To Venus! To Venus!

Robert Silverberg said that Donald A. Wollheim (1914-1990) was one of the most significant figures in 20th century American science-fiction publishing. He was the editor for Avon Books between 1947 through 1951, then left to spearhead the new publisher Ace Books. He invented the adored “Ace Double” and spent 20 years as the publisher's editor-in-chief. He later left Ace to form one of the most instantly recognizable publishers in science-fiction literature, DAW Books (Wollheim's initials). But, Wollheim also wrote a lot of science-fiction stories and books, including To Venus! To Venus!. It was published under his popular pseudonym David Grinnell by Ace in 1970. The flip story of this double is The Jester at Scar by Edwin Charles Tubb. Cover art by John Schoenherr.

The book begins with a U.S. Space Agency's crew, led by protagonist Chet Duncan, navigating a difficult task on the Moon's surface. It is presented as a bit of foreshadowing, eventually culminating later in the narrative as Duncan is forced to navigate more challenging tasks on the surface of Venus. Once the crew is back home in CA, Duncan's senior management discusses the next mission.

Russia (then the Soviet Union) made a transmission from what appears to be a communication station on Venus. This would be unlikely considering that the U.S. and world leaders have established that Venus contains an atmosphere that is over 500 degrees. However, the Reds state that the information is inaccurate and that the atmosphere is similar to Earth's. In an effort to gain credibility, and in the fairness of competition, the Americans want their own people on Venus. A three-man crew led by Duncan will train extensively for the flight to Venus and make the voyage. Thus, a narrative is born.

The flight to Venus is somewhat boring as readers endure daily activities, training exercises, and some flat banter between the characters. The only entertaining aspect is that another group of Russians are en route to Venus as well, so the rivalry between the two space capsules is interesting. The Russians are heavily stereotyped, which made the dialogue unintentionally humorous. But, eventually the Americans land on Venus only to discover that the Russians are in need of medicine and assistance. The mystery on whether Venus is sporting the inner rings of Hell or the atmosphere of Central Park comes to fruition as the story reaches its central apex. Unfortunately, it was like a faulty firework on the 4th of July. A bummer instead of a starburst.

There's nothing about To Venus! To Venus! to recommend. The narrative just plods along with no  real enjoyment beyond simple escapism. The finale, which I thought was surely going to be an entertaining sequence of American/Russian cooperation to escape the fiery doom of Venus turned out to be about a paragraph in length. Just when I was fully invested, I turned the page and found an advertisement for more Ace books before the pages flipped upside down. Needless to say, I was underwhelmed with the ending. To Venus! To Venus! isn't Hall of Shame worthy, but it is certainly in the neighborhood. Take a hard pass. 

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The Terrified Heart

According to the internet, New York native Irving Greenfield was a youthful runaway, a Korean War veteran, a merchant seaman, professor, and author. He authored the 16-book series Depth Force for Zebra as well as the Navy trilogy under the pseudonym of Roger Jewett. His most popular novel is Only the Dead Speak Russian, which spent six weeks on the New York Times bestseller list. My first introduction to him is his gothics. He authored 11 gothic novels from 1966 through 1976 under the pseudonym Alicia Grace. I'm trying out The Terrified Heart, originally published by Belmont Tower in 1973. 

Danielle has experienced a tumbled love affair in New York. Breaking away from the past, she moves to cozy Vermont to work as a college professor teaching Greek History. It's here that she begins struggling with an awkward friend relationship with a man that just can't accept no as an answer. Needing a break from her new job and residence, Danielle spots a dreamy part-time job as a research assistant working on a Greek project. She's all in.

When Danielle meets Keith Wyler, he explains his entire convoluted past and job to her. Keith grew up on Long Island on a sprawling estate called Eleusis. He became married to a woman named Nina, who was then murdered and dumped on the shoreline. Keith was the main suspect in her murder, but the jury acquitted him and he left the family home for many years. Keith studied abroad, became enthralled with Greek culture, and now has returned to the U.S. hoping to write a book about an ancient Greek text. But, he wants to return to Eleusis to write the book while also reclaiming his birthright to inherit the estate. To accept the job as an assistant on the book, Danielle must agree to pose as Keith's wife upon his return to Eleusis. 

Greenfield's prose is elementary with a particular dryness to the characters. There's nothing to really like or dislike about any characters – even the murderer. Instead, Greenfield spends most of the 192 pages as banter between Danielle and Keith about his upbringing and the rivalry between himself and his crippled brother James. Readers can figure out who killed Nina instantly, which doesn't prove much credibility to the local law-enforcement. 

The unbelievable portion of the plot is that Nina and Danielle are nearly identical. What are the chances that Keith can find a woman who has a Greek History degree, looks identical to his previous wife, and is willing to pretend to be his current wife on a trip to the 'ole homeplace? That alone should be enough evidence that this is a complete mess. With a paper-thin plot, and disposable characters, The Terrified Heart is a literary deadbeat. 

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Logan #02 - Killers at Sea

Jon Messmann authored comic books before moving into men's action-adventure paperbacks in the late 1960s. He contributed installments to the spy-fiction series Nick Carter: Killmaster as well as creating and writing his own titles like The Revenger, The Trailsman, and The Handyman. In 1970, Messmann wrote two novels starring a begrudged boatman named Logan. Thanks to Brash Books and Cutting Edge, two publishers that have concentrated on releasing brand new additions of Messmann's literary work, I had the opportunity to read the first book, the eponymous Logan. Enjoying the novel, I'm back to the well again with the book's sequel, Killers at Sea. 

Messmann moves the action from Panama to the quiet South Carolina coast for this second Logan adventure. The battle-scarred protagonist receives a letter from an old friend in the fictional one-horse town of Kingdom Point. Upon his return, Logan discovers an elderly man's body lying on a secluded beach. Before he can notify the authorities, the bullets start to fly. The dead man's young friend, a gorgeous woman named Julie, begins taking potshots at Logan believing he is the murderer. Wrestling the gun away from Julie, Logan is then forced to kill one of three savage tough-guys that arrive at Julie's house. 

Like a mid 20th century crime-noir novel, Logan unexpectedly finds himself a murder suspect and must prove his innocence. In doing so, Logan is forced to contend with the group of criminals that killed the old man searching for something valuable he possessed. Now, the criminals believe that Logan somehow knew the old man and has the goods. But, how does Julie fit into this robbery and murder? 

Killers at Sea isn't quite as effective as its predecessor, but still retains the same ingredients. Lots of sex, gunplay, and violence that reminded me of the Netflix original show Ozark. While Logan's signature is his fast boat, The Sea Urchin, most of the book's violence surprisingly occurs on dry land. Messmann's plot development moves at light speed, never pausing for lengthy dialogue. It's a sacrifice of character building in exchange for the pure adrenaline rush brought on by the hero's struggle.

With Logan's sexual prowess, “big” Colt Python, sleek speedboat, and savage instincts, Killers at Sea is a fun romp through the wild formula of men's action-adventure. Recommended.

Notes – Despite the book titles, I honestly feel as though Messmann wrote Killers at Sea first, then followed it up with Logan. In reading both books, Killers at Sea is a looser outline of the character. First, a little more backstory is revealed with Logan's charity in Sister Mary Angela. This has the genre tropes of an origin tale. The Logan installment briefly mentions Sister Mary Angela as if readers are already familiar with that character. Second, I'd venture to say that Messmann's writing isn't as good in Killers at Sea as it is in Logan, as if he was still working out the hero's characterization.

There is also the character of Julie, which I find interesting. In this book, Julie is Logan's lover and she experiences violence and criminality before Logan ditches her on an island on the last page. In the opening pages of Logan, he is arriving back at his boat with a girl named Julie. If this isn't the same person, why name two female characters the same? The Julie in the Logan novel doesn't really say much to reveal her past, and she quickly leaves Logan when bullets start flying. It was as if the Julie chapter of Logan's life had reached its conclusion. 

The end result is that Killers at Sea was first, Logan second. 

Buy a copy of this book HERE.

King Kull

Texas author Robert E. Howard (1906-1936) is considered the grandfather of the sword-and-sorcery genre. His most popular and influential character was Conan, an iconic fixture of film, comics, graphic novels, vintage paperbacks, and the pulps. But, Howard's precursor to the famed barbarian was another sword-wielding hero named Kull (or King Kull). In fact, Howard's very first Conan story, “The Phoenix on the Sword”, was a reworking of a Kull story called “By This Axe I Rule!”. Howard authored 12 total manuscripts and a short poem that starred Kull, but only two were published during his lifetime - “The Silent Kingdom” (Weird Tales Aug 1929) and “The Mirrors of Tuzun Thune” (Weird Tales Sep 1929). What happened to the Kull stories after 1929?

Let's leap to 1946 and an Arkham House volume called Skullface and Others that featured “The Mirrors of Tuzun Thune”, “The Silent Kingdom”, and the poem “The King and the Oak” (originally published in Weird Tales Feb 1939). Other than this rather limited publication, the Kull stories simply disappeared. In 1966, Glenn Lord, literary agent for the Robert E. Howard estate, located six cartons of the author's papers, including unpublished manuscripts, carbons, and early drafts.* Among these cartons were seven complete, previously unpublished Kull stories, plus three unfinished stories. 

Lord then went to work compiling these stories into an omnibus for Lancer, a publisher that was already reprinting Conan stories as paperbacks, including unfinished drafts and stories that were completed by L. Sprague De Camp and Lin Carter. It only made sense for Lancer to do the same thing for Kull that they were doing for Conan. So, the first printing occurred in 1967 as King Kull with gorgeous cover art by Roy Krenkel. The paperback included the 12 Kull stories and the poem, three of which were completed by Lin Carter based on Howard's unfinished manuscripts - “Wizard and Warrior”, “Riders Beyond the Sunrise”, and “Black Abyss”. Minor edits were also made to other stories by both Carter and Lord.** Carter also drew out a handy map of King Kull's World for inclusion. 

Ultimately, this King Kull paperback is essential for any sword-and-sorcery, Conan, or Robert E. Howard fan. I really enjoyed the entire collection, but here are three of my favorites:

“The Shadow Kingdom” - Ka-nu is a Pictish ambassador, peaceful to Kull's kingdom of Valusia but sworn enemies to Atlantis. Kull is invited to have a feast with Ka-nu, where he is warned that a Pictish warrior named Brule the Spear-Slayer will appear before Kull at sunset. Kull then travels back to his throne and Brule the Spear-Slayer appears. Brule reveals to Kull that there are secret passageways in Kull's palace that he isn't aware of. Futher, Brule shows Kull that Serpent Men are secretely disguising themselves as palace guards and that the real palace guards are all knocked unconscious and their bodies hidden. The story features furious fighting in the palace and a dose of magic as an imposter Kull is revealed. These Serpent Men become Kull's enemy, although they never appear again in any future stories. But, this is a great reading experience, filled with stirring action sequences. It moves along quickly with an uncanny amount of vivid descriptions of grim settings. This story sweeps away the prior romanticism of fantasy stories and poems and replaces it with a more serious tone. 

“Black Abyss” - This story concerns one of Brule's fellow warriors, a guy named Grogar, seemingly disappearing into a black crevice in the wall. Brule quickly notifies Kull and the two enter this secret doorway into the dark. Inside, they find dark wizardry as Grogar has been tortured and strapped on an altar. When Kull attempts to free him, a giant slithering devil worm enters and the story turns into an action-packed horror story. It was so descriptive and dark, and I really loved the ending, which I assume is credited to Carter's storytelling. This story was also adapted into comic form as The Beast from the Abyss (The Savage Sword of Conan, No. 2 Oct 1974), written by Steve Englehart with art by Howard Chaykin. 

“By This Axe I Rule” - In this story, an outlaw named Ardyon has been employed by four killers. Together, the group proposes a plot to assassinate Kull. The group, assisted by 16 rogue swordsmen, will strike while most of Kull's army has been lured away from the palace. However, Kull learns of the murder attempt from a slave girl, providing him just enough time to prepare for the onslaught of death and violence. In the throne-room, Kull fights 21 men with a sword and battleaxe. Needless to say, this story was brutal, violent, and exhilarating in its good-versus-evil clash. The bloody finale finds Kull destroying the city's old laws and proclaiming, “I am the law.” Powerful stuff. 

Honorable mention goes to Kull's origin story, “Exile of Atlantis” and the “The Skull of Silence” with its dark and brooding Lovecraft elements. 

Sphere Books reprinted the paperback in 1976, then Bantam reprinted it again in 1978 as Kull minus Lin Carter's edits. Donald M. Grant reprinted the novel in 1985, once again titled Kull without Carter's edits. In 1995, Baen Books released the paperback as Kull with Carter's edits removed and a story added, “The Curse of Golden Skull”. Finally, in 2006 a trade paperback was published by Del Rey called Kull: Exile of Atlantis. 

* Information found in Glenn Lord's article “An Atlantean in Aquilonia” (The Savage Sword of Conan, No. 1 August 1974).

** Information found in Lin Carter's article “Chronicles of the Sword” (The Savage Sword of Conan, No. 2 October 1974). 

Get the Kull: Exile of Atlantis book HERE.

Murders Macabre

Norman Firth (1920-1949), known as the “Prince of Pulp Pedlars”, was a British author that contributed to small publishers like Bear Hudson, Utopian Publications, and Mitre Press. The diversified writer delved into multiple genres including crime, western, science-fiction, and horror. At one point, Firth accepted a commission to author 30,000 words a month of spicy stories for various magazines. Bold Venture Press has been working with Firth's estate to reprint some Firth's short stories that were originally published under pseudonyms. The first collection is called Murders Macabre, a 200 page volume that contains three short stories with an introduction by Firth's estate manager Philip Harbottle. 

"Terror Stalks by Night"

This story was originally published in 1945 by Bear Hudson under the pseudonym N. Wesley Firth. Bob Carter arrived in the tiny village of Riverton three days ago and has found himself incredibly bored. During a heavy thunderstorm, Bob pulls his car into a bus station to smoke a cigarette and reflect on his poor decision to visit such a dull place. A beautiful woman named Lucille quickly approaches Bob's car thinking he is a taxi. With a beautiful woman in his car, and nothing planned for the day, Bob casually asks “Where'd you want to go?”. Lucille explains that she is headed to a decrepit mansion called Rivers End to meet her remaining family members. It is here that her late aunt's will is to be read and the inheritance to be divvied out. Her aunt's stipulation was that all remaining family members had to be in the house at the same time for the reading of the will. When Bob arrives at the spooky mansion, Lucille goads him into going into the house with her. Inside, Bob and Lucille experience a long night of bloody, homicidal terror. A phantom with knives for fingers is stalking the halls and killing each family member one by one. With a corpse in the front doorway and the telephones down, the two are trapped with the killer. "Terror Stalks the Night" was absolutely amazing with its blend of violent savagery, eerie ambiance, and slight sense of dark humor from Bob, the stories central character. This was just a superb introduction to the author.

"Phantom of Charnel House"

This story was originally published as “Death Haunts the Charnel House” in 1946 under Firth's pseudonym of Jackson Evans. Six years ago, Wenton inherited a ton of money from his uncle's estate. With nothing to do but loaf around all day, Wenton thought it would be fun to become a ghost hunter. He placed an ad in the local paper and soon found himself extremely busy traveling the English countryside proving that most of the haunting and ghost appearances could easily be explained. Only a few cases seemed genuine, although Wenton still retained some doubt. His newest endeavor is Charnel Estate, a haunted habitat that features over 100 workers residing in the Charnel Estate village and working at the nearby factory. Only, rumor has it that the original Charnel Estate housed a murderer, a fiend that used harpoons to impale victims. Now that there's a new owner of Charnel Estate, the old murders have returned again. It is up to Wenton to find the murderer and determine if there's a supernatural aspect to the killings. Again, Firth does an amazing job with atmosphere and location, placing Wenton's investigation in the middle of a rural, foggy English village ripe with suspects and motives. The appearance of this “phantom” was terrifying, despite the very real possibility of the Scooby-Doo styled ending. Regardless, the suffocating tension, horror tones, and grisly murders were worth the price of admission. This was a fantastic story.

"The Devil in Her"

This story was originally published in 1945 under the pseudonym of Henri Duval. Dr. Alan Carter arrives at an English lodge to recuperate from the horrors he witnessed treating ill patients in third-world countries. The lodge is a family friend's place, a household that Carter frequented in the past. Once there, he begins to hear rumors of a witch prowling the moors killing livestock. Once Carter reunites with a former lover named June, he begins to think she herself may be the witch. Once the victims shift from animals to humans, Carter is thrust into the investigation to determine who the killer is and the motivation. The suspect list grows to include a therapist named Calatini, a rival that impedes upon Carter for the affection and love of June. There are plenty of slayings before the story's stirring finale. This was a solid story filled with suspicions, murder, re-kindled passion, and the tropes of an old-fashioned detective tale. 

I hope Bold Venture Press will continue compiling Norman Firth's short stories for future collections. I thoroughly enjoyed Murders Macabre as an introduction to this talented, seemingly forgotten author. If you love traditional horror and the weird menace type stories of Bruno Fischer, this is a mandatory addition to your reading collection. 

Buy a copy of this book HERE.

The Eternal Champion #01 - The Eternal Champion

Michael Moorcock is a British science-fiction and fantasy author that began writing novels and stories in the late 1950s. His literary work is mostly composed of series titles that all links to an epic multiverse of various worlds and time periods. I'm familiar with Moorcock through his musical contributions to Blue Oyster Cult and Hawkwind, but haven't seriously dissected his bibliography. To sample his work, I decided to try The Eternal Champion, often referred to as the Erekose series. The trilogy's eponymous debut, originally appeared as a novella in Science Fantasy #53 in 1962. After Moorcock modified and expanded the story, it was published by Dell in 1970 with a Frank Frazetta cover.

The novel is presented in the first-person by John Daker, a man from present day Earth who has been summoned by King Regenos to become a supernatural swordsman known as Erekose, meaning the one who is always there. Daker can remember bits and pieces of his past life, including the various incarnations of himself under names like Elric, Cornelius, Corum, Hawkmoon, and others. Regenos explains that the human race is facing genocide from a race of beings called Eldren. With Erekose's tactical strategy and battleground prowess, mankind can be saved by this messiah. 

The sword-and-sorcery adventure places Erekose on a wooden long-ship sailing to the Eldren capital city. En-route, Erekose witnesses Regenos' unethical tactics when he strikes down an Eldren leader during a truce. Later, the humans wipe out the Eldren's seaport city, slaughtering everyone other than their princess, a woman named Ermizhad. With her as a prisoner, Erekose begins to see a different perspective of the Eldren. As the action shifts to the kingdom commanded by Regeno, Erekose questions his purpose and fate.

If you are a casual sword-and-sorcery fan, or just enjoy a great adventure, then you will easily become enthralled in The Eternal Champion. It can be enjoyed as a simple, yet exciting, action yarn without any deep analysis. The formula is somewhat elementary from a sky-level interpretation – hero is born from the ashes, leads the humans to fight the invaders, questions the motives, then becomes an ally of the invaders. It is a fast-paced, swift action-adventure that is absolutely top-notch. 

However, Moorcock never goes with the grain. He is always questioning the realms of fantasy and the stereotypical flavors and trappings of the genre. As a deep dive, The Eternal Champion positions Erekose as questioning his cursed fatalism. Why is he destined to live out these tragic lifespans in a cycle of the future becoming the past? Is he mankind's savior in a physical sense? The idea that Erekos arrives in an empty tomb places him in a Christ-like position of immense power. As an authority figure, Erekos must decide who needs saving and if warfare truly has rules. Questions of nobility in war, humanity's self-destruction, and the concept of human exceptionalism arise over the course of the narrative. Moorcock's prose, both ultra-smooth and ripe with imagery, presents an appealing and durable protagonist.

The Eternal Champion proves to be timeless classic and worthy of all the critical acclaim and accolades it receives. As a newbie to Moorcock, I think this book may be the welcome drug into an unparalleled library of epic, thought-provoking literature created by a revolutionary scribe. This is sheer perfection, and I want more. 

Buy a copy of this book HERE.

Flanagan's Run

Tom McNab was born in Glasgow in 1933 where he held the Scottish national triple jump record. He coached the British Olympic bobsled team at the 1980 Lake Placid Olympics and was also a technical advisor on the film Chariots of Fire. Most importantly, he wrote a 1982 historical novel called Flanagan's Run about a 3,000-mile foot race from Los Angeles to New York with a big-money prize during the Great Depression. The premise was so cool, I was sold immediately.

The year is 1931 and C.C. Flanagan is a P.T. Barnum-styled huckster organizing “C. C. Flanagan’s Great Trans-America Race”. Distance running was a spectacle back then, and the prospect of winning a $150,000 prize brings 2,000 athletic anomalies out of the woodwork.

Runners from all over the world — including 121 ladies — travel to Los Angeles to compete in the race. The daily distance quota is about 50 miles, and it’s expected that the race will end three months thereafter. The winner is the finisher with the lowest aggregate time over the entire course. En route, the runners live in specially-constructed tents with 100 bunks each.

Some countries send teams of runners. The German racers are from a new political movement known the “Hitler Youth” or “Nazis.” Other characters in the paperback are the kind of colorful eccentrics you’d see in a Coen Brothers movie or the madcap paperbacks of Donald Westlake:

There’s a 19 year-old Mexican running to save his village from starvation.

A British Olympian places a giant wager with aristocrats at home that he’ll finish in the first six places.

You’ll get to know a Scottish runner who was an unemployed riveter in the Glasgow shipyards before the jobs disappeared.

One of the runners is a bare-knuckle boxer from Pennsylvania with an origin story that will please any fan of boxing fiction.

There’s also a medicine-show con-man everyone calls Doc who is an encyclopedia of knowledge regarding distance running.

And don’t forget Kate Sheridan, the sexy New York burlesque dancer seeking to prove that a woman can make it to the money.

Once the race starts, the fun really begins. Flanagan’s carny sensibilities drives him to bring an entire crew worth of bizarre attractions along the route, including a talking mule who doesn’t say much. There’s camaraderie, teamwork, romance and thrills in every chapter as hungry men (and the Beautiful Kate) push themselves beyond their limits in search of glory and money. Along the way, there are literal and figurative barriers to finishing the race as planned. Flanagan’s constant problem solving and the ways he outsmarts his enemies at every turn are a pleasure to read.

I loved Flanagan’s Run, and if you like the triumph of the human spirit sports stories, you’ll love it as well. The book reminded me of a less-insidious version of Stephen King’s The Long Walk. The movie rights to the novel are owned by Miramax. Part of me would love to see the paperback adapted for a film or streaming series, but a bigger part of me doesn’t want the joy of this thick novel sullied by Hollywood’s interpretation. It occurs to me, that’s the biggest endorsement for a book I can muster: Just let it be. 

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A Woman on the Place

A Woman on the Place was a 1956 Ace paperback by Florida’s “King of Paperbacks” Harry Whittington (1915-1989). The book has been reprinted over the years and remains available as an affordable ebook from Prologue Press.

The Johnsons are simple, struggling orange farmers living in the scrub country of Central Florida. Will is the father fighting to survive with his handicapped wife and stepson in tow. Debts are mounting and a rare freeze may kill this season’s crop. Will’s creditors aren’t interested in excuses, they just want to be paid. There’s disagreement among family members about whether a harvest for the orange juice concentrate company is the right business move.

A pair of uninvited — and undesired — house guests suddenly arrive from Alabama. Tom is the white-trash, deadbeat cousin of Will’s wife, and he brought his abused ragamuffin bride Rosanne with him. Of course, Rosanne is a real looker, and the relationship with her domineering husband is super-dysfunctional. Naturally, Will is intrigued by the Alabama girl, especially when compared to his wheelchair-bound shrew of a wife.

A Woman on the Place is a weird novel for Harry Whittington as it doesn’t fit nicely into any of his normal genres. My theory is that in 1956, paperback editions of novels of hardscrabble life in the rural south by Erskine Caldwell, William Faulkner and John Faulkner were selling quite well. This was Whittington’s attempt to take a crack at an agrarian melodrama with literary aspirations. As a result, the pacing is really, really slow with none of the noir snappiness readers of his crime-fiction have come to expect.

To be clear, there is a killing and stuff happens, but it was all too boring to generate much interest in the characters’ well-being This is what happens when a writer abandons his strengths and chases the marketplace over originality. Harry Whittington was better than this novel, and you deserve more. Don’t bother. 

Buy a copy of the eBook HERE.

House of Stairs

William Sleator (1945-2011) was a Harvard graduate that authored science-fiction and young adult novels from 1970 through 2011. I wasn't aware of his literary work, but was happy to discover House of Stairs at a local used bookstore. It was originally published by Avon in 1974 and has since been reprinted numerous times in multiple formats.

The book consists of five sixteen-year old kids being taken from various orphanages and state institutions and placed in a seemingly endless world of stairs. There are no walls or rails, just platforms connected by stairs that lead in different directions to more stairs. The first to arrive is Peter, blindfolded and shoved from an elevator into this stairway nightmare. Inside the maze, he finds a girl named Lola. Together, the duo stumbles upon another stairway resident, a girl named Blossom. She has found a small, disc-shaped machine that releases a small food pellet each time she sticks out her tongue.

The three are later joined by Abigail and Oliver, and collectively the five of them share a small backstory of how they came to arrive in the maze. Like any novel that places ordinary people in extraordinary circumstances, alliances are formed and enemies are made. In this case, Lola and Peter form a partnership and attempt to exist “upstairs” away from the others. The motivation for alienation is that the food machine changes its preferences on when to deliver the pellets. As the hours morph into days, the group soon becomes starved and forced to abuse each other in order for the food pellets to be delivered. You see, physical and verbal abuse awards the group with food while kindness and generosity produces starvation. The horror!

At 156 pages, House of Stairs is a brisk, macabre little novel that says so much about humanity's will to survive. It was interesting to watch the deterioration of human kindness when pushed to the breaking point physically and emotionally. With the idea that time isn't a factor, a rescue isn't feasible, and escape is impossible, these kids spiral into madness and depravity. It's a young adult novel, but there are some violent scenes and sadistic overtones.

I enjoyed this book a lot and found the central mystery as a propulsive, consistent plot development. I will say it is a bit dated with some situations and the ending left me a bit underwhelmed. If you love survival horror like The Mist or The Ruins, then House of Stairs should provide just enough literary terror to quench your thirst. Recommended. 

Buy a copy of the book HERE.

Cody's War #01 - Dragonfire!

Between 1982 and 1986, Stephen Mertz authored a number of gritty Mack Bolan installments that are considered some of the best of the series. He also created and authored installments of the M.I.A. Hunter series as well as the Kilroy mysteries and music-based novels like Hank and Muddy and Jimi After Dark. Recently, he launched a brand new action-adventure title called Cody's War. I'm always up for a rip-roaring, Mertz mule-kicker, so I chose to read the series debut, Dragonfire!. It's out now through Wolfpack Publishing.

Readers learn through backstory that CIA Agent Jack Cody experienced a personal tragedy when his family was killed by a terrorist bomb. Now, Cody seeks out the most perilous jobs in a quest to kill himself in the line of duty. Thus, his unconventional methods have earned him the nickname “Suicide Cody”.

In the book's opening chapters, Mertz introduces readers to his newest paperback warrior by placing Cody on a small, U.S. submarine en route to the Ocean Song, a recreational yacht containing a wanted Islamic terrorist named Hadi Abu. As Cody emerges from the tiny craft, there is a prophetic message in one simple line of text: “Cody lifted himself through the hatch, into the storm.” It kicks off the novel, the character's mission, this series debut, and puts readers in the harness seat as the author thrusts readers into the action.

On the Ocean Song, Cody disposes of the baddies, captures a valuable female accomplice, and faces off with one of the early Final Bosses. Abu, refusing to go quietly into submission, gets the 'ole one-two punch - a shotgun amputation and decapitation. Cody then thrusts the captive over his shoulder to ascend a swinging ladder to a helicopter spewing out M60 rounds into the Ocean Song's violent, but foolish crew. Wham! Bam! Thank you Uncle Sam.

After the fast-paced opening scene, Dragonfire! settles into a brisk pace as the next mission unfolds. A Chinese scientist is attempting to defect to America and is receiving assistance from a covert CIA agent. As one can imagine, the defection requires stealth support from resistance cells within Red China, an underground pathway that has already smuggled out the scientist's wife. This resistance cell, oddly enough, is backed by the Triad, China's version of the Mob. 

The exchange is set that will place the scientist on a road to freedom. However, when the final deal goes down, the CIA man is killed and the scientist is taken captive by a Major Zhao. It turns out, Zhao is working on a coup attempt from within the Chinese military. He will use Dragonfire, the scientist's deadly weapon, to shift the momentum and overthrow the Chinese government in a quest for world dominance. It's a pulp-fiction “take over the world with the biggest bomb” strategy that isn't far removed from an Ian Fleming (James Bond) or Michael Avallone (Nick Carter, Ed Noon) styled plot. 

U.S. President Harwood informs his close cabinet that Cody is The President's Man and has been for the three predecessors before him. Harwood elaborates, “He's as well-known in this office as he's unknown to the general public.” So, Harwood gives the orders to Cody's CIA controller and possible love interest, Sara Durell (an obvious ode to Mertz's favorite spy hero in Sam Durell). She meets with Cody, provides the rundown, and hooks him up with an embassy handler named Beth in Hong Kong. The mission is to locate the scientist while investigating the disappearances of an American fighter-jet and submarine, which readers already know were targeted, zapped, fried, and vaporized by Dragonfire. Cody's ultimate goal is to prevent Earth from falling under the bombastic spell of an even viler Chinese dictator.

Needless to say, Mertz is in full rock 'n roll mode with Cody's War. Dragonfire!, while being a modern, sophisticated shoot 'em up, is a throwback to the two-fisted, barrel-chested, bullet-belted heroes of the 1970s through the 1990s. Cody isn't completely exposed in this book, leaving a lot of his past in the dark. But, I love the madness to his motive and the idea that he is longing for his own death while fighting to save the lives of others. There's very little humor (if any) as Cody drills down to the bone marrow to find and eliminate targets. This keeps the book on the rails and moving towards a destination. Readers know the stops. I also love literary-longevity. Mertz has created a durable series hero that he can simply drop into the endless abundance of current Earthly war-zones. Plus, there's the whole “Sara 'n Cody” romance that can build up over time. 

In the introduction to Conan of the Isles, L. Sprague de Camp wrote about a lecture he attended on writers. I think this sort of sentiment describes talented authors like Stephen Mertz:

“A lecturer lately has said that, if a fiction writer wants sales, he should write exclusively either about politics or sex. A novel like The President's Boyfriend ought to be a lead-pipe cinch. There are still, however, many readers who read, not to be enlightened, improved, uplifted, reformed, baffled by the writer's obscurity, amazed by his cleverness, nauseated by his scatology, or reduced to tears by the plight of some mistreated person, class, or caste, but to be entertained.”

Whether he's throwing rounds downrange with a literary creation or blowin' the blues harp in a smoky dive, Mertz is an entertainer. With his newest fictional hero, this remarkable scribe ventures down another pathway to offer up another enjoyable, rock-solid good guy during a time when humanity needs more good guys. Jack Cody is that guy.

Cody's War Checklist

1 Dragonfire!
2 Camp David Has Fallen!
3 The Fires of Allah
4 Day of Reckoning
5 The Last Refuge
6 Cody's Return
7 Lethal Assault
8 Final Strike
9 Afghanistan Payback

10 Hellfire in Syria 

Buy a copy of this book HERE.

Tightrope Men, The

British resident Giles Denison awakens in an unfamiliar place with vague memories of his past. When he stumbles into the bathroom, he is shocked to see the face staring back at him is not his own. The mirror's reflection, and wallet, prove that Denison is a doctor named Harold Meyrick. Upon further inspection, Denison discovers that he is in a hotel room in Oslo, Norway. Going with the flow, and hoping sanity returns, Denison heads to the front desk and learns that he's been a guest of the hotel for three weeks. Finding his car, Denison is further perplexed when he finds a small doll inside with an invitation for a meeting at a nearby popular tourist spot.

When Denison arrives at the rural, forested attraction, he's immediately attacked by three men. Barely surviving the encounter, Denison escapes with his life and is soon arrested by the Norwegian police. Thankfully, Denison finds some solace when men from the British embassy arrive to spring him from jail. They attempt to explain the bizarre circumstances surrounding Denison's newfound identity. It turns out that Dr. Meyrick was assisting British intelligence in locating hidden papers regarding a top-secret weapon. Some red agency captured Meyrick and the perfectly pedestrian Denison. Meyrick is either dead or undergoing torture, while Denison has been brain-scooped and surgically rendered to resemble Meyrick. 

Desmond Bagley's The Tightrope Men (1973) is a clever, high-speed espionage thriller with the obligatory suit 'n tie good guys fighting global terror with an unlikely hero. Denison's transformation from unwilling, shocked suburbanite into the willing and capable spy was really enjoyable. The author injects some humor and a lot of fun banter with Denison, as Meyrick, forced to engage in relationships with Meyrick's friends and a beautiful daughter. The latter becomes a real mess for Denison as he is falling in love with the woman that is supposed to be his daughter. There's reader speculation on who's in the know and who isn't when it comes to Denison's facade as Meyrick, which made for a great mystery. Of course, there's gunplay and action-adventure in the deep, rural wilderness of Finland (similar to Bagley's Running Blind taking place in the remote wilds of Iceland).    

Needless to say, Bagley rarely disappoints. The Tightrope Men is a well-crafted, superb spy-thriller with danger, intrigue, and romance at the forefront. If you love Ian Fleming, Hammond Innes, and Alistair MacLean, then you are probably already familiar with Desmond Bagley. If not, this is a perfect representation of his work. Highly, highly recommended.

Fun Fact about Paperback Warrior – I'm a bit of a Finland history buff and Bagley provides an excellent, digestible history on Finland's relationship with Russia. There's also passages regarding the Karelian Isthmus, an area in northwestern Russia, where the Finnish population was seemingly replaced with Russian. In particular, I've read poems and stories associated with Finland's National epic Kalevala. There's a great Finnish band called Amorphis that writes and performs songs associated with Finnish history and the Kalevala poems. 

Buy a copy of this book HERE.

Atlantic Fury

Author Hammond Innes would spend months researching and visiting obscure parts of the world in preparation for his adventure novels. Typically, Innes likes to keep things frosty, evident with his novels The White South, The Land God Gave to Cain, and Fire in the Snow. Thus, the northern hemisphere was a popular destination, including the rocky Outer Hebrides islands, positioned off the west coast of mainland Scotland. This rugged, rural terrain is the backdrop for Atlantic Fury, a mid-career novel originally published by Collins in 1962. 

The first thing you need to realize about Atlantic Fury is that the book's ending is revealed in the novel's first few pages. The account is written in first-person perspective by Donald Ross, an artist and former seaman who explains that a major military disaster occurred at sea and courtroom drama transpired. Ross's narrative reveals the results of his investigation into the wreck and what prompted his participation.

In the novel's first act, Ross is unexpectedly visited by a Canadian gentleman named Lane. He explains that his wife is running in second-place to inherit a ton of money from a deceased relative. The current leader is a guy named Major Braddock, but all attempts to reach him have been met with cold silence. It appears that Braddock just isn't that interested in the will, but can't be excluded without proof of death. Interestingly enough, Lane explains to Ross that he has evidence that proves that the real Braddock actually died years ago in a boating disaster. The man pretending to be Braddock now is Ross's brother Iain. That's a real pitch, but what makes it a curveball is that Ross's brother died years ago. Did Iain fake his own death and become the deceased Braddock to fool authorities?

I would imagine that this type of story has been told before, the one where the guy condemned to the gallows figures out a way to swap identities. However, Innes does what he does best by incorporating all of the harrowing elements to create the perfect escapism – roaring storms, nautical disaster, brutal survival, and the obligatory harsh and unforgiving landscape. Innes understood his audience and what was needed to delight his loyal fan base. It's like Lionel White providing thieves and bank jobs to please the readers of his riveting heist novels. But, Innes captures a certain lonely and tragic essence with the characters he creates.

Ross exhibits a deep longing for the fictional Laerg, an island making up a part of the Outer Hebrides chain. His attempts to reach it is either counter or parallel to his minimalist lifestyle depending on perspective. Ross is a single starving artist living in a small apartment, yet longs for Laerg's isolated, uninhabitable landscape of perilous rocks and beaches. It's also a trip into his past to determine his brother's connection to the island. If Laerg is a solitary confinement, then Ross is just bringing his sheltered lifestyle to another place. Or, does the island represent some sort of artistic freedom, liberating Ross from his confined space? Examining the other novel's strengths may reveal certain characters that would rob you of reading pleasure. 

Atlantic Fury isn't top shelf Innes, but for any other high-adventure author it probably is. Innes was simply that good and proves it with a stellar catalog. There's plenty to like about the novel considering the central mystery, as revealed as it is, and the abstract, unique adventurers. Recommended. 

Buy the book HERE.

Larry Kent #751 - Spanish Harlem

Larry Kent was a hardboiled New York private detective in a long-running series first published in Australia. Many of the novels were written by an American immigrant to Australia named Don Haring, including #751 Spanish Harlem from 1974 currently available from reprint publishers Bold Venture Press (paper) and Piccadilly Press (ebook).

The novel begins with PI Larry Kent being forcibly brought to see a gangster who runs the numbers game in Spanish Harlem. The racketeer’s teenage son has disappeared from a military academy in Georgia, and he needs Larry to find the boy. Kidnapping? Murder? Mob feud? No one knows.

Larry travels down to Dixieville, Georgia, where Greystones Military Academy stands. The missing boy - his name is Phillip - is the “best pass catcher” on the Academy’s football team, so the school is anxious to have him back in pads. Based on the description of the boy’s field position, I gather the author wasn’t much of a football fan himself. It doesn’t take long before Larry is being menaced by a parade of walking southern stereotypes who try to beat him and call him a “nigra lover.”

All roads lead to a racist domestic extremist group called the Sons of the South, who wear white sheets, engage in arson, advocate for sterilization of blacks, etc., etc., etc. Of course they have the local sheriff in their back pocket. Rescuing the missing boy is more complicated than you’d expect and plunges Larry into organized criminal politics among Black Harlem, Spanish Harlem and The Syndicate.

This is a middle-of-the-road Larry Kent novel. It’s not one of the great ones or one of the incomprehensible ones. It’s a bit generic and reminded me of a Mike Shayne mystery without much sex or action. The whole novel is pretty weighted down in racial politics, which became pretty tiresome given today’s never-ending discussions of race. By now, you know if this is your thing or not. 

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Tarzan #01 - Tarzan of the Apes

Many of the classic, more mainstream series titles or novels we discuss here at Paperback Warrior are presented from the perspective of a brand new reader. Novels from the likes of Ian Fleming, Jack London, Robert E. Howard, etc. have been devoured by millions of readers through many generations. However, for the most part they remain brand new to us. Aside from various media – comics, movies, television, non-fiction analysis – these classic literary works are a paradise of undiscovered gems. Slowly, we pull these classics from the rainy day stash to read and review. Thus, I've now arrived at Edgar Rice Burroughs' acclaimed 24 book series of novels starring the iconic Tarzan.

Tarzan of the Apes originally appeared in magazine format in the October, 1912 issue of All-Story. It was first published as a hardcover in 1914 and then later as a paperback by Ballantine in 1963 (with a cover painting by Dick Powers). It's a rather long novel at 220 pages of smaller paperback font size, making it a thorough and comprehensive origin story to kick off the series. 

The book begins with explanations that John Clayton (known as Lord Greystoke or Viscount Greystoke) is a British Lord that has accepted an assignment by the British Colonial Office to investigate racial relations in West Africa. While excited for his new career boost, Clayton also feels dismayed that he must bring his pregnant wife Alice to a harsh landscape. En route to their destination, the crew of their passenger ship overthrows the Captain and nearly kill Clayton and his wife. Thanks to crew leader Black Michael, the couple is spared. Instead of being thrown overboard, Black Michael leaves them on the shores of a dense coastal jungle. In essence, the Claytons are marooned on a dangerous, unfamiliar island in the middle of nowhere. Death seems inevitable.

Through the book's first chapters, the narrative highlights the Claytons early determination to beat the odds. As the months go by, and a rescue seems unlikely, the hopes and determination begin to fade. Enclosing their meager existence is the menacing jungle wildlife, complete with roaring lions, ferocious apes, and other predatory animals. After Alice is nearly killed by an ape, she becomes emotionally unhinged. One year after giving birth to the couple's son, she dies from emotional distress. With great difficulty carrying the immense, lonely burden, Clayton simply gives up and is soon killed by a tribal king ape named Kerchak. A motherly ape named Kala, who just lost her own child, rescues the baby boy and raises him as her own. Thus, his name becomes Tarzan, which means “White Skin” in  the ape language. 

As one would expect, the middle chapters are the proverbial coming-of-age narrative concerning Tarzan's childhood and transformation from the tribe's weakling to the savage “King of the Apes”. It's action-adventure focused as Tarzan becomes a skilled hunter, fighter, and leader of the tribe through various battles with other apes and wildlife. Tarzan spends his calm moments at his parents' small, makeshift cottage going through various trinkets and books, learning more about his own race and why he is different than the apes. He teaches himself to read and write based on the numerous baby books the Claytons had packed for their trip. Through these quiet moments, Tarzan takes the necessary steps to slowly evolve into a civilized man.

A couple of decades pass and then a new crew finds themselves marooned on this same island. This is how Tarzan meets young Jane Porter, his love interest and future wife. Ironically, Tarzan's cousin is one of the members of the party, William Clayton, son of Lord Greystoke (Tarzan's uncle). This portion of the narrative was really fragmented and uneven, with a number of characters involved in events in different locations on the island. Eventually, Jane is rescued by Tarzan after discovering his parents' cottage. She falls in love with him, but realizes he isn't civilized enough and would be unhappy anywhere other than the jungle. The book's finale concludes with Tarzan learning a modern way of existence through a French soldier named D'Arnot. The story's ending is a bit of a cliffhanger as Tarzan learns of his Clayton/Greystoke heritage, but withholds the information in an effort to allow Jane to marry William without complications.

Overall, Tarzan of the Apes was a fun reading experience, but I would be remiss if I didn't express that I was a little underwhelmed. After the lofty literary praise I've read about the book in my lifetime, I felt that the narrative was unnecessarily dense in spots. Further, there were way too many characters in the book's third act to enforce any sort of isolation or loneliness within the tight narrative. The action-adventure aspect was still intact, but only marginally so. I also felt that Tarzan's development from savage to civilized man was rushed too quickly. I really disliked the ending with the Wisconsin farm, Jane's economic situation, and the convenient forest fire. None of the elements conveyed the same enjoyment I experienced within the rural, dangerous jungle. Arguably, it was too cavalier, but I completely understand it is a product of the time. 

With both its racial awkwardness and dominant masculinity paired with Burroughs documented eugenics support, Tarzan of the Apes doesn't age particularly well. The misguided beliefs about African culture was uncomfortable at times, but again, I do understand this was a controversial era with bad choices and uneducated world views. To read any early to mid-20th century literature does require some patience in that regard. But, I was generally pleased with the book's pacing, the main character, and some of the early events with the mutiny of the ship. I liked it enough to want to read the second installment. 

Buy a copy of this book HERE.

Pay the Devil

There's no doubt that Jack Higgins, real name Henry Patterson, is a household name and one of the cornerstones of the second generation of action-adventure novelists. By the mid-1970s, most of the author's literary work from the late 1950s through the 1970s was re-published as paperbacks under the name familiar name of Higgins. Patterson's 1963 hardback novel, Pay the Devil, was one of the few novels absent from the 1970s reprints. Oddly, the book wasn't released until 2000. It was revised and published as a paperback by Berkley. 

While most of the author's novels are written as modern, high-adventure novels typically placed in the same time period as their publishing date. Pay the Devil is mainly set in 1865, just one year after the American Civil-War. The hero, Irish-American Clay Fitzgerald, is introduced in the book's prologue (which I believe was written decades later as an addition to the book's reprint) as a Confederate Brigadier General. This exciting prologue has Fitzgerald and his tattered band of rebels receiving orders that General Lee is surrendering the Confederacy at Appomattox, Virginia. Knowing the war is now over, Fitzgerald and his men come to the aid of a young man who is being lynched. These early pages show readers that Fitzgerald is not only a respectable man of action, but also a trained battlefield surgeon. These elements are both important to the narrative. 

After the surrender, Fitzgerald learns that his Uncle has died in Ireland and that his inheritance is waiting. The book then resumes the action one-year later as Fitzgerald and his friend Josh arrive in the Irish town of Drumore. There they learn that Fitzgerald's inheritance is a moderate amount of money and a burned estate. After an exchange with some of the residents, Fitzgerald learns that the town is essentially being bullied by Sir George Hamilton. As a servant to the British, it's Hamilton's job to keep the Irish poor and famished. Fitzgerald, fearing the Irish will never gain independence, assumes a neutral role. But after seeing the town's exhaustive efforts to fight back, Fitzgerald dons a costume and assumes the identity of a folk hero vigilante named Captain Swing. As this masked rider, Fitzgerald fights for the people. 

This was a really different Jack Higgins novel. While not a traditional western, it's more like Higgins' version of Batman. While there's plenty of action, Fitzgerald's role as caregiver to the poor really defines the character. By day, Fitzgerald can rub shoulders with Irish and British aristocracy, but at night his surgical skills and fighting demeanor resembles a pulpy sort of hero. With a saber and Dragoon, this character represents nobility and pride, a continuation of his background in the American Civil-War – one war just exchanged for another.

As a fan of Higgins, I can't find anything not to like about Pay the Devil. I am a little puzzled on why this novel wasn't reprinted decades earlier. Perhaps the author's iconic World War II and nautical themes were so overpowering that publishers didn't wish to risk his literary dominance at that point. While it's a different time period, the author's heroes are nearly interchangeable. This book should please the author's immense fanbase, but also could serve as a pulpy alternative western for lovers of Lone Ranger, Masked Rider, and other old west adventures. 

Buy the eBook HERE.

Path to Savagery

According to Mystery File, Robert Edmond Alter authored over 40 stories for magazines and digests like Mike Shayne, Man from UNCLE, Argosy, Alfred Hitchcock Mystery Magazine, and Manhunt. He wrote two novels that were published by Fawcett Gold Medal, Swamp Sister in 1961 and Carny Kill in 1966. Both of those were reprinted by Black Lizard in 1993. We reviewed Swamp Sister in 2020 and it failed to impress us, but we went back to the well again with Alter’s novel Path to Savagery. It was published posthumously by Avon in 1969, three years after Alter's death. The post-apocalyptic novel was adapted into the 1979 Sony Pictures film The Ravagers starring Ernest Borgnine and Richard Harris. 

The book is set about 20 years after a global nuclear war. What's left are large swaths of wilderness, packs of wild dogs, and large cities that have mostly been ransacked. On the coasts, some of these cities are now marshy islands due to excessive flooding from broken seawalls. Civilization now exists in three classes. Flockers guard their food, water, and weapons and exist in packs. Neanderthalers are your common savages that use barbarism on a quest for dominance. The Loners are guys like Falk, the book's protagonist, that simply exist as troubadours scouring the countryside for supplies in an effort to live a peaceful existence. But, Falk packs a .45 and a Thompson submachine gun in case things get hairy. 

The first thing you need to know is that Path to Savagery is nearly awesome. It begins and ends with total awesomeness. What's in the middle is just plain 'ole great. Alter's pace is sometimes sluggish, but at 174 pages he spends productive time on characterization, something that was not afforded to him writing shorts. His descriptions were so vivid and real. For example, in the book's opening pages, Falk finds a dark, cavernous mansion that's been ransacked and abandoned. Bad guys follow him inside, hoping for a quick and quiet kill. Alter's descriptions of Falk fighting the enemy in the dark mansion's bedrooms and hallway were exhilarating. I loved that Falk couldn't see his attacker's faces until they were illuminated by his gun's muzzle flashes. 

Falk moves through the bogs and brambles and stumbles upon a woman named Faina, which he buys for the night using spare tobacco. Faina becomes a supporting character and surprises Falk when he reaches a flooded coastal city. In what becomes the book's central location, Falk and Faina find a large, multilevel department store. The store has different sections like sporting goods, housewares, furniture, camping, clothing, etc. This large department store becomes a hunting ground when Falk and Faina discover it is occupied by a large band of Flockers. 

Without spoiling too much of the story, Falk and the leader of the Flockers, a strong, combative man named Rann, enter a contest of survival. Each of them enters the department store naked without weapons. Once inside the enormous store, they can use anything they find as a weapon to hunt and kill their opponent. Falk and Rann's battle will determine the winner of the tribe's sexiest woman. Falk has a prior connection with the lady, so his efforts to kill Rann are elevated. Rann is fighting to hold his place as tribal leader. 

Needless to say, the idea of living in an abandoned shopping mall is a neat one. Alter makes fun use of this combat arena and adds in some surprising elements that add a dose of horror to the narrative. There is a crime-fiction ingredient as well when Rann conspires with another Flocker to secretly murder someone. The book's premise borders on both science-fiction and post-apocalyptic, making this alternate version of Earth a pretty scary place. 

Despite reading tons of doomsday fiction, and viewing an equal assortment of genre films, I was thoroughly pleased with the book's innovation and ideas. Alter really had a great thing going and I can't help but think this would have been a series if he would have lived long enough to tell it. Unfortunately, Path to Savagery is all we have of this great concept. 

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The Razorblades in my Head

According to his Amazon bio, Donnie Goodman runs the YouTube show The Horror Hypotheses and loves reading, book shopping, and playing video games. The Central Virginia native is a fan of Paperbacks from Hell and enjoys writing. His short stories have appeared in anthologies like Gorefest and Served Cold. In June of 2021, Goodman self-published his short story collection The Razorblades in my Head with a colorful and terrifying cover by Justin T. Coons. As a fan of horror and a native of Central Virginia myself, I was drawn to this macabre collection. 

The book is 140 pages long and features 12 shorts, original black and white cover sketches, and notes from the author on what inspired each story. I'm not a short story enthusiast, but Stephen King's Night Shift, Skeleton Crew, and Nightmares & Dreamscapes were always on hand throughout my childhood. I appreciate the art form, but prefer novellas if it isn't a full-length. That being said, Goodman's work was really enjoyable. This is his first collection and I would imagine some of these stories have been with him for a long time. 

Here are a few stories that I found as real highlights of Goodman's storytelling talent:

“The Stranger in the Squared Circle” is about Goodman's love of professional wrestling, entertainment that he describes as “the last bastion of true performance art in modern culture.” I love wrestling as well, so the idea of a vampire story set in the wild world of independent wrestling was appealing. It's written in first-person by an indy wrestler named Luke (indy meaning not contracted to one of the bigger organizations like WWE). He's a veteran of the indy circuit and starting to draw bigger money in Japan. So, it's with great hesitancy that he agrees to fill in at a local show from an old wrestling promoter named Jim. The gig is at a small, but packed venue, where Jim hoped to have a big main event. But, the headliner has gone missing in Mexico, so Jim wants Luke as the replacement. But, his opponent is a mysterious international wrestler called The Stranger, a performer Luke isn't familiar with. Jim shows Luke a video tape of an archived performance where it appears that The Stranger has supernatural agility and strength. It also looks like The Stranger legitimately kills his opponent. The Stranger may be the strangest opponent he has ever faced. The story is perfectly plotted with a great beginning, a compelling narrative, and a rousing finale. If this is a sign of things to come, Goodman is going to be a rock star. 

“The Old Bay King” is set on Virginia's eastern shores and features two likable, struggling crabbers that owe a loan-shark named Otis. Hoping to eventually make ends meet, they head north looking for a big haul. At sea, they discover an old abandoned ship. Inside are human remains and a huge box of solid gold covered in ancient writings. The two haul the box back to their ship, but run afoul of Otis and his enforcers. When he attempts to take the gold, all Hell truly breaks loose. Again, this was written in first-person and is one of the longer stories featured. I loved the atmosphere and characters, and Goodman's pacing was fantastic. This is Goodman at the top of his game.

“Hourglass” is an example of what Goodman feels is true horror - “a gated community with a homeowner's association.” I've been there and done that, and couldn't possibly agree more. This story reminds me of Bentley Little with its dark nod to the funny side of horror. It's a fairly simple story about a group of suburban men that make violent sacrifices in their garage. It's symbolic of greed and the sense of entitlement in pursuit of self-interest. I loved the story and it is set in a community called Greenfields, a place that Goodman uses in another story about killer snowmen called “Magic in the Hat.”

Razorblades in my Head represents an author that is passionate about literary horror. His stories resonate with a deep, disturbing look at our culture and the negative impact it creates. From snooty gated community residents to post-apocalyptic visions, Goodman isn't afraid to cross multiple sub-genres. This collection includes spatter-punk, crime-fiction, traditional horror, and the Creepy Pasta styled shorter shorts. I love his imagination, passion, and talent and to coin an overly-used phrase...he could be the next big thing. Recommended. 

Buy a copy of this book HERE.

Showdown

Norman Danberg (1905-1995) was a prolific multi-genre paperback author under the name Norman Daniels. He utilized the pseudonym Peter Grady for a hardcover western called Showdown in 1963 — later credited to Norman Daniels for the subsequent paperback release by Lancer Books. 

The novel is set in a small town misnamed Tranquility. The town was once tranquil, but it has fallen into anarchy, lawlessness, and dysfunction. Feuds, disputes, and grudges are settled with shootout duels on Main Street, where the townsfolk gather to watch as if it were a sporting event. Just as Daytona and Indianapolis are known for auto racing, Tranquility is known for its public gunfights and public hangings. The fans love it, and it’s great for business at the local saloon.  

Jase Quinlan and Dan Ingram are ostensibly best friends. However, Jase recently went on a trip to visit his brother, and Jase’s whore of a girlfriend has taken up with Dan in Jase’s absence. No bueno. Of course,  all this culminates in one of Tranquility’s famous gunfights, and Jase gets the worst of it. 

All of this is a setup for the arrival of Jase’s Texas cowboy brother, Cass. He received word that his brother was gunned down in one of Tranquillity’s bloodsport events, and he’s come for revenge. The first meeting between Cass and Dan is fascinating reading and sets the tone for the novel, which is way smarter and more nuanced than you’d expect. Cass also has another agenda for coming to Tranquility which is one of this novel’s delightful surprises. 

Norman Daniels is always a safe bet for solid, if unremarkable, pulp fiction. In Showdown, he threw aside the trappings of the genre and authored a novel about the power of human decency packaged as a simple old-west vendetta tale. While the western genre has always been about frontier justice, Showdown also works as a fable making a case for due process and the rule of law. 

Showdown is an interesting western novel if you’re looking for something completely different. There’s not much action or violence, but the story and the themes are unique and the writing is solid. Recommended. 

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