Snowbound Six

Perhaps one of the greatest disaster movies of all time was the 1974 blockbuster The Towering Inferno. Led by an all-star cast, the film was partly adapted from the novel The Tower by Richard Martin Stern (as well as The Glass Inferno by Thomas Scortia and Frank Robinson). It was the author's best-seller and led him to write other catastrophic novels such as Wildfire (1985), Flood (1979) and Tsunami (1988). With June temperatures soaring in Florida, I sought to cool off with Stern's 1977 novel Snowbound Six. As you might suspect, the theme is a blizzard.  

In the opening pages, Warner Harlow, his wife and their two teenagers are traveling a steep mountain road into the high peaks of the fictional New Mexico town of Santo Cristo. Warner plans to spend a few days hunting elk with a friend as the family rest and relax in winter heaven. However, a massive storm front has moved in with heavy snowfall. The drive up the mountain stalls as the family finds themselves lost in whitening confusion. Luckily, a Vietnam War veteran named Ben is hiking in the mountains and finds the family in desperate need of assistance. Together, they head towards a cave, hoping to survive the storm.

While the Harlows are dealing with cave survival, an American Senator and his mistress, Lila, crash a small plane into the mountains. Ben hikes to the damaged plane hoping to find a working radio and survivors. The Senator is found dead and the radio is smashed. Lila, nearly injury free, accompanies Ben back to the cave to make up the snowbound six. 

The novel obviously spends the majority of the time on the cave survivors and their quest to endure the harsh blizzard. However, the characters double when Stern introduces a rescue team of experienced mountaineers and survivors. Their efforts to climb the mountain in the hope of a rescue predominate most of the second half of the book. Although each of the characters had their own identity, traits and skills, I always had trouble remembering who the characters were and their positions across the mountain range.

Stern's writing is good, and I thought his dialogue sequences were amazing. The only fault I have in his writing style is the fragmented presentation. The story features paragraphs or half-pages dedicated to a scene, place or character. An example, may be Billy attempts to gather wood for the fire followed by a half-page of Ben talking to Lila before another half-page or paragraph of something happening within the town. It could have been the editor's or Stern's decision, but the final outcome was rather choppy.

Despite the formatting and editing of the book, Snowbound Six was a great novel filled with high adventure and a tense atmosphere. If natural disaster books are your thing, it's a simple recommendation. 

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Cyclone

Whether it's horror or adventure, disaster fiction has a dedicated following of fans and enthusiasts. Throughout the twentieth century, readers were compelled to read about natural disasters, ocean collisions, post-apocalyptic creations and weather-related disasters. Maybe this genre has the same kind of vibe as the rubber-necker pushing his head through the car window to see the horrible wreck on the road. It was this sort of curiosity that led me to open Cyclone, a 1975 Manor paperback by an author named Eric Nilsen. 

The book starts with a commercial bus full of passengers arriving in the small town of Garfield, TX. On board is a cast of colorful characters ranging from a rodeo cowboy, a school teacher, a farmer, and an old grizzled sailor. But Nilsen's two main characters are on board as well, an undercover Denver detective named Bowman and his prey, a drug dealer named Palermo. Bowman knows Palermo is holding a suitcase filled with $500K worth of heroin, which will eventually lead to a drug trade empire. But, the bus driver is forced to stop in this dusty rural town because of tornado reports. 

After Nilsen introduces the bus and its passengers, two more characters join the story - Garfield police officers Roblez and Youngblood. These two lawmen are in a scramble to move most of the small town into the civic auditorium before the deadly cyclone touches down. While the passengers and cops move around in the backstory, a radio DJ named Bob runs the town's radio station from across town. He dishes out the hits and the weather reports for readers and the town's inhabitants.

Like most disaster films and books, the setup has to be perfect. The idea of caring about the characters who are in danger allows for a more emotional experience. For the most part, the first 30 or 40 pages of Cyclone set up the inevitable destruction very well. When the tornado begins to rage, the book takes off.

Roblez and Youngblood are both involved in a number of rescue attempts, the most fascinating being a nine-year-old girl trapped beneath a wrecked trailer. There's also Bob's lonely ordeal at the radio station and his efforts to report the chaos. Meanwhile, the municipal auditorium and a local dive bar are full to capacity and the stressed human interaction ends up turning into violence. At the end of the book, Bowman's quest to bring Palermo to justice is carefully closed, but with a surprise.

Cyclone isn't a must-read disaster novel. But, considering this is an unknown author and Manor is one of the lowliest publishers of disposable fiction, it was a fun read. With the lack of profanity and detailed violence, it reads like a long Scholastic book. Or, what would have made a fast-paced made-for-television movie of the week. If you find a cheap enough copy it's worth a read.

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Strictly Poison and Other Stories

Charles Boeckman (1920-2015) learned to play clarinet and saxophone through listening to records and studying fingering boards. His musical talent made it possible for him to play and write New Orleans jazz for 70 years. However, it was not his only occupation. Boeckman sold his first short story in 1945 and contributed regularly to Alfred Hitchcok's Mystery Magazine, Manhunt and pulps like Detective Tales, All-Story Detective and Dime Mystery. In the 1980's, he partnered with his wife Patti to write 25 love novels. 

In 2015, Bold Venture Press of Florida captured 24 short stories from the author in a massive volume entitled Strictly Poison and Other Stories. The book consists of four pages of commentaries by Boeckman shortly before he died. In addition, the publisher includes small cover pictures of many digest magazines and pulps that these stories are harvested from. I listed some capsule reviews from some of my favorite stories:

"Should a Tear Be Shed?" was originally published in 1954 by Malcolm's. It is a success story that focuses on the rise of a tap dancer named Lawrence Terrace Jr., a young man that suffered a brain injury when a truck ran him over. When a shyster named Jess Norvell catches Lawrence dancing by a bar jukebox, he puts together a scheme. First, he befriends Lawrence, then has an insurance policy placed on the young man for $50,000 (double indemnity for an accident) with himself as beneficiary. The next logical step is to get Lawrence accidentally killed. However, Jess' girlfriend, Candy, does not endorse the scheme and repeatedly tries to warn Lawrence that Jess is using him for financial purposes. Like any good story of suspense, Boeckman intensifies the tension with multiple attempts at murder. It's an explosive, though not surprising, climax. I loved the story and read it twice.

"I'll Make the Arrest" was one of Boeckman's most successful stories. It appeared in the very first issue of Manhunt (Jan 1953), one of the most highly-regarded digest magazines. The story was also adapted to the television program Celebrity Playhouse in 1956. This is an unusual story involving a police detective named Mike O'Shean tracking down the killer of a beautiful female celebrity. O'Shean has a particular need to locate the killer and, despite the title of the story, has no intention of arresting him. I love how Boeckman, in first person narrative, advises readers of O' Shean's motives: "I went down into the night and where it was dark and alone; I checked my gun because I was going to kill this boy who had strangled Pat." But, the author throws the obligatory curveball and it was a twist I didn't see coming. This was so unique and Boeckman delivered it perfectly with a smooth prose.

Boeckman's musical career contributed to "Run, Cat, Run", a 1949 story initially published in Dime Mystery. The story is about a trumpeter named Johnny Nickle fleeing a murderer. It's a suspensive tale about the musicians who appeared on a hit record called Jazz Date. Unfortunately, all the musicians on the album died mysteriously but Johnny. While frantically jumping from one town to another, Johnny manages to make ends meet by performing dive bars and jukes. But his luck runs out in Texas when a lady with a gun walks into his hotel room. Is she the killer? Or is she also running from a murderer? The story comes to a close on the shore of Corpus Christi Bay. I have always enjoyed novels and stories in the music industry and Boeckman used this aspect well. "Run, Cat, Run" was a real high point to me.

I wouldn't have the blog space to write spacious reviews on all of the high-quality stories included in this volume. Fantastic entries like "Ybor City" (1953 Manhunt), a gritty revenge story set on Florida's Gulf Coast or the wickedly humorous "Strictly Poison" (1945 Detective Tales) is worth mentioning. Even Jacksonville, Florida, otherwise known as the Paperback Warrior headquarters, plays host to the murderous terror of "Class Reunion" (1973 Alfred Hitchcock Mystery Magazine). 

In the early 1950s, renowned writers such as Day Keene, Gil Brewer, Harry Whittington and Talmage Powell moved to Florida's Gulf Coast. Boeckman spent several weeks getting together with his colleagues at Day Keene's house to talk about the industry. I feel that Boeckman deserved to be there with crime-noir royalty. He was just a fantastic storyteller and had a knack for portraying broken and financially strapped characters in his story. Whether they were avenged, killed, successful or simply unlucky was in the imagination. Thankfully, Boeckman had it in spades.

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Mike Macauley #02 - City Limits

Will Oursler (1913-1985) was an American author, lecturer, radio commentator and the son of notable novelist Fulton Oursler. Over Oursler's career, he authored a number of non-fiction works as well as crime-fiction novels under his own name as well as Gale Gallagher (Chord in Crimson, I Found Him Dead). 

Using the pseudonym Nick Marino, Oursler wrote the book One Way Street in 1952. It was the first of two books featuring tough Assistant District Attorney Mike Macauley. The second Macauley novel, City Limits, was originally published in 1958 by Pyramid and then later reprinted again in 1963. It is currently available as an affordable ebook via Wildside Press. Although Nick Marino's name is on the cover of City Limits, my research indicates that the novel was authored by Richard Deming. Apparently Oursler wrote the outline for the book and either gave it to Deming by way of an agent or publisher. The ultimate result is City Limits is by Richard Deming under the pseudonym of Nick Marino.

Assistant D.A. Mike Macauley lives and works in an unnamed city in Missouri. Mike's friend and colleague Harry works for the city's vice squad. In the book's opening pages, Harry is on the stand providing testimony on his collar of a prostitute named Gloria Townsend. After beating the rap, Gloria phones Macauley and offers information on the location of a call girl racket outside the city. She asks Mike to meet her near the area in a country and western bar. When Mike arrives, he finds Gloria nearly beaten to death in a bathroom stall and a dense coverup from that town's sheriff.

Investigating the beatings and the testimony of Gloria, Mike finds himself in a perplexing position. The call girl ring is run outside of city limits and outside of Mike's jurisdiction. Furthermore, Mike's administration, including Harry and the police, may be involved in this prostitution scheme and is continuously fighting Mike's efforts to stop the operation. His only ally is Gloria when the two of them find themselves as targets by the ring's hired killers.

There's a lot to like about Deming's fast-paced narration. There is violence, romance, a profound mystery and a number of outlaws and shady ladies. I found Mike's position as Assistant D.A. a suitable replacement as a stereotypical private detective. Like a Mike Hammer, Mike Shayne or Johnny Liddell, Mike's quest for justice contains the typical protocol - working with a sexy secretary, finding allies within the local law-enforcement and beating the streets searching for clues and answers. There is also a bureaucratic examination of the chain of command between the prosecutor's office and the police.

Overall, this was another fantastic crime-fiction novel by Richard Deming. I'm not sure how this compares to the first Mike Macauley novel considering it was written by a totally different author. I can only say that I loved this character and thoroughly enjoyed City Limits.

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Like Wild

Eric Allen (1916-1986) was a travel writer whose work appeared in magazines and newspapers - mostly in Oklahoma and Arkansas - during the 1960s. He also wrote upwards of 30 books - mostly westerns - and served as the president of the Western Writers of America in 1969 and 1970. His fourth novel was a Florida-based hardboiled swamp noir paperback called Like Wild originally published in 1963 by Monarch Books and currently available as a $3 ebook.

Quint is a soldier returning from overseas to resume his life in the Florida swamp town of Chadd City. His intention is to start a business selling wholesale lumber and marry Trudy, the sweetheart he left behind before his deployment. While on the bus ride home through the mangrove thickets and gator bogs, a sultry seatmate with swelling breasts is being super-flirtatious with Quint.

Before Quint joined the Army and left Chadd City, he was a pathetic cracker from the swamp, but Uncle Sam matured him into a man with ambition and a plan to make something of himself. His home is run by a powerful and corrupt town boss, and we quickly learn that the flirty dame on the bus is the boss’ wife returning from the beach. Quint has a particular axe to grind with the powerful local who was responsible for sending Quint’s father to prison where the old man eventually died.

However, the core drama here is about land. Quint owns many acres of cypress wilderness swampland that he wants to harvest for his lumber business. Meanwhile, the town boss has his eyes on that land for his own purposes, and his lusty wife is caught in the middle with her own agenda. The struggle between the men is a tense powder keg leading to an inevitable explosion of winner-take-all violence.

As if one femme fatale isn’t enough, Like Wild gives us a second: Trudy’s 17 year-old kid sister Lorrie, a saloon waitress who is hot to trot for Quint since his return. In the swamplands, 17 is practically an old maid, and Lorrie is not a woman who intends to let her best years go to waste.

Allen is an amazingly good writer, and I marvel that this compelling crime novel was once packaged as a low-end sleaze paperback. The author’s descriptions of hand-to-hand fistfights are among the best I’ve ever read, and the characters are vivid and fully-formed. Most swamp noir is pure dreck, but Like Wild is a definite winner.

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Luck of the Spindrift

Although Frederick Schiller Faust (1892-1944) used pseudonyms like Walter Butler, David Manning, Even Evans, and George Baxter, he’s mostly known as Max Brand. As a cornerstone of western-fiction, Faust’s popular western stories and novels as Max Brand have been idolized by genre fans for 100 years. Outside of the genre, Faust (as Brand) authored the Dr. Kildare series as well as a handful of historical swashbuckling novels featuring a character named Tizzo. Also, as Brand, Faust wrote the nautical adventure novel Luck of the Spindrift. It was originally published in 1941, just three years prior to his death during WW2.

In Luck of the Spindrift, readers are introduced to Samuel Culver, a philosopher and graduate from Harvard. In the opening pages, Culver is working a blue-collar job at a shipping warehouse. After being fired by his employer, Culver dwells in his one room San Francisco apartment surrounded by hundreds of books that he’s collected and studied. Later, he runs into a stray dog that has become separated from its owner. Little did Culver know that the dog was about to take him on a nautical journey to the majestic South Seas. 

Asking around about the whereabouts of the dog’s owner, Culver is led to a docked ship called the Spindrift. On board, various crewmen suggest that the dog belongs to a man named Valdez. Before Culver can gain a better understanding of Valdez’s location he’s knocked unconscious and dragged below deck. Awakening hours later, Culver realizes he’s in-route to the South Seas with the criminal crew of the Spindrift. 

Brand’s nautical adventure is mostly spent with Culver befriending some of the crew and later learning to work for Burke, the ship’s devious captain. At 200 pages, three-fourths are spent with simple day-to-day activities on the ship. Authors like Calvin Clements and Hammond Innes can make these occupational details compelling. Unfortunately, Brand’s prose lacks some interesting aspects other than a violent flogging.

Despite Luck of the Spindrift promising high-seas adventure, the narrative is mostly a slow-burn with a lack of real action or a logical story. Often I found myself confused regarding the purpose of Valdez and the purported treasure. If you enjoy nautical adventure, Brand’s novel may be tempting. Buyer beware, there’s not a lot to really absorb or enjoy. Stick with Brand’s well-respected western storytelling instead. 

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Paperback Warrior Podcast - Episode 90

It's Episode 90 and we're bringing you a two-fisted 1970s WW2 paperback series called Sgt. Hawk by Patrick Clay. Also, Tom hits the road hunting for books in Alabama while Eric checks out new books from Justin Marriott and Robert Deis. Also, Robert Silverberg, John Jakes, William W. Johnstone, Warren Murphy and disaster fiction! Listen on any podcast app, paperbackwarrior.com or download directly HERE

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Listen to "Episode 90: Sgt. Hawk" on Spreaker.

Alfred Hitchcock's Down by the Old Bloodstream

Summer is here, and that means short stories. With so much going on - vacations, outdoor activity, beaches, sports, etc. - I don’t always have time to direct my attention to a full novel, but there’s always room for a short story. The vintage paperback collections from Dell Books bearing the Alfred Hitchcock brand are a reliable source for great short fiction. Today, we’ll spend some time with Down By the Old Bloodstream from 1971, a collection of stories from the 1960s featuring many Paperback Warrior favorite authors.

“The Happenstance Snatch” by Fletcher Flora

The paperback describes this one as a “novella” but it’s only 24 pages long - make of that what you will. The story is about Banty, a degenerate gambler who loses a bunch of money he didn’t have at the poker table. The winner is a hard case who gives Banty until morning to raise the dough... or else.

Rather than raising the money somehow, Banty and his pal Carny (our narrator) decide to hightail it to an abandoned farm to hide out. En route to the cabin, the boys stop at a rest stop and a foxy girl sneaks into their back seat and falls asleep without them noticing until they’re 100 miles down the highway. After discovering the girl, the two decide to hold her for ransom as a solution to Banty’s problems.

This is a great story with a fantastic guessing game and a clever plot twist finale. If you enjoy a good kidnapping story, check this one out.

“Lucky Catch” by Ed Lacy

Jimmy is a patient in a mental institution who is being released for a weekend - without supervision - to visit his mother. Mom is a domineering sort with obsessive tendencies, so Jimmy plans to take in the city a bit - maybe see a movie or a ball game - before checking in with the old lady.

Blowing off some steam at the baseball game, something happens that makes all Hell break loose. Jimmy is confused and targeted by others, leading to an act of violence. The story ends abruptly with Jimmy gaining an understanding of what he walked into. It’s not a great story, but it’s very short. You don’t need to spend much time before you get to the O’Henry-style ending.

“The Monster Brain” by Richard Deming

Quinn is an insurance fraud investigator who receives his leads from a corporate computer that spits out suspected fraudulent claims - something commonplace today that must have seemed space-age when this 1966 story was first published. In this case, the computer spits out a cluster of rare Typhoid deaths in one town with policies all sold by the same agent with a $10,000 death benefit. Quinn gets the assignment to figure out: coincidence or fraud?

Quinn performs some pretty realistic forensic accounting to develop a suspect for this epidemiological mystery and travels to the small town in search of the truth. This is a diabolically-clever mystery with a satisfying conclusion and a twist ending further cementing Deming’s legacy as an unsung hero of the crime fiction genre.

The Wrongo by Michael Brett

Oakes is a hotel detective and former vice cop. One day in the lobby, he spots a hot chick in a short white dress with a deep tan. His training and experience tells him she’s a pro working the hotel to separate lonely rich dudes from their money. Once you’ve been doing this for a while, you get a knack for spotting the “wrongos.”

Oakes keeps an eye on the girl at the hotel bar until she latches on the wealthy pigeon she’s going to fleece. Oakes takes the gentleman aside and warns him that he’s walking into a bad - albeit attractive - trap. The guest is skeptical of the professional assessment and tells Oakes to buzz off. This sets up a clever, but short, con-artist story that was a lot of fun to read through the final twist.

Overall Assessment:

These four stories alone - there are 14 in the paperback - make this anthology an easy recommendation. The Hitchcock brand name is responsible for bringing a lot of great short works into print, and Down By the Old Bloodstream is an outstanding entry in this paperback series of curated stories. Recommended. 

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James Bond #01 - Casino Royale

The best-known fictitious undercover agent of all time is James Bond. The character was created by British writer Ian Fleming (1908-1964) and appears in 14 of Fleming's novels between 1953 and 1966, two after his death. Beginning in 1981, authors John Gardner, Raymond Benson, Sebastian Fualks, Jeffery Deaver and others continuously added new original novels in the series. The character became an icon of cinema with 27 films in total featuring the secret agent. Needless to say, you can take a deep dive into the character's history and pop-culture phenomenon on your own time. This review is dedicated to the very first James Bond novel, Casino Royale, published in April, 1953 by Jonathan Cape.

James Bond, 007 is an agent of the British Secret Service (MI6) and works for a superior simply named M. Through brief explanations, readers learn that Bond served in WW2, and later books state he was a Royal Navy officer. The 007, pronounced "double-o-7", is partly a symbolic name that the agent killed an enemy of the state. Bond and his colleagues receive various weapons and trainings from Branch Q, a research and development department.

In this first novel, Bond receives a mission from M to join a high stakes baccarat game at the Royal-les-Eaux in northern France. He's assigned a female companion named Vesper Lynd and an American CIA agent named Felix Leiter as support. The mission is to bankrupt Le Chiffre, a stateless man who brings financial advantages to the Russian counterespionage agency SMERSH. After Le Chiffre lost most of his fortune on a brothel front, he joins this lucrative card game in an effort to recoup most of the money. If he loses, SMERSH will probably kill him.

The first 70 pages of Casino Royale are extremely slow with much of the story transfixed with the art of baccarat. Through pages and pages of card playing, Bond attempts to win the game and at one point gains a large sum of money from Felix. Although this first half doesn't provide a captivating story, Fleming definitely shines in the second half of the novel.

Bond's romantic relationship with Lynd builds into a crescendo. Bond is considering leaving the espionage business and marrying Lynd. He even dreams of settling in a suburban environment where foreign adversaries simply do not exist. It is this very humane aspect that makes this book and this character so interesting. Once Bond leaves the casino, Fleming ratchets up Casino Royale with car chases, gunfire, a long and breathtaking torture sequence and the required violence to emphasize that Bond is fighting some truly bad people.

Like Donald Hamilton's Death of a Citizen, there's a savage scene where James Bond evolves into the British agent that we know today. It is the mythology of a very human person transformed by violence into a living and breathing weapon. Hamilton did it with Matt Helm. Pendleton did that to Mack Bolan. Fleming does it with expertise with James Bond. The final sentence of the book is one of the strongest lines in fictional history - in my opinion.

Whether you saw the comedy movie version of Casino Royale or the modern remake with Daniel Craig, nothing is comparable to the book. Considering the first half is rather lackluster, the strength of the second half more than makes up for the failure. The last line of the book introduces themes and villains that Bond will contend with for the life of the series. As an origin tale, Casino Royale delivers on all fronts. Highest possible recommendation.

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The Red Lamp

Often called the American Agatha Christie, Mary Roberts Rinehart (1876-1958) wrote over 50 novels, most of which are considered traditional murder mysteries. She's often credited with inventing the “Had I but Known” mystery style where the chief protagonist conducts behavior that is connected with a crime, thus prolonging the action of the story. She's also noted for the phrase “The butler did it” from her 1930 mystery, The Door. My first experience with the author is her 1925 novel called The Red Lamp, also known as The Mystery Lamp.

Presented as a rather lengthy journal, The Red Lamp's premise is the haunting of an enormous mansion called Twin Hollows. The journal's author, William Porter, inherits this sprawling mansion in a rather mysterious way. His uncle Horace was found dead inside the mansion apparently in mid-sentence of a letter he was penning to someone. His death is suspected to be an accidental fall, but there's a sense that foul play could have been involved. William and his wife Jane decide to spend the summer residing in the mansion's guest house. They later rent the mansion to an elderly man named Bethel and his steward named Gordon.

This kick-starts a supernatural whirlwind of murder, intrigue, and deception.

During the initial weeks of both William and Jane living in the guest house, there is a mysterious outbreak of sheep murders. Later, strange signs are found painted around the house and surrounding areas depicting a circle with an inner triangle. The first deaths begin with a local cop investigating the slayings followed by more people with close ties to Porter. As the deaths, attacks and strange occurrences continue, the common denominator is the house itself. Porter and various caretakers and staff experience ghostly apparitions and noises that seem to be transfixed on a red lamp that casts a bloody hue on the house. Are these apparitions of a supernatural origin? Or, is this town and it's inhabitants spiraling into madness?

The Red Lamp is a hybrid of horror and mystery, never consuming either genre but lying somewhere in the fringes. The claustrophobic, paranoia aspects of Porter's mind saturates the narrative, again simply a diary in its presentation. Like Lovecraft, this cold, unsettling fear erodes the sanity of the book's central character. The unnatural nightly noises and the lamp's omnipresence captures the essence of a truly disturbing horror novel. However, Rinehart attempts to lighten the mood occasionally with Porter's sarcasm and self-parody of his own situation.

Whether the book is a dense, slowly evolving mystery or a horror tale is in the eye of the beholder. While I found the book longer than need be, I still found myself drawn to this eerie, freakishly compelling novel. At 250-pages of smaller print, it's a good workout for committed readers. My first Rinehart experience was rewarding enough to warrant the purchase of three more of her books – The Circular Staircase (1908), The Window at the White Cat (1910) and The After House (1914). In other words...look for more reviews of her work in the coming months.

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Mercy Island

Author Theodore Pratt (1901-1969) was born in Minnesota and later moved to New York, where he worked as a play reader and a writer for the The New Yorker and The New York Sun. He developed his writing skills into a full-time career that included more than 30 novels, some of which were written under the pen name of Timothy Brace. In 1941 his first novel, Mercy Island, was published in hardcover. The film was also adapted for cinema the same year by Republic Pictures. In 1956 the book was published in paperback format by Dell with attractive artwork by Verne Tossy.

Pratt was known to present most of his novels in Florida and the surrounding region. This trope is heavily used with Mercy Island with its Florida Keys tropical location. In the book's opening pages, readers learn that Ramsey, his wife Leslie and an acquaintance named Foster have hired a fishing charter. In an act of reckless abandonment, Ramsey demands that the boat's captain takes the three of them into a choppy stretch of water in a rural portion of the Keys. After catching a big fish, Ramsey's stubbornness with the captain and his companion Wiccy leads to the boat becoming grounded on an isolated tropical island.

Mercy Island's first act is similar to a Burno Fischer short story called "Hostesses in Hell", originally written under the name Russell Grey and published in the March-April 1939 issue of Terror Tales. In the story, a sailor and seven women arrive on a tropical island to escape a devastating storm. Fischer wrote his story like a complete horror tale where Pratt only bypasses the edges of terror. In Mercy Island, the five characters venture onto the island and finds a small house nestled in the dense foliage. There are signs of a turtle that's been disemboweled and eaten as well as indications that more than one person lives in the house. As Ramsey, Leslie and Foster travel further into the house, they begin to realize that the captain and his mate share a secret about the island.

To share anything beyond this premise would be an injustice to prospective readers. Pratt's characters display a number of immoral sins ranging from desire to arrogance. Ramsey's dispute with Foster is adjacent to his battles with the only resident of the island. This is a highly effective melting pot of suspense throughout the first half of the book. The second half was rather slow with a story that seemed to concentrate on island survival, hunting and fishing. As interesting as the characters were, the story itself just fizzled out. I found myself jumping through pages just to escape the boredom of this lackluster island. Mercy Island isn't a tropical destination anyone needs to visit. Read at your own risk.

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The Executioner #213 - Blood Harvest

California native Mel Odom (b. 1957) was a prolific contributor to the Mack Bolan universe, penning almost 30 titles collectively in the Executioner, Super Bolan and Stony Man series. In addition, Odom has also authored a number of television and film tie-in novels such as Sabrina, The Teenage Witch, Roswell and Blade. But, my experience with Odom is strictly the Mack Bolan titles, in particular the Executioner #213 Blood Harvest, published in 1996. Why? The synopsis indicates that Mack Bolan is fighting zombies in New Orleans. 

In the 1990s, one of the urban legends for young people on the bar scene was that a potential one-night stand could end up with one of you waking in a bathtub of ice and realizing that an organ had been cut from you by black marketers. This premise is used to its full potential in Blood Harvest as readers immerse themselves in this horror story in the book's prologue.

Posing as an F.B.I. agent named Fox, Bolan infiltrates a New Orleans homicide investigation to learn more about the organ harvesting ring. Most of the book's narrative features firefights every other chapter as Bolan targets key players in the organ heist. Eventually, Bolan teams up with a female investigator as the two follow the cohorts involved.

The zombie portion of the premise is somewhat accurate. The problem with the harvesting ring obtaining these organs by torturous methods is the timing. Because of the short lifetime of the organs, removing them and transporting them to the rich buyer provides a real sense of urgency. To resolve the problem, criminals use a voodoo priest named Papa Glapion to cast spells on the victims. By placing them in an "undead" hibernation - not breathing, but still technically alive - the bodies can be easily moved to different locations and then harvested to preserve the goods. 

Those of you who know Odom's writing understand that he is a gun porn enthusiast by describing each make, model and caliber of the weapons used by the fighters. I don't typically like this style and feel that it takes me out of the scene completely. I want to feel what the characters feel, not the well oiled South African automatic shotgun with dual magazines. But Odom's writing is serviceable and Blood Harvest is high on action and short on plot. One doesn't confuse these high-numbered men's action-adventure entries for literary masterpieces. If you want Bolan executing baddies (and the undead) in bars, cemeteries, bayous and oil rigs you've come to the right place.

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Tears for Jessie Hewitt

Edna Solomon Sherry (1885-1967) began writing short stories and serials for the pulp magazines in the early 1920s. She collaborated with both Charles K. Harris and Milton Gropper before authoring her debut novel, Sudden Fear, in 1948. The book was adapted into the eponymous 1952 film starring Joan Crawford and Jack Palance. My first introduction to Sherry's work is Tears for Jessie Hewitt from 1958. It was originally published by Dodd Mead under their Red Badge Detective brand and then later reprinted by Dell as She Asked for Murder (with an attractive cover by Robert McGinnis). Thankfully, Stark House Press has reprinted the novel under its original title as a Black Gat Book.  

In this crime-noir novel, Sherry plunges readers into the criminal mindset of Francis Edwards. He is a career criminal that focuses on robbing horse racing gamblers after they strike it rich on large payouts. His motif is to case the tracks locating the big winners. Once he chooses his target, he carefully follows the winner back to their home and steals thousands of dollars from them.

In the opening chapters, Edwards accidentally kills his target during an attempted theft. Fleeing California, Edwards begins to call himself Victor Clyde when he meets a distressed young woman named Jessie Hewitt in a cafe. He learns that Jessie was a budding actress who did not find employment. After working as a typist for a plumbing company, Jessie finds herself at a crossroads. She receives an invitation from her father's lawyer to return to her small New York town of Crawfey. Her father is dying and this will be the last chance to reconcile their bad relationship. After Victor learns that Crawfey is a very rural town that rejects any modern progress or intrusions, he conveniently volunteers to take Jessie there.

Like a Charles Runyon character, Victor's treatment by Sherry is an evolution from a smooth operator to a paranoid psychopath. It is this transformation that makes the story extremely entertaining. It's a perfect personality storm – the criminal influence on the young, innocent and righteous Jessie. Sherry cleverly asks the reader to judge the morality of Jessie's actions when faced with Victor's true nature. Tears for Jessie Hewitt is an outstanding character study. But, fans of mid-20th century crime-fiction should find a great deal to love. 

As criminal behavior intensifies in a frenetic chain of events, the narrative shifts perspective to a New York City police lieutenant named Lance. I really enjoyed this change of direction when Sherry switched to a police procedural that was reminiscent of an Ed McBain 87th Precinct novel. The author also introduces two surprises that really solidified the story. While I felt the book's finale was underwhelming, I was still impressed by Sherry's storytelling skills. If you love suspenseful crime-noir then you'll love Tears for Jessie Hewitt. I'm already searching online retailers for more of this author's work.

Edna Sherry Bibliography:

Sudden Fear (1952)
No Questions Asked (1949)
Backfire (1956), US paperback title: Murder at Nightfall
The Defense Does Not Rest (1959)
The Survival of the Fittest (1960)
Call the Witness (1961)
Girl Missing (1962)
Strictly a Loser (1965)

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Meg

At the beginning of his writing career, Robert Silverberg wrote several sleaze paperbacks for Midwood using the pseudonym Loren Beauchamp. Stark House Press has reprinted two of these early classics in one volume including his 1960 paperback, Meg.

As the novel opens, teenage Meg Tandler is losing her virginity in the backseat of a car with a sexually unremarkable local boy who plied her with beer before going all the way. Meg is a bombshell with full breasts and sensuous hips - a Marilyn Monroe type - and she knows she wants more from life than Idaho could ever offer. So, it’s off to New York to find her fortune in show business.

On Broadway, Meg visits a low-end theatrical agent named Max Bonaventura seeking representation. Max talks a good game and Meg signs with him in exchange for 25% of her future earnings. You see exactly where this is headed when Max has Meg get stark naked at their first meeting, so he can inspect the merchandise. After seeing what she has to offer, Max lays it out like this:

"I'll tell you what to dress and how to look. I'll teach you to sing and act and dance. I’ll tell you when to take your clothes off and when to put them on. I'll tell you when to go to bed with people. You're going to have to do some sleeping around, get me? Nobody gets to the top without paying for it. But you don't let anybody touch you who can’t do you some good."

Driven by ambition, Meg makes peace with Max’s plan to leverage her sex appeal and sleep her way into show business and up the ladder of fame. Despite his cynical amorality, Max is a delightfully colorful character and the main reason I kept turning the pages in this unlikely compelling paperback. The novel’s plot pretty much follows the ups and downs (and ins and outs) of Meg’s career as a sexpot. Because it’s a 1960 paperback, the sex scenes aren’t graphic at all, but Silverberg treats the reader to pages and pages on the allures of Meg’s impossible-to-ignore rack. The writing is predictably solid and Silverberg really knows how to make breasts come alive as central characters of a novel.

Meg rises through the ranks of show business thanks to Max’s never ending supply of publicity stunts, and this makes for a fun and quick read. It’s a predictable cautionary tale about the cost of uninhibited ambition and a pleasant way to kill a couple hours in the summer sun.

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Machine (aka Do It to Me)

Fire/Machine is a new reprint from Stark House Press featuring two novels by Barry N. Malzberg. The two were first printed by Midwood under the pseudonym Mel Johnson. Along with Beacon, Midwood was one of the largest publishers of sleazy books and often featured prominent authors like Donald Westlake and Lawrence Block. Fire was originally known as Instant Sex (1968) and Machine as Do It to Me (1969). Since I love pinball machines, I decided to read Machine. Its premise of a lowly pinball arcade owner struggling with an impending crackdown spoke to me more than the invite to porn fiction.

Malzberg introduces Machine in a conversational fashion. Similar to Stephen King's Colorado Kid, the narrative is basically a guy named Mike Jennings sitting with you, the reader, over drinks. You're in the smoky bar buying drinks for Jennings as he explains his turbulent life over a three-day period in Syracuse, N.Y. While there are signs that Jennings has a criminal history, he advises that none of this is essential to his story. Just the 3 days.

Jennings borrows ten-thousand dollars and takes over the rights to a pinball arcade. Jennings rents the building and these machines, some of which are the smoothest and most difficult games east of Chicago. With a location near the University of Syracuse (Malzberg's alma-mater), the likelihood of students slipping nickels into the machines at a steady pace is fairly high. However, it is 1969 and arcade machines are still considered the work of the devil.

Prior to the mid-1970s, most cities had strict ordinances that denounced pinball machines as illegal gambling devices that corrupted the youth of America. Often illegal machines were seized by law-enforcement and destroyed. To protect himself from any grief, Jennings buys a low-level protection ring that provides some protection from the city. When two cops come in and threaten Jennings with the crackdown, he makes an appeal to his protection plan. They warn him that he is safe, but Jennings begins to suspect that his arcade empire is on the brink of collapse. 

Machine is laced with sex as Jennings is pleasured by a college co-ed named Sandra. As expected, there are graphic scenes that generally consume three to four pages. Jennings is struggling with his relationship with Sandra - she desires commitment. Hindering relations is the appearance of Jennings’ ex-wife Barbara, which obviously translates into more sex pages. Malzberg has a unique ability to compare passionate sex with pinball players fascinated by the sweet rhythm of the machine. While I skipped out on most of the sex, I enjoyed the comparison. 

By and large, Barry Malzberg's presentation is cumbersome. His signature is extremely long paragraphs with very little line breaks throughout. Stark House, and the author himself, agree that the machine is not the best portrayal of Malzberg's work. Many point to his sci-fi novels as real highlights while others suggest his action-adventure men's series Lone Wolf is the best. Machine wasn't particularly brilliant, but I enjoyed the elements of crime fiction enough for it to be worth it. You owe it to yourself to try out a novel by Malzberg. He's a truly unique voice. 

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Back Alley Jungle

Leo Margulies (1900-1975) is a familiar name in the world of pulps, MAMs and digests. Originally from New York, he started as a researcher for 20th Century Fox before becoming the editor of Ned Pines' Standard Magazines. Along with magazines like Mike Shayne, Popular Detective and Thrilling Detective, Margulies also compiled and edited a number of anthology collections including Back Alley Jungle. This 1960 collection of short stories was initially published by Fawcett Gold Medal under the Crest brand name. Here’s some highlights:

Ed McBain (written under the name of Richard Marsten) is the author of the 1952 story entitled “Carrera’s Woman”. In it, a man named Jeff has been working the oil fields in Mexico. After many hard years, Jeff amassed $10,000 in savings. Before returning to America to start a new life he was robbed by a co-worker named Carrera and his girlfriend Linda. When the story starts, Jeff takes Linda hostage behind big rocks. Carrera is across the dry gulch firing futilely into the rocks hoping to kill Jeff and reclaim Linda. During the night, the three parties are at each other's throats with both sides taking potshots across the gap. But the story changes fast as Linda starts to seduce Jeff. Is this an escape strategy or is she sincere in her sexual advances? This is the ultimate question McBain is asking, and it's such a tempting one. I really liked this story and it's a key part of the collection. 

In Steve Frazee's 1953 "Graveyard Shift" story, the close narration focuses on a busy police dispatcher on a late night shift. When a woman holding a gun enters the police station, this lone dispatcher is ordered to place all of the city's patrol cars in one section of the city. The woman's motive becomes clear when the dispatcher locates the pattern - she's purposefully maneuvering the police away from the local casino. Involved in this complex case, it is up to the dispatcher to use code words so that officers redirect efforts to the casino. This is a really unique story that presents a rare, but deserving hero - the police dispatcher.

The longest and most enjoyable story is Richard Deming's 1955 short "The War". This starts with a woman named Janice entering the Rotunda Club, a posh casino owned by Clancy Ross. After a talk and a call upstairs, Clancy greets Janice in his office. In short, Janice is the widow of Clancy's old Army buddy from the Korean War. She explains to Clancy that her husband witnessed a mob slaying and was later gunned down by killers working for a syndicate kingpin named Lawson. During the exchange, the Mob framed Janice so that she would appear as a frustrated wife who shot her husband during a heated argument. After the arrest, the Mob posted bail for her in an effort to then kill her in a way that would resemble suicide. With no friends or allies, Janice fled to Clancy hoping he will keep her safe. This violent and explosive story features Clancy at odds with Lawson over the woman's safety. But is there some secret about her? Deming was a great storyteller and “The War” is absolutely awesome. I can't say enough good things about it.

Other authors appearing in this compilation are Jonathan Craig (Frank E. Smith), Dan Sontup, Mann Rubin, Charles Boeckman, Robert Turner and Don Stanford. There's an additional Ed McBain story titled "Clean Break" that's listed under the pseudonym Hunt Collins.

At 150-pages and 10 solid short-stories, Back Alley Jungle is an absolute joy to read and a fairly affordable used paperback considering the era and publisher. Highly recommended.

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Never Be Caught

“Never Be Caught” is a 50-page noir novella by James McKimmey originally printed as a U.K. hardcover in 1966 along with two other stories. It has been reprinted by Stark House in a collection of McKimmey’s hard-to-find short works now available in trade paperback and ebook formats.

The story begins in San Lupe, California about 80 miles north of Los Angeles - where Billy Marsh (age 22) has fallen in love with Maria Nivero (age 16). When the time comes for Billy to meet Maria’s mom, Mrs. Nivero is not thrilled about the relationship. Billy is a nice young man if a bit aimless - he’s a counter man at the local trucker’s café. Despite her reservations, Mrs. Nivero gives her reluctant blessing and sends Billy on his way.

After Billy leaves mom’s house, she calls in a favor from a cop friend: do some homework on Billy and find out what his real story is. It takes no time at all for the cop to learn that Billy is a fugitive from San Francisco wanted for an armed robbery turned murder. The cops fail to get the jump on Billy in an exciting scene, and we have a couple on the run story as the young lovers flee from the police together.

McKimmey does such a great job with economical storytelling while shifting the third-person perspective between the hunters, the hunted and the helpers. It’s an exciting cat-and-mouse game building to a climactic suspenseful ending that won’t disappoint any lover of action-packed noir fiction.

I’m so glad I took the time to read “Never Be Caught.” The novella cemented my belief that McKimmey was yet another master of the genre unfairly forgotten by the modern era. I’m extra thankful for the publisher who found this obscure story and made the effort to reprint it. Without question, it would have been lost forever if it weren’t for this Stark House revival. Highly recommended.

The new Stark House Crime Classics release compiles the following fiction from James McKimmey:

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Dirty Harry #05 - Family Skeletons

Warner Books released the 12 episodes of the action-adventure series for men Dirty Harry between 1981 and 1983. These novels can be read in any sequence and are based on the character of the three movies Dirty Harry, Magnum Force and The Enforcer. The works are written under the house name of Dane Hartman by the authors Leslie Alan Horvitz and Ric Meyers. Mostly the series is panned by readers, but I still feel compelled to read an installment every few years. Maybe I'm attracted by the artwork. 

In Family Skeletons, the fifth novel in the Dirty Harry series, San Francisco detective Harry Callahan decides to take a holiday in Boston. While this trip allows Harry to escape the fight against the West Coast villains, it will not come without an aura of mystery. Linda, Harry's cousin, asked him to travel to Boston to investigate a religious cult called The Unitarian Church. This cult recruited Linda's daughter, Shanna.   

Through the book's violent narrative, a Boston serial killer plagues the college campus of the church, eventually killing a number of students that have ties to Shanna and other Unitarian members. Harry befriends a Boston homicide detective assigned to the case and they work together to find the killer. As Harry's suspect list narrows, he finds quarrels with the Callahan family – Linda's husband disagrees with Harry's involvement and wants him out of the city. Is he the killer or just a violent stumbling block? 

There is actually a lot to like about family skeletons in comparison to previous installments that left me feeling dissatisfied. Whether this is Horvitz or Meyers, the writing is an upgrade from the standard drivel associated with the series. There is an abundance of action and violence while Harry fights a number of villains through the most violent areas of Boston. Before the twisted ending of the book, there is a shootout and a chase that puts Harry's. 44 against a few shotguns in a grocery store. Suspending unbelief, I soaked everything up and had a great time.   

Family Skeletons isn't a literary masterpiece. It's not even as good as a low-shelf, later Mack Bolan installment. But it is entertaining and jammed with action and mystery. I was surprised by the quality and gained a new respect for this series. I'm destined to read more. 

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Seals #01 - Ambush!

Born in Cheyenne, Wyoming, Kevin Randle earned degrees in journalism, psychology, and military studies. During the Vietnam War, Randle was an Army pilot for two Assault Helicopter Companies. Later, he served in the Air Force and the National Guard and was deployed to active duty in Iraq between 2003-2004. His military experience provides a lot of credibility and realism to his writing. Using the pen name of Eric Helm, Randle is the author of the four-book series Scorpion Squad and the longstanding series Vietnam: Ground Zero. My first experience with his military fiction is his Seals series written under the pseudonym Steve Mackenzie. These novels were published by Avon between 1987 and 1989. I decided to begin with the first, Ambush!

In this installment, the book's premise is based on actual events that took place in the Binh Duong Province northwest of Saigon. Known as Hobo Woods, this dense area of forest served as a concealed location for the Viet Cong to prepare and initiate assaults on the U.S. Army's Fire-Support Base Crockett. This massive firefight consumed most of July 1970 and was one of the last major confrontations of the Vietnam War. Randle himself had experience in this specific location and also used Hobo Woods as the setting in his seventh book in the Vietnam: Ground Zero series.

In the Seals installments, Randle uses Navy Lieutenant Mark Tynan as the consistent hero. In the opening pages of Ambush!, Tynan and his team are positioned overnight near a river. While it is mostly a training exercise prepared by Tynan, the Seals ambush and kill a small patrol of Viet Cong. On one of the enemy soldiers, Tynan finds a bundle of documents saying that the VC were planning a major assault on the Crockett fire support base.

Upon the team's return to base, Tynan gives the documents to his commander, hoping that the intelligence will help Crockett prepare for the attack. Instead, the Navy doesn't want to give the data to the Army because it doesn't want to look bad if the attack never takes place. Instead, documents are ignored and Crockett's caution is never given.

Through most of the story, Tynan's team searches the Hobo woods for more VC and ends up helping Crockett. In an action-packed crescendo, the team splinters into distinct areas of battle – one inside Crockett and the other on the outskirts in the enemy ranks. Randle's attention to detail is superb and allows readers to see these vivid battle stories that seem to emerge from the pages.  

While some of Tynan's team comes back in the second instalment, Blackbird, the action for the remaining books is not always fixed in Vietnam. Tynan's orders lead him not just in Southeast Asia, but also to the Middle East and even the United States to counter international terrorism. I'm really curious to see how Randle develops Tynan over the course of the series, including any of the character's personal backstory. In the meantime, I highly encourage Ambush! if you're fond of reading military fiction.

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Dark Cypress

Michael Avallone (1924-1999) was a prolific author that contributed work to many different publishers and genres. Along with authoring television and movie tie-ins for franchises like Man from U.N.C.L.E., Planet of the Apes, and Friday the 13^th, Avallone penned a number of stand-alone crime-noir and mystery novels. Avallone also authored over 38 private-eye novels starring his character Ed Noon. In the late 20^th Century, Avallone took to writing Gothics using pseudonyms like Jeanne-Anne De Pre, Dorothea Nile, and Priscilla Dalton. Perhaps his best Gothics were penned using the name Edwina Noone, a clever nod to his own private-eye character. My first experience with Avallone's Edwina Noone novels is Dark Cypress, originally published in 1965 by Ace.

The novel stars Stella Owens, a young woman who has arrived at the gloomy, yet magnificent, manor known as Hawk House. Stella has accepted a job as a live-in tutor for Todd Hawk, the only child of a wealthy widow named Arthur Carlton Hawk. Upon her arrival at the mansion, Stella is introduced to Gates, the family's friendly butler, and Dahlia, the family's snobbish housekeeper before being introduced to her young charge.

Stella is immediately consumed with a foreboding atmosphere that surrounds the house and its inhabitants. Dahlia's mysterious behavior serves as an odd voice of authority. Prophetically, she warns Stella that a bedroom upstairs must remain locked and off-limits from any curious exploring. Dahlia's motherly treatment of Todd is both preachy and scolding, a characteristic that lies in stark contrast to Stella's warmer approach. In repeated tutorial sessions, Todd confides in Stella that he is fearful of being taken away soon. He also provides a disturbing account of his older brother Oliver dying in the family's large pool. It's this event that lies at the heart of Avallone's mystery. How did Oliver come to drown in the pool, what's in the locked room and why does Todd suggest that there's an evil presence roaming the dark halls and corridors of Hawk House?

Like any good Gothic, location is key. Avallone's choice to place the characters and events in rural Connecticut during a late New England winter is important. As the tension mounts, the sense of isolation keeps the characters confined to this monstrous structure. Through the narrative, the family's secretive backstory slowly unfolds to explain Stella's precarious dilemma. The storyline is laced with mysterious horror that's nicely balanced with a small offering of romantic development. As a Gothic stereotype, Stella is the vulnerable beauty that becomes trapped in the bad place. Is it the structure or the people that make it a dangerous meeting?

Avallone is just a great author and his use of description makes this chilling novel such a pleasure to read. From cavernous dark forests to narrow, entrapping hallways, Avallone's prose is filled with vivid imagery that proves to be a ghostly character unto itself. If you have a supernatural addiction, Dark Cypress offers just enough sinister happenings to make it a furious page-turner. Unfortunately, the book remains out of print and used paperback copies have become pricey. However, I strongly urge you to spend your hard-earned dollars on acquiring a copy.

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