I Watched Them Eat Me Alive

I was born in 1976 and grew up in the 80s watching horror movies from the 60s and 70s on Cable networks like TBS, WGN and USA. One of my favorite sub-genres was the killer creature features that were incredibly popular in the mid to late-1970s. Films like Grizzly (1976), Empire of the Ants (1977), Willard (1971) and Day of the Animals (1977) were popular selections for weekend television and brick and mortar video rental stores.

Perhaps the most successful of the genre was 1975's blockbuster shark flick Jaws, leading to three sequels and a slew of similar aquatic horror movies like Piranha (1978) and Orca (1977). There were even a number of paperback titles like Croc (David Hagberg; 1976) and The Long Dark Night (David Fisher; 1976) that ran the gamut from deadly subway crocodiles to packs of rabid dogs. When it came to deadly animal attacks, nothing was off the table.

Until most recently, I had assumed that the killer animal/creature sensation was simply a product of the 1970s. However, Men's Adventure Library's 2017 book I Watched Them Eat Me Alive (New Texture), edited by adventure magazine scholars Robert Deis and Wyatt Doyle, showcases a myriad of horrific stories and grizzly paintings that dominated “most of the 160 different pulp magazines between the 1940s-1970s”. While skirting the line between horror and adventure (and even science-fiction), there are no boundaries in terms of savage, bloody action.

In 120+ pages, Robert and Wyatt present hundreds of magazine covers and panels, complete with issue dates and artist and author credits. The two historians also present separate essays compiled as “Funny as Hell: Killer Creatures in Men's Adventure Mags”. These essays not only explain the origins of the literary phenomenon, but also who the publisher's target audiences were. In thought provoking analysis, Wyatt metaphorically links the violent animals attacks to blue collar men's struggles with “life's hassles, adjustments, responsibilities and the uncertainties of life”. By connecting the two, it's easy to envision the tired, blue-collar working man finding enjoyment and similarities with each claw mark and animal bite.

The book begins with stories by Stan Smith and Robert Silverberg and focus on the killer or monster crab sensation. I found both of these enjoyable and was fond of Silverberg's inclusion as I enjoyed his crime-noir novel Blood On the Mink. After the brief “Flying Rodents Ripped My Flesh” story by Lloyd Parker (the only Sugar Glider horror story I know of), the sensational deadly gorilla short “Terror Safari” by Lester Hutton was presented from the January 1961 issue of Rage. The book finished with terror in two American locales - “Strange Revenge of Wyoming's Most Hunted Giant Puma”, by Robert F. Dorr and “Trapped in the Bayou's Pit of a Million Snakes” by Walter Kaylin, the best stories in the compilation.

From vivid, horrifying paintings and illustrations to genre analysis, I Watched Them Eat Me Alive was an eye-opening (and sometimes eye-closing) reading experience. Like the duo's other historic chronicles of pulp adventure magazines, this is a mandatory inclusion for any vintage action-adventure or pulp collector. As I've mentioned in an earlier review of their “Barbarians on Bikes”, the idea of actually owning these antiquarian, vintage magazines is a fool's errand. It's an expensive hobby considering the secondhand market pricing combined with product shortage. Robert and Wyatt have ultimately paid the price for all of us by compiling hundreds and hundreds of high quality scans for future generations to enjoy. It's a labor of love that's appreciated by all. Godspeed ahead!

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Sacketts #02 - To the Far Blue Mountains

After 80+ western novels of range-wars and quick-draw gunslingers, iconic author Louis L'Amour decided to branch out and try a different type of frontier storytelling. Beginning in 1974, L'Amour authored Sackett's Land,  the first of four novels that presented the origins of his critically-acclaimed Sacketts family. The entire series encompasses 17 total works with 13 set in the mid to late 1800s. Using a time period of 1599-1620, L'Amour describes pioneer life in early America. To the Far Blue Mountains, published in 1976, is a direct continuation of the remarkable story told in Sackett's Land, a novel that set the bar at a nearly insurmountable height. Could this subsequent episode deliver the same stellar result?

In the novel's opening act, we once again find main character Barnabas Sackett in England. After defeating the Earl and his men in the prior novel, Barnabas is eager to set sail for America. However, the Queen still wants Barnabas in chains hoping that he will confess to discovering the Crown Jewels (an early mix-up in the first novel). In a crescendo of galloping horses, Barnabas avoids the law and eventually makes his way to Ireland before catching a ship to America.

In a wild chain of events, Barnabas is shanghaied at sea and taken back to a cold, brutal English prison called Newgate. Facing severe punishment and torture on the rack, Barnabas eventually escapes only to struggle reaching America. As the book's first half comes to a satisfying close, I could sense that the author's swashbuckling adventure writing had reached its finale.

The novel's second half is a portrait of survival in a hostile new land. Settling somewhere in what would eventually be central Virginia, Barnabas and his friends begin farming and trading goods with neighboring Indians. But the peace and serenity doesn't last long when Barnabas, and his family, are marked for death by numerous tribes. L'Amour's storytelling is at its absolute peak as wave after wave of Indians assault Barnabas. Will he ever make it to the “Far Blue Mountains”?

In a lot of ways, this book comes full circle. Not only does it continue the early adventures of Barnabas in both England and the New World, but it extends into his old age. The author utilizes this time period to begin branching off the family through Barnabas' sons Kin-Ring, Jubal, Yance and Brian. This isn't a surprise considering the next two installments focus on the mid-1600s, with the fourth and final chapter of this early saga simply titled “Jubal Sackett”.

As an exceptional storyteller, it's hard to imagine L'Amour improving beyond Sackett's Land. Yet, To the Far Blue Mountains is the gold standard. I've read this novel multiple times and still get goosebumps during the final pages. Adventure and western authors would be hard pressed to deliver another literary work this sweeping, compelling and satisfying. This epic presentation, from shore to shore, is a grand spectacle and an absolutely riveting experience for the reader. It simply doesn't get any better than this.  

Notes:

- The first Chantry character appears briefly in this book. His story would continue in 1978's Fair Blows the Wind. Later Chantry books state that the Chantry and Sackett family fought side by side during the Revolutionary War.

- In the Bantam paperback edition of Jubal Sackett, L'Amour writes that his plans at the time were to explore the Sackett family history during America's Revolutionary and Civil War. Unfortunately, those novels never came to fruition as L'Amour would die afterwards in 1988.

- L'Amour would continue more adventure stories with his novel The Walking Drum (1984) set in 12th century Europe.

- There's some loose supernatural elements within To the Far Blue Mountains. In one scene Barnabas sees what he thinks is another city (or world) in the shoreline mist. L'Amour would experiment more with these elements in his science-fiction novel Haunted Mesa (1987).

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The Mexico Run

Lionel White was a successful crime-noir writer and journalist. From 1952 through 1978, the New York City native authored 36 novels, some of which have been adapted to international cinema. While crime-fiction was certainly his forte, White specialized in an entertaining sub-genre – the heist. The New York Times deemed White as the “king of capers” and noirish filmmaker Quentin Tarantino credited the author as an influence on his cult crime classic Reservoir Dogs. While the author's 1950s work is substantially the best of his career, the talented scribe proved that he still had some literary strength in the 70s. At age 69, White authored The Mexico Run, a clever twist on the caper novel published by Fawcett Gold Medal in 1974. The book has been reprinted in a handsome new edition with the author's 1976 novel Jailbreak. Yours truly was honored to be asked to write an introduction to the novel.

Mark Johns is a Vietnam vet who's fresh out of the service. Saving $18,000, Johns was encouraged by a fellow soldier to start running marijuana from Mexico into southern California. As the book begins, Johns is making the arrangements to meet a distributor of Acapulco Gold (a popular 1960s high class grass). His plan is to buy several kilos from a Mexican wholesaler and transport it using his friend Angel's fishing boat. After all of the planning and prepping, Johns is ready for the real thing. However, once he meets 17-year old Sharon, the whole thing begins to crumble.

After saving her from a savage boyfriend, Johns is forced to drag Sharon into his Mexican drug run. Using his Army buddy's contacts, Johns meets up with a crooked police officer named Captain Morales. The plan comes together that Morales gets 25% of the profit and will help smooth things over – as a respected officer of the law – so Johns can make the run. But, it's only after Johns successfully transports the dope that he finally realizes he's caught in a wicked trap – Morales wants Sharon badly and promises to keep her safe as long as Johns will start running narcotics. When Angel is imprisoned on a fake murder charge, Johns must either accept his fate as a drug-running mule for Morales or somehow escape from the game and still save Sharon and Angel.

Instead of dwelling on one bank heist, White expands the narrative with a complex game of drug running missions through customs. It's a fresh and enjoyable prose that left me breathless with possible outcomes. There's a remarkable twist at the end that hit me like a lead pipe, a feat that is next to impossible considering the volume of fiction I'm digesting weekly. From seedy motels to abandoned coastal villas, White takes advantage of atmosphere and environment to create his riveting portrait of betrayal and intrigue.

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Paul Chavasse #03 - The Keys of Hell

Before Jack Higgins (real name Henry Patterson) became a household name with 1975's runaway bestseller The Eagle Has Landed, the British author authored a number of action-adventure novels under pseudonyms including James Graham and Hugh Marlow. Utilizing the name Martin Fallon, Higgins wrote a six-book series of novels starring British spy Paul Chavasse. After enjoying the debut, The Testament of Caspar Schultz (1962), and the series' fourth title, Midnight Never Comes (1966), I was able to acquire the series' third book, The Keys of Hell, originally published in hardcover in 1965.

The book begins with Chavasse entering the British Embassy to request some time off. While there, he meets an attractive woman named Francesca Minetti who confesses to him that she was his radio operative on his last mission. Surprised, the two strike up a friendship and Chavasse is granted his two-week holiday...after he completes the assassination of a double-agent working in Albania.

During the opening chapters, Chavasse quickly completes his assignment but runs into Francesca in Albania. In sobbing fashion she advises Chavasse that her family has been persecuted by Albania's brutal communist regime. After the government began forcibly removing the public churches, her brother attempted to preserve a religious statue called The Black Madonna in the city of Scutari. Before communist forces could seize and destroy it, Francesca and her brother attempted to move the statue to a rural, coastal location ten miles away. During the transport, her brother was fatally shot and Francesca escaped. The beloved statue, which brought hope to thousands of persecuted villagers, sank into the deep marshes.

Like an espionage treasure hunt, Higgins' narrative is brimming with nautical chases, gunboat fights and the obligatory prison break. Chavasse and Francesca have a romantic connection, but the author ignites the spark when the heroic spy comes to the aid of a 20-year old female farmer. Once the statue was located, the narrative propelled into brisk action with a few twists and turns in Chavasse's circle of friends. Regretfully I had a sense that by skipping the series' second installment, The Year of the Tiger, I missed a key plot development in this novel. It didn't hamper my enjoyment, but perhaps the ending would have had a bigger impact.

I've never read a bad Jack Higgins novel and The Keys of Hell is no different. While the Paul Chavasse series is tragically underrated, spy and espionage readers should find plenty to like about it. Buy your copy of the book HERE.

Doc Savage #183 - Escape from Loki

The idea of retroactive continuity, commonly referred to as retcon or retconning, is a popular method for new writers to add additional elements or facts to a previously published work. It's been utilized by comic writers for decades and can often be found in early pulp magazines as a way to modernize the heroes for a new generation. The most recent retcon novel I've read and reviewed was Stephen Mertz's fantastic take on Mack Bolan's pre-Executioner life in Super Bolan #04: Dirty War. On Paperback Warrior Podcast Episode 25, I talked about Nick Carter retroactive continuity (erasing, ignoring or contradicting prior events) from early pulp detective to international paperback spy. So it's no surprise to find that author Philip Jose Farmer utilized this same technique for his 1991 retcon Doc Savage novel Escape from Loki (Bantam).

Philip Jose Farmer (1918-2009) was a highly respected science-fiction and fantasy author noted for his series Riverworld and World of Tiers. Farmer had a fondness for reworking existing fictional heroes into new novels and stories. From Moby-Dick and Wizard of Oz to Around the World in Eighty Days, Farmer would often fill in missing time periods or create sequels to literary works that were created by other authors. Farmer created two mock biographies of famed literary characters, Tarzan Alive and Doc Savage: His Apocalyptic Life. As a fan of the Doc Savage novels since 1933, Farmer chose to author one original series novel, Escape from Loki, which showcases the character at the age of 16 during WW1. By retconning what original author Lester Dent presented in The Man of Bronze (1933), Farmer is able to present an origin story explaining how Doc Savage originally met his beloved team members.

Escape from Loki races out of the gate as the young Doc Savage pilots one of his first aviation missions. It's explained to readers that Savage was hoping to pilot for the U.S. Air Service, but due to their planes needing machine gun installations, Savage's Colonel assigned him to a French aerial combat unit. Farmer uses this as an exciting sequence of events where Savage is shot down during dogfights over Germany. Making his way through the forest, Savage finds shelter in an abandoned farmhouse with two American soldiers. When the two immediately begin squabbling with one other, it's apparent that these men are Ham and Monk. While Savage's introduction to both of them is brief, it's a rewarding experience for Doc Savage fans to pinpoint where he met two of his most trusted allies.

After he's captured by German soldiers, Savage is subjected to a strange dinner party hosted by Von Hessel and Countess Idivzhopu. After escaping Hessel's fortified home, Savage manages to steal a German aircraft but once again finds himself captured by Germans and placed on a train of POWs. After escaping a third time, Farmer's novel reaches a heightened frenzy as Savage is forced to fight a pack of wild dogs inside a bombed out farmhouse. In what could be considered a series abomination to some fans, this 10-12 page portion of the book was an absolute highlight for me personally. Savage's violent battle with the dogs is a bloody carnage of broken legs, sliced throats and stabbings. Then, the starved, crimson-smeared Savage sits on a rooftop prepared to eat the raw carcass of a dead dog. Thankfully, there's another dog battle that leads him into a secret room where he finds that the prior owners were sacrificing infants on a Satanic altar! 

I can't help but think that Farmer was venturing off into a different style of storytelling, one that was wildly obscene yet mesmerizing. I was as equally entertained as horrified by the author's stark contrast to Dent's original work. Savage is caught for the final time and shipped to the notorious and supposedly impenetrable Loki prison camp, thus curbing Farmer's penchant for the peculiar.

The book's second-half explores Savage's life at the prison camp and his strategizing an escape from the facility. It's here that he is reunited with both Ham and Monk and the two continue there hilarious insults and banter. It's only a matter of time before Renny, Johnny and Long Tom make their introductions. Together, Savage and the five men form an escape plan while learning that Von Hessel may be performing terrifying experiments on the prisoners. In the book's finale, readers experience a small amount of pulp-fantasy that is reminiscent of Doc Savage's typical “super-powered” villains.

Escape from Loki receives an equal amount of love and disdain from Doc Savage fans. Some are alienated by Farmer's writing style and his attempts to capture the original style of Doc Savage storytelling. At the same time, fans appreciate this origin story and find that Farmer's characterization is spot-on (although universally everyone seems to agree that Farmer's treatment of both Monk and Ham was exceptional). For me personally, I've always had an average experience with Dent's original Doc Savage stories. The first half of Escape from Loki was remarkable and surpasses the better Savage narratives I've read. The second half wasn't quite as impressive with some sluggish scenes, a rushed (or even botched) ending and a halfhearted attempt at introducing Savage to his future colleagues.

Overall, Escape from Loki should be a mandatory read for Savage fans. It is clear that Farmer adored the series and attempted to treat the characters and fans with care and respect. While not perfect, the book was exhilarating at its best and easily acceptable at its worst. You deserve the opportunity to be your own judge.

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Ambush Bay

Jacques Bain Pearl (1923-1992), better known as Jack Pearl, was a talented author that thrived on writing movie and television novelizations. Along with novelizations of Funny Girl (1968), Our Man Flint (1966) and The Yellow Rolls-Royce (1964), Pearl also wrote a number of successful stand-alone titles and a well-received science-fiction series called The Space Eagle (1967). After reading his novel tie-in of the Dirty Dozen styled television show Garrison's Guerillas (1967), I was curious about another of his film novelizations, Ambush Bay (1962).

The film was released by United Artists and featured a cast starring Mickey Rooney, James Mitchum and Hugh O' Brian, who accepted the role after Charleston Heston declined it. The film was directed by Ron Winston, a Michigan native who spent most of his career working on television series' like “Hawaii Five-O”, “Branded” and “The Twilight Zone”. The film was shot on location in the Philippines, an important factor considering all of the action is centralized in that region.

Pearl's book introduces us to nine battle-scarred U.S. Marines and a goofy Air Force radio-man who is vital to the narrative. The mission is to penetrate enemy lines in Mindanao, a rural landscape in the Philippines. Once there, the group must locate a U.S. intelligence officer who  has been submerged in the Japanese military as a spy. General MacArthur has scheduled a full invasion of a portion of the island, yet the U.S. has received chatter that the Japanese may already know about the invasion and have planted sophisticated mines along their heavily fortified coastal position. The secret agent has key details on where the Japanese have planned for the assault. If the men can rendezvous with the spy, they can obtain the information and then radio it to MacArthur so he can prepare an alternate strategy if needed.

I struggled in the book's opening chapter with the number of characters. However, my confusion quickly subsided as most of the team is killed in furious jungle firefights. The book's main character is Private First Class Air Crewman radio specialist Jim Grenier, a young soldier who is taunted by the hardened Marines. Grenier is just six-months into his military career having spent his entire life on a chicken farm. Grenier's sole purpose is to stay clear of the fighting and protect the radio at all costs. Unfortunately, with the team's ranks thinning, the inexperienced rookie is forced into the fight.

Pearl is a great storyteller and despite working from a script, I imagine he's adding dynamic details to make the two-dimensional characters come alive for the reader. The unbalanced relationship between Grenier and the iron-fisted Sergeant Corey is the novel's first half focus, yet as the novel progresses, the two men become closer allies. While Pearl spends a great deal of time on gunplay, the book's second half presents an entirely different mission. I won't spoil the fun, but I was surprised when the spy was eventually revealed. It's this change of pace that elevated the entertainment factor for me.

Despite the film's lukewarm reviews, Jack Pearl's novel was an entertaining blend of action, adventure and humanity that should please genre fans. As a Signet paperback, hopefully you can locate a used copy somewhere.

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The Crime Commandoes

British author Peter Cave (born 1940) was both a newspaper reporter and editor before transitioning into writing full-length novels. The majority of his literary work was in the 1970s and 1980s under his own name as well as the pseudonym Petra Christian. He contributed to three installments of the New Avengers television novelizations in the late 1970s. Fascinated by the Easy Rider culture, Cave wrote a hand-full of biker novels beginning with 1971's Chopper. Beginning in the mid-80s, Cave authored five books as tie-ins to one of the U.K.'s longest running television shows, Taggart. My first experience with Cave is a 1976 team-based commando novel titled The Crime Commandoes. It was printed by Everest, a British publisher run by author Ken Follett (The Pillars of the Earth).

In the book's author notes, The Crime Commandoes was actually a pilot novel for an expected series of team-based combat adventures. The paperback even has the obligatory team member names and skill-sets printed on the back cover. It had all of the ingredients for a series...except for successful sales numbers. It's my guess that the debut didn't receive enough consumer demand to warrant additional installments. Nevertheless, the book is surprisingly a lot of fun.

Paul Crane is a Detective Inspector working long nights in London. As the book opens, Crane arrives to a crime scene to find a slain young woman. Shortly afterwards, a constable arrives with the prime suspect. After Crane's questioning, the man admits to killing the woman after she asked him for money. In an explosive rage, Crane brutally beats the man. With plenty of witnesses, Crane is brought to his superiors where he's chastised for allowing his pending divorce, alcoholism and depression to bring about a downward spiral of police brutality. He's suspended from the force with orders to get his life cleaned up.

After a few days, Crane is summoned to a special council with a man named Grant. The idea is to form an “urban guerrilla” force featuring four of London's most controversial law enforcement officers. Crane's is given free reign to use whatever methods he chooses for targeting high-profile criminals and terrorist cells across England. He'll receive weapons, supplies, targets and support. 

The catch is that Crane must be publicly arrested for taking bribes and placed on trial. With some agency resources, Crane will become owner of the notorious Blackball Club, one of London's seediest criminal dives. The trial will provide a light sentence and Crane will officially be terminated from service. It's an orchestrated bit of theater that places Crane into an undercover operative role while allowing him to mingle with other criminal cohorts at the Blackball. Does Crane accept? It wouldn't be much of a story if he didn't.

Joining Crane's Crime Commandoes:

Cornish – History of insubordination in the Army, former boxer. Bomb disposal skills.

Lake – Former police sergeant, terminated for brutal tactics. Explosives and fighting prowess.

Babsley – Police officer, terminated for attacking his superintendent. Fighting specialty.

Jelly – The fifth member is a bomb-sniffing dog that's rejected his handlers. His talents...he's a dog!

The team's first and only assignment is tracking down a terrorist cell calling themselves Apocalypse. After blowing up several buildings throughout London, the team begins researching patterns and studying the cryptic messages that are phoned to the newspapers. After eventually narrowing down the target area, the terrorists are forced to change their agenda from bombing to kidnapping. After Crane's team begins negotiating with the terrorists, a link is formed to a heavyweight drug dealer named Panosa. But is he the leader of the cell or just an ally? It's this question that leads into an explosive finale as the team fights Apocalypse on land, sea and air.

I read and reviewed a 1981 team-based commando novel called Terror in Turin by Robert McGarvey earlier this year. It was the debut of a six-book series called S-Com. The story-line of that novel is very similar to what Peter Cave offers with Crime Commandoes. Peter Cave produces a winning formula whereas McGarvey failed to produce engaging characters, a propulsive narrative or a believable villain. 

The Crime Commandoes formulate sound counter-terrorism strategies to fight a formidable foe in Apocalypse. It was extremely satisfying to find that this author doesn't restrain the good guys. In fact, he elevates the violence and body count as the heroes attempt to decimate the enemy. While I would have enjoyed more emphasis on properly introducing half of the team, I did enjoy Cave's focus on Crane and Cornish. Dog lovers will be frustrated that Jelly doesn't really make an impact on the storytelling.

Overall, The Crime Commandoes was an excellent, action-packed novel that should have produced more installments.

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Bomb Squad

Bomb Squad is a 1977 men's action-adventure paperback published by Leisure Books. The author is Mark Andrews, a name that I can't seem to place online. The only other literary work I can  locate matching this time frame is a 1970s paperback entitled Return of Jack the Ripper, also by Mark Andrews and also published by Leisure. One and the same? Probably, but we may never know.

The novel is broken into three sections - “Deadly Letters”, “Bomb Factory” and “The Hell Bomb”. The author's only attempt at creating a protagonist for the book is Tom Gilbert, a lowly alcoholic who works on a New York City bomb squad. He's having an affair with a woman named Mary Jo, who's in love with another man. Tom's wife is a raging alcoholic and the two have a one-month old child. In the book's opening chapters, Tom is suspended from the force due to his alcohol abuse. It's quite the conundrum considering the only main character (loosely) isn't an active member of the “bomb squad” for the duration of the paperback. 

In pulpy fashion, a network of 10,000 operatives calling themselves American People's Liberation Army have began mailing letter bombs throughout New York City. That’s a lot of stamps. The first one is delivered to Tom's lover Mary Jo who dies in a fatal explosion. Tom isn't terribly affected by it and later digs through the rubble to find a letter opener that he always wanted. Huh? While he's searching for buried treasure in the debris, his wife is at home in a drunken stupor shaking the baby and eventually dropping it. This should have been an important moment in the book's narrative, but it is quickly forgotten.

The novel then shifts gears to the newspaper business as they chase stories about the bombings. I believe the author was attempting to cash-in on the “thrilling reporter” sub-genre that saturated the market post-Watergate. While Bomb Squad doesn't present the newsroom suspense of All the President's Men, it does spend about 50 pages focusing on a reporter named Brown hunting clues about the mad bombers. Instead of spinning the narrative as a procedural investigation to discover who is behind the bombings, the author gives us whole chapters dedicated to the various terrorist members. There's no mystery or intrigue as we're introduced to leftover Vietnam War protesters that now want stock market winners to donate all of their profits to the needy. So, they make bombs to kill innocent people.

The author takes readers into an old church where an evil pastor is building bombs. He also takes us into a college auditorium as a professor explains to his class (and you...the reader) specifically how to make a basement level atomic bomb. He even provides the names of real books that show lunatics the step by step instructions. The horror! Furthermore, the author introduces a seasoned bomb squad member named Fingers McCoy to provide a complete tutelage on making pipe bombs to a new member of the force (again...that's for you, the reader). I pray that I'm holding the only remaining copy of Bomb Squad on the planet and that this crappy paperback doesn’t fall into the wrong hands. 

You're never going to read this book, so I'm giving you spoilers (just exit if I'm somehow stealing your joy). Not only does the book fail to produce one hero, by the end of the novel there isn't anyone in the bomb squad stopping the terrorist army. By the last page – guess what!?! 600,000 people die as New York City is nuked from the Earth. I have a suspicion that Andrews wrote this in a particularly bad part of his life – like a child dying or a downward spiral into financial ruin. That is my hope. If not, then this guy has a hard-on for destroying people and property and channeled his maniacal depression through some sort of how-to guide masquerading as a men's action-adventure novel. Make no mistake, Bomb Squad is the nuttiest thing I've ever read. And extremely dangerous. Consider yourself warned. 

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Paperback Warrior Podcast - Episode 37

It’s time for Episode 37 of the Paperback Warrior Podcast! This week we take a look back at the best books we read and reviewed for the month of March. Tom presents an unmasking of a rockabilly musician who also wrote genre fiction. We review vintage paperbacks from Borden Deal and Ivor Drummond. Join the fun on your favorite podcast app, stream below or download directly HERE.

Listen to "Episode 37: 99 Chicks" on Spreaker.

Skip Bomber

Lloyd E. Olson worked as a technical writer for news articles and served as the editor for a university news bureau. Olson served in the U.S. Air Force during WW2 and used that experience to author his one and only novel, 1960's Skip Bomber published by Ace. In the book's opening notes, Olson reveals that he used the story's location in New Guinea due to it being the least known battle of WW2's brutal Pacific Theatre. He poignantly described it as “an area where the Stone Age and Twentieth Century met.”

Skip Bomber introduces readers to Captain McGurk and his crew of the Fertile Myrtle, an American B-17 bomber. In a lot of ways the story is about this flying fortress and it's steadfast resistance to the elements, mechanical deficiencies, a stern Captain and Japan's robust naval fleet. For perspective, this bomber's wing area was 1,420 feet and powered by four engines each pushing 1000 horse-power. It's top speed was 325 mph at 25,000 feet. It's cargo? 6,500 pounds of explosives. Needless to say, the B-17 was a fire-breathing behemoth.

McGurk's mission is to consistently defend an area known as Port Moresby in New Guinea. During the war, this was a city of about 1,300 people sitting a mere 80 miles from Australia. For the strategist, it was an important area for the Allied forces but also critical in the defense of Australia. While Olson summarizes the history and importance of the area, don't forget this is an action-adventure fiction paperback.

Aside from a few fun excursions, each chapter is dedicated to one flying mission for McGurk and his crew. The author doesn't provide much insight on the characters' personal lives, choosing instead to simply tell an exciting series of stories. Through instrument panels, tailgunner pivots, belly bombs and McGurk's perspective, readers are thrust into these exciting bombing campaigns. Missions vary from defense measures around American ships to assault runs across Japanese fleets. Interesting enough, there's even a bombing run on a volcano.

While Skip Bomber is a lot of fun, I was hoping for a central plot to develop. Additionally, having some sort of backstory on these characters may have prompted a more emotional investment. The story ends appropriately enough, but I couldn't resist contemplating a better ending or thinking of a potential sequel or follow-up tale. Regardless, at 180-pages, this 35-cent Ace paperback packs a punch. Skip Bomber is a fun, exciting look at a lesser known WW2 campaign. Bombs away!

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Memory of Passion

The literary works of crime-fiction master Gil Brewer have slowly become reprints by publishers like Hard Case Crime and . In 2006, Stark House Press reprinted two of Brewer's novels as one volume - 1960's Nude on Thin Ice and 1962's Memory of Passion. I've found Brewer's work to be slightly above average aside from what could be the genre's most impressive title, 1958's The Vengeful Virgin. The Stark House reprint offers an introduction by David Rachels where he proclaims that Memory of Passion contains characters that are "Brewer's ultimate portrayal of the male condition". Considering that Brewer's underlining emphasis is sex, I was curious to read it.

The novel features 11 total sections with each section containing a line from the song "Where or When" (from the musical "Babes in Arms"). Like many crime-noirs, Brewer's protagonist is a frustrated married man sailing the rough seas of domestic life. Bill Sommers is a wealthy artist and father living in a posh neighborhood. He drives a Porsche, is generally well-liked by his community, yet his wife Louise presents a consistent daily struggle. Often she's at neighborhood parties, displaying a fleshly fondness for the couple's circle of friends. Sommers mental solitude is dwelling on his first love, a teenage fling with a lover named Karen. The two were intimately best friends and Sommers feels she may have been the love of his life. But that was 20+ years ago and he hasn't spoken to Karen since. Until the phone rings...

Oddly, Sommers begins receiving calls from a teenage girl who claims she is Karen. After agreeing to meet her, Sommers is shocked to find that somehow Karen is ageless! She's still the teenage beauty queen from his youth. After refusing her advances and questioning his sanity, Sommers can't fight that feeling anymore. The two begin a hot-blooded affair that leaves the main character a shell of a man. He's plagued by guilt, wrecked with emotion and morally torn by his animalistic lust.

While Brewer injects his novel with a carnal energy, the narrative's pace eventually leads to a crime. Karen's mysterious presence leads to a deadly altercation that propels the novel's second half. With a sex-killer prowling suburban streets, Karen becomes the next target. But with Sommers caught in a love affair, he too begins to be ensnared by the killer. The author's presentation then becomes the view point of three characters – Karen, Sommers and the killer. And that very well may have been the book's ultimate demise.

Shockingly, I found this book to be well below average for a Gil Brewer work. He's certainly had some sleepers (Flight to Darkness), but Memory of Passion rests too much on the killer's thought pattern and behavior. Often I was reminded of provocative horror authors like Edward Lee and Richard Laymon. They were probably inspired by Brewer and/or crime-noir and this novel presents the raw sexual intensity that those two authors often utilized. I found that I didn't particularly like any of the characters and was never absorbed by Sommers' moral dilemma – I found him to be a rather lifeless character without any heroic traits. While advocates aren't mandatory, they sure can elevate a narrative saturated in depravity.

Overall, this is a Gil Brewer novel that I'll quickly forget. Thankfully Stark House Press offers an affordable reading option, but I can't fathom purchasing a high-dollar original paperback. Memory of Passion just isn't any good. 

Buy a copy of this book HERE

Chester Drum #01 - The Second Longest Night

Milton Lesser (better known as Stephen Marlowe, 1928-2008) authored over 20 stand-alone novels including a number of respected science-fiction stories. After authoring his first full-length crime-noir novel, 1954's Catch the Brass Ring, Marlowe went on to create his most notable literary work. Beginning with 1955's Fawcett Gold Medal paperback The Second Longest Night, Marlowe launched a 20-book series of hardboiled crime novels starring Washington, DC private-eye Chester Drum. Marlowe's collaboration with Richard Prather created a paperback sensation called Double in Trouble. It was a unique pairing of two bestselling literary characters – Prather's Shell Scott and Marlowe's Drum. My only experience with the character is the series debut.

The Second Longest Night introduces Drum as a 30-year old divorcee working in Washington, D.C. as a private-eye. In the opening pages, readers learn that Drum was married to Deidre Hartswell, the daughter of a U.S. Senator. The two became disenchanted with each other and became divorced shortly after their wedding. Six-months after the divorce, Deidre was found dead in a bathtub. Her death was ruled as a suicide but her father has doubts. He hires Drum to investigate her death and if there was any foul play.

In the book's first-half narrative, Drum connects Deidre to the Communist Party and a lover named Francisco del Rey. After one of Drum's informants is murdered by del Rey, the book's locale changes from snowy Washington DC to the hot, humid jungles of Venezuela. The author takes an odd storytelling angle by pairing Drum with Deidre's twin-sister Lydia and her husband Ralph. Together, the three visit del Rey where Drum begins to connect a lucrative oil contract with the Hartswell family. But just as things seem to wrap up, the action globetrots to a mountain range in Northern California as Drum, Lydia and Ralph ascend the slopes to determine Deidre's mysterious death.

Stepping into the novel, I had just assumed it would be a localized story with Drum's procedural investigation conducted in the urban areas of Washington DC. After researching the series for this review, I discovered that most of the Drum novels are international mysteries featuring espionage and intrigue. In fact, the series' last five installments apparently read more like James Bond than the stereotypical private-eye whodunit. This Drum debut was surprisingly more adventurous that I had anticipated, evidenced by the character's battles in and around a remote river basin. While not physically domineering, Drum's quick responses are some of his best weapons. Drum isn't intentionally written as humorous character, but the character's lashing, verbal responses are sarcastic and border on being patronizing. As a fan of Robert Parker's Spencer, I found this character trait appealing.

The Second Longest Night isn't the perfect hardboiled crime novel, but it definitely showcased Marlowe's skill-set as a successful storyteller. I imagine like many authors, the quantity eventually led to quality. I'd be mildly curious to read mid-series entries like Violence is my Business (1958) or Peril is my Pay (1960) to judge how well the series developed. With international espionage, communist plots and crooked politicians, I'm not in a huge rush to read more of Chester Drum's exploits. I much prefer small-town crime-noir, domestic disputes or more urban, localized private-eye novels. I'll continue pursuing Frank Kane's Johnny Liddell, Mickey Spillane's Mike Hammer and Dan Marlowe's Johnny Killain novels before devoting more time to Stephen Marlowe.

Buy a copy of this book HERE

Hunt the Killer

Along with Harry Whittington, Gil Brewer and John D. MacDonald, Day Keene (real name Gunnard R. Hjerstedt) presented many of his crime-noir novels in Florida locations. These prolific authors were Florida natives or had simply adopted the state as their home. Often, these crime-fiction talents would even spend weekends together swapping ideas and fishing along Florida's Gulf Coast. So, it's only natural that their literary works were spotlighted by the Sunshine State. Day Keene's Hunt the Killer (1952) exemplifies that trait.

When readers first meet Charlie White, it's on the last day of his prison sentence. As he is stepping out of a Florida prison, there's a backstory explaining why White wore stripes for four-years. White, a WW2 veteran, owned a fishing boat and was making a meager living hauling in fish from warm Gulf Coast waters. Married to Beth, the two lived in an older Victorian styled house on a small island near Tampa. With dreams of escaping normality's prison, White was delighted to receive an anonymous call from a man simply calling himself Senor Peso. This unusual caller asked White if he would like to make $2,000. The $2,000 quickly snowballed as White found himself illegally importing goods, duty free, into Tampa.  After a few successful imports, White was caught by the Coast Guard and sentenced to prison.

Upon his release, White is picked up by the beautiful Zo, a Cuban woman that White was having an affair with before his capture. The two head to a coastline cabin to celebrate White's release. However, White discovers a letter that his wife wrote him advising that she has forgiven him for his past discretion and would like to reconcile their marriage. Truly loving Beth, White breaks off the fling with Zo. Shortly thereafter, White finds himself unconscious in the cabin with a gun he doesn't own. Readers aren't as surprised as White when he finds Zo's corpse riddled with bullets near by. Who shot Zo?

It's the age-old genre trope – the innocent man wakes up with a corpse. In the skillful hands of Day Keene, it's still an entertaining retelling. The novel's first half focuses on White's flee from the police across Florida, transporting readers into rural and tropical locations like Ocala, Ybor City, Fort Myers and Palmetto City. There's a satisfying relationship that White strikes up with an old trucker named Kelly. But, it's White's visit with his wife Beth that ratchets up the suspense. Keene's atmosphere –  an old, desolate mansion shrouded in Spanish moss – is nearly a main character as the “hunt for the killer” propels the narrative. The eventual reveal of Senor Peso was well worth the price of admission.

Thankfully, this novel has been reprinted by Stark House Press as a three-in-one volume that also contains two of his 1959 novels, Dead Dolls Don't Talk and Too Hot to Hold. There's no reason why you shouldn't own this in your collection. Purchase a copy HERE. 

The Mercenaries #01 - Black Blood

British author John Harvey's most notable literary work is a series of police procedural novels starring Detective Inspector Charlie Resnick. The series began in 1989 with Lonely Hearts and ran an impressive 13 installments through 2014. In the early 1970s, Harvey wrote two biker novels under the name Thom Ryder and also authored a three-book WW2 series called Death Shop. My first experience with the author is his The Mercenaries series of team-based combat novels written under the pseudonym Jon Hart. The series ran five total installments with the debut paperback, Black Blood, published in 1977 by Mayflower.

Black Blood has an auspicious beginning as the author introduces a character named Dick Thompson, a young boy who's being brutalized by his peers. After the beating, Thompson returns home where he discovers his mother is having adult-relations with a man. As Thompson runs out of the house, he collides with his father. Fast-forward to present day and we find Thompson working in Africa as a mercenary. Through thick foliage, Thompson spies a black woman breastfeeding her baby. Cautiously, Thompson enters the hut, rapes the woman, threatens her baby at knife-point and then leaves. The odd thing is that Thompson is a Lieutenant in the author's band of mercenaries called Five Commando.

I was hoping for something remarkable considering Harvey's respectability as a talented author. However, once another character was introduced as antisemitic and the son of a Nazi soldier who assisted in the mass extermination of Jews, I was immediately turned off. With Black Blood, the author's idea was to establish an action-adventure series starring criminals. Five Commando is made up of despicable characters that are led by a cunning negotiator named Major Kane. The debut mission is Kane's contract with an African leader who is attempting to resist a strong rebellion. After hiring Kane's mercenaries for 70 pages, Five Commando kills all of the rebels and take on a second mission of protecting a monastery of nuns. By the 100th page, I had completely lost interest.

At 125-pages, this book was the pits. The writing was disjointed and unnecessarily gory. Often I had trouble placing where the team members were in battle and in some cases I couldn't ascertain whether Kane had just five Mercenaries or five-hundred. There were brief portions of the narrative where team members are interacting with other allies. This was extremely confusing from a reader's perspective and left me disenchanted with the storytelling. The end result is a low-brow fictional effort that shouldn't be in your hands on or on your bookshelf. We have a special place for these abysmal literary efforts – the Paperback Warrior Hall of Shame. Black Blood, welcome to your permanent home.

The Life, Literature, and Death of Ron Haydock: A Paperback Warrior Unmasking

I recently bought a large lot of vintage paperbacks on eBay. The bundle of books was priced right, and my lowball offer was honored by the seller - much to my joy and amazement. Among the stacks of Fawcett Gold Medals and Ace Doubles was an oddity I’d never seen before: a pseudo-sleaze paperback with a plot synopsis hinting at it being a sexy caper novel titled Scarlet Virgin by someone named Don Sheppard. While the packaging of this tawdry-looking paperback does nothing to inspire confidence in its quality, the story behind the author is noteworthy and worth exploring.

The first thing to understand is that the paperback is an April 1962 printing by low-end publisher, Pike Books of Van Nuys, California, distributed by an outfit called Paragon News. The photo of the cover model was taken by Bob Pike, who I presume was the owner of this less-than-prestigious publishing house, and I bet that snapping pictures for sexy paperbacks was his favorite perk of the job.

However, the real interest here is the author. As you may have gathered, the writer here is not, in fact, someone named Don Sheppard. A bit of internet digging answered the first question of this sleazy authorship mystery: Who the hell was Don Sheppard?

According to U.S. Copyright records, the real author was Chicago native Ron Haydock, and if you’re not familiar with that name, please allow me to get you up to speed. First, go ahead and listen to the song “99 Chicks” by Ron Haydock and The Boppers. It’s available on Spotify.           

That’s a pretty awesome song, right? The rockabilly single was released as a 45 RPM in August 1959 by Cha-Cha Records. It wasn’t much of a hit, but the disc remains a rarity sought-after by collectors. The group performed the song on an episode of “Chicago Bandstand” before Haydock left his Windy City hometown to chase fame in Hollywood.

A lifelong fan of horror movies, Haydock began editing a column in a film-buff magazine called Famous Monsters of Filmland published by Forrest J. Ackerman before launching his own knock-off publication that ran from 1961 to 1964 called Famous Monsters of the Films. He also co-hosted a weekly Los Angeles talk radio show geeking out over horror films. 

His knack for writing prose opened the door to a career as an author. He wrote two sleaze novels for Bob Pike published in March and April of 1962: The Flesh Peddlers and the aforementioned Scarlet Virgin - both released under the pen-name Don Sheppard. If he received the going rate at the time, it’s likely that Pike paid Haydock about $500 per manuscript. Maybe less. Over the subsequent six years, Haydock continued his career as a novelist by co-authoring 11 straight-up porno books under the name Vin Saxon, a pseudonym he shared with Jim Harmon. His body of work from this era includes Caged Lust, a 1967 effort in which, if the cover is any indication, a zoo gorilla has carnal relations with at least two lusty babes. The novel was also released under the name Ape Rape.

Haydock also acted in a handful of schlock cinema B-movies in the 1960s, including Rat Pfink a Boo Boo from 1966 with a soundtrack featuring several of Haydock’s songs. He co-authored the screenplay and acted in two roles in the film, including one credited to “Vin Saxon,” the pseudonym he used to publish the

gorilla porn novel.

As his dreams of Hollywood success faded, Haydock returned to Chicago in 1967 to work on his music career. He also wrote some stories for Creepy magazine and drafted the copy for the backs of a 55-unit trading card series issued by Topps in 1968 called Land of the Giants, cards that fetch a pretty penny on the collector’s market today.

Haydock briefly returned to acting in the 1971 horror film, Blood Shack directed by his long-time friend and collaborator, Ray Dennis Steckler. He continued to be part of the world of horror film fandom by serving as associate editor and writer of a short-lived publication called Monsters of the Movies that came and went in 1974.

“I'm out for kicks in life, doing whatever I want whenever I want, on the move like there's no tomorrow, I'm living like there's only today,” Haydock said. “Yeah, that was the right word for what I wanted out of life - kicks. And I never had to look very far or very hard to find them. Somehow, they always managed to find me.”

The details aren’t entirely clear, but 1977 was a bad year for the author, actor, musician, and film fan. His mental health began to slip and on August 14, 1977, he was walking down an interstate highway exit ramp in San Bernardino County, California when he was struck and killed by an 18-wheeler truck. He had been visiting his filmmaker friend Steckler in Las Vegas and was in the process of hitchhiking his way to L.A. when the accident occurred. He died two days before Elvis Presley met his own too-soon demise. Haydock was 37. Presley was 42.

Haydock is buried in Resurrection Catholic Cemetery near Midway Airport on Chicago’s south side. In 1996, Norton Records compiled 28 of Haydock’s songs and demos - previously released and unreleased - into a career retrospective CD called “99 Chicks.” The 29-track compilation remains available today on every major music streaming service.

His literature, however, remains lost to the ages. That is until a deep-discount eBay paperback lot brought Scarlet Virgin by Don Sheppard into my library and life.

The 158-page, big-font paperback is narrated by Biff Elliott, a 34 year-old “knight of the world” who was a freelance soldier in the Cuban revolution and experienced “wild times in the Orient.” As the novel opens, Biff finds himself held at gunpoint by a sexy redhead who is convinced he’s someone else. One thing leads to another, and Biff is thrust into a fantastic adventure involving a primitive society worshiping a megalomaniac white man as their god, and a missing idol that could unravel the whole enterprise. As you can imagine, the short novel is full of kinky nymphs for Biff to boff along the way.

This Paperback Warrior Unmasking would be so much better if it turned out Scarlet Virgin was a lost classic that demanded wider readership. Unfortunately, that’s not the case. Haydock’s writing is fairly amateurish and in desperate need of an editor. The narration is littered with sentence fragments and exclamation points as an indicator of something exciting happening. I think he was trying to emulate a Doc Savage styled adventure, but the whole thing felt very rushed and poorly outlined.

The best thing that can be said about Scarlet Virgin is that it could have been a good first draft of a novel in the hands of the right publisher, but Pike Books clearly didn’t care enough to spruce it up. Ron Haydock deserved better.

The biggest upside of this forgotten little book is that it prompted me to learn quite a bit about this ambitious young man who wanted to make it big in the arts before his life was cut short. Haydock said that all he wanted out of life were kicks, and I hope he found some along the way. 

Paperback Warrior Unmasking: Who Is Jack Baynes?

Jack Baynes was a pseudonym employed by Fawcett Crest for four paperback original crime novels starring Chicago private eye Morocco Jones published between 1957 and 1959. Recent eBook reprints of the novels brand the books as the War Against the Mafia series, a name that rings more than a few bells for us. Neither the original 1950s paperbacks or the 21st century eBook reprints answer the critical question:

Who the hell was Jack Baynes?

Bertram Baynes Fowler (1893-1981) was an editor and writer at the Christian Science Monitor with an interest in history and economics. He was also a popular public speaker on social science topics in the 1930s and 1940s. He wrote several non-fiction works advocating the formation of cooperative institutions such as credit unions and food co-ops as an alternative to the top-down approach of corporatism. Fowler viewed cooperative organizations as a way to split the difference between cutthroat capitalism and centralized government socialism at a time when America was struggling with those questions in the wake of the Great Depression and World War 2.

In the world of fiction, Fowler left only a few footprints behind. He sold two short stories to the pulps in 1936 using the pen name B.B. Fowler. In August 1936, Dime Mystery Magazine published his novelette School for Madness. He also delved into horror fiction with his story Huntress from Hell published in the October/November 1936 issue of Horror Stories magazine.

Diving into inconsequential paperback crime fiction during the late 1950s must have been a fun diversion for the writer, particularly with the commercial success Mickey Spillane was achieving at the time with his Mike Hammer stories. Recall that in the 1950s, paperback originals were lowbrow pop culture for the masses. As such, a writer and thinker whose ideas were often cited in economics journals would understandably want to publish his violent and tawdry fiction under the veil of anonymity that the Jack Baynes pseudonym provided Fowler.

The copyrights were never renewed on the Morocco Jones series which created an opportunity to bring these now public domain books back to digital life for an enterprising reprint house called Deerstalker Editions. The publisher is owned by Jean Marie Stine, a former editor at Leisure Books and assistant to Star Trek creator Gene Roddenberry. On her blog, she says that she changed the titles of the Morocco Jones series because the originals “seem to have been created by an inattentive editor.”

The order and title variations of the Morocco Jones series are:

1. Meet Morocco Jones (1957). Reprinted as Morocco Jones and the Syndicate Hoods
2. Hand of the Mafia (1958). Reprinted as Hand of the Syndicate
3. The Peeping Tom Murders (1958). Reprinted as The Syndicate Murder Cult
4. The Case of the Golden Angel (1959). Reprinted as The Syndicate’s Golden Angel

Buy the books HERE

Morocco Jones #01 - Meet Morocco Jones

The Morocco Jones books by pseudonym Jack Baynes are a four-installment series debuting in 1957 written by a newspaperman and non-fiction writer named Bertram B. Fowler (1893-1981). The actual title of the debut remains a source of great debate. I’m guessing the full title is Meet Morocco Jones in the Case of the Syndicate Hoods but the spine of the original paperback simply reads Meet Morocco Jones. A recent eBook reprint re-titles the novel, Morocco Jones and the Syndicate Hoods. Same difference, I suppose.

The book opens with our hero, Morocco Jones, opening a private investigative agency in Chicago along with two colleagues from their spy days together. As Morocco explains to an old flame, “We have wealthy clients who pay well for the return of missing jewels, of embezzled funds; for straightening out a crooked caper. It's duck soup after the old days, honey."

Unfortunately, it’s not going to be that easy for Morocco this time. A commie spy named Bardo has a score to settle from the group’s European Cold War days and resurfaces in Chicago with a goal of killing Morocco and his partners. Even more vexing, Bardo is coopting hoodlums from the Chicago syndicate to be his local muscle. It’s a war against both the commies and the mafia in one, easy-reading volume.

Another wrinkle is that the three ex-spy partners had a fourth member of the team back in Europe named Chris who went missing years ago. It seems that Chris went through extensive plastic surgery to change his appearance and is now also lurking in Chicago. This tired gambit has been done before in adventure fiction and feels a little lazy to me. Chris’ resurfacing as someone else is clearly somehow related to Bardo’s resurfacing, but how?

Morocco is not the boss of his own P.I. agency. He answers to the General who ran the spy agency before they all retired two years earlier. The General is a hard-nosed boss who says things like, "And, so help me, Morocco, I'll eat you for breakfast if you slip." Based on the exigency of this current mission, the three have been reinstated as U.S. government operatives until Bardo is permanently exterminated.

This first literary adventure in the series is basically a hunt-and-kill mission for Morocco, but he has to run down clues like a normal private eye to find Bardo and his syndicate protectors. He leaves a sizable body count in his wake in a bloodbath of carnage more extreme than most 1957 paperbacks. The action scenes were top-notch but there are far too many characters and untidy plot threads in this otherwise short paperback. It’s easy to get lost at times, which should never happen in a short paperback.

Fowler’s writing is serviceable without ever being flashy. He would have fit in perfectly among the Pinnacle Books serial vigilante authors of the 1970s. Overall, this opening Morocco Jones adventure is definitely worth your time, but it is unlikely to be the best book you read this year.

Buy a copy of this book HERE

The Run to Morning

Bestselling author Henry Patterson (known as Jack Higgins) reached superstar status with his 1975 novel The Eagle Has Landed. However, beginning as early as 1959, Patterson began authoring a number of action-adventure novels using pseudonyms like Martin Fallon, Hugh Marlowe and, of course, Jack Higgins. Patterson wrote four novels under the name James Graham, including 1974's The Run to Morning. This novel was also released that same year under the title of  Bloody Passage. As if things couldn't get any more complicated, the combination of Higgins, Graham and Fallon were all listed as author names for the many various printings of this novel under the two titles. Considering all of the publishing and marketing strategies, did the author deliver a worthwhile reading experience?

The book begins with one of the most effective opening paragraphs that I can recall:

“The first shot ripped the epaulette from the right hand shoulder of my hunting jacket, the second lifted the thermos flask six feet into the air. The third kicked dirt at my right heel, but by then I was moving fast, diving headfirst into the safety of the reeds on the far side of the dyke.”

From that opening segment, readers are introduced to Oliver Grant, a man with a unique profession. After developing a skill-set of freeing captives during the Vietnam War, Grant now runs a successful, illegal business of breaking into international prisons and liberating select prisoners. His clientele are wealthy businessmen, politicians and criminals (there's a fine line between the three) that pay top dollar to free associates, family and friends. When Grant is asked to break into a Libyan prison for a corrupt businessman named Stavrou, he politely declines fearing the regime's vicious dictatorship. But shortly after his declination, Grant's blind sister Hannah is kidnapped by Stavrou's cartel and held as a bargaining chip.

The first 100-pages of The Run to Morning features Grant's realization that Stavrou's step-son is being held in a notorious, cliff-side prison that is reputed to be impenetrable. To assist with the mission, Grant recruits a former U.S. Army Green Beret, a skilled mountain climber and a boat captain. Complicating Grant's teamwork is a vile henchman named Langley, a man that reports directly to Stavrou, and Stavrou's lover Simone. Once the escape is underway, Grant begins to believe that the whole operation is just a set-up. But why? That's the question as readers plunge into the riveting second-half narrative.

While The Run to Morning had some gaping plot holes, it's still better than 90% of the books I read and review. Higgins' storytelling style and his ability to construct these international espionage adventures make for an exhilarating reading experience. The narrative's recruitment stage was intriguing with the addition of Langley and his effect on Grant's mission. The love interest angle between Simone and Grant was an evolution, eventually revealing its true nature. The Simone character was a slow development and from a reading experience, the author's patience was a key component to her impact on the story.

From exciting nautical chases, explosive gunfire and a brilliant prison raid, The Run to Morning was another thrilling addition to Higgins' impressive catalog. Highly recommended!

Buy a copy of this book HERE

Bad Day at Black Rock

The genesis of this paperback is a bit confusing, so do your best to follow along. In 1946, The American Magazine published a short story called “Bad Time at Honda” by Howard Breslin (1912-1964). The story must have been well-received because it was adapted into a screenplay by Don McGuire and Millard Kaufman for a 1955 movie starring Spencer Tracy called Bad Day at Black Rock. Before the movie was released, the screenplay was then adapted into a Fawcett Gold Medal novelization by Michael Niall released in December 1954. Here’s the catch: Michael Niall is a pseudonym for Howard Breslin, the guy who wrote the original short story in the first place. The good news is that the novel Bad Day at Black Rock is nowhere near as confusing as the paperback’s origin story.

It’s the Summer of 1945 and a passenger train stops in the small, Western desert town of Black Rock. The only passenger to disembark is John Macreedy, and you can be forgiven if you picture him to look a lot like Spencer Tracy. The mere fact that the streamliner stopped in the dust-plagued and shabby town is a big deal because no passenger train has stopped in Black Rock for four years. Suffice to say, this isn’t a place accustomed to strangers.

Macreedy is greeted with hostility and distrust from Black Rock’s permanent residents. This is a story of dueling secrets. The people of Black Rock clearly have something to hide. Conversely, Macreedy’s real purpose in town is initially a mystery to both the guarded townies and the reader. I’m not going to spoil it here, but Macreedy has travelled to Black Rock to solve a mystery and right a wrong that never should have happened. But is he a private detective? A government agent? A lone vigilante?

The town’s boss is named Reno Smith, a vividly-drawn character filled with menace and power beneath a veneer of charm and reasonableness. Although this was basically a contemporary story of the 1940s, the paperback has the vibe and structure of a novel set in the Old West - a stranger blowing through a dusty town with a secret headed for a violent confrontation with the existing power structure among the tumbleweeds.

A book like Bad Day at Black Rock succeeds or fails based on the strength of the secrets the characters eventually reveal, and the solutions here are pretty satisfying. Although the paperback is only 143 pages, there was quite a bit of filler added to create some bulk to what was probably a perfectly lean short story. The final confrontation was solid and also recalled the explosion of violence found at the end of most western novels.

Overall, Bad Day at Black Rock was a decent, if unremarkable, diversion. I predict that it won’t be your favorite book, but you also won’t regret the couple hours it takes you to finish it. 

Buy a copy of this book HERE