Max Thursday #03 - Uneasy Street

Popular crime-fiction author Wade Miller was actually a collaborative pseudonym utilized by two writers – Bob Wade (1920-2012) and Bill Miller (1920-1961). While the two mostly concentrated their efforts on stand-alone titles, they did launch a successful six-book series in 1947 starring private-eye Max Thursday who works cases in and around San Diego, California. The series debut, Guilty Bystander, was adapted to film in 1950 and switched the location from San Diego to New York City. I've always enjoyed the Wade Miller brand, so I'm sampling this series with the third installment, Uneasy Street, published by Signet in 1948.

It's December 23rd and our private-eye protagonist wants a quick job before the Christmas break. Instead, an older client named Syliva Wister engages Thursday to transport a music box for her. However, after being told where to deliver the goods, Wister is murdered and Thursday immediately becomes the prime suspect. Teaming with series ally Lieutenant Clapp, Thursday hopes to clear his name while also determining what's so special about the music box. Who wants it? What secrets does it contain?

As much as I hoped to enjoy this novel, I found it incredibly dull. The authors incorporate dozens of characters and involve them with a handful of crimes. By page 80, I was dumbfounded by PI fiction's two important elements – the client and the mission. These should be easily defined but in this case it's a moving target. The plot becomes a confusing chain-reaction of bribery for nude photos, a stolen painting, international smuggling and murder. It was so dense I couldn't tell the murdered from the murderer. I think the authors were flying by the seat of their pants – winging it all the way.

If you are a Wade Miller completest, maybe this is worth owning. It’s also available as a cheap ebook. However, be prepared: Uneasy Street wasn't an easy read.

Buy a copy of this book HERE

Paperback Warrior Podcast - Episode 35

It’s time for Paperback Warrior Podcast Episode 35. In this episode, we discuss the meaning of noir fiction as a jumping off point for a career retrospective on Bruno Fischer. We discuss the weird menace subgenre of pulp fiction, and Eric reviews “Crime Commadoes by Peter Cave. We are on all podcast platforms or you can stream below. Download directly HERE

Listen to "Episode 35: Bruno Fischer" on Spreaker.

Few Die Well

“After the success of I Killed Stalin, Sterling Noel (1903-1984) settled into a niche of writing international espionage and crime-noir fiction with a distinct emphasis on atomic energy and its protection from various Communist regimes. Few Die Well, published in 1953 by Dell, continues that same trend.

The book introduces Jeff English, an American spy who's employed by a defense contractor named Bureau X, the same agency Noel utilized in his I Killed Stalin narrative. English's leash is long when it comes to not only defending US intellectual property, but seeking and destroying Communist cells throughout the world. In one unfortunate mix-up in Teheran, English, posing as a Frenchman, kills two Soviet agents and is placed on a hit list by the Russians. The assassin is a man named Constantine Bardor, a determined Russian who never forgives or forgets.

English's most recent assignment is to assume the identity of a U.S. Army Captain named Randall McCarey and infiltrate an atomic laboratory in New Jersey. His mission is to kill a scientist who is collaborating with the Russians and spilling state secrets. To do this, he must contend with a number of Russian informants who have been implanted among the facility's 900 residential laborers. Noel's harrowing narrative has English essentially living with the enemy while locating the leaks and attempting to make the facility more impenetrable in the future. Once Bardor appears to settle the old score, English and a few allies are caught between the proverbial rock and a hard place. It's a fun position for the readers, but a rough ride for the good guys.

Few Die Well is an absolute treasure. Without giving away too many spoilers, Noel's slower character development regarding a love interest is effective. It's this element that adds a personal touch to what is otherwise a violently cold, calculated mission to fight Russian agents and Communist sympathizers. It's certainly a period piece, explicitly reflecting the heightened Cold War era in a methodical, action-oriented way. Noel knows his audience, loves this style of writing and delivers another top-notch spy entry.

Note – In one humorous parody of Noel's newfound success, he describes English reading a “rip-snorting and impossible spy-chiller called I Killed Stalin by somebody by the name of Sterling Noel.” It's enjoyable to see authors have fun with their fans.

Buy a copy of this book HERE

Dirty Harry #02 - Death on the Docks

After the third Dirty Harry film, The Enforcer, star actor Clint Eastwood announced he would no longer contribute to the film franchise. The studio, Warner Brothers, decided that fans of these flicks would still be willing to shell out cash for more of the character's adventures. Under their publishing brand of Men of Action (S-Com, C.A.T.S.), the studio licensed 12 paperbacks starring Dirty Harry himself, Lieutenant Harry Callahan. The house name was Dane Hartman, but in reality the books were authored by Richard S. Meyers (1953- ) and Leslie Alan Horvitz (1948- ). Strategic marketing created striking, illustrated book covers to lure men's action-adventure readers like myself. I happened upon the series second installment, Death on the Docks, published in 1981.

A San Francisco labor union called Local 242 of the Brotherhood of Longshoremen has found itself in a political upheaval. The union is led by a vile criminal named Braxton. A candidate to the union's presidency, Tuber, hopes to wrest control from Braxton, but those attempts are quickly flushed in the novel's opening pages. In a violent crescendo, Braxton has hitmen kill Tuber and his family. Problem solved...until Callahan is called in to lead the murder investigation.

In what becomes a familiar pattern, Callahan is handed various clues in haphazard fashion from shallow characters that have a one or two chapter lifespan. The author doesn't attempt to create a mystery or develop a story in which Callahan, and readers, slowly solve the crime. Instead, the chapters just feature Callahan being directed to various locales – bar, dock, store, house - and shooting a criminal. When the action is exported to a small Caribbean island, where Braxton has fled, the climax comes in baby steps that fail to deliver an explosive, plausible or satisfying conclusion.

In short, Death on the Docks is like one of those dives located south of the Mason-Dixon Line that swears they have real New York pizza. After a few bites you realize it's just a soggy, messy imitation. No validity. It's just not authentic. On sample size, these novels aren't of the same quality as the film franchise. They won't "make your day"...only ruin it.

Buy a copy of this book HERE

Day of the Gun

After enjoying a trio of crime-fiction novels by Clifton Adams (1919-1971), my first look at the author’s prolific western sagas was the 1969 novel Tragg's Choice, winner of a coveted Spur award. Appreciating his unorthodox approach to traditional western storytelling, I was excited to test another of his genre works, 1962's Day of the Gun.

Sam Engels is an elderly, widowed man and a former Field Marshal in and around the boomtowns of the Oklahoma Territory. I could immediately sense that Engels had a few hills he chose to die on, but miraculously survived all of those battles. Through brief backstories it's conveyed that his wounds and age, combined with the approach of the 20th Century, has led Engels to the twilight of his career. Now unemployed, Engels has arrived in the small town of Guthrie, Oklahoma in hopes of obtaining a U.S. Marshal job.

After departing the stagecoach, Engels has a brief, violent encounter with three young cattlemen after they push the “old-timer” into the dust. Afterwards, Engels meets the local Marshal and learns that his application was denied due to age. Later that night, the dejected Engels is once again attacked by the three cattlemen. After three broken ribs and a vast array of bruises and cuts, Engels is left in the dirt to die. He awakens to find a woman named Kit tending to his wounds in a makeshift doctor's office. After talking with the young woman, he learns that Kit is actually an orphan that he saved years ago.

Kit explains to Engels that a deranged killer named Elsey has victimized her for a number of years by murdering her husband and anyone else who attempts to befriend her. Fearing that Elsey will now target Engels, she urges him to heal up and leave town. But in an odd twist of fate, the man who won the U.S. Marshal job asks Engels if he can ride as a posse-man (the lowest tier of 1800s law enforcement) to capture Elsey. Engels must then decide to either swallow his pride and accept the lowly servitude or simply leave town and pursue his next career choice as a cattleman.

Once again, Clifton Adams approaches the western genre with an abstract method of storytelling. In the same way that Tragg's Choice was so compelling, Adams creates an aging, experienced character who has reached the end of his career. It's a familiar formula, the elderly striving to stay relevant in an age dominated by youth and change, but Adams is able to incorporate outside elements to distance himself from just an average retelling. The narrative focuses on a number of conflicts, primarily Engels contending with a younger, more resilient partner while tracking a killer. Engels' mysterious past is purposefully left unexplored, allowing readers to come to their own conclusions on his murky history. These are just small nuances that help create a unique reading experience even for seasoned western fans.

Like Claire Huffaker and Lewis B. Patten, Clifton Adams isn't a mainstream name within western fiction. While fans flock to talents like Louis L'Amour, Zane Grey, Luke Short and Max Brand, it is perhaps this second tier of talent makes up some of the genre's best literary works. Day of the Gun is another excellent western tale from an author that mastered the genre. At some point I would like to sample his Amos Flagg series, but with so many excellent stand-alone titles, it may take some time to properly evaluate that series.

Purchase your copy of Day of the Gun HERE.

Web of the City

Harlan Ellison (1934-2018) is mostly known for his work as a science-fiction author and essayist. While going through U.S. Army basic training in 1957, Ellison wrote his first published novel called Web of the City that was initially released under the title of Rumble in 1958 when juvenile delinquent novels were a hot property. Hard Case Crime reprinted the novel in 2013 while also adding three of Ellison’s street-gang short stories to the volume.

Web of the City is a novel about a fictional New York street gang called The Cougars. Ellison claimed that he researched the book by going undercover in a Brooklyn street gang called The Barons using a fake name, and he served as “war counselor” for ten weeks before leaving. For the record, I think that story is somewhere between wildly exaggerated and complete bullshit. Nevertheless, he wrote a memoir about his supposed street gang internship called “Memos from Purgatory,” a 1961 release before fact-checking of outlandish claims was a thing.

In the novel, 17 year-old Rusty Santora declares that he wants to leave his position as president of The Cougars, but his former street gang members have other ideas. In order to prevent his desertion, gang members stomp Rusty down, and convince him that he’s good as dead if he doesn’t fall in line. Meanwhile, tensions are mounting between The Cougars and their arch-enemies, The Cherokees (the Brooklyn variety, not the Native Americans). As you may have guessed, a rumble is inevitable.

The juvenile delinquent genre tropes come at the reader fast and furious in this thin novel. You have the high school shop teacher with the heart of gold encouraging Rusty to leave the street life behind and pursue a career as an industrial designer. Rusty’s sister is following in his footsteps as an up-and-comer in The Cougars Girls Auxiliary (“The Cougie Cats”), and he’s terrified that she might never see adulthood. Some of the tropes are quaint - much of the drama takes place in soda shops and the gangbangers use switchblades and broken bottles when violence explodes at the teen dances.

Eventually, an actual plot emerges when gang activity hits close to home for Rusty. His sense of grief and street honor compel him to seek revenge, and Ellison treats the reader to a compelling vendetta storyline that keeps the tension mounting until the final climax. It’s nothing you haven’t read before, but this iteration is extremely well-crafted.

The fight scenes - and there are many - are vividly drawn and offset the corniness of the story. It’s a fun read if you’re looking for a throwback to a simpler time when guys were guys and dolls were dolls. I’m sure it was written as a serious sociological peek behind the curtain of an grim urban subculture devoid of hope. These days, it’s just a bit overwrought and a mostly entertaining time capsule. Buy a copy of the book HERE

Wasteworld #04 - My Way

With 1984's My Way, the four-book Wasteworld series comes to an abrupt end. Authored by a combination of Laurence James and Angus Wells, this post-apocalyptic series centered on U.S. military veteran Matthew Chance and his perilous endeavors to reach his ex-wife and kids in Utah. Beginning in New Orleans, each book showcases Chance's road to survival through warlords, mutants and dictators in the same manner that popular doomsday series titles The Survivalist, Doomsday Warrior and The Last Ranger also did.

In the Wasteworld third installment, Angels, Chance had seemingly met his match with a vicious gang of Hell's Angels bikers. Thankfully, a female Apache warrior named Kathi saved the day in the book's grandiose finale. My Way is a seamless continuation as Kathi and Chance head north into Nevada. After a couple of quick run 'n gun battles, Kathi's part of the narrative concludes and Chance arrives in Las Vegas to begin another adventure.

After meeting a nice mechanic and his hospitable family, Chance learns that Vegas is now controlled by two brothers, Al and Tony Clementi. Like a 1950s crime-noir paperback, the two brothers control the city's gambling venues and drinking halls. When they target the mechanic's young daughter, Chance is thrust into a war with a doomsday crime syndicate. After killing Al, Tony's faction declares war on Chance. While that narrative comes to fruition, a side-story develops with three bounty hunters from Texas hunting Chance through the Vegas rubble.

Despite the book's exciting premise, My Way fails to deliver a pleasant reading experience. Far too often the authors digress from the narrative to explain a minor character's history or to inform readers of an outlaw's infamous history. For example, there's a whole segment on Billy the Kid. While the action was enthralling, I felt it was misplaced and untimely. When key scenes required gunplay, the reader was served dialogue. But when a descriptive scene analysis is required, the characters just shoot it all to Hell.

While publisher Granada probably had a limited circulation (UK and New Zealand only), the sales numbers just didn't produce a commercially-successful series. Unfortunately, My Way wasn’t written as a series finale, so invested readers aren't provided a proper conclusion to Matthew Chance's epic struggle. This novel's poor execution ensured that interest in a proper ending likely dwindled among readers. Looking at the series as a whole, the first and fourth books were lukewarm while the second and third installments were very enjoyable. Having read the Wasteworld saga once, I'm not terribly interested in ever reading it again. It might be worth the time and effort to track down the series, but there are certainly far better books to pursue.

Buy a copy of this book HERE

The Captain Must Die

Of the 20-or-so crime novels written by Robert Colby in the 1950s and 1960s, the overall consensus is that The Captain Must Die is his masterpiece. The book began as a Fawcett Gold Medal paperback original from 1959 and has been reprinted several times thereafter, so you should have no problem landing yourself a copy - particularly if you open your heart to reading vintage fiction on a Kindle.

Fawcett packaged the paperback as a WW2 novel, but that’s not the case at all. The story takes place in the 1950s - at least a dozen years after the main characters left the war behind. Three former platoon-mates meet in Louisville, Kentucky with a load of guns to deal with some unfinished business from the war. The title of the paperback betrays their plan to murder a former U.S. Army captain, but it’s way more involved than you’d think.

The former captain is named Gregory Driscoll, and he’s a successful local businessman in Louisville. Most of his wealth was inherited, but he’s made the most of his head start by living with servants and a trophy wife on a sizable estate. As we meet Driscoll, he is being harassed with 3am phone calls, vandalism to his car, and the shutting off of his utilities. He’s also got a secret in his basement that he keeps from his the world. The three ex-soldiers’ awareness of the basement’s secret - coupled with seething hate and a lust for revenge - drive the action forward towards a violent confrontation.

The author dishes out the revelations of The Captain Must Die in drips and drabs. Why do the guys want to kill Driscoll after all these years? What’s the captain hiding in his basement? How does his lusty wife fit into all this? Revealing too much would spoil many satisfying surprises, and the The Captain Must Die is a treasure trove of twists and turns worth experiencing without too much foreknowledge. It’s a vendetta story, a heist novel, and a tough-guy story of graphic violence rolled into 180 pages of 1959 paperback perfection.

If you’re looking for the type of war story depicted on the cover, look elsewhere. However, if you want a brilliantly-layered novel of crime and revenge, you can’t do much better than The Captain Must Die. Highly recommended essential reading. 

Buy a copy of this book HERE

Johnny Liddell #04 - Bullet Proof

Parallel to crime-fiction staples like Mike Shayne and Shell Scott, Johnny Liddell was a no-nonsense private-eye operating under the bright lights of The Big Apple. The series was authored by Frank Kane and consisted of 29 novels over a 20-year period between 1947 and 1967. Arguably, the series most defining moments are in the early 1950s era, so I decided to explore fan recommendations and try Bullet Proof, originally published in 1951 by Dell.

The novel begins with Liddell receiving a phone call from a woman named Jean Merritt. She wants a second opinion on her father's death by suicide. Fearing that he was murdered, Merritt requests to meet Liddell on a lone cross-street at 10:30 PM to discuss pertinent facts about the case. Only Merritt doesn't show, instead she is replaced by a black Cadillac filled with hardmen. In an explosive opening chapter, Liddell dives for cover as Tommy guns eradicate a phone booth and nearby store. During the firefight, Liddell is able to kill one shooter but the man's identity leads to a number of questions and an intense interrogation inside the police precinct.

Learning that Merritt wired a $500 retainer for his services, Liddell is determined to learn what happened to the woman and her father. With the help of a wise medical examiner and a tenacious reporter named Muggsy (a series mainstay similar to Mike Shayne's Lucy Hammilton), Liddell delves into the Merritt family's history and their early ties to organized crime. When Liddell gets too close to the truth, he becomes a running target for a number of assassins. With riveting gunfights in the streets and hotel corridors, the aptly titled “Bullet Proof” delivers the goods in grand fashion.

While I enjoyed the 1947 Liddell debut, About Face (aka Fatal Foursome), I found it to be mired in mystery mud with very little action. Kane takes a cue from Mickey Spillane's red-hot character of that era, Mike Hammer, and adds a prevalent edginess to this book. There's even a scene with Liddell punching a beautiful prostitute in a hotel suite. The author uses the familiar genre tropes – hazy cigarette smoke, copious amounts of alcohol – to provide a seedy, darkly lit nightlife for the hero to operate. The atmosphere, engaging investigation and intense action sequences contribute to what is essentially the best Liddell novel I've read. Bullet Proof excels on all levels.

Buy a copy of this book HERE

High Hell

Author Steve Frazee (1909-1992) began selling his stories to the western and adventure pulps in the late 1940s. After a successful run of frontier storytelling, Frazee would later serve as president of the prestigious Western Writers of America. Using his experience as a heavy construction and mine worker, Frazee would often include elements of the mining industry into his writing style. Novels like Ghost Mine and Hidden Gold exhibit those characteristics while offering high adventures in Northwestern America. However, one of his most successful mining-adventure works was the novel High Cage, originally published by MacMillan in 1957. The theatrical adaptation, titled High Hell, was released by Paramount in 1958. Crest Books, an imprint of Fawcett Gold Medal, reprinted the novel as High Hell to coincide with the film.

The book is presented in first-person by Craig Rhodes, an experienced miner and heavy machinery operator. Craig is hired by an investor to run a mining expedition in the frozen Canadian Rockies. To assist with the drilling, Craig hires four experienced miners – his brother Danny, Luke, Frank, and Charley. But much to Craig's surprise, he ends up with one unexpected guest. It's this character reveal that sets the tone for “High Hell”.

These five rugged men ascend the snowy slopes and begin setting up the mining operation that will run through the winter. I won't spoil it for you, but there's an ordeal that ends up placing a woman named Lenore in the mining camp as the sixth laborer. As the snow begins to fall, the men understand that there is no descent until the Spring thaw. It doesn't take a psychic to see where this is going.

As the five hard-working, frozen workers contend with drills and pick-axes in endless snowstorms, Lenore busies herself by making warm meals for the men. As the weeks roll on, the men begin to have cabin fever that's elevated with their sexual desires for Lenore. Danny is still in love with her, yet she's married to Frank. Craig finds himself fighting his brother as both of them are lustfully eyeing Lenore. It's this burning temptation that allows the author plenty of creative space to work his magic.

Set in the 1800s, High Hell works like a western adventure with burly men fighting (and dying) for a sultry woman. Craig is the iron-fist, no-nonsense leader that demands as much from himself as his men. Yet, his will is the first to break. From that point, it's a high-tension game with plenty of danger and intrigue to propel the pace. The author's brilliant placement of Lenore in the ranks of snowbound men was captivating. I read this enthralling paperback in one sitting.

High Hell should appeal to fans of snowbound action. While it can be a slow burn at times, the payoff was well worth the price of admission. Despite my failed attempt to embrace Steve Frazee's writing, High Hell was certainly a redeeming use of my time. Frazee is the real deal.

Buy a copy of this book HERE

The Tease

By the late 1960s, successful crime-noir novelist Gil Brewer was battling many personal demons. His bouts with alcoholism and severe depression both contributed to the shortening of his superlative literary career. After a successful run of Fawcett Gold Medal paperbacks, Brewer experienced a downward spiral through the publishing world, drifting to mid-echelon publishers like Monarch and Lancer. Aside from his three It Takes a Thief television tie-ins published by Ace in 1969 and 1970 and some house-name series work, Brewer's penultimate original novel in his own name was The Tease, published by Banner in 1967. It exists now as a reprint by Stark House Press

The book introduces readers to Wes McCord, a realtor and married man living in a shoreline house in Tampa, Florida. Wes is married to his very patient wife Lucille, who has lived with his lying and unfaithfulness for years. In the book's opening chapter, Lucille and Wes have a heated argument over their financial woes and Wes's sexual misbehavior at a neighborhood party. In the heat of the moment, Lucille flees to her sister's house with the solemn vow that she wants to dissolve the marriage.

That same evening, just hours after the fiery exchange with Lucille, Wes spots a half-naked vixen running along the beach. Rushing to her assistance, Wes meets Bonnie and brings her home where she claims she was assaulted by an elderly man at gunpoint in a nearby motel. While defending herself, the assailant’s gun discharged and shot the man in the chest. Fleeing the scene, she escaped down the beach and into the arms of Wes. Is that the story she maintains throughout Brewer's pulsing narrative? Thankfully, no.

With his wife out of the house, Wes finds a place in his home to hide this beautiful, sexually-charged 18-year old. When the cops arrive to ask about the footprints in the sand, Wes panics and covers for his new houseguest. The next morning, Wes reads in the local newspaper that a man from Jacksonville, Florida (fun fact: world headquarters of Paperback Warrior) named Joseph Vito was found dead in a Tampa motel. He was the prime suspect in a $325,000 bank robbery a month ago and his accomplices, including an unknown woman, were still being sought by authorities.

As Wes's emotional distress is elevated, he's faced with a number of life-altering choices. Does he defy the law and continue hiding Bonnie in hopes that she's holding $325,000 and is willing to share? Does he pursue his estranged wife and attempt to salvage their devastated marriage? Should he give into his desires and ravage this young woman in the sexual prime of life? It’s these questions that add fuel to the burning fire created by Brewer's compelling prose.

The Tease exhibits all of the vicious, savage tones that made Gil Brewer the crime-noir kingpin of his time. Like 1958's The Vengeful Virgin, the author melds sizzling lust with raw criminal intent. It's the perfect combination of hot, spirited passion and fervent greed. Bonnie's pleas for help – both mentally and physically – lead Wes into a spider-web of lies and treachery by forfeiting his career, marriage and lifestyle. 

When presented with sex, money and power, what does the everyman do? It is amazing that despite Brewer's myriad of personal problems, he was still able to orchestrate an exhilarating story in the twilight of his career. While it has yet to be reprinted, don't let the expensive second-hand price deter you from obtaining a copy of this entertaining crime-noir paperback. The Tease is simply excellent. Get a copy HERE

Ladyfingers

Shepard Rifkin was a New Yorker born in 1918 whose writing career began in 1956 as the author of several western paperbacks. He shifted gears in 1969 to pen a grisly police procedural mystery called Ladyfingers that remains available today as a $3 ebook. After much searching, I could find no record of Mr. Rifkin’s death, so my hope is that he is enjoying a spry and fulfilling life somewhere at age 100-something.

Rifkin’s best-known novel is his 1970 mystery titled The Murderer Vine set in the shadow of the American civil rights movement. The publication of Ladyfingers preceded The Murderer Vine by about a year and also displayed Rifkin’s interest in the American minority experience by casting our narrator and hero as NYPD Detective Pablo Sanchez, an American of Puerto Rican descent. After orchestrating a large heroin bust in East Harlem, Detective Sanchez is summoned to his boss’ office for a new assignment.

The Police Commissioner (a position historically held by Teddy Roosevelt) has received two small packages each containing a severed finger of an unknown woman. The quality of the manicure makes it unlikely that the digits were from indigent corpses used as med school cadavers. Where is the rest of the woman? Why send the fingers to the Police Commissioner without any demands? Despite a successful, but unremarkable, history as a narcotics officer, Sanchez is assigned the case, and he immediately feels that he’s over his head. His narration concerning his frequent missteps are quite funny.

Sanchez’s humble narration is a total joy to read and is in direct contrast with the cocksure heroes most of these novels feature. He’s a funny, self-deprecating narrator, and Rifkin’s excellent prose makes it all come together quite nicely. The supporting cast is filled with colorful New York characters, and every scene really pops. The investigative steps that Sanchez takes seem credible and realistic while still being entertaining. Fans of Ed McBain’s 87th Precinct police procedurals will feel right at home with Ladyfingers. Recommended.

Buy a copy of this book HERE

The Captive

American author Norman Daniels (real name Norman Danberg, 1905-1995) is best known for re-introducing pulp hero Black Bat in 1939. Daniels authored a number of short stories featuring the character for Black Book Detective. Arguably, Black Bat was the catalyst for DC Comics' iconic Batman. Along with Black Bat, Daniels contributed stories for dozens of pulp magazines like Shadow, Gangster Stories, Thrilling Publications and All Detective. The author's post-pulp career was immensely successful as Daniels utilized a number of pseudonyms to write crime-noir and adventure paperbacks for a variety of publishers. My introduction to Daniels is the 1959 Avon paperback The Captive, which is now available in both digital and paperback editions through Cutting Edge.

Jeff Castle is a WW2 veteran who now lives a quiet life in Africa as a big-game hunter. Upon hearing that his estranged grandfather is dying, Castle arrives on New York's East Side to pay his respects. After stopping in at a local bar for a drink, Castle is seduced by a sultry woman named Alma. After an afternoon of lovemaking at the woman's apartment, Castle steps out to buy a few drinks. Upon his return he discovers that Alma has been strangled to death. In my crime-noir experiences, The Captive was shaping up as a stereotypical “innocent man flees the corpse” novel. Thankfully, Norman Daniels had some interesting variations in store for the reader.

After fleeing the scene, Castle vows to find Alma's murderer. But Castle's quest for vengeance is sidelined when his grandfather advises him that he's the sole heir to his vast fortune. The heart of the estate is 60 small hotels and inns scattered throughout the state. As if it was a dire warning, Castle's grandfather, on his deathbed, pleads that nobody will take the fortune and asks Castle to fight for what is his. Questioning his grandfather's dying wish, Castle begins investigating the hotels he now owns. Shockingly, he discovers that all of the properties are full-staffed brothels.

Digging into the accounting ledgers, Castle discovers a complex earning schedule of rental income and the proceeds from properties' illegal affairs. After attempting to remove prostitutes from one of the larger hotels, Castle is brutally tortured and beaten in a cold dark basement. The Syndicate warns Castle that he may own the properties, but they control and operate all of the affairs. As the plot thickens, Castle learns that Alma's murder may have ties to the Syndicate's warning. In his quest to avenge Alma's murder, Castle finds that he's fighting the mob head-on.

First and foremost, Normal Daniels is an average writer. When compared to mid-20th century contemporaries like Charles Williams, Gil Brewer or John D. MacDonald, there is an obvious shortfall in the prose’s quality. Daniels' dialogue sequences are the heaviest casualty. With that being said, The Captive is still an engaging, thoroughly enjoyable literary work. The pace is brisk and both Castle and a few side characters are really engaging. I particularly enjoyed the author's connection from mobsters to the big-game hunting that Castle is familiar with. In a way it reminded me of the 1951 novel The Killer by Wade Miller (Robert Wade, Bill Miller). The narrative's twists and turns through Castle's new estate left me curious and wholly surprised. Further, I was ecstatic to find Daniels flesh out a familiar opening concept.

With The Captive, Norman Daniels pulls no punches – this is a violent crime yarn from cover to cover. You can buy your copy of the book HERE

Recoil

Oklahoma native Jim Thompson (1906-1977) began authoring his brand of violent, hardboiled crime-fiction in the late 1940s. His 1952 novel, The Killer Inside Me, is regarded as a mid-century genre classic. Often the author's work was written in a fast-paced, unbridled style rich with anti-heroes, sociopaths and violent criminals who serve as story protagonists. In his efforts to push the boundaries of the average paperback, Thompson's craftsmanship is widely respected by literary critics yet is often criticized for his abstract delivery. Case in point is the 1953 novel Recoil originally published by Lion Books.

The story's protagonist, Patrick Cosgrove, is first introduced to readers on his last day of a fifteen year prison sentence at Sandstone State Reformatory. In flashback sequences, it's explained that Patrick had a wild bank robbing accident while deer hunting (gives new meaning to chasing bucks). As a product of the 1950s, the law of that era specifically required someone to mentor or accept the responsibility of taking a reformed prisoner under their wing. Without it, the prisoner stays confined. Patrick doesn't have any friends or family, so he wrote to hundreds of companies asking for employment. After months of silence, Dr. Luther, a psychologist and political lobbyist, responds to Patrick's letter in the form of a job proposal. After his release, Patrick goes to work for Dr. Luther and that's where things become unusual.

Unconditionally, Luther provides free room, food and a car to Patrick. Additionally, he pays him $250/month to be a town surveyor...but provides no real instruction. Confused, Patrick drives around all day and attempts to avoid the seedy side of town. Later, Luther's sexy and flamboyant wife throws herself at Patrick. Instead of restricting the behavior, Luther encourages it! It's as if Thompson just purposefully defies the genre's traditions despite the overall absurdity of the situation. When Patrick hires a private investigator to learn more about Luther and Lila, smoking guns, car chases and corpses begin populating Thompson's otherwise flat, one-dimensional prose.

I wasn't sure what to make of Recoil. My first impression was to fling the book across the room, but then realized I had hardwood floors and the Kindle version. Jim Thompson proves that everyone should do a short, preliminary search to obtain a book's general public reception. Recoil is mostly panned by readers, and I'm only contributing to that consensus. Like an old, rusty Volkswagen, I start and stop repeatedly when I venture into this author's lane. Artistically, there's nothing to celebrate in this paperback. It is filled with awkward scenes that not only fail to entertain, but are just confusing to the reader. Yet somehow I stuck around like some interstate rubbernecker just wanting carnage satisfaction.

In closing, here's a scene summary that is indicative of everything wrong here:

Patrick finds a dead body in an office building late at night. Fearing that he himself will be a suspect in the murder, he attacks the night guard and attempts to stuff the corpse in the backseat of his car.

It's this kind of stuff that brings Recoil ridiculously close to the Paperback Warrior Hall of Shame. Steer clear of this book at all costs.

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Paperback Warrior Podcast - Episode 34

Paperback Warrior Podcast Episode 34 explores the violent and sexy world of Men’s Adventure Magazines and the upstart publishing company  reprinting the stories and art for modern audiences. We review the best anthologies compiling the content from these oddball publications of the 1950s and 1960s. Check it out on your favorite podcast app or stream below. Download directly HERE.

Listen to "Episode 34: Men's Adventure Magazines" on Spreaker.

Hell-Bent for Danger

There is sparse information available today about the life of mid 20th Century author Walt Grove. I speculate that he probably served as a pilot during WW2, evidenced by his aviator-themed novels like Down and The Joy Boys. Perhaps he's best known for his novelization of The Wings of Eagles, a 1957 aviation-war film starring John Wayne and directed by John Ford. My first experience with Walt Grove's small literary catalog is Hell-Bent for Danger, a paperback published by Fawcett Gold Medal in 1950. The novel was expanded from a 1949 short-story appearing in Colliers magazine.

Grove's opening chapter reads like vintage Gil Brewer in its presentation of a heated domestic dispute between main character Robert Warren and his wife Nancy. Feeling restrained in the cold cell block of marriage, Warren's response to his wife's request to return a package to a local department store is awe-inspiring. From the driver's window, Warren throws the package and it's spilled belongings onto the family's lawn as a horrified Nancy watches on. Quickly peeling out of the driveway, readers suddenly learn that this suburban married man and father has reached his breaking point.

Through Grove's skilled hands, Hell-Bent for Danger is like a psychological study of man's downward spiral. As a fighter pilot in WW2, Warren often wishes he could relive one more thrilling bombing run (perhaps a sentiment shared by the author?). His distressed mind even fathoms a new society where working men and women are pitted against savage lions before boarding trains and buses – the ultimate survival of the fittest every weekday morning. But thankfully, Warren's life takes a drastic turn when his old Colonel, a lowly drifter named Bobo, shows up to borrow money.

It's abundantly clear that the author enjoyed stretching Warren's emotional guy-wires tighter and tighter as the narrative threads shift into a surprisingly new setting. Bobo wants Warren to help finance a transcontinental air-shipping business. The goal is to begin a thriving new adventure, but primarily it's so both Warren and Bobo can experience the exhilaration of flying again. The issue is that Bobo's lover Annie is young, sexy and available for Warren's repressed sexual desires. Warren wants to rediscover the thrill of living, yet teeters on a balance beam between lusting for Annie or chasing high altitudes with his friend and former Colonel. Through a roller-coaster of emotions, Grove's narrative explores lust, life's complacency and even criminal intent high over the Canadian Rockies.

Hell-Bent for Danger isn't necessarily a crime-noir. It reads more like a tight, romantic-thriller but retains enough action and masculinity to attract crime-fiction readers. It's clear that Walt Grove was an incredibly gifted storyteller, and I’m curious why his literary career stopped at just a handful of paperback originals. Based on my small sampling size, we were surely cheated out of what would have been an outstanding, robust literary catalog. Hell-Bent for Danger is an outstanding novel despite it's genre misplacement.

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Able Team #01 - Tower of Terror

With The Executioner's overwhelming retail success, it was just a matter of time before publisher Gold Eagle would expand the Mack Bolan universe. In June 1982, Gold Eagle launched two successful spinoff series - Able Team and Phoenix Force. The publisher used The Executioner's creator, Don Pendleton, on the covers of the first three novels of each series as a co-author. Of course Pendleton had no hand in the writing, it was only a marketing scheme to lure consumers familiar with the Pendleton name. Instead, house names were assigned to each series: Gar Wilson for Phoenix Force and Dick Stivers for Able Team. Like the later Bolan installments, the books were really penned by a revolving door of authors. We're examining the debut Able Team book, Tower of Terror, authored by L.R. Payne. It was the first of 51 total series installments.

In the Vietnam War, Sergeant Mack Bolan commanded a special forces unit called Team Able. Much later, Bolan's crusade against the mafia warranted Bolan to call upon his old team again. These events occurred in The Executioner #02: Death Squad. Unfortunately, the entire team was killed in that battle except Bolan, Rosario “ Politician” Blancanales and Herman “Gadgets” Schwarz. Both of these former members have served Bolan periodically throughout his war (and the book series). Carl Lyons is a former Los Angels Police Sergeant that became Bolan's ally during his West Coast mob fight. Under the direction of Bolan and Stony Farm director Hal Brognola, these three men combine as a trio to fight criminal cells within the U.S. Thus, Able Team is born.

In the series debut, a Puerto Rican terrorist group called FALN have claimed a Wall Street skyscraper. Thankfully, they chose to do this on a Saturday morning when the building is mostly empty. Quickly the terrorists commandeer the facility and plant bombs on nearly every floor. A Vietnam Vet turned business executive ushers a dozen employees to safety on one of the building's higher floors and the call goes out that the building is wired to blow. The NYPD calls the FBI who then calls Stony Man to get Able Team on the scene.

The problem lies in the fact that Able Team spends 160-pages of this 187-page novel running all over town hunting clues on who the terrorists are. Mercifully, they arrive at the building as the book closes but only have a brief encounter with the primary villains. This is acceptable if the hunting was more of a character developing storyline that delved into police procedural. Maybe it is my love of mid 20th Century crime-noir, but I found the investigation to be a sluggish exercise with very little to offer readers. Gadgets played with gadgets, Lyons rode around in a cab and Politician seemed like an unnecessary character here.

Needless to say, I hated this book. I counted the pages down just hoping it would end or the book would spontaneously combust. It isn't Hall of Shame material, but it is safe to say Able Team was unable to fulfill my reading pleasure. Perhaps another author will produce a different result. I'm in no hurry to find out.

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Adam Steele #01 - Rebels and Assassins Die Hard

Terry Harknett is a British author that specialized in writing violent, sometimes humorous western novels. By using a variety of pseudonyms, Harknett is one of the most dominant authors of the western genre. His most prolific work is the 61-book Edge series, the 27-book Apache series and the subject at hand, the 49-book run of Adam Steele novels. In fact, after Harknett's phenomenal success with Edge, the Pinnacle publisher was clamoring for another series in the same style. In 1974, the debut Adam Steele novel arrived with the title Rebels and Assassins Die Hard. Harknett's pseudonym was the same one used on the Edge series, George G. Gilman.

The story begins with the assassination of Abraham Lincoln at the Ford Theater in Washington, DC. With the town stirred up, three guys in a bar start targeting anyone with a southern accent. After brutally beating an older patron, the trio, with the help of the bartender, accuse a defenseless old-timer with providing Lincoln's assassin with the proverbial smoking gun. Despite the victim's pleas of innocence, the foursome cruelly hang him in the bar.

Adam Steele arrives in town and quickly learns about Lincoln's murder. He chances on the same bar and finds the old-timer still hanging in the saloon. After Adam gets a closer look at the victim, he gains some information from the bartender regarding the identities of the hangmen. Then shockingly, he tells the bartender that the man they hung was his father! After shooting the bartender pointblank in the belly, Adam rides back to the old family farm to bury his father.

Things get really interesting at this point in the narrative. First, Steele has a confrontation with his childhood best friend Bishop, now a deputy. Adam is a wanted man, which is like blood in the water for a cold-blooded bounty hunter named Lovell. While that narrative comes to fruition, another thread has the Army searching for the assassins involved in Lincoln's assassination. This leads them into a enthralling head-on collision with both Bishop and Lovell, the hangmen and Adam Steele.

This debut entry is just a remarkable western tale. There are so many narratives weaved together, yet it's presented seamlessly under Harknett's experienced hand. Just when I thought the frantic pace would slow, a new adventure would quickly begin. By story's end, Adam Steele resembled an enjoyable Fargo installment. There's even a small The Most Dangerous Game thread as Adam is hunted through the mountains by Native Americans led by a deranged British Captain. To say this is an unorthodox western is an understatement.

Terry Harknett's debut Adam Steele novel is a mandatory read for genre fans. Buy your copy HERE.

Killing Cousins

Fletcher Flora (1914-1968) was born in Kansas and served in the U.S. Army during World War 2. After the war, he became a mystery writer while continuing to serve as an Education Advisor to the Army. The promise of sex in his novels is always front and center in the marketing, but his stories were never as graphic as the tawdry covers promised. Flora’s Killing Cousins was a 1960 hardcover later reprinted in 1961 as an Ace Double and several other times since then. It’s currently available as both an ebook and audiobook.

Willie is married to Howard, but she’s also the town slut in their affluent suburb of Kansas City. It seems that a sizable number of men in the town - certainly at their country club - have taken their turn with Willie over the years. One some level, Howard knows this is happening and chooses to look the other way like a good cuckold.

All this changes when Howard catches his wife servicing his brainy cousin, Quincy. Willie’s infidelity with a family member is a bridge too far, and Howard packs his bags to leave Willie once and for all. This leads to an altercation in which Willie shoots Howard dead with a pistol in their home. No spoilers here - this early-novel killing is disclosed in the opening pages.

Of course, this is just the novel’s setup. The heart of the story is how Willie deals with the dead body of her husband lying in her bedroom. She enlists the help of her lover Quincy to manage the disposal of his cousin’s corpse while planning the elaborate cover-up together.

Flora writes Killing Cousins in a breezy and darkly humorous style reminiscent of a good episode of Alfred Hitchcock Presents. This tonal choice makes sense as the author sold dozens of stories to Alfred Hitchcock’s Mystery Magazine and anthologies throughout his writing career. The focus is not on the horror of Willie’s infidelities and husband-killing but rather how she and Quincy navigate suburban norms and niceties in their attempt to get away with it.

I enjoyed the hell out of this short novel and you probably will too with three important caveats: First, all the characters are pretty reprehensible, so there’s no hero to really get behind. Second, it’s not an action-packed novel at all. It’s more like a chess match between the protagonists and the their obstacles. Lastly, this is a crime novel, not a mystery. There are twists and surprises along the way, but there’s nothing for the reader to solve. None of these issues detracted from my enjoyment of the book, but you should know what you’re getting. Recommended. 

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He-Men, Bag Men, and Nymphos

During the 1950s and 1960s, Men’s Adventure Magazines like Stag and For Men Only told salacious stories - often masquerading as non-fiction journalism - of daring deeds and lusty ladies around the world. The magazines were illustrated with vivid action drawings by many of the same artists who created the cover art for the vintage action and crime paperbacks we adore.

Robert Deis and Wyatt Doyle have preserved many of the great stories and art from these magazines in a series of anthology books called Men's Adventure Library published by New Texture. These books are associated with the website MensPulpMags.com. One such compilation focuses on Walter Kaylin (1921-2017), a top writer in this interesting sub-genre. The book is called He-Men, Bag Men and Nymphos, and it’s a lovingly-curated Kaylin Greatest Hits collection with 15 of the writer’s stories from the men’s adventure magazines spanning from 1956 to 1978. There are also a few tribute pieces about Kaylin and his work.

Reviewing a short-story compilation is always a challenge, so I’ll just touch on three representative highlights:

“Snow-Job From a Redhead”

This story originally appeared in the June 1956 issue of Men. It’s a first-person narration by Fred who violently steals a small statue of a black bull from a fellow crook in an ambush doublecross. He’s part of a small smuggling crew meeting at a rooming house near Los Angeles operated by a sexy redhead who’s initially resistant to Fred’s advances.

What is it about the statue that makes it worth killing to possess? Can Fred withstand pressure from the local police? Will he get lucky with the redhead? Can he get away with his mini-caper, or will his lustful big mouth get in the way? All of these questions are answered in this gripping short story.

Kaylin writes in a dialog-heavy style without a lot of exposition, which allows the reader to catch up to the action in progress. The anthology editors were wise to start the compilation with a great double-cross story like “Snow-Job From a Redhead.” After finishing it, you’ll want to move onto other Kaylin stories.

“The Nymph Who Leads an African Death Army”

With a title like that, I needed to know more, which was often the idea behind the headlines and illustrations in these men’s magazines. This particular story originally appeared in the October 1960 edition of Men. The piece is presented as a piece of journalism - like a feature one might read in the National Geographic or The New Yorker - but every word came from the mind of Kaylin.

The story is about Max Bosch and his group of international solders-of-fortune known as the Butcher Boys who arrive in Camaroon and take over a peaceful village. The group of tough thugs is presented in contrast to Harry Tapp, a benevolent American living peacefully among the natives, establishing small businesses such as a general store and used car dealership. He’s a prince of a guy who teaches the Africans to play “Three Blind Mice” on the trumpet, a plot point that becomes brilliantly relevant as the tale moves to its violent climax.

Kaylin could write a helluva fight scene and this story has plenty to enjoy as Tapp turns to a full-breasted hill woman named Aunt Edna for assistance with his mercenary problem. She has a close relationship with a badass crew of African jungle dwellers, and she’s happy to supply them as muscle for Tapp’s crusade against Bosch’s Butcher Boys...for a price.

As alliances shift and the bloodbath becomes inevitable, “The Nymph Who Leads an African Death Army” becomes an exciting survival story and a high-point of this superb collection.

“Surf Pack Assassins”

Kaylin was such a prolific contributor to these
magazines that his stories often appeared under pen names to hide the fact that his imagination was saturating the market. This was the case for his piece in the August 1967 issue of Male magazine titled “Surf Pack Assassins” originally published under the pen name Roland Empey.

Kaylin has a lot of fun with this one trotting out the surf lingo in this story of an informal American surfing club riding the waves as part of an international hang ten tour. They’re a rowdy crowd who surfs all day and drinks themselves blind by the beach bonfire every night. Harmless fun, right?

As the story continues, it becomes clear that not all as it seems with the surf society. African democracy leaders are dying in cities corresponding with the surf crew’s travels. Yes, as the title promises, these aren’t ordinary surf-bums, they are a covert group of talented killers.

Meanwhile, a member of a U.S. intel agency is investigating the surfers to see if its even possible that a group of burnouts could possibly be assassins. The undercover infiltration story is exciting stuff and every bit as good as the best Nick Carter: Killmaster paperback. The story went on a bit too long, but it was a thoroughly enjoyable read.

* * *

He-Men, Bag Men and Nymphos is an important collection of delightful stories from a writer who deserves to be remembered. The guys at Men's Adventure Library should be commended for putting together such a lovely-packaged book packed with winning stories and illustrations from the original magazine stories.

Mostly, I’m glad Walter Kaylin is being remembered. He was a talented writer with an interesting niche market that could have easily been lost to the ages if it weren’t for this important volume. Kaylin wrote a single mystery novel for Fawcett Gold Medal called Another Time, Another Woman published in 1963 that I’d like to check out sometime. In the meantime, there are a smattering of Kaylin magazine stories in other anthologies covering this genre to read and enjoy. Highly recommended. 

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