The Executioner #12 - Boston Blitz

Don Pendleton's The Executioner storms into the American Northeast with its 12th installment, Boston Blitz. After Bolan's flourish of successful run 'n gun tactics on the West Coast, he learns of some troubling news from his old ally and undercover mobster Leo Turrin. Remember Bolan's little brother? That 14 year-old kid named Johnny from the series debut War Against the Mafia? He's been kidnapped from his secretive witness protection blanket at a prep school. Worse, Bolan's “love of his life”, Val, has been captured as well. Remember Val? I don't. But, in looking at the series order, apparently Val was one of three hotties Bolan was banging way back in the debut. I don't remember her since then, but Bolan sure does. 

In one of the strangest novels of Pendleton's early contributions, Bolan invades Boston and kills over 60 thugs over the course of 30ish hours. He guns through the strip joints, gambling dives, whore houses, bars, mobster pads, country clubs, and so forth. None of it is really told in a compelling narrative, only mentioned to the reader as past events. The reader is disconnected from the action. It's an odd book, and a bizarre way of presenting the story. My biggest problem with it is that I still don't know what the book was about as I read the last few lines. 

From what I can gather, there's a criminal named Al 88 that has risen through the underworld ranks to capture some coveted Boston territory. Harry “The Skipper” Sicilia doesn't want this Al dude to start grabbing huge swaths of prime real-estate, so he kidnaps Johnny and Val to lead Bolan to Boston to start mowing down baddies. Or, did Al 88 kidnap Johnny? None of these people are featured as actual characters in the book (that I can remember), only names dropped in fragmented dialogue. There's Al's wife thrown in the mix that loves her husband, but then helps Bolan's execution. Also added for laughs (?) is this Books Figarone, “Attorney-to-the-Mob”, fellow that Bolan saves and uses as a ploy to lead more mobsters to the chatter gun. 

Boston Blitz isn't particularly memorable, but features some old names that we haven't seen in Bolan books for a long time. There's also a mention of Hal Brognola to part the seas and guide Mack Daddy to his next destination, Washington D.C.'s Capitol Hell. Wait, that was a Penetrator novel. But, yeah, D.C. is next for Bolan. 

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The Smuggled Atom Bomb

Philip Wylie (1902-1971) was a prolific author of the pulp era whose fiction inspired the creation of the characters Superman and Doc Savage. His 1948 thriller, The Smuggled Atom Bomb, has been reprinted many times over the past 70 years and remains available today.

Duff Bogan is a boarder in the home of the wheelchair-bound widow named Mrs. Yates. Duff is a Physics grad student at the University of Miami, and he loves doing housework and landscaping for Mrs. Yates for reduced rent. The household also features a beauty queen daughter named Eleanor (you see where this is going immediately) and a mysterious tenant named Harry who works for a trucking company.

One day while cleaning the house, Duff notices a new lock on the closet door in Harry’s room. Conveniently for the novel’s plot, Duff is also an amateur locksmith hobbyist. As such, he easily breaks into Harry’s closet where he finds, hidden inside a hatbox, what appears to be a metallic container filled with uranium and what appears to be the core of a small atomic bomb. Could the quiet tenant be a spy or a terrorist?

Duff shares his suspicions with the lovely Eleanor and makes an appointment with the local FBI field office. The special agent conducts a preliminary inquiry and comes to the conclusion that Duff was likely mistaken in his assessment. This basically leaves Duff and Eleanor to solve the mystery themselves - just like an Encyclopedia Brown/Nancy Drew crossover.

Despite the sweet innocence of the amateur sleuthing, Young Duff does a nice job following logical leads in a high-stakes situation. Thankfully, things become a bit more edgy as the story unfolds. The dirty bomb conspiracy was solid, but the interpersonal drama between Duff, Eleanor, and her myriad of suitors was a teen-drama snooze.

The Smuggled Atom Bomb is a basic and straightforward thriller for the easy-reading crowd. The story held my interest, but no one will mistake this for a genre classic. It’s interesting how enduring the paperback has been with multiple reprints over the decades when so many superior works have fallen out of print. At best, this Wylie paperback can be seen as an enjoyable, wispy diversion to be read between more substantial works. 

Buy a copy HERE.

The Searcher

I've been buying a lot of F.M. Parker westerns lately He's an author that seems to have a fairly strong following and consecutively receives good reviews. While I have just read his Coldiron series, I wanted to branch out and try a stand-alone novel. I chose The Searchers, originally published as a hardcover by Doubleday in 1985 and published as a paperback by Signet in 1986 (with awesome artwork by the talented Ken Laager). 

It is 1871 and 16 year-old Sam Tollin is helping his father cut trees in the Pecos River Valley. His 13 year-old sister Sarah is helping her mother inside the family's cabin. Out of nowhere, a band of Native Americans, and white men, ride onto the property and guns start blazing. In a heroic display of parenthood, Sam's mother and father agree to stay behind and sacrifice themselves to buy time for Sam and his sister to ride off. Thankfully, they get away, but the duo is quickly separated and Sarah is taken by Mexican bandits. 

Sam's journey, and the bulk of the book's narrative, transforms into a long rescue mission. However, to get Sarah back, Sam agrees to join a heist crew that is headed to California to steal horses and/or mules. Why is he headed to California instead of Mexico? The heist crew originally plans to kill Sam, but he agrees to join their crew to stay alive. In doing so, Parker strengthens the book's story with an additional element of boy-becomes-man, or the end of innocence. Sam learns the way of the gun and the differences between right and wrong while committing crime. 

The Searcher is similar to a Louis L'Amour traditional western tale with its premise of youngster growing into manhood after a violent encounter and then skirting the edges of criminality in an effort to regain what is lost. It is mostly enjoyable, but at 220-pages I found it to be longer than it needed to be. I'm not a fan of cattle-drive westerns and the travels between point A and B seemed extremely long and mostly dull. The action scenes at the beginning and end were great, but getting there was a bit cumbersome. Parker's injections of little tidbits of frontier knowledge were real highlights to me. 

Overall, The Searcher is a good western story, albeit with less action than I typically desire. Parker continues to be enjoyable and I'm happy that I have at least 18 more of his novels to enjoy. 

Buy a copy of this book HERE

George Smiley #01 - Call for the Dead

John Le Carre’s real name was David John Moore Cornwell (1931-2020), and he is regarded as one of the fathers of British espionage fiction. His first novel, Call for the Dead (1961), was also the debut of his iconic series character, George Smiley. 

The opening chapter is “A Brief History of George Smiley” in which the novel’s hero is said to resemble a poorly-dressed bullfrog. He’s a British Intelligence Officer with the Secret Service and a keen interest in academic incursions into the mysteries of human behavior. He served admirably in Germany during the run up to WW2, recruiting human assets, and now he’s back at the Home Office in London handling administrative tasks including conducting security interviews of employees. In fact, it’s one of those security interviews that kicks off the paperback’s action. 

The Service receives an anonymous letter accusing an operative named Samuel Fenman of being part of a Marxist student organization decades ago at Oxford during the 1930s. Smiley handles the security interview and finds no reason to be concerned with Fenman’s adulthood loyalty to the British Crown. The entire conversation is cordial, and Smiley is satisfied that his Foreign Office colleague isn’t a security threat. 

For this reason, Smiley is shocked a few days later when Fenman is found dead by suicide. The note he left behind cites Smiley’s benign security interview as the spark that triggered him to blow his brains out. None of this makes much sense to Smiley, who is called into the office by his concerned and confused supervisors. They send Smiley to Fenman’s hometown to visit the widow and determine exactly what occurred. 

Smiley quickly comes to the conclusion that Fenman’s death was no suicide, and we have a real mystery on our hands with unknown parties working in the shadows to ensure Smiley fails in his quest to learn the truth. There’s some violence, deceit, and spy tradecraft along the way. 

I’d always steered away from LeCarre’s works under the assumption that his writing was dense, slow and hard to follow. It’s certainly British and written with a level of sophistication beyond a Killmaster paperback, but there was nothing impenetrable about this debut novel. It was a perfectly straightforward murder mystery told with the backdrop of Britain’s premier spy agency. While the motivations of many characters involve espionage, the paperback doesn’t particularly read as a spy novel. 

Worth reading? I suppose so. Le Carre was a good writer, but there was nothing really special about this debut. It was good enough to make me want to read a pure Smiley espionage classic such as Tinker, Tailor, Soldier, Spy. Others have recommended reading Call for the Dead as a prequel after enjoying the author’s superior spy novels. That strikes me as a good idea. 

Buy a copy of this book HERE.

Left to You

Independent American horror author Daniel Volpe created a critical hit in 2021 with his self-published novel, Left to You. The paperback combines a modern-day occult story with extended flashbacks to the horrors of a WW2 concentration camp.

The main protagonist is Robert Sinclair, a twentysomething stock clerk at a big box store who attends community college while caring for his cancer-ridden mother at home. He strikes up an unlikely friendship with an elderly Polish customer named Josef Lazerowitz who, we quickly learn, is a survivor of the Auschwitz concentration camp during WW2.

The reader is treated (?) to an extended flashback to Josef’s time at Auschwitz as a young man. There’s plenty of ripped-from-the-history books horror as the Jews are subjected to murder, torture and indignities at the hands of their Nazi captors. We also learn how Josef survived when so many of his cohorts did not. The dynamic between Josef and the camp leadership was one of the novel’s strongest attributes largely due to the questionable ethics baked into the situation.

There is very little supernatural horror here in the paperback’s first half. If you are good enough at math, you’ll begin to understand that there’s something weird happening with old Josef who does not appear to be aging normally. Leave it at that.

Once we learn how the death camp story ties into Robert’s contemporary story, we are fully in the muck of a gross-out, bonkers, demonic horror novel. The author does a nice job of creating a parallel between the monstrous choices made by men during the war and the real-life monsters of contemporary horror fiction.

This is a very compelling - but very grim - novel that is definitely not for everyone. It reminded me a bit of Stephen King’s Apt Pupil. You need to make peace with moral ambiguity and the idea that stories don’t always need to have a happy ending for everyone. The writing is crisp and you’ll never be bored. But, man, this isn’t for the squeamish. Consider yourself warned. 

Buy a copy of this book HERE.

Zorro: Zorro's Pacific Odyssey #01

Johnston McCulley's Zorro character first appeared in “The Curse of Capistrano” (aka “The Mark of Zorro”), a five-part serial that debuted in All-Story Weekly on August 9th, 1919. For decades McCulley authored stories starring the caped crusader. Spinning off the pulps, Zorro became a pop-culture phenomenon in international television shows and films. Additionally, many authors have taken turns writing Zorro stories and novels, including Susan Kite. The Indiana native authored a trilogy of Zorro novels called Zorro's Pacific Odyssey. The trilogy's first book, Zorro and the Outward Journey, was published by Bold Venture Press in 2022 as both a paperback and ebook. 

Don Diego de la Vega, son of the wealthy caballero Don Alejandro, lives in Mexican governed California in the early 1800s. By day, Diego displays a bit of cowardice to disguise the fact that he is the famed vigilante Zorro. After a series of attacks on prominent citizens perpetrated by terrorists, Zorro rescues a kidnapped child in the mountains. However, days later Diego is captured by the terrorist group, drugged, and then sold into slavery to a British ship headed to Singapore.

When Diego realizes what has happened, he is faced with his fate. The ship's Captain, a horrible individual named Beatty, explains that Diego is an indentured servant that has been purchased for two years of hard labor aboard the ship. When Diego explains the unfortunate incident of the terrorists, his background as an aristocrat, and the kidnapping, Beatty dismisses it as a fabrication. He soon realizes that Diego is quite different and places him as a trustee of the Spanish workers. Additionally, Diego is placed in care of the ship's Supercargo, a man named Bowman. Diego is fond of Bowman and the two quickly establish a father-son type of relationship.  

As the first of a three book series, it is clear that this book is simply the journey. Zorro is being transported from A to B and must contend with the nefarious elements of the ship's crew and his limitations as a slave. I love prison-styled stories and this one certainly fit that sub-genre of men's action-adventure. What makes this such a compelling narrative is the fact that Diego can't transform into Zorro to fight his way out of the situation. He's trapped in a small space without the ability to don a disguise or do battle with a sword (he does later, but I'm not spoiling your enjoyment here). The fact that Diego is ultimately the hero makes this a unique Zorro story. 

While Zorro on the high seas has been done before, Kite's version of this “fish out of water” adventure is very entertaining. It was also an emotional charge reading about the human condition - a panicked, desperate father hunting for his missing son. It was a really effective part of the whole story. There's also an expected cliffhanger that demands the reader to quickly buy the next book. Needless to say, my account has been debited and Bold Venture Press is shipping it out to me as I write this. Money well spent.

 Buy a copy of this book HERE.

Coldiron #02 - Shadow of the Wolf

Shadow of the Wolf is the second installment in the Coldiron western series authored by F.M. Parker. It was originally published in 1985, one year after the series eponymous debut Coldiron. The series stars Luke Coldiron, a former trapper turned horse rancher in mid-1800s Colorado. There isn't much backstory required to enjoy the series, other than Coldiron has a friend named Cliff and that this book is set in 1864, one year after the series debut. 

At the book's beginning, Coldiron and Cliff are attacked by horse rustlers during a bitter, icy period of winter. Cliff is unfortunately killed, but Coldiron kills the rustlers and promises to bury Cliff. Later, Coldiron is in Denver gambling and wins a long poker game with a rival. On his way back home to the Steel Trap ranch, he's overtaken by robbers and left for dead in a ravine. However, the robbers are quickly killed by two other robbers. It sounds confusing, but these robbers are explained in separate side-stories.

The first robber is a Native-American named Ghost Walker, a renegade who was ousted from his tribe due to killing a fellow warrior over a woman. With no land to call home, and a tribe that has erased him from existence, Ghost Walker settles down to live a solitary, yet corrupt life. The second robber is Jubal Clason, a Union soldier that kills his commanding officer in war-torn Virginia and goes AWOL to Colorado. It is here that he meets up with Ghost Walker and the two scheme to rob Coldiron's robbers. Later, the duo rob yet another group by killing a man and his brother, then take the man's widow captive. There is no shortage of murders and robbery in this book. 

Shadow of the Wolf's second half is simply Coldiron trying to kill the men who robbed him. Along the way, he ends up freeing the woman and finds he has romantic chemistry with her (before her late husband's grave has even settled). While this sequel isn't as good as Coldiron, it still maintains a furious pace filled with a large body count and nearly endless action scenes (too many?). But, it is just enjoyable as Hell and makes for another fine western tale told by the talented F.M. Parker. I have no complaints and have high hopes to read the series third installment, Distant Thunder. 

Buy a copy of this book HERE.

The Book of the Phantom Bullet

Dan Turner: Hollywood Detective was the popular creation of Robert Leslie Bellem (1902-1968) for many of the 3000+ (not a typo) stories and novellas Bellem authored for the pulps before he wrote for TV shows including The Lone Ranger, Adventures of Superman, 77 Sunset Strip and Perry Mason. Many of the Dan Turner stories have been reprinted as affordable ebooks, including 17-page “The Book of the Phantom Bullet,” originally from the December 1945 issue of Hollywood Detective Magazine.

As the story opens, Turner is on the set of a Los Angeles soundstage during a big-budget movie production. The star is a hammy actor named Ben McBride, who is repeatedly filming a scene where two co-stars shoot him at the same time, followed by a dramatic fall down the stairs. The director is dissatisfied with each take, and McBride is growing impatient. In the actor’s final attempt, he mimics getting murdered - quite realistically - because someone actually shoots McBride dead.

This is a great story, but the mystery of who shot McBride – or rather who loaded a real bullet into one of the prop guns – is secondary to the reader’s enjoyment. The real star of the show is Turner’s first-person narrative vernacular and the joy you’ll experience from swimming in his hardboiled slang. Eyes are peepers. A gun is a roscoe. Fists are maulers. A mouth is a kisser. Women are frails. And so on and so forth. Turner’s jazzy bebop is so fun to read. Check this out: “A slug tunneled all the way through his think tank and he’s deader than minced clams.” Pure poetry.

Because this is a pulp mystery story, we know that the killing of McBride is not some unfortunate accident. Turner begins looking closely at the prop man and both of the actors who simultaneously fired their guns on camera for the scene. Turner works closely with the police to get to the bottom of the matter, despite a vexing sub-mystery involving a missing bullet. The final solution was logical and satisfying with bonus points for a bloody and violent climax. What more can you ask for?

It’s been a long time since I had this much fun reading a short story from the pulp era. “The Book of the Phantom Bullet” was my first Dan Turner: Hollywood Detective mystery but it won’t be my last. Highly recommended. 

Buy a copy of the book HERE.

The Letter Death Wrote and Other Stories

Bruno Fischer (1908-1992) was another popular author of the paperback original era who honed his craft with short fiction in the pulp magazines. Our friends at the Pulp Fiction Bookstore have released a compilation of Fischer’s pulp stories from that era titled, The Letter Death Wrote and Other Stories. Here’s a review of two selections reprinted in the new eBook release.

“Murder Turns the Curve”

“Murder Turns the Curve” is an 11-page short story that originally appeared in the September 1948 issue of Popular Detective. The story opens in the aftermath of a two-vehicle car wreck with smoldering, twisted metal strewn across the road. Harry Shay is the young, rookie sheriff’s deputy dealing with the aftermath of the crash and the body of the unidentified woman killed in the accident. 

Why would anyone take that blind curve so fast? Harry wonders. It’s almost like the driver was courting death. The unfortunate accident is one of several lately with fatalities caused by an epidemic of bad decision-making by drivers. Harry becomes convinced that there is more happening here than mere chance. Is it possible that there is a serial killer of sorts who is somehow orchestrating these accidents for some sick reason?  

This is a very inventive police procedural murder mystery with a likable main character in Harry, who is fighting against the police establishment to test his unlikely theory. In short, a very satisfying quick read with a satisfying solution.

“A Grave is Waiting”

“A Grave is Waiting” is a 12-page story with origins in the September 1952 issue of Popular Detective – noteworthy because Fischer was already making a good living with paperback original novels at the time. The story begins with thoughtful private detective Ben Starke being forced into a car at gunpoint by two thugs insisting to know the location of a missing boy named George. Ben knows nothing about the kid and successfully escapes from his captors.

On the next day, Ben is hired by a woman to investigate a gang seeking to kidnap a 12 year-old boy named George. What are the odds? Ben seems to inadvertently have a jump on the case and the would-be kidnappers from his encounter the night before. The client is George’s legal guardian, and she has hidden the boy away until the kidnap gang can be neutralized. The boy’s parents are dead, and there’s a modest inheritance that the crooks want for themselves.

Ben suspects there is more to the story, but he takes the engagement since he already has some skin in the game. This leads to a violent and deadly confrontation with the adversaries where the truth of this plot is revealed. The solution is a dark and macabre treat that readers of sick crime plots will relish. Chalk this one up as another winner from this great vintage author. 

Buy a copy HERE

Coldiron #01 - Coldiron

F.M. Parker (Fearl Parker) worked in factories as a laborer, herded sheep, served as a bellhop, served in the Navy and is a Korean War vet. After earning a degree in geology, Parker went into mining, oil drilling, and a long career within the Bureau of Land Management. He became a full-time author, penning over 20 westerns beginning with his novel Skinner in 1981. New to his writing, I wanted to experience the author with one of his bestselling novels, Coldiron. It was originally published in 1984 and led to four subsequent novels starring the Luke Coldiron character. It remains available in ebook under the title Coldiron: Judge and Executioner.

What is interesting about the Coldiron series is that the order of the books really doesn't matter after the second installment, Shadow of the Wolf (1985). The books jump around in time, for example Coldiron begins in 1843 but covers a 20 year time period until 1863. The second installment, Shadow of the Wolf, is set in 1864. Distant Thunder, aka Thunder of Cannon, the series fourth installment, is set in 1862. Spoils of War, aka The Thieves, is in 1846. Basically, one could just jump around in the series because the past doesn't matter too much. All you really need to know is that Coldiron owns a large horse ranch (The Steel Trap Brand) in what was then known as the Colorado Territory. 

At 223 pages, this Coldiron novel serves as an excellent, detailed origin story. Beginning in 1843, Parker explains that the trapping industry was nearing the end of an era. Luke Coldiron and his partner are in their fourth year of trapping in The Rocky Mountains (Sangre de Cristo). Through a wild skirmish, Coldiron's partner is killed by a gang attempting to steal furs. This ordeal forces Coldiron to help his partner's pregnant Native-American widow. This new relationship is nearing a long-term romance when she is injured by a mountain lion. She gives birth to a baby girl and then dies. Coldiron then carries the baby into the plains where he gives her to a team of settlers to raise.

Fast-forward 20 years, Coldiron has worked hard to create the best horse ranch within a 500 mile radius. He breeds horses to sell to the U.S. Army and makes great money with his Steel Trap Brand. In the novel's second act, Coldiron faces deadly horse wranglers and an odd visit from a young woman named Cris pretending to be a cowboy. It's no secret that she was the baby that Coldiron gave up. She wants to kill Coldiron for “killing” her mother. It's all a misunderstanding, but makes for an inventive narrative.

F.M. Parker's Coldiron shares similarities with the early William W. Johnstone's The Last Mountain Man, which was published the same year. Both Parker's Luke Coldiron and Johnstone's Smoke Jensen were mountain men trappers turned ranchers. Coldiron has the Steel Trap and Jensen is the Sugarloaf. Both experienced the loss of their mentors in the mountains, both face rustlers and killers, and both are tough as nails. One could say that any western hero worth his salt has all of these same characteristics and history, but the two are written in the same way. 

I enjoyed Coldiron, and loved learning about his origin and how the horse ranch began. There's a small backstory dedicated to Cliff, a former alcoholic that Coldiron saved and put to work as the ranch chef. The story on Cris, the abandoned baby, was presented well and paired nicely with Coldiron's grief over her mother and his partner's murder. The duo of Cliff, Coldiron, and Cris was a great assemblage of characters with different strengths and weaknesses. If you want military-fiction, unbridled western action, a formidable hero, and realistic descriptions of the mid-1800s frontier, then Coldiron is absolutely a must-read. Honorary mention to Parker's depth of knowledge of horses and ranching. This was educational and enjoyable. Highly recommended. Get a copy of the book HERE.

Coldiron Series

Coldiron (aka, Judge & Executioner, 1984)
Shadow of the Wolf (1985)
The Shanghaiers (1987)
Distant Thunder (aka Thunder of Cannon, 1999)
Spoils of War (aka The Thieves, 2017)

The Creeping Siamese

Dashiell Hammett (1894-1961) was a pulp fiction pioneer who authored enduring titles, including The Thin Man and The Maltese Falcon. For my money, his best recurring character was The Continental Op, an unnamed hardboiled PI on assignment from San Francisco's Continental Detective Agency. “The Creeping Siamese” was a story that originally appeared in the March 1926 issue of Black Mask that was later reissued as the anchor of a Dell Mapback paperback story compilation.

A tall guy walks into the Continental offices and immediately collapses dead onto the floor. An examination of the stranger reveals he was killed by a stab wound to the chest with the gory wound hastily dressed by a piece of silk that appears to be a sarong. The corpse's pocket contains a hotel key, and The Op’s boss dispatches him to the hotel to gather some intel. After all, it’s bad for business for unsolved murders to be happening in the lobby of a prestigious detective agency.

At the hotel, The Op learns the dead guest’s name but has no idea who would want to stab the poor bastard. The only relevant clue is the sarong, so The Op begins to scour the area for “Hindus” and “Brown Men.” Nearly 100 years later, the vernacular comes off as more quaint than offensive, but consider yourself warned if that kind of thing ruffles your feathers. The initial search for an “Asiatic” stabber produces no solid leads, but a lucky break introduces our hero to a clue indicating that the murder was conducted by a Siamese (we now call them Thai) guy.

The ensuing puzzle surrounds a mysterious package about the size of a bread loaf containing unknown contents worthy of murder – at least to the stabby Saimese. The solution, however, comes pretty quickly to The Op and seemingly out of nowhere. The clue that leads him to the conclusion just wasn’t credible to a reader with critical thinking skills. The whole endeavor felt rushed as if Hammett hit his contractual word count and needed to rush to the gym or something.

“The Creeping Siamese” is not a waste of your time, but it's an awful introduction to this vivid and normally hardboiled character. There was nothing particularly edgy or violent about the events, and it could just have easily been an Agatha Christie Miss Marple mystery story. The Op is normally a resourceful badass, but in this one, he was more Sherlockian. If you’re already a fan, you might as well check this one out. If you’re looking to read this awesome character at his best, check out “The House in Turk Street” and be prepared to have your socks knocked off. Get the books HERE.

Flaw

Before he was crime-fiction royalty, John D. MacDonald was a prolific, multi-genre author of short stories and novellas for the pulp magazines. His output included many science-fiction stories, including “Flaw” from the January 1948 issue of Startling Stories.

The year is 1964, and our narrator Carol Adlar is sadly looking back to 1959. That was the year she met and fell in love with an astronaut named Johnny Pritchard when she was working as a clerk at the Arizona Rocket Station. Johnny was committed to outworking his colleagues to earn the chance to go into space and eventually help colonize a new planet.

Love sometimes happens at inopportune times, and leaving the planet for 14 months is a helluva time to embark on a new romance. Nevertheless, Carol and Johnny fall madly in love with plans to marry upon his return to Earth. Unfortunately, five years has now passed with no sign of Johnny’s return flight home.

MacDonald’s writing is beautiful and heartbreaking as he assumes the melancholy longing of Carol’s narrative voice. He wrings every ounce of emotion from the loneliness and worry of an astronaut’s sweetheart. The downside is that the story’s punchline has been overtaken by our modern understanding of the solar system and space travel — facts we take for granted that were open to speculation in 1948. However, the emotional core of “Flaw” remains evergreen.

“Flaw” was reprinted in a MacDonald collection of his short science-fiction stories called Other Times, Other Worlds, available HERE.

One Just Man

James Mills (born 1932) was a reporter and editor for Life Magazine who wrote eight stand-alone novels exploring how the seamy underbelly of urban America interacts with our imperfect criminal justice system. One Just Man was his third novel, originally released in 1974.

Interestingly, there’s nothing on the paperback’s back cover or inside flap that gives the reader any inkling of the novel’s plot. You’re forced to glean what you can from the chaotic and violent cover art. The paperback begins with a first-person narrator in the middle of a New York City riot. The scene then jumps forward to the same character rotting away in a cell in Attica prison. You’ll have no idea what’s happening, but the writing is so crisp and vivid, you’ll soldier on.

Things begin to take greater shape in the extended flashback that forms much of the main narrative. We learn that our narrator is Allan Dori, an independently-wealthy Legal Aid defense attorney who has dedicated his life to defending indigent (and mostly guilty) criminals. He recognizes the criminal justice system is broken because all he ever does is negotiate plea bargains for his clients with no regard for the actual guilt or innocence of the accused. None of the system’s incentives involve forcing the government to rise to its burden of proof.

Through these extended flashbacks, you begin to get the picture exactly how he landed in the slammer. I won’t spoil it here, but Dori devises a clever plan to turn the structure of the urban criminal justice system on its ear — with unintended societal consequences to follow. The idea is deceptively simple, and the ripple effect is huge.

This is a smart, but very grim, novel. It’s not the fun escapist story that the illustrated Pocket Books cover would have you believe. It’s basically a novelized thought experiment about what it would take to make the structure of the criminal justice system collapse as a precursor to the collapse of society. One Just Man is compelling, but no fun, if that makes sense. I also found the ending to be a bit abrupt.

Should you read this novel? Sure. If you are into the criminal legal procedural genre you’ll also find it to be an interesting read. If you’re looking for a post-apocalyptic shoot-‘em-up, it’s probably best to take a pass. 

Buy a copy of this book HERE

To the Stars #01 - Homeworld

Science-fiction author Harry Harrison gained fans with his character Stainless Steel Rat in 1957. The character appeared in 12 total books. Additionally, Harrison wrote the novel Make Room! Make Room!, the basis for the 1973 film Soylent Green. My first exposure to Harrison's writing was Planet of the Damned, the first of two novels starring an Olympic-styled athlete that works for a peacekeeping interstellar agency. Anxious to read more of Harrison's novels, I selected the first in a three part trilogy titled To to the Stars. The novels were Homeworld (1980), Wheelworld (1981), and Starworld (1981). 

Homeworld is set in the 23rd century and explains to readers that tremendous gains were made in the areas of development and space travel. Earth's one-world government was able to journey out beyond the stars to other planets for cultivating, scavenging, and manufacturing. With the 20th century's economy a distant past, Earth now lives in two classes – the elites and the proles. 

The residents, like main character Jan Kulozik, exist on Earth in a privileged manner. They have the very best life has to offer with higher educations and a posh existence. Jan works as an engineer with an experienced background in computer networks, chips, and communications. He's a rich nerd from a generation of rich nerds. 

The proles are Earth's slaves, working around the clock in manufacturing, mining, serving, etc. But, people like Jan don't realize that in essence, they are slaves to their privileged existence. They aren't aware that this system is dominated by a deceitful government that firmly establishes the two levels of civilization. It's a class-based existence with no hope for anyone born as a prole. 

When Jan runs into an Israeli woman named Sara, he realizes that the government has lied. For decades the government has told its citizens that Israel doesn't exist. However, Sara is Israeli, and she educates Jan that in her country they are completely independent and free. Soon, Jan finds himself joining this resistance despite the fact that his brother-in-law is a prominent member of the government. Will Jan break the ties that bind and bring education to the people?

Homeworld is a fun book and mirrors many of the Dystopian-styled concepts that we've all read or watched. Jan's relationship with Sara is similar to Guy meeting Clarisse in Ray Bradbury's Fahrenheit 451. I imagine that this series debut is setting up a more action-oriented sequel as the story goes completely off-world. While it is science-fiction, Homeworld plays like a cat-and-mouse spy game as Jan works small assignments for Sara's government. There's a cross-country skiing adventure through the snow to free a prisoner and a space mission to disable a satellite. These things help to distract from the tight, cumbersome narrative of Jan just dodging government surveillance. 

Both Homeworld and the other two installments were packaged in one omnibus under the title To the Stars. I'm on board to read the next installment to determine how Jan's adventures continue (considering the ending of this book). An off-world prison colony seems to be the next destination, but Harrison may throw something else in the mix. While I can't speak for the whole trilogy, Homeworld is definitely recommended. 

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The Girl in 304

Harold R. Daniels (1919-1987) enjoyed a successful career as a technical writer and specialist in the metal industry. For 14 years he was the editor of the magazine Metalworking, but he also authored short stories for Ellery Queen Mystery Magazine and wrote six full-length novels. His first, In His Blood (1955), was nominated for an Edgar and hailed by the NY Times as the “best detective story of 1955”. The House on Greenapple Road (1966) was adapted into a film which spawned the short-lived Lt. Dan August television show starring Burt Reynolds. Thankfully, Stark House Press subsidiary Black Gat Books has published a new edition of his second novel, The Girl in 304. It was originally published by Dell in 1956 and now exists as an affordable paperback and ebook. 

The Girl in 304 reads like a really good John Ball novel, emphasizing small-town politics while creating an engaging, thought-provoking narrative. These ideas were nearly perfected by Ball in his novels In the Heat of the Night and Police Chief. But, many authors like Harold R. Daniels (and William Fuller for example) were using this formula at least a decade earlier. 

Edward Masters, the Sheriff of Clay County, Georgia (real place) and his deputies are called when a young boy discovers the corpse of a partially nude young woman in a heavily forested area. The woman received multiple stab wounds that led to her violent death. Rocked by this homicide, Masters immediately shifts into high-gear and notifies the state police for a lab technician and places the city's police department (his rival, county versus city) on alert. By page 25, readers are thrust into this engaging, irresistible murder investigation. 

Daniels absolutely nails the procedural investigation, pulling his reader into interviews with suspects and the victim's co-workers, family members, and acquaintances. There's a deep dive into the girl's past, leading into some really dark places. The motive and killer was easy to identify early in the novel, but I think that was the point. It was Daniels' purpose to present an imperfect hero, a noble sheriff that is determined to find answers, but continually misses the clues to break the case. It's not a criticism of law-enforcement or of Masters, who is ultimately triumphant, but a look at just how difficult the cases are when faced with a number of suspects with sketchy alibis. There is also the resistance from the city's force to assist the county, a theme touched on most recently by Lee Goldberg in his fantastic crime-fiction novel Lost Hills (2020). 

If you love crime-fiction with police procedural elements, then The Girl in 304 is definitely a must read. It has a tight story, swift pace, and doesn't lose itself completely in the details. With Daniels remarkable storytelling skills, this novel is a smooth, extremely enjoyable reading experience. Highly recommended. 

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Pigeon Blood

George Sims (1902-1966) wrote screenplays as Peter Ruric and pulp fiction as Paul Cain. Seven of his 1930s works from Black Mask Magazine were compiled into the book Seven Slayers in 1946, including his most famous tale, “Pigeon Blood”, from 1933.

The novella opens with Mrs. Catherine Hannan driving from Long Island to Manhattan as thugs fire shots at her car. She’s the wife of oil millionaire Dale Hannan, and she got herself in some trouble with her own gambling debts. In order to cover her losses, Catherine partnered with a mobster to orchestrate the theft of her own rubies in an insurance fraud scheme. It now appears that the racketeer has double-crossed her and wants the socialite dead.

Her wealthy husband intervenes to save his pain-in-the-ass wife by hiring a resourceful fixer named Druse to recover the rubies and neutralize the threat on Catherine’s life. Druse is a great character who effectively takes control of the situation and determines that maybe this whole affair is not what it seems.

There are some plot twists in “Pigeon Blood” that I didn’t see coming and Cain’s writing is never boring. However, I had some issues with the convoluted conclusion that detracted from the story’s otherwise fun ride. Overall, I give “Pigeon Blood” a passing grade, but I’m not particularly inspired to dig deeper into Cain’s other stories. 

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Paperback Warrior Episode 101 - Steve Frazee

It's a new era as Paperback Warrior storms into the next 100 episodes. #101 features a look at western and action-adventure author Steve Frazee's life and career in the pulps and paperbacks. Tom explains to listeners his cash-grab scheme using his local library and Eric discusses his recent western paperback acquisitions. Additionally, horror author Ronald Malfi, crime-fiction author Lionel White, and sci-fi writer Robert Silverberg. Watch the show's video HERE, stream audio and video below, or download the audio directly HERE.

Listen to "Episode 101 - Steve Frazee" on Spreaker.

Skin

Before his death in 2006, Mickey Spillane told his wife to give all of his unfinished manuscripts to Max Allan Collins with the assurance, “He’ll know what to do.” Since then, Collins has polished, edited, and completed several of these novels and stories for publication. “Skin” is a 36-page Mike Hammer story that Spillane began in 2005 and was finally published in 2012 after completion by Collins.

The novel opens with Mike Hammer driving back from instructing at an upstate New York Police Academy with his best friend, NYPD Officer Pat Chambers. Interestingly, the authors have aged Mike and Pat and placed the old men in a modern setting with cell phones and computers.

While driving home, Mike notices the remains of a dead body along the side of the road. He stops and sees that the body is completely pulverized with nothing but a human hand intact. It’s almost as if the body fell out of an airplane or was gnawed into pulp by wild animals.

The hand in the pile of guts begins Mike’s journey to find the killer - even finding a sexy, nightgown-clad client in the hunt. As Mike approaches the truth, the authors employ some fairly terrifying horror-fiction elements. The climax is a bloodbath of brutal violence and street justice - the most exciting conclusion I’ve read in ages.

“Skin” is an edge-of-your-seat suspense thriller starring a famous aged detective still capable of making the pages fly by for the reader. As a fan of Collins’ work, I definitely saw his fingerprints all over the prose, and I’m genuinely curious what the division of labor was between these two crime fiction legends in this unlikely collaboration.

Leaving aside the mystery of primary authorship, “Skin” is one of the most satisfying pieces of ultra-violent fiction I’ve read this year. It’s an easy entry-point for those unfamiliar with Mike Hammer, yet there are plenty of series Easter eggs for long-time fans to enjoy. “Skin” is simply a masterpiece of short crime fiction. I promise you won’t be disappointed. Highest recommendation. 

Buy a copy of this book HERE.

The Cop on the Corner

Before becoming a mainstay of grim, noir fiction in the paperback original era, David Goodis (1917-1967) was a prolific writer of short stories for the pulp magazines. A handful of these early works has been digitized for modern audiences, including “The Cop on the Corner” from the September 1947 issue of Popular Detective Magazine.

Elrick is a tubby beat cop who spends most of his time on foot patrol loafing and chewing the fat with his friend who runs the newsstand on the corner. One day, their eternal conversation is interrupted by a couple kids who just found a dead body riddled with bullets in a nearby alley. Elrick immediately recognizes the corpse as a local gangster whom Ekrick knows from way back when the racketeer was a lowlife juvenile delinquent running the streets with criminal abandon.

Because of Elrick’s unique knowledge of the dead mobster’s history and associates, he hatches a plausible theory regarding the identity of the murderer. This presents the corpulent copper with an idea to solve the case himself, which will likely earn him a raise and a promotion to the Detective Bureau.

Elrick’s investigation takes him to a skid row alcoholic dame who he believes provides a key to unlocking the mystery of the dead hoodlum. Of course, none of this is as easy as it seems, and Elrick’s fallibility as an investigator leads to a well-crafted scene of bloody violence and a twisty solution.

The plot twist punchline was typical of the endings seen a decade later in the pages of Manhunt, a crime digest that printed several Goodis stories and novellas. “The Cop on the Corner” remains a fantastic read that shows Goodis at the top of his short story game before moving to longer works. If you can score a reading copy, you’ll be happy with your decision.

For reasons unclear to me, “The Cop on the Corner” is not available on Amazon, but it is available at Barnes & Noble for the hundreds of people on earth with Nook devices. There are also scanned and transcribed copies floating around the internet, including HERE.

Fairy Tale

Another Stephen King 600 pager has arrived, 20 years and 27 books after he suggested his retirement to the Los Angeles Times in 2002. It's aptly titled Fairy Tale, because it is one. But, like the most wicked Game of Thrones episode, King morphs Grimm's into a psychotic, rambunctious, and sinister story involving electrified zombies, dead mermaids, homicidal giants, and brutal “to the death” sporting events. It's The Running Man meets Snow White as only the King of Horror can deliver.

Fairy Tale is mostly presented as three parts – the introduction to the main character up until he leaves this world (yep, that happens), the monomyth journey through the other world, and then prison. In typical King fashion, this probably could have been condensed into 300 pages, but it takes the author three pages just to make a cup of coffee. Apparently, it just needs elaboration.

The book is presented in the first-person by an older version of Charlie Reade (sounding like Charlie McGee of Firestarter) describing the harrowing events that transformed his life when he was 17. He swears no one will believe his story, including you, the Constant Reader. This story begins with Charlie explaining how his mother was killed on a wobbly bridge by an errant motorist. Charlie and his father sail into years of mourning, capsizing with his father's descent into the seas of alcoholism and regret. These early pages chronicle alcoholism well, complete with the AA stance and the narrow road to sobriety. It's the feel-good uplift. 

Charlie's life changes when he hears Howard Bowditch's dog barking. Bowditch is the stereotypical spooky old guy that lives in the crumbling Psycho house in the neighborhood. Charlie comes to the aid of Radar, a fun German Shepherd that leads him to rescue his owner Bowditch from the a long fall from a ladder – if rescuing means calling the rescue squad and promising to keep Radar. Soon, Charlie finds himself at the aid of Bowditch. The lonely old man has no one else and Charlie needs to mature from star athlete and childhood prankster to a civilized caring youngster. The two strike up a bond and Charlie agrees to be Bowditch's care guide, prescription deliverer, carpenter, landscaper, dog feeder, friend, and gold hauler. Gold?!?

It turns out that Bowditch has a big 'ole secret he keeps hidden in the wood shed. If you want to know the secret and not necessarily spoil the fun, continue to read the next THREE paragraphs. If you want to skip to how I felt about the book, feel free to skip these THREE paragraphs. 

Bowditch has something like $100,000 in gold nuggets he keeps in a safe. He asks Charlie to visit a local jeweler associate who will buy some gold nuggets so that Bowditch can pay off his hospital bill and also pay Charlie for his services. Where is this old recluse gaining this kind of loot? After a few chapters, Bowditch explains to Charlie that there is a secret world inside of his woodshed. Due to some rather dire circumstances, Charlie steps into the shed and descends into another world.

Charlie soon learns that the other world, seemingly hundreds of feet under Bowditch's property, is a cursed fairy tale land. Yeah, there's mermaids, kings, princesses, giants, talking horses, and lots of gold, but there is also a visible doom and gloom that has enveloped the entire kingdom. People are no longer whole, like Charlie, but instead are missing things like mouths or ears. They have seemingly lost these things due to a corrupt hierarchy that have awakened an evil thing in a Hellish well. Keep in mind that King wrote Fairy Tale during the pandemic in 2020. Considering his white-hot hatred for Republicans (he's from Maine for God's sake!), it's easy to see his inspirations for the novel – cursed land, an ill civilization, a corrupt monarchy, fighting the establishment, contending with the maaaaaaaan. You get the idea.

But, the land is important to Charlie because it possesses a sundial that can be used to reverse aging, a side-story that involves Radar's old age and debilitating physical condition. Charlie loves the dog so much that he is willing to battle through unknown terrors to turn the clock back on Radar's dog years. I'd do the same for my beloved canines Lily, Rose, and Carly. Maybe my hedgehog too. Regardless, this journey to the sundial involves a lot of adventure that eventually places Charlie in prison and forced to fight to the death in gladiator-styled sporting events. Wild and wacky stuff. 

So, does this Happily Ever After thing really work for Stephen King and his loyal fan base? Yeah, probably. It has similarities to so many of his other books and the formula he uses of parallel worlds. He used the idea for Lisey's Story, Rose Madder, The Talisman, and obviously the massive series of Dark Tower fantasy novels. Plus, there are countless short stories by the author that involve some sort of unlikely hero flirting with the idea of another world within our own. The question everyone asks is if Fairy Tale has any Dark Tower references. Yes, but nothing overly striking. I've only read the first three Dark Tower novels, but nothing detracts from Fairy Tale if you aren't familiar with Roland's epic journey. 

I appreciated King's references to plenty of Paperback Warrior material, specifically Dan Marlowe's The Name of the Game is Death, Cornell Woolrich's The Bride Wore Black and The Black Angel, as well as mentions of Ray Bradbury and H.P. Lovecraft. King loves his vintage fiction as much as we do. In fact, it's hard to ignore the comparisons to other “underground world” literary works by the likes of Edgar Rice Burroughs, Lin Carter, and Jules Verne. Fairy Tale fits right in, but cleverly shifts the heroism to a less muscular man instead of the typical barrel-chested jungle crawler. 

Overall, I enjoyed Fairy Tale but won't ever read it again. It was too long, contained a ton of characters, and the story was formulaic and predictable. King is no longer at his artistic apex, but can still write his ass off and pull off crime-fiction, horror, science-fiction, and fantasy with the best of them. Fairy Tale was probably written more for himself than his Constant Reader. During 2020's unrest, a year that will forever alter human history, writing this novel was probably a means of catharsis for the author. It's King's Fairy Tale. For us, it's just a story about a boy and his dog. 

Buy a copy of this book HERE.