Quarry #15 - Killing Quarry

Killing Quarry is the 15th published novel in Max Allan Collins’ terrific hitman series. The chronological order of the books is quite a mishmash, but the author has done a great job of making every book stand alone quite nicely. Although this one is a 2019 release, it takes place in 1986, fairly late in the chronology.

Earlier in the series, the Vietnam vet turned paid-assassin came into possession of a list of other hitmen on-contract with his former boss, The Broker. Quarry switched his business model to stalking hitmen and hiring himself out to their intended targets to stop the assassins before the kill is completed. That’s the setup in this one, but some unusual developments send this novel in an unusual direction.

Killing Quarry begins with our anti-hero driving from his home near Lake Geneva, Wisconsin to Naperville, Illinois. He’s chosen the name of a hitman named Bruce Simmons from The Broker’s list. The idea is to surveil Simmons until he goes to his next murder gig and spoil the fun before Simmons can do his job. Things take a shocking turn when Simmons drives up to Lake Geneva and begins watching Quarry’s home. Yes, Quarry is his intended target. We are treated to two people in the murder business basically stalking each other for the kill.

Who is paying Simmons to kill Quarry? Has Quarry’s killing hitmen gambit finally caught up with him? Or is the agenda something completely different? The answers are revealed gradually on a roller coaster of twists and turns that also provides fans of the series an interesting look under the hood of Quarry’s world of hitters, brokers, envoys, and mobster clients.

As the alluring cover art indicates, a sexy hitgirl works her way into the plot. It’s interesting to note that Killing Quarry is a sequel of sorts to the 1976 entry in the series, The Dealer, re-released by Hard Case Crime in 2015 as Quarry’s Deal. Collins does a nice job of summarizing the events of the prequel, so new and forgetful readers are never lost. That said, if you’re working your way through the entire series, you might as well read Quarry’s Deal before Killing Quarry.

However you choose to tackle the series, be sure to make time for Killing Quarry as the paperback is a total winner. There’s excellent action, great humor, hot sex, and a compelling mystery at the core. Picking the best Quarry novel is a heavy lift, but Killing Quarry is among my favorite in the series. Highly recommended.

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The Broken Gun

Louis L'Amour's name is synonymous with the glory days of the American West. Authoring over 100 novels and countless short stories, L'Amour's work is just as popular now as it was five decades ago. While the author's body of work is dedicated to frontier life of the 1800s, occasionally L'Amour crossed genres to write pulpy detective stories. With that in mind, I was pleasantly surprised to find a modern western in his catalog, The Broken Gun, published by Bantam in 1966.

The main character is a popular western writer named Dan Sheridan who has researched and examined dozens of manuscripts about frontier life in the 1800s. Throughout his writing career, Sheridan has been obsessed with a missing persons case from 1864. Two Alvarez brothers led a drive from Texas into a rural Arizona valley only to vanish with their 4,000 head of cattle. Over the decades the mystery has become folklore, but Sheridan hopes to author a non-fiction book about the case. On a research trip to the area, his arrival at a small Arizona town is met with murder.

An Arizona sheriff leads Sheridan to a murder victim with the last name Alvarez. After further research, Sheridan learns that the man's brother was also found murdered. Could they be linked to the 1864 disappearance? Why would someone keep these men from talking to Sheridan? Soon, a cattle baron named Colin Wells invites Sheridan to his ranch hoping to educate him on the modern cattle business. But once there, Sheridan realizes that Wells and his family may have a link to the murders and the 1864 missing persons case.

I was really excited to learn that L'Amour had written a crime-fiction novel. My expectations were rather high simply because the author has a new canvas for his art. Unfortunately, The Broken Gun is just another western. The 1966 setting is nearly interchangeable with 1866 with all the characters on horseback wearing six-guns. There's plenty of action and enough story to make it all plausible, but it never really feels like a modern endeavor. I did enjoy some of the backstory on Sheridan, particularly his military experiences in Korea and Vietnam. I just couldn't shake the feeling that L'Amour probably wrote this as a traditional western and simply changed a few key elements to modernize it (maybe a publisher request?).

Overall, The Broken Gun is a quality read from a master of the genre. If you manage your expectations of what L'Amour's modern novels resemble, you might find more joy than I did.

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Blood Money

Dashiell Hammett's Nameless Detective - an operative for San Francisco’s Continental Detective Agency - starred in 36 short works and two novels beginning in 1923. One of his most iconic stories was "The Big Knockover", a novella which originally appeared in the February 1927 issue of Black Mask. The tale continues in a second novella called “$106,000 Blood Money” from May 1927’s Black Mask. Over the years, publishers have packaged the two novellas together as one short novel titled Blood Money.

As the paperback opens, the Continental Op finds himself in a bar filled with con-artists and stick-up men blowing off steam with booze and live music. Leaving the tavern, the Op gets a tip from a newsie snitch that there are plans afoot to rob Seaman’s National Bank, a standing client of the Continental Detective Agency. Could the tip have anything to do with the giant crook convention at the bar?

You know it does and I know it does. What the informant fails to tell the Op was that the plan entails robbing not one, but two, large San Francisco banks at the same time with a standing army of crooks working together to make the jobs a bonanza of theft with millions in bank losses. During the robbery itself, the police were taken off guard, and the job went off without a hitch leaving behind a bloodbath or carnage and bank shareholders demanding private justice from the Continental investigators.

The Continental Op dives headfirst into the underworld to find out who the top man was planning this audacious crime. It’s a violent and exciting ride in a high body-count story that has aged extremely well over the past 93 years. It’s edgy, violent and gritty stuff but never cartoonish like much of the era’s pulp hero fiction. Hammett was clearly writing works that set the stage for Mickey Spillane in the 1950s and many other purveyors of violent action fiction beyond that.

Many compilations have reprinted “The Big Knockover” and “$106,000 Blood Money” back-to-back, but collectors may want to seek out a vintage paperback of Blood Money. Either way, you’re in for a real treat as this is top-notch hardboiled violence underscoring why Hammett was the grandfather of the genre. 

Buy a copy HERE

Paperback Warrior Podcast - Episode 27

Paperback Warrior Podcast Episode 27 showcases a feature on the work of Jerry Ahern, including a review of “Survivalist #1: Total War.” We also evaluate the latest installment in Max Allan Collins’ Quarry series entitled “Killing Quarry.” Check out the episode wherever fine podcasts or stream below. Directly download the episode HERE. Listen to "Episode 27: Jerry Ahern" on Spreaker.

Garrison's Gorillas

The success of 1967's The Dirty Dozen led to countless imitators in fiction and on screen. The formula of team-based adventure thrived throughout the men's action-adventure genres of the 70s, 80s and 90s. Specifically, the film's use of criminals as American soldiers was often utilized. That premise was the basis for the 1967 ABC television show Garrison's Gorillas.

The show featured Lt. Garrison reforming four hardened criminals into an elite fighting force during WW2. The incentive for the prisoners was a complete parole from their remaining sentence...if they survived. While only lasting one season, the show gained a cult following. 

In 1967, military fiction writer Jack Pearl authored two spin-off novels, one as a young adult title called Garrison's Gorillas and the Fear Formula and the other as a mass market adult paperback simply titled Garrison's Gorillas (Dell). My only experience with the show is the Garrison's Gorillas novel.

The author assumes you are already familiar with the team and premise so the action begins immediately without much back-story. Lt. Garrison's orders are to locate a secret German base that is manufacturing the Messerschmitt ME 262 fighter jets. In order to do so, Garrison and his team disguise themselves as German officers and infiltrate a hotel meeting among the top German brass. Things immediately go awry when Garrison's disguise doesn't satisfy one of the German generals. Further, after locating the airstrip, Garrison's Gorillas learn that a second airstrip contains 60 of the jets. The team, while not breaking character, must stay ahead of Germany's inquiring leaders while also relaying intelligence back to the Allies.

At 160 pages, this was a swift and easy read. Some may find it lacking in heightened action or any sense of urgency to produce gunplay. But, overall it was enough to satisfy my WW2 craving despite the slow-burn narrative style. The characters of Casino, Goniff, The Actor and Chief were enjoyable but never overindulgent or distracting from the overall team concept. After reading the book, I sampled a few YouTube episodes and quickly realized I preferred these characters on paper instead of the screen.

The bottom line, Garrison's Gorillas should cater to fans of military fiction or to the old-timers that remember watching the television show when it premiered. This was my first Jack Pearl novel and I have two others I hope to read this year - Stockade and Ambush Bay.

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87th Precinct #02 - The Mugger

The 87th Precinct series by Ed McBain (a pseudonym of Evan Hunter) was a tremendous literary success with around 55 novels spanning from 1956 to the author’s death in 2005. Those in-the-know say that the shorter early installments are the best use of your time before the demands of the market made the novels more bloated and convoluted later in the series. Today, we examine the second paperback, The Mugger, from 1956.

In order to firmly establish that the 87th Precinct is a true ensemble group of heroes, the lead detective from the first novel, Steve Carrella, is largely absent from The Mugger while he is on his honeymoon. In his absence, the 87th Precinct of Isola (McBain’s fictionalized version of Manhattan) is being plagued by a mugger roughing-up innocent women and robbing their purses. The most promising clue is that the mugger always ends his strongarm robberies with a deep bow while declaring, “Clifford thanks you, madam!”

There is a secondary plot involving a 24 year-old rookie patrolman named Bert Kling who is home recovering from a gunshot wound. An acquaintance introduces Kling to a troubled 17-year-old girl who appears to be going down the wrong path. The hope is that a heart-to-heart with a policeman might help the girl. Bored with his convalescence, Kling agrees to speak to the young lady, who happens to be a slender little dish uninterested in sharing her problems with the young patrolman. After rebuffing Kling’s outreach, she finds herself violently murdered a few pages later creating another mystery to be solved.

Could the violent death of the girl somehow be related to the oddball mugger terrorizing the women of Isola? The detectives of the 87th endeavor to find out while Kling, the novel’s best character, punches above his weight conducting his own investigation - a violation of department policy for a patrolman.

We get to know a lot of other characters in the 87th, and McBain does a nice job of making the ensemble come alive. We meet the Jewish police detective - and comic relief - Meyer Meyer. We bear witness to the controversial tactics of racist psychopath cop, Roger Havilland. A sexy, voluptuous female cop named Eileen Burke is used as bait to smoke out the mugger. She’s another awesome character, and readers will want to know her better in later installments.

The answers to the paperback’s central mysteries were satisfying but not groundbreaking or terribly twisty. You’ll see one solution coming from a mile away, but that’s not the point of a police procedural. The appeal of the series is a realistic glance behind the curtain revealing how cops do what they do. In that respect, The Mugger is the best Ed McBain book I’ve read thus far, and you should make reading this one a priority. 

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The Trailsman #303 - Terror Trackdown

Journeyman David Robbins has authored over 200 novels under seven different pseudonyms. Along with horror and science-fiction works, Robbins created and wrote over 40 books in the Endworld and Blade post-apocalyptic series. As David Thompson, Robbins authored over 70 installments of the western series Wilderness and eight frontier books under popular western writer Ralph Compton's name. My first experience with Robbins' work is his contribution to the massively successful The Trailsman series under house name Jon Sharpe, specifically Terror Trackdown, released in 2007 as the 303rd novel of the series.

The book features “The Trailsman” Skye Fargo leading a small column of Army recruits through the northern Rockies in 1861. While the patrol features two experienced officers, the rest are all young baby-faced raw recruits with no formal training. Fargo has been hired as an Army scout to explore this portion of Montana in hopes of finding a suitable location to establish an Army outpost or fort. The opposition will be numerous Native American tribes that continue to resist the white man's invasion of the great Northwest.

Over the course of the westward trek, the crew begins experiencing mysterious events – bucking horses, missing gear and...murder. Once Fargo and the men meet Mountain Joe and his sexy daughter Prissy, the soldiers begin dying one by one. In the dense wilderness, Fargo must determine if the men are being killed by Native Americans or if there is a murderous traitor within the ranks. The investigation is saturated in blood and leads to an elevated level of violence for Fargo and the reader.

Aside from a short paragraph, I was surprised to find Terror Trackdown is devoid of any graphic sex. Fargo and Prissy do the obligatory nasty, but Robbins doesn't spend much time describing it. I'm sure dedicated series fans find this alarming, but I've never had a penchant for reading erotica. The substance is the story and Robbins delivers a superb narrative. The action extends from Montana into Minnesota and incorporates both the wilderness and a small farming community as locations.

While not quite a traditional western, Robbins' writing proves to be rather diverse. Without spoiling it for you, there's an early look at criminal profiling and serial killers, both a pleasant and welcomed surprise for a western yarn. Overall, this is another stirring installment for this wildly popular series. Terror Trackdown is worth tracking down.

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Pick-Up

In 1955, Charles Willeford (1919-1988) was in the U.S. Air Force stationed in California and later Newfoundland. That was the year that his second published novel, Pick-Up, was published as a paperback original from Beacon Books. Since then, the novel has been reprinted several times, so finding an affordable used copy should be a cinch. Moreover, it’s also currently available as a eBook.

Narrator Harry Jordan is a short order cook in a San Francisco diner working a quiet night shift when Helen Meredith arrives to have a cup of coffee at the counter. She’s very pretty and very drunk. Harry’s also a prolific boozer, so they hit a bar together after work. Helen has just arrived in town, and it’s clear that being shitfaced isn’t a rare thing for the girl.

Harry and Helen fall madly in love, and the reader is treated to a dysfunctional romance between two hard-core alcoholics with room-temperature IQs. It’s a lot like a David Goodis novel, but Goodis always thrusts his hard-luck losers into crime-fiction dilemmas fairly early in the novel. Willeford appears to be taking his time getting to the point until it finally occurs to the reader that there is no goal here other than bearing witness to the protagonists’ descent.

Pick-Up isn’t a much crime novel, and other than a couple bar fights, there’s not much action. Technically, there’s a killing but not the kind we normally see in paperbacks from this era. As expected, it’s rather well-told, but the book is basically just a prose blues song about two suicidal drunks in a doomed romance.

The final line of the book has a plot twist of sorts that probably knocked readers on their asses in 1955, but isn’t nearly as shocking 65 years later. In any case, I found Pick-Up to be a well-written slog that doesn’t hold up to brilliant Willeford works such as The Woman Chaser or Wild Wives. Your time is better spent elsewhere.

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Paperback Warrior Podcast - Episode 26

On episode 26 of the Paperback Warrior Podcast, Tom explains the allure of The Saint series by Leslie Charteris, including a review of “Alias The Saint.” Eric covers Soldier of Fortune #2 by Peter McCurtin , and the guys have impromptu discussion about the work of Shepard Rifkin and Louis L’Amour. Listen on any podcast app or stream below. You can also download the episode directly HERE. Listen to "Episode 26: The Saint" on Spreaker.

Iceman #01 - Billion Dollar Death

The black exploitation phenomena of the 1970s captivated theater audiences nationwide, so it's only natural that iconic characters like Shaft, Willie Dynamite and The Mack would influence men's action-adventure fiction. Los Angeles publisher Holloway House had a successful marketing run by introducing African-American characters and culture within the backdrop of the urban 1970s. Along with Iceberg Slim and Donald Goines, Joseph Nazel was among the publisher's most prolific authors.

Nazel authored over 60 literary works ranging from biographies, romance and action-adventure. While serving as an editor for Holloway House, Nazel also edited African-American magazines like The Wave, Players, The Sentinel and Watts Times. But, his work with hard-hitting, violent series' like Black Cop (written under pseudonym Dom Gober), My Name is Black, and Iceman catered to men of any color. These were grimy, intense street thrillers that readers historically loved or hated. My first experience with Nazel is the debut installment of Iceman entitled Billion Dollar Death. It was released by Holloway in 1974 and features artwork and fonts that are clearly marketed to The Executioner and The Penetrator consumers.

First and foremost, kudos to both Holloway and Nazel for including the book's cover scene in the actual narrative. There really is a dueling helicopter fight in the skies over Las Vegas featuring two bikini-clad martial artists and the turtlenecked Iceman himself, Henry Highland West. In reality, this whole book carries that same sort of zany, over the top feel shown on the book's cover. It's often ridiculous, unintentionally funny and left me debating why my David Goodis collection remains unread while I spend hours flipping through books like this. But, Paperback Warrior covers a lot of ground no matter how slippery the slope is.

Essentially, West is a rags to riches drug dealing pimp who's graduated from a petty, street level gig in Harlem to a West Coast crime king. His empire is built on drug money, prostitution and corruption, all of which are the pillars of his Las Vegas fortress city aptly titled The Oasis. Think of Nevada's Bunny Ranch as a frolicking pay to play haven spaced out over 10-square miles. The Oasis is a self-contained city run by West.

In the opening pages, a mafia kingpin is blown to pieces by a half-ton of TNT. West's reputation of elaborate, high security host is blown and he wants answers. Billion Dollar Death then settles into West and his two kung-fu kittens cracking down on sparring Mob families, a crooked politician and a former friend of West's who may or may not be the middle man in a backdoor coupe to dethrone the Iceman.

Based on my small sample size, the Iceman series isn't very good. Nazel's writing is one-dimensional and often I found myself mired in deep discussions without any real payoff or connection to the real story. There's some gun-play, a fun fight scene in a garage and of course the aforementioned helicopter scene. But even these small slivers of joy are ruined by the overall drivel that refuses to deliver anything noteworthy. I'm putting Iceman in the deep freeze.

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Gregory Hiller #03 - The Spy Who Didn't

Journeyman author Jack Laflin wrote four books in the Gregory Hiller spy series - plus a prequel explaining how a Soviet spy named Piotr Grigorivich Ilyushin eventually became the American CIA’s greatest asset. I had trouble getting into the second installment, The Spy in the White Gloves, but I didn’t want to give up on this unique character so I’m continuing into the third novel, The Spy Who Didn’t from 1966.

The opening page brings the reader up to speed on Hiller’s background as a Soviet defector who is now living as a freelance writer between CIA special assignments. However, this time the assignment stumbles into a vacationing Hiller in the form of a battered old man on a road who collapses in Hiller’s arms outside a mysterious Long Island, New York sanitarium. Before losing consciousness, the old man tells Hiller that the nation of Israel needs to be notified, and “Von Eckhardt has to be stopped!”

Hiller is quickly confronted by the escapee’s pursuers and we get to meet our pulpy cast of cartoonish villains lead by Doctor Rolf Von Eckhardt, who we immediately know is a real villain because he wears a monocle. He’s also the operator of the private sanitarium, Shady Knoll, from which the old man escaped. By page 17, Hiller is captured by the bad guys, including a human giant named Man Mountain McGill, and taken to the sanitarium. The context clues for Hiller and the reader are enough to make everyone come to the logical conclusion that Von Eckhardt is an escaped Nazi officer doing very bad things inside the sanitarium walls.

Laflin writes The Spy Who Didn’t in the over-the-top pulp fiction style of The Shadow, The Spider, or Doc Savage. It’s a lot of fun as long as you aren’t expecting a John LeCarre or Robert Ludlum spy story (in fairness, the paperback’s cover should have been a clue.) The torture scenes inside Shady Knoll were particularly brutal, and the secrets of what else is happening inside the creepy place are revealed mostly through monologues from the villain oversharing with our restrained hero.

Eventually, the action moves from beyond the sanitarium walls and into Mexico. Heller’s mission is one that’s been done in dozens of times in other, better novels, but that’s not the point. The Spy Who Didn’t is a violent and propulsive bit of pulp fiction that exists for the joy of the ride. Laflin is a good storyteller even when he is trading in genre tropes for his CIA hero. Mostly, this is a book I can recommend without reservations because it was a hell of a lot of fun. I probably won’t remember the plot details in a year, but I’ll certainly recall the good time I had in this vicarious adventure.

The Gregory Hiller Series:

0: The Spy Who Loved America (1964)
1: A Silent Kind of War (1965)
2: The Spy with the White Gloves (1965)
3: The Spy Who Didn’t (1966)
4: The Reluctant Spy (1966)

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Steve Ashe #01 - I'll Get You Yet

After serving in WW2, James Howard (1922-2000) earned a doctorate in psychology and began writing crime novels as a side hustle. He put his name on the literary map with a four-book series starring journalist Steve Ashe published between 1954 and 1957. The first book in the series was I’ll Get You Yet published by Popular Library’s Eagle Books imprint with misleading and uninspired cover art. Thankfully, Cutting Edge has new editions of this series available in physical and digital.

As the story opens, unemployed newspaperman Steve Ashe is leaving Neon City for the greener pastures of Omaha. His truck driving buddy Scotty is giving him a lift in a big rig when they narrowly evade an collision with a sedan careening out of control on the snowy highway. After both the truck and the sedan come to a stop after scraping one another, the men rush over to the car to find the female driver beaten within an inch of her life. The damage to her face far exceeds what could have been caused by the mere sideswiping of Scotty’s truck.

After the woman regains consciousness and the blood is cleaned off her face, Steve recognizes his old childhood crush, Vicki. She’s running from a Denver syndicate boss named Mario Carazzi whose goons roughed her up and forced her 17 year-old sister Gina into prostitution by getting the kid hooked on dope. Steve agrees to rescue Gina for Vicki while exacting some revenge on the mobster and his goons. With this promising set-up, we are off to a very Mack Bolan-esque start.

Today we call it “human trafficking,” but in 1954 it was “white slavery” and mobster Carazzi controls the action on the 1,100 mile stretch between Santa Fe, New Mexico and Helena, Montana. Steve begins his hunt in Omaha tracking the syndicate muscle who worked over Vicki. 

At times, this really felt more like a well-written 1970s Pinnacle book with one man on a revenge mission against the underworld than a 1954 crime paperback. But whatever the era, I’ll Get You Yet is some primo vendetta stuff - albeit without a pure vigilante edge - starring a stalwart hero with a self-deprecating sweetie worth avenging.

Steve’s way to ingratiate himself into Carazzi’s organization is to pose as an amateur heavyweight boxer seeking to rise through the pro ranks. It helps that Steve really knows how to use his fists in a scrape, so fans of pugilistic drama will enjoy the boxing segments of I’ll Get You Yet. 

When things go sideways for the hero, there are plenty of outstanding action set pieces. The fact that Ashe is a newspaper reporter is largely irrelevant to the plot until the very end and may play a bigger part later in the series. For the purposes of this debut novel, he’s just a badass. Of course, all of this leads to the climactic confrontation between Steve and Carazzi that you won’t soon forget.

I previously read and reviewed Howard’s stand-alone novel, Murder Takes a Wife. It was decent but nowhere near as awesome as this opening installment in the Steve Ashe series. Ignore the lame cover art. This one is a balls-out, hardboiled, 1950s action paperback written for guys like us. I’m confident you will love this paperback as much as I did. It’s really something special.

Addendum:

Steve Ashe series by James Howard:
1. I’ll Get You Yet (1954)
2. I Like It Tough (1955)
3. Blow out my Torch (1956)
4. Die on Easy Street (1957)

Buy a copy of this book HERE 

Cry Blood

During the 1950s, California author Harry Vernor Dixon (1908-1984) produced nine paperback originals for Fawcett Gold Medal who sold a lot of his books to voracious crime-fiction readers. Unfortunately, Dixon remains largely forgotten today outside the world of vintage paperback collectors. In 2017, Stark House Press reprinted two of his 1956 novels, Cry Blood and Killer in Silk in a single volume with an informative introduction by Donald Napoli. Cry Blood won the coin toss for the coveted Paperback Warrior review, so here we go:

The narrative begins with a lovely 14 year-old girl named Diana B. Halloran vanishing after school one day never to be seen alive again. Her disappearance becomes national news in the manner it always does when a photogenic white girl goes missing. Months go by with no meaningful leads, and finally the police close the case unsolved. However, fears surrounding this horrible crime continue to plague the residents of Bayside, California.

Enter Gary Malone. Age 28. Married. Childless. Architect. Veteran. Country club member. Nice guy. His world is changed forever one evening when his wife finds a pair of girl’s sneakers squirreled away in their basement. The initials stenciled near the soles: DBH. Coincidence? At first, Gary is skeptical that the shoes once belonged to the missing Diana. After all, how on earth could the missing girl’s sneakers wind up in Gary’s basement? Gary’s wife insists they call the police, and Gary’s nightmare begins.

Media speculation about Gary’s culpability - largely fed by the police - fuels distrust among family and friends in a viscous feedback loop similar to the one depicted in Gillian Flynn’s Gone Girl decades later. The third-person narration switches perspective between the innocent Gary and the increasingly-skeptical police chief. This police procedural mystery depicts the cops using their investigative skills to develop evidence against an innocent man. Meanwhile, Gary is caught in a web of the wrongfully-accused man forced to prove his innocence and find the real killer to save his own hide from the gas chamber.

The interplay of these two competing perspectives are balanced nicely thanks to Dixon’s superior storytelling ability. However, the police procedures are a total mess. Even if you don’t demand realism from your crime novels, even layman readers will find themselves yelling at their paperbacks, “Cops would never do it that way!” The author was never a law enforcement officer, so he can be excused some of the plot-points designed to increase the drama at the expense of realism, but the reader is forced to repeatedly suspend disbelief throughout the paperback.

The mystery itself was pretty solid. Clues were presented in a coherent fashion, so an astute reader could come up with the solution a few pages before the characters do. I also enjoyed the characters quite a bit as Dixon did a nice job at making them three-dimensional people and not just cut-outs playing the roles of various archetypes. Overall, I enjoyed Cry Blood. It was a quick read and never failed to hold my attention. While it failed as a police procedural novel, it generally succeeded as escapist entertainment. Recommended with reservations. 

Buy a copy of this book HERE

Paperback Warrior Podcast - Episode 25

On Paperback Warrior Podcast Episode 25, the guys take a deep dive into the world of Nick Carter: Killmaster. Tom introduces listeners to James Howard’s obscure Steve Ashe series, and Eric reviews the nautical heist classic, “Hell Ship to Kuma.” Check it out on your favorite podcast app or listen online at paperbackwarrior.com. Stream the show below or on any podcast service. You can also download the episode directly HERE. Listen to "Episode 25: Nick Carter: Killmaster" on Spreaker.

No Room at the Inn

American author Bill Pronzini has written over 40 novels for his private eye series Nameless Detective. Beginning in 1971, Pronzini focused his efforts on anthologies and short fiction, contributing hundreds of short stories to magazines like Ellery Queen's Mystery Magazine while compiling over 100 collections. Along with his Nameless Detective novels, Pronzini's body of work features over 35 stand-alone novels and a number of pseudonyms including Jack Foxx, William Hart Davis and Alex Saxon.

One of Pronzini's most interesting creations is the characters of John Frederick Quincannon and Sabina Carpenter. From my deep dive, the first Quincannon appearance seems to be the 1985 Quincannon novel that introduces both characters. There we learn that Quincannon is a former U.S. Secret Service agent who's turned private detective after murdering a young woman and her child with a stray bullet. Teaming with love interest Carpenter, the two operate out of 1890s San Francisco and accept various jobs that conveniently propels a number of sub-genre narratives – locked room puzzles, whodunit sleuths, mystery, western and adventure. It's fertile ground to harvest a number of series installments.

There are dozens of Quincannon short stories stemming from the character's debut novel and its follow-up Beyond the Grave, co-written with Pronzini's wife Marcia Muller in 1986. The marital collaboration has created eight more novels in the series and a fantasy-styled “reboot” to provide more international intrigue. My first sampling of Quincannon is the 1988 short story “No Room at the Inn,” which originally appeared in the Harper Collins mystery compilation Crime at Christmas.

Pronzini's rich attention to detail saturates this holiday themed short. Atmospheric, mysterious and eerie, “No Room at the Inn” places lone Quincannon high in the Sierra Nevada during a Christmas Eve blizzard. Guided by the full moon's light while riding a rented horse, Quincannon is on the trail of Slick Henry, a counterfeiter who specializes in mining stock. Henry is a confidence trickster, ascending through the ranks of the most notorious and dangerous criminal lists of 1894. Quincannon has accepted a $5,000 assignment to nab Henry for the West Coast Banking Association.

Fearing for his own safety in the storm, Quincannon begins losing hope in tracking Henry through the high foliage and decides to concentrate his efforts on survival. Miraculously, Quincannon rides into a small, seemingly abandoned community for shelter. Once there, he finds that people have gone missing in the midst of dinner. Further, there's still horses in the barn as if the township left on foot in the storm. Once the first body is discovered, the novel quickly moves from western to sleuth as our main character discovers the whereabouts of Henry...and his motives.

Pronzini proves that his storytelling talents were certainly diversified. “No Room at the Inn” is immensely enjoyable both as a western and a dark thriller. Never reading Quincannon before, this introductory, early short story certainly has my attention. I'm looking for more of this character in the future.

Note - “No Room at the Inn” can be found in Pronzini's Leisure compilation entitled Burgade's Crossing (2004). Despite the misleading artwork, the compilation is strictly a Quincannon theme featuring eight total shorts from sources including Louis L'Amour Western Magazine, Ellery Queen's Mystery Magazine, and Pronzini's own compilation Carpenter and Quincannon: Professional Detective Services. For an easy, affordable introduction to the character, track this old paperback down. It's well worth your time.

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Catch the Brass Ring

Stephen Marlowe (born Milton Lesser, 1928-2008) is best known for his series of private-eye novels featuring Chester Drum. Along with notable science-fiction work, Lesser authored over 20 stand-alone novels. My introduction to the writer is his first work under the pen name Stephen Marlowe, the 1954 Ace paperback Catch the Brass Ring.

Gideon Frey is an Army veteran fresh off of a violent tour in the Korean War. Fighting side by side, Frey had struck up a close bond with fellow soldier Bert Arthur. Near the end of service, Bert offered Frey a job when they returned stateside. As Catch the Brass Ring opens, readers learn that Frey has just arrived at a Coney Island amusement park called Tolliver's. Only instead of a warm welcome from the owner Bert, he finds police cars, an ambulance...and a body bag.

Marlowe attempts to keep readers engaged by running two plots simultaneously. The first involves Frey's investigation into his friend's murder. His suspects range from two gay massage therapists (readers will need to overlook the historical stereotypes), a bizarre pizzeria owner, a hot female employee and Bert's mourning girlfriend Karen. On the suspect list himself, Frey also must contend with the local cops who are quick to point fingers at a new stranger in town.

The second story-line is a sensual love triangle as Frey falls for a beautiful heiress named Allison. She's worth a fortune thanks to her wealthy, blind husband Gregory (think of Anna Nicole Smith's old sugar daddy). But, Allison is a nympho and demands sex at the most impromptu times. In one hilarious scene, Frey and Allison make love on a small boat with the blind Gregory just a few feet away! Frey is torn between his heated desire for Allison and Bert's grieving girlfriend Karen, who turns to Frey for sexual healing.

For argument's sake, this is really just a romance novel with a crime thrown in. I think the cover speaks volumes and conveys the above sentiment. I'd speculate that most buyers weren't reading only crime-fiction, especially considering the Stephen Marlowe name would have been unfamiliar at this point in time. There's a second-rate murder mystery, but it's just not very interesting. Those plot points are few and far between and are just fodder to keep Frey jumping from Karen to Allison and back again.

Overall, crime-fiction fans can stay clear of this one. I caught the “brass ring” and wasn't terribly impressed.

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Dust in the Heart

New York Times bestselling authors Lee Goldberg and Joel Goldman (founders of Brash Books) have remained steadfast in their preservation of the Ralph Dennis body of work. Dennis, a South Carolina native, was born in 1931, received a masters at the University of North Carolina and produced a steady stream of fine fiction that mostly went unnoticed by mainstream readers. Passing away in 1988, Brash Books has rekindled the fire for many of Dennis' published work, including the 12 installments of the 1970s hardboiled series Hardman. Along with re-editing and reprinting published novels like Atlanta (newly released as The Broken Fixer) and MacTaggart's War (reprinted as The War Heist), Goldberg has discovered numerous unpublished manuscripts from the Dennis archives.

The most recent Brash Books project is a Ralph Dennis manuscript penned in the 1987-1988 time-frame. This is reflected in discouraging letters Dennis wrote to colleagues about the unsold work. Dust in the Heart is a different novel and avoids the pitfalls of the men's action-adventure paperbacks of the 70s. Like his other works, it is set in the southeastern U.S., but in a fictional North Carolina town rather than his go-to of Atlanta. That's not to say it doesn't possess the author's consistent ferocity. Indeed, Dust in the Heart is perhaps Dennis' most profoundly disturbing book due to the subject matter – a serial sex-killer preying on six year-old children. Dennis' use of sodden, rural fields, counterbalanced by a dark seedy strip club, envelops the flawed hero and the reader. It's upon this black canvas that Ralph Dennis outshines his prior efforts.

The novel's protagonist is Sheriff Wilton Drake, a former Navy sailor who found his life upended by a sniper bullet in Lebanon. The bullet not only shattered his hip but his marriage, too. After fifteen years and a lot of empty bottles, we now find Drake as the proverbial small-town badge in Edgefield, North Carolina. Drake's alcoholic desires are partnered with his obsession for Diane, a stripper working at The Blue Lagoon. The author sometimes uses these as handrails as Drake climbs through procedures, small-town politics and bureaucracy to solve a young girl's brutal rape and murder. It's here, in the rain where readers first discover Drake hunched over the girl's body. As the procedural narrative tightens, another child goes missing, pushing Drake and his department to find the killer before the next victim.

There's a number of elements that Ralph Dennis uses that may parallel his own career. As essentially his last literary work, Dust in the Heart has a number of references to things that are just outside the grasp. Drake's romantic feelings are within reach, but his relationship with Diane is challenging and cold. The investigation may reveal the killer, but it's too far of a reach for a conviction. Cleverly, Dennis even uses the weather, explaining that snowfall barely touches “Edgefield”, instead pocketing just west of Greensboro every winter. The author's idea of elements within sight but out of touch could be self-reflective of the author's commercial failures as a producer of popular fiction. There's even a side-story where Drake spars with an F.B.I. Agent for credit in the newspaper. These are all indicative of the author's career missteps and failings.

Dust in the Heart is an effective, smart police procedural starring a purposefully flawed hero. While certain genre tropes are familiar, the author's ominous prose is masterful. Dust in the Heart proves that even small-town America can be the most threatening. It's this cold, sinister approach that makes Ralph Dennis' final pen-stroke his most enduring legacy.

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Girl Out Back

After his successful 1951 debut, Hill Girl, Charles Williams (1909-1975) went on to become one of the most respected crime-noir novelists in history. His penchant for rural small-town crime is enjoyable, especially with the sexy female accomplices his novels typically feature. Nothing exemplifies that more than his 1958 paperback original Girl Out Back, expanded from his 1957 novella, “Operator.”

30 year-old Barney Godwin is a complacent businessman in the small lake town of Wardlow. While he isn't fighting with his nagging wife Jessica, Barney runs a profitable bait and tackle shop. It's here where he first meets the luscious vixen Jewel, a woman equally complacent with her abusive husband. While paying for her husband's boat motors, Jessica pays Barney in new, crisp $20 bills which feature a red stain. Thinking nothing of it at the time, Barney is surprised when an FBI agent visits his store inquiring about unusual money in the area. It's here where Barney's life takes a tumble...he tells the agent he hasn't seen any uncommon currency.

Barney's infatuation with the memorable money is rivaled by his heated desire for Jewel. After learning some details about a recent bank heist, Barney begins to unravel the money mystery. He believes he knows the location of the stolen money, but his obstacles are Jewel's gruff husband and an old, backwoods recluse that's obsessed with pulp detective magazines. How they mix into the stolen loot is the bulk of this clever and engrossing narrative.

Without ruining this superb novel for you, Girl Out Back can be described as a tongue-in-cheek look at the pulp crime genre, including a few hilarious jabs at southern romance and plantation novels. Williams is a master of his domain, and it was interesting for me to read the author's commentary, through story, on the crowded 1950s crime-fiction genre. Girl Out Back delivers an intriguing mystery, a sensual beauty, and a tantalizing scheme for the average man to rise above suburban normalcy. It's a captivating triangle that could only be told by the high caliber talent of Charles Williams.

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Paperback Warrior Podcast - Episode 24

It’s the end of the year and the last episode of the Paperback Warrior Podcast for 2019. In celebration of our inaugural year, we are revisiting the greatest books we read this year along with lots of edgy vintage paperback talk. Stream below or at your favorite podcast provider for our “Best of 2019” extravaganza. Download directly HERE Listen to "Episode 24: Best of 2019" on Spreaker.

Murder in Room 13

Albert Conroy was a pseudonym used by Marvin Albert for much of his crime-fiction and western paperback output during the 1950s through the 1970s. Sadly, most of his work hasn’t been reprinted and isn’t available digitally, so modern readers are left to pay collector prices for the old paperbacks with lurid covers. Murder in Room 13 was a stand-alone mystery published as a Fawcett Gold Medal paperback original in September 1958. It was adapted into a French TV movie called Adieu is Marin!.

Our narrator, Steve, is an ex-boxer and current trucker who meets Maude while passing through the seedy town of Riverton. Dinner with the beautiful stranger evolves into a one-night stand in Maude’s motel room - Room 13 from the title. After giving Maude the good pickle-tickle she desires, Steve leaves the sleeping nude behind in the motel and is arrested the next morning for her murder. And if you didn’t see that coming, you didn’t read the title.

Steve is whisked into a police interrogation room where he’s grilled by cops about what he supposedly did to Maude. Sometime after Steve left Room 13, Maude was beaten and strangled to death. Steve admits to having consensual sex with her that evening - she was alive at the time - but he maintains he didn’t kill the girl. Because of the overwhelming physical evidence against Steve, the cops aren’t buying his claims of innocence, and he is placed under even more intense pressure to confess. Of course, the opportunity arises for Steve to solve the crime himself to clear his good name, and Steve the boxer/trucker becomes a man-on-the-run investigating a serious homicide.

The basic plot of the innocent man accused of a murder he didn’t commit has been done a million times, but the author brings some new twists to the story throughout the lean 159 pages. There’s also a good bit of intense violence along the way and well-written, propulsive action. Overall, the paperback was a decent one written in a straightforward and compelling voice, and although Marvin Albert has done better, there’s plenty to enjoy in this fairly formulaic vintage paperback. Buy a copy of this book HERE