Flanagan's Run

Tom McNab was born in Glasgow in 1933 where he held the Scottish national triple jump record. He coached the British Olympic bobsled team at the 1980 Lake Placid Olympics and was also a technical advisor on the film Chariots of Fire. Most importantly, he wrote a 1982 historical novel called Flanagan's Run about a 3,000-mile foot race from Los Angeles to New York with a big-money prize during the Great Depression. The premise was so cool, I was sold immediately.

The year is 1931 and C.C. Flanagan is a P.T. Barnum-styled huckster organizing “C. C. Flanagan’s Great Trans-America Race”. Distance running was a spectacle back then, and the prospect of winning a $150,000 prize brings 2,000 athletic anomalies out of the woodwork.

Runners from all over the world — including 121 ladies — travel to Los Angeles to compete in the race. The daily distance quota is about 50 miles, and it’s expected that the race will end three months thereafter. The winner is the finisher with the lowest aggregate time over the entire course. En route, the runners live in specially-constructed tents with 100 bunks each.

Some countries send teams of runners. The German racers are from a new political movement known the “Hitler Youth” or “Nazis.” Other characters in the paperback are the kind of colorful eccentrics you’d see in a Coen Brothers movie or the madcap paperbacks of Donald Westlake:

There’s a 19 year-old Mexican running to save his village from starvation.

A British Olympian places a giant wager with aristocrats at home that he’ll finish in the first six places.

You’ll get to know a Scottish runner who was an unemployed riveter in the Glasgow shipyards before the jobs disappeared.

One of the runners is a bare-knuckle boxer from Pennsylvania with an origin story that will please any fan of boxing fiction.

There’s also a medicine-show con-man everyone calls Doc who is an encyclopedia of knowledge regarding distance running.

And don’t forget Kate Sheridan, the sexy New York burlesque dancer seeking to prove that a woman can make it to the money.

Once the race starts, the fun really begins. Flanagan’s carny sensibilities drives him to bring an entire crew worth of bizarre attractions along the route, including a talking mule who doesn’t say much. There’s camaraderie, teamwork, romance and thrills in every chapter as hungry men (and the Beautiful Kate) push themselves beyond their limits in search of glory and money. Along the way, there are literal and figurative barriers to finishing the race as planned. Flanagan’s constant problem solving and the ways he outsmarts his enemies at every turn are a pleasure to read.

I loved Flanagan’s Run, and if you like the triumph of the human spirit sports stories, you’ll love it as well. The book reminded me of a less-insidious version of Stephen King’s The Long Walk. The movie rights to the novel are owned by Miramax. Part of me would love to see the paperback adapted for a film or streaming series, but a bigger part of me doesn’t want the joy of this thick novel sullied by Hollywood’s interpretation. It occurs to me, that’s the biggest endorsement for a book I can muster: Just let it be. 

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A Woman on the Place

A Woman on the Place was a 1956 Ace paperback by Florida’s “King of Paperbacks” Harry Whittington (1915-1989). The book has been reprinted over the years and remains available as an affordable ebook from Prologue Press.

The Johnsons are simple, struggling orange farmers living in the scrub country of Central Florida. Will is the father fighting to survive with his handicapped wife and stepson in tow. Debts are mounting and a rare freeze may kill this season’s crop. Will’s creditors aren’t interested in excuses, they just want to be paid. There’s disagreement among family members about whether a harvest for the orange juice concentrate company is the right business move.

A pair of uninvited — and undesired — house guests suddenly arrive from Alabama. Tom is the white-trash, deadbeat cousin of Will’s wife, and he brought his abused ragamuffin bride Rosanne with him. Of course, Rosanne is a real looker, and the relationship with her domineering husband is super-dysfunctional. Naturally, Will is intrigued by the Alabama girl, especially when compared to his wheelchair-bound shrew of a wife.

A Woman on the Place is a weird novel for Harry Whittington as it doesn’t fit nicely into any of his normal genres. My theory is that in 1956, paperback editions of novels of hardscrabble life in the rural south by Erskine Caldwell, William Faulkner and John Faulkner were selling quite well. This was Whittington’s attempt to take a crack at an agrarian melodrama with literary aspirations. As a result, the pacing is really, really slow with none of the noir snappiness readers of his crime-fiction have come to expect.

To be clear, there is a killing and stuff happens, but it was all too boring to generate much interest in the characters’ well-being This is what happens when a writer abandons his strengths and chases the marketplace over originality. Harry Whittington was better than this novel, and you deserve more. Don’t bother. 

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House of Stairs

William Sleator (1945-2011) was a Harvard graduate that authored science-fiction and young adult novels from 1970 through 2011. I wasn't aware of his literary work, but was happy to discover House of Stairs at a local used bookstore. It was originally published by Avon in 1974 and has since been reprinted numerous times in multiple formats.

The book consists of five sixteen-year old kids being taken from various orphanages and state institutions and placed in a seemingly endless world of stairs. There are no walls or rails, just platforms connected by stairs that lead in different directions to more stairs. The first to arrive is Peter, blindfolded and shoved from an elevator into this stairway nightmare. Inside the maze, he finds a girl named Lola. Together, the duo stumbles upon another stairway resident, a girl named Blossom. She has found a small, disc-shaped machine that releases a small food pellet each time she sticks out her tongue.

The three are later joined by Abigail and Oliver, and collectively the five of them share a small backstory of how they came to arrive in the maze. Like any novel that places ordinary people in extraordinary circumstances, alliances are formed and enemies are made. In this case, Lola and Peter form a partnership and attempt to exist “upstairs” away from the others. The motivation for alienation is that the food machine changes its preferences on when to deliver the pellets. As the hours morph into days, the group soon becomes starved and forced to abuse each other in order for the food pellets to be delivered. You see, physical and verbal abuse awards the group with food while kindness and generosity produces starvation. The horror!

At 156 pages, House of Stairs is a brisk, macabre little novel that says so much about humanity's will to survive. It was interesting to watch the deterioration of human kindness when pushed to the breaking point physically and emotionally. With the idea that time isn't a factor, a rescue isn't feasible, and escape is impossible, these kids spiral into madness and depravity. It's a young adult novel, but there are some violent scenes and sadistic overtones.

I enjoyed this book a lot and found the central mystery as a propulsive, consistent plot development. I will say it is a bit dated with some situations and the ending left me a bit underwhelmed. If you love survival horror like The Mist or The Ruins, then House of Stairs should provide just enough literary terror to quench your thirst. Recommended. 

Buy a copy of the book HERE.

Cody's War #01 - Dragonfire!

Between 1982 and 1986, Stephen Mertz authored a number of gritty Mack Bolan installments that are considered some of the best of the series. He also created and authored installments of the M.I.A. Hunter series as well as the Kilroy mysteries and music-based novels like Hank and Muddy and Jimi After Dark. Recently, he launched a brand new action-adventure title called Cody's War. I'm always up for a rip-roaring, Mertz mule-kicker, so I chose to read the series debut, Dragonfire!. It's out now through Wolfpack Publishing.

Readers learn through backstory that CIA Agent Jack Cody experienced a personal tragedy when his family was killed by a terrorist bomb. Now, Cody seeks out the most perilous jobs in a quest to kill himself in the line of duty. Thus, his unconventional methods have earned him the nickname “Suicide Cody”.

In the book's opening chapters, Mertz introduces readers to his newest paperback warrior by placing Cody on a small, U.S. submarine en route to the Ocean Song, a recreational yacht containing a wanted Islamic terrorist named Hadi Abu. As Cody emerges from the tiny craft, there is a prophetic message in one simple line of text: “Cody lifted himself through the hatch, into the storm.” It kicks off the novel, the character's mission, this series debut, and puts readers in the harness seat as the author thrusts readers into the action.

On the Ocean Song, Cody disposes of the baddies, captures a valuable female accomplice, and faces off with one of the early Final Bosses. Abu, refusing to go quietly into submission, gets the 'ole one-two punch - a shotgun amputation and decapitation. Cody then thrusts the captive over his shoulder to ascend a swinging ladder to a helicopter spewing out M60 rounds into the Ocean Song's violent, but foolish crew. Wham! Bam! Thank you Uncle Sam.

After the fast-paced opening scene, Dragonfire! settles into a brisk pace as the next mission unfolds. A Chinese scientist is attempting to defect to America and is receiving assistance from a covert CIA agent. As one can imagine, the defection requires stealth support from resistance cells within Red China, an underground pathway that has already smuggled out the scientist's wife. This resistance cell, oddly enough, is backed by the Triad, China's version of the Mob. 

The exchange is set that will place the scientist on a road to freedom. However, when the final deal goes down, the CIA man is killed and the scientist is taken captive by a Major Zhao. It turns out, Zhao is working on a coup attempt from within the Chinese military. He will use Dragonfire, the scientist's deadly weapon, to shift the momentum and overthrow the Chinese government in a quest for world dominance. It's a pulp-fiction “take over the world with the biggest bomb” strategy that isn't far removed from an Ian Fleming (James Bond) or Michael Avallone (Nick Carter, Ed Noon) styled plot. 

U.S. President Harwood informs his close cabinet that Cody is The President's Man and has been for the three predecessors before him. Harwood elaborates, “He's as well-known in this office as he's unknown to the general public.” So, Harwood gives the orders to Cody's CIA controller and possible love interest, Sara Durell (an obvious ode to Mertz's favorite spy hero in Sam Durell). She meets with Cody, provides the rundown, and hooks him up with an embassy handler named Beth in Hong Kong. The mission is to locate the scientist while investigating the disappearances of an American fighter-jet and submarine, which readers already know were targeted, zapped, fried, and vaporized by Dragonfire. Cody's ultimate goal is to prevent Earth from falling under the bombastic spell of an even viler Chinese dictator.

Needless to say, Mertz is in full rock 'n roll mode with Cody's War. Dragonfire!, while being a modern, sophisticated shoot 'em up, is a throwback to the two-fisted, barrel-chested, bullet-belted heroes of the 1970s through the 1990s. Cody isn't completely exposed in this book, leaving a lot of his past in the dark. But, I love the madness to his motive and the idea that he is longing for his own death while fighting to save the lives of others. There's very little humor (if any) as Cody drills down to the bone marrow to find and eliminate targets. This keeps the book on the rails and moving towards a destination. Readers know the stops. I also love literary-longevity. Mertz has created a durable series hero that he can simply drop into the endless abundance of current Earthly war-zones. Plus, there's the whole “Sara 'n Cody” romance that can build up over time. 

In the introduction to Conan of the Isles, L. Sprague de Camp wrote about a lecture he attended on writers. I think this sort of sentiment describes talented authors like Stephen Mertz:

“A lecturer lately has said that, if a fiction writer wants sales, he should write exclusively either about politics or sex. A novel like The President's Boyfriend ought to be a lead-pipe cinch. There are still, however, many readers who read, not to be enlightened, improved, uplifted, reformed, baffled by the writer's obscurity, amazed by his cleverness, nauseated by his scatology, or reduced to tears by the plight of some mistreated person, class, or caste, but to be entertained.”

Whether he's throwing rounds downrange with a literary creation or blowin' the blues harp in a smoky dive, Mertz is an entertainer. With his newest fictional hero, this remarkable scribe ventures down another pathway to offer up another enjoyable, rock-solid good guy during a time when humanity needs more good guys. Jack Cody is that guy.

Cody's War Checklist

1 Dragonfire!
2 Camp David Has Fallen!
3 The Fires of Allah
4 Day of Reckoning
5 The Last Refuge
6 Cody's Return
7 Lethal Assault
8 Final Strike
9 Afghanistan Payback

10 Hellfire in Syria 

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Tightrope Men, The

British resident Giles Denison awakens in an unfamiliar place with vague memories of his past. When he stumbles into the bathroom, he is shocked to see the face staring back at him is not his own. The mirror's reflection, and wallet, prove that Denison is a doctor named Harold Meyrick. Upon further inspection, Denison discovers that he is in a hotel room in Oslo, Norway. Going with the flow, and hoping sanity returns, Denison heads to the front desk and learns that he's been a guest of the hotel for three weeks. Finding his car, Denison is further perplexed when he finds a small doll inside with an invitation for a meeting at a nearby popular tourist spot.

When Denison arrives at the rural, forested attraction, he's immediately attacked by three men. Barely surviving the encounter, Denison escapes with his life and is soon arrested by the Norwegian police. Thankfully, Denison finds some solace when men from the British embassy arrive to spring him from jail. They attempt to explain the bizarre circumstances surrounding Denison's newfound identity. It turns out that Dr. Meyrick was assisting British intelligence in locating hidden papers regarding a top-secret weapon. Some red agency captured Meyrick and the perfectly pedestrian Denison. Meyrick is either dead or undergoing torture, while Denison has been brain-scooped and surgically rendered to resemble Meyrick. 

Desmond Bagley's The Tightrope Men (1973) is a clever, high-speed espionage thriller with the obligatory suit 'n tie good guys fighting global terror with an unlikely hero. Denison's transformation from unwilling, shocked suburbanite into the willing and capable spy was really enjoyable. The author injects some humor and a lot of fun banter with Denison, as Meyrick, forced to engage in relationships with Meyrick's friends and a beautiful daughter. The latter becomes a real mess for Denison as he is falling in love with the woman that is supposed to be his daughter. There's reader speculation on who's in the know and who isn't when it comes to Denison's facade as Meyrick, which made for a great mystery. Of course, there's gunplay and action-adventure in the deep, rural wilderness of Finland (similar to Bagley's Running Blind taking place in the remote wilds of Iceland).    

Needless to say, Bagley rarely disappoints. The Tightrope Men is a well-crafted, superb spy-thriller with danger, intrigue, and romance at the forefront. If you love Ian Fleming, Hammond Innes, and Alistair MacLean, then you are probably already familiar with Desmond Bagley. If not, this is a perfect representation of his work. Highly, highly recommended.

Fun Fact about Paperback Warrior – I'm a bit of a Finland history buff and Bagley provides an excellent, digestible history on Finland's relationship with Russia. There's also passages regarding the Karelian Isthmus, an area in northwestern Russia, where the Finnish population was seemingly replaced with Russian. In particular, I've read poems and stories associated with Finland's National epic Kalevala. There's a great Finnish band called Amorphis that writes and performs songs associated with Finnish history and the Kalevala poems. 

Buy a copy of this book HERE.

Atlantic Fury

Author Hammond Innes would spend months researching and visiting obscure parts of the world in preparation for his adventure novels. Typically, Innes likes to keep things frosty, evident with his novels The White South, The Land God Gave to Cain, and Fire in the Snow. Thus, the northern hemisphere was a popular destination, including the rocky Outer Hebrides islands, positioned off the west coast of mainland Scotland. This rugged, rural terrain is the backdrop for Atlantic Fury, a mid-career novel originally published by Collins in 1962. 

The first thing you need to realize about Atlantic Fury is that the book's ending is revealed in the novel's first few pages. The account is written in first-person perspective by Donald Ross, an artist and former seaman who explains that a major military disaster occurred at sea and courtroom drama transpired. Ross's narrative reveals the results of his investigation into the wreck and what prompted his participation.

In the novel's first act, Ross is unexpectedly visited by a Canadian gentleman named Lane. He explains that his wife is running in second-place to inherit a ton of money from a deceased relative. The current leader is a guy named Major Braddock, but all attempts to reach him have been met with cold silence. It appears that Braddock just isn't that interested in the will, but can't be excluded without proof of death. Interestingly enough, Lane explains to Ross that he has evidence that proves that the real Braddock actually died years ago in a boating disaster. The man pretending to be Braddock now is Ross's brother Iain. That's a real pitch, but what makes it a curveball is that Ross's brother died years ago. Did Iain fake his own death and become the deceased Braddock to fool authorities?

I would imagine that this type of story has been told before, the one where the guy condemned to the gallows figures out a way to swap identities. However, Innes does what he does best by incorporating all of the harrowing elements to create the perfect escapism – roaring storms, nautical disaster, brutal survival, and the obligatory harsh and unforgiving landscape. Innes understood his audience and what was needed to delight his loyal fan base. It's like Lionel White providing thieves and bank jobs to please the readers of his riveting heist novels. But, Innes captures a certain lonely and tragic essence with the characters he creates.

Ross exhibits a deep longing for the fictional Laerg, an island making up a part of the Outer Hebrides chain. His attempts to reach it is either counter or parallel to his minimalist lifestyle depending on perspective. Ross is a single starving artist living in a small apartment, yet longs for Laerg's isolated, uninhabitable landscape of perilous rocks and beaches. It's also a trip into his past to determine his brother's connection to the island. If Laerg is a solitary confinement, then Ross is just bringing his sheltered lifestyle to another place. Or, does the island represent some sort of artistic freedom, liberating Ross from his confined space? Examining the other novel's strengths may reveal certain characters that would rob you of reading pleasure. 

Atlantic Fury isn't top shelf Innes, but for any other high-adventure author it probably is. Innes was simply that good and proves it with a stellar catalog. There's plenty to like about the novel considering the central mystery, as revealed as it is, and the abstract, unique adventurers. Recommended. 

Buy the book HERE.

Larry Kent #751 - Spanish Harlem

Larry Kent was a hardboiled New York private detective in a long-running series first published in Australia. Many of the novels were written by an American immigrant to Australia named Don Haring, including #751 Spanish Harlem from 1974 currently available from reprint publishers Bold Venture Press (paper) and Piccadilly Press (ebook).

The novel begins with PI Larry Kent being forcibly brought to see a gangster who runs the numbers game in Spanish Harlem. The racketeer’s teenage son has disappeared from a military academy in Georgia, and he needs Larry to find the boy. Kidnapping? Murder? Mob feud? No one knows.

Larry travels down to Dixieville, Georgia, where Greystones Military Academy stands. The missing boy - his name is Phillip - is the “best pass catcher” on the Academy’s football team, so the school is anxious to have him back in pads. Based on the description of the boy’s field position, I gather the author wasn’t much of a football fan himself. It doesn’t take long before Larry is being menaced by a parade of walking southern stereotypes who try to beat him and call him a “nigra lover.”

All roads lead to a racist domestic extremist group called the Sons of the South, who wear white sheets, engage in arson, advocate for sterilization of blacks, etc., etc., etc. Of course they have the local sheriff in their back pocket. Rescuing the missing boy is more complicated than you’d expect and plunges Larry into organized criminal politics among Black Harlem, Spanish Harlem and The Syndicate.

This is a middle-of-the-road Larry Kent novel. It’s not one of the great ones or one of the incomprehensible ones. It’s a bit generic and reminded me of a Mike Shayne mystery without much sex or action. The whole novel is pretty weighted down in racial politics, which became pretty tiresome given today’s never-ending discussions of race. By now, you know if this is your thing or not. 

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Tarzan #01 - Tarzan of the Apes

Many of the classic, more mainstream series titles or novels we discuss here at Paperback Warrior are presented from the perspective of a brand new reader. Novels from the likes of Ian Fleming, Jack London, Robert E. Howard, etc. have been devoured by millions of readers through many generations. However, for the most part they remain brand new to us. Aside from various media – comics, movies, television, non-fiction analysis – these classic literary works are a paradise of undiscovered gems. Slowly, we pull these classics from the rainy day stash to read and review. Thus, I've now arrived at Edgar Rice Burroughs' acclaimed 24 book series of novels starring the iconic Tarzan.

Tarzan of the Apes originally appeared in magazine format in the October, 1912 issue of All-Story. It was first published as a hardcover in 1914 and then later as a paperback by Ballantine in 1963 (with a cover painting by Dick Powers). It's a rather long novel at 220 pages of smaller paperback font size, making it a thorough and comprehensive origin story to kick off the series. 

The book begins with explanations that John Clayton (known as Lord Greystoke or Viscount Greystoke) is a British Lord that has accepted an assignment by the British Colonial Office to investigate racial relations in West Africa. While excited for his new career boost, Clayton also feels dismayed that he must bring his pregnant wife Alice to a harsh landscape. En route to their destination, the crew of their passenger ship overthrows the Captain and nearly kill Clayton and his wife. Thanks to crew leader Black Michael, the couple is spared. Instead of being thrown overboard, Black Michael leaves them on the shores of a dense coastal jungle. In essence, the Claytons are marooned on a dangerous, unfamiliar island in the middle of nowhere. Death seems inevitable.

Through the book's first chapters, the narrative highlights the Claytons early determination to beat the odds. As the months go by, and a rescue seems unlikely, the hopes and determination begin to fade. Enclosing their meager existence is the menacing jungle wildlife, complete with roaring lions, ferocious apes, and other predatory animals. After Alice is nearly killed by an ape, she becomes emotionally unhinged. One year after giving birth to the couple's son, she dies from emotional distress. With great difficulty carrying the immense, lonely burden, Clayton simply gives up and is soon killed by a tribal king ape named Kerchak. A motherly ape named Kala, who just lost her own child, rescues the baby boy and raises him as her own. Thus, his name becomes Tarzan, which means “White Skin” in  the ape language. 

As one would expect, the middle chapters are the proverbial coming-of-age narrative concerning Tarzan's childhood and transformation from the tribe's weakling to the savage “King of the Apes”. It's action-adventure focused as Tarzan becomes a skilled hunter, fighter, and leader of the tribe through various battles with other apes and wildlife. Tarzan spends his calm moments at his parents' small, makeshift cottage going through various trinkets and books, learning more about his own race and why he is different than the apes. He teaches himself to read and write based on the numerous baby books the Claytons had packed for their trip. Through these quiet moments, Tarzan takes the necessary steps to slowly evolve into a civilized man.

A couple of decades pass and then a new crew finds themselves marooned on this same island. This is how Tarzan meets young Jane Porter, his love interest and future wife. Ironically, Tarzan's cousin is one of the members of the party, William Clayton, son of Lord Greystoke (Tarzan's uncle). This portion of the narrative was really fragmented and uneven, with a number of characters involved in events in different locations on the island. Eventually, Jane is rescued by Tarzan after discovering his parents' cottage. She falls in love with him, but realizes he isn't civilized enough and would be unhappy anywhere other than the jungle. The book's finale concludes with Tarzan learning a modern way of existence through a French soldier named D'Arnot. The story's ending is a bit of a cliffhanger as Tarzan learns of his Clayton/Greystoke heritage, but withholds the information in an effort to allow Jane to marry William without complications.

Overall, Tarzan of the Apes was a fun reading experience, but I would be remiss if I didn't express that I was a little underwhelmed. After the lofty literary praise I've read about the book in my lifetime, I felt that the narrative was unnecessarily dense in spots. Further, there were way too many characters in the book's third act to enforce any sort of isolation or loneliness within the tight narrative. The action-adventure aspect was still intact, but only marginally so. I also felt that Tarzan's development from savage to civilized man was rushed too quickly. I really disliked the ending with the Wisconsin farm, Jane's economic situation, and the convenient forest fire. None of the elements conveyed the same enjoyment I experienced within the rural, dangerous jungle. Arguably, it was too cavalier, but I completely understand it is a product of the time. 

With both its racial awkwardness and dominant masculinity paired with Burroughs documented eugenics support, Tarzan of the Apes doesn't age particularly well. The misguided beliefs about African culture was uncomfortable at times, but again, I do understand this was a controversial era with bad choices and uneducated world views. To read any early to mid-20th century literature does require some patience in that regard. But, I was generally pleased with the book's pacing, the main character, and some of the early events with the mutiny of the ship. I liked it enough to want to read the second installment. 

Buy a copy of this book HERE.

Pay the Devil

There's no doubt that Jack Higgins, real name Henry Patterson, is a household name and one of the cornerstones of the second generation of action-adventure novelists. By the mid-1970s, most of the author's literary work from the late 1950s through the 1970s was re-published as paperbacks under the name familiar name of Higgins. Patterson's 1963 hardback novel, Pay the Devil, was one of the few novels absent from the 1970s reprints. Oddly, the book wasn't released until 2000. It was revised and published as a paperback by Berkley. 

While most of the author's novels are written as modern, high-adventure novels typically placed in the same time period as their publishing date. Pay the Devil is mainly set in 1865, just one year after the American Civil-War. The hero, Irish-American Clay Fitzgerald, is introduced in the book's prologue (which I believe was written decades later as an addition to the book's reprint) as a Confederate Brigadier General. This exciting prologue has Fitzgerald and his tattered band of rebels receiving orders that General Lee is surrendering the Confederacy at Appomattox, Virginia. Knowing the war is now over, Fitzgerald and his men come to the aid of a young man who is being lynched. These early pages show readers that Fitzgerald is not only a respectable man of action, but also a trained battlefield surgeon. These elements are both important to the narrative. 

After the surrender, Fitzgerald learns that his Uncle has died in Ireland and that his inheritance is waiting. The book then resumes the action one-year later as Fitzgerald and his friend Josh arrive in the Irish town of Drumore. There they learn that Fitzgerald's inheritance is a moderate amount of money and a burned estate. After an exchange with some of the residents, Fitzgerald learns that the town is essentially being bullied by Sir George Hamilton. As a servant to the British, it's Hamilton's job to keep the Irish poor and famished. Fitzgerald, fearing the Irish will never gain independence, assumes a neutral role. But after seeing the town's exhaustive efforts to fight back, Fitzgerald dons a costume and assumes the identity of a folk hero vigilante named Captain Swing. As this masked rider, Fitzgerald fights for the people. 

This was a really different Jack Higgins novel. While not a traditional western, it's more like Higgins' version of Batman. While there's plenty of action, Fitzgerald's role as caregiver to the poor really defines the character. By day, Fitzgerald can rub shoulders with Irish and British aristocracy, but at night his surgical skills and fighting demeanor resembles a pulpy sort of hero. With a saber and Dragoon, this character represents nobility and pride, a continuation of his background in the American Civil-War – one war just exchanged for another.

As a fan of Higgins, I can't find anything not to like about Pay the Devil. I am a little puzzled on why this novel wasn't reprinted decades earlier. Perhaps the author's iconic World War II and nautical themes were so overpowering that publishers didn't wish to risk his literary dominance at that point. While it's a different time period, the author's heroes are nearly interchangeable. This book should please the author's immense fanbase, but also could serve as a pulpy alternative western for lovers of Lone Ranger, Masked Rider, and other old west adventures. 

Buy the eBook HERE.

Path to Savagery

According to Mystery File, Robert Edmond Alter authored over 40 stories for magazines and digests like Mike Shayne, Man from UNCLE, Argosy, Alfred Hitchcock Mystery Magazine, and Manhunt. He wrote two novels that were published by Fawcett Gold Medal, Swamp Sister in 1961 and Carny Kill in 1966. Both of those were reprinted by Black Lizard in 1993. We reviewed Swamp Sister in 2020 and it failed to impress us, but we went back to the well again with Alter’s novel Path to Savagery. It was published posthumously by Avon in 1969, three years after Alter's death. The post-apocalyptic novel was adapted into the 1979 Sony Pictures film The Ravagers starring Ernest Borgnine and Richard Harris. 

The book is set about 20 years after a global nuclear war. What's left are large swaths of wilderness, packs of wild dogs, and large cities that have mostly been ransacked. On the coasts, some of these cities are now marshy islands due to excessive flooding from broken seawalls. Civilization now exists in three classes. Flockers guard their food, water, and weapons and exist in packs. Neanderthalers are your common savages that use barbarism on a quest for dominance. The Loners are guys like Falk, the book's protagonist, that simply exist as troubadours scouring the countryside for supplies in an effort to live a peaceful existence. But, Falk packs a .45 and a Thompson submachine gun in case things get hairy. 

The first thing you need to know is that Path to Savagery is nearly awesome. It begins and ends with total awesomeness. What's in the middle is just plain 'ole great. Alter's pace is sometimes sluggish, but at 174 pages he spends productive time on characterization, something that was not afforded to him writing shorts. His descriptions were so vivid and real. For example, in the book's opening pages, Falk finds a dark, cavernous mansion that's been ransacked and abandoned. Bad guys follow him inside, hoping for a quick and quiet kill. Alter's descriptions of Falk fighting the enemy in the dark mansion's bedrooms and hallway were exhilarating. I loved that Falk couldn't see his attacker's faces until they were illuminated by his gun's muzzle flashes. 

Falk moves through the bogs and brambles and stumbles upon a woman named Faina, which he buys for the night using spare tobacco. Faina becomes a supporting character and surprises Falk when he reaches a flooded coastal city. In what becomes the book's central location, Falk and Faina find a large, multilevel department store. The store has different sections like sporting goods, housewares, furniture, camping, clothing, etc. This large department store becomes a hunting ground when Falk and Faina discover it is occupied by a large band of Flockers. 

Without spoiling too much of the story, Falk and the leader of the Flockers, a strong, combative man named Rann, enter a contest of survival. Each of them enters the department store naked without weapons. Once inside the enormous store, they can use anything they find as a weapon to hunt and kill their opponent. Falk and Rann's battle will determine the winner of the tribe's sexiest woman. Falk has a prior connection with the lady, so his efforts to kill Rann are elevated. Rann is fighting to hold his place as tribal leader. 

Needless to say, the idea of living in an abandoned shopping mall is a neat one. Alter makes fun use of this combat arena and adds in some surprising elements that add a dose of horror to the narrative. There is a crime-fiction ingredient as well when Rann conspires with another Flocker to secretly murder someone. The book's premise borders on both science-fiction and post-apocalyptic, making this alternate version of Earth a pretty scary place. 

Despite reading tons of doomsday fiction, and viewing an equal assortment of genre films, I was thoroughly pleased with the book's innovation and ideas. Alter really had a great thing going and I can't help but think this would have been a series if he would have lived long enough to tell it. Unfortunately, Path to Savagery is all we have of this great concept. 

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The Razorblades in my Head

According to his Amazon bio, Donnie Goodman runs the YouTube show The Horror Hypotheses and loves reading, book shopping, and playing video games. The Central Virginia native is a fan of Paperbacks from Hell and enjoys writing. His short stories have appeared in anthologies like Gorefest and Served Cold. In June of 2021, Goodman self-published his short story collection The Razorblades in my Head with a colorful and terrifying cover by Justin T. Coons. As a fan of horror and a native of Central Virginia myself, I was drawn to this macabre collection. 

The book is 140 pages long and features 12 shorts, original black and white cover sketches, and notes from the author on what inspired each story. I'm not a short story enthusiast, but Stephen King's Night Shift, Skeleton Crew, and Nightmares & Dreamscapes were always on hand throughout my childhood. I appreciate the art form, but prefer novellas if it isn't a full-length. That being said, Goodman's work was really enjoyable. This is his first collection and I would imagine some of these stories have been with him for a long time. 

Here are a few stories that I found as real highlights of Goodman's storytelling talent:

“The Stranger in the Squared Circle” is about Goodman's love of professional wrestling, entertainment that he describes as “the last bastion of true performance art in modern culture.” I love wrestling as well, so the idea of a vampire story set in the wild world of independent wrestling was appealing. It's written in first-person by an indy wrestler named Luke (indy meaning not contracted to one of the bigger organizations like WWE). He's a veteran of the indy circuit and starting to draw bigger money in Japan. So, it's with great hesitancy that he agrees to fill in at a local show from an old wrestling promoter named Jim. The gig is at a small, but packed venue, where Jim hoped to have a big main event. But, the headliner has gone missing in Mexico, so Jim wants Luke as the replacement. But, his opponent is a mysterious international wrestler called The Stranger, a performer Luke isn't familiar with. Jim shows Luke a video tape of an archived performance where it appears that The Stranger has supernatural agility and strength. It also looks like The Stranger legitimately kills his opponent. The Stranger may be the strangest opponent he has ever faced. The story is perfectly plotted with a great beginning, a compelling narrative, and a rousing finale. If this is a sign of things to come, Goodman is going to be a rock star. 

“The Old Bay King” is set on Virginia's eastern shores and features two likable, struggling crabbers that owe a loan-shark named Otis. Hoping to eventually make ends meet, they head north looking for a big haul. At sea, they discover an old abandoned ship. Inside are human remains and a huge box of solid gold covered in ancient writings. The two haul the box back to their ship, but run afoul of Otis and his enforcers. When he attempts to take the gold, all Hell truly breaks loose. Again, this was written in first-person and is one of the longer stories featured. I loved the atmosphere and characters, and Goodman's pacing was fantastic. This is Goodman at the top of his game.

“Hourglass” is an example of what Goodman feels is true horror - “a gated community with a homeowner's association.” I've been there and done that, and couldn't possibly agree more. This story reminds me of Bentley Little with its dark nod to the funny side of horror. It's a fairly simple story about a group of suburban men that make violent sacrifices in their garage. It's symbolic of greed and the sense of entitlement in pursuit of self-interest. I loved the story and it is set in a community called Greenfields, a place that Goodman uses in another story about killer snowmen called “Magic in the Hat.”

Razorblades in my Head represents an author that is passionate about literary horror. His stories resonate with a deep, disturbing look at our culture and the negative impact it creates. From snooty gated community residents to post-apocalyptic visions, Goodman isn't afraid to cross multiple sub-genres. This collection includes spatter-punk, crime-fiction, traditional horror, and the Creepy Pasta styled shorter shorts. I love his imagination, passion, and talent and to coin an overly-used phrase...he could be the next big thing. Recommended. 

Buy a copy of this book HERE.

Showdown

Norman Danberg (1905-1995) was a prolific multi-genre paperback author under the name Norman Daniels. He utilized the pseudonym Peter Grady for a hardcover western called Showdown in 1963 — later credited to Norman Daniels for the subsequent paperback release by Lancer Books. 

The novel is set in a small town misnamed Tranquility. The town was once tranquil, but it has fallen into anarchy, lawlessness, and dysfunction. Feuds, disputes, and grudges are settled with shootout duels on Main Street, where the townsfolk gather to watch as if it were a sporting event. Just as Daytona and Indianapolis are known for auto racing, Tranquility is known for its public gunfights and public hangings. The fans love it, and it’s great for business at the local saloon.  

Jase Quinlan and Dan Ingram are ostensibly best friends. However, Jase recently went on a trip to visit his brother, and Jase’s whore of a girlfriend has taken up with Dan in Jase’s absence. No bueno. Of course,  all this culminates in one of Tranquility’s famous gunfights, and Jase gets the worst of it. 

All of this is a setup for the arrival of Jase’s Texas cowboy brother, Cass. He received word that his brother was gunned down in one of Tranquillity’s bloodsport events, and he’s come for revenge. The first meeting between Cass and Dan is fascinating reading and sets the tone for the novel, which is way smarter and more nuanced than you’d expect. Cass also has another agenda for coming to Tranquility which is one of this novel’s delightful surprises. 

Norman Daniels is always a safe bet for solid, if unremarkable, pulp fiction. In Showdown, he threw aside the trappings of the genre and authored a novel about the power of human decency packaged as a simple old-west vendetta tale. While the western genre has always been about frontier justice, Showdown also works as a fable making a case for due process and the rule of law. 

Showdown is an interesting western novel if you’re looking for something completely different. There’s not much action or violence, but the story and the themes are unique and the writing is solid. Recommended. 

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Paperback Warrior Podcast - Episode 96

The boys are back in town! On Episode 96, Tom brings you all of the action at the Windy City Pulp and Paper Con from Lombard, Illinois and reviews a vintage Robert Colby paperback called Kim. Eric examines the birth of the Sword & Sorcery genre with Robert E. Howard's Kull character. He also delves into the Lancer paperbacks, Conan, graphic novels and magazines. Listen on any podcast app, paperbackwarrior.com or download directly: https://bit.ly/3lt5NOS

Listen to "Episode 96: Windy City Pulp & Paper and Robert E. Howard's Kull" on Spreaker.

Too Early to Tell

Between the 1930s and 1950s, John D. MacDonald authored over 500 short stories for the pulp magazines and digests. Often, he used pseudonyms so he could appear multiple times in the same issue.  Shortly after moving his family to Florida, and before his first paperback original was published (The Brass Cupcake, 1951 Fawcett), MacDonald's fight story “Too Early to Tell” was published in the October, 1950 issue of Adventure. The story and entire issue is available for free HERE.

The story is presented in first-person narrative by Lew, a gym rat that is friends with an older, veteran fight-trainer named Micky. At a rough local dive bar, Micky watches an irritating kid named “Junior” badmouth the patrons, then proceed to waylay a half-dozen men before being sapped. Micky drives the drunk and dazed kid home and then later gains his life story.

Junior's real name is Harkness Willoughby Franklin the Third and he's living with a sizable emotional burden. His father died, his mother remarried and they moved to California where she started a new family. Considering Junior a forgettable bad apple, his mother sends him to a private school in Massachusetts. Over the years, Junior has asked to visit the family, only to be rejected and then promptly receiving a check in the mail. Now, Junior is mad at the world and Micky thinks he can channel that negative energy into boxing.

Most fight stories simultaneously spin a rags-to-riches lesson on responsibility, humility, determination, and internal fortitude. MacDonald's story is interesting because Junior is never a likable protagonist. That's what makes this so unique and engaging. The story, approximately eight pages in length, contains Junior's rise through the ranks to attain the coveted title shot. But, there's a side-story involving the sister of Micky's former protegee falling for Junior despite his angry, emotional barricade.

If you love in-ring action, MacDonald delivers a great, climactic bout in the story's conclusion. With its clash of characters, fighting, and emotional undertakings, “Too Early to Tell” was an enjoyable reading experience.

Time War

Lin Carter (Linwood Vrooman Carter, 1930-1988) was a longtime science-fiction and fantasy fan. Along with his writing mentor, L. Sprague de Camp, he authored a number of Conan novels either as original tales, or by finishing original, unfinished drafts by Robert E. Howard. He also contributed edits to Howard's Kull character while also creating his own series titles like Gondwane, Terra Magica, and Thongor of Valkarth. Carter only authored a few stand-alone novels, one of which is the science-fiction novel Time War. It was originally published by Dell in 1974 with an amazing cover by Frank Frazetta. It was reprinted by Wildside Press in 2021 in both physical and digital editions. 

John Lux is a scientist, industrialist, entrepreneur, and a military veteran. He's also the target of an invisible assassin. In the book's opening pages, John is shot at by an invisible force that somehow lifted his own revolver from his desk drawer. In another murder attempt, John is nearly run over in the street by a maniacal driver. Why is he being targeted for assassination by this intelligent, murderous entity?

After visiting a local friend and professor, John awakens the next day to learn the man is dead and the police are searching for him as the prime suspect. On the run from the police and an assassin, John learns more about his nightmarish predicament from a strange woman who claims she is from the future. Her explanation of John's trials and tribulations is similar to that of Skynet and John Connor, two time-traveling opponents that battle through the years in the popular Terminator franchise of movies, books, and comics.

In the future, Earth's population is pampered in a sprawling urban metropolis known as the Living City, governed by a super computer. It is here that civilization has spiraled into a luxurious world where every want and need is supplied by the city. Because of this slothful lifestyle, humans have evolved into simply existing with no ability to think for themselves. They can no longer survive without the assistance of the computer, thus the development of this long-lasting parent-child nurturing. Instant entitlement and gratification is the way of existence.

John learns that this computer has built a cocoon around the city, a nearly impenetrable shield that protects everything and keeps this rather elementary form of living intact. But, a rebellion created a Weapon Machine to destroy the computer, only it is stuck inside the shield with no way to penetrate the exterior, and no method of retreating. To John's surprise, he learns he is the only human in existence that has neuro-radiontic powers. In essence, he is a time-traveling superhuman that can teleport himself anywhere. Since his powers are new and underused, this dormant skill can only be utilized if his body is facing an emergency. Thus, these future agents are attempting to kill John to awaken his ability to teleport. If he can teleport through time, and through this city shield, he can bring the Weapon Machine to its destination and liberate humanity.

The author's note from Carter states that he authored Time War as an affectionate tribute to author A.E. van Voget, a contributor to the Golden Age of mature science-fiction led by John W. Campbell Jr. and his Campbellion revolution. In doing so, Carter inputs a lot of startling social awareness into his precognitive narrative on mankind's modern dependence on technology. Much of Carter's future, filled with frivolousness and a rudimentary need for immediate satisfaction, resembles our present. While it isn't preachy or chastising, Time War certainly predicts and warns of many present day struggles.

As an action-oriented science-fiction novel, I found the narrative was busy and bogged down with explanations of what, when, where, and how. There just wasn't enough space to allow the anticipated front-cover action to develop properly. I encourage short novels, but the 150 page count was too short in this instance. If you love a dense, smart story, then Time War should be a wonderful experience. Those of you looking for a soaring stellar war should look elsewhere. 

Buy a copy of this book HERE.

News of the World

After graduating from University of Missouri-Kansas, author Paulette Jiles (b. 1943) was employed by the Canadian Broadcasting Corporation. Her original novels and poetry collections include Waterloo Express (1973), Blackwater (1988), and The Late Great Human Road Show (1986). After extensive travels, Jiles settled in San Antonio, TX in 1991. My first experience with the author is her western News of the World. It was published in 2016 by William Morrow and adapted to film in 2020 by Universal Pictures and Netflix International. The movie, starring Tom Hanks, won Academy Awards in 2021 for Best Cinematography, Score, Production Design and Sound. I've never seen the film, because I'm a reader not a watcher. 

The key to fully experience News of the World is understanding the time period and place in which it takes place. The book is set in 1870 and begins along the border between Texas and Indian Territory. Texas is a political hotbed after Republican Edmund Davis was elected in 1869 as the state's governor, barely defeating Democrat Andrew Hamilton. Tensions were high, the Texas State Police had privileged power, and a civil rights commitment had been made. The introduction of public printers made way for state journals and newspaper to provide official notices. It was a Reconstruction period for Texas.

The book's main character is Captain Kidd, a 71 year-old man and veteran of the War of 1812 and the Mexican-American War. After becoming a widow, Kidd began traveling the country reading national and international newspapers for a dime a listener. His business isn't a lucrative one, so Kidd becomes interested when he's offered money to transport a young girl named Johanna.

Johanna's parents were killed by Kiowa warriors when she was six. After four years of being a captive, she is freed from the Kiowa and placed in the hands of a man named Johnson, who then hands her off to Kidd to take the girl back to her only relatives, an aunt and uncle in Castroville, TX. Johanna's experiences with the Kiowa result in her being a wild child with very little possession of the English language or modern customs. She speaks fluid Kiowa, minimizes animals to food, eats with her hands, and wears primitive clothing. She's a fish out of water with Kidd.

Like any great mono myth, Kidd's journey through Texas brings elements of danger and adventure that transform the elderly individual into the unlikely hero. Kidd must carefully navigate the political landscape, balancing a bipartisan stance while contending with fierce supporters of both Hamilton and Davis. He's also threatened by perverse men who want Johanna for their harem or themselves. When he's not being asked to provide a fee for traveling through towns, he's dealing with Johanna's struggles with communicating with him or her complete recklessness and rebellion. Kidd has a lot to deal with throughout the book's narrative. 

News of the World isn't an action-packed western, but it does have one of the better gunfights I can recall. In fact, Jiles offers a lot of surprising insight on guns, ammunition, load sizes and feet-per-second velocity that I found especially interesting. The gunfight between Kidd and a group of criminals is innovative with the alternate strategy of using dimes in shotgun loads. Beyond this scene, the narrative is mostly verbal jousting. Jiles is much more literary than traditional western storytellers.

This novel provides an excellent history of Texas during this tumultuous time period and compares to today's political rivalries between the parties. As Americans, we continue to fight with each other over allegiances to parties and this book proves that nothing has really changed in 150 years. It probably never will. But, Jiles also provides insight on the historic alienation experienced by children captured by Native Americans and then returned years later to modern society. Jiles credits Scott Zesch's The Captured as an influence. 

Overall, I was deeply moved by News of the World and the relationship formed between Kidd and Johanna. As the centerpiece of the novel, I found it remarkable. I look forward to reading more of Paulette Jiles including her 2010 novel Color of Lightning, which also features the Kidd character.

Buy a copy of this book HERE.

Logan #01 - Logan

Jon Messmann created the long-running and highly successful western series The Trailsman, as well as other series titles like The Revenger and The Handyman. We have explored numerous novels by Messmann and mostly love all of them. Both Brash Books and Cutting Edge have performed a remarkable public service by reprinting most of Messmann's bibliography in brand new editions with modern artwork and short essays about his work. 

Cutting Edge's most recent release is the two-book Logan series, a character that Messmann created in the style of John D. MacDonald's popular Travis McGee series. Messmann authored both Logan and Killers at Sea under the pseudonym Alan Joseph. These books were originally published in 1970 and have remained out of print until now. I'm beginning with the series debut, Logan.

Not much is known about Logan other than he has some sort of combat history, owns a speedy boat simply called Sea Urchin, and is kind of a jerk. In the briefest of backstories, Messmann hints that Logan has experienced some sort of tragedy in his life that makes him this despondent, rather miserable person. But, he has a soft heart for charity, namely a nun named Mary Angela in Kenya. When Logan completes odd jobs, like chartering or salvaging, he sends most of his earnings to her with a letter thanking her for prior help. 

In Panama, a man asks Logan to perform a job for $10,000. Not liking the guy, or the vagueness of the task, Logan kicks him off of his boat. Later, Logan returns to his boat with a beautiful young woman only to find a corpse on the downstairs deck. The Panamanian police arrive and all fingers point at Logan as the prime suspect. He's been framed.

An emissary from the Peruvian government arrives at the jail and advises Logan they can make the charges go away if he simply agrees to the $10,000 job. He explains that their government is having a problem with a left-wing revolutionary group led by a man named Panico. Peru feels that they have finally killed Panico, but need positive ID. The body has been buried in a remote village and Peru feels as though one of their men will easily be spotted by guerrilla forces. A man like Logan can travel to the village by water under the disguise of a hunter or trapper. Once there, Logan's companion, a Peru woman who dated Panico, can make the positive ID. Mission over, collect $10K. Simple, right?

Messmann is in his wheelhouse with this high-octane, action-adventure yarn. Like his characters Jefferson Boone: Handyman and Skye Fargo, Logan is the author's formulaic, bull-headed man's man. He's handy with the ladies, gets laid a lot, and offers no lasting promises or commitments. In terms of rebellion and angst, Logan is 110% against-the-grain. He chooses painful opposition over smooth conformity despite the overwhelming odds. But, he always wins. 

Thankfully, Cutting Edge realizes Messmann's storytelling talent and have re-introduced these fun novels for a new generation of readers. As a nautical escape, Logan succeeds with it's fast-paced, calculated action. There's an ample amount of sex and violence contained in Messmann's propulsive plot to please fans of popcorn action-adventure fiction. There's nothing to dislike about Logan, and I'm looking forward to this book's sequel, Killers at Sea. 

Fun Fact – Papillon Books used this book's original cover art for their 1974 private-eye novel Wake Up Dead by William Wall. 

Buy a copy of this book HERE.

Conan - The Phoenix on the Sword

In 1929, Robert E. Howard submitted a story called "By This Axe I Rule" to magazines like Argosy, Weird Tales, and Adventure. The story starred King Kull, the hero of Howard's published story, "The Shadow Kingdom", which is arguably the grandfather of the sword-and-sorcery genre. "By This Axe I Rule" received the same cold shoulder as 10 of Howard's other Kull manuscripts. Instead of giving up on the story, Howard modified the manuscript to include a different king, a dark haired barbarian called Conan. The story was re-titled as "The Phoenix on the Sword" and published by Weird Tales in December, 1932.

The story begins with an outlaw named Ascalante formulating a plot to assassinate King Conan of Aquilonia, a country that has turned against their king due to his foreign heritage. The Rebel Four (Volmana, Gromel, Dion, Rinaldo) all feel as though they are employing Ascalante's services. In reality, Ascalante plans on betraying the killers so he can seize the crown for himself. Ascalante's ace-in-the-hole is Thoth-Amon, an evil wizard he has enslaved to do his bidding.

A number of events occur that aid King Conan in escaping the assassination. A dead sage (ghost?) appears before Conan and warns him of the plot, allowing the barbarian king to prepare for their arrival. Additionally, this dead sage singes Conan's sword with the symbol of the phoenix, a tribute to a God named Mitra. At the same time, Thoth-Amon gains back a magical ring he lost years ago. To exact revenge on Ascalate for enslaving him, he conjures a large ape-like creature to venture out to hunt and kill Ascalante. All of this culminates in a bloody and vicious fight in Conan's throne room as he battles the Rebel Four, Ascalante, and sixteen of his rogue warriors. 

Obviously, there's a lot to digest over the course of this 9,000 word short story. In the manuscript's original form as "By This Axe I Rule", the magic element is absent, replaced with a simpler approach of Kull being warned of the assassination plot by a slave girl. Perhaps the story was too simple for Weird Tales editor Farnsworth Wright. Thus, Howard injects a magical pageantry to the tale, mystifying readers with political intrigue, monstrous mayhem, and a violent hero to cheer. The story is beautifully constructed with all of these moving, intricate parts blended together to create an artistic apex. This is Howard in brilliant form. "Phoenix on the Sword" is a mandatory read for any action-adventure fan. Perfection. 

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A Bullet for the Bride

We've covered a great deal of Jon Messmann's literary work, like vigilante novels in The Revenger series, The Trailsman westerns, his Claudette Nicole gothics and Jefferson Boone: Handyman international thrillers. While Messmann's series titles are the most widely recognized, he did write a small number of stand-alone novels for a variety of publishers. Brash Books (and subsidiary Cutting Edge) have performed a wonderful public service by releasing most of Messmann's out of print novels in brand new editions. So, I was excited to acquire Messmann's stand-alone novel A Bullet for the Bride. It was originally published by Pyramid  in 1972 and now remains available through Brash Books with a brand new afterword from Bloody, Spicy, Books writer Roy Nugen.

Despite the book's original cover, A Bullet for the Bride is not a moody private-eye murder mystery. Pyramid clearly wasn't aware of John D. MacDonald's sensational houseboat hero Travis McGee. Or, any houseboat heroes for that matter – William Fuller's Brad Dolan, J.L. Potter's Jeff Tyler or, Messmann's own boating hero Logan, star of Logan (1970, 2022 Cutting Edge) and Killers at Sea (1970, 2022 Cutting Edge). As Nugen suggests in his afterword, this book was clearly designed to be the debut of a series, but it never came to fruition.

The book stars Captain Ed Steele, a retired CIA operative that now lives a fairly peaceful life on The Squid, a houseboat docked in the Gulf of Mexico. Steele still performs part-time jobs for his former CIA boss Byron. These are normally surveillance jobs or tasks that require Steele's efficiency with a boat. But, Steele is surprised when a woman named Cam Parnell calls him on the phone saying that she got his name from Byron. 

Parnell, as hot as a July firecracker, wants Steele to do a private-eye job. She wants to know why her super wealthy father's new girlfriend, whom she absolutely despises, is running what appears to be a fake company. Hesitantly, Steele learns that the woman's name is Grace White, a wealthy, sexy older woman that is apparently running a successful exporting business. After Parnell seduces Steele into the job, he discovers that White's business may be a front for an arms-dealer. 

I love Messmann's quick-pace and his flawless formula of placing a lone hero against the odds. The chemistry between Parnell and Steele was like lightning in a bottle, a sexy combination of youth, experience, and wealth within the backdrop of Florida's posh beachfront mansions. I also found it interesting that Steele's backstory has him chasing a mysterious man. That story probably would have played itself out in future installments, but they never happened. Instead, Messmann used a variation of this for his successful Trailsman series, where the lone hero Skye Fargo is chasing three murderous men. 

Jon Messmann's stirring narrative - laced with boat chases, gun-play and fisticuffs - pairs perfectly with the rich, sexual ambiance of the 1970s. A Bullet for the Bride is truly a marriage made in Heaven. 

Get the book HERE.