Devil May Care

Childhood friends Robert Wade and H. Bill Miller were responsible for the most successful collaboration in vintage genre fiction. Together they wrote around 33 novels under the Wade Miller and Whit Masterson pseudonyms selling around 15 million copies of their mystery and adventure paperbacks. Many have said that their finest work is their eighth book, Devil May Care from 1950, recently reprinted by Stark House as a double paired with Sinner Take All from 1960.

The hero of Devil May Care is Biggo Venn, a fortysomething soldier of fortune working the speaking circuit for $50 per gig telling globetrotting adventure stories to meeting hall audiences. After a speech in Cleveland, Biggo reconnects with his old friend with a business proposition for the aging mercenary.

The feds deported a Sicilian mobster named Tom Jaccalone who is now living comfortably in Mexico. Biggo is hired to deliver a letter to the mobster that will exonerate him and allow Jaccalone to return to the U.S. legally and resume his racketeering. The letter is a signed confession from someone else admitting to the crime that caused Jaccalone to be deported from the U.S. The gangster is willing to pay $20,000 to get his hands on the letter, and Biggo just needs to deliver the confession to Mexico and earn some easy cash. Of course, Biggo accepts the gig.

The action shifts to Mexico, and the mission turns out to be more complicated than originally represented. Biggo’s point-of-contact for the exchange is murdered. It seems the mobster who took over Jaccalone’s U.S. rackets following his deportation isn’t excited about the prospect of a possible exoneration and repatriation resulting from Biggo’s delivery. This leaves Biggo in Mexico caught in the crossfire between two rival gangsters - both of whom want the letter Biggo is carrying. One has $20,000 for Biggo, and the other has a bullet with his name on it.

In Mexico, Biggo falls in with an impossibly sexy bar hostess named Jinny. There’s also a local Mexican torch-singer that Biggo wants who seems to run the town. Whether these women are friends or foes is a twisty question as the plot develops. Meanwhile, a rival mercenary from Biggo’s past also surfaces in the same Mexican town on the Baja Peninsula to repeatedly throw a monkey wrench in Biggo’s plans.

Overall, Devil May Care is a fine novel. Some of the treatment of the fictional women in the paperback would never fly today, so consider yourself warned if that type of thing bothers you. It’s also a bit padded and slow in the middle section as Biggo hangs around Mexico becoming involved in relationships while waiting to make contact with his buyer.

But once the climactic ending begins, things get great very quickly with lots of cool plot twists and turns. Overall, I’m sure you’re going to like Devil May Care quite a bit, and I completely understand why many say it’s the strongest Wade Miller release. Recommended.

Fun Fact:

Devil May Care was the 9th novel published by the legendary Fawcett Gold Medal paperback imprint. The book never had a second life after multiple Gold Medal printings throughout the 1950s, so the Stark House reprint is a big deal. Buy a copy HERE. 

Valley of the Assassins

Using a combination of the names Ian Fleming (James Bond) and Alistair MacLean (Where Eagles Dare), author Marvin Albert (1924-1996) conceived the pseudonym of Ian MacAlister in the early 1970s. The prolific author of crime-fiction, tie-in novels, and westerns authored many books under his own name as well as the names of Al Conroy and Nick Quarry. Conveniently, at the height of the 1970s high-adventure market, Albert used the MacAlister pseudonym to write four genre novels. I enjoyed his 1973 WW2 adventure Skylark Mission, so I was anxious to read Valley of the Assassins, another of Albert's stand-alone paperbacks published by Fawcett Gold Medal in 1975 under the MacAlister name.

The novel introduces a boater named Eric Larson. While being a part-time adventurer, Larson spends most of his life around the Persian Gulf escorting tourists, gun-runners and exiles into and out of Iraq, Iran and Saudi Arabia. In the opening pages, Larson discovers three bodies lying on a series of rocks in the islands known as the Arabian Nights. After learning that two of the men are dead, Larson nurses the remaining man back to health and delivers him to authorities in Iraq. Unbeknownst to Larson, the man hides a treasure map on Larson's boat.

Later, Larson is attacked on board his boat by two dagger-wielding assassins. After disposing of the killers, Larson discovers the map and goes down a rabbit hole following the treasure and a secret cult of assassins that can be traced back to 1072 AD. Larson teams with a Kurdish woman named Darra, the daughter of a famous freedom fighter. He also reluctantly agrees to an alliance with an Iranian cop and together the group embarks on a mission to locate the treasure.

Albert's intentions with this book are solid. The makings of any good desert adventure story would surely include a Middle Eastern treasure hunt involving Kurdish rebels and a secret order of assassins. However, the narrative crawls slowly and incorporates way too-many history lessons of the region. Of the novel's 190-pages, only 30-pages really have any action or movement. The author simply regurgitates what he likely learned from National Geographic for much of the book.

I never felt invested in the main character’s success or well-being and found the academic nature of the prose boring. This is a very different book from the high-adventure, high-octane action of Skylark Mission. I still have two more of these Marvin Albert/Ian MacAlister novels to read, but now I'm in no hurry.

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Sin for Me

As a key contributor during Fawcett Gold Medal's paperback gold rush, the 1950s and early 1960s proved to be a fruitful time for Gil Brewer. Novels like 13 French Street (1951), Flight to Darkness (1952) and The Red Scarf (1955) cemented his place among John D. MacDonald, Day Keene and Jim Thompson as cornerstones of essential crime-noir fiction. As his career soared, his personal life descended into the murky waters of alcohol abuse and depression.

By 1962's Memory of Passion, Brewer had found himself nearing rock bottom, and the author experienced his first major gap between titles as fans waited four years for 1966's The Hungry One. A new publishing imprint, Banner Books, secured original titles from Harry Whittington, David Goodis and Gil Brewer in hopes of building a successful brand. In Brewer's case, that arrangement led to only two books, The Tease and Sin for Me, both published in 1967. Those two novels proved to be the end of Brewer's successful literary career. He would continue writing a few more years under house names doing series work and television tie-in novels, but Sin for Me was essentially Brewer's last crime-noir paperback. Both of Brewer's Banner novels, The Tease and Sin for Me, have been reprinted by Stark House Press as a double with an introduction by scholar David Rachels

Whether intentional or not, Sin for Me reads like a fast-paced western tale. It's a wild manhunt story through the forests and mountain ranges of Colorado. But unlike a dusty, violent cowboy saga, Sin for Me is classic Brewer – a femme fatale story involving greed, sexual desire and bad people. Really bad people.

The book's main character is real-estate agent Jess Sunderland. He's recovering from a bitter divorce from Germaine, a sexy, mountain-bred seductress. To rebound, Sunderland now works for an old colleague named Brownie. In the opening pages, Sunderland receives a call from a beautiful woman named Caroline Jones. After having Sunderland show her numerous houses for sale throughout Denver, she finally confesses the true nature of her business. She was involved in a Florida bank heist with Germaine's new husband. After the heist, Jones was abandoned and finds herself estranged from the money she helped steal. Now she wants Sunderland to assist her in locating the stolen money at Germaine's residence. Like many of Brewer's flawed and doomed protagonists, Sunderland agrees.

Brewer thrusts readers into a chase for stolen loot through Denver and the rural outlying areas. The characters are introduced quickly and often I had to re-read pages to determine which character belonged to which portion of the story. There's a fraud investigator from Jacksonville, Florida, Germaine's backwoods family members, and the various criminals who have tasted the money along the road to misfortune. The finale comes in the form of a western scene – rifle fire from mountain passes between burly men vying for the riches.

As a finale to Brewer's successful crime-noir career, Sin for Me is rather disappointing. The plot moves briskly and introduces too many characters whose cameo appearances clutter the story's elementary dynamics. There was a bank heist. The robbers turned on each other. Sunderland wants the money. It's a simple approach that could have remained rudimentary even given Sunderland's desire to have Germaine back in his arms. However, the book's rushed pace and shallow characters left something to be desired. Like any Brewer novel, it's a fun reading experience but one that could have been better. Packaged with the far superior The Tease, Stark House Press has balanced the great and the average together at an affordable price. It's definitely worth the money, but buy the reprint for The Tease. 

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Paperback Warrior Podcast - Episode 57

On Paperback Warrior Podcast Episode 57, our feature is on the life and work of Richard Himmel with a review of his sexy spy paperback The Chinese Keyhole. Also discussed: Flipping books for cash! Harry Whittington! Ashville, North Carolina! Sleaze fiction! The Mantrackers by William Mulvihill! And more vintage fiction hijinks! Listen on your favorite podcast app or at paperbackwarrior.com or download directly HERE Listen to "Episode 57: Richard Himmel" on Spreaker.

Mona (aka Grifter's Game)

Ten-time Edgar Award winner Lawrence Block rose to prominence in the 1960s and 1970s with his Evan Tanner and Matthew Scudder novels. It’s noteworthy that, like Donald Westlake, Block’s early literary work was soft-core porn titles published under pseudonyms like Sheldon Lord, Lesley Evans and Jill Emerson. The first book published under his own name was Grifter's Game. The book was originally titled The Girl on the Beach (Block explained that it had a Brewer/Williams/Rabe feel), but Fawcett Gold Medal changed the title to Mona when they published it in 1961. In 2004, Charles Ardai's Hard Case Crime imprint republished the book as Grifter's Game, as the imprint’s very first release.

The paperback introduces an adept conman named Joe Martin. As we meet Martin, he's arrogantly embracing the receipt of a hotel bill while secretly telling readers that he doesn't have the funds to cover it. After skipping out on the bill, Martin heads to Atlantic City where he steals a suitcase, and identity, from a man called Leonard K. Blake. After settling into a two-week stint at a posh seaside hotel, Martin's silver lining begins to tarnish – he discovers Blake had a lucrative amount of heroin tucked into the suitcase. Martin's hopes of running another successful con becomes even more convoluted when he meets the young, beautiful Mona Brassard.

Lawrence Block's writing - even at this early stage - is so tight and effective. The book doesn't possess an ounce of filler or padding. Instead, the compelling plot speeds along as Mona and Martin's heated passion intensifies. The convincing narrative offers an unusual balance beam for readers to walk – cheer on Martin's criminal behavior or hope that all of the characters face a downfall. With no distinct heroes, I was still invested in the characters’ slow, spiraling descent through robbery, murder and adultery. Block's ending gave me chills, a monumental feat considering it was originally published 60-years ago.

Mona is a masterful crime-noir that proved Lawrence Block was something truly special even 60-years ago. Today, his writing is just as good. Do yourself a favor and read this author. Become familiar with his work. Tell others about it. The affordable Grifter's Game version by Hard Case Crime is a must-have and a great starting point to embrace this author's bold and impressive crime-fiction.

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Killer Mine

After a string of remarkable 1940s and 1950s bestsellers, author Mickey Spillane became a Jehova's Witness and took a long hiatus from writing. Upon his return, Spillane continued his popular Mike Hammer installments. However, he also started writing stand-alone novels and novellas like 1965's Killer Mine. This 80-page work was packaged with the stand-alone novella Man Alone in 1968 and published by Signet under the title Killer Mine. After nearly a year of reading full-length novels, I decided to tackle the Killer Mine novella for a change of pace.

The story is set on a seedy side of Chicago and introduces readers to Lieutenant Joe Scanlon, a tough-as-nails cop who grew up in the area before joining the fight in World War 2. Post-war, Scanlon worked his way up the ladder and moved on to a less crime-ridden part of the city. However, after four homicides are found to have a common thread, the brass ask Scanlon to return to his old stomping ground to find the killer.

Like any good police procedural, the narrative incorporates interviews with eye-witnesses, friends and peers that appear hazy when it comes to morals, ethics and doing the right thing. Scanlon's partner is surprisingly a female cop who works juvenile delinquents, but she's brought into the case as a disguise to allow Scanlon to appear that he is married and returning back home. Once Scanlon's dives into the details, he learns that all four murdered men were once his childhood friends. To solve the mystery, Scanlon recounts portions of his childhood to the reader in a race to find the killer.

At 80-pages, Killer Mine works well as a brisk police procedural. Like Mike Hammer, Scanlon is quick to violence, throwing his hefty girth around mobsters, hoodlums and whores to gain clues and information about the victims and the killer. Ultimately, whether any of it is interesting is probably based on your love of procedural books. While Killer Mine isn't a run 'n gun action extraordinaire, it's still compelling enough to turn the pages. As a good afternoon distraction, you could certainly do much worse.

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Skylark Mission

Marvin Albert (1924-1996) was a prolific author of men's action adventure, western, mystery and crime-fiction novels. The Philadelphia native wrote a number of detective, mafia and western novels under the pseudonym Al Conroy. He also wrote a six-book series of private-eye novels starring Jake Barrow under the name Nick Quarry. In the 1970s, Albert capitalized on the high-adventure genre of British thrillers made famous by the likes of Alistair MacLean. Using the very British sounding pseudonym of Ian MacAlister, Albert authored four stand-alone high adventure novels – Strike Force 7, Valley of the Assassins, Driscoll's Diamonds and the subject of this review, Skylark Mission. The paperback was published by Fawcett Gold Medal in 1973.

The 175-page novel is divided into four parts – The Trap, The Mission, The Trek and The Assault. The opening chapters introduces readers to a man named Sam Flood, a merchant sailor aboard the S.S. Fleming  (an ode to the James Bond author?) during World War 2. The freighter is attempting to sail through the Vitiaz Straits, a guarded canal thick with Japanese torpedo boats. The destination is northern Australia, a temporary safe haven from enemy-occupied New Guinea and New Britain. After the ship is struck and sunk, Flood and two-dozen passengers are forced to navigate back by sailboat to a Japanese torpedo base in the New Britain jungle. The opening act climaxes when Flood escapes the base and makes a daring run through the jungle to find an Australian widow named Nora. Together, the two contact allied forces from a Coast-Watcher's tower.

The bulk of the narrative follows protagonist Captain Mike Shaw and his partner Corporal Neal Miller as they embark on a do-or-die mission to destroy the Japanese base. By doing so, they can liberate the prison camp and provide a safe zone for the fleeing fleets to safely journey to Australia. The author's depiction of the fighting-man Shaw is enhanced by the character's need to avenge his wife and children's deaths at the hands of Japanese forces. As an older character, his skills and abilities are balanced well with the much younger, more able Miller. To help offset some of the doom and gloom, Albert places a comedic character into the narrative, a drunken former WW1 flying ace named Qualey. Once the mission unfolds, the story flirts with the romantic pairing of Shaw and Nora – two widows horribly affected by war with a saving grace found within each other.

Skylark Mission is popcorn fiction done right. Albert is a terrific writer, and his ability to skirt the surface of this action-packed narrative is a testament to his storytelling. While being laced with WW2 atrocities, the book doesn't weigh down readers with a lot of emotional baggage. The emphasis is high-adventure, fisticuffs and blazing gunfire to please men's adventure readers and fans. In emulating the British style, Albert's delivery recalls a Jack Higgins novel, complete with a propulsive narrative and just enough variance in characters to keep readers invested in their destiny and fate. In other words, it simply doesn't get much better than Skylark Mission.

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Swamp Nymph

Swamp noir was a popular American sub-genre of the 1950s and 1960s born from the idea that the rural backwoods was teeming with sexy, duplicitous babes seeking to take advantage of city slickers who crossed their paths. In 1962, sleaze-fiction maven John Burton Thompson (1911-1994) got into the act with Swamp Nymph, a short novel that has recently been reprinted by Cutting Edge Books. 

Charles Carraway III is a 30 year-old wealthy scion of a chemical company who just caught his wife showering with her tennis partner in his mansion filled with servants. He responds in kind by forming a sexual relationship with his Swedish maid - a coupling that, for various reasons, can never be more than a fling. To escape all the problems of the world, he heads south to Louisiana in his private plane for a much-needed vacation. 

The Swamp Nymph in question isn’t introduced until well into the paperback. Her name is Shayne, and she’s a 19 year-old beguiling beauty living near the Amite River in rural Louisiana. She was sexually assaulted at a young age and has avoided the company of men ever since despite a desire for love and intimacy. Thompson does a nice job of making Shayne sympathetic and attractive to male readers who will want to rescue this girl from her own past. 

For nearly the whole novel, the plot toggles between the Charles story and the Shayne story. The book is really not about their romance because they don’t even meet until 85% into the novel. The entire plot is just a series of life events and romantic near-misses that eventually bring them to the same swamp community at the same time. 

It’s hard to tell from the cover of these swamp paperbacks if a particular book is a crime-noir novel in disguise (like Harry Whittington’s Backwoods Tramp) or just a standard soft-core sex story. Swamp Nymph is definitely not a crime novel, and the sex scenes are so tepid that they’d hardly raise an eyebrow today. It’s really the story of When Charles Met Shayne and it takes a pretty basic, rather lengthy and mostly unremarkable route to get there. 

Thompson was a better writer than his genre deserved, but his plotting in Swamp Nymph was a slow road to nowhere. I didn’t hate the book, but life is short. You deserve to be reading better books than this one.

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Paperback Warrior - Episode 56

You don’t want to miss Episode 56 of the Paperback Warrior Podcast. We tackle the career and work of Charles Williams. Also discussed: Vechel Howard, Howard Rigsby, Gil Brewer's Sin for Me, and a discussion of the films and fiction of S. Craig Zahler. Listen on your favorite podcast app, at paperbackwarrior.com or download directly HERE. Listen to "Episode 56: Charles Williams" on Spreaker.

Betty Zane (aka The Last Ranger)

The books of Zane Grey (real name Pearl Zane Grey, 1872-1939) are considered to be a cornerstone of western fiction. His best-selling novel Riders of the Purple Sage (1912) may be the most popular western of all time, a genre-defining work that has been adapted to film five times. As a longtime fan of westerns, I often found Grey as being an antiquated voice with whom I couldn't connect. However, after many years of passing by his books on the shelves, I decided to try his very first novel, Betty Zane. It was originally published in 1903 and later reprinted for modern audiences in 1974 as The Last Ranger.

Betty Zane is the author's attempt to organize and recount his own family's history. Grey's great-grandfather, Colonel Ebenezer Zane, is memorialized in Wheeling, WV for his imperishable defense of Fort Henry on September 11, 1782. The novel, while not exactly a western tale, describes the rugged frontier life of early pioneers. Their labors, triumphs and intestinal fortitude is described in the days leading up to that violent, awe-inspiring event in American history. The novel is a fantastic historical presentation that can be enjoyed as a stand-alone title, but the characters continue in Grey's sequels, The Spirit of the Border (1906) and The Last Trail (1909). These books make up what is often referred to as Grey's Frontier Trilogy or Ohio River Valley Trilogy.

Despite it's original title of Betty Zane, the novel features an assortment of characters who reside at Fort Henry, a border settlement on the eastern side of the Ohio River. On the western side lies numerous Native American tribes and their French allies. Ebenezer Zane has four brothers residing at the fort with him, Silas, Andrew, Jonathan and Isaac, as well as one sister, Betty. The book also introduces the McColloch and Wetzel family as well as a love interest for Betty in Alfred Clarke. All of these characters form the fabric of this settler’s tale. The reader bears witness to them defending the fort, attacking nearby tribes or - in Isaac's case - escaping from the Wyandot tribe.

Perhaps my favorite character in this book, and probably the entire trilogy, is Lew Wetzel. In the introduction to Spirit of the Border, the author candidly describes the character:

“He was never a pioneer but always a hunter after Indians. When not on the track of the savage foe, he was in the settlement with his keen eye and ear always alert for signs of the enemy.”

The author's astute perception of Wetzel as a hunter is important. While the real-life characters that make up Betty Zane are resilient, Wetzel is a different breed. In any violent vigilante or Syndicate-themed novel of the 60s, 70s or 80s, one would be hard pressed to find a more barbaric, ruthless aggressor than Lew Wetzel. His hardened soul binds his fate as a man who knows no other way. He repeatedly turns away Betty's advances and explains that he only exists as a forest predator, never to be domesticated or ruled. The characterization is emphasized in the book's closing pages as Wetzel rips off his hunting shirt and cleaves his enemy to death with an axe. To quote Grey, “...he had forgotten that he was defending the Fort with its women and its children. He was fighting because he loved to kill.”

Zane Grey was learning to write a novel and was probably frustrated that Betty Zane wasn't a smooth telling. Despite its fragmented delivery, the novel is loaded with action and busy frontier life. From Betty's adventures in helping in the fort's defense to Isaac's capture and imprisonment, the narrative comes to life extremely well and makes for an easy, pleasant reading experience once readers adjust to Grey's writing style. In pairing the plot with the history of the country, the tumultuous territory and the hardened people that lived there, Grey's novel is a true testament to both the early settlers and the Native Americans. Both parties were desperately grasping for independence in a rugged, unsettled frontier and that sentiment is echoed masterfully by Grey's novel. Betty Zane is an absolute classic.

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The Pack (aka The Long Dark Night)

Horror novels of the 1970s often had an irresistibly cheesy quality about them, but that doesn’t foreclose the possibility that the books were genuinely scary and well-crafted. David Fisher’s The Pack from 1976 was popular enough to sustain multiple printings and inspire the film adaptation The Long Dark Night in 1977. Today, The Pack has received a resurgence in popularity thanks to a reprint by Valencourt Press as part of the publisher’s Paperbacks from Hell series of reissues.

The prologue begins at the end of the summer season on Burrows Island across New York’s Long Island Sound. A family has a “summer dog” named Jake adopted to keep the kids occupied during their extended vacation on the island. Rather than taking Jake back to the city for the winter, dad ties the pup to a tree (no, really) leaving him behind while the family ferries off the island. The hope is that Jake can work himself free of the rope and fend for himself in the wild. It’s a heartbreaking scene that made me feel that these humans deserve whatever is coming their way.

Evidently, the abandonment of domesticated dogs is not unusual on the island. The orphaned pups form a pack of newly-wild Golden Retrievers, Irish Setters, German Shepherds, Collies and more to hunt deer and survive on the Island throughout the harsh winter. The author went to great pains to make the ferocious pack of hounds among the sweetest breeds on Earth. Seeing the setup, you know this paperback is going to be a whole lot of fun and probably not take itself too seriously.

We then meet the Hardman family. They’re Manhattan fancies who are bringing their kids - as well Dopey the basset hound - to the island for a two-week winter vacation with the knowledge that the place will be darn-near deserted in the snowy off-season. Larry Hardman is a reasonable fellow, and his wife Diane is a spoiled Bloomingdales shopper who I wanted ripped to shreds by wild toy poodles from the moment she was introduced. Larry’s parents live year-round on the island, so three generations of the Hardman clan will be reunited on this trip before the killing begins.

There’s not much fat or foreplay in this paperback. Things go sideways and get bloody rather quickly and the mayhem keeps coming thereafter. The Pack has fantastic tension - mostly due to the threat the mad dogs pose to the family’s most vulnerable members. As a horror novel, it’s not particularly realistic but there’s nothing supernatural happening here either. The paperback reminded me of Cujo meets Night of the Living Dead with vivid characters being called to unlikely acts of heroism.

I could quibble with this or that within the paperback, but why bother? The Pack was a successful thrill ride and a lot of fun to read. Too much analysis would spoil things, and this bit of disposable escapism was meant to be enjoyed. Kudos to Valencourt Press for making it available to modern audiences. Recommended.

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Hawker #07 - Detroit Combat

The seventh installment of Randy Wayne White's Hawker series was published by Dell in 1986. Authored under the pseudonym of Carl Ramm, Detroit Combat once again places the series protagonist in a vigilante role. Unlike the prior novels, this entry excludes the mysterious butler Hendricks (my favorite character) and Hawker's wealthy boss Hayes. Other than just a brief mention about a prior conversation, Hawker's instructions and mission has already been established by the novel's first page.

In the opening chapters, readers find James Hawker stripping at a suite in a downtown Detroit office building preparing to have sex against his will. He's there to investigate missing girls, an assignment brought to him by Detroit police because legal obstacles have blocked their path to justice. These women are being captured and forced into sex slavery and trafficking by a woman known as Queen Faith. This downtown suite offers a portion of the puzzle – a discreet porn studio where Hawker has tracked one of the missing girls.

Whether intended or not, the opening chapters have Hawker captured by the sex slavers and forced into a porno shoot with an ugly female sporting a purple mohawk and a penchant for violent sex. At gunpoint, Hawker is forced to accept fellatio before finally breaking his restraints and liberating the girl from the sex racket.

After further investigation, Hawker teams up with two detectives to learn the whereabouts of Queen Faith. In the narrative's interesting, non-violent sections, one of the female detectives attempts to arrest Hawker for his vigilante justice. The two square off in a heated debate over the pros and cons of police procedures. Of course she's ultimately thrown into the novel as a mattress for Hawker, but kudos to White for examining vigilante justice in a debate forum.

Anyone who's familiar with the series, or these types of rapid-fire lone-justice novels, know the pattern and formula. Detroit Combat isn't any different and White proves to be a capable writer throughout the series. The book's fiery finale, set in an enormous mansion, delivers the expected thrills in grand fashion. The book is a testament to the elementary approach to the series: Hawker is a few-brains, all-bullets action-adventure series.

Easter Egg:

The author places a character in the book named Randy White. In one scene, it is said that White "wrote the book on the subject".

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The Easy Gun

Elmer Merle Parsons enjoyed a career as a script writer, newspaper editor and author. While in prison for grand theft auto and check fraud, Parsons developed his writing skills, eventually selling his first novel, Self-Made Widow, to Fawcett Gold Medal. His crime fiction output was published using the pseudonym Philip Race, and his three western novels were under the name E.M. Parsons. The last of these, The Easy Gun, was published in 1970 by Fawcett Gold Medal.

The Easy Gun is a unique western as it never fully discloses any clear-cut hero or villain. True accounts of America in the 1800s reflect a striking contrast to fictional western storytelling. In most cases, there were no white or black hats – no heroes or villains. Just simply people enduring and surviving in a merciless place and time in history. Parsons positions his novel's key characters on neutral ground. Little Easy is a confused, troubled young man, and Long Gone Magoffin is a successful businessman saddled with enormous misfortunes.

In the book's beginning, readers find Little Easy in an El Paso jail cheating his fellow cellmates out of money, guitars and pride. After a few days of debauchery, Easy finds himself headed to a long-term prison sentence. However, his father, Big John Easy, pleads with the judge to allow his son one more opportunity to find righteousness. That opportunity involves a large herd of Mexican cattle that John has found and agreed to sell to Long Gone Magoffin, a cattle dealer. John and the judge agree that Little Easy's rightful place is on the range roping cattle instead of liquor and cards. Little Easy departs jail and heads to the range to count cows.

The apple doesn't fall far from the tree. Unfortunately, Big John makes many of the same mistakes that his son does. After Magoffin finds that the cattle are covered in ticks, he refuses to purchase them. Big John, in a drunken rage, confronts the cattle dealer and demands his money. Magoffin, being sensible, attempts to talk Big John off the ledge. A fight ensues and Magoffin is forced to fatally shoot Big John. When word reaches Little Easy, he sets out to avenge his father's murder despite the misinformation that it was a cold-blooded slaying.

Parsons utilizes many of the same elements that makes his crime-fiction engaging – gambling scenes, flawed heroes and villains and numerous characters that serve as a backdrop for his protagonists’ interactions. Once the action moves to a dusty town called Ellsworth, the reader is thrust into an emotional conflict: is Easy justified in his quest for vengeance or is Magoffin the cool-headed businessman that made a tough, but right, choice? I think both characters represent the late 1800s – Easy as the more primitive, unsettled frontiersman and Magoffin the embodiment of the progressive modern west.

Regardless of where your allegiance lies, The Easy Gun is a fantastic story. Sadly, it was published the year of Parsons death. With just a trio of westerns notched on his gun, I imagine that Parsons could have delivered a lot of quality stories given more time. Nevertheless, The Easy Gun is a testament to his talent.

Buy a copy of this book HERE

Paperback Warrior Podcast - Episode 55

Paperback Warrior Podcast Episode 55 delves into the world of heist fiction with a discussion of Lionel White. Also discussed: Annoying Price Stickers! Louis A. Brennan! Music to Accompany a Good Book! Donald Westlake! Skylark Mission by Ian MacAlister! And much, much more! Listen on your favorite podcast app, stream below or download directly HERE: Listen to "Episode 55: Lionel White" on Spreaker.

A Game for Heroes

Using the names Jack Higgins, Martin Fallon, and Hugh Marlowe, Henry Patterson had a successful, early literary career throughout the 1960s and early 1970s with a high-adventure template utilized by Alistair MacLean, Desmond Bagley and Hammond Innes. Five-years prior to Patterson becoming a household name with The Eagle Has Landed (as Jack Higgins, 1975), he used the name James Graham to write a traditional WW2 adventure novel called A Game for Heroes (1970). It was published as a hardcover in 1970 by Macmillan and reprinted countless times over by the likes of Dell, Harper Collins and Penguin. It remains in print today in both physical and digital versions.

The novel stars Owen Morgan, a British special forces expert who served valiantly in the heart of WWII. After losing an eye, Morgan was shipped back home at the tail end of the war. After finding love and harmony, Morgan is asked to rejoin British forces for a daring mission on St. Pierre, a fictional island in the German-occupied British Channel. After fighting as a spy in harrowing, bloody campaigns, Morgan is skeptical of leading a mission that takes him back into battle. First, it's 1945 and the Russians are knocking on Hitler's door in Berlin signaling that the war is nearly over. Second, Morgan feels as if his reflexes and physical limitations will impact his success. However, the wild card is a former lover named Simone.

Morgan grew up on St. Pierre and his father was an excellent sailor who died attempting to rescue boaters during a stormy, high-seas operation. His love was Simone, daughter of the island's leader. After learning that Simone is one of 60 islanders remaining, Morgan hopes to visit Simone one final time. If successful, this military operation will allow Morgan to penetrate the island's fortifications and learn more about the Germans' underwater positioning and a unique project called “Operation Nigger” (specifically named after the British black labrador). While Morgan will face the opposition alone, he will work with a specialized international team of demolition experts to create diversions by blowing up smaller sea-craft.

Like a lot of Higgins novels, the opening chapter is the middle of the story. In it, we learn that Morgan has been captured by the Germans and is awaiting execution along with a portion of the demolition squad. As Morgan contemplates his future, he tells the story of how he came into the operation and the events that eventually led to his capture. While this is traditional Higgins' storytelling (in first person perspective), the story condenses into a rather surprising narrative. Despite the book's cover, A Game for Heroes is more of a nautical tale that has Morgan reflecting on his father's naval exploits as well as his own. There's a savage, climactic sea rescue but I would be a fool to spoil it for you here. The book's narrative ultimately leads to a wind-swept, stormy finale, but the lead-up is worth the wait.

A Game for Heroes is set in an interesting era of World War II history. It's the end, the final theater, the 1945 closing of one of Earth's most important events. Higgins presents readers with a really interesting scenario – what happens to old soldiers at the end of the journey? With guns pointing at each other, what does the end look like for combatants? There's an amazing scene where the BBC radio announces Hitler has been killed to dozens of German soldiers and their British prisoners. But without any real guidance, how do the two warring factions interact? This is Higgins masterful prose, a reading experience that delivers adventure, calculated risk and lost love but isn't afraid to ask some important questions. For this reason alone, A Game for Heroes is a game worth playing. Under any name, Higgins is extraordinary.

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87th Precinct #08 - Lady Killer

Ed McBain, a pseudonym of Evan Hunter, found the pinnacle of his literary success in his 87th Precinct series of police procedural mysteries. The fictionalized version of NYC, the chatty omniscient narrator, and the ensemble cast of worldly-wise police detectives are all ingredients that make the series a lot of fun to read. I’ve been enjoying the thinner early novels in random order, so today we join the series with the eigth installment, 1958’s Lady Killer.

It’s a suffocating summer in the 87th Precinct, and a someone is threatening to kill a lady tonight at 8:00. The threat came to the police station in an anonymous letter. Is the letter legit or the work of a crank? With not much to go on and only 12 hours until 8pm, the cops use the letter itself for leads. Fingerprints? Identification of the delivery boy? And who’s the lady?

Detective Cotton Hawes takes the wheel as lead investigator of the death threat. Hawes is a hard-nosed interrogator who really leans into every interview like he’s shooting for a one-punch knockout. Series mainstay Steve Carella plays second fiddle in the case. Steve is the best detective in the 87th, and a recurring hero in the series. He’s also the smartest mind in the 87th, and his scenes tend to be the best. Watching Cotton and Steve evolve as new friends and partners was a joy to read.

The mystery itself is really two-pronged as the detectives need to identify both the would-be murderer and his intended victim. There are some great action sequences as the cat and mouse game intensifies and bullets start to fly.

To date, Lady Killer is my favorite of the 87th Precinct novels. McBain tightened up his storytelling and let the cast of detectives focus on one important case. There are no significant subplots or a b-story crime to solve, and the final solution was logical, plausible, and satisfying. This one’s a total winner.

Note:

Newer editions of Lady Killer contain an insightful introduction by the author explaining how the novel came to be. The paperback was written over nine days during the summer of 1957 at a rate of 20 pages per day. 

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Motor City Blue

Loren D. Estleman (b. 1952) is a Detroit native and award-winning author. Cutting his teeth on westerns, Estleman has written over 25-westerns including a series starring U.S. Deputy Marshal Page Murdock. In the mid-80s, the author launched a series of high-octane action novels about a mob hit-man named Peter Macklin. However, Estleman's most praised literary work is his Amos Walker mystery series. The character was first introduced in 1980's Motor City Blue and has remained a highly-regarded character through 28-books. Unfamiliar with Walker, I started at the beginning.

Motor City Blue introduces readers to Amos Walker, a three-year veteran of the Vietnam War who experienced intense action in and around Cambodia. After Vietnam, Estleman became an MP and then later joined a Detroit police academy as a civilian. After being fondled in the shower by another trainee, Walker defensively beat-up the man and was booted from the academy. His next career choice was simply a private-eye gig which he does well. In the series debut, Walker is 32-years old and will age as the series progresses.

The novel's opening pages finds Walker working an assignment for an insurance company. Armed with a camera and a Smith & Wesson, Walker is photographing a man who may be faking an injury for claim money. But while working the assignment, Walker witnesses his old Army Captain being thrust into the backseat of a sedan by two burly men. Walker calls his best friend, Police Lieutenant John Alderdyce, to report the incident. It's an early, key event that plays a large role in the story's finale.

Later, Walker is summoned to meet a former mob boss named Ben Morningstar. The elderly retired gangster hires Walker to track down and locate a young woman named Marla. Morningstar raised Marla and had been financing her college expenses only to learn that she abruptly dropped out. Since then, she's seemingly disappeared and Morningstar doesn't trust the police to search for her. Morningstar shows Walker a photo of Marla that indicates that she has entered the sleazy world of pornography – either voluntarily or against her will. It's up to Walker to find Marla and determine just how she finds herself working in the smut industry.

Motor City Blue is an enthralling mystery that features many of the private-eye tropes that have been utilized since the 1940s. Estleman isn't reinventing the genre and never proclaimed to be. He's just presenting readers the traditional PI formula, a procedural investigation done by a valid, sarcastic hero who uses a police friend and ally for tips and tricks. Estleman's placement of the entire series in Detroit is fitting considering the author's scholarly knowledge of the city and its history. Using the cold, blue-collar city streets, Estleman has a wide canvas on which to draw. In Motor City Blue, the author submerges readers into the porn industry, complete with smut shops, adult theaters, sleazy trailers and the criminal elements often found on that side of the tracks.

Amos Walker may be the best of the 1980s private-eye characters. As an early introduction to the character (and author), readers unfamiliar with the series should start here. With a spiraling mystery, action fans should still appreciate the gun-play and fisticuffs employed by the hero. It's an absorbing read that has gained acclaim for good reason.

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Paperback Warrior Unmasking - Philip Race

In the Cutting Edge Books reprint of the 1959 paperback Killer Take All, readers learn that author Elmer Merle Parsons (1926-1970) was as untamed as the criminals he fictionally fabricated. Born in Pittsburgh, Parsons was first convicted of burglary and grand theft auto at the age of 23. After serving three years in prison, Parsons began passing stolen checks. His freedom was short-lived, and Parsons was sentenced to San Quentin Prison for five years. While inside, Parsons discovered a dexterous ability to write, becoming the editor of the prison newspaper and crafting his first novel, Self-Made Widow (1958), which he sold to Fawcett Gold Medal for $3,500 under the pseudonym Philip Race.


While in prison, Parsons authored two novels starring a craps dealer named Johnny Berlin – 1959's Killer Take All and 1960's Johnny Come Deadly (published by Hillman Books). Both were published under the pseudonym Philip Race. Using the name E.M. Parsons, the author wrote a suspenseful romance novel called Dark of Summer (1961) as well as three western originals – The Easy Gun (1970), Fargo (1968) and Texas Heller (1959). Later, the talented writer went to work for Hollywood, writing scripts for a number of television shows like Bonanza, The Dakotas, The Virginian and Sea Hunt. I've always enjoyed the proverbial “small town drifter” story, so the synopsis of Killer Take All peaked my interest.

Review: Killer Take All

Johnny Berlin flees the bright lights of Las Vegas due to a love gone bad. When readers first meet Berlin, he's driving a fog-shrouded highway in rural Oregon in an effort to start a new life in Portland. After becoming lost on the midnight highway, Berlin is aided by a man named Donetti who directs him to spend the night in a small town called McKaneville. Surprisingly, when Berlin rolls into the tiny hamlet, he discovers it's a booming lakeside village ripe with gambling clubs.

Parsons' novel puts Berlin back behind the craps table for a struggling club owner named Dan Gurion. After meeting an old flame, Berlin agrees to assist Gurion in an effort to rekindle the business and keep his new boss from being forced to join a pushy racket called the Gambler's Protective Association. With the mob running a number of gambling halls throughout the area, Gurion is one of the last few holdouts to join the association. Partnering with Berlin, Gurion goes against the grain to defy the odds and beat the rackets. But, when Berlin is nearly murdered and the premier head of the Protective Association is killed, things aren't quite as black and white as readers might think.

The first thing to know about Parsons' writing style is that he introduces over a dozen characters in the narrative's opening half. It's a large cast to contend with, a habit that threw me off of the author's similar novel, Dark of Summer. Both paperbacks feature lakeside communities that are mired in business transactions, lover quarrels and a penchant for violence. Dark of Summer was a dense romantic fling whereas Killer Take All is more of a violent crime-noir complete with painted ladies and jaded faces.

While Berlin isn't the stout heavyweight crime-fighter that readers typically associate with these types of stories, the vulnerable protagonist enhances the overall concept – a flawed human fighting a flawed system complete with flawed justice. Where the characters are sometimes subdued and emotionally wilted, it's the author's storytelling talents that truly blossom.

Parsons wasn’t a remarkable writer as his saturation of characters can, at times, make for a burdensome read. However, he's a solid writer with a knack for great stories. With just a handful of published novels in his career, Killer Take All's affordability as a used paperback and digital reprint is well worth the price of admission. You won't be disappointed.

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Paperback Warrior Podcast - Episode 54

On Episode 54 of the Paperback Warrior Podcast, we unmask author Philip Race and tell you about the mystery man behind the pseudonym. We also review novels by E.M. Parsons and Tedd Thomey plus a used bookstore excursion to Appalachia. Listen on your favorite podcast app or at paperbackwarrior.com. Download directly HERE. Listen to "Episode 54: Philip Race" on Spreaker.

The Kill-Off

Jim Thompson (1906-1977) authored over thirty novels from the 1940s through the 1950s. Considered a legendary hardboiled crime writer, his most notable works often employ an abstract style of storytelling. His violent, often disturbing novels are typically devoid of any admirable, noble protagonists for readers to support or cheer. Instead, crime-fiction traditionalism is replaced with characters that typically range from the vile deviant to the casual wrongdoer. Nothing underscores these tropes more than The Kill-Off, Thompson's 1957 Lion Books release. The novel was adapted into film in 1990 and reprinted by Black Lizard in 1999.

The book takes place in the fictitious town of Manduwoc, a small coastal village in Northeastern New York. Due to economic hardship, this community has been downgraded from lavish resort community to a washed-up skeleton of despair and neglect. Thompson uses individual characters to tell their stories in alternating first-person narrations. The overall concept is a murder mystery slowly disclosing to the reader who killed an older woman named Luane Devore.

The robust cast of characters includes Luane's younger husband, the local doctor, the doctor's son and a real-estate contractor among others. Each chapter's account is a testimony to the shifting narrator's weakness, complete with shady histories, corruptible events, financial disruptions and, of course, sex. Hot, wild, untamed, interracial sex. But considering the number of historical accounts of these characters and their arms-length relationship with Luane, none of it is particularly interesting.

The Kill-Off is a slowly-developing story, and not particularly engaging. The presentation is unique, but the overall plot development was unexciting - robbing the reader of anything resembling a pleasurable experience. If you are a regular blog reader or podcast listener, you know that Jim Thompson isn't a Paperback Warrior favorite. The consensus here is that he’s overrated and saddles his novels with plodding and often senseless narratives. There’s nothing about The Kill-Off to change our minds.

Admittedly, Thompson is a good writer with a penchant for unusual characters. However, The Kill-Off showcases inept storytelling populated by uninteresting and unlikable characters. Even in death, Thompson has a rabid bunch of fans who come to his aid every time Paperback Warrior pans another one of his overrated, overwritten novels. I can’t help but wonder how they will defend trash like The Kill Off. The hate mail we’ll receive will certainly be more compelling than the solution to the book’s central murder. For the uninitiated, don’t bother.

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