old crime-noir formula of introducing an amateur sleuth into the investigation. He carefully intertwines this small town murder with a unique character study of Weaver, the dejected suburbanite faced with complacency in a lousy marriage. There are a number of motivations for Weaver to find the answers to the murder, but its murkiness becomes nearly trance-like for the main character. Weaver's alcoholism, mental instability, anonymity in town, and sheer boredom of unemployment all weigh in on the narrative's strong plot building and slow unraveling of every juicy detail of the murder. The mystery is a hypnotic one for Weaver, pushing him into some dark places.

If you enjoy suspenseful, edgy murder mysteries presented in a unique and clever way, then look no farther than The Far Cry. Highly recommended.

Object of Lust

Like a lot of working authors of the paperback original era, Charles Runyon (1928-2015) supplemented his income as a mystery and science-fiction writer by authoring titillating sleaze novels using a pseudonym. Black Gat Books, an imprint of Stark House Press, has unearthed a 1962 title Runyon wrote under the pen name Mark West for a contemporary reprint.

Marian, age 35, is a bored and lonely housewife and mom who is initially receptive to the flirtatious advances of 22 year-old Lewis Leland. Things escalate into hot-and-heavy make-out sessions for the pair in the woodsy confines of the lake resort town where Lewis works teaches high school girls how to water-ski.

After Lewis saves Marian from drowning in the lake, they get together on-the-sly for some thank-you-sex, the encounter ends abruptly when they are almost caught together in the woods by some local kids. Marian develops cold feet and loses the fire in her belly for young Lewis. The problem? Lewis doesn’t want this forbidden romance to end and goes into a full stalker mode.

Unlike most novels about creepy stalkers, this one is partially told from the creep’s perspective. This is a trick that Runyon also employed in his groundbreaking serial killer novel from 1965, The Prettiest Girl I Ever Killed. Runyon does a particularly good job of getting the reader into Lewis’ infatuated head, and the writing is particularly solid.

Unfortunately, the paperback isn’t a crime-suspense novel throughout. Instead, the plot swims in the histrionics of the daisy-chain of affairs and infidelities among the summer lovers in Marian’s orbit. It’s pretty standard fare for a 1960s sleaze paperback and nothing you haven’t read before if you’re familiar with the genre.

To be clear, the scenes with Lewis becoming increasingly unhinged were pure gold. For my money, I’d have preferred more creepy stalker stuff and way less relationship drama filler. Is this book worth your while? Runyon was definitely a unique talent, but this isn’t his best work. It’s not much better than a mediocre Orrie Hitt book covered in some light suspense shrink wrap.

Buy a copy of the book HERE.

The Postman Always Rings Twice

Paperback Warrior attempts to dive into the dusty, neglected shelves of used book stores and flea markets to bring attention to books that went unnoticed during their publication or author's life. Mostly, that is well received and remains the mainframe of our content and fan base. However, sometimes we hit the books that are absolute classics, mainstream literary works that have received a large consumer response and accolades. While these popular novels are well-worn topics in review circles, they remain “new” to us. There are hundreds upon hundreds of novels that we haven't read that are all mainstream classics. Like, The Postman Always Rings Twice, arguably the catalyst for noir-fiction.

Author James Cain (1892-1977) burst on the writing scene in 1930 with Our Government, a collection of satirical stereotypes of governments. This was a microscopic debut compared to his wildly popular 1934 work of crime-fiction, The Postman Always Rings Twice. The novel became an instant hit, made Cain a notable author, and spawned seven film adaptations. One could consult any number of crime-fiction references and follow any rabbit hole to learn more about this novel and author, but here's my take on this influential classic:

The novel begins when drifting menace, and first-person narrator, Frank Chambers is kicked off of a train in rural southern California. He stumbles upon a diner, orders a bunch of food, and tells the dive's owner, a Greek named Nick, that his friend is coming to meet him for lunch and to pick up the bill. This is a lie, of course, but Nick sees something in Frank that he likes and offers him a job working on cars on the same lot at the restaurant. Frank takes the job after glancing at Nick's wife Cora, a cook and waitress at the restaurant.

One thing leads to another and Frank successfully seduces Cora. In secret, the two engage in a sexual relationship, and plan on running away after killing Nick. It all seems to go as planned until a black cat throws a crinkle into the dubious plot. After the first murder attempt is foiled, the duo plan another, more elaborate plot involving a car accident and liquor. This one leads to interaction with rival, yet friendly attorneys that pit Cora and Frank against one another.

Cain's novel is simplistic, literary ecstasy. The entanglement of these two characters, the miserable wife Cora, no longer complacent with her unhappy marriage, and small-timer Frank, destined to remain on the wrong side of the tracks, slowly unravels in a frenzy of jealousy, rage, and sex. Each of the three characters, innocent 'ole Nick included, are dynamic characters that remain a fixture in the reader's mind long after the last morbid pages are read.

In many ways, The Postman Always Rings Twice surely influenced the paperback original novelists that thrived off of the femme fatale sub-genre of crime-noir – Gil Brewer and Orrie Hitt. I'm not sure if a lot of the vintage paperback crime-noir novels populating my shelves and this blog even exist without Cain's masterpiece. Worthy of a legacy? Yes indeed. Highest possible recommendation.

Buy a copy of this book HERE.

Conan - The Scarlet Citadel

The January, 1933 issue of Weird Tales featured the Robert E. Howard story “The Scarlet Citadel”. It was later included in the King Conan (1953) and Conan the Usurper (1967) collections. The story was published more recently in The Conan Chronicles Vol. 2 (2001) and Conan of Cimmeria Vol. 1 (2003).

“The Scarlet Citadel” features Howard's famed Conan the Cimmerian in a much later period of his life. Readers discover that Conan is now an older, wiser warrior that has taken the crown of Aquilonia. King Conan receives a message from the king of Ophir claiming that the emperor of the nearby region Koth is threatening his kingdom. Ophir needs Aquilonia's assistance, so King Conan generously leads an army of 5,000 knights to fight Koth's invasion. 

Upon arrival, Conan discovers that it was a trap. Both Ophir and Koth's leaders were working together to ensnare the hero. Their secret weapon is Tsotha-Lanti, an evil sorcerer that captures Conan and places him in a deep, multi-chambered dungeon in a high tower. It is here that Conan experiences horrifying creatures that have been created or altered by the “mad scientist” Tsotha-Lanti. His biggest rival is a giant, slithering serpent that seems to guard the dungeon's cavernous hallways. 

In an attempt to escape, Conan frees a powerful wizard named Pelias. In a short backstory, Pelias explains to Conan that he was a rival of Tsotha-Lanti before being captured and imprisoned for ten years by the mad sorcerer. As the story continues, there's a prison escape, Conan riding a flying dragon (?), and an epic showdown as Conan and Pelias extract their revenge.

This story is on par with “The Tower of the Elephant” and “Rogues in the House” in terms of pure storytelling excellence. The escapism, extraordinary sense of adventure, and suspenseful dungeon horror are key elements that catapult the story into the higher echelons of Howard's literary showcase. His attention to detail grips the reader with an ominous overtone that promises nothing short of death and bloody destruction. Howard's lengthy paragraph describing Tsotha's castle overlooking the city, its lone road with steep, daunting hills on each side, makes for an impregnable tomb. This description makes Conan's dazzling, unorthodox escape more powerful and entertaining. 

As a fan of Conan's younger years – thieving, wandering, soldiering – I neglect to read many of his royalty adventures. As King Conan, “The Scarlet Citadel” is about as good as it gets. This older and wiser hero was just a real pleasure to read and understand. As an aside, this story was adapted by Roy Thomas and Frank Brunner in Savage Sword of Conan #30 (1977) and in King Conan: The Scarlet Citadel (2011). I highly recommend reading the original story and then the comic adaptations if you need more visuals. Howard's imagery is enough, in my humble opinion. Highly recommdended!

The Happy Man

Eric C. Higgs is a Southern California writer who has only published three novels in his career, including The Happy Man, a 1985 Paperjacks release with an unlikely cult following. The short novel has recently found new life as a reprint from Valancourt Books. 

Our narrator is Charles Ripley, a typical suburbanite in Chula Vista, California - right near San Diego, three-miles from the Mexican border. He works for a defense contractor and lives a dull suburban life with his wife. Things change when new neighbors move in next door. Their names are Ruskin and Sybil Marsh, and Charles takes the time to invite them over for a drink in their first night in the neighborhood. The couples hit it off, and a transformative friendship is formed. 

The first chapter (a flash-forward in the novel’s greater timeline) spoils the trajectory of the book, and the paperback would have been better if the reader could have read about Charles’ evolution more organically. Instead, you’re told right off the bat that things get rather violent for the people in Charles’ immediate orbit. 

Despite this foreshadowing misstep, The Happy Man is a really well-written novel. The story of Charles and his conflicted relationship with his new neighbors made for compulsive reading. It was particularly fascinating to see how the new neighbors altered the behavior of the entire subdivision based solely on the force of their influence. Things get decidedly wild as the book heats up - both sexually and violently. Swingers parties. Secret societies. Drug use. Mysterious murders. And things way darker. 

It’s not a perfect book. The big revelation about the neighbors wasn’t all that surprising and the sudden shift to a culty horror novel was a bit clumsy and abrupt. Despite all that, I found myself enjoying The Happy Man immensely. Recommended. 

Buy a copy of this book HERE.

Battling Britons #04 - Future War Special

Paperback Warrior generally offers two types of reviews. The first, and most common, is the experienced examination of a novel or a story based on a prior history with the author, book, or series title. For example, we can talk for miles about Mack Bolan, Matthew Scudder, or Quarry because we have a fondness for the character, authors, and series and have read a great deal on the subject. The second type of review is what I refer to as the discovery review. This is our writings and musings of a book, author, or genre that we don't have as much experience with. Our discovery is more of an emotional thing – how it affects us directly and the interest it creates in pursuing the author, future books, or related series titles. 

This review is pure discovery, prompted by our genuine love for the fanzines and articles compiled, edited, and written by Justin Marriott and his colleagues. Marriott is a literary scholar of paperbacks, comics, magazines, and pulps, all of the stuff we live and breathe here at PW. Normally, we try to refrain from discovery reviews, but even more so, we generally don't review books about books. It seems silly to review reviews, right? But, Marriott's newest endeavor, his second run of a series of books called Battling Britons, prompted me to learn more about British war comics. Honestly, I had never heard the term until I read about Marriott's series launch a year ago. 

I ordered a copy of the newest issue of Battling Britons, number four, published in November, 2022. The theme for this issue is "Future War Special", covering a variety of war and science-fiction titles, comics, strips, and graphic novels. The only experience I've had with any British comics, sadly, is 2000AD character Judge Dredd. That's probably par for the course for snooty Americans like myself who solely dabble in the US branded comic companies like Marvel, DC, Dark Horse, Image, and Boom. In my defense, I only read books related to one title, X-Men. So, I'm a snoot among snoots I suppose. 

My first impression is that Battling Britons is a 160 page book with a kick-ass glossy cover and design created by Paperback Warrior reader and fan Bill Cunningham. This guy does fantastic work with everything he touches (like the MAM Quarterly books) and this is no different. I would also speculate that Battling Britons might be Marriott's most professional fanzine, a well-structured book that maximizes each page size with an abundance of book covers, columns, articles, and a whopping amount of information on the subject. Granted, the interior pages are black and white, but the content and scope of the material more than make up for that small nuisance. 

Here's the thing. I have no Earthly idea what some of these columns are referring to considering I know zilch about British comics. But damned if my interest isn't peaked, and my education a little better after reading through the book. Titles like Commando, Starblazer, Rogue Trooper/War Machine, and 2000AD look absolutely amazing and I found myself questioning my existence for 46 years around the sun without having this stuff in my life. Where have I been? 

This series title offers eight regular columns and 14 features that are related to the "Future War" theme. 

Highlights:

“A Brief History of Time (Travel in British Comics)”, is four pages about comics and story arcs featuring time travel in world war settings. Starlord 1977's strip “Timequake”, for example, features a bleak alternative future where the Germans prevailed in WW2. Another variation of that comes in the form of “The Sentinels”, featured in Misty 1977. 

There are two articles with James Bacon discussing the reboot of Rogue Trooper, which was informative to me because I never knew about the first version. Now I know, and knowing is half the battle, right? 

“Savage by Name, Savage by Nature” is six awesome pages featuring a look at Bill Savage, a character that appeared in the early issues of 2000AD. The character and premise sounds cool as Hell. A vigilante -esque guy, Savage, is fighting a force called the Volgan who have invaded England. Double-barreled shotguns and grimaced faces make this one look like a must have.

“Pocket Rockets” concerns the anthology comic book series Starblazer, which ran 281 issues from 1979 through 1991. The article is written by Alan Holloway and reviews 18 stories appearing in the series in the 1980s. These stories range from classic science-fiction, fantasy, sword and sorcery, and even space crime-noir. These write-ups and the issue cover art makes me want to retire and just read Starblazer all day. 

Battling Britons was an unfamiliar, new journey for me, but one I'm glad I took. This was a resourceful, intelligent book about books designed in an easy to follow format. The amount of information collected on these British publications including titles, characters, history, writers, and industry was staggering. Justin Marriott continues to produce the best fanzines on the planet and Battling Britons continues his greatness. Recommended. 

Buy a copy of this book HERE.

Armless O'Neil #01 - Seekers of the Glittering Fetish

Armless O’Neil is a hardboiled adventurer who starred in 12 pulp novellas by Dan Cushman (1909-2001) between 1945 and 1953. The stories have been compiled into two collections by Steeger Books including the first adventure, “Seekers of the Glittering Fetish” - originally from Jungle Stories Magazine.

Armless O’Neil isn’t exactly armless. He does have a steel hook projecting from the left sleeve of his jacket in place of an arm, but the right hand seems to be intact. He’s described as being ugly, but an “Irish ugliness which a person would enjoy looking upon.”

The story takes place in the port city of Brazzaville, what is now known as the Republic of Congo, back when it was a French colony — a combination of Wikipedia and Google Maps are good supplements to a Dan Cushman story. We join Armless in a seedy tavern where he’s meeting an acquaintance named Swede to discuss some rare blue diamonds.

It quickly becomes clear that the Swede won’t show at the meeting because he was double-crossed and murdered by his business partner, the Dutchman. Armless has zero interest in doing business with the Dutchman because of his practice of flaying the skin off African natives.

Recovering the cache of missing diamonds is the focus of this story. Armless has a sidekick named Tommy who falls in love with a girl along the way in a nice subplot. Cushman writes shockingly violent fight scenes — among the best I can recall in pulp fiction. Having a sharpened hook for a hand sure helps.

Armless is a gruff and charmless character, but you’ll find yourself rooting for him nonetheless.

If you’re sensitive to antiquated African stereotypes, you may want to skip this one as the natives are all of the ooga-booga variety. But if you enjoy old-fashioned hardboiled treasure hunt stories, you’re bound to enjoy this one. 

Buy a copy of this book HERE.

Children of the Dragon

From my research, author Frank Robinson is a retired New York judge and an expert on coin values and collecting. He only authored one work of fiction in his short writing career. The book is Children of the Dragon, published in 1978 by Avon. Admittedly, a 450 page paperback isn't normally something I'm interested in reading, but the novel's cover art is extraordinary. It was painted by popular Spanish artist Manuel Perez Clemente, referred to as Sanjulian. His career work includes characters like Conan, Vampirella and magazines like Eerie, Creepy, and Famous Monsters of Filmland. In stereotypical fashion, I was totally prepared to judge a book by its cover. 

As a long fantasy novel, Robinson spends some time building the world the story exists in. It's a fictional place called Bergharran, similar to Robert E. Howard's Hyborian Age. There are regions (countries), dialects, languages, cultures, and so forth that are explained in great detail. But, overall I speculate that Robinson mirrored parts of the book after the Timurid Empire of the 15th century, what is known now as modern Iran, Iraq, Afghanistan, Pakistan and portions of North India and Turkey. Bergharran is experiencing an age similar to a post-Civil War. The Tnemghadi (the North) defeated the Urhemmedhi (the South) and they now rule with an iron fist as a tyrannical empire. The book's sprawling landscape fits the book's narrative, a storyline that encompasses 20ish years of Bergharran history. 

Over the course of time, the book examines several characters and their growth from poverty to royalty, most playing a supporting role to the chief protagonist, a man named Jehan Henghmani. He's married with two daughters, and in the opening pages it is explained that he had been captured by the Emperor of Tnemghadi. Jehan, a bandit by trade, is able to break his bonds and kill the executioner assigned to behead him. Because of this, and his inability to escape the dungeon, the Emperor imposes a strict punishment. He is to be tortured each day for the rest of his life. Any dungeon master that allows this prisoner to die under torture will receive the same punishment as Jehan. Further, he is fed only human flesh. These torture scenes, which is sometimes described in great detail, were extremely vile and disturbing. After years of abuse, Jehan's wife and kids are brought in and raped repeatedly in front of him. 

Eventually, Jehan is able to escape his Hell and begins to create a new group of roving bandits. But, instead of stealing from the Tnemghadi, he wants to destroy them. The next 300 pages are saturated with Jehan's creation of a large military force that collides with Tnemghadi's reign. There are large swaths of land and regions that are slowly devoured through calculated battles. In essence, Jehan rises to become a new leader through military tactics. This is where the problem lies - the book's focus on continental reformation.

Robinson's book is captivating at times, and feels epic – as it should. But, the narrative is bogged down with so much political strife and turmoil that I became exhausted. This isn't a fantasy novel, nor is it science-fiction or sword and sorcery. There is no dragons or magic and there isn't anything cosmic. This is purely a fictional middle-ages type of story with normal people displaying acts of barbarism, brutality, and violence on one another. At times, the torture sequences rivaled one of the most graphic novels I've ever read, Jack Ketchum's The Girl Next Door. This isn't for the squeamish. 

If political intrigue, royalty chess games, and the pursuit of power by ruthless, self-absorbed characters is your thing, then by all means reading this book should be a pleasant experience. Robinson is a great writer and the overall storyline is superb. But, at the end of the day, it's a lengthy book and requires some patience, and I simply don't have it.

Buy a copy of this book HERE.

The Temple

“The Temple” is a short story from Howard Phillips Lovecraft (1890-1937) that first appeared in the September 1925 issue of Weird Tales pulp magazine. The story has been compiled in countless collections and is available as a free Kindle download. 

The story presents itself as a found “letter in a bottle” manuscript written by a German submarine captain who just sank a British ship during WW1. A member of the German crew removes a mysterious amulet from the pocket of a dead enemy seaman, and things begin to get weird. 

The German crew begins experiencing mass nightmares, babbling, and visions of floating corpses in the sea. Things get worse for the cursed crew throughout the story as insanity leads to mutiny and murder. 

Eventually, the U-Boat settles upon the bottom of the sea where there is a great temple on a large campus recalling tales of the underwater City of Atlantis. Lovecraft does a great job of creating a spooky atmosphere as our unreliable narrator explores the city and slips deeper into madness. 

While not much actually happens in the story, it’s all about the vibe. Lovecraft was a master of creeping dread caused by circumstances and forces beyond our control. Taken in that context, “The Temple” is a worthy, short read.

Conan - Wolves Beyond the Border

I questioned whether to place “Wolves Beyond the Border” in the Conan category. Technically, it's in the same fictional universe and mentions the hero, but Conan doesn't actually appear in the story. Yet, it first appeared in the 1967 Lancer paperback Conan the Usurper, alongside other Conan classics like “The Scarlet Citadel” and “The Phoenix on the Sword”. By association alone, it seems mandatory. In fact, Howard began the story in the 1930s, but it went unfinished and unpublished. It was located in 1965 by Glenn Lord and then passed to L. Sprague de Camp to finish writing the story based on Howard's notes and summaries.

“Wolves Beyond the Border” takes place along the Pictish border. For Hyborian Age rookies, the Picts are similar to the Native American tribes of the North American continent in the 1500-1800s. If you read early frontier novels by the likes of James Fenimore Cooper (Leatherstocking Tales) or later, traditional westerns by Zane Grey (his Border Trilogy for example), the narratives mostly consist of early settlers and pioneers struggling to live in the same territorial regions as Native American tribes. So, Robert E. Howard used this as a blueprint when creating Conan stories like “The Treasure of Tranicos” and “Wolves Beyond the Border”. The Pictish borders are similar to the surrounding areas of North America's early Ohio River Valley.

This story is told in first-person narrative by a border ranger. In the early pages, this ranger (unnamed and referred to as Gault Hagar's son) witnesses a bizarre ritual by the Picts, where they torture a man and then magically place him in the body of a snake. It is a disturbing, horrific passage that surpasses even the mad-scientist terrors lurking in “The Scarlet Citadel”. This ranger sees that an Aquilonian named Lord Valerian is conspiring to secretly ally with the Picts. This is important because the story is set during a time when Conan was attempting to overthrow Aquilonia's leaders and become the new king. An alliance of Picts and Aquilonian noblemen doesn't promise success for Conan. 

At nearly 60 paperback pages, the story becomes bogged down and convoluted in the middle. The ranger hero confronts Lord Valerian and Pictish leaders at a swamp cabin and there's a fight and a capture. The beginning and end are exciting skirmishes and chase sequences, but overall I found the story to be of middling quality. From what I understand, Howard wrote the story up to the cabin meeting, and then the reigns were handed to de Camp to complete the manuscript from there. 

In the big picture of the Conan mythos, “Wolves Beyond the Border” is like the Star Wars film Rogue One. It is a separate story without the major heroes like Skywalker and Solo, but adds to the trilogy that began with Star Wars. Same principle here. While Conan isn't around, this is a behind-the-scenes political/military strategy that contributes to the events leading to Conan capturing the Aqulonian throne. If that's your type of story or if you are a Conan collector, then I'm sure there is plenty of enjoyment to be found here. Otherwise, skip it.