Monday, January 17, 2022

The University #01 - Sympathy for the Devil

Sympathy for the Devil is the first in the series of espionage novels by contemporary New York author Terrence McCauley. The novel was originally released in 2015 but has found new life as the inaugural release by Wolfpack Publishing’s newly-acquired imprint Rough Edges Press.

The novel stars spy James Hicks (not his real name). He’s employed by an odd organization informally known as The University. It was created by an executive order during the Eisenhower Administration to operate outside the official intelligence community to protect the USA without federal (or ethical) oversight or funding.

The University gains its power through the recruitment of high-value “Assets” — people with secrets to hide that the agency blackmails into providing expertise, information and resources. Hicks recruits these reluctant assets with information gleaned from The University’s futuristic data analytics computer called OMNI. More on that later.

The day-to-day work of The University is to embed its agents inside suspected terrorist groups with the hopes of preventing acts of terror before they happen. Hicks runs The University’s New York office and oversees these operations. For this series debut, Hicks is dealing with a group of radical Islamic Somalis operating out of a Long Island taxi stand. Somehow the Somalis figured out that they were under investigation, and they stage an ambush targeting Hicks and killing a well-placed undercover operative.

There’s a lot of world-building to give the reader a feel for the intel environment in which The University operates. Nearly the entire first half of the novel is Hicks setting the stage, recruiting help and gathering resources for the mission at-hand. In the novel’s second half, Hicks employs technology, informants, enhanced interrogation and gunplay to investigate the bad actors behind the Somali cell.

My biggest criticism is the author's over-reliance on the agency’s OMNI computer system. The system is all-knowing, all-seeing and completely unrealistic — much like the one in the 1998 Tony Scott film Enemy of the State. The problem is that this trope robs the main characters of problem-solving within the plot. A digital, crystal ball like OMNI takes the story out of the world of hardboiled gritty realism and into the realm of paranoid sci-fi. The computer system also relegates Hicks to the sidelines and in front of a computer screen for much of the novel.

Despite these structural flaws, I mostly enjoyed riding along with Hicks on this adventure. The author is at his best when writing scenes filled with violent action, and there are several of these peppered throughout the paperback - mostly toward the end. When he leaves his laptop behind, Hicks is a great hero and the author is a fine writer.

While I didn’t love Sympathy for the Devil, I’m intrigued enough by the character and the agency to continue with the series. McCauley can write his ass off when he allows his action characters to do action stuff. Mostly, I trust the editorial hand of Wolfpack Press to shepherd this series in the right direction. For that reason, I’ll probably be back for more. 

Buy a copy of the book HERE

Friday, January 14, 2022

Dragon's Fists

There's an interesting backstory behind the vintage paperback Dragon's Fists. It was published in 1974 by Award Books, a subsidiary of Universal Publishing under the pseudonym Jim Dennis. The novel was actually written by Dennis O'Neil and James Berry. O'Neil was a prolific comic book writer with works including Green Lantern, Amazing Spider-Man, Batman, and X-Men. Berry was a comic strip artist associated with the long-running Berry's World

The 1970s provided a fertile landscape for men's action-adventure paperbacks, so the proposal was for Dragon's Fists to become a series. The title page inside states #1 and the book is a clear origin story. It was designed to propel Kung-Fu master Richard Dragon, the book's main character, into a long-running publication. Unfortunately, the book wasn't a success and Award Books canceled the series. Was the novel that bad?

Through numerous flashbacks, readers learn that Richard Dragon's parents were very wealthy. Dragon, in defiance, wasted his childhood by creating a lot of chaos for himself and the family. He was kicked out of numerous schools and universities and refused to conform to his father's rules. As a young adult, Dragon became a thief in Japan and attempted to rob an older gentleman. The man ridicules Dragon, but finds that he has the ability to do good things if he can change his attitude. This man, referred to as O-Sensei, is a Kung-Fu master. He teaches Dragon martial arts and how to live life in a positive way. 

With his new skills, Dragon joins an espionage agency called G.O.O.D. (Global Organization of Organized Defense) and serves as an agent for a number of years. After he leaves the agency, Dragon becomes a martial arts teacher. In the opening pages, Dragon's friend Carolyn comes to him to ask for help. In a quick fight scene, Carolyn is kidnapped by a male villain named The Swiss. He also murders Carolyn's uncle in a quest to locate a series of numbers.

The bulk of the narrative is spent with Dragon trying to locate The Swiss in Paris. There's a number of violent fight scenes to keep readers engaged, but the story is fragmented due to the flashback sequences. It reminded me of the old Kung-Fu television show where the main character finds conflict and is reminded of some important lesson he learned from his master. The action is great, the story is convoluted, and the pace is jarring. Beyond collectible nostalgia, there probably isn't a reason to hunt this book down.

Fortunately, Richard Dragon continued in comic book format and has become a stable, popular character within the D.C. Comics universe. The character first appeared in comic book format in 1975 under the title Richard Dragon, Kung-Fu Fighter. That series lasted 18 issues. The Richard Dragon series launched again in 2004 and ran 12 issues. Since the 1970s, the character has appeared repeatedly as both a hero and villain. Most recently, Richard Dragon appeared on the television show Arrow and the animated Batman film Soul of the Dragon

Buy a copy of this book HERE

Thursday, January 13, 2022

Wild Oats

Florida’s King-of-Paperbacks Harry Whittington (1915-1989) had four paperback original novels published in 1954. One of those included a juvenile delinquent book called Wild Oats that promised “The story of a young girl’s moral degradation.”  The novel was originally published by Uni Books and is now available as a reprint from Armchair Fiction. 

Amy has a troubled background. Her father left her mother for another woman and moved to Tampa, leaving his wife and Amy behind. As the novel opens, 15 year-old Amy is hitchhiking to Tampa to be with her estranged dad. She lands a ride with a creepy trucker who tries to rape her until a trooper intervenes and sends her back home to mom. 

Both Amy and her mom are relatively new residents in the small Florida town of Duval, a sleepy hamlet divided into a caste system with a distinct class-based pecking order. Amy and her divorced mother are toward the bottom, but Mama is hell-bent on some social climbing. Her bright idea is for Amy to befriend the high school’s Alpha-girl, a bitchy teen named Clarice.

Amy quickly befriends the wealthy Clarice and begins to slide into delinquency - booze, cutting school, and pressure to engage in sexual activity as an initiation into Clarice’s No Virgins girl gang. The sex stuff is all off-page and more repugnant than titillating. On the other side of this teen malfeasance is a nice high school boy who thinks Amy is just swell. 

I kept waiting for something interesting or edgy to happen, but the whole thing felt like an After School Special about the dangers of peer pressure. At best, Wild Oats is an interesting artifact from the juvenile delinquent paperback fad. However, the novel is beneath both Harry Whittington and you. Don’t bother. 

Buy a copy of this book HERE

Wednesday, January 12, 2022

The Red Menace #01 - Red and Buried

Author James Mullaney was born in Massachusetts and has an M&M addiction. To help feed his appetite, he's sold over a million books. Mullaney contributed to 26 installments of The Destroyer and wrote a six-issue arc for Marvel Comics' Iron Fist. In addition, he authors an ongoing series about a private investigator named Crag Baynon. My first experience with Mullaney is his espionage title The Red Menace. At the time of this review, there are a total of five installments. The debut, Red and Buried, was originally published by Moonstone Books in 2013. Bold Venture Press bought the rights to the first two novels and have released them as gorgeous trade paperbacks with Mark Maddox artwork. I've always enjoyed 1970s action-adventure, so I jumped right in.

In the 1950s, Patrick “Podge” Beckett donned a mask and cloak and became a U.S. secret agent named The Red Menace.  Beckett worked for the M.I.C. (Manpower and Intelligence Coordination), a short-lived bureau that was a melting pot of information gained from the C.I.A., F.B.I., Army Intelligence, and other domestic and international espionage and police agencies. By the late 1960s, invisible walls had been structured and these bureaus no longer actively (or voluntarily) coordinated with each other, instead hoarding the intelligence within their own departments. Thus, the M.I.C. slowly became obsolete. 

Red and Buried begins with a prologue set in October, 1958. The Red Menace is in the Soviet Union stopping the plans of Motherland (Russian agency similar to the KGB) to create a biological weapon. Red Menace's chief rival is the Soviet's Colonel Ivan Strankov, the director of Motherland. By the end of the exciting prologue, Red Menace has won the battle and issued a threat to Strankov – don't ever come close to America again...or you'll be dead. 

The first chapter brings the narrative into the present day of July, 1972. Readers learn that after his departure from M.I.C., Patrick Beckett started a lucrative and successful security consulting firm. His days as Red Menace are a distant memory. Beckett now lives a comfortable, luxurious life at the beach. A young man arrives and introduces himself as Simon Kirk, the son of Beckett's old boss at M.I.C. Kirk is now running the department and explains that Beckett's old ally and friend has been killed by the Soviets in Cuba. He was on an assignment there working under the disguise of a fisherman when he located a hidden missile range. Kirk knows he can't get into Cuba, but he can possibly pitch a deal to Beckett. Here's the setup:

Beckett will take on an assignment for the M.I.C. and figure out what's going on in Cuba. But, he needs to be invited there personally. Kirk knows Beckett declines business opportunities from any Communist country. But, he suggests that Beckett propose a security consultation with a dictator in Uganda. After setting up security forces for Uganda, that nation will spread the word that Beckett has finally placed money before his personal ethics. Then, Fidel Castro's people will invite Beckett into Cuba to analyze their security measures. Once he is there, Beckett will have free reign to snoop around and find the missiles. Or, Castro will personally invite him to the launch pad to consult with the Soviets. 

All of this may seem convoluted, but it is rather simple. Mullaney places pure enjoyment and humor over technical nuances about 1970s weaponry. In doing so, he makes Red and Buried such a pleasure to read. Beckett's partner is Dr. Thaddeus Wainwright, a hilarious character that is sarcastic and intelligent. The pairing is similar to The Destroyer's Remo Williams and Chiun, an obvious influence on Mullaney's writing style and concept. The narrative is propelled by laugh-out-loud moments with Wainwright frequently ridiculing Fidel Castro's dictatorship. In terms of action, it's almost nonstop once the story gets rolling. Even in the slower parts, there are flashback sequences pertaining to Strankov's rise in the Soviet Union as well as prior Red Menace adventures. 

If you love modern pulp, then The Red Menace is a mandatory series for you to read. It's fresh, remarkably well-written, and incredibly entertaining. I can't wait to see where the series goes next. Highly recommended! Get the book HERE

Tuesday, January 11, 2022

Concho #01 - The Ranger

According to Wikipedia, Charles Gramlich teaches psychology at Xavier University. Born in 1958, Gramlich grew up in the foothills of the Ozark Mountains. His first published novels were in the late 1990s, with his influences ranging from Edgar Rice Burroughs to Louis L'Amour. Gramlich has authored fantasy titles like Swords of Talera and Wings Over Telera. In addition to writing in genres like sci-fi, mystery, and romance, Gramlich used Wolfpack Publishing's house name A.W. Hart to author an ongoing modern western series called Concho. My first experience with the author and the series is the debut, The Ranger.

The series stars Concho Ten-Wolves, a 6'-4” former Army Ranger that now works the Rio Grande border as a Texas Ranger. His heritage is African-American and Kickapoo Native-American. He lives on the Kickapoo reservation and has an on again, off again relationship with a woman named Maria. His uncle Meskwaa is the stereotypical funny guy and there's also a rat snake named Maggie.

As the novel begins, Concho receives a call for law-enforcement assistance at the local shopping mall. Inside, members of a terrorist group called The Aryan Brotherhood have executed five people and taken numerous hostages. With no back-up force, Concho takes his two handguns, a 30-06 rifle and a bow and arrow into the mall to make the save. In an exciting battle, Concho kills a number of terrorists with random weapons and ultimately becomes the hero.

After a verbal beat-down, Concho is relieved of his duty for a week, but not suspended. But, he is retained by the local sheriff's office when two bodies are discovered. One of the men is the Chief of the Tribal Police and the other has a distant relationship with Concho. Through flashbacks, readers gain an introspective understanding of Concho's upbringing, his military service, and glimpses of a failed relationship with his biological father. These elements help define the character and make for an interesting “open-book” concept that should propel the series. 

Concho's investigation into the two deaths leads him into conflict with the reservation, the casino's criminal network, and ties to a Native-American gang called The Bloods. The murder mystery leads into some deadly territory where Concho finds himself a target. After surviving house fires, car accidents, and flying bullets, the Texas Ranger finds himself forced to solve the crime or literally die trying. 

The Ranger is laced with over-the-top, unbelievable action sequences that should cater to fans of 80s action films. You have to suspend your disbelief and just accept that this fictional hero can accomplish anything. His NFL linebacker frame adds credence to the fact that he can receive, and dish out, physical punishment. In some ways, the book reads like a Dirty Harry paperback by Leslie Alan Horvitz and Ric Meyers (house name Dane Hartman). The hero rides tall, shoots straight, and speaks the truth – a modern day cowboy trapped in the present. 

As a series opener, there's plenty of potential to make this character a little more dynamic or, even fragile. If you like contemporary westerns, then Concho may be your next read. 

Concho:

1. The Ranger
2. Hot, Blue, and Righteous
3. Path of Evil
4. Crescent City Blues

Monday, January 10, 2022

Heritage of Fear

NYU graduate Morris Hershman (b. 1926) authors gothic, romance and western titles under the pseudonyms Evelyn Bond, Arnold English, Sara Roffman, Janet Templeton, Sam Victor, Lionel Webb, and Jess Wilcox. He is a member of the Mystery Writers of America and his papers are stored at Bowling Green State University. My experience with the author is his 1960s and 1970s gothic paperbacks published by the likes of Belmont, Lancer, and Avon under the Evelyn Bond name. In the mood for a cozy mansion thriller, I tried Hershman's 1966 Belmont novel Heritage of Fear

Set in 1874, the book stars a young American woman named Karen who has recently married the wealthy British businessman Hugh Locke. On a train ride to Hugh's enormous Locke Hall home, Karen bumps into a man who has some knowledge about her new family. Hugh's father had been married twice before and experienced the death of his first wife when she was just a bride. The second wife nearly died in a horse riding accident before finally perishing giving birth to Hugh. This stranger provides an ominous warning. Demanding an explanation, Karen prods Hugh into revealing the origin of the warning. Hugh explains that Locke Hall is connected to ridiculous folklore that any bride brought to the home will die. 

Needless to say, Karen experiences some frightening things inside her new mansion. First, she is nearly killed when a large painting falls on her. Second, she is spooked by the “ghost” of a woman dressed in a wedding gown with her throat savagely sliced. After the wedded couple host both the family attorney and Karen's father, a murder occurs pitting everyone against each other. Is their a murderous ghost on a homicidal rampage or did one of these four people commit murder?

Hershman's narrative plays out like a suspenseful whodunit with an abstract locked room mystery. The idea of the gruesome ghost was scary at times, but at this point I'm a seasoned gothic pro and I know how these supernatural entities eventually morph into vengeful ex-lovers, greedy family members or jaded employees. I won't ruin the surprise because there is a small chance that this could be your first gothic read (out of the 2,500 unique titles that were probably published). Hershman is a capable writer that I enjoyed and I felt he made the most out of this tired storyline.

Friday, January 7, 2022

Monster Man

In 2011, authors Paul Bishop (Lie Catchers, Penalty Shot) and Mel Odom (The Executioner, Hellgate) each wrote and self-published a pulp-styled boxing novella. The books were so well received, a brand was created called Fight Card. Various authors would try their hand at crafting a 25,000-30,000 word novella centralized around boxing in the 1940s and 1950s. The ebooks were published under a house name of Jack Tunny with physical editions printed with the author's real name. The brand created spin-offs like Fight Card MMA, Fight Card Now, Fight Card Luchadors, and even Fight Card: Sherlock Holmes

My introduction to the Fight Card series is an installment called Monster Man. It was authored by Jason Chirevas and published in 2014. It has also been included in a three-book omnibus titled Under the Lights and Heat, a collection of three connected Fight Card novellas written by Chirevas. In 2019, Chirevas contributed a short story to Paul Bishop's collection Bandit Territory: Ten New Tales of Murder & Mayhem and he created and authored the western series Ames & Fyre

Monster Man, set in 1953, stars a talented young boxer named Ben Harman. He grew up an orphan in St. Vincent's home for boys in Chicago. After the Army, Ben found that he was a gifted and natural boxer. Rising in the ranks of the fight game, Ben meets an unlikely fate one night in Albuquerque, New Mexico. His powerful right hand fatally injures his opponent in the ring. The death leads to Ben's removal from the big-time fight game. 

The narrative then moves to Toronto and readers learn that Ben is now paired with his old friend Pete. Together, the two are running a fight scam from city to city. The gimmick is that Ben fights in amateur bouts and he either takes a dive (pretending to be knocked out so he loses) or he runs a hustle and fakes that he is brand new in the fight business, then proceeds to knock out the city's local champ. Either way, Pete makes the bets depending on the scam, and the two pocket the money evenly. The catch is that they can't be seen together and they have to conduct business east of New Mexico so no one will recognize Ben as a former pro. But, where does “Monster Man” fit in?

Ben is suffering from the early onslaught of acromegaly, a disease in which an individual's hands, feet, forehead, nose, and jaw grow disproportionately due to an increased hormone growth. You may remember WWE Hall of Fame legend Andre the Giant as the most famous human to have acromegaly. But, there was also 1933 world heavyweight boxing champion Primo Carnera, which influenced the author's decision to write the main character in this way. Throughout the story, Ben researches the disease in all of the town libraries he visits. He also reads up on Carnera's condition. Ultimately, Ben begins to suffer severe pain in his wrists and hands and he fully understands what his future entails.

Monster Man absolutely shines like a classic mid-century crime-noir, fitting in the most rudimentary staples that the genre possesses – gambling, criminals, romance, money and an examination of the average human condition. Like Clark Howard's masterful 1967 crime-fiction novel The Arm, Monster Man emphasizes the gambling addiction – bad, worse, and worst – but introduces a love interest that steadily begins to chip away at the criminality factor. The “monster” isn't Ben, it's the game. In a clever twist, Ben falls for a prostitute named Vicky, a once beautiful, aspiring actress that now has a physical flaw. Ben and Vicky share the same imperfections, and they are both caught up in a life of crime. 

I read a lot of fiction, from the greats to the aspiring authors that still have some rows to ho. In my experience as a reader, Jason Chirevas proves that he is truly something special. He has a unique talent to convey so much emotion and drama in his wording. I felt invested in the characters and sympathized with their predicament. There's no easy way out, and Chirevas' doesn't short-change anything. 

Monster Man is gritty, entertaining, and wildly unpredictable. It caters to boxing fans, crime-fiction readers, and anyone that just loves an engrossing story. While I hung on to the ending for dear life, I'm relieved to know that Ben and Vicky's story continues in the 2015 follow-up Job Girl. Look for my review of that in the coming days. 

You can buy Monster Man as a Kindle stand-alone ebook HERE or the omnibus Under the Lights and Heat as digital or physical HERE.

Thursday, January 6, 2022

The Troublemaker

Author Jean Potts (1910-1999) graduated from Nebraska Wesleyan University in 1936. By 1940, Jean had moved to New York City, where she resided the rest of her life. With her newspaper experience in writing and editing, Potts eventually began contributing short stories to mainstream magazines like Woman's Day and Collier's. Her first book, Someone to Remember, was published in 1943, the first of 15 original mystery and crime-fiction novels. Along with winning a prestigious Edgar Award in 1954, Potts contributed to high-profile mystery magazines like Ellery Queen and Alfred Hitchcock. Beginning in 2019, Stark House Press began reprinting many of Potts novels in two-in-one volumes under their Stark House Mystery Classics imprint. My first experience with the author is her 1972 mystery novel The Troublemaker. It has been collected along with her 1966 novel Footsteps on the Stairs as the newest reprint by Stark House.  

Quentin Leonard, finding himself unemployed, explains to his wife Grace that he needs to get away for a little while and spend some time finding himself in the northeast. After deceptively packing for a mini-vacation to New Hampshire, Quentin picks up his lover Lisa and the two of them head to the coastline of Maine. After their car breaks down, they agree to work for the Seaview Inn, a cozy little retreat for tourists wanting to explore the rocky shoreline. 

The two lovers quickly realize there is no real plan other than working the summer away in this picturesque little town. Complicating matters is that Quentin finds a handwritten letter addressed to Lisa from her former lover, a mentally unhinged man named Carlos. Quentin knows Carlos has found them, but he isn't sure if Lisa is more willing to love an older, married man like himself or a former suicide patient in Carlos. It seems that both paths will eventually lead Lisa to future heartache and ruin. But, she never makes it that far. Her dead body is found the next morning on the rocks. 

Potts places numerous characters at the proverbial crossroads. Who has tipped the scale to plunge into this jealous, homicidal rage? The obligatory suspects are Quentin, Carlos, and Grace, a trio of scorned lovers that all have motives for killing off sexy Lisa. What's really odd is that Potts injects some additional characters to create a denser narrative. Carlos' mother arrives in town prior to the murder and there is a guest named Margaret that just happens to have a broken car around the same time period as the murder. There's also the innkeepers themselves. But, the most surprising protagonist is a bird watching boy sleuth named Emerson. Aligning with Quentin, this young amateur detective is determined to find the killer.

The writing in The Troublemaker is propulsive enough to keep the pages flipping fairly quickly. It's a short read and contains enough mounting evidence to keep readers interested. I'm just not sure if this 1972 mystery novel is totally that original. If you are familiar enough with suspense thrillers, or Lifetime movies, the narrative is simply connecting the dots. The grand reveal comes within the last few paragraphs, but it's a sudden conclusion. I wanted a little backstory on the murder and what prompted such erratic behavior. But, overall, I'm not disappointed. It was an entertaining read.

If you enjoy the classic, traditional murder mystery, then surely you will be pleased with Jean Pott's The Troublemaker. Get the book HERE

Wednesday, January 5, 2022

The Skin Game

Frank Bonham (1914-1988) is best remembered as an author of young adult fiction and westerns from the pulp era into the advent of paperback originals. However, he also authored three crime novels, including The Skin Game, originally released by the prestigious Fawcett Gold Medal imprint in 1962.

Our main character is a former cop turned Parole Officer named Sam Garrett. He’s provided the task of supervising a parolee named Gene Foreman, a man Sam knew years ago when they were both police officers. Gene is technically a sex offender who was recently released on parole from prison after serving 26 months. It’s not as bad as it sounds. He was consorting with a girl who said she was 19 but was actually 17 and - boom - he’s automatically a statutory rapist.

A cop named Donovan has a real hard-on for Gene and wants to bring him in as a suspect for a recent sex crime. Sam doesn’t think Gene did it, but is duty bound to bring his old friend in for police questioning. The problem? Gene abandoned his apartment and is nowhere to be found. Parole Officer Sam needs to locate his old friend before he violates the terms of his parole and further cements his status as a suspect in Donovan’s investigation.

The stakes escalate exponentially when the police learn of a sexual thrill-killer who gets women to pose for naked photographs before brutally murdering them. With Gene completely off the grid, the police naturally gravitates to him as a suspect. Is it possible that this ex-cop has a screw loose and is indiscriminately killing sexy babes while on parole? That’s one of the mysteries encapsulated in this 160-page paperback. There are some unexpected twists along the way, and the novel isn’t always about what it seems.

For a guy who only dabbled in the Fawcett Gold Medal style of crime noir fiction, Bonham nailed the style and plot structure very well. There was plenty of sexual titillation, and characters who aren’t what you think they are. The Skin Game has been reprinted by Cutting Edge, which is a good thing considering it’s a solid example of what made mid-20th century paperbacks something really special. Get the book HERE

Tuesday, January 4, 2022

The Whisper Man

Steve Mosby is a British author that specializes in crime-fiction and psychological suspense. He's often compared to Scandinavian writer Jo Nesbo with his emphasis on grisly serial killers and rapists. Since 2003, Mosby has authored 11 stand-alone novels, but in 2019 he also began using the pseudonym Alex North. After seeing the North name in retail stores like Target, I finally decided to read The Whisper Man. It was published in 2019 by Penguin and exists in physical, digital, and audio formats. 

What's interesting about The Whisper Man is that it blends first and third-person perspectives into the narrative. Further, it focuses on two murders that happen 20 years apart. These elements expand the storyline and allow for some interesting ideas and plot twists. It isn't a standard crime-thriller because Mosby uses the Alex North pseudonym to purposefully add a supernatural aspect to his stories. 

20 years ago, the British village of Featherbank was terrorized by a child killer deemed “The Whisper Man.” The killer, Frank Carter, gained infamy by whispering to children at their bedroom windows. Eventually, a homicide detective named Pete cracked the case, sending Carter to prison for life and all of the bodies recovered except one. Over two decades, Pete has tried to find the body to no avail. He frequently visits Carter in prison in a cat and mouse chess match to learn where the body is. Carter's superiority as the prison's pseudo-leader gives him an arrogance that Pete can't break. Thus, two decades of mental battles have left Pete semi-retired, divorced and recovering from alcoholism. 

Now, a homicide detective named Amanda has been handed a new case that has the characteristics of the Whisper Man murders. A young boy was killed and dumped near a rock quarry in Featherbank. In questioning his parents, Amanda learns that the boy told his mother that he heard whispers outside of his window the week before. In looking into Carter's case, Amanda asks Pete to join the investigation as a consultant based on his experience with the killings. 

While this is happening, a recent widow named Tom moves to Featherbank with his young son Jake. After settling into the new house, Tom starts to notice that Jake is having conversations with an imaginary friend. From Jake's perspective, readers learn that this imaginary friend is a young girl who may have ties to the house and its original owners. Things get creepy when Jake tells Tom about “the boy in the floor.” When Tom hears strange whispers in the house, he begins to suspect that someone is after his son.

Obviously, there's a lot going on in The Whisper Man. The book's opening act explains the current mystery and the murders from 20 years ago, so I felt fully invested in how these were connected. Tom's backstory with the emotional death of his wife and his insecurity in raising Jake as a single dad was really effective. When Pete is introduced, readers gain perspective from his vantage point as well. I wanted to learn more about Amanda, but North quickly shifted her to a supporting character. 

As a horror novel, the author succeeds in creating some extremely unsettling scenes. The whispers in the house, Jake's “imaginary friend”, the boy in the floor mystery as well as the whole idea of a serial killer preying on children from their window were truly terrifying. As a crime-thriller, in the vein of James Patterson, it's mostly just a pedestrian by-the-books investigation – interview the families, look into the past homicides, interview key characters in prison, and introduce flawed characters looking to redeem themselves. It's nothing you can't find on any prime-time network television show. But, it works well when combined with the concept of something supernatural taking place.

Based on my reactions to this book, I plan on reading more of Steve Mosby's stand-alone thrillers as well as his other Alex North novel, The Shadows (2020). He's a good storyteller and at the end of the day, that's really what we are looking for. 

Buy the book HERE.

Monday, January 3, 2022

Matt Helm #03 - The Removers

Ian Fleming's mega-star James Bond influenced a number of spy fiction titles, including Assignment and Nick Carter: Killmaster. One of the most popular is the Matt Helm series authored by Donald Hamilton. It ran from 1960-1993 with 27 total books. I was lukewarm on the series first two installments, but the character still intrigued me enough to warrant further pursuit. I grabbed a copy of The Removers, the third installment of the Matt Helm series. It was originally published by Fawcett Gold Medal in 1961 and remains readily available today in audio, digital and physical reprints.

In Death of a Citizen, the series debut, Helm is married to a woman named Beth and has three children. He's a former OSS agent (the early CIA) that established a writing career and a sense of normalcy after retirement. But, events drag him back into the spy business and he rejoins his former department. I didn't particularly like the book, despite its enormous popularity, and felt that it was incomplete. The idea that Helm simply left his wife and kids (and has an affair nonetheless) didn't sit well with me. Thankfully, The Removers circles back to his family and completes the origin tale in its entirety.

The Removers begins by explaining that Beth Helm is now remarried and lives on a cattle ranch in Reno, Nevada with her kids. She's now Mrs. Lawrence and her husband is a British chap that has a shadowy past. Helm receives a letter from Beth asking him for a favor. Thus, the opening chapter has Helm in Reno preparing for an uncomfortable meeting with his ex-wife. However, Helm also receives word from his boss Mac that a young agent is working an assignment in Reno and may need a light assist. 

Helm learns from Beth that her husband was involved in a prior business similar to Helm's. Because of some sort of past event, shady people are threatening the family. Helm takes it all with a grain of salt until he meets Beth's husband Logan. Helm's theory is that Logan isn't really British, but is legitimately some sort of skilled professional capable of defending Helm's kids and ex-wife. In fact, Logan politely, but sternly, advises Helm to leave the ranch and never look back. 

The star of the show is Moira, a young and sexy woman that physically distracts Helm. The two get it on, and in doing so Helm learns that Moira is the daughter of Big Sal Fredericks, a Reno mobster. Fredericks is employing a foreign spy/enforcer named Martell, a man that Mac warns Helm about. After learning that Logan Lawrence is a former gun for Fredericks, Helm begins to connect the dots. Logan left the business, but Fredericks needs him for one more run to Mexico to recapture stolen heroin. Logan refuses, thus the not-so-gentle rub.

All of this ties in beautifully and creates a really engaging story. Helm engages in some awesome dialogue, never comically witty, but maintaining a hard-edged coolness. The action scenes are fairly swift and keep the narrative flowing into a much longer finale that is soaked with violence. Oddly, it was told with a sense of western traditionalism. The hero rides to the rural cabin in the woods to fight the unruly bad guys that have raped and captured his woman. But, that hero isn't really Helm. 

In a clever way, Hamilton mirrors Helm's origin story by telling a similar tale with Logan Lawrence. In this case, Lawrence is the one married to Beth and is called back into action after violent events begin to intrude into his retirement. Arguably, Logan is the real hero.

My main beef with Matt Helm is that he personifies the hardened tough guy. He talks tough, his first-person perspective is menacing, and he genuinely has old war stories or missions that he shares to validate his callous command. But, he never actually does much fighting. In the first two books, Helm doesn't really get the job done and people unexpectedly die. In this book, Helm watches Moira get abused by two women until her own dog makes the save and kills the would-be-rapists. Helm is knocked in the head outside of his motel room and then captured by Martell and Fredericks. 

In the finale, Logan is shot in the leg and placed on the sofa. Helm is tied up and has to listen to his ex-wife being raped in the next room. He has the audacity to question why one-legged, bleeding Logan isn't doing anything about it. The book's rowdy conclusion has Logan saving Helm's life. But, for whatever reason it all just works and Hamilton's prose is so damn cool. I loved the timeline and pacing, the brilliant conclusion of Moira (the obligatory spoiled sex kitten), Beth's neediness, the escalated violence, and Logan's expertise in disposing of the bad guys. Helm should have been the hero (and maybe he is somehow?), but I can settle for him as a co-partner.

I've already started the fourth volume, The Silencers. In the opening chapters, Helm is sent on a mission to Mexico to save a female agent. Wouldn't you know it...she's stabbed to death in front of him. But, it's written so well that I don't even care how inept the hero is. I'm sure an alternate hero will rise to the occasion. Buy a copy of the book HERE

Friday, December 31, 2021

Rambo: First Blood Part II

In 2016, Gauntlet Press, in collaboration with Borderlands Press, re-printed David Morrell's novelization of Rambo: First Blood Part II. What's interesting about the reprint is the author's lengthy, detailed explanation of how he became involved in the project. I highly recommend reading, or listening to the audio book edition, if you love books. You don't need to be a Rambo enthusiast or fan. It's a spellbinding commentary if you love the films as much as I do, but for a casual reading fan Morrell's involvement and writing experiences about creating a novelization of the script was just so captivating. 

Morrell authored First Blood in 1972, the book from which the 1982 blockbuster film was derived from. That book is much different than the film, as I explained in my review. Mostly, Rambo is a more arrogant, cocky kid in the novel and at the end of the book ***spoiler alert*** Rambo dies. In the film, he doesn't. 

In the author's introduction of Rambo: First Blood Part II, Morrell explains that he had no idea a film sequel was in development until he read it in the newspaper (authors seem to be the last to know). Shortly after, the film's development team, Tri-Star Pictures, contacted Morrell about writing the novelization of the film. Back then, films were seen at the cinema or on network television. Streaming didn't exist and VHS/laser disc wasn't mainstream (or affordable). Novelizations became important because they presented that middle ground between theatrical release and the “Sunday Movie of the Week.” The average consumer may have missed the theatrical release, so reading a novelization was an appealing alternative.

Morrell politely turned the project down because he was already writing a novel, 1984's Brotherhood of the Rose, and his version of the character ***spoiler alert *** died. But, Tri-Star kept encouraging Morrell to get out in front of the film because it was going to be BIG. Tri-Star had no other option than Morrell simply because contractually no one else at the time could write a Rambo related novel.

Needless to say, Morrell became involved (a decision that included a conversation with his friend Max Allan Collins), but was only presented a VHS tape with one scene from the film. Finding it impossible to write a novel based on a film he's never seen, Tri-Star provided Morrell a rough draft of the script written by both Sylvester Stallone and James Cameron (Terminator). That draft is what Morrell used to write the novelization. However, that draft was heavily modified by Stallone due to creative differences with Cameron. Thus, Morrell's book is an alternate version, one that I had never seen before. As a fan of the franchise, reading this book seemed mandatory.

In the novel, John Rambo is in a prison labor camp breaking rock by day and huddling in the dark shadows of his cell at night. His former Commander, Col. Sam Trautman, pays Rambo a visit to offer him a deal. The U.S. government has authorized a mission into Vietnam to take photos of a prison camp reportedly containing American P.O.W.s. With the Vietnam War over, the public had become infatuated with the idea that these P.O.W.s were still alive and being held as political collateral. The unit running this solo mission is a contracting company led by a guy named Murdock. 

Rambo later learns that this Vietnamese prison camp is the same one he was held at. This was the home of pain, a horrific place where Rambo was tortured. Because he was able to escape, the contracting company feels that Rambo is the best operative for the job. He knows the area, the camp layout, and other important details. Soon, Rambo is piloting a chopper into Thailand to meet up with Murdock and Trautman. He's provided a sophisticated portable satellite and a camera (ancient tech today), but Rambo wants weapons and the chance to break the prisoners free. This is strictly forbidden, and Murdock explains that the photos will be used to authorize a clandestine Delta Force unit to retrieve the prisoners.

Mostly all of this follows the final film version, but once Rambo enters Vietnam, it changes. After surviving a parachute fiasco, Rambo enters the thick jungle to meet up with an undercover Vietnamese ally named Co. Together, the two of them negotiate a boat ride up river to gain an access point to the camp. The romantic spark between Rambo and Co isn't the same as the film. Co does ask Rambo to take her back to the U.S., but it isn't based on a romantic interest. 

Once Rambo and Co have a vantage point to the camp, Rambo advises Co that the camera was lost and that the new deal is to rescue a prisoner found tied to a cross. It's here that Morrell absolutely shines. The author provides a brief history on archery, how the weapon has evolved over the centuries and why Rambo prefers the weapon over a more capable tool like an M-16 or AK-47. I found this so intriguing and Morrell's detailed explanation of the importance of archery, and Zen, helped define the hero even more. There's also some history on Rambo's upbringing, his abusive father, and Native American heritage. Again, these are book details that really made Rambo a more dynamic character as opposed to film.

When Rambo is captured by the Vietnamese, there's a brief backstory on a torturer named Tey, the same soldier that tormented him years ago. Obviously, the two have a heated rivalry, but the main antagonist is a Soviet interrogator named Podovsky. The torture sequences are mostly parallel to the movie - slime pit, leeches, and electric shock. The book's finale is similar to the film, but Co's importance and the dealings with a double-dealing pirate captain are modified. The film's intensity, rugged action sequences, and overall violence transcend to the printed page in the same fashion. Morrell brilliantly conveys the movie's emotion and exhilaration. 

If you love the film or if you're just a casual fan, David Morrell's novelization is a thrilling action-adventure experience. In my opinion, it really just exists on its own. Details regarding the movie or franchise aren't important in the grand scheme of things. Rambo: First Blood Part II is just an awesome story and a pleasurable reading experience. If nothing else, I highly recommend reading the author's introduction. It's an introspective revealing of what goes into creating a novelization and a must read for anyone interested in the concept.

Buy a copy of this book HERE.

Thursday, December 30, 2021

The Butcher #33 - Go Die in Afghanistan

Here is The Butcher score so far. On a scale of 1 to 10, 1 being “burn the book now” and 10 being “use PTO and read it in one sitting.” 

#07 Death Race is a 1. Seriously, it is that bad. 
#23 – Appointment in Iran is like...a 7. It's a lot of fun. 
#01 – Kill Quick or Die is a 3. 
#12 - Killer's Cargo shuffles in at a 6.
#35 – Gotham Gore is a 1. 

Using the skills I acquired in Mrs. Miller's 6th grade math, that's an average Butcher score of 3.6. That's filthy ugly. But, my problem is that I own the whole series. I hope you don't.

Go Die in Afghanistan is supposedly a series stand-out. It was published by Pinnacle in 1982 and authored by Michael Avallone. It also has a great painted cover by the esteemed Earl Norem. At just shy of 200-pages, the premise has Butcher, aka “Iceman”, in Afghanistan to rescue a NASA nuclear missile expert from those pesky Soviet invaders. He knows he's never accepted a more crucial challenge. I know I just want to avoid placing a metal fork between the pages and microwaving the book.

The narrative begins with Butcher planning a departure from Tel-Aviv. After receiving a call from White Hat (a U.S. spy agency), Butcher is advised that his next mission starts right now. But first, he shoots an old villain named Peanut Man Pennzler and stuffs him in a hotel closet. Then, the hero heads to Afghanistan to rendezvous with the rebel forces opposing Soviet occupancy.

The rebels are intensely infatuated with Butcher and are well educated on his prior exploits with the mob. A fierce, sexy rebel named Tzippora advises Butcher that her “juices flow for him.” In a rather gross sex scene, Tzippora advises Butcher that it's that time of the month, but can't suspend her desires. Butcher admits that this “birds and the bees” encounter with Tzippora will be unlike anything he's ever experienced before. 

Eventually, Butcher and Tzippora are captured by the Soviets and harshly interrogated. Butcher uses the old explosive chewing gum routine (chew it, then throw it, kaboom!) and escapes. But, before the final dash, Butcher shoots his P38 from the hip and precisely places a bullet down the barrel of a Soviet's gun. Avallone describes Butcher as the equivalent of Robin Hood, Davy Crockett and Sergeant York. Then, all of the supporting characters die, Butcher returns home. The end.

As silly as this all sounds, and believe me its totally bonkers, Go Die in Afghanistan is still fun. At this point, I have to start treating The Butcher title as a modern pulp. His silly, over-the-top, completely impossible antics are no different than say...Black Bat or Masked Detective. It's zany 1930s and 1940s pulp hero nonsense, but more dirty and violent. 

I can't think of The Butcher as a serious spy series on par with Matt Helm or Nick Carter. It's the wrong way to look at this series. Suspend disbelief, put your mind into a pulp magazine, and then read The Butcher. It  may be the only way to gain any sense of enjoyment. If not, then you'll end up with an exploding microwave. 

Go Die in Afghanistan is a 6, bringing the average score up to...4. Yikes.

Wednesday, December 29, 2021

Travis McGee #01 - The Deep Blue Good-by

Crime-fiction author John D. MacDonald began the Travis McGee series with three novels, including The Deep Blue Good-by, originally published in 1964 by the powerhouse publisher of the time, Fawcett Gold Medal. The novel introduces McGee as a salvage consultant that helps clients recover stolen funds. The deal is that if McGee can successfully make the recovery, he keeps a percentage plus additional funds to cover expenses accrued. MacDonald's niche is that McGee performs most of these jobs in and around the Floridian coast on his houseboat, the Busted Flush. I've enjoyed MacDonald and wanted to explore this popular character a little more. I'm starting with the “official” series debut, The Deep Blue Good-by.*

In the book's opening chapters, McGee's newest lady “friend” asks what he does for a living. McGee explains the nature of his business to her and soon gains a referral in the form of a young, voluptuous dancer named Cathy Kerr. McGee's new client is rather reserved and quiet, but explains that her father served in WW2 and had been sentenced to prison for killing another soldier. Prior to his capture, Cathy feels that her father buried something valuable in the building materials of his house in the Florida Keys, but it was stolen by a man named Junior Allen. Her father is now dead, the valuable thing is still missing and Cathy is dancing for peanuts. McGee explains the terms of the deal and becomes involved in an enthralling mystery.

The search leads McGee to Lois Atkinson, a woman who was abused and robbed by Junior Allen and left in a near-death state. McGee, with the aid of the good doctor, nurses Lois back to heath and learns even more about this dubious Mr. Allen. McGee and Lois eventually form an emotional bond that spills over into sex – Lois requiring security and McGee seemingly recovering from some ailments of the past (the series will later hint at his military career, lost loved ones, etc.). 

McGee embraces the mantle of the noble hero, bent on punishing Junior Allen for the atrocities he's committed and the young lives he's ruined. McGee's investigation is multifaceted - what is the valuable thing, how did Cathy's father obtain it, where is it now? The job combs a great swath of area from Florida to New York and points in between. The more McGee learns, the more vicious and terrifying Allen becomes. The inevitable confrontation leads to a boat chase and a spectacular fight scene on board.

Like James Bond, or any popular fictional hero, one can jump into numerous rabbit holes online to learn more about the character and the series (movies, color scheme, boat, etc.). We even covered the character on a podcast episode here, so there's a lot to explore if you are interested. I went into the novel thinking it would be a fun, sexy splash in the water with comparisons to a more violent Shell Scott. I couldn't have been further off. 

This was more like Lawrence Block's early Matthew Scudder novels, just a little more sexy. Junior Allen proved to be a calculated, sick psycho with a penchant for power grabs. McGee's clients are victims, some more scarred and disgruntled than others. I truly felt a sense of obligation to these victims, as if McGee was righting a personal wrong for me. The ending was an emotional roller coaster that left me gutted. The closing scenes with McGee and Cathy had such an impact, and set the tone for the character. He's the hard-boiled hero, but thankfully it's complex. 

Sexy, violent, captivating, and mysterious, The Deep Blue Good-by is a masterpiece that you need to read right now. Or, reread it again. There's an obvious reason for the fuss...Travis McGee is the real deal. 

* MacDonald authored the first three Travis McGee novels in quick succession and submitted all of them to the publisher at the same time. To my knowledge, no one really knows which was the very first. 

Buy a copy of the book HERE

Tuesday, December 28, 2021

World's Scariest Places #01 - Suicide Forest

Jeremy Bates is a Toronto horror-fiction author that has won both an Australian Shadows Award and a Canadian Arthur Ellis Award. He's published two very unique series titles – The World's Scariest Places and The World's Scariest Legends. With these books, Bates spins his own original stories based on popular myths and folklore. After reading his 2019 novels Mosquito Man and The Sleep Experiment, both of which are part of The World's Scariest Legends, I was anxious to try one of his World's Scariest Places entries. I borrowed a friend's copy of Suicide Forest, originally published in 2014 and now available in both audio, physical and digital versions.

Suicide Forest is based on the very real “suicide forest” in Aokigahara, Japan (also known as the Sea of Trees). Sadly, under this tranquil, dense canopy of trees, over 100 people take their own life each and every year. Bates uses this bizarre magnetism to construct this survival-horror novel. 

Ethan and his girlfriend Mel are American teachers working temporarily in Japan. After agreeing to hike Mt. Fuji, the couple is joined by Mel's high school friend John, a co-worker named Neil and Ethan's best friend Tomo. When the book begins, the group of friends is near the entrance of Aokigahara debating on a hiking /camping in the forest after heavy rains delay their climb. After meeting two Israelis, Ben and Nina, the whole group embarks on a hiking trip into the “suicide forest”. 

After a few hours, the group finds a corpse hanging from a tree, an old abandoned car, and a thick atmosphere of doom and gloom (obviously!). The group eventually camps and awakens to find Ben dead and hanging from a tree. Thinking he committed suicide, the friends attempt to hike back out of the forest to find the police. Soon they become lost and Neil develops a traumatic case of the runs. Lost, with a corpse and stacks of diarrhea, the friends begin hearing noises in the forest. After Tomo is found dead (another hanging corpse!) and John is nearly killed, Mel and Ethan discover that the “suicide forest” has quickly turned into the hills of homicide.

At 350-pages, Suicide Forest never really feels bloated or overextended. In some ways it reminded me of another tight survival thriller, The Ruins by Scott Smith. Ethan's jealousy of Mel and John's relationship, John's military experiences in Iraq, Tomo's Japanese humor and Nina's sexuality all play important roles in keeping the narrative interesting and propulsive. The forest killers (or supernatural entities) are truly scary and Bates walks the balance beam on revealing just enough to keep readers guessing on what is really happening in these dark woods. 

Like my prior experiences with Bates, his stories continue to have a unique flavor. With over 20 published horror novels, this author still maintains quality over quantity. He's really something special and I can't wait to read more of his work (translation: I'm going to raid more of my friend's Jeremy Bates collection). Buy a copy of the book HERE

Monday, December 27, 2021

Doctor Death #01 - Doctor Death

Author Herb Fisher (1932-2001), a North Philadelphia native, began writing as a sports editor for his high school. On a football scholarship, Fisher attended Temple University and majored in journalism. Nicknamed Herbie or Fish, the author gained employment at Cherry Hill's East and West high schools as an English and Drama teacher while also coaching football. 

Beginning at age 55, Fisher had enjoyed writing so much that he wrote five screenplays, a novel and two television scripts. His agent suggested that one of the screenplays would be better suited as a book. The screenplay, Doctor Death, was whittled down to an epic novel. Eventually, that was trimmed and edited into a four book series of men's action-adventure paperbacks published by Berkley. The first novel, simply titled Doctor Death, was published in 1988 with misleading cover art and blurb. After reading it, I feel strongly that Herb Fisher deserved better treatment from his publisher.

Upon first glance, Doctor Death appears to be a late 80s cash grab targeting Mack Bolan fans. The concept of a Vietnam vet returning home to become a vigilante had become stale by the late 1970s. Dozens of movies and hundreds of books utilized the formula and most of them are all entertaining to a degree. But, after reading the first 100-pages of Herb Fisher's book, I began to understand that this isn't a cookie-cutter, “law in your own hands” styled action-adventure. It's much better than that.

The book's 18-page prologue takes place in the green jungles of the Mekong Delta in 1969. Army Special Forces (Green Beret) Sergeant Kyle Youngblood is fiercely defending an American camp as a large Vietcong battalion attack. As his fellow soldiers die, Kyle experiences a range of emotions from shock to raw, animalistic anger. Using grenades, mortars, wire, and guns, Kyle is able to hold the line while bleeding from a leg wound. When a backup platoon arrives, they find Kyle unconscious and nickname him “Doctor Death.”

The first chapter places the narrative in the present day where Kyle is now a farmer in Silver Lake, Nevada. He's living a happy, quiet small town existence with his wife and two young children. Everyone in town is fond of Kyle and considers him a hometown hero. In the opening chapters, readers are introduced to the Fallon family. They reside 25-miles west of Kyle and control a large portion of the Las Vegas underworld. In a backstory, it's explained that Marty Fallon was shot by rival mobsters and paralyzed from the waist down. He controls the action from a wheelchair in his posh, enormous mansion. His sons are screw ups, but they maintain a portion of the mob action. The youngest, Buddy, is Marty's pride and joy. But, Buddy is a wild man, sort of a juvenile delinquent right out of a 1950s crime-noir. He's a buck-wild drinker, gambler, and womanizer partying through life with his father's endless supply of money.

On Kyle's trip into town to purchase supplies, he makes a poor decision to stop in Andy's Place for a quick drink. Buddy is inside, backed by two enforcers, drinking and talking smack to anyone who will listen. Surprisingly, Kyle ignores all of it as a promise to his wife that he won't fight again. But, when Buddy's Lincoln and Kyle's beat-up pickup truck collide in the parking lot, all Hell breaks loose. Kyle is happy to swap insurance cards, but Buddy wants to swap fists. Provoked into the fight, Kyle ends up injuring the two enforcers and killing Buddy. The town sheriff is owned by the mob, so Kyle is jailed even though the fight was self-defense.

The court releases Kyle on bond, but he can't escape the trouble. When Marty learns that Buddy is dead, he places a hit on Kyle and his family. Several enforcers attempt to kill his family, but Kyle survives. In the book's third act, Kyle and his family are thrown to the wolves by the local law enforcement. They allow a mob army to descend on Kyle's farm to obliterate everything standing. The book's finale has Kyle defending the farm in the same manner as he did in Vietnam. But, instead of Army supplies, Kyle is left to make an unusual defense using farming tools and household items. The final battle is nothing short of spectacular. 

Herb Fisher gets everything right with Doctor Death. Kyle is an admirable protagonist and his willingness to sacrifice himself for his family transcends from the printed page to the beating heart. I cared about these characters and raced to the end just to learn of their fates. But, it's the little details that Fisher includes that make all of the difference.

So many books and films miss key moments to build small side-stories that will later become important events later. Fisher gets it. In the beginning, Kyle learns that the store owner doesn't have the ammo he needs. Instead, he has to settle on an undesirable caliber. This will play a large role in the book's finale. Or, something as simple as Kyle aiming a rifle, but placing extra shells between each of the fingers on his left hand for easy reloading. This reinforces battlefield experience. It's a statement that Kyle is a believable hero. Fisher even adds in the fact that the sheriff doesn't remove his hat when talking with Kyle, but the deputy does. It solidifies a good relationship, an alliance, between the deputy and Kyle. These little things are important. 

While I'm sure Fisher was delighted that his books were published by Berkley, the publisher misled the consumer. Kyle isn't the “M-16 vigilante of Vegas” like the cover suggests. I recently acquired the second and third books of the series and they have equally frustrating covers. While I enjoy The Vigilante, Sharpshooter, The Executioner, and so forth, Doctor Death isn't that type of debut. It's a different presentation and style, a screenplay to the extent that it fits into a novel. In other words, make an appointment with Doctor Death and take your damn medicine. 

Buy a copy of the brand new edition HERE

Friday, December 24, 2021

Secret Santa

Andrew Shaffer studied writing at Chicago's The Second City and is now a columnist for Huffington Post and RT Book Reviews. He created an atheist seasonal card company that was featured on The Colbert Report and co-owns the independent publisher 8th Circle Press. Shaffer became a NY Times bestselling author with humorous works like Fifty Shames of Earl Grey and How to Survive a Sharknado and Other Unnatural Disasters. I was searching for a holiday read and stumbled on his 2020 horror comedy Secret Santa. It was published by Quirk Books and is available in physical, digital, audio formats.

The novel takes place in 1980s New York and stars a spunky publishing editor named Lussi Meyer (and a hideous Nazi Devil Doll). Lussi's career has mostly consisted of publishing horror, but most recently she lost her editing job and has joined the ranks of the woefully unemployed. Desperate to pay the rent, Lussi's final attempt as an editor leads her to a prestigious publisher called Blackwood-Patterson. The building is old, the publisher has lost its way, and Lussi dreads working for this snooty “hardback” company. 

During the job interview, Lussi reminds the owner that Blackwood-Patterson hasn't produced a bestselling novel in over a decade. There's some banter back and forth on horror novels and the owner's idea that it's a distasteful genre. Rudely, she's asked to leave. But, before her departure, Lussi spots an old German doll (the hideous Nazi Devil Doll) in the owner's office. While handling the creepy toy, the owner has a heart attack and dies.

The owner's son has distanced himself from the publisher and isn't enthralled with the idea of running the company. After talking with Lussi, he requests that she work for him to reverse the publisher's declining sales performance. In doing so, Lussi introduces the concept of genre publishing and focuses on horror manuscripts that have been rejected. But, they haven't just been rejected. They have been placed in the building's dark and dusty basement to rot with rat feces and mildew. Needless to say, the publisher really hates genres (and would despise Paperback Warrior).

Lussi spends her time reading some good horror manuscripts and pissing off the charismatic chief editor nicknamed The Raven. But, at the annual office Christmas party, Lussi involuntarily takes part in a Secret Santa game where inebriated employees receive gifts from anonymous co-workers. Lussi's gift ends up being the creepy, disturbing Nazi Devil Doll from the former owner's office. Soon, Lussi realizes that her co-workers are being injured or killed based on the murderous magic of this ancient relic.

Secret Santa works as an average horror comedy. It's gross in all the right places and contains the obligatory funny dialogue to glue it together. I enjoyed the 1980s publishing lingo and Lussi's quest to find the next Stephen King, Dean Koontz or Peter Straub (the trinity of modern horror). Lussi is a lovable protagonist and the assembly of characters made it enjoyable. In terms of horror, I liken it to Grady Hendrix's Horrorstor - a new employee takes on a difficult assignment while battling workplace horror. If that's your thing, then Secret Santa is a wonderful gift. Buy a copy HERE

Thursday, December 23, 2021

Eve Ronin #02 - Bone Canyon

Script writer and novelist Lee Goldberg rocketed into the New York Times Bestseller list with the successful series Fox & O'Hare, co-authored by Janet Evanovich (Stephanie Plum, Knight and Moon). Along with successful titles like Monk, Charlie Willis, and Ian Ludlow, Goldberg has recently concentrated his efforts on Eve Ronin, a crime-fiction title that began in 2019 with Lost Hills. I read and reviewed the novel and found it to be an exciting, high-quality start to the series. In 2021, the second Eve Ronin novel, Bone Canyon, was published. It's available in physical, digital, and audio editions.

In Lost Hills, Goldberg introduced Eve, a rookie homicide detective working for the Robbery-Homicide division of the Lost Hills Sheriff's station, a mid-sized city in South-Central California. Eve is despised by most of her fellow officers for short cutting the seniority climb. After an off-duty arrest of an intoxicated, disorderly celebrity, Eve discovered that the incident was captured on video and released to social media. The incident and footage made her the local hero and a political pawn utilized by the Los Angeles County Sheriff's office. Needing the positive image, they promoted Eve, a prior patrol cop, to homicide detective. In the debut novel, Eve solidifies her local hero status by valiantly solving a triple murder. 

What makes Eve a different type of hero is how much she avoids fame and fortune. After a second video becomes viral, her media status escalates. A Hollywood agent wants to sign her for a television deal, endless reporters want an exclusive, and her mother and sister both want her to look glamorous for her newfound spotlight. But Eve doesn't care about anything other than her job. She's resilient and steadfast in her mission to serve the people. She repeatedly declines TV deals and interviews and continues working cases with her soon-to-be retired partner Duncan “Doughnuts” Pavone. Eve is Duncan's mentor, a relationship that transcends from student and master to something more akin to a niece and uncle. 

In Bone Canyon, Eve and Duncan are called to investigate the remains of a human skull found in the Santa Monica Mountains. During the search for more bone fragments, Eve is introduced to a bookish, yet charismatic anthropologist named Daniel. The two immediately have a chemistry and Eve relies on Daniel's experience to piece together a fragmented skeleton. In doing so, Daniel locates more skeletal remains of another individual. This discovery expands the examination into two cases that are possibly unrelated. 

Through trials and tribulation, Eve and Duncan face physical and emotional adversity. There's political upheaval when the two detectives trace the clues back to a fraternity of officers within the Los Angeles Sheriff's Department. Eve's mental fortitude is put to the test when she carefully walks a balance beam of time-management, health, and her eroding camaraderie with her co-workers. In addition to the work stress, her family life continues to be a burden. Her mother, a comical whirlwind, remains persistent in belittling Eve's career choices. In an important side-story, Eve's sister introduces her to a physical therapist in hopes that it paves the way to romance. 

Bone Canyon is superb procedural fiction, complete with action, suspense, and an exhilarating pace. Every page means something. Aside from the twists and turns of the case, readers are thrust further into Eve's personal life, with a more dynamic awareness of her love life, personal attrition, media stardom, and her inevitable future without the veteran experience of Duncan. 

This novel is a real cornerstone of the series, one that places Eve at the proverbial crossroads – fight for the truth despite the deadly risk or find solace by gratifying the corruption. Her against-the-grain attitude and determination makes her one of the most independent characters in ages. Her decisions are hers alone to make, and even Lee Goldberg has no say in the matter. She's doing it her way, and her way is what readers will love. I can't wait for the next one.

Buy a copy of the book HERE

Wednesday, December 22, 2021

The Penetrator #02 - Blood on the Strip

With the success of The Executioner, Pinnacle began creating titles that captured the action-oriented, vigilante feel. In 1973, the publisher released The Target is H, the first novel of The Penetrator series. It ran a total of 53 installments under the house name of Lionel Derrick. The odd numbers were written by Mark K. Roberts and the even installments by Chet Cunningham. I enjoyed the series debut and wanted to revisit the character. The second entry, Blood on the Strip, was published in October, 1973.

Cunningham begins the novel with an eight-page prologue recapping the character's origin story and events from the first book. The series can be read in any order and features hero Mark Hardin as a Vietnam veteran fighting crime vigilante style. He's aided by two behind-the-scenes allies in Professor Hawkins and a Native American named Red Eagle. This opener explains that Hardin destroyed a California mob family and he's now prowling Las Vegas searching for his next mission.

The book's opening chapters has Hardin detonating charges at a talent agency called Starmaker. After, he heads to Professor Hawkins and Red Eagle to summarize events in Vegas. Thus, his recount to them makes up this entire novel and explains the sequence of events that led to Starmaker's fiery destruction. I like when books start with the conclusion and then map out how these events developed. It's like starting with the Oreo stuffing.

Hardin meets a young woman named Sally Johnson, an aspiring model and actress trying to earn a living in Vegas. At a restaurant bar, she advises Hardin that the talent agency she is using wants her to begin stripping and prostituting. When she refuses, they issue violent threats. When Hardin attempts to escort Johnson to her car, he's jumped by enforcers of the agency. Sally is cut to shreds and left to bleed out in the parking lot. Thankfully, she's rushed to the hospital and Hardin begins assembling a plan of attack. 

Cunningham's narrative keeps a steady pace as Hardin investigates the agency and its owner. In what will become a familiar formula, the investigation leads to some hit and run tactics destroying parts of this immense criminal empire. The villain behind the agency is like a knockoff female nemesis of James Bond. She keeps sex slaves locked in cages and eventually captures Sally to lead Hardin to her enforcers. Readers know how the story ends, but the ride is a lot of fun.

Since this was Cunningham's first Penetrator novel, I think this installment is a feeling out process. Hardin doesn't necessarily behave in the same manner in future novels and it becomes less elementary and neanderthal. Roberts had a better version of the hero in the debut, but Cunningham eventually finds a connection to the character and delivers equally enjoyable installments (so I've been told). If you love  the 1970s men's action-adventure genre, The Penetrator is in the upper echelon.