The Empty Trap

The Empty Trap, published by Fawcett Gold Medal in 1957, is a shorter, stand-alone crime-fiction novel by John D. MacDonald. It's patterned like a traditional western yarn, albeit more savage and uncontrollable in a contemporary setting. While the story's most violent portions occur in Mexico, MacDonald leads his readers into the dry, scorching Nevada town called Oasis Springs. It is here where The Empty Trap snares Lloyd Wescott and his beautiful lover Sylvia.

In the novel's opening pages, readers are immediately introduced to Lloyd. But it's a brief introduction. You see Lloyd has skimmed nearly $100,000 from his employer, a crooked Casino calling itself The Green Oasis, and he's now a broken shell of a man about to meet death. Harry's three brutish enforcers have gang raped Sylvia to death and viciously burned and beaten Lloyd in an effort to retrieve the money. In the opening 19-pages (not for the squeamish), Lloyd is placed into a Pontiac and pushed off of a high cliff. But unbeknownst to the enforcers, Llloyd survives.

Like a rugged Spaghetti Western, Lloyd is found by an old Mexican and brought to the man's large village. The impoverished villagers slowly nurse Lloyd back to health. With his disturbing new appearance – splintered teeth, broken facial bones, spider-web of scars – Lloyd contrives a plan to avenge Sylvia's murder...and his own.

MacDonald weaves his short narrative into a series of backstories. The reader is brought full circle from Lloyd's beginnings as a hotel manager to his affair with Harry's sultry wife Sylvia. It's a timeless retelling of a man's quest to avenge the death of a loved one, but MacDonald squeezes a lot of originality out of the familiar story. Lloyd's affection for his employer's wife helps the reader identify with a flawed character (as opposed to the popular crime-fiction trend of alcohol addiction). The novel's bloody beginning sets the tone for what is ultimately a very gritty and violent tale of theft, misfortune and loss. Readers know exactly what's behind the curtain jerk, but will still be impressed by MacDonald's magic.

The Empty Trap proved to be a fulfilling reading experience. Buy a copy of the book HERE.

Penetrator #01 - The Target Is H

Powerhouse publisher Pinnacle capitalized on its own success with The Executioner with a wildly successful, over-the-top vigilante series entitled The Penetrator. Beginning in 1973, the series launched with The Target Is H, the first of 53 installments published under the house name of Lionel Derrick. However, the series was masterminded by journeyman author Chet Cunningham (Avenger, Pony Soldiers), who wrote the even numbered volumes. The odd numbers were penned by Mark K. Roberts (Soldier for Hire, Liberty Corps.). I decided to check out where it all began - Penetrator #1: The Target is H.

The novel introduces series protagonist Mark Hardin and the events that led to his war on organized crime. Hardin excelled in sports, eventually lettering in wrestling, basketball and football in high school. On the cusp of a lucrative NFL contract, Hardin refuses to cooperate with gambling junkies during his last collegiate game and experiences a horrific back injury that ends his athletic ambitions (there's more to the story but I'm no spoiler). Hardin then joins the U.S. Army and finds that he is a remarkable soldier. After numerous medals, Hardin's military career ends with an exceptional record and an honorary discharge.

While hoping to find the gambling junkies that ended his sports career, Hardin and his girlfriend Donna Morgan run into a heroin distribution ring in Los Angeles. Too close to the fire, Donna is murdered and Hardin finds himself aligned with her uncle, Professor Hawkins, and a talented Native American named Red Eagle. As a trio, they launch a crime-fighting crusade from a desert fortress called The Stronghold.

This series debut consists of a number of guerrilla firefights between Hardin and a mob family led by Don Pietro Scarelli. Mark Roberts writes like Don Pendleton's clone, firing off an admirable Mack Bolan knockoff in Mark Hardin. Despite the book's cover (and most of the series for that matter), Hardin isn't some suit-wearing spy that's chasing brutes and babes. In fact, I was surprised that Hardin is mostly concealed in black fatigues without any bodacious beauties. It's all action, from car chases on windswept, desert roads to infiltrating the mob in a slick ambush. Roberts presents three distinct firefights that were above average for a 1970s vigilante paperback...and that's saying something.

Overall, The Target Is H was a stellar first entry in what would amount to be a tremendously successful run of men's pulpy action-adventure novels. This one is a must read and thankfully Chet Cunningham's estate have made the first 26 installments available as affordable ebooks.

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Paperback Warrior Podcast - Episode 36

In Paperback Warrior Podcast Episode 36, our field correspondent witnesses a book purge at a legendary bookstore. Who got the axe? We discuss big news regarding Max Allan Collins’ Nolan books and a vexing problem concerning John Boland’s Gentlemen series. Eric reviews a Doc Savage book by Philip Jose Farmer, and Tom covers The Captain Must Die by Robert Colby. Stream below on your favorite podcast app. Direct downloads HERE:

Listen to "Episode 36: Max Allan Collins' Nolan" on Spreaker.

The Executioner #11 - California Hit

After the deadpan narrative in Vegas Vendetta, the ninth installment of The Executioner series, I was alarmed that author Don Pendleton had reached a subdued complacency. Thankfully the subsequent entry, Caribbean Kill, delivered what most would expect from these early installments – white-knuckle action laced with gunfire. After taking a year hiatus from Pendleton's novels, I was excited to read the series' 11th volume, California Hit (1972).

Bolan arrives in San Francisco to extinguish Roman DeMarco's criminal empire. Targeting the Capo Mafioso, Bolan sets his targets on DeMarco's two most loyal generals. As the book opens, there's a sense of familiarity as Bolan stakes out a mob dwelling called The China Gardens. In a blitzkrieg of explosives, Bolan eliminates dozens of enforcers before being ushered to safety by a bodacious Asian woman named Mary Ching. While on the run from a special police task force called Brushfire, Bolan roots out a Chinese criminal cell that is aligning with the mob to force a power struggle within the Mafia ranks. That's a lot to unpack for any reader.

Pendleton's narrative has a lot of forward momentum but mostly these battles have become commonplace within the series. Surprisingly, the most gripping portions were dedicated to characters from Bolan's past. For example, the novel's 10th chapter is titled Alpha Team. This of course is a tie-in to Bolan's firefighting team in Vietnam called Team Alpha. It is also the name of a successful spin-off series that debuted in 1982.

California Hit also brings to light the fact that Bolan served in some capacity during the Korean War. I'm not mathematically gifted but I think Bolan would have been too young for that campaign. Regardless, these history lessons are connected with one of Bolan's former squad members, Bill Phillips. It's Phillips that opposes Bolan's mission by attempting to quell the flames with his Brushfire team of anti-Bolan personnel. There are a number of cameos or mentions throughout the novel – Leo Turrin, Gadgets Schwarz, Rosario Blancanales and Bolan's brother Johnny.

While California Hit won't make any Bolan “best of” lists, it is about par for the course for the series' double-digit entries. There's a number of characters, narrative threads and series' characters to keep readers briskly flipping the pages. The book's last few paragraphs introduces the next mission – protecting Johnny in Bolan's hometown of Pittsfield. I'm excited to see how it plays out in Boston Blitz.

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The Living End

Frank Kane's body of work is primarily highlighted by the Johnny Liddell series of books and short-stories. While that private-detective series was extremely successful from 1944-1965, Kane composed a number of high-quality stand-alone crime-fiction titles including Key Witness (1956) and Syndicate Girl (1958). While most of the author's work is iron-fisted, hard-boiled crime novels, there are two distinctions: Juke Box King (1959) and the subject at hand, The Living End (1957). Both of these titles are centered around the music business with an emphasis on radio and the disc-jockey profession. With Kane's crime-fiction experience, he's able to fit these stories into a gritty crime-noir experience for readers. The Living End was originally published as a paperback by Dell and has been reprinted by Stark House Press subsidiary Black Gat Books in 2019.

The book showcases the fictional rise of music industry upstart Eddie Marlon. As readers are first introduced to Eddie, he's interviewing at a music publisher called Devine Music. After playing a rather deadpan song for the publisher, Eddie is offered an internship working as an assistant to a popular radio DJ named Marty Allen. The gig has Eddie lining up the “platters” of records during early morning hours. Marty takes an immediate liking to Eddie and the two form a teacher-student relationship throughout the book's opening chapters.

Soon, Eddie learns about the era's most notorious music scandal, the art of payola. In the 1950s and 1960s, the music business was saturated in the crooked business of record labels and publishers paying disc-jockeys to play their songs and records repeatedly. Music historians described it as a way to train radio listeners to like certain songs due to repeated listens (a radio tactic still being used in some degree today). By limiting airtime for independent artists and low-budget recordings, high profile labels were able to continue their success through the disc-jockey manipulation. Marty isn't completely opposed to the racket, but he also isn't a complete-pushover. He continues to reward the independent and local artists with airplay on the station. Eddie, looking for career shortcuts, begins slipping in song rotations for more money while avoiding artists and labels that don't provide payment.

Like any great “rags to riches” story, The Living End presents Eddie's epic journey from lowly assistant to disc-jockey king. Eddie's crooked path to fame and fortune cleverly parallels crime-fiction's popular trope of a low-level criminal's ascension to kingpin or notorious mobster. In fact, Kane's narrative is steeped in crime-fiction traditions with an addition of jukebox racketeering within the Mafia. Eddie's backdoor alliance with a New Jersey Mob was a welcome addition to what was already a top-notch, straight-laced crime thriller.

Music fans will appreciate the deep-dive on payola and its origins in Mid-20th Century pop-culture. Crime-noir fans will find Eddie Marlon's criminal transformation, financial spiral and eventual descent into madness a compelling read. Frank Kane's phenomenal storytelling is seemingly timeless, with The Living End still viable and relevant in 2020. Many thanks to Black Gat Books for reprinting Kane's remarkable stand-alone novel.

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So Wicked My Love

Following a prosperous writing career in the pulp magazines, Bruno Fischer became a crime-fiction success story. His novel House of Flesh sold 1.8 million copies, leading to a successful run of 10 books authored by the German-American throughout the 1950s. His 1954 novel, So Wicked My Love, was published by Fawcett Gold Medal. It originally appeared in a condensed form in the November, 1953 issue of Manhunt magazine. Crime-fiction scholars will often point to the novel as one of Fischer's best. Opening the book, I was hoping to agree.

When readers first meet Ray, he's a dejected, emotional wreck laying on Coney Island's sandy beach. His girlfriend Florence rejected his marriage proposal and ring the night before, explaining to Ray that she may still be in love with another man. As Ray ponders his life post-Florence, he spots a woman he once knew walking along the shore. Ray re-introduces himself to a beautiful vixen named Cherry and almost immediately becomes an accomplice in armed robbery and murder. Wicked love indeed.

After reading a brief newspaper headline about an armed car robbery, a mysterious woman and a band of criminals, Ray's one night out with Cherry proves to be a cornucopia of dark discoveries. He learns that Cherry has a car trunk filled with stolen cash and three violent men on her trail. Ray gives Cherry the engagement ring he bought Florence and the two decide to flee with the money together. But after a deadly, violent encounter with two of the three men, Ray drops the money at an abandoned farm house and anonymously calls the police to pick it up. Ray then reconvenes with Florence and the two become married and live happily ever after. Considering all of these riveting events happen in the book's opening pages, readers quickly sense that Bruno Fischer has an abundance of intrigue, suspense and violence left to explore.

Ray's lusty encounters with Cherry aren't explicit, but they're an enticing invitation for readers to take the journey with these ill-fated lovers. As Ray's average life becomes more complicated, readers can foresee the impending doom in Fisher's narrative. By its very definition, the idea of this average blue-collar man being trapped in a web of murder, robbery and blinding lust is crime-noir in its most rudimentary form. It's also the same ritualistic formula utilized by a mastermind crime-fiction veteran like Fischer to mesmerize readers, fans and literature scholars. From a reader's stance, it makes for an fantastic reading experience. So Wicked My Love is so wickedly good.

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7 Deadly Sinners

Between 1959 and 1961, Charles E. Fritch (1927-2012) wrote a quasi-series of five private eye paperbacks in which the main character’s name changed regularly as well as the pseudonyms used by Fritch when publishing the novels. In various installments, the protagonist’s name was Mark Wonder, Christopher Sly, or Nicholas Gamble while the author names were Charles Fritch, Christopher Sly, Eric Thomas, and Christopher Brockden. It’s a mess to understand and unsurprising that the books never took off commercially. The series order, heroes, pseudonyms and publishers are all hashed out below in the addendum to this review.

The fourth book in the series (although they can be read in any order) is 7 Deadly Sinners by Christopher Sly, starring private detective Christopher Sly from 1961. The novel is currently available as a trade paperback reprint from Wildside Press restoring Charles Fritch’s own name as the author. Fritch went on to have a successful career as the editor of Mike Shayne Mystery Magazine.

Christopher Sly (the character, not the pseudonym) is a wisecracking Hollywood private eye with an assignment any red-blooded man would relish: he needs to guard seven starlets for a local movie studio to ensure they stay out of trouble before a publicity tour. The catch is that one of the seven beauties was a girlfriend of a deported mafioso. The syndicate wants to find her to ensure she remains silent forever about what she knows. The problem is that nobody knows which of the seven ladies is the girlfriend.

While Sly’s overt assignment is to keep all seven women alive, his secret mission is to identify the mobster’s ex-girlfriend. His only clue to get this done is the knowledge that she has a diamond-shaped birthmark down near her lady-parts. Yes, you read that right. Sly’s needs to discreetly examine each of the seven to determine which woman is the mob’s target and take extra care to keep her alive thereafter. His preferred method is seduction, but other opportunities arise as well. Okay, I’ll grant you that this is a stupid and contrived premise, but it’s basically a lighthearted sex-romp mystery in the same manner as a thin Carter Brown or Shell Scott novel.

This is a very horny paperback with a fair amount of sexually explicit content. We get lots of moaning animal sounds, heaving breasts, and expectant thighs, but the descriptors seldom take it to the next level. The sex scenes - and there are quite a few - are more graphic than a Shell Scott book but less explicit than a Longarm western. The original publisher, Athena Publications, was a sleaze fiction paperback house that pushed the limits far more than the Ace Double housing Fritch’s 1959 private eye novel, Negative of a Nude.

The twisty solution to the paperback’s central mystery is so painfully obvious that any reader will see it coming from a mile away. The ending was also abrupt as if Fritch hit his contractual word count and just stopped writing. Despite its simplicity, 7 Deadly Sinners was a mostly fun, low-impact read. Only you can decide if the $8.49 price tag for the paperback reprint is worth the cost of this mindless diversion. Paying much more for a bawdy murder mystery really would be a crime.

Addendum: Charles Fritch’s P.I. Series Chronology

- Negative of a Nude by Charles Fritch (1959), Ace Double starring P.I. Mark Wonder
- Strip For Murder by Eric Thomas (1960), Kozy Books starring P.I. Christopher Sly
- Psycho Sinner by Eric Thomas (1961), Athena Books starring P.I. Mark Wonder
- 7 Deadly Sinners by Christopher Sly (1961), Athena Books starring P.I. Christopher Sly
- Fury in Black Lace by Charles Brockden (1962), Carousel Books starring P.I. Nicholas Gamble

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Steve Ashe #02 - I Like It Tough

I was thrilled to see that Cutting Edge Books has chosen to reprint James A. Howard’s fantastic Steve Ashe novels as ebooks and new-edition paperbacks. The four-book series from 1954-1957 stars a rough and ready pilot-boxer-reporter unafraid to fight dirty. The series served as an early prototype for the kinds of serial vigilante adventures popularized by Pinnacle Books in the 1970s. I Like It Tough from 1955 is the second Steve Ashe adventure, and it’s probably best for the series to be read in its proper order.

The story opens with Steve regaining consciousness in a Colorado hospital room a day after using his body to stop some bullets during the climactic ending of I'll Get You Yet, the series debut installment. The opening chapter does a thorough job of bringing readers up to speed on the events of the first novel. As such, if you read this second series novel first, you’ve just spoiled the prior book. The short version is that Steve successfully dismantled the upper-echelon of the Denver syndicate. Are they gone forever? Or will The Outfit regroup?

A package bomb arrives at the hospital room killing Steve’s girl, so we know that Steve’s one-man war against the mafia definitely isn’t over. Steve’s new eye-for-an-eye target is Vito Gaesinni, a mobster filling the void left by the dead wise guys from the previous novel. The path to find Vito brings Steve to Los Angeles and into the orbit of some interesting side characters who become part of Steve’s manhunt plan. As with the first novel, the fact that Steve’s career as a journalist has zero relevance to the plot. He’s just a badass adventurer cleaning up the streets of L.A.

Early in the novel, Steve befriends (and lays) a prostitute with a heart of gold named Sylvia. Vito had paid Sylvia for sex and companionship in the recent past, so the hope is that she can provide Steve some insight into his prey. In Los Angeles, he connects with a psychologist operating a sanitarium treating a narcotics-addicted magazine illustrator with a sexy personal secretary. The scourge of drugs - particularly the terrifying and insidious “marijuana” - lurks in the background of the paperback and takes a human toll on many of the characters.

There’s a legitimate mystery to solve in the heart of I Like It Tough, and it involves a shadowy corporation paying the bills for the drunken illustrator and their possible connection to the narcotics trade. Is it a publishing industry outfit licensing illustration art? Or a mob front insuring the silence of people who know too much? The vendetta story and the mystery compliment each other nicely throughout the violent, fast-moving pages leading to a climactic conclusion.

I have no idea if Don Pendleton ever read the work of James L. Howard, but they were certainly flying in the same airspace 20 years apart. I Like It Tough is another winner in the short-lived Steve Ashe series. Thank heavens these books are back in print as this series certainly deserves to be remembered. 

Buy a copy of this book HERE

Run for Your Life

Bruno Fischer was born in Germany in 1908 and emigrated to the U.S. at age five. He wrote for the pulps in the 1930s and 1940s, and transitioned seamlessly into the paperback original market of the 1950s with the majority of his output published by the Fawcett Gold Medal imprint. I’ve found his writing to be reliably excellent, so I was pleased to find a ratty paperback of 1960’s “Run for Your Life,” one of his many novels that has not yet been digitized and released as an ebook.

Our narrator Willie Farrington has lived a posh life. He grew up wealthy and avoided WW2 combat because of his influential family who made their fortune in the railroad industry. Willie estimates that he’s worth around $50 million, and modern readers should keep in mind that this was in 1960 when that was a lot of dough. Willie lives on a sprawling Arizona ranch with his spoiled, cheating wife, and is visiting New York City as the novel opens.

An unusual sequence of events finds Willie dresses like a bum in Central Park in the middle of the night without any money. Mistaking him for a vagrant ruffian, a young woman named Nina solicits Willie to break into an apartment and recover a manila envelope containing documents. Willie accepts the engagement to see if he actually has the capacity to be good at something other than writing big checks.

Willie enters the apartment while Nina waits outside, and if you’ve never read a Fawcett Gold Medal crime novel before, you’ll be surprised to learn that there is a murdered body inside the place. Willie also finds the envelope he was tasked to recover, and it’s filled with what appears to be sensitive national security documents. The cops arrive, and Willie finds himself running for his life along with Nina just like the paperback’s title promised.

If you’re thinking that this all sounds a little contrived, you’d be right. The mid-novel revelation disclosing the reason for the murder and the significance of the envelope is pretty lame and as a straight-up mystery whodunnit, “Run for Your Life” fails. However, as a pursuit and survival adventure paperback, it’s pretty darn good.

By 1960, Fischer was a pro at pacing an exciting novel that keeps the pages turning, and who doesn’t like a well-told couple-on-the-run story? The obstacles Willie and Nina are forced to navigate on their road to freedom and redemption make for some genuinely-exciting reading, and by that measure, “Run for Your Life” is worth your time. Recommended. 

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Barbarians on Bikes: Bikers & Motorcycle Gangs in Men's Pulp Adventure Magazines

When it comes to post-apocalyptic and men's action-adventure, Paperback Warrior has featured a number of reviews of books featuring bikers and biker gangs. From sprawling doomsday sagas like 'The Last Ranger' and 'Outrider' to gritty vigilante novels like 'Hell Rider', the inclusion of motorcycles and their riders is a consistent aspect of the freewheeling warrior spirit.  While most of our attention has been given to the 80s and 90s action paperbacks, in all actuality the motorcycle-fiction genre reached a fevered success much earlier. Between the 1950s to 1970s, men's action-adventure pulp magazines featured wild, colorful and over-the-top biker paintings and illustrations. The stories themselves ranged from harrowing military feats to Hell's Angels styled escapism for blue-collar males. It was an immensely popular and competitive market for the publishing industry.

Esteemed scholars Robert Deis and Wyatt Doyle (The Men's Adventure Library, MensPulpMags.com) have collaborated on a number of historic accounts and publishing trends in vintage Men's Pulp Adventure Magazines (MAMs). Their 2016 coffee-table archive is dedicated to the biker sub-genre within the publishing industry of the mid-20th Century. Titled “Barbarians on Bikes: Bikers & Motorcycle Gangs in Men's Pulp Adventure Magazines” (New Texture), this 130-page book chronicles hundreds upon hundreds of magazine covers, gate-fold spreads and a brief introduction that cites 1947's “cycle-rally-gone-wild” in the Northern California town of Hollister as a real-life catalyst for America's fascination with biker culture. The book also features an analysis by author Paul Bishop, a former LAPD detective and author of the terrific 'Fey Croaker' detective series.

While I enjoy book and magazine covers, my expertise is typically dedicated to the in-between pages. I love reading and reviewing great fiction, but have a soft place in my heart for the artwork adorning all of these great paperbacks. It's rewarding to find that same passion lies within Robert and Wyatt's labor of love. The astronomical prices of vintage magazines, combined with the rarity of finding intact 70-year old magazines, makes “Barbarians on Bikes” a must-have for anyone that appreciates the action-adventure culture (films, comics, magazines, paperbacks). The high-quality, full blown scans of these hard-to-find magazines is an all-you-can-devour eye candy buffet. Personally, this book is about as close as I'll ever come to holding and owning these vintage and antiquarian men's magazines.

“Barbarians on Bikes” showcases Bob and Wyatt's undying love for a time and place in history that we'll never experience again. Their dedication and hard work unearthing these historic treasures for today’s generation are an absolute delight. For readers, collectors, historians and anyone else remotely interested in men's action-adventure literature, pulp magazines and motorcycles, “Barbarians on Bikes” is mandatory for your home library or coffee-table.

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The Vengeful Virgin

With over 30 novels in a career that spanned 1951-1970, WW2 veteran Gil Brewer is considered a cornerstone of crime-fiction. His mid-era novel, “The Vengeful Virgin”, was originally published by Fawcett’s Crest imprint in 1958. Cited as one of Brewer's strongest works, Hard Case Crime reprinted the novel in 2006 with new cover art.

Jack Ruxton is a young owner/operator of a floundering television retail and repair shop. His life drastically changes the day he meets Shirley Angela, a primary caregiver for an elderly invalid named Victor. In a combination of desperation and hot-blooded lust, Shirley asks Jack to assist her in killing Victor. The payoff? About $300,000 that's been promised to Shirley in the event of Victor's passing. With a tumultuous tuition, Jack's life becomes an education on sex, greed, jealousy and murder. Does he make the grade?

With “The Vengeful Virgin”, Gil Brewer may have hit his high-water mark. The story's placement on Florida’s Gulf Coast parallels the author's own residence in sunny St. Petersburg. Like his contemporaries in Dan Marlowe, Day Keene and John D. MacDonald, Brewer makes use of a crime-fiction staple: the Florida waterfront cabin. It's here where the book reaches its violent crescendo, the crossroads of regret and guilt through the murky haze of hard liquor. Brewer's tale incorporates all of the genre tropes but still remains remarkably engaging and timeless. The paperback showcases the downward spiral of a man's ruin, lovers on the run and the inescapable, ever-consuming law enforcement dragnet.

In its utter simplicity, “The Vengeful Virgin” is a riveting masterpiece and should not be missed. It’s absolutely essential reading for fans of the genre.

Purchase a copy HERE

Jason Savas: Unmasking the Hero

Beginning in the Mid-20th Century, model Steve Holland found plenty of opportunities to influence the look and feel of men's action-adventure poaperbacks. Transitioning from a mediocre acting career, Holland went on to become the “Face That Launched a Thousand Paperbacks”. Collaborating with artist James Bama, Holland would be the face of pulp icons Doc Savage and The Avenger and later era heroes including Richard Blade and Mack Bolan. After Holland's immense impact on the genre from the 1950s through the 1970s, a new face began to emerge, seemingly a successor to Holland's photo-realistic throne.

That man was Jason Savas.

After years of rigorous investigation, Paperback Warrior was finally able to locate Savas. In a revealing interview, we discussed his childhood, modeling career and his current endeavors as an aspiring Hollywood screenwriter.

Jason Savas currently lives in the same New York City apartment he was born in. Surrounded by his large collection of sports memorabilia, the 65-year old explained that athletics at an early age led to his eventual introduction into the lucrative world of modeling.

“My mother put me into the dojo when I was six-years old. I studied Judo and practiced it for a long time. I was a jock and competed in Judo tournaments and then in high school I did wrestling and lacrosse. I wanted to be a jock, and jocks played college sports. I wanted to play professional sports. This was 1977 and I had long hair down to my shoulders. My girlfriend in college was with me and we were walking by a poster or sign of a model and she said you look like that guy up there.”

After graduating from the City College of New York (C.C.N.Y.), Savas found himself walking through Central Park and bumped into a former wrestling competitor from high school named Joe. Little did Savas know that this quick exchange would effect the next 11-years of his life.

“Joe told me he had become a model and said I could do it too. He gave me a name and a number. We ended up going to the beach and someone took some photos. I stumbled into fashion modeling during the summer of 1979 and was lucky enough to work almost everyday for years after signing with Wilhelmina Model Agency. My earliest work consisted of trade publications...newspaper and magazines...catalogs, designer press kits and magazine work such as G.Q. and Men's Wear doing both editorial and advertisements. I was still new to the industry and both surprised and excited by the wide variety of modeling work available.”

In December 1979, Savas began modeling for the first of several Gianni Versace ads and by 1980, he was all over the fashion world posing everywhere from cigarette ads to cosmetics. But in 1981, Savas also found himself doing a different type of modeling.

“I found myself in a studio shooting a book cover. It was very strange because I had never done illustration work and it was different. I got to wear a costume and it was over in a flash because a shoot only lasted one hour and you were done. Very simple, but fun. Then I started doing more and more book covers. I guess I took over the reins from Chad Deal [a popular 1980s cover model]. I did over 1,000 covers and interestingly, I did more romance novels than action or western. Romance was the largest market and many times we got to wear period clothes which makes it even more fun. The one-hour shoots allowed a modeling agency to slip us into several photo shoots a day and/or in between 'real modeling' jobs. Book covers were a bit like play acting. I enjoyed shooting the covers because you never worried how you looked because you would be painted.”

Savas explained that these shoots originated with the publisher contacting the modeling agency and requesting a certain type of model – rugged, blonde or dark hair. He stated that 99% of the time the illustrator was present at the shoot. Once the photos were taken, the illustrator would then paint the photo and insert various location settings. For the majority of Savas' career, he paired with photographer Robert Osonitch.

“Robert Osonitch was the king of illustration photographers. He had the operation down pat for every type of shoot: lighting, back drops, clothes. His studio had a major wardrobe collection and he was an excellent director as well.”

Savas adds, “I own one oil on Masonite, 20” x 30” without the type (pictured) that I bought from the artist Steve Assel. He used me many times for western covers, including a half-dozen Louis L'amour stories. He was an excellent artist and I enjoyed working with him. Also there is a vast difference in talent among the artists, very noticeable. It seemed to me that Harlequin used the lesser artists while Zebra, Warner, Fawcett and several other companies had more money to pay for the better artists.”

The model's painted photo can be found on a majority of Stephen Mertz's 'M.I.A. Hunter' series published by Jove. He is also featured on noteworthy action-adventure series like 'Avenger', 'Eagle Force', 'Out of the Ashes', 'Vietnam Ground Zero' and a number of stand-alone titles like “Black Moon”, “The Raid” and “Long Ride Home.”

“I have a list of over 1,000 covers and probably found close to 250 physical books mostly in airports. One of the Harlequin romance writers, who lived in Iowa, requested me several times and showed up to a shoot one day. We became friends and she gave me a book cover of myself in nine different languages.”

After his 11-year modeling career, Savas invested in a business and his passionate sports memorabilia hobby (click HERE to see videos of his vast collection). He even authored his own action-adventure novel titled “The Messenger” in 1999. These days, Savas is hard at work writing screenplays and hopes to find some Hollywood interest.

Find a paperback featuring Jason Savas? Email us a photo or the book's title at paperbackwarrior@yahoo.com.

Scott Jordan #01 - Bury Me Deep

Between 1947 and 1981, attorney-turned-author Harold Q. Masur (1909-2005) wrote 11 installments of a successful mystery series starring attorney-turned-private-eye Scott Jordan. The books come highly recommended, so I’m beginning at the beginning with the first novel, Bury Me Deep, originally released in the March 1947 issue of Mammoth Detective Magazine and then re-edited into a Pocket Books paperback in the early 1950s. The novel remains available as a $3 ebook for modern readers who like to consume their vintage paperbacks digitally.

As depicted on the cover, Bury Me Deep opens with narrator Scott Jordan coming home from a trip to find an unknown hot blonde in lingerie curled up on his couch drinking a brandy. After talking for a minute, Scott learns that her name is Verna, and she is very drunk. Scott dresses the girl, pours her into a cab, and sends her on her way without ever learning how she came to be there in the first place.

The next morning Scott is awakened by the police. The cops have the cabbie in tow who immediately identifies Scott as the man who put Verna into his taxi. It turns out she died a few minutes later - apparently poisoned. The police logically assume that Scott was somehow involved and bring him to the station for questioning. After convincing the police that he’s not a murderer, Scott collaborates with them to get to the bottom of the situation.

Bury Me Deep is an enjoyable enough mainstream mystery typical of the 1940s American output, and Masur was a decent writer who honed his skills in the pulps. The problem is that American crime fiction really hadn’t grown a set of balls by 1947 (with Dashiell Hammett’s Continental Op being a rare exception). As such, Scott Jordan owes more to Perry Mason than Mike Hammer, whose debut, I, The Jury was first published the same year. I’d be interested in reading later-era (say 1950s and 1960s) novels in the Scott Jordan series to see if the character evolves and the stories become edgier. Until then, the debut is a pleasant enough diversion but nothing more.

Addendum - The Scott Jordan Series:

1) Bury Me Deep (1947)
2) Suddenly a Corpse (1949)
3) You Can't Live Forever (1951)
4) So Rich, So Lovely, So Dead (1952)
5) The Big Money (1954)
6) Tall, Dark and Deadly (1956)
7) The Last Gamble (1958; aka The Last Breath)
8) Send Another Hearse (1960)
9) Make a Killing (1964)
10) The Legacy Lenders (1967)
11) The Mourning After (1981)

There are also over 25 short stories starring Scott Jordan that appeared in magazines including Manhunt, Alfred Hitchcock Mystery Magazine and Ellery Queen Mystery Magazine. Several of these are compiled in the collection The Name Is Jordan from 1962.

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Kiss or Kill

Between 1950 and 1969, Louisiana native and WW2 veteran John Burton Thompson (1911-1994) authored and sold around 75 books. His paperbacks were considered to be so racy at the time that NYPD raided city bookstores and seized over a thousand copies of paperbacks written by him and others. Thereafter, much of his writing was done using pseudonyms to remain marketable to skittish booksellers. By today’s cultural standards, the sex in Thompson’s work wouldn’t raise an eyebrow, and Lee Goldberg’s new publishing imprint, Cutting Edge Books recently put that to the test by reintroducing Thompson’s 1962 paperback Kiss or Kill back into print.

Our narrator is Jack McKnight looking back on his adolescent years when he was raised by his evil mother and his wicked half brothers from his mom’s previous relationship. His mother and siblings are bitter that dad left half the estate to Jack, his only biological heir, before dad’s early demise. His teen years are filled with disdain from mom and savage beatings from the brothers.

Young Jack has an ally in his late father’s best friend, Mr. Palmer, who explains the birds and the bees to Jack and seems genuinely invested in the young man’s well-being. As Jack pursues a variety of romances while moving into adulthood, there’s a lot of great fatherly advice that Mr. Palmer bestows upon Jack about life and women. I can’t remember a more satisfying “young man and adult mentor” relationship in any book I’ve read in ages.

However, there’s an real air of menace lurking in the background of this paperback. Jack’s mother and half-brothers become increasingly unhinged, and Jack worries with good reason that they are plotting to murder him to take over his half of his father’s estate. The violence - real and threatened - escalates throughout the novel building to a bloodbath of a climax.

Kiss or Kill is a really odd book. There are scenes of shocking violence, but it’s not an action novel. There are hot scenes of seduction, but it never felt like a graphic sleaze novel. There are a few genuinely romantic storylines, but it’s certainly not a romance novel. And so on. It’s really a fictional autobiography of a compelling character overcoming a difficult upbringing and becoming a man. In that sense, it’s a very mainstream novel masquerading as a tawdry 50-cent paperback.

Although this is pretty far afield from the classic crime-adventure novels we normally cover here at Paperback Warrior, I can enthusiastically recommend Kiss or Kill to anyone who enjoys a good vintage coming-of-age tale. Thompson is a way better writer and storyteller than either iteration of the novel’s packaging would lead you to believe, and I look forward to exploring his body of work in greater depth. Recommended. 

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Max Thursday #03 - Uneasy Street

Popular crime-fiction author Wade Miller was actually a collaborative pseudonym utilized by two writers – Bob Wade (1920-2012) and Bill Miller (1920-1961). While the two mostly concentrated their efforts on stand-alone titles, they did launch a successful six-book series in 1947 starring private-eye Max Thursday who works cases in and around San Diego, California. The series debut, Guilty Bystander, was adapted to film in 1950 and switched the location from San Diego to New York City. I've always enjoyed the Wade Miller brand, so I'm sampling this series with the third installment, Uneasy Street, published by Signet in 1948.

It's December 23rd and our private-eye protagonist wants a quick job before the Christmas break. Instead, an older client named Syliva Wister engages Thursday to transport a music box for her. However, after being told where to deliver the goods, Wister is murdered and Thursday immediately becomes the prime suspect. Teaming with series ally Lieutenant Clapp, Thursday hopes to clear his name while also determining what's so special about the music box. Who wants it? What secrets does it contain?

As much as I hoped to enjoy this novel, I found it incredibly dull. The authors incorporate dozens of characters and involve them with a handful of crimes. By page 80, I was dumbfounded by PI fiction's two important elements – the client and the mission. These should be easily defined but in this case it's a moving target. The plot becomes a confusing chain-reaction of bribery for nude photos, a stolen painting, international smuggling and murder. It was so dense I couldn't tell the murdered from the murderer. I think the authors were flying by the seat of their pants – winging it all the way.

If you are a Wade Miller completest, maybe this is worth owning. It’s also available as a cheap ebook. However, be prepared: Uneasy Street wasn't an easy read.

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Paperback Warrior Podcast - Episode 35

It’s time for Paperback Warrior Podcast Episode 35. In this episode, we discuss the meaning of noir fiction as a jumping off point for a career retrospective on Bruno Fischer. We discuss the weird menace subgenre of pulp fiction, and Eric reviews “Crime Commadoes by Peter Cave. We are on all podcast platforms or you can stream below. Download directly HERE

Listen to "Episode 35: Bruno Fischer" on Spreaker.

Few Die Well

“After the success of I Killed Stalin, Sterling Noel (1903-1984) settled into a niche of writing international espionage and crime-noir fiction with a distinct emphasis on atomic energy and its protection from various Communist regimes. Few Die Well, published in 1953 by Dell, continues that same trend.

The book introduces Jeff English, an American spy who's employed by a defense contractor named Bureau X, the same agency Noel utilized in his I Killed Stalin narrative. English's leash is long when it comes to not only defending US intellectual property, but seeking and destroying Communist cells throughout the world. In one unfortunate mix-up in Teheran, English, posing as a Frenchman, kills two Soviet agents and is placed on a hit list by the Russians. The assassin is a man named Constantine Bardor, a determined Russian who never forgives or forgets.

English's most recent assignment is to assume the identity of a U.S. Army Captain named Randall McCarey and infiltrate an atomic laboratory in New Jersey. His mission is to kill a scientist who is collaborating with the Russians and spilling state secrets. To do this, he must contend with a number of Russian informants who have been implanted among the facility's 900 residential laborers. Noel's harrowing narrative has English essentially living with the enemy while locating the leaks and attempting to make the facility more impenetrable in the future. Once Bardor appears to settle the old score, English and a few allies are caught between the proverbial rock and a hard place. It's a fun position for the readers, but a rough ride for the good guys.

Few Die Well is an absolute treasure. Without giving away too many spoilers, Noel's slower character development regarding a love interest is effective. It's this element that adds a personal touch to what is otherwise a violently cold, calculated mission to fight Russian agents and Communist sympathizers. It's certainly a period piece, explicitly reflecting the heightened Cold War era in a methodical, action-oriented way. Noel knows his audience, loves this style of writing and delivers another top-notch spy entry.

Note – In one humorous parody of Noel's newfound success, he describes English reading a “rip-snorting and impossible spy-chiller called I Killed Stalin by somebody by the name of Sterling Noel.” It's enjoyable to see authors have fun with their fans.

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Dirty Harry #02 - Death on the Docks

After the third Dirty Harry film, The Enforcer, star actor Clint Eastwood announced he would no longer contribute to the film franchise. The studio, Warner Brothers, decided that fans of these flicks would still be willing to shell out cash for more of the character's adventures. Under their publishing brand of Men of Action (S-Com, C.A.T.S.), the studio licensed 12 paperbacks starring Dirty Harry himself, Lieutenant Harry Callahan. The house name was Dane Hartman, but in reality the books were authored by Richard S. Meyers (1953- ) and Leslie Alan Horvitz (1948- ). Strategic marketing created striking, illustrated book covers to lure men's action-adventure readers like myself. I happened upon the series second installment, Death on the Docks, published in 1981.

A San Francisco labor union called Local 242 of the Brotherhood of Longshoremen has found itself in a political upheaval. The union is led by a vile criminal named Braxton. A candidate to the union's presidency, Tuber, hopes to wrest control from Braxton, but those attempts are quickly flushed in the novel's opening pages. In a violent crescendo, Braxton has hitmen kill Tuber and his family. Problem solved...until Callahan is called in to lead the murder investigation.

In what becomes a familiar pattern, Callahan is handed various clues in haphazard fashion from shallow characters that have a one or two chapter lifespan. The author doesn't attempt to create a mystery or develop a story in which Callahan, and readers, slowly solve the crime. Instead, the chapters just feature Callahan being directed to various locales – bar, dock, store, house - and shooting a criminal. When the action is exported to a small Caribbean island, where Braxton has fled, the climax comes in baby steps that fail to deliver an explosive, plausible or satisfying conclusion.

In short, Death on the Docks is like one of those dives located south of the Mason-Dixon Line that swears they have real New York pizza. After a few bites you realize it's just a soggy, messy imitation. No validity. It's just not authentic. On sample size, these novels aren't of the same quality as the film franchise. They won't "make your day"...only ruin it.

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Day of the Gun

After enjoying a trio of crime-fiction novels by Clifton Adams (1919-1971), my first look at the author’s prolific western sagas was the 1969 novel Tragg's Choice, winner of a coveted Spur award. Appreciating his unorthodox approach to traditional western storytelling, I was excited to test another of his genre works, 1962's Day of the Gun.

Sam Engels is an elderly, widowed man and a former Field Marshal in and around the boomtowns of the Oklahoma Territory. I could immediately sense that Engels had a few hills he chose to die on, but miraculously survived all of those battles. Through brief backstories it's conveyed that his wounds and age, combined with the approach of the 20th Century, has led Engels to the twilight of his career. Now unemployed, Engels has arrived in the small town of Guthrie, Oklahoma in hopes of obtaining a U.S. Marshal job.

After departing the stagecoach, Engels has a brief, violent encounter with three young cattlemen after they push the “old-timer” into the dust. Afterwards, Engels meets the local Marshal and learns that his application was denied due to age. Later that night, the dejected Engels is once again attacked by the three cattlemen. After three broken ribs and a vast array of bruises and cuts, Engels is left in the dirt to die. He awakens to find a woman named Kit tending to his wounds in a makeshift doctor's office. After talking with the young woman, he learns that Kit is actually an orphan that he saved years ago.

Kit explains to Engels that a deranged killer named Elsey has victimized her for a number of years by murdering her husband and anyone else who attempts to befriend her. Fearing that Elsey will now target Engels, she urges him to heal up and leave town. But in an odd twist of fate, the man who won the U.S. Marshal job asks Engels if he can ride as a posse-man (the lowest tier of 1800s law enforcement) to capture Elsey. Engels must then decide to either swallow his pride and accept the lowly servitude or simply leave town and pursue his next career choice as a cattleman.

Once again, Clifton Adams approaches the western genre with an abstract method of storytelling. In the same way that Tragg's Choice was so compelling, Adams creates an aging, experienced character who has reached the end of his career. It's a familiar formula, the elderly striving to stay relevant in an age dominated by youth and change, but Adams is able to incorporate outside elements to distance himself from just an average retelling. The narrative focuses on a number of conflicts, primarily Engels contending with a younger, more resilient partner while tracking a killer. Engels' mysterious past is purposefully left unexplored, allowing readers to come to their own conclusions on his murky history. These are just small nuances that help create a unique reading experience even for seasoned western fans.

Like Claire Huffaker and Lewis B. Patten, Clifton Adams isn't a mainstream name within western fiction. While fans flock to talents like Louis L'Amour, Zane Grey, Luke Short and Max Brand, it is perhaps this second tier of talent makes up some of the genre's best literary works. Day of the Gun is another excellent western tale from an author that mastered the genre. At some point I would like to sample his Amos Flagg series, but with so many excellent stand-alone titles, it may take some time to properly evaluate that series.

Purchase your copy of Day of the Gun HERE.

Web of the City

Harlan Ellison (1934-2018) is mostly known for his work as a science-fiction author and essayist. While going through U.S. Army basic training in 1957, Ellison wrote his first published novel called Web of the City that was initially released under the title of Rumble in 1958 when juvenile delinquent novels were a hot property. Hard Case Crime reprinted the novel in 2013 while also adding three of Ellison’s street-gang short stories to the volume.

Web of the City is a novel about a fictional New York street gang called The Cougars. Ellison claimed that he researched the book by going undercover in a Brooklyn street gang called The Barons using a fake name, and he served as “war counselor” for ten weeks before leaving. For the record, I think that story is somewhere between wildly exaggerated and complete bullshit. Nevertheless, he wrote a memoir about his supposed street gang internship called “Memos from Purgatory,” a 1961 release before fact-checking of outlandish claims was a thing.

In the novel, 17 year-old Rusty Santora declares that he wants to leave his position as president of The Cougars, but his former street gang members have other ideas. In order to prevent his desertion, gang members stomp Rusty down, and convince him that he’s good as dead if he doesn’t fall in line. Meanwhile, tensions are mounting between The Cougars and their arch-enemies, The Cherokees (the Brooklyn variety, not the Native Americans). As you may have guessed, a rumble is inevitable.

The juvenile delinquent genre tropes come at the reader fast and furious in this thin novel. You have the high school shop teacher with the heart of gold encouraging Rusty to leave the street life behind and pursue a career as an industrial designer. Rusty’s sister is following in his footsteps as an up-and-comer in The Cougars Girls Auxiliary (“The Cougie Cats”), and he’s terrified that she might never see adulthood. Some of the tropes are quaint - much of the drama takes place in soda shops and the gangbangers use switchblades and broken bottles when violence explodes at the teen dances.

Eventually, an actual plot emerges when gang activity hits close to home for Rusty. His sense of grief and street honor compel him to seek revenge, and Ellison treats the reader to a compelling vendetta storyline that keeps the tension mounting until the final climax. It’s nothing you haven’t read before, but this iteration is extremely well-crafted.

The fight scenes - and there are many - are vividly drawn and offset the corniness of the story. It’s a fun read if you’re looking for a throwback to a simpler time when guys were guys and dolls were dolls. I’m sure it was written as a serious sociological peek behind the curtain of an grim urban subculture devoid of hope. These days, it’s just a bit overwrought and a mostly entertaining time capsule. Buy a copy of the book HERE