Paperback Warrior Primer - Day Keene

Along with the likes of Gil Brewer, Talmage Powell, Charles Williams, and Lionel White, Day Keene is considered a staple of mid-20th century crime-fiction literature. Keene was one of the most prolific authors of that era and authored a slew of paperback originals during the 1950s and 1960s. His body of work is still respected today, evident with the number of reprint houses clamoring for his estate or orphaned novels. In this Paperback Warrior Primer, we are presenting an overview of his life and career:

Day Keene's parents arrived in the U.S. as immigrants from Sweden. Gunart Hjerstedt was born shortly after in Chicago in 1903. Hjerstedt would later use a modified version of his mother's maiden name of Daisy Keeney to establish his legal name as Day Keene.

Keene became a traveling stage actor in the 1920s, performing under the names of Keene and his Hjerstedt name. His notable role was Rosencranz in a traveling production of William Shakespeare's Hamlet. In 1931, Keene was living in New York and sold his first story to the pulp magazines. His first sales were to Detective Fiction Weekly and West magazine. He returned to Chicago later in the 1930s and started writing for radio shows, including Little Orphan Annie and Kitty Keene, Inc., a program about a female private detective that first aired on CBS and later the Mutual Radio Network from 1937-1941. 

In 1938, Keene relocated from Chicago to St. Petersburg, Florida with his second wife, Irene, who had been a Chicago school teacher. For a while, Keene attempted writing radio scripts remotely, but eventually shifted all of his creative energy to penning stories for the pulp magazines. Keene's writing slowed for a time in 1942 when he enlisted in the U.S. Army in Pinellas County, Florida.  

During his pulp fiction era of 1940 to 1952, Keene authored 250 published short stories. He sold another 16 short stories to the digests after the pulp magazines died off in the 1950s. He used the pseudonym John Corbett for stories when there was already a Day Keene story appearing in the issue. Ramble House has a number of Day Keene's short stories compiled into trade paperbacks. You can get them HERE. In the late 1940s, Keene relocated to Los Angeles and subsequently bounced between there and St. Petersburg. 

The birth of the paperback original was a catalyst for Keene to switch from short stories to full-length novels. Keene's first novel, Framed in Guilt, originally released as a hardcover - but then quickly re-released as a paperback from Graphic Books. As an aside, Framed in Guilt was released in Great Britain under the title Evidence Most Blind and remains in print today from Stark House Press. In 1951, Keene collaborated with Gil Brewer to write the published novel Love Me and Die. 

The recycling and expansion of short stories into full novels was common during that time. Keene sold a story called “She Shall Make Murder” to Detective Tales in November 1949. That became the basis for the Keene novel, Joy House, that was written in 1952, rejected by multiple publishing houses, and finally published in 1954 by Lion Books. The novel has also been reprinted by Stark House Press and remains available today. The editor of the novel at Lion Books was none other than Arnold Hano, and our review of that book is HERE. His story "Wait for the Dead Man's Tide" was featured in the August 1949 issue of Dime Mystery. It was later re-worked into the novel Dead Man's Tide, which was reprinted by Stark House Press.

Early in his career as a writer, Keene signed on with a literary agent named Donald MacCampbell, who also represented a fellow St. Petersburg, Florida author named Harry Whittington. Keene and Whittington became lifelong friends and socialized in the same Florida writing clique as Gil Brewer and Talmage Powell. Using MacCampbell, Keene's novels were first offered to Fawcett Gold Medal, who had right of first refusal. If they declined the novel, it would be shuffled down the hierarchy to other publishers like Lion, Ace, Avon, Pyramid, and Graphic Books. In the 1960s, Keene switched from shorter crime-fiction novels to denser, more mainstream novels like L.A. 46 and Chicago 11.

Keene died in North Hollywood, California on January 9, 1969. 

In his life he wrote about 50 novels, over 250 short stories, and 1500 radio scripts. Thanks to reprint houses like Stark House Press, Armchair Fiction, and Wildside Press, many of his greatest hits are still available today.

You can read all of our reviews of Day Keene's novels, including our podcast feature, HERE. For further reading, we recommend Cullen Gallagher at Pulp Serenade. Gallagher wrote an excellent introduction called "Run for Your Life: Day Keene's Wrong Men" for a Stark House Press reprint, which was the source material for this Primer.

Masked Rider Western #07 - Iron Horse Gunsmoke

Donald Bayne Hobart (1898-1970) began his career writing song lyrics and poems for romance magazines. His most popular literary work was the 19-year run of Whistling Waddy stories in Argosy. But, Hobart also wrote many novellas for the western pulp Masked Rider Western. My first experience with Hobart is his novella “Iron Horse Gunsmoke”, which appeared in Masked Rider Western, July 1938. The novella was also released as a paperback by Curtis Books in 1965 with a Steve Holland cover. Thankfully, Bold Venture Press has made many of the Masked Rider Western issues available today as affordable reprints. In their series order, this novella is in Masked Rider Western #07 (2022).

Wayne Morgan is the former cowpoke turned masked vigilante that fights the typical western criminals like outlaws, cattle thieves, and land barons. He rides a horse named Midnight and partners with a Native American named Blue Hawk.

In “Iron Horse Gunsmoke”, the bad guys are buried in a feud between the railroad and the ranchers. The C.W. Railroad is clanging steel across the dusty mesa as modern ingenuity tames the wild, wild west. Like all of the traditional beef ranchers, they are opposed to bringing in the trains. However, the two factions benefit from each other. Trains make the beef sell faster and can deliver supplies quickly. The railroad needs cargo to haul, thus the ranchers are valuable. Each gain something from the other. 

In an effort to create abrasion, elevate hostilities, and stall work, someone leading a team of masked raiders is inflicting casualties and damage to the railroad and the Bar O. Each party feels that the other is responsible, thus a war brews between these two industries. Hoping to settle the feud and find the culprit, Morgan goes undercover as a cowpoke for the Bar O. As a covert operative, the fast-draw, eagle-eyed gunslinger can hopefully save the day.

Like Norman Daniels, Johnston McCulley, Gunnison Steele, and Walter Tompkins, Hobart proves he can write a Masked Rider Western tale with the best of the pulpsters. There's a lot of over-the-top action, brawls, and tough-guy talk to sop up the story, which in itself is just a traditional pulp told numerous times with different characters. 

“Iron Horse Gunsmoke” never slows down, racing through the narrative from the opening run 'n gun scene through the book's finale. If you like western pulps, then you'll love what Bold Venture Press is doing with these classic Masked Western Rider novellas. 

Buy a copy of the book HERE.

Street Hawk #01 - Street Hawk

Street Hawk was an ABC television show that aired 14 total episodes in 1985. Many considered it to be Knight Rider on a motorcycle, but that isn't entirely accurate. As a mid-season insert in January, the show had to compete with powerhouse prime-time soap Dallas, which spelled its doom. Despite broadcasting in 42 countries, and possessing a robust, crossover line of toys and merch, the show majorly flopped. But, this isn't TV Warrior, we cover books. 

Target Books of London acquired the licensing of Street Hawk in 1985, and published four paperback novels:

1. Street Hawk by Jack Roberts
2. Cons at Large by Jack Roberts
2. Golden Eyes by Charles Gale
3. Danger on Target by David Deutsch

I was just nine when the original Street Hawk premiered, and while I remember watching it (infatuated with the intro music) and owning the toy cycle, I don't remember any of the particulars. So, Roberts novel, which is an adaptation of the show's pilot episode, was fresh and new to me. The books are somewhat hard to find, but I was ecstatic to find the first paperback at a used bookstore.

Jesse Mach is a motorcycle cop that runs daredevil competitions in his spare time. Mach and his partner are in a California desert when they ride upon a drug trafficking operation. Mach's partner is killed and Mach becomes disabled and loses his mobility. Forced to take a desk job for the police department, Mach is motivated to find the drug runners that ruined his life and murdered his partner. 

Mach's chance for revenge is introduced by a research engineer named Norman Tuttle, who works for the Federal Institute of Law Enforcement Technological Development. Tuttle explains to Mach that he is overseeing Operation Streethawk and Mach has been chosen by the institute to be the test driver. He invites Mach to a clandestine laboratory in the inner-city. It is here that he has developed a sophisticated all-terrain vehicle that, upon first glance, resembles a motorcycle. The vehicle can travel up to 300mph and has laser cannons. The bike's accessory is a high-end helmet that has cameras and GPS. Additionally, Mach is adorned with wrist cannons and the institute properly heals his leg.

In pulpy fashion, Mach has a day job in the department's public relations office and contends with a manager named Sandy that was once a journalist. But during his free time, he investigates the drug running operation and its connections to corruption within the department. Sandy and Mach form an investigative team, but she isn't clued into Street Hawk. By the book's finale, Mach has mastered the machine and can successfully use it to fight crime.

There's really nothing to dislike about this short action-adventure paperback. If you loved the 80s “super vehicle” shows like Knight Rider, Airwolf, and Blue Thunder, then you'll bring out your fan-boy soul by reminiscing about Street Hawk. The book has enough character development and crime-fiction elements to make it enjoyable. I liked the love interest hints between Sandy and Mach and the humorous “mad scientist” predictability of Tuttle. Overall, this was just a lot of fun and totally unnecessary. That's why it is great. 

Buy a copy of this book HERE

Paperback Warrior Podcast - Episode 97

On Episode 97, Eric and Tom collaborate for a comprehensive feature on Jon Messmann, the prolific author and creator of The Trailsman series, The Revenger, The Handyman, and numerous Nick Carter: Killmaster novels. Eric also reviews Messmann's stand-alone action-adventure novel, Bullet for the Bride. Tom reviews a vintage crime-fiction paperback called The Mob Says Murder by author Marvin Albert and Eric offers insight on his new projects with Brash Books and Cutting Edge. Listen on any podcast app, paperbackwarrior.com or download directly HERE.

Listen to "Episode 97: Jon Messmann" on Spreaker.

Johnny Liddell #06 - Bare Trap

Inspired by the countless private-eye novels and shorts, original paperbacks (and some hardcovers) began appearing featuring heroic detectives solving the outrageous cases. There was Mike Shayne, Mike Hammer, and Lew Archer leading the way. Frank Kane's New York private-eye Johnny Liddell was among the publisher's top echelon, The series ran a total of 29 novels and a multitude of short stories, beginning with 1947's About Face (aka Fatal Foursome). I've read a handful of the novels and mostly enjoy them. I have a slew of the series paperbacks, so I picked Bare Trap to read next. It is the series sixth installment and was originally published in 1952. It was later reprinted in 1965 by Dell with different cover art. 

Liddell is finishing up a case in San Francisco when he receives a phone call from series staple and love interest Mugsy. She asks if Liddell can take on a new case in Los Angeles before he flies back home to New York. A young actor named Shad has gone missing and his agent wants the investigation to be hush-hush. If they hire a local PI, the missing kid could make the papers and create a career misstep. With a chance to visit Mugsy in LA, Liddell takes the case.

Shad's agent is a guy named Richards, a fat loudmouth that explains that Shad is set to inherit a ton of money when he reaches the age of 21. There's hints that the kid is in some trouble, but Liddell thinks the disappearing act will solve itself. A few hours later, Liddell finds the kid riddled with bullet holes in the back. 

Liddell's case transforms from a missing person's gig to a murder investigation. With the assistance of Mugsy, a local inspector, and a prolific columnist, Kane's hero runs a convoluted gauntlet of blackmail and deception. The road leads to Richards running a badger scheme where he uses a local honey to photograph high-profile Hollywood celebs. He then uses extortion tactics to push the celebs into writing IOUs, which Richards then turns into gambling debts to repay back the mob to settle his own sheets. Got it? 

Frank Kane was notorious for recycling plots and Bare Trap is no different. In the series debut, About Face (Fatal Foursome), Liddell is hired to find a missing actor in Hollywood and receives help from a journalist and a coroner. The 'ole extortion bit using photographs or videos is an overly used genre trope, most notably Mickey Spillane's third Mike Hammer novel, Vengeance is Mine. Yet, there's a really abrasive tone to the novel – actresses with cut throats, multiple beatings, numerous fist and gun fights, a knife attack, and tons of shady characters - to keep the reader fully invested. While never particularly dense, I still had to consult a short list of characters to remember who everyone was. 

Detective stories can be run of the mill, familiar, and stereotypical, but they still provide a lot of enjoyment for crime-fiction fans. Bare Trap is no exception. 

Buy the eBook HERE.

Stolen Tongues

Stolen Tongues is a 2017 horror novel by California native Felix Blackwell. The novel was an outgrowth of a serialized story on the NoSleep Reddit page, and has become a viral hit thanks to fans raving about his work on social media. There’s also a film adaptation and a prequel novel in the works. 

The book opens with a prologue that will scare your pants off (pants required). Our narrator is a writer named Felix Blackwell and he is house sitting in a remote cabin with his girlfriend, Faye. While at the cabin, they are menaced by an unseen force in a tension-filled scene. Because the novel doesn’t end with the prologue, our protagonist couple lives to fight another day. Bottom line: Don’t skip the prologue. 

Chapter one begins with the same couple, now engaged, headed to another remote cabin atop a Colorado mountain (these people never learn!) for a romantic getaway. The thick woods behind the cabin has plenty of hiking trails that crisscross the frozen mountain jungle. The whole thing sounds legitimately lovely and genuinely romantic until you remember you’re reading an acclaimed horror novel. 

The nearby town of Pale Peak is rich in Rocky Mountain Native American history and traditions. The tales of the tribes that once inhabited Pale Peak are rooted in mystery and mysticism. They were a ritualistic people who have disappeared from modern life, leaving only their artifacts behind. 

Of course it takes no time at all before the happy couple starts hearing ghostly voices being carried by the wind outside the cabin. Nothing menacing, at first — but you just know it’s going to escalate. The author also effectively and terrifyingly plays with the idea that night terrors, sleep walking and sleep talking can be used as conduits for malevolent entities to infiltrate your life. 

The haunting continues after the setting changes, and Felix is determined to get to the bottom of things — even if it means a crash course in Native American mysticism. As is often the case, the paranormal explanations for the haunting are way less satisfying than the haunting itself. 

I’d say the first two “haunted cabin” sequences in Stolen Tongues may have been the scariest prose I’ve read in decades. The rest of the novel exploring the source of those two haunts was fine, but nowhere near as compelling or terrifying as the novel’s twin openers. In any case, the author has placed himself on the map as a horror novelist to watch in the future. I look forward to seeing what he does next. 

Buy a copy of this book HERE.

Nude in the Sand

The 1950s and 1960s publishing industry experienced a trend of authors and readers embracing swamp-noir, a concept that features the average man being tempted by a seductress in the backwoods of a rural southern town. Charles Williams and Harry Whittington both excelled in this type of storytelling, which led countless other low to mid-echelon authors to try their hand. Louisiana author and WW2 veteran John Burton Thompson (1911-1994) authored these types of novels. As expensive collectors items now, these vintage paperbacks demand a hefty dollar. 

Thankfully, Cutting Edge Books have gained the rights to Thompson's literary work and have made a number of his novels into new editions for an affordable price. After enjoying his 1962 novels Kiss or Kill and Swamp Nymph, I decided to take another swig with Nude in the Sand. It was originally published by Beacon in 1959. 

The most entertaining aspect of Nude in the Sand is that there isn't a main character. Instead, Thompson uses the novel to tell many different stories about the backwoods shenanigans of several different characters that have merely six degrees of separation. By the book's end it all wraps together cohesively in a satisfying conclusion that crosses these mini-stories over (and under) each other. 

Lecia is a 20 year old vixen living with her mother on a run-down farm. Hope and aspiration are shooting stars rarely glimpsed and never caught. In a bid for money, Lecia's mother sells her off to a wealthy man named Alex who takes the two to his sprawling estate. Lecia is destined to be the despondent, pregnant housewife pushing out babies to create Alex's dynasty. The problem is that Lecia despises Alex due to his violent sexual craving and his affairs with a black slave.

Across the fields is Abe, a retired wealthy man of nobility that has a young black lover named Charline. Readers learn Abe's history with Charline, how he funded her college education, cared for her needs, and is now secretly engaged in a relationship with her. Abe and Charline frequent a hunting cabin where the two intimately share their love. But, Abe understands the age difference and the fact that the town will be thrown in a violent upheaval if their interracial love affair were to be exposed. 

Abe's nephew Merrit is a college graduate and artist that hasn't quite found his footing yet. Abe allows Merrit to live on his estate and find himself. Instead, Merrit finds an imprint in the sand made by the nude Lecia. Over time, Merrit becomes obsessed with the imprints and starts to make a bronze statue of this unknown woman. Lecia doesn't realize that her daily visits to this jungle swimming hole are being captured by the imprints she makes in the sand. Eventually, Merrit and Lecia learn of one another and are connected through Abe. When Lecia's husband Alex begins making moves on Charline, the narrative becomes more complex and enticing – Abe vs Alex over Charline. Merrit lusting for Lecia despite her marriage to Alex. There's also another side story of a male slave that hates Alex for raping other slaves. 

With this many moving parts, it would be hard for any author to excel at all of these concepts and designs. But, Thompson is such a great writer and purposefully develops this plot into a burning bed of affairs, relationships, violence, and raging sex. The novel certainly possesses enough tropes to make it a swamp-noir, but at the same time it also works as a plantation novel, or what some refer to as a “slave gothic”. Alex's violent encounters with the strong, more domineering slave named Bruce makes for a humorous, albeit savage, thread in the story's web of self-pursuit and sexual gratification. Abe's relationship with Charline is nurturing, but is laced with strong dialogue that reflects the civil unrest of a country at war with itself in the mid 20th century. 

Nude in the Sand is a riveting, hot-blooded account of sexual affairs running rampant in the Deep South. With colorful characters and multi-faceted, interlocking storylines, John B. Thompson creates a whirlwind suspenseful romance novel ripe with violence and racial unrest. Fans of Charles Williams, Harry Whittington, and Erskine Caldwell should find plenty to like. Recommended. 

Buy a copy of the book HERE.

Mike Hammer #03 - Vengeance is Mine

In 1980, the top 15 list of all-time US fiction bestsellers included seven novels by Mickey Spillane. That's a true testament to the power and popularity of Spillane's iconic private-detective, Mike Hammer. As I make my way through Spillane's bibliography, I found that the Mike Hammer debut, I, the Jury (1947) left much to be desired. However, the book's sequel, My Gun is Quick (1950), was nothing short of amazing with its masterful prose soaked with realism, impending doom, and emotional anguish. Appreciating that particular masterpiece, I held off on reading another Mike Hammer novel for over a year. Now, the time has come for the third series installment, Vengeance is Mine. It was originally published in 1950 as a hardcover by E.P. Dutton and has been reprinted countless times in multiple formats. 

“The guy was dead as Hell. He lay on the floor in his pajamas with his brains all over the rug and my gun in his hand.”

That's the opener to Vengeance is Mine. Thankfully, the remainder of the book remains just as heavy and unforgiving. Throughout this violent, twisting narrative, Spillane slaps readers with Hammer's hardest case yet, one that pays with redemption instead of cash. The plot concerns Hammer awakening after a night of drinking with his friend, Chester Wheeler, dead. Hammer isn't a murder suspect because the police feel that his friend simply committed suicide. But, Hammer knows he always carried six loads in his gun, and two shots were fired. The circumstances lead to Hammer contending with the DA and using his police ally Pat to find a teardrop in the ocean. Who killed Wheeler?

Hammer's investigation leads through a swamp of political blackmail and conspiracy within the slimy walls of a sin palace called The Bowery. It is here that Hammer meets a sexy dancer named Connie and a bit player named Dinky, an old nemesis that Hammer previously shot. Connecting the dots proves to be difficult considering all roads leading to Chester Wheeler are closed. Anyone involved with Wheeler's past is wearing bullet holes or broken necks. But, Hammer is consistently moving forward as he vengefully fights for his dead friend.  

Vengeance is Mine features Hammer's secretary Velda more involved than ever in the investigation. It's also the first novel where she fatally shoots a bad guy. Both Hammer and Velda become more intimate, but Hammer is still plagued by flashbacks and memories of Charlotte Manning, a lover from the series debut, I, the Jury, that he had had to shoot and kill. Like the prior novels, Hammer is also still suffering from PTSD from his war experience. I felt that the emotional baggage added more depth to the character, making Hammer a more dynamic hero when compared to his contemporaries in Johnny Liddell and Mike Shayne.

While not as good as My Gun is Quick, Vengeance is Mine is still an absolute masterpiece and another fine example of Mickey Spillane's extraordinary storytelling. It just doesn't get much better than this. Highly, highly recommended.

Note –  Supposedly, Spillane bet his editor $1,000 that he could write a book that, if the last word was left out, would change everything in the narrative that had happened before. The editor took the bet and lost (credit to author Stephen Mertz for sharing that). 

Buy a copy of this book HERE.

The Pavilion at Monkshood

British novelist Anne Arundel (1910-1993) utilized pseudonyms like Anne Buxton and Katherine Troy to author romantic suspense novels. Her bibliography includes over 40 novels penned from 1937 through 1983. My first experience with her is the gothic novel The Pavilion at Monkshood. It was originally published by Ace in 1965 under Arundel's popular pseudonym Anne Maybury. 

The novel is set in the obligatory British countryside on a secluded estate called Monkshood. Jessica Lothian, a 20 year old servant, has been summoned by the Herriot family to reside in the home and to look after Aunt Julie and cousin Claudine. Technically, Jessica is a Herriot on her father's side, but nevertheless she seems to function as a sort of “Cinderella” character during her time on the estate. Claudine is the horrible, self-absorbent “sibling” who mocks and scorns Jessica relentlessly. But, the idea is that Jessica will soon marry a dignified young man named Kurt in a fixed, arranged marriage. While Jessica doesn't dislike Kurt, she has no intimate feelings for him.

Throughout the narrative, the Herriots and a close family friend are plagued by a mysterious stalker. This stalker is harmless enough in the beginning, occasionally spying on family members, taking heirlooms, and moving around others. Jessica becomes obsessed with locating the identity of the stalker. But, things turn deadly when the stalker pushes a young woman off of a cliff. Jessica's probe into the mysterious stalker's past leads her to an old tunnel that connects the mansion with a pavilion hosting a bizarre statue of the ancient god Pan. 

Through 190 pages, the narrative covers Jessica's interest in the family friend, his business arrangements with growing a fleet of schooners, and a backstory of the Herriot family enduring the loss of their daughter. Aunt Julie's behavior borders on psychosis and there's a number of dances and evening dinners for readers to wattle through. 

I've read other reviews of Maybury's novels and they mostly point in the direction of traditional romance. Mostly The Pavilion at Monkshood is a straight-up romance novel with all of the upper-crust white lace and long tassels. But, the stalker portion of the story was intriguing to me and panned out just right to allow for a storybook ending. There is a Lifetime Movie of the Week aura to the plot, but it didn't discourage me. Maybe I'm just a sucker for a dress in distress. 

Buy a copy of this book HERE.

Cornered!

James McKimmey (1923-2011) was a Nebraska native that studied architecture at the University of Nebraska. Later, he served in the 102nd Infantry Division during WW2 and returned home to write fiction for magazines and pulps. His first novel, The Perfect Victim, was published by Dell in 1957. McKimmey would go on to write westerns, science-fiction, and more crime-fiction, some of which have been reprinted by Stark House Press as twofers that we've covered here at Paperback Warrior. In 2016, Stark House reprinted The Long Ride and Cornered! as a twofer. We loved and reviewed The Long Ride and it was just a matter of time for us to read the second novel, Cornered!. It was originally published by Dell in 1960.

Tony Fearon ran a California mob family for years. Instead of allowing his premier gunman, Bill Quirter, to shoot his chief rival, Tony took it upon himself to deliver the killing blow. Inexperienced and enraged, Tony didn't think of witnesses, so he missed the beautiful Ann Burley, who just happened to be walking by. Tony went to prison based on Ann's testimony, and as Cornered! begins, Tony is a few hours away from eating cyanide via California's taxpayers. However, the cool caveat is that Tony has placed a hit on Ann. If Bill (the best gunman west of the Mississippi River) can track down and murder Ann before Tony dies, Tony will filter out a password through the prison so Bill can locate a cool $50,000 for the job. Tony will die happy knowing that the woman who put him behind bars is being killed on the same day. Alternatively, if Bill can't get the job done, Tony will go to his grave as a begrudged man and Bill will be $50,000 poorer (and still unemployed). Cool premise, huh?

I challenge anyone to find me a book with an opening chapter as exciting and memorable as this one. McKimmey's first chapter has Bill and a partner outside of the small Nebraska town of Arrow Junction. It's snowing, both are in a bad mood, and the target is within a few miles. However, a simple accident leads to a furious gunfight in a small gas station and Bill finds himself alone and on the run from the cops. After scampering around in the cold, Bill locates a small diner for shelter. Inside, he points a gun at the customers and stands his ground. 

Like The Perfect Victim, McKimmey has this uncanny talent of turning the reader into an everyday citizen of Small Town, USA. Over the course of a few hours, I became a citizen of Arrow Junction and felt like the town pastor, doctor, restaurant owner, station attendant, and fill-in sheriff were all people I've grown up with and had a fond fellowship for. McKimmey is just that good as he smoothly thrusts readers right into the action. In some ways, the book's plot development and through-story reminded me of Bill Pronzini's thuggish writing style. It's gritty, action-packed, and develops into a real slobber-knocker by the book's finale.

Cornered! is one of the best books I've read in ages. Any other plot points or insider wisdom would just ruin the experience for you. Do me a favor – get the book, read it, post comments below. In the meantime, I'm on record to provide the highest possible recommendation for James McKimmey and Cornered! 

Buy a copy of this book HERE.

77 Sunset Strip (aka The Cases of Stuart Bailey)

Roy Huggins (1914-2002) wrote and produced a number of popular television shows like Maverick, The Fugitive, 77 Sunset Strip, and The Rockford Files. Beginning in the early 1960s, Huggins became the vice president in the television division at Universal where he worked for 18 years before becoming an independent producer and signing with Columbia Pictures Television. His television career was plagued with denied credit and compensation, leading to a more controlling contract that he created known as the “Huggins Contract”, a template used by other Hollywood producers later. 

Huggins dabbled in writing crime-fiction as well. He wrote three full-length novels – The Double Take (1946), Too Late for Tears (1947), Lovely Lady, Pity Me (1949). In The Double Take, Huggins introduced a Los Angeles private-eye named Stuart Bailey. Bailey is hired by a man who is being blackmailed due to his wife's past. Through the narrative, Bailey digs into the woman's past to free the man from extortion. The novel was serialized in The Saturday Evening Post and appeared in a condensed form in the March 1946 issue of Mammoth Mystery. 

Bailey appeared three more times in short stories featured in The Saturday Evening Post and Esquire. These three short stories were compiled into a compilation by Mystery House in 2019 called The Cases of Stuart Bailey. There was also a compilation of these stories released digitally in 2015 by Jerry ebooks under the title The Complete Cases of Stuart Bailey. However, the best version of these three stories is the compilation called 77 Sunset Strip. It was published as a paperback by Dell in 1959 and makes the three stories flow seamlessly into one novel. The stories are connected as Bailey weaves in and out of these three assignments while dating a woman named Betty Callister (who appears as a character in the first ten chapters). 

I've read the three stories and here are my thoughts on each:

“Now You See It” (The Saturday Evening Post, May 25 1946)

Bailey is invited to a Westwood mansion by a man named Mr. Trist. However, when he arrives at the man's front door, Trist advises him his services are no longer needed and gifts him $150 for his troubles. But, when the man's son appears, Bailey is quickly ushered inside and introduced to a dinner party as an old family friend named Mr. Tate. Just when Bailey finds that the scenario couldn't become any stranger, the lights go out, Trist is stabbed through the heart, and all fingers point to Bailey when the lights flick back on. According to the police, Bailey isn't a chief suspect, but they want Bailey's assistance in investigating the murder. Huggins builds the case around the innovative technique of disguising the murder weapon by morphing it into something entirely different. The story was a bit convoluted and I didn't entirely understand the plot, but Bailey was captivating enough and I enjoyed his interaction with the characters and police. 

“Appointment with Fear” (The Saturday Evening Post, September 28 1946)

Bailey receives a telegram from a woman named D.C. Halloran asking him to meet her at a bar in Tucson, AZ. When he arrives for the meeting, he finds that Halloran is a beautiful woman that is suffering from a paranoid personality with depressive tendencies. She feels that someone is looking to murder her and she wants Bailey to find the who, when, where, and how. Against his better judgment, Bailey spends the night with Halloran and awakens to discover her dead. Huggins uses the familiar premise to place Bailey as the chief suspect on the run from Tucson's finest to clear his name. I thought the story was fast-paced with a number of twists and turns. It also showcased Tuscon's night life and landscape of that era, which I found fascinating. Recommended.

“Death and the Skylark” (Esquire, December 1952)

This was my favorite of the three Bailey shorts. In this case, Bailey is hired by a boatman named Callister, who feels that his next voyage will lead to his own murder. Bailey takes the case and becomes a passenger on Callister's yacht. The crew is Callister's wife, first mate, and daughter – not exactly a prime suspect list. But, as the pleasure cruise commences, Bailey discovers that each character has a deadly agenda. Sure enough, Callister is fatally shot and it is up to Bailey to survive the cruise while determining who the killer is. I love boat stories and I really enjoyed this trio of characters. The story was tight and slightly confined, but developed into a real showpiece of Huggins' descriptive and fast-paced writing style. Highly recommended.

Huggins used The Double Take novel and these three short stories to develop the Stuart Bailey private-eye character. By slightly retooling the character, he successfully transitioned him from printed page to the small screen. Bailey became the private-eye character of 77 Sunset Strip for six seasons. The show featured Bailey working with another PI named Jeff Spencer out of an office located at 77 Sunset Strip. The show's last season featured episodes that starred only Bailey.

* Thanks to The Thrilling Detective blog for providing some of the author's backstory. You can also read all three shorts online for free HERE. Buy a copy of this book HERE

Untamed Lust

Orrie Hitt (1916-1975) was a family man living in upstate New York barely making a living while he cranked out 150 sleaze paperbacks between 1953 and 1970 — many of which had significant crime-fiction elements. Untamed Lust was a 1960 Beacon Books release by Hitt that remains available today from Prologue Press and as an audiobook.

Eddie Boyd is a 23 year-old down-and-out farm worker who arrives at Wildwood Acres looking for a job hunting and trapping vermin on the estate. The master of the manor is Frank Jennings, a wheelchair bound drunk with a contempt for the wildlife he’s hiring Eddie to kill. In any case, Eddie takes the job for $300 a month, plus room and board at the upstate New York plantation.

The maid at the estate is a busty babe named Joan, with whom Eddie used to consort. Now that they’re living under the same roof in the servant’s quarters, they could resume their strictly-physical relationship. Seems simple enough until we learn that sweet Joan has marriage on her mind.

Not so fast! Eddie meets the lady of the house, Mrs. Jennings (“Call me Kitty”), and she’s a sex-on-fire, hot-pants-wearing minx. Then there’s Carole, Mr. Jennings’ conniving daughter, an irresistible sexpot with impossibly big breasts and a small waist. For his part, Eddie finds himself with a set of burning attractions that could cost him his livelihood.

Eventually, Eddie finds himself in the middle of the rivalry between Carole and Kitty for eventual control of the plantation. Eddie is pressured on multiple fronts into taking action that would provide him financial independence and a substantially upgraded sex life — fueled by his ambition and untamed lust for a trio of pulp fiction femme fatales.

Hitt’s novels often contain interesting details about the protagonist’s careers, and this one is no exception. In addition to being titillated, you’ll also walk away with a master’s degree in the art of trapping wild animals. Hitt underscores the cruelty of the practice and uses this as a means to define the characters and their motivations. This is unusually smart writing for a sleaze paperback and the reason why Hitt was so much better than his contemporaries.

Despite being derivative of James M. Cain’s work, Untamed Lust remains one of Hitt’s best novels. The ending was a little tidy for me, but the ride along the way was pure melodrama for imperfect men. Recommended. 

Buy a copy of this book HERE. Get the eBook version HERE.

Scratch One Mark

Crime-fiction author Dan J. Marlowe's best literary work was the period between 1959's Doorway to Death and 1969's One Endless Hour. I've read many of the 15 novels Marlowe produced during that 10 year span, but I haven't explored his numerous short stories for the likes of Alfred Hitchcock's Mystery Magazine, Man from U.N.C.L.E. Magazine, and Ellery Queen Mystery Magazine. According to philsp.com's excellent database, “Scratch One Mark” may have been Marlowe's first published short-story. It appeared in the July, 1959 issue of Mike Shayne Mystery Magazine. Thankfully, I had the opportunity to read it at archive.org.

The 13 page “Scratch One Mark” story features Joseph Conway as the youngest police lieutenant in the state (presumably New Hampshire, Marlowe's home at the time). Conway is a no-nonsense tough guy that is dating Judge Schofield's daughter Ann. Every Wednesday morning, Conway receives a small white-envelope containing $150 of hush-up money to ignore the backroom gambling at the local hardware store. Everyone knows about the game and even Judge Schofield and Conway both play from time to time. It's innocent enough as long as the 'ole boys keep the money at a minimum. Needless to say, Conway is flabbergasted when a player named Ted drops by and explains that some of the guys are in the hole up to $17K. 

The news creates a violent chain of events when Conway learns that Judge Schofield's nephew is a debtor to the game. The story centers around Conway's allegiances to the town and his struggles with the new high-rollers while navigating a bumpy relationship with the Schofields, which could be his future family. These conflicts collide in a savage end, but who's the victor?

What's interesting about “Scratch One Mark” is that it is written from experience. Marlowe was a professional gambler for a number of years - arguably the only thing he really did other than watching sports and writing – so there is a realism to the storytelling, a grainy know-how that blankets these seedy characters. In a few short pages, I developed a love and hate relationship for the main character. These are all of Marlowe's strengths, assets he would later develop into his anti-hero Earl Drake in the heist novel The Name of the Game is Death. 

“Scratch One Mark” is a short, enjoyable read and a forecast on where Marlowe was heading so early in his writing career. You can read this story for free below or HERE.

Yet Another Voice

Reading military non-fiction is somewhat challenging for me. The fact is that these are real-life, harrowing accounts of action, adventure, and heroism, far from the fantasy escapism I like to indulge in. But, at the same time, I respect it and value its purpose in revealing freedom's cost, the sacrifices made by veterans, and the historical impact of these accounts. Sometimes they can be uplifting experiences and others a dismal journey into despair and ruin. I mostly read fiction to escape my 9-5 existence, but from time to time I delve into a non-fiction book to ground me to reality. I purchased Yet Another Voice from a friend, a 112 page Leisure paperback from 1975 that is a non-fiction account of the author's six years experience as a prison-of-war in Vietnam. 

Col. Norman A. McDaniel, a U.S. Air Force pilot, was shot down with his crew over North Vietnam in July, 1966. In this autobiography, McDaniel explains that he guided his parachute into enemy territory, a deadly landscape that he was completely insulated from in prior war-zone experiences. On the ground, McDaniel, armed with just a .38 revolver, attempted to radio for help before being surrounded by soldiers and villagers. Other than a neck laceration, McDaniel was mostly healthy as he was taken captive and marched miles to a makeshift prison camp. Here, he was tied, beaten, and interrogated before being shipped to one of the most notorious camps, a compound called “The Zoo”.

In a small, windowless cell, McDaniel never knew light from day, and was interrogated, physically abused, degraded, and forced to endure hours of torture at the hands of prison officials. Refusing to break, he was assimilated into prison life, which McDaniel describes as monotonous existence of staring at the wall for hours on end. Eventually, his hopes of freedom evaporate when he is re-located to the more secure and notorious "Hanoi Hilton" prison. 

McDaniel spent over six years in captivity. His experiences are well-documented in this book, but told in a casual, storytelling way. There's very little technical nuances in the book, nor is it introduced as a timeline of the author's childhood upbringing, education, and training. The first three pages jump right into McDaniel's fateful day and the years following it. The author describes encounters with other cell mates, meeting his crew in the camp, various routines, and the prison Christmas shows, which were touching moments of solidarity. The book wraps up with McDaniel's arrival back home and the struggles of acclimating back into a normal civilian life.

Beyond just being a testament of courage and overcoming adversity, Yet Another Voice is a wonderful Christian message of God's overpowering strength. McDaniel frequently discusses biblical scripture in the book and how these scriptures motivated him to not only survive the ordeal, but to establish an even closer relationship with God. As a Christian myself, I really cherished these messages to reinforce my beliefs. It was just so powerful. If you enjoy military history, or underdog stories of any kind, then Yet Another Voice is certainly worth reading. 

Note – Thanks to Bob Deis at Men's Pulp Mags for providing information on the book's cover. This painting was created by Mel Crair and was originally featured as the cover for Man's Magazine, January 1958 as a “Book Bonus” version of Bridge Over the River Kwai. It was later used as the cover for Man's Magazine, November 1961. 

Buy a copy of this book HERE

Wyatt #01 - Kickback

The Wyatt series by Harry Disher was an Australian pastiche of Richard Stark’s Parker novels. The series has nine installments and began with 1991’s Kickback.

If you’re familiar with the Parker books, you know Wyatt’s background. He is a stoic, independent heist man in his 40s who prides himself on his professionalism among a community of scumbags and amateurs in his chosen profession. In Kickback, Wyatt is based in Melbourne, a city with ample opportunities for heist targets, although the underworld is largely under the control of the Syndicate in Sydney.

As the novel opens, Wyatt is pulling off what should have been an easy job. He is partnered with the 21 year-old kid brother of a business associate and the kid sees himself as a real cowboy. As a result of the kid’s malfeasance, the job goes completely sideways and an innocent woman winds up dead. Wyatt vows never to work with the young cowboy (who calls himself “Sugarfoot”) again, but the kid sees an opportunity to profit from intercepting the money on Wyatt’s next heist.

The novel is basically the story of Wyatt looking for that next score amid increasing financial pressure and sparse opportunities. He lands on a bent lawyer with a safe full of cash and a beautiful secretary willing to help from the inside. Can Wyatt pull off this heist, get the girl, and neutralize Sugarfoot before the whole thing goes sour?

I’ve heard people degrade the Wyatt series for “ripping off” the Parker series. However, I feel that there is plenty of room for these types of novels whether they are written by Richard Stark, Lionel White, Max Allan Collins, Dan Simmons or this very talented Australian author.

Inasmuch as Donald Westlake is deceased and we’re not getting any more books from his Richard Stark pseudonym, the Wyatt series seems to be a great way to fill that void in your life. For its part, Kickback is right in-line with the quality of an average Parker book, which is high praise. 

Buy a copy of this book HERE

Cryptozoology Anthology

In my I Watched Them Eat Me Alive review, I reminisced about being a kid and watching wacky horror movies that starred nature as the dastardly villain. On any weekend, you could find me glued to TBS or USA Network watching films like Day of the Animals (1977), Grizzly (1976), Empire of the Ants (1977), and Piranha (1978). These movies were so much fun because they put me into a realm of real-world horror. There was a slim possibility that I could meet my end facing a hockey-masked killer at a campsite. But, my own backyard had ants, bees, bear, and leaping squirrels that could easily bring my demise under extreme circumstances. 

Thanks to Robert Deis and Wyatt Doyle, the concept of man versus nature is explored within the confines of the literary world. Like their prior volumes, Weasels Ripped My Flesh, the aforementioned I Watched Them Eat Me Alive, and Maneaters, these two literary scholars have been scouring the pages of vintage pulps and men's adventure magazines (MAMs for short) for strange and mysterious creature stories. Combining their efforts with David Coleman (Ancient Lake, The Bigfoot Filmography), the trio edited Cryptozoology Anthology, a 2015 publication by New Texture. It contains a total of 13 stories culled from the pages of True Weird, Men, Sir!, and Man's World among others. The book also contains two informative, introductory articles about creatures in various pop-culture trends and media.

The whole collection is highly recommended, with these stories in particular as solid standouts:

“MacDonald's Nightmare Safari”

This was originally published in Man's Conquest, August 1959 and it's one of those stories supposedly written by the main character to convey his harrowing, real-life encounter to the reader. In this case, the protagonist and author is Jim MacDonald, a former WW2 engineer that theorizes where a motherlode of diamonds is located in the Mato Grosso jungles of Brazil. To obtain it, he'll need to travel through tribes of head-hungry Indians known as the Morcegos. With the help of an enemy (you read that right) and a sexy babe, Jim finds the diamonds and the truth behind the Morcegos' worship of a strange white beast referred to as The Guardian. The story begins and ends with a furious shootout, and is laced with the traditional escapism these stories are known for. This one will be memorable for a variety of reasons.

“The Man from Another Age”

Like the above story, Mike Flint is listed as the author and the protagonist in this story that appeared in Man's Illustrated, November 1958. The creature at hand is the Abominable Snowman, also known as the Yeti, one of the most popular creatures to appear in pop-culture. Flint and other adventurers form a hunting expedition on Mt. Everest. The story, at about 20 pages in length, documents Flint's struggle with the harsh elements. But, my favorite aspect of the story is Flint's interactions with a beloved character named Billy, a young man hoping to finally overcome his fears after years of living in cowardice. Essentially, it's Billy's story, who arguably could be “The Man from Another Age” instead of the dangerous creature. Again, escapism laced with danger, high-adventure, and terror makes this story a real standout. 

“Monster Bird That Carries Off Human Beings!”

With a title like that, how could it not be a riot? I've always liked Jack Pearl's writing, and we've covered several of his books and even devoted a podcast episode to his work. He mostly authored crime-fiction, military-fiction, and biographies. But, he dipped into the Cryptozoology stories in the MAMs, including this wild “non-fiction” article in Saga, May 1963. Pearl describes “real-life” events where humans have been snatched by giant birds, often referred to as Thunderbirds in ancient civilizations. These are crazy, sometimes terrifying stories of man versus nature gone wild. Pearl points out that early American pioneers like Jim Bridger and Daniel Boone have written accounts they've experienced with giant birds. It is far-fetched, unbelievable shock-writing, but it is just so much fun to read. It's a testament to an era of imagination and curiosity. Much like many of the stories featured in this anthology.

These stories all feature wild animals and creatures wreaking havoc on mankind. There's tales of dinosaurs in jungles, sea-monsters terrorizing ships, and more Yeti, Sasquatch, and Bigfoot stories. They are all enjoyable, fast-paced, exciting action-adventure yarns surely to please fans. The artwork on the magazine covers and inner-pages is included in glorious full-color, including artists like John Pike, Jack Dumas, Gil Cohen, Mort Kunstler, and Norm Eastman just to name a few. As a bonus, there's even a hidden story buried inside the book. When searching for it, just be careful where you place your fingers. You never know what hairy, horrific creature you're liable to touch! 

Buy a copy of the book HERE.

Footsteps on the Stairs

I enjoyed The Troublemaker, a 1972 mystery by author Jean Potts (1910-1999). It was packaged as a twofer in 2022 by Stark House Press with Footsteps on the Stairs, the author's 1966 crime-fiction novel. This new edition also features an introduction by author and Passing Tramp blogger Curtis Evans. Many point to Footsteps on the Stairs as the penultimate Potts experience, so I was curious to see how I would respond to it.

Vic is now married to an alcoholic lush named Thelma. But, four years ago he was involved in a relationship with New York interior designer Enid. Both have moved on, but run into each other again in Philadelphia. Pleasantries are made, awkward memories are relived, and soon Vic is cheating on his wife with Enid. The variable is Enid's good friend and neighbor Martin, a clumsy recluse that is recovering from his wife's mysterious murder. He suspects Enid and Vic are a thing, but he is suppressing desires for Enid. When Enid is found murdered, Martin is devastated and feels that Vic is the prime suspect. 

Despite being released as the culprit, Vic is still Martin's number one suspect days after the murder. Only, the murder mystery becomes convoluted when Thelma (again...Vic's wife) begins having an affair and Martin finds out. Did Thelma gain her revenge by offing Vic's mistress or simply by cheating on him? As Martin digs into the clues and becomes the amateur sleuth, he finds an unlikely ally in a young woman named Rosemary, a friend of Enid's. The two begin an investigation to learn who killed Enid, but the suspect list is lengthy. 

Footsteps on the Stairs is laced with all of the traditional genre tropes one would expect from a mid 20th century crime-fiction novel – numerous suspects, an amateur sleuth, clue-scavenging, and of course, the obligatory corpse. I found Martin to be a likable hero, perhaps enhanced with his mysterious past and his problematic self-awareness. His fondness for Enid is his curse, but it's a key to his own salvation as readers understand what Martin's challenges were in his prior marriage. There are a number of small intricacies that contribute to the much larger problem. How they work together is the marvel of Potts' literary work. 

Whether or not this is Potts' finest crime-fiction novel is in the eye of the beholder. I have nothing to compare it to other than The Troublemaker. I endorse both novels and highly recommend the twofer. It's money well spent. 

Buy a copy of this book HERE.

First Through Time (aka The Time Factor)

Most time travel stories concern going into the past and the ramifications of altering linear time - always a fun thought experiment. In 1962’s First Through Time, also published as The Time Factor, British novelist Stanley Bennett Hough (1917-1998), writing as Rex Gordon, tackles travel to the future.

Major Howard Judgen works for a U.S. military-funded science unit that has invented a device called a Synchotron that captures images of the future for modern study. Basically, it’s a time machine for a rudimentary motion picture camera. The camera goes through a hole in time created by science-fiction hokum and returns 30 minutes later with video footage of the future.

A recent video that returned from about 100 years into the future indicates a cataclysm has taken (or will take) place at the spot the laboratory now stands in Tennessee with global ramifications (I’m being intentionally vague here). The military wants to utilize this time portal to send a man into the future to avert this catastrophe. Our narrator, Howard, seems to be the man for the job.

The success or failure of a novel with this setup hinges on the coolness of the author’s depiction of the future and the quality of the adventure awaiting our hero. It’s all set-up quite nicely with the appropriate characters trudging up all the time travel paradoxes associated with jaunting to a determined future with hopes of changing it.

The end result was akin to a decent installment of Jeffrey Lord’s Richard Blade series - without the kinky sex. The author tried to shoehorn too many Big Ideas into what otherwise should have been a short, pulpy novel. Overall, First Through Time was a pleasant diversion, but it will be no one’s favorite science-fiction novel of the era. 

Buy a copy of this book HERE.

The Three Widows

Wisconsin native Bernice Carey (1910-1990) authored poems, short stories, and book reviews in newspapers and literary magazines before becoming the author of eight crime-fiction novels between 1949 and 1955. Stark House Press has reprinted all of these as twofers with introductions by author and blogger Curtis Evans. My first introduction to Carey is her 1952 novel The Three Widows. It has been packaged with the author's 1950 novel The Man Who Got Away With It in the 2019 Stark House Press reprint. 

This cozy mystery novel features three vacationing women as prime suspects for murder – Mrs. Smith, Ferguson, and Meadows. The three are introduced to the book's protagonist, Melvin, while on vacation in a California resort in Escondido. Prior to Melvin's arrival, he spent the prior days with his wife in Santa Cruz and Yosemite. Oddly, both locations featured law-enforcement recovering a corpse. With the murders following Melvin, he soon finds another dead person at the Escondido resort. Readers know Melvin isn't the killer, but after engaging in chit-chat with the “three widows” he soon discovers they were all vacationing in Santa Cruz and Yosemite. Do one of these women have a penchant for cross-country murder?

The Three Widows is a short, pleasant mystery with one of crime-fiction's most enjoyable tropes – the amateur sleuth. In a hilarious scene, Melvin begins piecing together his gumshoe manual by reading a mystery novel. Soon, he is on the trail breaking into the women's rooms, examining their belongings, and piecing together motives and peculiar pasts. Some of the mystery is removed when readers are placed into the minds of each of the three widows, creating intimate moments when readers learn more about the characters than the investigating bungler. 

Overall, The Three Widows was an excellent introduction to Bernice Carey's writing style, that of the prim and proper mystery novel complete with a dialogue heavy tenderness. Comparisons could be made with another mystery author of the era in Jean Potts, although she is a tad more abrasive. With tragedy afoot, a moderate mystery, and corpses 'aplenty, Carey delivers a solid crime-fiction novel with The Three Widows. Cheers to Stark House Press for keeping the torch lit on these early 20th century classics. 

Buy a copy of the book HERE.

Zanthodon #01 Journey to the Underground World

As a longtime fan of science-fiction, fantasy, and the works of Robert E. Howard and Edgar Rice Burroughs, Lin Carter (1930-1988) authored a number of novels and series titles using unfinished manuscripts from his literary idols or by utilizing a pastiche to contribute future installments of established, classic titles. Using the Pellucidar series, written by Burroughs between 1914-1963, Carter created his own “hollow Earth” concept with the Zanthodon series. The five-book run, also inspired by Jules Verne and Arthur Conan Doyle, was published by DAW Books between 1979 and 1982. It has been reprinted by Wildside Press as one of their digital Megapacks featuring all five books for an affordable price. I'm starting with the series debut, Journey to the Underground World. 

The book's star is Eric Carstairs, the stereotypical 1970s action-hero that can pilot, captain, shoot, salvage, and deal with the best of them. He's in North Africa looking for work when he saves a professor named Potter from muggers. At the bar, where Carstairs stores his steep tab, he discusses Professor Potter's interesting proposition. Potter explains that he needs Carstairs to pilot a helicopter into an inactive volcano in an effort to locate the middle of the Earth, a place called Zanthodon. He provides evidence that many ancient cultures knew about Zanthodon and wrote about its whereabouts. The origin stems from a giant meteor that crashed to Earth, plunging through the volcano and making an impact on our planet's central core. The “Big Bang Theory” would have created a miniature Earth inside Earth. Make sense? Potter wants to locate it.

Carter doesn't waste the reader's time, and by page 40 both Carstairs and Potter have crashed the helicopter miles below the volcano. They crawl out of the aircraft and discover that Zanthodon is an evolutionary paradox. Dinosaurs roam free, along with two different types of humans – Neanderthal, which are the most basic of prehistoric humans and the slightly more advanced, evolved humans known as Cro-Magnon. As we know it, roughly a 350,000 year difference between the two on the evolutionary scale. But, in Zanthodon they are both alive and active, although warring with each other.

Aside from being a fighting man, Carstairs has a key advantage by carrying a .45 handgun to shoo away the pests. But, the duo is soon captured by the Neanderthals and taken on a long trek through the wilderness. It's here that Carstairs meets Darya, the captive daughter of the Cro-Magnon's tribal king, as well as Jorn, a fierce warrior-hunter. The narrative builds around Carstairs' attempts to become free while working together with an unlikely ally in Hurok. The book introduces future plots while familiarizing readers with the series vibrant and dangerous landscape.

As pure popcorn fiction, there's nothing to dislike about Journey to the Underground World. It obviously pays homage, and takes some liberties, from prior works like The Lost World and Journey to the Center of the Earth. Carter spends ample time with each character detailing the separate perils they are facing. The plot is spacious, allowing multiple events to occur in different areas – different enemies and challenges that rotate for the characters. I really liked that aspect of the storytelling. 

As a fast-paced, descriptive adventure novel, Carter delivers the goods. Journey to the Underground World is a journey worth taking. Recommended! 

Buy a copy of this book HERE. Get the eBook omnibus HERE