Barr Breed #01 - The Body in the Bed

Born William Sanborn Ballinger, Bill S. Ballinger (1912-1980) wrote over 150 teleplays including episodes of The Outer Limits, Alfred Hitchcock Presents and Ironside. With most of his career spent in radio and television, Ballinger still found the opportunity to author nearly 30 novels. His first, The Body in the Bed, was published in 1948 and is the first of two books starring a Chicago detective named Barr Breed. As a lifelong Cubs fan, I couldn't resist the idea of a crime novel in Chi-Town.

Although the sign on his door reads Breed Detective Agency, Barr Breed isn't your typical private-eye. Instead, he runs a detective staffing agency that furnishes guards for warehouses and banks, detectives for railroads, secret shoppers for stores and payroll protection for long routes. So the last thing Breed wants is a murder case. But, when a guy named Gibbs knocks on his door, Breed becomes enthralled with his story.

Gibbs explains that he's been cheating on his wife for a number of years. As a commercial account executive, Gibbs is in and out of hotels all over the country. In Chicago, Gibbs has a main squeeze named MacCormick. Unfortunately, while Gibbs was in the shower, someone walked in, strangled her to death and then tucked her into bed. Gibbs discovers the dead broad and makes a beeline for a detective agency to figure this out. Breed doesn't buy in right away, but when Gibbs produces a wad of bills, Breed makes him this deal: The money will buy Gibbs seven days. During that seven day stretch, Gibbs needs to lie low and allow Breed to find someone else to be a suspect for the cops. Gibbs accepts the deal and takes a point-blank shotgun blast to the chest later that night. Later, Gibbs' own wife is found murdered as well. Who knocked-off this love triangle and what's Breed's commitment to the case? That's the main premise behind The Body in the Bed.

Honestly, I didn't particularly like Breed during the novel's first half. But as the story-line began to tighten, I changed my tune - he's a real badass. He fights hard, escapes from killers, endures some torture, is an excellent shooter and a real cool cat with the ladies. He's not a dimwit, but he does allow the problems to solve themselves. He does some sarcastic wisecracking and always seems to describe in great detail what he's eating and drinking. As a crime-fiction mystery, the novel works really well with a payoff finally coming at the very end. I was glued to the characters just trying to figure it all out.

Ballinger writes this in the first-person as Breed relays his experiences to readers. After the book's sequel, The Body Beautiful, the author changed his writing style to incorporate shifting first-person narrators from the various characters' perspectives. This sort of bobbling could make readers seasick, but I'm willing to test the waters. I haven't seen the last of Bill S. Ballinger.

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Fresh Fiancés for the Devil’s Daughter

Before there was a term for “Extreme Horror” or “Splatterpunk” with amplified gore and violence, a man writing as Russell Gray was shocking and revolting readers with his graphic horror stories and novellas in the pulps. Gray was a pseudonym of author Bruno Fischer, and his most famous horror work was “Fresh Fiancés for the Devil’s Daughter,” originally from the May 1940 issue of Marvel Tales.

The story begins at a crowded and drunken literary party in a Manhattan apartment. Our narrator is literary agent Lester Marlin, and he can’t keep his eyes off a woman who just entered the party. She introduces herself as Tala Mag, and Lester is somehow able to fend off her wanton advances by citing his wife’s presence at the party.

The next morning Lester receives a note from the party’s hostess (his best client) asking him to meet with Tala Mag as she is an aspiring author in search of representation. A second note from Tala requests Lester to come to her Park Avenue penthouse later that day for the meeting. Despite his misgivings, he agrees to meet with Tala to appease his client.

At the meeting, Tala is in full seduction mode demanding that he read a story she wrote. Lester reads her manuscript, and it’s dark, vile, evil and unprintable. However, Tala is not the kind of lady who takes no for an answer. As he tries to escape her apartment, Lester is subdued, rendered unconscious, and later awakens naked and bound by chains inside Tala’s “room of torment.”

Beyond that, I don’t want to give much away. However, if you’re seeking a violent and kinky fantasy gone awry, this is the story for you. The torture story becomes a revenge story with an expanded cast of victims, sizzling breasts and a “most dangerous game” gimmick. Bruno Fischer is clearly having some fun pitting an author against a literary agent in a battle sparked by the rejection of the exact kind of story that Fischer himself wrote as Russell Gray.

Was “Fresh Fiancés for the Devil’s Daughter” extreme? Most definitely. Was it scary? Not really. It was definitely suspenseful and never boring, but torture porn was never my idea of a scary time. I liked the novella mostly because Fischer was such a talented writer who could write propulsive and exciting action sequences. Even at this early stage of his career, he could deliver a compelling story. By now you know whether this is your thing or not. If it is, you’ll dig this selection plenty.

Buyer’s Guide:

The 38-page novella began its life in the May 1940 issue of Marvel Tales and has been reprinted in anthologies several times over the past 71 years. If you don’t have $300 to buy the original pulp magazine, you can find the story in any of the following books:

Radio Archives eBook Reprint

Hostesses in Hell

Pulp Fiction Megapack

Paperback Warrior - Episode 83

On Episode 83 of the Paperback Warrior Podcast, we discuss the evolution of sexual content in genre paperbacks. Also discussed: Carter Brown, Adult Westerns, Ardath Mayhar, John Kildeer, Frank Cannon, Sam Spade, Wade Miller, Lawrence Block, Donald Westlake, Jonathan Craig and much more! Listen on your favorite podcast app, at paperbackwarrior.com or download directly HERE 

Donate to the show HERE

 

Listen to "Episode 83: Paperback Sex" on Spreaker.

Virgil Tibbs #01 - In the Heat of the Night

New York native John Ball (real name John Dudley Ball Jr., 1911-1988) worked as a newspaper and magazine reporter, a part-time Los Angeles deputy and a book review columnist for Mike Shayne Mystery Magazine. In addition to his three Talon police procedural novels, Ball also authored a seven-book series of novels starring African-American homicide detective Virgil Tibbs. The author is memorialized for the series' debut title, 1965's In the Heat of the Night. The Edgar Award-winning book was adapted to cinema in 1967, capturing five Oscars including Best Picture. After enjoying Ball's first Talon novel, 1977's Police Chief, I was anxious to read what is considered his finest work.

The book begins by introducing readers to Wells, South Carolina. It's the proverbial 1960s Southern small town where they can still smell the Civil War powder burning and probably always will. It's here where young cop Sam Wood patrols the city's streets on the graveyard shift. After a midnight lunch break, Wood discovers a dead body lying in the highway. After notifying police chief Bill Gillespie, Wood is instructed to immediately prowl the area for strangers. In a dark and cavernous train station, Wood finds a black man casually reading a paperback book. After discovering the black man has a wallet of cash, Wood hauls him in as the prime murder suspect.

Perhaps one of Hollywood's most treasured movie quotes is found in the book's fourth chapter - “They call me Mister Tibbs.” After the police question the black man, they learn that he is Virgil Tibbs, a veteran homicide detective from Pasadena, CA. As the narrative tightens, readers learn that Tibbs was trained in martial arts with a specialty in karate, judo and aikido. In addition, he's a veteran of the Pasadena police force, becoming a homicide detective after five years of patrol. It's also hinted that he may have attended an FBI school. Tibbs is a polymath, like Ball's favorite literature hero Sherlock Holmes. He is astute at problem solving with an almost supernatural attention to detail. But in the deep South of the 1960s, Tibbs finds he's in a different world.

As one can imagine, Ball explores the line between racial hostility and small-town justice. After learning that Tibbs is a highly regarded detective, Gillespie asks for his assistance with the corpse. Through character interviews, Tibbs learns more about the case despite the town's opposition that a colored man is leading the investigation. Tibbs, knowing that Gillespie and Wood are both inexperienced, is extremely humble and complacently accepts his role as a victim of racism. This is where Ball absolutely shines as a storyteller. Tibbs doesn't particularly care about the injustice, the racial hostility or Gillespie's browbeating. He's far above all of that, never in the ditch but up on the road. Tibbs is consumed by the murder mystery. Through the book's 150-pages, I don't recall Tibbs stopping for rest. Instead, he ascends to a plane of existence that only contains him, the murdered and the murderer. Thankfully, Ball doesn't make readers rest in this headspace. Instead, he presents the story by centralizing Wood and Gillespie. Readers rarely ride with Tibbs but instead are presented his findings just like Wood and Gillespie.

I'm probably off base here, but for some reason I couldn't help but think of Ross MacDonald's Lew Archer character. Tibbs isn't Archer, but the narrative's twists and turns reminds me of MacDonald's writing style. Or, it could just be that I'm aligning two West-Coast detectives. Nevertheless, In the Heat of the Night is a masterpiece of police procedural fiction. If you are a fan of the film, there are key differences in the novel. The film has Tibbs from Philadelphia, the murdered man as someone quite different and the suspects having different professions and roles. Most notably is that the film version presents Tibbs as an angered individual when faced with racism. As I alluded to earlier, the novel is the opposite. Thankfully, the old adage applies here: The book is better than the movie (or television show).

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Forever After

In May 1960, Winston Publications launched a short-lived horror literary digest called Shock: The Magazine of Terrifying Tales with a cover illustration by Jack Davis from EC Comics. The magazine mostly reprinted classic horror and suspense stories from Weird Tales and Argosy, but the debut issue also contained an original short story by Jim Thompson titled “Forever After.” The story has been reprinted on Kindle for a buck from Noir Masters.

Mrs. Ardis Clinton is having a sexual affair with Tony, the dimwit dishwasher from the diner across the alley from her apartment. As the story opens, Mrs. Clinton has it all figured out: Tony is going to murder her husband with a meat cleaver allowing her to enjoy the widow’s life complete with $20,000 in life insurance dough. They just need to stage the apartment to look like a struggle took place during a robbery to give the murder an air of authenticity.

In order to give the ruse a sense of authenticity, Dumb Tony needs to rough up Mrs. Clinton to make it appear she was injured in the home invasion robbery that killed her husband. Meanwhile, it’s important to Mrs. Clinton that she’s wearing a skimpy negligee when her husband gets home, so Mr. Clinton can see what he’ll be missing before Tony cleavers the old man into the hereafter. The story’s tension mounts until the doorknob turns welcoming Mr. Clinton home for the last time...

“Forever After” is a nasty little story lasting only about ten pages, so I’m not going to spoil the plot any further for you. There’s an unexpected twist at the end that explains why Thompson sold the story to a fledgling horror digest rather than, say, Manhunt. It was also compiled in the 1988 collection Fireworks: The Lost Writings of Jim Thompson. In any case, “Forever After” is definitely worth reading. The easiest way to get a copy is to plunk down a buck and buy the digital copy for your Kindle. You won’t regret it for a moment.

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The Hoodlums

John Eagle was a pseudonym utilized by George Benet who was born in Chicago in 1918. In 1952 when paperbacks were exploding as a medium, Benet moved to New York City and wrote this crime novel called The Hoodlums. The Avon book sold a half-a-million copies and was reprinted in 1956. The paperback has found new life in 2021 as a reprint from Black Gat Books retaining the original cover art.

Despite being lucky, smart and aggressive, ex-con Kirk Wagner is broke at age 26. His three-year stint in prison arose from an armed robbery followed by a double-cross that landed Kirk in the slammer while his partner Martin got away with the dough. To his credit, Kirk never squealed. Now that he’s been out for two weeks, Kirk is trying to make ends meet with a legit job in Chicago. But it’s hard, man, hard.

Three years without a woman is a long time, so Kirk tries to catch up with Jeannie, a hot little dish he dated for a spell before he got pinched. The time has been good to Jeannie - she’s stacked and seems to be a sex-positive kinda chick. Meanwhile, Kirk gets word that his old pal Martin has returned to Chicago. He allegedly wants to make things right for the double-cross that landed Kirk in prison. But how do you repay someone for three years in the slammer?

Benet/Eagle was a much better writer than most of his 1953 paperback contemporaries. His vocabulary and descriptors belie literary aspirations that surpass the hoodlum genre. The plotting, however, was a bit slow, meandering, and largely non-existent. The first quarter of the book has Kirk and his vagrant friends bumming around Chicago trying to stay warm and behaving like drunken characters from a David Goodis book. When Martin returns to Chicago something resembling a normal scam plot begins to take shape. It’s all well-written and compelling, but you would never describe The Hoodlums as being a propulsive thriller or having a normal story arc. Things happen, but it’s more like a reality show following a small-time hoodlum around Chicago’s underworld as he barely makes ends meet. Some of the vignettes are better than others, but the novel was never boring.

Despite having no real plot, I found myself enjoying The Hoodlums. It was like a blues song set to melodic prose, and I appreciated how different it was. Most of the crime novels from the early 1950s made their magic from tightly-wound stories with twists and turns along the way. The Hoodlums took a different route, and it largely worked for me. Your mileage may vary.

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Yellowleg (aka The Deadly Companions)

Mostly known for his children's novels, A.S. Fleischman also authored a number of genre paperbacks between 1948 and 1963. The plots typically possess the crime-noir tropes of the era – beautiful women, innocent men on the run, gun play and money. Like Day Keene, Fleischman only authored one western in his career, Yellowleg. The book was published by Fawcett Gold Medal in 1960 and later re-titled to The Deadly Companions to match the 1961 film adaptation. The novel was later reprinted by Stark House Press in 2012.

Yellowleg is simply the name given to the book's protagonist, a man introduced as wearing a McClellan hat and yellow-legged pants, both leftovers from the American Civil War. As a former Union serviceman, Yellowleg has spent the last eight years of his life trying to find the Confederate soldier that scalped most of his head off. When the book begins, Yellowleg is paired with a young cocky gunfighter named Billy and a veteran survivalist named Turk.

Once the trio arrive in Gila City, New Mexico, Billy and Turk begin discussing a bank heist. Yellowleg wants no part of it, instead he's in town to see an ex-battlefield surgeon. Due to a rifle ball buried in his scarred shoulder, Yellowleg's gun hand isn't as slick and accurate as it once was. It's right after this medical consultation that Yellowleg attempts to shoot a fleeing bank robber. His shoulder gives out and the shot drifts off target killing a young boy. Later, the boy's grieving mother Kit sets off by wagon to the town of Siringo to bury her son beside his dead father. Yellowleg, accepting responsibility for the death, sets off with Turk and Billy to follow the woman and keep her safe. Across this hostile, barren wasteland, the trio not only must contend with a grief-stricken maniacal woman but also warring Apache warriors...and each other.

Like Arnold Hano's 1958 classic western The Last Notch, much of Fleischman's narrative is psychological. There's action and violence mixed into the customary revenge formula, but it's few and far between. In some novels that can be a very bad thing. Not with Fleischman. Instead, he uses this thick, wrenching atmosphere to drain the humanity from the thick-headed, bullish character of Turk. The character of Billy is written in a way that's symbolic with the gunslingers of the west – arrogant, proud, tense and sexually charged. When he isn't groping, he's practicing killing. The mourning mother Kit is a modern woman escaping the downtrodden life of showgirl, bar-room maiden and servant. Her defiance to all that have beaten, betrayed and wronged her is a resounding, triumphant portion of the narrative – intended or not.

Yellowleg, rightfully so, has his own tale to tell. The curse for revenge, his wasted years, his complacency to just accept that his life is only worth living if he can avenge his loss. The fact that he remains under the hat, in the same war-torn clothes of his past, is truly a symbol for Yellowleg's own life. The cloak of revenge that he tightly wears chokes out any happiness or meager satisfaction. His past is the only living he does.

Fleischman carefully constructs the narrative to highlight each character and their ultimate weakness. As a western, it's layered with adventure and sprinkled with enough firefights and gunplay to appease the casual genre fan. Beyond being a great western, it's just a great novel about humanity and the endless struggle with ourselves. If you love Arnold Hano and Clifton Adams, then you'll love this. It's by far one of the better westerns I've read.

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Paperback Warrior Podcast - Episode 82

On Episode 82 of the Paperback Warrior Podcast, the guys discuss the repulsive horror fiction of Russell Gray. Also discussed : John Eagle, David Morrell, Garrity, Alan Nixon, Horror Book Recommendations and more! Listen on your favorite podcast app, stream it below or download directly HERE 

Donate to the show HERE

Listen to "Episode 82: The Repulsive Horror of Russell Gray" on Spreaker.

Tiger By the Tail

Tiger by the Tail was a 1954 paperback by James Hadley Chase, the popular pseudonym of Rene Raymond (1906-1885). The book was originally published by Harlequin before the imprint was exclusively romance novels and is often cited as being his finest novel.

Bank teller Ken Holland’s wife Ann has been visiting her sick mother for the past five weeks, and Ken is getting restlessly horny. His wandering eye is becoming more and more burdensome, and all he needs is a willing wonton for a few hours to blow off some steam. He gets the name and number of an escort (a “hostess”) named Fay who will let you take her out in the town for a couple bucks with an opportunity for more action if the spirit moves you.

After much hand-wringing, Ken calls Fay and sets up a date. Arriving at her apartment, Ken is pleased to find that Fay is gorgeous and charming with a killer body. They hit a nightclub and have a lovely time together. As they’re heading back to her place together, an astute reader of classic paperback thrillers just knows that something is about to go horribly awry. Sure enough, someone lurking in her apartment stabs Fay to death in her apartment with an icepick and leaves Ken with her dead body and the murder weapon.

The bad thing about being at the wrong place at the wrong time in a vintage crime fiction novel is that you’re almost certainly going to wind up the prime suspect. This forces Ken into a position where he needs to either lay low or solve the killing himself to save his own bacon and ensure that his wife never finds out he was catting around.

Meanwhile, the cops are also working to solve the murder, and this becomes a major focal point of the paperback’s second half. The police procedural sections dive headfirst into changing perspectives of the dysfunctional local department under the control of a sociopathic political boss. The rivalry among the local political factions becomes a bit convoluted as the novel progresses, but the author regularly brings things back on track by returning to Ken’s adultery-murder dilemma.

Tiger By the Tail is an extremely well-crafted crime novel by an author with real chops. It’s currently out of print, but the paperback has been through countless re-releases since 1954. You shouldn’t have trouble finding a copy. It’s certainly worth your time. 

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Brion Brandd #01 - Planet of the Damned

Harry Harrison (1925-2012) was a critically-acclaimed science-fiction author who is best known for his 1966 novel Make Room! Make Room!, the basis for the 1973 film Soylent Green. In addition, he also gained fans and admirers when he debuted his Stainless Steel Rat character in a 1957 issue of Astounding. The character would appear in 12 total books through 2010. My first experience with Harrison is his 1962 novel Planet of the Damned. I discovered it when I located a 1975 Tor paperback reprint of the book complete with artwork that suggested this might be Nick Carter: Killmaster in Space. Is it?

Brion Brandd is the champion of his home planet Anvhar. To be considered his planet's champion, Brandd had to compete in a global competition called The Twenties. It's here that men compete in grueling matches of chess, poetry recitals, fencing, skiing, fighting, shooting and a whole lot of other exercises that test the mind and body. This is where readers first meet Brandd, locked into a final struggle with the last competitor. After winning, Brandd is taken to the local hospital to rest and rehabilitate. It's there that he meets an off-world stranger named Ihjel.

Ihjel explains to Brandd that the two of them share a unique psychic gift. Ihjel has developed this unique mental prowess as a way to gain the feelings or desires of anyone he meets. Brandd can utilize this to an extent, but will need to “Jedi up” to really learn how to harness its true power. This gift that Brandd has is exceptional when combined with his overall athleticism and intelligence. Who better to stop a nuclear holocaust other than a planetary gold medalist that can read minds?

In a one-sided conversation, Ihjel illustrates that the planet of Dis is populated by a race of very primitive people that behave in neanderthal ways. Their planet is a scorching firebed of hot sands with temperatures rarely below 100. It's an undesirable planet that is barely inhabitable beyond the race of people that have adapted to its harsh conditions.

Dis's neighbor is the civilized planet of Nyjord, a typically nice place filled with people who behave properly and know exactly which fork to use at formal dinners. Unfortunately, Dis hates Nyjord. In an early war, a small assortment of deadly weapons were left on Dis and now, after all of these years, the neanderthals have found them. Demanding Nyjord's unconditional surrender, the Dis people are set to annihilate their neighbors. What they don't know is that Nyjord has provided a 3-day deadline for peacekeepers, like Ihjel, to visit the Dis people and convince them that the idea of attacking their neighbor is a poor one. If they refuse to peacefully disarm, Nyjord will unleash a wrath of nuclear devastation and Death Star their whole planet.

Harrison's short narrative features Ihjel and Brandd teaming with a female scientist from Earth as they visit Dis in hopes of a peaceful resolution. But, as you can imagine, things don't go as planned. The Dis people immediately send assassins after the trio, forcing them on the run in search for allies and answers. While Nyjord presses a sense of urgency, Brandd begins to suspect that the Dis people want to live in peace and that their leaders may actually be hostile alien forces in disguise. Through investigations, Brandd searches for the weapons, gets laid and joins a team of Nyjord commandos as they battle enemy forces.

There's no doubt that Harrison is placing this interstellar war between neighboring planets as a representation of Earth's own Middle-East power struggle. In addition, the author utilizes the same formula as James Bond, a series of novels and movies that were already blockbuster hits at the time of the book's publication. The early 1960s hosted a spy-fiction sensation, and I can't help but think this is the science-fiction version of that. It possesses all of the same familiar tropes – international romance, a cache of nuclear weapons, trained killers and guns galore.

Whether you like science-fiction or not, Planet of the Damned moves at a brisk pace with an engaging story and capable hero. While it isn't mandatory reading, it's a solid, fun read that never left me bored. The character of Brion Brandd appears again in one additional novel, 1982's Planet of No Return.

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So Fair, So Evil

Thomas Grey Wicker (1926-2011) graduated from the University of North Carolina and began a career in journalism in 1949. His New York Times column “The Nation” ran from 1966 through 1992. In addition to his newspaper reporting, Wicker authored three stand-alone crime-noir novels – Get Out of Town (1951), Tears Are for Angels (1952) and So Fair, So Evil (1955). All three were originally published by Fawcett Gold Medal under the pseudonym Paul Connolly. In March 2021, Cutting Edge has released a reprint of So Fair, So Evil. I've owned the paperback for years and decided now would be a great time to read it.

From a first-person perspective, a guy named Frank explains that his wife Dolly died in a tragic automobile accident on a lonely stretch of Alabama highway. A year later, Frank has returned to the city of Huntsville with a lot of emotional baggage. He's been in a mental institution since Dolly's accident and still hasn't come to grips with the events that led to her death. It's during a cab ride that Frank requests to stop at the dismal crash site, essentially a pile of gravel marked by a large boulder with the word “Repent” painted in red letters. It's here that readers learn of Dolly's death and that Frank is a loose cannon.

In Huntsville, Frank returns to Dolly's childhood home, a sprawling Southern plantation called Old Hundred. It's here that Dolly was raised with her half-brother Harry. The family is filthy rich and in wisely-spaced backstory flashbacks, readers learn of how Dolly met Frank, the proverbial poor guy from across the tracks. Frank never fit in with Dolly's wealthy pedigree and in “grin and bear” fashion received a chastising of his vocation as a soldier in the Korean War. Dolly and Harry were inseparable as siblings and that affectionate relationship played havoc on Frank's insecurities.

Wicker's novel is a showcase of emotions as Frank spends a Fourth of July weekend with Harry and all of the family's friends and colleagues. There's a number of characters (a pen and an index card is helpful) at the house including Harry's wife Ellen, an equal to Frank in terms of being an outcast. Their emotional chemistry explodes into a sexually riveting scene. Also, a loner named Ann helps to enhance the plot when she befriends Frank and begins to sympathize with his feelings of wretched despair and loneliness. Frank's demeanor is foreboding with increasing feelings of paranoia and suspicion as the pages turn. Ultimately, Frank believes Dolly's auto accident was a set-up by one of Old Hundred's guests. It's on this premise that Wicker builds a tight character study that consumes most of the book's narrative.

As a crime-noir, So Fair, So Evil is a compelling, slowly-evolving story that combines adultery, lust and greed with a deep-seated insecurity. This combination is enthralling with the author's presentation of man's psyche central to the story. How can the average man cope in a marriage saturated with jealousy and suspicion? The book is similar to Gil Brewer's 1952 novel Flight to Darkness. In that story, which is also set in Alabama, a Korean War vet is a recently released mental patient with regrets about a fellow soldier being killed. Unlike Gil Brewer's sexy murder-frenzy, Wicker plays it mostly straight with traditional fornication draped in mystery. For the most part, he succeeds and delivers an interesting story that surprisingly rivals Brewer's work.

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Exiled!

John Lutz (1939-2021) was a critically-acclaimed crime-fiction author who wrote a number of private-eye series titles as well as a dozen stand-alone novels. He served as president of The Mystery Writers of America as well as Private Eye Writers of America. My first experience with Lutz is a 1982 Fawcett Gold Medal paperback titled Exiled!.

The author name on the paperback’s cover is Steven Greene. Research suggests that Lutz either wrote the whole novel himself or collaborated with another author named Steven Greene. Evidence suggests that Greene was a real author who co-wrote the 1982 Signet novel Sleeping Beauties, a Robin Cook-styled medical thriller written as L.L. Greene that seems to be a collaboration between Steven Greene and Larry Levine. Lutz's official website lists the novel as “with and as by Steven Greene.” We may never know the full truth.

The novel's prologue sets the scene: a heightened level of violence in America has plagued the nation. Due to this overwhelming murder statistic, the U.S. government has created a penal colony called Pen Island. If a brochure existed illustrating it's uniqueness, it might read something like this:

Pen Island lies 100-miles off of the beautiful Pacific-Northwest Coast. At three-square miles, this lush island is populated by wildlife, plants and edible crops. The entire retreat is surrounded by shore towers that closely monitor all incoming and outgoing traffic from the island. A highly efficient security system automatically terminates any unauthorized personnel within the island's surrounding waters or in the air. Nestled within Pen Island's beautiful landscape are it's diverse residents – a unique population made up of over 1,000 convicted murderers. If your destination is Pen Island, you'll enjoy complete freedom from any law-enforcement, social barriers or pesky government employees. Pen Island is the ultimate getaway. Relax, work, make love or...murder!

In the book's opening pages, Dan Hopper is working in a small coastal town in Maine. It's here that his days are spent managing his small cabin retreat while fishing for lobster. When Dan rescues an abused stripper named Annie and her son Billie, his freewheeling existence evolves into a tight-knit family dynamic. However, the happiness is short-lived when the Hopper family is attacked by mobsters. In a grizzly chapter, Dan is forced to watch Billie brutally beaten to death. After a horrendous assault on Annie, Dan is injected with a syringe and falls asleep as the cabin is set on fire.

Dan awakens to find himself transported from Maine to the shores of Pen Island. Upon arrival, Dan is welcomed by the islanders and explained the rules. A) There's no discussion of escape at any time. Escape attempts lead to death and the idea of freedom just deflates the island's morale. B) Dan has his own hut but must collectively work with the group to grow crops, distribute water and generally become a “team player'. C) There's 900 men and only 72 women on the island. The women are required to take turns spending a week at the compound where men (and the women) can sexually release their tensions. This deters traditional rape.

After settling in, adapting to the change and overcoming the shock of witnessing his family's assassination, Dan begins formulating a plan to escape the island. His need to break away is driven by his quest for vengeance. Who set him up to be a prisoner? In order to adapt to the island, Dan has to circumvent being killed by one of the homicidal maniacs as well as learning who is really in charge. Like any prison, there's an inmate leader. In this case, it's a high-level mobster named Martindale and his enforcer, a brutal maniac named Chinko. Dan's inevitable showdown with them directly relates to his escape attempts. To reach freedom, he'll not only need to escape the island but also Martindale's clutches.

Exiled! is one of the better books I've read in a long time. This novel is just outstanding in its primitive, neanderthal display of human violence and man's complacency with it. In some ways the book formulates a Christian Christ-like pattern. A “perfect man” (Dan) is sent to a hostile world to save it. The book's overall premise is riveting and unique. Mixed into the narrative is also a brutal sporting event called The Games, a mix of rugby, football and fighting. These games help push the narrative along while still constructing alliances and escape plans. It's an exhilarating plot point that adds combative aspects to the book's presentation. There's also a fleeting romantic feel as Dan comes to the aid of not only Annie, but also a woman named Mirriam on the island. The book's closing chapters were fulfilling, but not terribly surprising. There's another aspect to the narrative that I won't reveal here, but it definitely adds a dynamic feel to the island story. It's these portions of the book that allow readers to leave the island periodically.

Whether Lutz or Greene or both authored Exile!, the end result is just a fantastic action-adventure novel with crime-noir tendencies. Used copies seem abundantly available and I encourage you to track this book down. It's well worth your investment and time. Highest possible recommendation!

Buy a copy of this book HERE

Paperback Warrior Podcast - Episode 81

On Episode 81 of the Paperback Warrior Podcast, we explain why you sometimes see the name “Book Creations, Inc.” on copyright pages. Also discussed: Lyle Kenyon Engel, James Reasoner, Stephen King, Dana Fuller Ross, Richard Neely, John Ball and more! Listen on your favorite podcast app or www.paperbackwarrior.com or download directly HERE 

You can also donate to the show HERE

Listen to "Episode 81: Lyle Kenyon Engel" on Spreaker.

Johnny Aloha #01 - Dead in Bed

Many authors thrived off of the stand-alone mid-20th century paperback novels, but it was the creation of a recurring or series character that seemingly added additional mileage to the author's literary journey. Like Harry Whittington, Day Keene (real name: Gunnard R. Hjertstedt) is one of the few noteworthy crime-noir authors who failed to create a marketable series character. While mostly unnoticed, Keene did attempt to create one in Johnny Aloha. This Los Angeles private-eye appears in two of Keene's full-length novels, 1959's Dead in Bed and 1960's Payola. Within my budget, I opted for an affordable introduction to Johnny Aloha via the recent Armchair Fiction reprint of Dead in Bed.

As the name implies, Johnny Aloha is half-Irish, half-Hawaiian. After his stint as a U.S. Marine in the Korean War, Aloha became a successful private-eye in Los Angeles. He is summoned to San Francisco by the police to help identify the bullet-riddled corpse of a notorious pusher and pimp named Harry Lee. After the identification, Aloha spends the night planning his long-awaited vacation to Hawaii. His only obstacle is a beautiful woman named Gwen who is in desperate need of Aloha's services in locating her mother, Hope Star. Aloha declines the work but after recognizing a photo of Star, realizes that he knew her from his childhood in the islands. Canceling his vacation, Aloha accepts the $5K retainer to locate the woman.

Dead in Bed doesn't read like a traditional Keene crime fiction paperback. In many ways, it seems as if Keene made a genuine, wholehearted effort to create a stereotypical private-eye who would be fashionable and profitable. It was a red hot market with successful Pls like Mike Shayne, Mike Hammer, Shell Scott and Johnny Liddell exploding off the shelves. I think Keene purposefully writes Aloha under the same premise – a deeply masculine playboy and private-eye with a homely but flirty secretary and a police ally. The books are presented to readers in first-person narrative with the frequent injection of comedic touches. Despite all of the average genre tropes, Dead in Bed was a thrilling read that I nearly read in one sitting.

Gwen and Aloha have this thick sexual chemistry with one other that literally begs to be uncovered (pun intended). After numerous attempts at lovemaking, the two are always interrupted by an attempted murder, an unwanted guest or a snafu of the right time at the wrong place. Enveloping the sexual tension is the fact that Aloha mostly uses his wits and hands in place of pulling his revolver. There is gunfire, but most of it is aimed at Aloha. While the core mystery was delightful, the characters that Keene weaves into the story's fabric really add a much-needed backdrop for the mystery to evolve.

The Armchair Fiction reprint features both Dead in Bed as well as a novella by Bruno Fischer called Bones Will Tell. At $12.95, this is an easy pill to swallow. I can't wait to read Payola (never reprinted to my knowledge) to learn more about Aloha's next case. The sequel will hopefully determine why this private-eye never had any longevity with the author or publisher. In theory, there's nothing really separating Aloha from any of the other formulaic private-eyes of the era. Why didn't Keene make a more sizable play with what should have been a long-running series mainstay? Perhaps we'll never know.

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The Black Bat #01 - Brand of the Black Bat

Thrilling Publications, also known as Standard Magazines, created a number of pulp characters  including Green Ghost, Crimson Mask and The Phantom Detective. Beginning in July 1939, the publisher introduced The Black Bat (not the 1933-1934 character) in their magazine Black Book Detective. This character was created and written by Norman Daniels (under the name of G. Wayman Jones), a prolific author who cut his teeth on early short stories featured in pulps including All Detective, Shadow Magazine and Detective-Dragnet. The Black Bat character appeared from 1939 through 1953, encompassing a total of 64 issues. After enjoying many of Daniels' crime-noir paperbacks, I was anxious to read his pulps. I'm beginning with the very first Black Bat story, "Brand of the Black Bat", published in July, 1939 and featured in Thrilling Publications' The Black Bat Archives Volume 1 from 2017.

In this origin tale, the author introduces readers to Tony Quinn, a highly successful District Attorney working in an unnamed metropolis. In the opening pages, Quinn's home is burglarized by a destitute man named Silk. Oddly, once Quinn discovers this intruder in his bedroom, Silk explains that he can hear someone else in the house. After Quinn receives Silk's apology, he places him in a closet and welcomes the next intruder, a hired killer who works for a notorious criminal named Snate. After the man attempts to kill Quinn, Silk reacts and assists Quinn in killing the assassin. Quinn then hires Silk to be his bodyguard.

Later, when Snate is on trial for murder and extortion, his goons kill a witness in the courtroom in a wild melee of violence. During the exchange, Quinn is splashed with a deadly acid leaving him blind and horribly disfigured (think of Batman's Two-Face character). Snate is found innocent, and all of the charges are dropped. This entire debacle leaves Quinn and Silk searching for justice. Thankfully, a mysterious woman arrives at Quinn's house and orders him to a small rural town for a highly secretive eye-surgery.

After completing the surgery, Quinn finds that his eyes have become nearly telescopic. He can see things in the most vivid detail including the ability to see in the dark. Using his known disability, Quinn takes on the secret disguise of a hero named Black Bat (complete with facial mask and cape) while still being the very blind public figure of Quinn. This dual identity keeps him from being identified as this heroic nighttime vigilante.

Norman Daniels has a lot of fun with this wacky pulp tale. Origin stories are always important and I think the author did a fantastic job making Quinn's journey from civilian to crime-crusader into a compelling story. The Black Bat's first case brings him full circle to Snate, an inevitable showdown between hero and villain. Unlike Doc Savage, Quinn doesn't avoid killing. His weapons are two guns that he uses with pinpoint accuracy. Shockingly, Daniels' includes a ton of violence to make The Black Bat a really gritty read. There's torture by blowtorch, stabbings, beatings and gunfire. I was surprised at the level of violence and death, but appreciated the gritty realism to combat the far-fetched fantasy. Eventually Quinn builds a team that is similar to those of The Avenger and Doc Savage. It isn't necessarily about the lone hero, but the collective teamwork used to investigate and eliminate the wrongdoers.

If you love this early pulp-fiction era, The Black Bat should be mandatory. It's a fun, over-the-top hero story filled with violence and intrigue. With the affordable price on these reprints, I definitely recommend Volume 1 which chronologically collects not only this story but also "Murder Calls the Black Bat" and "The Black Bat Strikes Again." There's also an introduction by acclaimed pulp collector Tom Johnson (RIP).

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Murder is my Mistress

After a decade of short-stories, Harry Whittington's first contemporary novel was published in 1950. A year later, the author's fruitful career was in full swing with a handful of original paperbacks including Murder is My Mistress. The book was published as Graphic Mystery #41 and has never been reprinted.

The book introduces housewife Julia Clarkson. She's living an unexceptional existence as a suburban wife and mother in the small town of Elm City. Julia is married to a respectable wealth manager named Roy, and the couple has two teenagers. In the opening pages, Julia barely avoids a deadly accident when her tire blows out on the highway. After consulting with her local mechanic, she discovers that someone may have slashed the tire. Fearing that her husband's career and schedule could be impacted by her distress, Julia continues her normal routines. But, after the family's stove explodes and kills their housekeeper, Julia's trepidation is validated. Someone is trying to kill her.

Considering this is 1951, the book emphasizes a heroic feminism. Whittington positions Roy to be non supportive, merely representing the family's breadwinner without possessing the genre tropes of a strong male protagonist. Julia keeps her rather turbulent past from Roy in a way that protects him and his insecurity, a stark contrast from the typical crime-noir. As the book reaches the revelation point, Whittington does pair Julia with a smart detective named Bellows. But again, he's really second string to Julia's leading role.

By 2021, we've watched or read this sort of story before. The woman on the run from some sort of abusive past. The genre's highlight may have been Nancy Price's 1987 novel Sleeping with the Enemy, later adapted into a successful film starring Julia Roberts. Oddly, I found some aspects of this story (revenge on the prosecutor) reversed for John D. MacDonald's 1957 novel The Executioners, later adapted to film twice as Cape Fear.

Regardless of subsequent literary works, Whittington does deliver a fantastic story in Murder is my Mistress. Even the title is a clever nod to a plot point. With a unique hero, a brisk pace and the core mystery, Whittington proved he was a masterful storyteller early in his writing career. There are better Whittington books, but this early novel certainly set the table for what was to come. If you can afford the high-priced used paperback, it's certainly worth your time.

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Walk the Evil Street

Norman Daniels, real name Norman Danberg, utilized a number of pseudonyms throughout his long and prolific career. His Gothic mysteries were often penned under Angela Gray, Suzanne Somers and even his wife's name, Dorothy Daniels. His Black Bat pulps were written under the name G. Wayman Jones. Daniels' literary work produced well over 15 different pseudonyms, so it was with no surprise that I found him using the name David Wade for a crime-noir titled Walk the Evil Street. The story was originally published by Magazine Productions Inc. in 1952 and reprinted in paperback format by Berkley Diamond in 1960.

Andy Mason is an Army veteran turned hard-nosed reporter. After numerous award-winning articles on crime, drugs and pushers, Mason gains the attention of an older former racketeer named Sam. The famed criminal invites Mason to his mansion with an unusual proposal.

The pitch, and the book's premise, is that Sam is now in his dying days, bound to his bed. He explains to Mason that his son Houleman is gay (frowned upon in 1952) and that his daughter Joyce is now a heroin addict. He's a widow and feels that his life has become a disappointment. Sam asks Mason to take Joyce to his rural Connecticut cabin to crack her habit and make her go clean. In exchange for unhooking her from the horse, Sam will provide Mason his entire diary collection. These books outline his past criminal activities and all of the associates that were involved in his enterprise. Feeling like this could be his career pinnacle, Mason accepts.

Daniels really excels by creating a sexual tension between Mason and Joyce. In addition, the author introduces Sam's daughter-in-law, a sex-starved nympho who was forced to marry the gay guy. However, Walk the Evil Street isn't a Gil Brewer styled sensuous love affair. By taking the job, Mason finds himself in a murder mystery when a body is found that connects Mason, Sam and his son. After fully contemplating the consequences, Mason begins to suspect that there's more to Sam's proposal than he originally thought. With the combination of Joyce's drugs, the nympho's appeal, Sam's dangerous past and a killer on the loose, Norman Daniels has plenty of slack to tie a great story together.

While the plot gets a bit convoluted, I found Walk the Evil Street as a solid crime-noir with a protagonist I really liked. Despite Joyce's drug addiction, I found her to be an exceptional character that the author clearly developed as the narrative tightened. With the plot's many aspects and character motivations, the narrative rarely left me bored or inattentive. I even appreciated the author's brief nods to Sam's pulpy past as a notorious 1930's gangster. It coincided well with Daniels' early pulp-fiction endeavors with the likes of The Black Bat and The Masked Detective.

Walk the Evil Street is another solid effort by Norman Daniels. He was a workhorse but rarely sacrificed quality for quantity. If you are new to the author, there's no reason not to start here. Highly recommended.

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Paperback Warrior Podcast - Episode 80

On Episode 80 of the Paperback Warrior Podcast, we review the new Stephen King book LATER from Hard Case Crime. Also: Two series titles called Decoy? Plus: Bill S. Ballinger, Paul Whelton, Gary Dean, John Sanford and more! Listen on your favorite podcast app or PaperbackWarrior.com or download directly HERE

Donate to the show HERE

Listen to "Episode 80: Stephen King's Later" on Spreaker.

Jack Tallon #01 - Police Chief

Over the course of four decades, crime-fiction author John Ball (1911-1988) wrote nearly 20 novels. His most critically acclaimed work was 1965's racially-charged In the Heat of the Night. The book introduced a California African-American detective named Virgil Tibbs, a character that Ball would utilize for six more novels through 1986. The novel was adapted to cinema in 1967 (winning an Oscar for Best Picture) and television in 1988. While Ball is mostly known for the Virgil Tibbs character, the author did create another police series as well.

In 1977, Ball's novel Police Chief was published. It introduced a highly-skilled police Sergeant named Jack Tallon who relocates from Pasadena, California to the small town of Whitewater, Washington. Motivating the move is that Tallon accepts a position as the town's Police Chief. The successful book prompted two sequels – 1981's Trouble for Tallon and 1984's Chief Tallon and the S.O.R. My introduction to the author is the first installment of the Jack Tallon trilogy, Police Chief.

The novel's opening chapter is set in South Pasadena as Tallon responds to a gun-store robbery. In just six-pages, the author introduces Tallon as a highly competent, authoritative figure who orchestrates a number of law-enforcement operatives into strategic formations and duties. When the S.W.A.T. Team arrives, Tallon accepts his role as back-up as the second chapter unfolds with a grizzly highway accident that forces Tallon to rescue students from a heavily-damaged bus. As the first on the scene, and with many of the city's police maintaining assistance with the gun-store holdup, Tallon accepts the uncomfortable position of declaring six of the students as deceased. As the night ends, Tallon's wife Jennifer sees her husband exhausted and covered in blood. This imagery leads Tallon and Jennifer to discuss a potential career change.

Over the next couple of chapters, Tallon is invited to the small Pacific-Southwest town of Whitewater, Washington. Despite being a neighbor to the much larger city of Spokane, Whitewater has very little crime. The former Police Chief has retired and Tallon is offered the role. His duties include managing four patrol cars, one detective, a Sergeant and five uniformed officers. At first, the lack of daily action and danger plagues Tallon and prompts him to rethink his one-year contract. But, in just a few weeks Whitewater is rocked by a serial rapist and a pipeline of heroin.

There's no doubt that author John Ball had a real gift of storytelling. I was really invested in the opening chapter and couldn't wait to learn how Tallon was going to assist in the store hold-up. After that entire scene is left dangling and unfinished, I was furious that Tallon had to leave the gun-action to assist with a highway collision. Most authors can't make that quick of a transition, and even fewer can maintain the reader's interest and attention after the fast scene change. But, I quickly realized that the author was plotting with a purpose. This was a calculated move that shifts all of the attention to the main character. Readers had to experience the turbulent night-life of Tallon, the daring “quick to respond” nature of the police business that puts law-enforcement in various precarious situations – sometimes within the same half-hour time-frame.

After building his character's cop credibility, Tallon trains his staff on modern tactics despite their belief that any of it is needed. When the serial rapist begins attacking the town's most beautiful women, Tallon orchestrates a sting operation that places a beautiful young nurse as bait for the rapist. Further, the staff must contend with high-speed chases and fights as a heroin operation comes to fruition on Whitewater's small-town streets and local college campus. The story is that many of the town's citizens feel that crime has increased only because the new Police Chief is involved. They suspect their new Chief is actually the rapist, placing a point of contention between Tallon and the people he has sworn to protect.

I absolutely loved this book and instantly liked the character of Jack Tallon. Once the book settles into the procedural investigation of rape and drug trafficking, I felt that Ball's storytelling was similar to that of Ed McBain's 87th Precinct series. With just a handful of officers, the entire investigation was a more intimate experience told through the activities of these men. While the book isn't terribly violent, the two furious car-chase scenes were some of the best I've read. Also, the rapes themselves aren't in the narrative (thankfully), but the grizzly details are presented through the eye-witness accounts. In that regard, Ball used the expertise of Cheney, Washington's law-enforcement agencies to better understand these investigations. I think that realism propelled the story-line in a positive way.

Police Chief is still in print today and my copy was the affordable 1985 paperback version published by Canada's Paperjacks imprint. I'm already shopping for the two sequels so I can immerse myself back into Whitewater's small-town atmosphere. If you love the police procedural sub-genre of crime-fiction, I highly recommend this author and this lesser-known short series.

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Nightmare

Author Edward S. Aarons wrote 20 books between 1936 and 1954, including a number of short-stories for pulp magazines including Popular Detective and Thrilling Detective. I've covered a number of the author's early crime-noir novels and was happy to find a 1971 McFadden-Bartell paperback reprint of his 1948 novel Nightmare. It was originally published under the pseudonym Edward Ronns.

WWII veteran Nolly is living the American dream in New York City. He's been married to his beautiful wife Susan for five years. He has a great job working at Globe Finance where he manages payroll, mortgage loans and the vault. He enjoys working for his boss, Mr. Wright, and each evening he happily walks his dog around the block. It's the quintessential “white picket fence” lifestyle. But, like any great crime-noir, Nolly's life is turned upside down when he is placed in an extreme situation.

After a rare night out with his three co-workers, Nolly returns to his home in an early-morning drunken stupor. After discovering his wife isn't home, Nolly receives a phone call from a mysterious voice telling him to get over to Globe Finance. When he arrives there and unlocks the door, he's hit in the head and blacks out. He wakes up to discover his boss, Mr. Wright, has been murdered and $40,000 is missing from the bank vaults. Complicating matters is that Nolly finds a gun in his pocket that apparently was used as the murder weapon.

We’ve all read this sort of story before. It's the familiar “man wakes up beside a corpse” plot where the innocent party must scour the town for clues in search of the killer. Unlike Aarons' seaside, rural novels like Terror in the Town and The Net, it was interesting to read Nightmare's story unravel in an urban setting. In some ways, Aarons' writes this in a way that would later become the dominant approach by writers like Ed Lacy and Henry Kane. He still manages to insert his seaside, darker aura to the story near the end (the characters end up in marshy New Jersey), but this one has a unique voice that isn't the standard Edward S. Aarons crime-noir.

As I read more and more of Aarons' crime literature, I move him just a few more rungs up the ladder. I don't think he's a Harry Whittington or John D. MacDonald caliber storyteller, but he does sit somewhere firmly in the middle of the pack. He's never boring, never dull, but he's never created anything particularly innovative or remarkable. Nightmare proves that Aarons was just another good, dependable mid-20th Century writer. Sometimes, that's all we are really dreaming for anyway.

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