They All Ran Away

Before focusing his efforts on his bestselling series of Assignment books starring CIA operative Sam Durell, Edward S. Aarons authored a number of good, stand-alone crime-noir novels. I've reviewed a lot of these including Gift of Death (1948), The Net (1953) and Terror in the Town (1947). There are still so many of the author's pulp stories and crime novels to explore. I decided to try another one with 1955's They All Ran Away. It was originally published by Graphic Mystery and then reprinted in 1970 by Macfadden-Bartell.

Using the private-eye formula, Aarons introduces readers to Barney Forbes, the book's hard-charging protagonist. Forbes was an MP in the Army before becoming a New York detective. After his wife's tragic and sudden death, Forbes left law-enforcement to pursue a career as an attorney. With his new profession, Forbes is struggling to pay the bills and second-guessing his career change. Thankfully, a successful law firm that specializes in estates hires Forbes to utilize his detective skills to service one of their own clients.

A wealthy man named Malcolm Hunter has come up missing in the small, mountain lake community of Omega. The firm's client is Malcolm Hunter's brother Jan, a rather abstract young man who is fed money by the Hunter trust. This missing person case brings Forbes to upstate New York to find where Malcolm is.

With the book weighing in at just under 150-pages, Aarons surprisingly packs the narrative with a rich blend of mystery and full-barreled action. Like Gift of Death and Terror in the Town, this author excels when setting the story within a small waterside community. Instead of the northeastern Atlantic, the author utilizes rural lake houses to create a thick atmosphere that works as the perfect backdrop for the mystery to unwind. I think Aarons was one of the best authors in the business in describing the locales and making them seemingly come alive as just another character.

Forbes is an easily likable character, and I loved his alliances with the troubled town sheriff and an eccentric Native American. Like any good crime-noir, Forbes also has his share of beauty queens to contend with. The backstory of Forbes losing his wife plays a key element in his fixation on Malcolm Hunter's abused wife. With just a dose of romance and tension, They All Ran Away fires on all cylinders and proves once again that Edward S. Aarons was a great storyteller. Highly recommended.

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Damnation Alley

Roger Zelazny (1937-1995) was a Hugo/Nebula award-winning science-fiction and fantasy author. His most noteworthy achievements are the first ten novels of his acclaimed Chronicles of Amber series, published between 1970-1991 and his 1968 post-apocalyptic novel Damnation Alley. The book has been reprinted numerous times and was loosely adapted to film in 1977 starring George Peppard and Jan-Michael Vincent.

In Damnation Alley, the Earth as we know it no longer exists. Decades before, a nuclear war decimated the planet and what's remains is a mere shell of what life originally resembled. In the skies, hurricane-strength winds prevent any form of air travel. The atmosphere is a swirling belt of dust and garbage set into eternal propulsion by the howling winds. The radiation has mutated animals and insects and what remains of America is a fractured ruling class divided into regions.

The book stars a former Hell's Angel biker named Hell Tanner. He's a ruthless anti-hero who was abandoned by his father as an infant. His mother died in his early childhood and Tanner was passed around from home to home until he found a permanent residence within the ranks of the Hell's Angels. When readers first meet Tanner, he's racing his Harley Davidson through the twisting roads of San Diego. His pursuers, the Nation of California's law enforcement, have warrants for his arrest. After successfully outrunning the cops, his day ends with a roadblock and a busted bike.

While in police custody, Tanner is offered a unique proposition. His criminal record of killing three people and resisting arrest, will be wiped clean if he can successfully deliver an antivirus to the city of Boston. The trip across the country has rarely been completed due to the nearly insurmountable odds. With the journey consisting of raging storms, mutants, biker gangs, road bandits and plague, the pathway is referred to as Damnation Alley. Between prison or the road, Tanner chooses to suit up and drive a sophisticated vehicle across the country in hopes of delivering the much-needed medicine and winning his own freedom.

This book would have made more of a personal impact if I read it at the time of its original publication. While its unfair to Zelazny, his post-apocalyptic action tale was used as a blueprint by numerous authors to write better versions of this book. Damnation Alley isn't terrible, but it's a slow burn that never reaches the roaring blaze I had hoped for. Much of the book is simply Tanner driving, eating and sleeping. Every few pages he shoots a giant bat or kills some bikers, but these are just bumps along the road to what is otherwise an unexciting plot. Tanner isn't a likable character by any means, and often I asked myself if I really cared about his success. Other than a partner named Greg, who is quickly written out of the narrative, there aren't many admirable characters. The lack of action, character development or dynamic story were detrimental to the reading experience. However, high praise is still warranted due to what Zelazny created.

Damnation Alley, in both book and film form, are very influential to the post-apocalyptic genre of men's action-adventure novels. There's no question that it inspired a number of commercially successful titles.

- The vehicle that Tanner is driving is similar to what authors Ed Naha and John Shirley conceived with their 1984 series Traveler. Through Traveler's 13-book series, the protagonist drives a fortified van deemed “The Meat Wagon.” While it lacked the sophisticated wizardry showcased in Damnation Alley, the use of van portholes and machine guns to anonymously eliminate potential threats mirrors Zelazny's approach.

- Again, the idea of the “all-terrain fortified vehicle” can be found in the debut of Deathlands, a 138-book series of post-apocalyptic adventures. Series hero Ryan Cawdor is on board a trio of armored tractor-trailer trucks that are equipped with cameras, mounted cannons, numerous guns. Like Tanner, Cawdor and company use the safety of the vehicle as a sort of road residence.

- There is no doubt that Zelazny's conception of a fragmented America can be found within a number of series titles like The Last Ranger, Doomsday Warrior, Out of the Ashes and Endworld. But, perhaps the most similar is Robert Tine's 1984 five-book series Outrider. In it, the former United States is now divided into ruling class sections that surround a metropolis. Like Tanner, the series stars a lone-wolf named Bonner as he navigates the post-apocalypse in a jacked-up dune-buggy equipped with weapons.

- In 1977's post-apocalyptic novel The Lost Traveler, authored by Steve Wilson, a biker hero named Long Range roams a nuked-out wasteland. Like the aforementioned titles, this one also includes a fragmented America and disputes between warring clans. Where Damnation Alley sort of condemns the Hell's Angels, Wilson pulls no punches as he makes the famed biker gang a ruthless and criminal government body.

- In 1984's Angels, the third installment of the four-book series Wasteworld, hero Matthew Chance is pitted against a gang of post-apocalyptic Hell's Angels.

While Zelazny's concept of Damnation Alley is mostly an original, innovative take on doomsday, it does come with a borrowed idea. In 1959's We Who Survived, author Sterling Noel places his heroes in a fortified, all-terrain vehicle that is used for defense, housing and drilling through a post-apocalyptic America ravaged by an eternal ice-storm. Perhaps Zelazny was influenced by Noel's conception of “road warriors” surviving doomsday by using an advanced, nearly indestructible vehicle? I'd suspect so.

Buy a copy of this influential book HERE

Paperback Warrior Podcast - Episode 77

On Episode 77 of the Paperback Warrior Podcast, we delve into some hardboiled history with a discussion of Race Williams. Also: Archie O’Neill, Day Keene, Carroll John Daly, Ralph Hayes and more. Listen on your favorite podcast app, at paperbackwarrior.com or download directly HERE

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Listen to "Episode 77: Race Williams" on Spreaker.

Race Williams #01 - Knights of the Open Palm

Carroll John Daly (1889-1958) invented the hardboiled detective genre in Black Mask Magazine with his May 1923 story “Three Gun Terry.” He followed it up the next month with “Knights of the Open Palm,” launching the Race Williams series of stories and novels that continued for over 20 years. The character later inspired the creation of Mickey Spillane’s Mike Hammer and thousands of other imitators.

As the debut story opens, narrator Race Williams explains that he’s a private investigator who splits the difference between cops and crooks. A client named Thompson comes to Race’s office seeking to engage him to rescue his kidnapped 17 year-old son from the Ku Klux Klan. The kid may have information about a recent Klan murder which prompted the alleged abduction. The KKK must have been rather powerful in 1923 because Thompson is surprised that Race accepts the assignment to defy the Klan and rescue the boy.

After an informant in a tavern teaches Race the secret handshake as well as Klan buzzwords, Race decides that the best way to find the missing kid is to infiltrate the fraternal order in full regalia. So, it’s off to the small farming town of Clinton, a rural hamlet firmly in the grip of the shadowy, hooded menace. It doesn’t take long at all for things to come to a series of confrontations between Race and the local KKK muscle.

For a story written nearly 100 years-ago, Daly’s writing is still pretty fresh. Race’s hardboiled and colloquial patois must have been groundbreaking at the time and recalls the bragging tough-guy patter later imitated by Mike Hammer, Shell Scott and many others. Race is a fantastic character - funny, fearless and confident. There were scenes where I found myself nodding along and muttering, “Hell, yeah!” along the way.

After reading “Knights of the Open Palm,” it’s easy to see why Race Williams captured the public’s imagination a century ago. The character - at least in this story - lives at the intersection of The Continental Op and Mack Bolan. And that’s a very good place to be.

Buy a copy HERE

Able Team #02 - The Hostaged Island

It's no secret that I really disliked Tower of Terror, the 1982 debut of the long-running Able Team series. I discussed it on the podcast and you can also read my review here. After reading the far superior Phoenix Force debut, I was interested in reading another Able Team installment in hopes for a triumphant rebound. I chose the series second installment, The Hostaged Island, published in 1982 by Gold Eagle. It was authored by L.R. Payne and Norman Winski.

The book's opening chapters are reminiscent of the old 80s action-flick Invasion USA. Hundreds of psychotic, horny and heavily armed bikers “invade” Catalina Island off the coast of Los Angeles. The deal is that they will start raping and dismembering the island’s residents if they don't receive a nuclear submarine loaded with twenty-million in gold. Of course the government doesn't negotiate with bikers, so fearless Stony Farm director Hal Brognola assigns Able Team to locate and destroy the marauders.

Like many of the Mack Bolan Universe books, The Hostaged Island doesn't concentrate solely on the heroic trio. Thankfully, the authors create civilian heroes who work behind the scenes attempting to fight the enemy or simply survive. This was the best element of the series debut and one that allows readers to experience first-hand atrocities. Much of the book follows Catalina Island resident Greg and his pregnant wife Ann as they move from house to house hoping to avoid the bikers. Since most of the island is being held hostage in a local gym, Greg and Ann's story was enhanced by a “ghost town” or post-apocalyptic vibe.

Of course Lyons, Blancanales and Schwarz are the stars and they really make the most of their stage work. Unlike the debut, I really liked that all three heroes worked together through pages and pages of high-octane action. From a precarious raft landing on the beach to sniping off the bad guys from a tower, the authors spared no bullets in the good versus evil traditional concept. I felt the characters really worked as a team and finally were able to strut their stuff without all of the interviews and planning that bogged down the debut installment.

If you want balls to the wall, over-the-top zany action, The Hostaged Island delivers it in spades. This was just a real pleasure to read and rejuvenated me on the potential for more and greater gems within this long-running series. Highly recommended! 

Buy a copy of this book HERE

Masquerade Into Madness

Between 1929 and 1940, H. Russell Meservey wrote dozens of adventure stories about fighter pilots for the airplane pulp magazines. Then a Wisconsin native named Russell Clare Meservey (died 1994) came out of nowhere in May 1953 as the author of a sole Fawcett Gold Medal crime novel, Masquerade Into Madness. Same guy? Father-son? Coincidence? No clue.

Our narrator is a Manhattan tough-guy tavern-brawler named Barney Nash. A skid row bar fight with two off-duty cops lands him in jail overnight, and he meets a crooked attorney at his arraignment. The lawyer offers to bail out Barney, if he’s willing to do an acting job in exchange for his freedom. Specifically, the attorney needs Barney to masquerade as someone else in exchange for his freedom.

Here’s the set-up: Ten years ago, a 20 year-old man named Chadwick Graham disappeared. His widowed mother is now 70 and has spent a fortune trying to locate her missing son, engaging her lawyer to manage the project. The attorney has come to the conclusion that Chadwick is dead but wants to honor Mrs. Graham’s dying wish to see her son one last time. He wants Barney to pretend that he’s the missing Chadwick for a single command performance beside Mrs. Graham’s deathbed.

After some hand-wringing and blackmail, Barney agrees to help. As you’d expect, things get complicated upon his return “home” to see “mom.” The old lady lives in a mansion on a remote island three miles off the coast of Maine where things quickly begin feeling less hardboiled and more Agatha Christie. It also becomes clear that the subterfuge has nothing to do with giving Mrs. Graham comfort in her waning years and is actually about the expected inheritance.

The problem with Masquerade Into Madness is that after a strong start, it’s boring, boring, boring. Not much happens on the island other than relationships forming and alliances shifting. Some minor mysteries are solved towards the end, but they’re nothing surprising or worth pursuing. Meservey was a good writer, but his plotting needed some desperate work. He should have written more novels during his life because no one should be remembered by this one. 

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Jamie

Earlier this year I discovered South African author Jack Bennett (1934-2000). Of the eight literary works that I can identify, it seems that most were hardcovers published in Europe with poor or misleading covers. The comparisons to Ernest Hemingway are abundant in the writer's use of primitive simplism. After reading and reviewing his 1967 novel The Hawk Alone, I was ecstatic to locate another of his Bantam paperback reprints. Jamie was originally published in Europe in 1963 and later reprinted by Bantam as a Pathfinder Edition paperback in 1965.

Like The Hawk Alone, Jamie is set in the late 1950s and early 1960s in South Africa. Parallel to the book's title, the narrative focuses on a young white boy name Jamie Carson and his coming-of-age transition on the western flats of Buffelsvlakte. In the book's beginning, readers learn that Jamie had an older brother that died. His father Edward loves Jamie, but was grooming his brother to be a farmer and hunter – not Jamie. While convinced Jamie wasn't destined to be a farmer, Edward must contend with the fact that he now has one child to carry this labor intensive burden.

Through the book's early pages Jamie's life from age eight to ten is outlined through his father's wisdom and guidance. Slowly, Jamie begins working the family's 1,800-acre cattle farm and assuming more responsibility with guns and hunting. With Jamie's farm bordering a sprawling government game preserve, the likelihood of stray bulls, lions and tigers wandering onto the property is high. Complicating matters is that a long-lasting drought descends on the region, making water sparse upon the dusty plains. With the wildlife parched from thirst, the book escalates the action into more of a safari and hunting expedition. This portion of the book was the marketing highlight chosen by Bantam, evident with the cover and its tagline - “A novel of a boy, his gun and his fearful mission.”

With this book published just two-years prior to The Hawk Alone, there's no doubt that Bennett connected these two novels as book ends. While The Hawk Alone tells the story of Gord, an aging man contemplating his own morality, Jamie is the opposite as readers learn about the boy's upbringing and the hardships that transition him to manhood. This novel has the emotional, and inevitable, “end of innocence” moment when Jamie realizes that life is precious yet exceedingly difficult. The Hawk Alone flips that sentiment to the fact that Gord's difficult life leads him to the point of suicide. Bennett writes these books well and showcases an amazing grasp on life even while crafting these stories in his early 30s.

As a more literary styling than high-adventure, Jamie excels as a masterful novel of youth and fortitude. Don't let the simplistic title or concept fool you. No matter what genre you enjoy reading, there's no doubt that Jamie will make you feel something. From laughter to tears, Bennett constructs the ultimate coming-of-age tale with Jamie. I loved this book as a stand-alone work but when packaged together with The Hawk Alone, it makes for an incredible masterpiece of epic literary fiction. It brings me so much joy having these two books as highlights in my paperback library.

Buy a copy of this book HERE

Paperback Warrior Podcast - Episode 76

On Episode 76 of the Paperback Warrior Podcast, we take a deep dive into the life and work of legendary author Ralph Hayes. Also discussed: Donald Hamilton, Edward S. Aarons, Steve Frazee, Russ Meservey and more. Listen on your favorite podcast app or paperbackwarrior.com or download directly HERE 

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Listen to "Episode 76: Ralph Hayes" on Spreaker.

Maddon's Rock (aka Gale Warning)

Ralph Hammond Innes (1913-1998) is considered one of the founders of the men's action-adventure genre. As a pioneer, Innes began constructing high-adventure yarns as early as 1937, often setting his novels in exotic and breathtaking locales to create harsh conditions for his heroes to overcome. After reading my first Innes novel, 1947's The Lonely Skier (aka Fire in the Snow), I was underwhelmed by the author's slower pace and long, drawn out dialogue sequences. Refusing to accept defeat, I attempted another of the author's works with 1948's Maddon's Rock, also known as Gale Warning in the US.

This suspenseful adventure is set during the last days of World War II. The novel introduces readers to a British Corporal named J.L. Varny and his brother-in-arms Bert Cook. In the opening chapter, these two soldiers are within a small company of troops in Murmansk, Russia awaiting departure on the Queen Mary. However, their arrival to the ship's departure is late so they are ordered to join the crew of a British freighter called the Trikkala. On board, the troops are assigned the tedious task of guarding a small cargo of crates day and night as the ship journeys through arctic cold fronts on its journey back to England.

Immediately Varny senses that something is strange about the ship's crew. Their captain is a notorious trader who’s experienced a number of mysterious casualties to his crew. The orders suggest Varny and his men to simply stay out of the way. But for what purpose? As the weather becomes more frigid, the boat and its crew are attacked by a German U-Boat. Within minutes, Varny suspects that something is amiss about the attack. Further, upon inspecting the lifeboats he finds that someone on board has disabled the boat's inner planking. Is this a heist, a surrender or simply the war's stress on Varny's exhausted mind? Thankfully, the author uses these options to propel the book's thrilling narrative.

At 220 small-font pages, Maddon's Rock resembles a more dynamic, epic-styled journey. The plot is filled with excitement as Innes injects war, nautical adventure, island peril and even prison into the exciting plot. Unlike The Lonely Skier's heavy dialogue, Gale Warning is brimming with suspense and tension that thrusts the reader into cold and exotic regions. This is truly a masterpiece of adventure storytelling and one that proves to me that Hammond Innes was truly impressive. With over 30 novels to his credit, there's sure to be a clunker or two. Maddon's Rock is absolutely not one of those. If you are new to this author, I highly recommend starting with this one. It's the perfect kick-starter into what surely will be a pleasurable reading journey through the author's robust catalog.

Buy a copy of this book HERE

Married to Murder

Married to Murder began its life as a novella by Norman Daniels (real name: Norman Arthur Danberg, 1905-1995) from the March 1949 issue of Popular Detective. It has since been compiled into an anthology of Daniels’ work by ebook reprinter The Pulp Fiction Book Store.

Dan Adair is revolted by his new wife Janet. Dan suspects that Janet murdered his crippled brother Russ a week earlier, but Janet is pretending that she never knew the man. Russ went over a cliff in his wheelchair on the outskirts of his sprawling estate falling to his death. The prevailing theory is that Russ killed himself or died in an accidental fall, but Dan doesn’t believe that for a moment. Now Dan has moved into his brother’s mansion with his new bride in hopes of getting to the bottom of the situation.

At the time of Russ’ death, Dan was engaged to Janet. His theory is that she killed Russ, so Dan (and presumably his new wife) could inherit Russ’ portion of the family’s wealth. There’s some decent physical and circumstantial evidence to indicate that Janet had been to the mansion around the time Russ died - something she denies. If Dan can prove that his blushing bride killed his brother, his intention is to murder Janet and take his revenge. But is it also possible Janet’s plotting to kill Dan to have the estate to herself?

As pulp magazine mysteries go, Married to Murder is a propulsive and compelling read. There are several action set-pieces, and Daniels’ writing is economical and solid. If you’re somewhat familiar with 1940s pulp fiction, you know the direction the mystery is headed, but it’s still an enjoyable ride. This story is definitely a fun way to kill an hour.

For reasons unclear to me, The Pulp Fiction Book Store doesn’t sell its ebooks on Amazon.com. Instead, their entire library is sold directly for download from their website HERE. Loading the MOBI file into my Kindle was easy enough and well worth the effort. 

Wagons West: The Frontier Trilogy #01 - Westward!

Beginning in 1978, author Noel B. Gerson (1914-1988) penned the first of book of the immensely popular western series Wagons West. Set in the early to mid-1800s, the Wagons West series focuses on the fictional Holt family of American frontiersmen. The main character is Michael “Whip” Holt, a wagonmaster who faces danger and seduction in each book's adventure. The plots were created by Lyle Kenyon Engel and published under the house name of Dana Fuller Ross.

Beginning in 1989, another series was introduced under the title The Holts, an American Dynasty. Authored by James Reasoner (Abilene, Stagecoach Station) also under the name Dana Fuller Ross, the series ran for 10 installments and focuses on Whip Holt's sons in the late 1800s. That brings us full-circle to the subject at hand, an exciting Wagons West prequel trilogy titled Wagons West: The Frontier Trilogy.

This three-book series of early American frontier action consists of Westward! (1992), Expedition (1993) and Outpost (1993). James Reasoner wrote the series under the familiar house name of Dana Fuller Ross and Lyle Kenyon Engel's Book Creations, Inc. produced it. Similar to what Louis L'Amour did with his popular Sacketts series, Engel came up with the idea of an “origin” story introducing the Holt family in the early 1800s (prior to Whip Holt and son Toby). I had never read a Wagons West book and found this prequel debut, Westward!, to be the perfect stepping stone into this long and successful American saga.

In Westward!, brothers Jeff and Clay Holt are introduced to readers in the year of 1805. The book's opening pages explains that young Clay is part of the Corps of Discovery, a group of burly adventurers who made up the assorted crew of Lewis and Clark's expedition into America's vastly unexplored far west. Through early action, Clay fights a duo of Native Americans while conversing with the real-life historical figure Sacajawea. In this early exchange, readers learn that Clay is quite the frontiersman and very daft with his flintlock musket, Cheney pistols, hunting knife and tomahawk. Right away, I knew I was in for a real treat.

Westward! proves to be an epic saga of both Clay's struggles in the wild as well as his brother Jeff's farming life in the fertile Ohio Valley. At a whopping 477-pages, Reasoner finds plenty of room to weave in a number of intricate story-lines. The first is Clay's acclimation back into civilization after two years in the rugged wilderness. Second is the book's middle chapters that expand upon a deadly and violent feud between the Holt and Garwood families. Like the famed Hatfields and McCoys, both of these families come to blows with the Garwood brother Zack and Pete proving to be a dangerous threat to Clay and Jeff's parents and siblings. The novel's third act places both brothers into the wild, untamed land of the west as they fight rival trappers, Native Americans and the vengeful Garwoods.

I would place Westward! alongside classic frontier westerns like Zane Grey's Spirit of the Border trilogy and Louis L'Amour's Jubal Sackett and To the Far Blue Mountains. Granted that's a huge accolade, but it is absolutely a valid comparison. Reasoner's writing is just so good and brings to life not only this early Holt generation, but also America's beautiful history. I've always been fascinated by the early 1800s exploration of North America and the Ohio River Valley and Reasoner seems to be writing just for me. He speaks to me so well with these adventures and his descriptions of the rugged, majestic beauty of America's early frontier. If you love this style of western storytelling, Westward! is a must read. I've already purchased the rest of this trilogy as well as the first book of Reasoner's second and last Holt follow-up trilogy, Wagons West: The Empire Trilogy.

Note:

I had the pleasure of talking with James Reasoner about this novel and series. He explained that he isn't sure who came up with the idea of the Wagons West prequels, whether it was him or his editor at Book Creations Inc. He told me that his wife half-jokingly said, "What they don't tell you is that it was Lewis and Clark...and Holt." He said everything else just sprang from that. He believes Westward! is not only the longest book he has written but also his best-selling novel. He went on to add that a third trilogy was in the planning that would have been titled Wagons West: The Rogue Trilogy but at the last minute, Bantam changed their mind.

Buy a copy of this book HERE

Man from A.P.E. #01 - Overkill

Norman Daniels (real name Norman Danberg, 1905-1995) was a prolific American author who successfully shifted from pulp magazines to paperback originals in the 1950s. After long running pulp series titles including The Black Bat, Daniels saw a resurgence in his popularity by authoring novels in multiple genres. Whether it was crime-noir, military-fiction or a Gothic-romance, Daniels was considered a good - never great - always consistent author.

Perhaps his most widely known paperback work is his Man from A.P.E. spy series of the 1960s. Now, before you think this is a collection of theories and essays on evolution (man from ape, get it?), remember the time frame. By the 1960s, Ian Fleming's James Bond character had become marketing gold. Every publisher and author was cashing checks from the creation of Bond spy-clones. Norman Daniels was no different. He authored eight installments of his espionage series from 1964-1971.  My first experience with the Man from A.P.E. books is the debut, Overkill, published in 1964 by Pyramid.

In Overkill, readers are told that A.P.E. stands for American Policy Executive, a clandestine agency of the U.S. government relatively unknown to America's other intel agencies. The organization uses a select network of spies across the globe to fight terrorists and criminal-masterminds. Really, it's a series of "the good guy Americans fighting those Russian and Chinese baddies." The star of the series is a character named John Keith, an A.P.E. secret agent that goes by the code name Darius. In Overkill's second half, it is disclosed that Keith was a language arts major in college and is able to speak several languages fluently (suspiciously similar to Jack Higgins' spy-character Paul Chavasse from 1962). This comes in handy in negotiations with allies and criminals worldwide.

In this series debut, Keith is assigned the task of locating a missile in Albania. After talking with his Russian sources, Keith learns that years ago Russia provided the Albanians a catastrophically-dangerous medium-range missile. The Albanians hid the missile and refuse to return it to Russia. Through network chatter, Russia and the U.S. discovered that four Chinese scientists are headed to Albania to work on sanitation issues. Of course, this is really a front for China to assist Albania in assembling the missile and destroying parts of Moscow in hopes that the world will blame the U.S. Smartly, Russia has bought the cover story and are allowing the Chinese scientists to cross their country to perform their task. The idea is that the Russians can follow the scientists and discover the missile's secret location. What's Keith's role? He is to work with the Russians in fighting a common enemy.

Personally, this read like a less action-packed Nick Carter: Killmaster paperback. Daniels plays it straight and doesn't provide a funny nickname for Keith's .45. Like Carter, Keith gets laid while on assignment and generally spends most of the job just interviewing people and avoiding hot water. There are some fisticuffs, some gunfire and a compelling investigation as Keith tries to locate the important missile (it could have easily been a gemstone, a world-changing document, a defector, or a KFC recipe) that doesn't really matter in the narrative itself. The journey is important, and Daniels does a serviceable job making this as exciting as it can be. I loved the book's final pages and the inevitable showdown between Keith, his ally and the Russian agents. For that alone, Overkill is well worth the price of admission. I'd certainly read another installment. You would, too.

Buy a copy of this book HERE

Paperback Warrior Podcast - Episode 75

On Episode 75 of the Paperback Warrior Podcast, the guys discuss Canyon O’Grady, Ledru Baker Jr., Able Team, Bagging Books, Longarm, Trailsman, Robert Randisi, and more! Listen on any podcast app or at www.paperbackwarrior.com, or download directly HERE:

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Listen to "Episode 75: Canyon O'Grady" on Spreaker.

Like Mink, Like Murder (aka Passion Hangover)

Like Mink, Like Murder was a 1957 Harry Whittington novel that only received a French-translated printing (as T’as Des Visions!) after failing to find a U.S. publisher. The book was later heavily-adapted into a 1965 sleaze paperback called Passion Hangover. Whittington’s original manuscript has been lost to the ages, but literary scholar David Laurence Wilson reverse-engineered the sleaze paperback into something resembling Whittington’s original vision for a Stark House re-release.

The narrator of Like Mink, Like Murder is a milkman named Sam Baynard in the town of Dexter City (Population: 100,000). Sam is an ex-con whose past catches up with him when a hot babe named Elva tracks him down in Dexter City. She and Sam were crew members working for a gangster named Kohzak until Sam got nabbed robbing a jewelry store. Sam kept his mouth shut, served his prison time and then landed a straight job delivering milk to squares.

Sam used to be in love with Elva, who’s the main squeeze of Kohzak the gangster. For his part, Sam blames both Elva and Kohzak for his incarceration and just wants to be a milkman and assimilate into legit society. Unfortunately, Kohzak insists on Sam’s help to pull off a payroll heist, and he’s not the kind of mobster who takes no for an answer. Will Sam succumb to the pressure and return to a life of crime? Will he finally get into Elva’s britches? What about his promising future in the fast-growing field of dairy delivery? These are the dilemmas Sam and the reader navigate over the course of this 35,000 word paperback.

The writing in Like Mink, Like Murder was a bit clunky in the opening chapter, but things smooth out considerably thereafter and begin to feel like a normal Whittington potboiler. There’s a real emotional core at the center of the novel as Sam is torn between the straight life of a milkman and the potentially lucrative life of a stick-up man. Whittington did a great job ratcheting up that tension throughout the short paperback.

Where does Like Mink, Like Murder rank in the library of Whittington’s work? I’d say it’s a solidly better-than-average Whittington novel - likely due to the edits made by Wilson 50 years after the paperback’s original conception. Whoever gets the credit, if you dig a tightly-wound crime noir suspense novel, you’re sure to enjoy this one quite a bit. It’s part of a three-pack of Whittington’s lost works released by Stark House and a great value for your money. Highly recommended.

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The Hunter

With books like Death Wish (1972) and the Executioner debut War Against the Mafia (1969), the vigilante brand of storytelling was highly marketable in the 1970s and 1980s. Pop-culture was ablaze with films like Taxi Driver (1974) showcasing average men pushed to the brink of sanity by heinous and traumatic events. As a reader and fan of this genre, I'm always searching for more vigilante stories from the 1970s. That's why I was delighted to find a paperback called The Hunter written by an unknown author to me named Robert Holland. It was originally published as a hardcover in 1971 by Stein and Day and as a paperback by Day Books in 1981. The cover depicting a man holding a rifle and staring at a city just screams “vigilante saga” to me. Further support is the marketing tag: “Hunting animals is the only thing Billy Oakes knows. In the city the animals are people.” Needless to say, I quickly threw my quarters at the store clerk and ran to the car with my new purchase.

The book begins by introducing readers to young Billy Oakes. He's a country boy living in the hills of northwestern Georgia. When he isn't hunting animals for food, he's maintaining an incestuous relationship with his sister. Billy's mother is dead and his father is in the pen for murder. Other than his intimate relationship with sis, Billy's only other relative is a cousin named Daniel. Years ago, Daniel witnessed Billy brutally murder someone. Fearing for his own life, Daniel and his wife Sarah fled to Lakeport, NY. After years of living in rural Georgia, the maniacal Billy hops a freight train in hopes of forming a domestic new life in New York with his cousin.

Holland is a serviceable writer, but he forces readers into a killer's deranged mind. Aside from saying just a few words, Billy remains a silent, savage animal that eats raw meat and lives in the dark urban tunnels beneath the city's bridges. On the toughest streets in town, Billy embarks on a bloody rampage where he slashes randomly chosen victims with a razor sharp knife. Lakeport's law-enforcement become baffled by the spontaneous killings, but Daniel recognizes Billy’s signature style and the condition he leaves the bodies in. Fearing that Billy has discovered where he and Sarah live, Daniel reports his suspicions to the police only to be turned away by what they feel is a silly speculation. As the book builds to a finale, Billy and Sarah prepare to confront Billy alone...once and for all.

The Hunter certainly had the potential to be great. However, the story-line is just so basic with very little development. I feel that the author really lost his way in leading readers to some sort of emotional connection between Billy and Daniel. Aside from a single-paragraph flashback, there's very little connecting these two men. With Holland leaning heavily on Billy's murderous path to Daniel, the story could have been enhanced with a more charismatic bad guy. Billy is such a primal killer that there's just not enough dialogue or sensible thinking for readers to really understand the character.

My biggest disappointment with Holland's story is that a much better concept is served to readers as a minor side-story. Daniel has a black neighbor named A.L. with this really awesome backstory of being an undefeated boxer who was framed and later imprisoned. Upon his release, A.L. begins saving his money to invest in the city's crumbling real-estate. His idea of flipping houses is a real positive take on urban development and overcoming adversity and racism. When the mostly-white police force tries to pin the killings on A.L., he fights back and becomes a local hero for the black community. This is the story the author should have been telling us all along. It deserved to be a full-length novel. Instead, Holland settled on this weird “killer stalking the city” formula that just never became exciting. Don't be fooled by this paperback's vigilante cover art. The Hunter came up empty handed.

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Night Walker

Donald Hamilton hit the jackpot in 1960 with his Matt Helm series of spy-adventure novels. Before that, he churned out a respectable library of stand-alone westerns, mysteries, and thrillers, including Night Walker from 1954. The novel was reprinted by Hard Case Crime in 2006 and remains in print today.

The paperback opens with U.S. Navy Reserve Lieutenant Dave Young hitchhiking his way to Norfolk, Virginia to report for duty. A stranger named Larry Wilson gives Dave a ride and during the trip, Larry knocks Dave unconscious with a tire iron. Dave awakens in a hospital bed with his head wrapped in bandages. The nurses are under the impression that Dave is actually Larry and claim that he was in a car accident alone. It quickly becomes clear that Larry staged the accident with the intent of switching clothing and identities with Dave. Moreover, the car containing unconscious Dave was on fire and almost exploded. Bottom line: Dave was never supposed to wake up in the hospital or at all.

While still sedated, Dave is discharged from the hospital with his face wrapped in bandages and sent home with Larry’s estranged wife, Elizabeth. She seems to have an understanding about what’s just happened and admits to Dave that this is her first kidnapping. I won’t spoil the hidden agenda here that has swept poor Dave into all this intrigue, but it’s compelling as hell. This is one of those novels - like Hamilton’s Line of Fire - that is filled with revelations as the story unfolds. Dave finds himself enmeshed in the the type of impossible quandary that Alfred Hitchcock would have loved.

Dave’s core dilemma is this: Larry Wilson is a pillar in the community. Who would believe that Larry would have staged an unprovoked attack on Dave, a stranger he picked up on the road? What would the police think if told this story by a man wearing Larry’s clothing and wristwatch? Dave figures correctly that - despite having done nothing wrong - the unlikely situation makes him look guilty of something, including desertion from the Navy. Meanwhile, where’s the real Larry?

Beyond that, there’s not much else I want to tell you about Night Walker - other than you should get a copy and read it ASAP. It’s a fun thrill ride of changing loyalties with tons of plot twists along the way. It’s the thinking man’s suspense novel you deserve. Fans of his work will recognize Dave’s cool-under-pressure commitment to logic and reason as Hamilton’s early attempt at finding the voice he later used for the Matt Helm books.

Hard Case Crime was smart to reprint Night Walker. Some other enterprising reprint house should take the initiative and get Hamilton’s other stand-alone books back in print. The guy was a national treasure and deserves to be remembered. Recommended. 

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Boon Island

Kenneth Roberts (1885-1957) was a critically acclaimed writer for the Saturday Evening Post before switching professions to full-time novelist and author. While many of Roberts' books are collections of essays and travelogues, the Maine native authored a number of historical novels set in and around the American Northeast. My first experience with Roberts is the last historical novel he wrote, 1957's Boon Island. It was released in both a hardback edition as well as a Fawcett Gold Medal paperback.

Set in the early 1700s, the book is written in first-person as Oxford student Miles Wentworth explains how he transformed from hardworking academic scholar in London to struggling on the battered rocks of Maine's Boon Island. The first 30-pages has Miles befriending a young actor and fisherman named Neal. Miles' father is a judge and quickly Neal, and his financially burdened father Swede, become family friends to the Wentworths.

One evening Neal is attacked by a sexual predator after a performance. During the assault, Neal stabs and kills the man. In an effort to protect Neal from a murder charge, Miles and Swede hide the man's body. Miles' father proposes that the best course of action would be for Neal, Swede and Miles to join the crew of a British ship called The Nottingham under family friend Captain Dean. The ship is headed to Maine on a long exporting trip and the time away from London will insure that Miles, Neil and Swede aren't caught up in a murder investigation.

During the first few days on board the Nottingham, the heroic Captain Dean must contend with a loud-mouthed bully and his three friends. Over the journey, the tension reaches a boiling point and the inevitable physical confrontation begins. The scuffle leads to the Nottingham being shipwrecked on the icy mound of rocks called Boon Island. This is where the bulk of this survival narrative lies.

Like Robinson Crusoe or Treasure Island, Boon Island is an exciting nautical tale that transitions into a harrowing survival yarn. While the first 30-pages is extremely literary, with many discussions on English playwrights and poetry, the slow-burn was absolutely worth it. While the sea-journey consumes a few chapters, Roberts really finds his feet as the book's emphasis revolves around the shipwreck. The novel evolves into a daily diary as Miles translates the horrors of arctic temperatures, wind-swept seas, battered rocks and the consistent strife between the ship's crew.

The author's intimate, more personalized account provoked me into asking myself asking if I could survive the same horrifying events that these men endure. It would take a lot of strength and willpower. Thankfully, Captain Dean steals the show and is the essential “white-hat hero” who fits perfectly into the men's action-adventure formula. With his rugged fortitude, combined with Miles' loss of innocence, the book is a showcase of different human behaviors and perspectives under the harshest conditions. Beyond the human suffering, the book's most amazing strength is that it is a real-life testimony to the events that actually happened to these men. As a historical tale, Roberts bases his fiction on fact. That makes the last few pages a rewarding ending as we learn about the real-life characters and what became of their life experiences after Boon Island.

If you love survival stories, nautical adventures or even novels dedicated to the human spirit, Boon Island is a sure-fire winner. Despite the terrible tragedy, Roberts conveys so much excitement and anticipation into his calculated narrative. This is just a literary classic and one that makes me want to track down more of the author's work.

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Paperback Warrior Podcast - Episode 74

On Episode 74 of the Paperback Warrior Podcast, the guys discuss a genre they know very little about - Science Fiction! Listen and learn as Eric and Tom review several vintage SF paperbacks and give their candid impressions. Join the fun on your favorite podcast app or www.paperbackwarrior.com or download directly HERE. 

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Listen to "Episode 74: Dummy's Guide to Science-Fiction" on Spreaker.

Bones Will Tell

Before transitioning into full-length paperback novels in the 1950s, Bruno Fischer wrote for the pulps. Always a workhorse, the author contributed to a number of dime-magazines and pulps in the 1930s and 1940s. In 2017, Oregon publishing house Armchair Fiction chose to reprint Fischer's novella Bones Will Tell. The story was first published in the February 1945 edition of Mammoth Mystery. As a shorter work, the publisher packaged it as a two-in-one with Day Keene's 1959 full-length paperback Dead in Bed.

Bones Will Tell is a good example of the shudder-pulp writing style of the early 20th Century. Fischer cut his teeth on this sub-genre and masterfully weaves together elements of horror, mystery and intrigue. The story is about two 12-year old kids who dare to climb over the wall bordering what many consider to be the town's “old dark house.” Rumors are abound that the owner herself is a mysterious widow who lost her husband decades ago. Whether he is dead, missing or still alive somewhere in the house enhances the lore of the property. With this seemingly haunted house bordering a dreary swamp, the author's imagination runs wild when the two kids discover a dead body laying in a damp flower bed.

Like any old-fashioned horror tale, the kids report their findings to the police who fail to find any evidence of a corpse. When the kids' testimony becomes questioned, the criticism shifts to the kids' unwarranted trespassing. In order to prove their innocence, the kids jump over the wall again the next night. This second-half of the story escalates the narrative into a more frightful, murder mystery as the body count increases.

In today's more desensitized views of horror, homicide and grizzly details, Bones Will Tell will pale in comparison. In many ways this is like a Scooby-Doo or Hardy Boys installment where the murderer can be anyone under the sheet. The pretense that the old house is haunted is quickly dismissed as the true culprits are revealed. Anyone familiar with the formula won't find many surprises here. It's an early work by Fischer and his writing style reads like a juvenile mystery. It's hard to judge his true talents based on these types of stories, but there's enough meat on the bone to witness his early potential. As a bonus to Keene's Dead in Bed, this is a winning combination warranting the $12.95 sticker price.

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Tokey Wedge #01 - Nympho Lodge

Jack Lynn was a pen name for a writer named Max Van DerVeer who authored 22 books starring a diminutive private eye named Tokey Wedge between the years 1959 and 1965. A new reprint house called Grizzly Pulp is reprinting the Tokey Wedge books as mass-market paperbacks printed on wood pulp paper beginning with the first installment, Nympho Lodge - originally published in 1959 by Novel Books.

The Tokey Wedge paperbacks are light-hearted - yet hardboiled - private detective stories that don’t take themselves too seriously. Tokey himself is 5’6” and 140 pounds. His narration and the plotting reminds me of Richard Prather’s Shell Scott books. In this case, Tokey is hired as a bodyguard for a wealthy woman named Janice going through an ugly divorce and receiving cryptic threatening letters. The splitting couple both live at a resort they co-own called The Wagon Wheel. Tokey moves into the resort, so he can be closer to his client and determine who, if anyone, is trying to kill her.

At the lodge, we quickly meet the Nymphos. To be fair, it not clear that any of them have been clinically diagnosed with nymphomania, but every woman Tokey encounters at the lodge is beautiful, stacked, and hot to trot. By 2020 standards, the novel has some retrograde attitudes toward women as sex objects. However, the book is pure escapist fiction from 1959, so no actual women were objectified in it’s creation. You should know by now if this is your thing or not. The paperback is sexier than most 1959 crime novels but nowhere close to graphic or explicit by today’s standards.

Amid the flirty hijinks and sexual innuendos, there is a decent mystery to be solved at Nympho Lodge, and Tokey proves himself to be a competent, funny, and tough private detective. At times, it felt like a dirty Agatha Christie book with a finite number of people in a lodge getting killed off one by one while our intrepid investigator gets laid and solves the mystery. For comparison purposes, I enjoyed spending 174 big-font pages with Tokey Wedge far more than I’ve ever liked a Shell Scott paperback. Nympho Lodge isn’t a mystery masterpiece, but it’s definitely a lot of sexy fun.

Grizzly Pulp did a marvelous job packaging the physical product of this paperback. The pulp paper is soft and readable. The novel comes with a removable black cover masking the lusty sleaze art, so you can read on a crowded city bus without inviting the side-eye from squares. My only criticism is that there were lots of line-break errors in the text and several other typos. It was nothing that stopped me from enjoying the story, but the Grizzly Pulp proofreader shouldn’t rely on optical character recognition programs to do all the work.

Mostly, I’m thrilled that an enterprising, grassroots publisher has brought Tokey Wedge back to life. This is a fun series that deserves a second chance at building a readership. Recommended.

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