Along with Hammond Innes and Alistair MacLean, British author Desmond Bagley (1923-1983) helped create the basic conventions of high-altitude storytelling within men's action-adventure fiction. His first novel, The Golden Keel, was published in 1963 and propelled a literary career that featured a total of 16 novels, five of which were turned into feature films. As a fan of frosty fiction, I decided to read Bagley's 1970 novel Running Blind, which is set in Iceland. The novel was later adapted for British television in 1979.
In the Scottish highlands, retired British spy Stewart is visited by his former boss Slade (who also appears in Bagley's The Freedom Trap). Slade's pitch is for Stewart to deliver an important package to a gentleman in Iceland. Stewart's experience in the country and his fluency in the Icelandic language make him the perfect operative for the job. Stewart is hesitant to take the assignment post-retirement but agrees in favor of visiting the country again.
The clandestine task of deliveryman for British intelligence evolves into a deadly cat-and-mouse game when Stewart is attacked and the package is stolen. Further, Slade's dismissal of Stewart's account of what happened to the missing package leads him to believe that the whole assignment was a crafty set-up. While Stewart is still in Iceland, he learns that Slade has aligned with a Russian nemesis named Kenniken, a man Stewart shot and hoped to kill earlier in his career. As the net descends, Stewart and his lover must flee into the rural landscape of Iceland, complete with volcanoes and rivers created from melting glaciers. Once there, the two are hunted by Slade's British operatives who are unaware that their leader has defected to Russia. The whole thing makes sense at the end, but some of the finer plot points are "blind" to the protagonist and reader. That's the enjoyment.
Running Blind is an excellent adventure-espionage hybrid that is presented to readers as a first-person narrative. The author, through Stewart's eyes, explains strategies, experiences, old combat stories and the most minuscule details to aid readers. As a fan of Jack Higgins' Paul Chavasse, a spy hero used in five of the author's novels, I felt that Stewart was of the same caliber and breed – sharp, salty and seasoned. The author also included some of Iceland's history and geographical highlights, a bonus for the average suburbanite who may never venture there. At 220-pages of smaller font, I felt the book could have been shorter. But that's the drawback when you become a massive bestseller – publishers want more. Other than the length, there's isn't anything to not like about Running Blind. Highly recommended.
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On the controversial Episode 48 of the Paperback Warrior Podcast, we discuss the history of Barry Sadler’s CASCA books and investigate allegations of plagiarism that plague the series today. You don’t want to miss this one. Listen on every podcast platform, stream below or download directly HERE:
Listen to "Episode 48 - The Casca Controversy" on Spreaker.
Thomas B. Dewey was a prolific author that produced 36 crime-fiction novels from 1947-1966. His literary work mostly consisted of three series titles featuring heroes Singer Batts, Pete Schofield, and Mac. However, the author wrote two stand-alone novels under the name Tom Brandt, 1954's Run, Brother, Run! and the subject at hand, 1953's Kiss Me Hard. We reviewed Run, Brother, Run! back in 2018 and haven't had the opportunity to revisit Dewey's catalog until now.
Kiss Me Hard introduces main character Chris Cross as an alcoholic piano player stroking the keys in small-town Ohio. After many songs (and beverages), Cross is seduced by a woman who is escaping from her abusive husband. The woman convinces Cross to join her as she leaves the town and her spouse behind. In a stimulating scene, the woman's husband finds the two making love on the edge of town. Cross, hazy from alcohol and the frantic escalation of the night's festivities, runs away through the forest and hops a train to escape.
On the next stop, Cross hops off and finds himself in a rural stretch of farmland where a carnival is performing. It's here that he runs into a young, troubled woman who asks Cross to help her hop a train. Cross's response is priceless: “I just got off the goddamn thing.” But the decision isn't his to make. Instead, a husky, mountain of a man finds the woman with Cross and begins to become angry and belligerent to the two of them. Cross, overwhelmingly smaller than the man, uses a rock to slow his progress. Cross and this mysterious woman flee to the train and catch it in a fleeting, high-paced conclusion to the opening chapters.
The narrative evolves into a mystery as Cross tries to determine this woman's backstory. Is she a prostitute? A carnival worker? Who's the burly “keeper” of this woman? In an emotional explanation, the woman claims to be Constance Jordan. Upon reading a newspaper clipping she possesses, Cross learns that Constance was abducted at the age of 13 and the world never saw her again. Her wealthy family searched for years through a variety of law-enforcement agencies and private-eye services. The clipping reveals that the Jordan estate is worth millions and that the woman's parents died 8 years ago. The entire fortune went to the family's older daughter Jean. As Cross presses for more information, he begins to doubt the woman's insistence that she is the long lost Constance. Together, the two take a haphazard road-trip to Los Angeles to find some answers.
Chris Cross is so much like David Goodis' fall-from-grace character Eddie Lynn in the 1956 paperback Down There. He's plagued by his alcoholism, and all of his pathways lead to liquor. The booze effects most of his conscious thinking as he is driven to find money to buy booze at the cheapest source. But Cross is painfully embarrassed by his disease, often self-conscious of what others think of his shaky hands and unquenchable thirst. But he's a great piano player who's seemingly wasted his life until now. Constance provides hope and salvation for Cross. Her fortune can buy an endless supply of liquor, but as the novel progresses, Cross finds that his craving for alcohol is somehow rehabilitated by craving this mysterious woman. He wants to be her protector, but the truth behind this mysterious woman is the ultimate mystery.
While not as widely celebrated as his contemporaries, Thomas B. Dewey was a fantastic writer who threads real-world problems into the social context of his stories. Kiss Me Hard could have easily drowned in a romance-on-the-run style novel, but Dewey really turned it into something unique and special. I think you'll really enjoy it. The good news is that you don't to spend a fortune acquiring this vintage paperback. Wildside Press released the Crime and Corruption Megapack in 2016 that features this novel along with A Season for Violence (1966), Run, Brother, Run! (1954) and Empty Saddles (1962).
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E. Howard Hunt was a CIA operative who became a bit of a celebrity by going to prison for 33 months relating to his involvement in the 1971 Watergate burglary in the service of U.S. President Richard Nixon. In all the hubbub surrounding the scandal, it became widely known that Hunt was a prolific writer of crime and espionage fiction under a myriad of pseudonyms, including Gordon Davis. Where Murder Waits was a 127-page Fawcett Gold Medal paperback from 1965 written by Hunt using the Davis name. The paperback was later released under Hunt’s own name after the author gained his notoriety.
Patrick Conroy is a Washington, DC attorney with a fancy office adorned by original paintings from classic artists. We learn that Conroy was involved in the failed Bay of Pigs invasion from 1961 that sought to overthrow Fidel Castro, a misstep that landed Conroy in a Cuban prison for a time. He takes a meeting with exiled and aging former Cuban Prime Minister Eusebio Calderon, who needs Conroy’s help.
A Cuban exile group treasurer named Claudio Barros is missing following a car accident. Barros was the custodian of $250,000 raised from the donations of dishwashers and laborers in Miami with the hope of funding an insurgency to topple Castro and deliver a free Cuba. But now, Barros is gone and so is the money. Calderon needs Conroy to investigate the disappearance and recover the missing money. The investigation brings Conroy to Panama where he meets several people basically trying to accomplish the same thing - including a CIA operative and a hot Cuban babe named Lola - as promised on the paperback’s cover.
In order to enjoy Where Murder Waits, the reader must have an interest in Cuban exile politics of the 1960s - or have a willingness to learn. It’s not the spicy Fawcett Good Medal crime novel advertised on the cover packaging, but the paperback is a fast-moving diversion that blends international intrigue with a compelling mystery. If Cuban Cold-War skulduggery is your thing, you’re sure to be pleased with this one.
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The Soldier of Fortune series ran from 1976 through 1985 consisting of 18 total installments. The series also ran for a limited run in the U.K. under the name Jim Rainey: Death Dealer. The books are mostly written by Peter McCurtin, however Ralph Hayes authored seven of these books under the McCurtin name. I've always enjoyed the series and Ralph Hayes' work so I was looking forward to reading First Blood, the fifth Soldier of Fortune novel. It was published by Belmont in 1977.
Like the second novel, The Deadliest Game, the book begins with mercenary-hero Jim Rainey visiting an old Vietnam War buddy named Daniels in Panama. Rainey’s purpose is to testify before the U.S. Army as a character witness to defend Daniels' recent assault on an anti-American Panamanian citizen. But just as Rainey joins Daniels, the two find themselves targets of a hit-and-run assassination attempt by the ruthless terrorist group Canal Reclamation Organization (basically a group of armed citizens fighting America's occupation of the Panama Canal). When Rainey and Daniels fight back, it puts them both on the radar of the U.S. Army – an official court-marshal of Daniels and the warning for Rainey to leave town. When Rainey, Daniels and an M.P. named Hollis leave a secured portion of the base, the CRO attacks the trio and takes them prisoner.
The bulk of Ralph Hayes' narrative is the imprisonment of these three men and their cruel treatment at the hands of the CRO. If you have a weak stomach, First Blood's graphic details of eyes being removed, testicles being squeezed and various body parts being severed will probably ruin your Brazilian Steakhouse experience. Despite Rainey's negotiations, Daniels and Hollis are brutalized into writing statements declaring the US occupation as tyrannical. Further, Rainey is ordered to execute the two men. Without ruining the enjoyment for you, let's just say Rainey eventually teams with the C.I.A. in an effort to bring down the CRO in the book's furious, exhilarating closing chapters.
We've reviewed four other Soldier of Fortune novels here at Paperback Warrior and the consensus remains surprisingly consistent – these books kick total ass. Regardless of Hayes or McCurtin, the series delivers plenty of action, violence and compelling story-lines to keep readers enthralled. Further, for a series of this nature, the first-person narrative is truly unique and welcome. You just can't go wrong with the Soldier of Fortune books and First Blood is another fine addition to a solid catalog of titles.
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It’s interesting that the lore of the American West was so universally appreciated that many foreign writers produced successful western series titles aimed at international audiences. Norway’s big entry in this literary international arms race was the 83-book Morgan Kane series that started in 1966. The author was listed as Louis Masterson, but his real name was actually Kjell Hallbi (1934-2004). His books were written in Norwegian but received English-language translations for U.K.’s Corgi imprint beginning in 1971. A handful of the early installments have been made available on Kindle at reasonable prices, so I decided to try the first one, Without Mercy (Original Title: Uten Nade).
Morgan Kane is a Texas Ranger and saloon poker player in the late 1800s American West. After successfully killing a fugitive in St. Louis, he is ambushed by fellow passengers on the train ride back to Fort Worth, shot twice, and tossed into the brush in the middle of the night. Kane awakens beside the tracks to the sound of a buzzard waiting for him to die. With holes in both his gun hand and his gut, it likely won’t be long.
The reader learns that the attack on the train was not a random act of violence but rather a coordinated bit of revenge arranged by Troy Duncan, the brother of a Texas Ranger man that Kane killed in the line of duty. Duncan leads a four-person gang that includes his brother’s widow, a comely lass with a body built for loving. After shooting Kane in the gun hand and and the gut, they assume that the toss off the moving train probably finished the job on the ambushed lawman.
In Without Mercy, the author changes third-person perspective between Kane trying to survive his injuries, to the Duncan Gang looking to finish the job, to Kane’s Texas Ranger partner trying to find and help his oldest friend. Of course, we know that Kane survives the ordeal and lives to seek revenge on the crew who tossed him from the train. However, a crippled gun hand presents the hero with quite a handicap to overcome in his quest to satisfy his vendetta.
The English translation of Without Mercy is flawlessly-smooth, so you’d never notice it was originally written in Norwegian. Moreover, the author is an excellent storyteller with a knack for pace and tension. This won’t be the best western you’ve ever read, but it was a compelling and engaging story that will make you want to further explore this interesting series in the vast world of western fiction.
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On Paperback Warrior Episode 47, we explore the multimedia empire of Private Eye Michael Shayne and review a rare Harry Whittington book from 1959. Join the discussion on your favorite podcast app, stream below or download directly HERE:
Listen to "Episode 47: Mike Shayne" on Spreaker.
Author Jack Pearl (real name Jacques Bain Pearl, 1923-1992) was a prolific author of movie and television novelizations. From 1962's Ambush Bay to 1967's Garrison's Guerrillas, Paperback Warrior has mostly read and critiqued Pearl's novelizations. I recently acquired an original paperback penned by Pearl, a novel titled The Cops published by Pinnacle in 1972. I wanted to see how the author crafted his own stories free of any Hollywood commitments and restraints.
First and foremost, Pearl's literary voice is quite different with The Cops. The novel is filled with racial slurs, graphic sex, profanity and more mature subject matter in comparison to the author’s comical, lighthearted novelization of the film Funny Girl (1968). Perhaps a product of the racy 1970s, The Cops focuses on the emotional turmoil of an Irish family's commitment to wearing a police badge on the violent New York City streets.
The paperback’s main character is Tony Gargan, the youngest in a long dynasty of cops. His father retired as a desk sergeant for NYPD’s Western district while his older brother Sean works as a detective sergeant on the vice squad. The author also introduces the notion that an array of uncles and cousins were constables in a long lineage of law enforcement stretching back to Ireland. However, Tony is brand new to the badge and at the book's opening, is working the beat responding to routine burglary and assault dispatches. Within the book's opening chapters, Tony is promoted to prostitution stings, a short stint with vice and a run through the violent African-American ghettos and projects.
The Cops isn't an action novel like Supercop Joe Blaze, nor is it a procedural detective story like Ed McBain's critically-acclaimed 87th Precinct series. Surprisingly, Pearl's story performs more as a crime-drama with snippets of action – a suicide jumper, an apartment fire, fighting a rapist. The bulk of the narrative is spent on the uneven, strained relationship between Tony and his brother Sean. Once Tony gains some experience in vice, he begins to suspect Tony's involvement in the mob's gambling, drug and prostitution rings. While Tony is learning the ropes, it's Sean who explains that catching the notorious criminals involves rubbing shoulders with Syndicate underlings. It's up to Tony, and the reader, to determine the validity of that statement. Pearl also introduces a pleasurable romance angle with Tony and a prostitute named Alice, a fling that will eventually play a bigger role as the book reaches its narrative climax .
Overall, The Cops was an enjoyable reading experience and provided some insight on the law enforcement vocation. The family dynamics and the strained relationships made for a teetering, balance beam approach that I found entertaining – good cop, bad cop and the wives back home. If you want a balls out, furious police thriller, The Cops isn't it. If you are looking for a more measured, emotional experience with a fictional police force, Jack Pearl has delivered the goods. I found The Cops to be an entertaining, alternate approach to police storytelling and for that very reason I highly recommend it.
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Lawrence Block’s first published novel hit the shelves in 1958. His most recent novel, Dead Girl Blues, is a 2020 release. That means that the author has published books in eight different decades. Let that marinate in your mind for a minute. Even more remarkable: the quality of his work hasn’t slipped a bit. He’s still got the magic.
The narrator of Dead Girl Blues is - well, let’s call him Buddy - a former gas station clerk in 1968 Bakersfield, California. I say “former” because the narrator is really Buddy as an older man looking back on a series of events that occurred years ago and his life thereafter. Yes, it’s one of those books where the narrator is copping to actually writing the book you’re reading - with periodic breaks in the action for old Buddy to comment on the thoughts and actions of younger Buddy. It’s a literary gimmick that’s worked well for Stephen King throughout the years, and Block employs it well. There are several other King-esque aspects of this paperback, but they are for you to discover yourself.
One night at a roadhouse, young Buddy picks up a drunk chick and takes her to a rural road to have sex. Things go sideways quickly, and Buddy kills her and rapes her. Yes, in that order. It’s a pretty graphic scene that showcases some real daylight between Block and his cozy mystery colleagues. There will be no plucky spinster and her precocious cat solving this crime.
After the shocking opening chapter, it was hard to know where Block would take the reader. Is this a man-on-the-run story? A redemption tale? An “inside the head of a serial killer” novel? What happens thereafter is far more interesting and thoughtful than any of the obvious options, and Block delivers the goods like a wily veteran of the game.
At 218 paperback pages, Dead Girl Blues is shorter than most modern novels, but just-right for the old Fawcett Gold Medal potboilers where the author got his start. Of course, those vintage paperbacks lacked the necrophilia plot thread at the centerpiece of this new one. So times do indeed change - which, in a way, is the point of the book. Can a man ever be done with the past if the past isn’t done with him?
If you search hard enough on the internet, you’re bound to find a reviewer willing to spoil plot details of Dead Girl Blues, but I ain’t the one. I will only tell you that the book is definitely worth your time if you can stomach some extreme adult content at the outset. Block appears to be posing the question: Is a man defined by the worst thing he’s ever done? As for the answer, I’d encourage you to read the book and find out for yourself.
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Stephen Mertz and Arthur Moore authored the eighth M.I.A. Hunter installment Escape from Nicaragua. The duo continue their collaboration with this ninth volume entitled Invasion U.S.S.R. It was published by Jove in 1988 and is the second series installment to feature the three “hunters” performing clandestine work for the U.S. Government.
Senator Harler, who was introduced in the seventh novel, Saigon Slaughter, now orchestrates missions for the three hunters and has a new assignment for leader Mark Stone. A journalist named Lee Daniels is being held captive in Russia. After years of receiving hot leads from his C.I.A. resource, the government asked Daniels to break into a laboratory to steal important documents. Why the C.I.A., who primarily focuses on covert operations, would ask a newspaper reporter to perform this task isn't fully explained. Regardless, it's a convenient way to insert three bad-ass characters into Russia to ride tall and shoot straight.
Unlike other series installments, Invasion U.S.S.R. is more of an investigation resembling a hardboiled private-eye case as Stone tracks the whereabouts of Daniels. It follows tried and true literary trends as the heroic trio interviews locals (hood criminals) and fraternizes in bars in a race to develop clues. These leads are conventional pathways to low-brow establishments like strip clubs, casinos and brothels. The authors utilize these false solutions to discourage the trio, often leading to a dead-end only to recycle the hunt for information again. As that portion of the narrative developed, readers check-in with Daniels periodically as he's moved from jail to jail as political bait.
What I really loved about this story was the fact that the heroes lose quite a bit. This isn't a typical “storm the jungles and find the bamboo cage”. The fact that Stone and his fighting unit can't strong-arm their way to liberation was a welcome change. In addition, the team are primarily placed in an urban setting for the first time. It was enjoyable to see the team run through apartment complexes and buildings. In a surprising moment, the trio even steals bicycles and outpedal their pursuers! It's this sort of thing that really sets the novel apart from prior installments.
Invasion U.S.S.R. is a fun men's action-adventure novel that continues the series' trend of locating and liberating prisoners. While slower than prior installments, the authors take the team out of their jungle element and mix-up the action in favor of more procedural investigation. While prior books may have been a quick cold beer, Invasion U.S.S.R. is a fine wine that needs to be digested slowly to enjoy all the flavor.
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Morris Langlo West (1916-1999) was a highly-regarded literary figure in 20th century Australia with a lifetime of awards and honors for his work as an author and playwright. Early in his writing career, he wrote adventure novels for guys like us, including 1957’s The Concubine, also released as McCreary Moves In. The novel is still in print in various formats under both titles, and it even once had a classic Dell paperback printing under the pseudonym of Michael East.
Irishman Mike McCreary is an unemployed oil driller in Jakarta, Indonesia. While reviving from an illness, McCreary is visited by a mysterious man named Rubensohn who seeks to hire McCreary for a speculative oil drilling job on a distant island that is technically part of Indonesia but ruled by a sultan. McCreary boards Rubensohn’s luxury ship and we meet the international cast of characters along for the journey after an early-novel murder puts our hero in a rough spot.
The shipmates include a gorgeous Asian female named Lisette, who serves as arm candy for the wealthy boss. Rubensohn describes her as a “decorative woman,” a term I promise to start using whenever I can shoehorn it into conversations. Anyway, as soon as McCreary and Lisette lock eyes, you just know there’s going to be trouble.
The plot veers from maritime intrigue to exotic island intrigue as the real agenda of Rubensohn becomes clear to MacCreary. There’s the sultan who must be charmed into allowing drilling on the island and an exit-buyer who will take ownership of the site if MacCreary strikes oil. And then there’s the real spoils: the girl. Always the girl.
I mostly enjoyed The Concubine, but I’m partial to fraud stories. I must admit it was really slow and rather romantic at times. The ending was also so abrupt that I was worried my old paperback had shed some pages. It’s definitely not an action novel, but West was a really good writer. Consider this a lukewarm recommendation.
Screen Adaptation:
In 1957, the British television network ITV adapted the novel for the screen in seven 30-minute episodes. The show was called McCreary Moves In and starred Alan White in the lead role. I looked around and was unable to find the mini-series anywhere online.
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On Paperback Warrior Podcast Episode 46, we weigh the pros and cons of vintage paperback conversions to ebooks and audiobooks. We also discuss news regarding the Milo March series and review some genre fiction classics. Listen on any podcast app, stream below or download directly HERE:
Listen to "Episode 46: Ebooks and Audiobooks" on Spreaker.
Paperback Warrior has admired Jimmy Sangster's literary work for some time now. Both of his John Smith spy-thrillers, The Spy Killer (1967) and Foreign Exchange (1968), received positive praise as well as 1967's Touchfeather. Most of the British author's work has been resurrected and reprinted by Lee Goldberg and Joel Goldman’s Brash Books imprint. We were delighted when another of Sangster's reprinted novels hit our mailbox - 1971's Your Friendly Neighborhood Death Peddler.
The novel introduces a young guy named Anthony Bridges. He's a 29-year old, unmotivated, unemployed deadbeat. What the British would call a layabout. Anthony served a short-service commission in the British Army after graduating college. He spent a few years in the documentary business, flunked as a sales rep and is now enjoying unemployment while living with his girlfriend Lillian. Originally, the plan was just to bang Lillian and crash on her sofa a few days. But the days turned into weeks that turned into months. Now Anthony is tired of Lillian, who's a nympho, but he has no job, no home and no money. But, Lillian has fallen in love with him and Anthony doesn't have a Plan B. So she decides to take Anthony back to her childhood home to meet the parents.
Anthony discovers that Lillian's parents are uber rich. We're talking million dollar paintings in the study and a full staff tending to every need. Realizing Anthony's misplacement in the family's traditions and planning, Lillian's Dad has a private conversation with Anthony and makes a proposal - stop screwing Lillian and leave her apartment in exchange for a job. A good job with the opportunity to make thousands. Anthony then receives a card with a number on it and reluctantly calls it a few days later. The brisk, mysterious response is simply “Lunch. 12:30”.
In a hysterical sequence of events that's like something from Alice in Wonderland, Anthony travels down the rabbit hole and accepts an undisclosed job in the small African country of Lamboola. The deal is he will make 1% on commissions and $6,000 a year tax free. He also has a lavish expense account and the opportunity to travel internationally. Anthony accepts the deal and has no Earthly idea what the job actually entails.
In reality, Anthony has accepted the job as newest sales rep of illegal weapons to third world countries. The problem is that Anthony is a bumbling idiot with weaponry or sales experience or political connections. Not exactly the attributes needed to sell weapons to revolutionaries. When Anthony is asked to sell thousands of weapons - rifles, anti-aircraft weapons, explosives, tanks, basically anything useful to overthrow government - to a valuable client in Lamboola, Africa, he accidentally mistakes the names and sells the weapons to the valuable client's enemy. By doing so, he systematically creates a third-world revolution that topples the local government.
First and foremost, this book is hilarious. It's an absolute must read. Just following Anthony's disastrous showing as a weapons sales rep is worth the sticker price. For action, there's plenty. Sangster mixes peril on the high seas with numerous gunbattles and torture. Sangster does a fantastic job just poking fun at countries and their endless quests for violence and superiority. Sangster doesn't hold back, he throws China, Russia, the US and England under the bus in a lighthearted and entertaining manner.
Your Friendly Neighborhood Death Peddler uses the author's unique sense of witty, off the cuff writing to mock Earth's morbid fascination with weapons, power and greed. It's a humorous, albeit violent, deep-dive into third world politics and the zillionaires that finance it. In other words: an absolute must read.
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Louis Charbonneau (1924-2017) was primarily known as an author of science fiction and horror, but his second novel from 1959 was a straight-up crime thriller titled Night of Violence that was also released as The Trapped Ones. The novel remains available today as a paperback reprint, ebook and audiobook.
Lew Cutter’s car has a blown out tire outside of Albuquerque, New Mexico. This presents a particular problem because Lew is traveling with $50,000 in stolen cash with a pair of deadly California hoodlums named Lefty and Pete on his trail. Lefty is a particularly deadly sort - a former baseball pitcher who can throw hand grenades through windows with terrifying accuracy.
The author introduces the reader to a handful of other characters who converge upon the downscale Hideaway Motel. There’s a traveling salesman, a family of four with a horny teenage daughter, a couple of lovers looking for a place to screw, Lew, his pursuers, and others. The girl working the motel’s front desk is an adorable character involved in her own relationship drama with the establishment’s owner. The author uses short chapters that cut from one character’s third-person perspective to another. It’s an effective storytelling technique that satisfies the reader’s hotel-based voyeurism. You finally get to find out what’s actually happening behind the closed doors of the other rooms at the inn.
In his science fiction work, Charbonneau is known for his claustrophobic settings where action unfolds among characters in, say, a cramped space station. This is also the dynamic at work in Night of Violence. The author gathers these characters into a small, remote motel, lights the fuse, and lets the sparks fly. Charbonneau was an outstanding writer with a knack for building tension, which helps a lot.
Downsides? There’s a lot of character development and relationship drama among the guests and staff that unfolds for much of the paperback before the violence commences. This didn’t bother me at all because the cast was genuinely interesting, but understand that the novel isn’t a 180 page bloodbath. Well, not entirely.
Night of Violence is a terrific, fast-moving novel with a bunch of interesting characters being moved around a finite space like chess pieces by a confident and competent author. There’s really nothing to dislike about this taut little paperback. I can certainly recommend this motel story without reservations.
Addendum:
Friend-of-the-blog and bestselling author James Reasoner informs us that Louis Charbonneau also wrote western novels under the name Carter Travis Young. Now, go forth and read!
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Author Donald E. Zlotnik (born 1941) published over 300 weekly newspaper columns for two metro-Detroit newspapers. Most of Zlotnik's paperback novels are based on his harrowing, and highly respected career in the United States Army Special Forces. Zlotnik's 31 months in combat during the Vietnam War was commemorated by the awarding of three Bronze Stars, The Soldier's Medal and The Purple Heart. Beginning in 1986, Zlotnik began authoring military “fiction” novels based on his own experiences in Southeast Asia. The first was a stand-alone novel, Eagles Cry Blood (1986), followed by a four-book series titled Survivor of Nam (1988). Zlotnik followed with another run of combat-related novels, the five-book Fields of Honor (1990-1992) series. My first experience with the author is the debut novel of the Survivor of Nam series, Baptism, published by Popular Library.
Baptism introduces a handful of characters that will play dominant roles throughout the Survivor of Nam series. The chief protagonist is Private First Class Woods, a wet-behind-the-ears grunt who's introduced on the first page when he arrives at a U.S. Army airfield in Saigon. Zlotnik's sense of realism is reflected in the smallest of details, like the rubber around a transport vehicle's windows with a crisscross of tape to avoid glass shards in the event of an attack. You can immediately sense the horror, fear and remembrance in the author's writing style. After Woods partners with PFC Barnett, the two become close friends as they brave the first days in Vietnam. After being ordered to the 1st Cavalry Division in deadly Qui Nhon, the two soldiers are asked if they want to volunteer for MACV Recondo School. They jump at the chance and the book's opening chapters details the duo's training in small, heavily-armed long range reconnaissance patrols into enemy territory.
Upon graduation, the two soldiers, along with a handful of consistent characters, immediately experience their first battles. Victorious, Woods/Barnett's recon force is dropped along the borders of Laos and Cambodia, where the South Vietnam border touched Laos and North Vietnam. The mission is border surveillance, but U.S. Intelligence instructs the team to drop innovative, unique listening devices along the routes spreading from the Ho Chi Minh Trail. It's here where the bulk of the action lies, eventually separating Woods while readers learn that Barnett has been captured. At 185-pages, the book ends with a cliff-hanger that provoked me to research the second book in the series. Sure enough, it picks right up with Barnett's experience as a prisoner-of-war in the aptly titled installment P.O.W.
First and foremost, this is a work of fiction. Many readers, like myself, will ponder the decision to read Vietnam War fiction when so much non-fiction exists. There's a vast abundance of grunts, snipers, tunnel rats, pilots and tank commanders that have recounted their battle experience in explicit, detailed (often with photos) autobiographies. I think the fictionalization of true stories helps to separate the horror from reality and makes for a more enjoyable read. Your mileage may vary.
Baptism focuses on Woods (18) and Barnett's (17) coming of age experiences in the volatile jungles of Vietnam and is worth the sticker price. But, the author creates a number of engaging, side stories that further enhance the reading experience. There's a Black Panther member in the patrol unit that may be killing off white soldiers. There's a black market story-line involving guns, drugs and money with the supply detail with ranking members in the recon force caught in the crossfire. Zlotnik gives readers plenty to absorb and enjoy, and the book reminded me of a good young adult novel - albeit with added graphic sex, violence and profanity.
Overall, Baptism was an effective, but admittedly disturbing, first installment. The characters were compelling, the action propulsive and the author's combat experiences were conveyed to readers through the characters and story. I've already purchased the second installment and have the remaining two in my shopping cart. I absolutely loved this book, and I think you will too.
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Mike Shayne began his life as a fictional private detective in a 1939 novel written by David Dresser under the pseudonym of Brett Halliday. After about 50 novels by Dresser, the series was handed over to a number of ghostwriters including Robert Terrall, who also wrote the Ben Gates mysteries under the pen name of Robert Kyle. As Mike Shayne was nearing the end of his run in 1974, Terrall authored the 65th novel-length installment, Last Seen Hitchhiking, a book that takes Shayne to some very dark places.
Meri Gillespie is a 23 year-old grad student hitchhiking north from Miami - a mode of transportation she’s been using without incident since she was 14. She ignores news reports of a maniac killing female hitchhikers on Florida highways and takes a ride from a sour-smelling young man. Just her luck, he injects poor Meri with a needle rendering her unconscious in the passenger seat of his station wagon.
Meri awakens naked and strapped to what appears to be a gynecologist’s examination table with her feet belted into stirrups. The kidnapper explains that he is a med student seeking to use Meri in his own research involving human sexuality - specifically unlocking the female orgasm with an unwilling participant. If you’re gathering that this is a bit more graphic and extreme than Michael Shayne circa 1945, you’d be right. The scenes where Meri is forced to submit to her captor’s wishes are far more graphic than we normally read in vintage crime paperbacks. Consider yourself warned.
Before getting kidnapped, Meri had been banging her college professor (consensually), and the relationship had gone south. As Meri was leaving to hitchhike to an ex-boyfriend’s place in Fort Myers, she stole a valuable artifact of great academic significance from the professor who hires a female private investigator named Frieda to recover the artifact. The lady gumshoe quickly learns that Meri never made it to Fort Myers and brings Mike Shayne into the case suspecting foul play on the highway. After all, there’s a maniac in Florida snatching up female hitchhikers.
The Florida Highway Patrol has been notified of Meri’s disappearance, but it doesn’t seem like they’re doing much. Working as partners, Mike and Freida trace logical leads to see if Meri’s disappearance was a targeted attack by someone looking to obtain the valuable artifact that Meri swiped from the professor. It’s an interesting literary tactic because the reader is told in the opening chapters the precise awfulness that actually befell the young coed - making the normal investigation seemingly fruitless. How will Mike and Freida connect the dots to find the creepy sex-researcher holding Meri and the artifact?
The story regarding the sex-fiend kidnapper of hitchhikers was awesome. It was a fantastically perverted cat and mouse game. The subplot about the missing artifact was a distraction that felt like filler to me. It was a weird dichotomy to have Shayne so concerned about an archaeological treasure and be seemingly unconcerned about the missing hitchhikers for much of the paperback. Interestingly, Freida was one of the best female detectives I can ever remember reading. She far outshines Shayne in his own book.
Despite these reservations, I still thought Last Seen Hitchhiking was a pretty good Mike Shayne installment. I’ve always found Shayne to be rather generic, and this one was no different in that regard. The biggest asset for the novel was a villain who will really make your skin crawl, so this late-series installment is an easy, if not full-throated, recommendation.
Paperback Warrior Episode 45 is our All-Spy Spectacular where we discuss the best fictional spies of 20th Century fiction including Matt Helm, James Bond, Evan Tanner, Boise Oakes, and much, much more! Listen on your favorite podcast app, stream below or download directly HERE.
Listen to "Episode 45: All-Spy Spectacular" on Spreaker.
William Ard wrote a two-book series starring Danny Fontaine - an actor turned ex-con trying to make a life for himself in New York City. Those books were As Bad As I Am (1959 - also released as Wanted: Danny Fontaine) and the second book, When She Was Bad (1960). Ramble House has released the two Danny Fontaine books in a single trade paperback as Two Kinds of Bad with a helpful introduction by Francis M. Nevins. I’ve been dying to explore the first Fontaine book, and the reprint made it an easy lift.
As Bad As I Am opens with 30 year-old former stage actor Danny Fontaine being paroled from prison where he just served five years for beating a muscle-man to death because the meathead was being rough with a girl. We learn early in the novel that Danny’s Achilles heel is his desire to help women - regardless of legalities, and this affliction has landed Danny in jail before. Because of this, a condition of Danny’s parole is that he can’t date or have sex with a woman for the 18 month term of his supervised release.
Danny warms up to the idea of getting back into acting, and, of course, meets a girl in the process. Her name is Gloria, and the aspiring actress is the hottest little dish - and sweetness personified. When Danny becomes a murder suspect, Gloria is the one he turns to for shelter and a base of operations to establish his innocence. Late in the novel, they turn to a Manhattan private eye named Barney Glines to help clear Danny’s name.
Earlier in his career, William Ard wrote two books under the pen name of Thomas Wills starring a private eye named Barney Glines. Those two books were: You'll Get Yours (1952) and Mine To Avenge (1955). Later, when Ard began the Danny Fontaine series, Glines becomes a major character in the short-lived franchise. Ard basically created his own little Marvel Universe of overlapping series titles shared between his own name and a pseudonym.
In any case, Private Eye Barney Glines is, by far, the best character in this Danny Fontaine debut. He’s a funny, self-confident, can-do guy who takes control of the situation and helps navigate Danny out of his mess. It’s not a fast-moving thrill-ride of a paperback, but I still enjoyed As Bad As I Am. Ard was an awesome writer and he unfolds his plots really well - even when there’s not much action taking place. The dialogue and characters were vivid and real. I’m told that in the second book starring Danny, When She Was Bad, the jailbird becomes a private investigator working for Barney’s firm. I can’t wait to read it and tell you about it.
William Ard probably would have written more books starting Danny Fontaine after the second installment, but the 37 year-old author died of cancer in 1960 ending a promising career as an edgy and innovative voice on the crime fiction landscape. For my part, I’m just thankful that some of his work remains available today. Ard was a powerhouse talent in a crowded field, and he deserves to be remembered.
Fun-Fact:
The title As Bad As I Am comes from a traditional Scottish toast:
Here’s to you, as good as you are,
And here’s to me, as bad as I am;
As bad as I am and as good as you are,
I am good as you are, as bad as I am.
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Brute in Brass was a 1956 Fawcett Gold Medal paperback by Harry Whittington (1915-1989) published at a time when the prolific Florida author was at the top of his game. He probably was paid $2,000 for the novel with the promise of bonuses if the paperback saw multiple printings. In 1987, Black Lizard Books reprinted a handful of Whittington books including Brute in Brass under Whittington’s original manuscript title Forgive Me Killer.
Mike Ballard is a vice cop currently under investigation for corruption. This presents an immediate problem because he is also a bag man and fixer for a mobster nightclub owner with plenty of secrets. Mike’s got a girlfriend of sorts he set up in an apartment who’s not getting the emotional connection she desires. She wants to be his wife - anyone’s wife, really - but Mike likes the current no-strings arrangement.
Mike travels to a prison to see a death row inmate named Earl Walker who maintains his innocence of the murder that landed him on the electric chair waiting list. During the investigation, Mike was the only cop who didn’t beat Walker to elicit a confession, so he’s the one Walker begs to help save his life. Mike also has his eye on Walker’s comely wife, which is the real reason he agrees to help.
As you may have gathered, Mike is kind of a heel. But he’s one of those heels that you kind of like because he’s smart, tough and blunt - a good, but somewhat dirty, cop. He also evolves over the course of the novel to locate the decency within himself while solving a fascinating mystery and navigating a minefield of personal and professional problems.
Brute in Brass was another winner among Whittington’s 170 identified novels. The hero, Mike Ballard, is a badass fighter who should have starred in a series of his own.
Trivia:
There’s a theory that Mike Ballard was intended by Harry Whittington to be a series character - the key to a crime fiction author’s commercial success in the 1950s and now. He wrote a second Ballard novel called Any Woman He Wanted, but it was rejected by Fawcett Gold Medal.
The sequel was finally published in 1961 by second-tier paperback house Beacon under the pseudonym Whit Harrison. By then, any momentum toward making the protagonist a franchise was gone, and Whittington never tried again to launch a series of his own.
Any Woman He Wanted (Mike Ballard #2) remains available as a reprint from Stark House Noir Classics (HERE). Watch Paperback Warrior for a review coming soon.
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The 1980s proved to be a successful era for author Dan Schmidt. Beginning in 1986, Schmidt began contributing to the Mack Bolan universe with an astounding 40-installments across The Executioner, Stony Man and Mack Bolan product line. The busy author also launched a series of team-based combat novels called Killsquad that ran 10-books from 1986 through 1988. Of the author's extensive catalog of violent, bloody literary works, perhaps my favorite was the Eagle Force series. Like Killsquad, it was a team-based combat series and featured four ex-CIA members working as freelance mercenaries. The series lasted nine novels from 1989-1991 and was published by Bantam. I've slowly been collecting these books over the years and I was happy to finally locate the sixth installment, 1990's Berserker.
The first five novels of the series tied up some loose ends involving Eagle Force leader Vic Gabriel and his quest to learn how his father was betrayed and killed on covert operations in Vietnam. The climactic conclusion to that story arc was the emphasis of Ring of Fire. Berserker is the first of the series to feature a full-length action mission without the backstory baggage.
In the book's first chapter, a seemingly invincible man commences to sprint across the White House grounds. Using just brute strength and a primal rage, the man begins tearing at the frantic Secret Service men while absorbing a barrage of bullets. After the carnage, the chapter reveals that the man's furious assault was a final experiment performed by the KGB under top secret clearance from Soviet High Command. Project Berserker, in collaboration with East Germany, was created to modify human soldiers into savage, flesh tearing combatants that can be used to destroy villages, small cities and most importantly, military installations. It's like Marvel Comic's Weapon X program that created the Wolverine character...but only really, really evil. And communist.
Dan Schmidt utilizes the vile Berserkers as the perfect enemy for his rejuvenated Eagle Force. However, the author creates a number of fire-fights and smaller battles as foreplay before the bullet-orgy with the Kremlin and Project Berserker. The first of these battles is with a tactical mercenary unit calling themselves the German Fury. The mid-section of Schmidt's narrative focuses on Eagle Forces assault on a remote Greek island and their action-packed gunfight with the SPETSNAZ, an elite Soviet fighting force.
Berserker is another exciting installment of the Eagle Force series. The author's commitment to “brand new” adventures after five prior novels of backstory - using annoying recollections presented in italic fonts – was a much needed change. Because of that, readers receive 132-pages dedicated to Eagle Force versus Soviets, mercs and beastly soldiers. It's over-the-top, slightly deranged and completely unrealistic, three traits that make Dan Schmidt's writing so much fun.
