Author Paul Bishop is a 35-year veteran of the Los Angeles Police Department. Receiving “Detective of the Year” accolades twice, Bishop starred as the lead interrogator on the ABC reality show “Take the Money and Run” developed by marquee name producer Jerry Bruckheimer. Along with his 15 published works, Bishop also is the writer and editor of the essential reference work “52 Weeks 52 Western Novels – A Guide to Six-Gun Favorites and New Discoveries”.
With his commendable career in law enforcement, Bishop writes with conviction and authenticity. His experiences are easily conveyed in his artistry, evident in his five-book literary series starring LAPD Detective Fey Croaker. The first novel, “Kill Me Again”, was published by Avon Books in 1994. It introduces us to the seasoned Fey, a West LA detective and supervisor of the homicide unit. It was the top detective spot in the division and she's the first woman to hold the job.
Bishop explains, “I based Fey in part on two of my long term, very experienced, female detective partners. Walk into any LAPD detective squadroom and you'll find one or more versions of Fey. She's got some hard earned miles on her. She street savvy. She knows how to fight dirty, not just politically, but physically, and is more than willing to kick your ass if you take her on. She's forty with a string of bad marriages, bad choices, and bad boooze behind her. She expects and demands a lot of her people, but in return she is loyal to a fault and will fight like a tiger for them. Basically, she's about as far from a twenty-something, hard-bodied, high heel wearing, female TV detective as you can get”.
Just shy of 300-pages, “Kill Me Again” is a riveting mystery procedural that has plenty to unpack in terms of the central character. While Bishop expands the murder case, he slowly allows readers a more intimate view of this rather complex character. From her early career rise, tumultuous love-life and murky childhood, there's a lot to offer beyond a stand-alone story.
Bishop, detailing the character's beginnings, explains, “By the time I was ready to write Kill Me Again, I already had a handful of novels published. Two were connected, but the others were all stand-alones. Career wise, I felt I needed a series character strong enough to carry at least four books. In creating Fey Croaker, the protagonist of Kill Me Again, I plotted out a four book personal story arc for her. I knew exactly what position I wanted her to be in personally at the end of each of the first three books, forcing her to deal with everything that had come before in book four. Each of the four books would have a standalone plot, but there would be a through story dealing with Fey's abusive upbringing, which would come full circle and to resolution in book four”.
Beginning with “Kill Me Again”, Fey's relationship with her father is shown as a key role in her development as a detective, rising through the promotions after 16-years in the unit. As a sexually molested child, the novel provides brief passages explaining Fey's protection of her brother and her abuse from both her father and family friend. It's a prickly family tree, cultivated by sorrow and regret, and written with a grainy sense of realism.
“At the time, I was also working full throttle in my career with the LAPD. As a detective, I spent almost all my career, 30 out of 35 years, investigating sex crimes from indecent exposure to child molest to rape to sexual homicide and everything in between. I was always aware of how victims processed the assault emotionally. There were those whom it destroyed, and others who were never able to break the cycle of victimhood. But I was fascinated by those who flat refused to be defined by something beyond their control. They were determined not to just be survivors of sexual assault, but victors over it. They struggled and they fought and they failed and they picked themselves up again. I admired these incredible individuals, and this was what I wanted to exemplify through Fey Croaker”, explains Bishop.
“Fey is a high functioning detective, but a low functioning human. She is aware of this and ferociously fights those emotional forces that have threatened to cripple her since she was a child...As the omnipotent author, I was going to give her a chance at redemption if she could lead me there over four books.”
“Kill Me Again” received a sequel in “Twice Dead”, published in 1996 by Avon. Following the mystery-procedural formula, the novel centers around an NBA athlete charged with murder. Later, the book was later re-titled as “Grave Sins”. In 1997 the third novel, “Tequila Mockingbird” was published by Scribner in hardback and by Pocket Books in paperback. The same publishers produced the series' fourth entry, “Chalk Whispers,” in 2000. A 68-page novella was released in 2014 entitled “Pattern of Behavior", which was also included in Bishop's short story compilation of the same name. All of the books have been republished in digital formats, including Kindle, by Wolfpack Publishing.
Bishop concludes, “The greatest compliment I've received as an author is when either female law enforcement personnel or individuals who have been through the ringer of sexual assault approach me at a writing function, sometimes with tears in their eyes, and ask, 'How do you know this?' 'How do you know what it's like to be a woman on this job?' Or in the case of one woman, 'How do you understand what it feels like to be a child of the silence?' My answer is always the same, "Fey told me..."
Fey Croaker Purchase Checklist
1. "Kill Me Again" (1994 Avon)
2. "Twice Dead" (aka "Grave Sins" 1996 Avon)
3. "Tequila Mockingbird" (1997 Scribner/Pocket Books)
4. "Chalk Whispers" (2000 Scribner/Pocket Books)
5. "Pattern of Behavior" (2014 Wolfpack)
Before he wrote full novels in every conceivable genre, Norman Daniels was a prolific author of short stories for the pulp magazines. The March 1936 issue of “Secret Agent X Detective Mysteries” features a story by Daniels titled “Boomerang Blade” that was once available as a stand-alone eBook and currently exists within a Radio Archives audio reprint of the entire magazine.
“Boomerang Blade” is not a ‘Secret Agent X’ story but rather a hardboiled tale starring ex-boxer turned ex-cop turned taxicab driver, Jason McGee. After fixing a flat tire one night, McGee accepts a job driving home a drunk from a nightclub with a generous fare covered by a local underworld boss. After arriving at the requested destination, McGee learns that the drunk is actually a corpse with a chest wound. Before he can figure out what happened, McGee is forced to convince his former police colleagues that he’s not a murderer. When that fails, McGee gives the cops the slip and takes it upon himself to solve the murder and clear his name.
The 1930s tough-guy vernacular is a lot of fun to read 83 years later - like opening a suspenseful time capsule. The “murder suspect clearing his own name” plot is a trope that’s been done a thousand times, but for all I know, it was fresh and innovative in 1936. In any case, Daniels keeps the story moving and McGee is a great companion on the wild ride this short story provides. If you’re looking for a 15-page pulp diversion, “Boomerang Blade” is certainly worth your time. Recommended.
Buy a copy of Secret Agent X #24 March 1936 HERE
Sterling Noel (1903-1984) was an American author and journalist whose 1950s body of work includes two respected novels, “I Killed Stalin” (1951) and “We Who Survived” (1959). His mystery and crime fiction entries included “Empire of Evil” (1961), “Prelude to Murder” (1959), “Intrigue in Paris” (1955, aka “Storm Over Paris”) and “Run for your Life” (1958). His literary work has been largely preserved thanks to modern reprints from both Armchair Fiction and Wildside Press. My first exposure to Noel's writing is the 1955 novel, “I See Red,” which was originally published as an Ace Double along with Dale Clark's “Mambo to Murder.”
Pete LaSalle is a former American spy who has retired to Fort Myers, Florida to try his hand in the shrimping business. In the book's opening pages, he receives a strange guest who claims to know about LaSalle's secretive past. The visitor wants LaSalle to assist a U.S. counter-espionage agency in locating a missing atomic scientist. LaSalle, comfortable in his retirement, immediately declines but eventually gets lured back into the intrigue for intensely personal reasons.
The author draws upon a reliable genre trope when LaSalle is falsely-accused of a murder relating to the assignment, considerably increasing the stakes for the mission’s success. The action heats up as LaSalle eventually partners with his beautiful ex-wife as the setting shifts to New York City and eventually Mexico in search of the missing scientist. The bulk of the book is extremely violent and hard-boiled as hell. Upon arriving in New York, LaSalle employs some brutish techniques - not for the squeamish - to get people talking. This leads to an exciting finale with twenty pages of pure action that produces an astounding body count...for 1955.
“I See Red” is an awesome work of mid-century action-adventure fiction. Interestingly, Ed Lacy's 1959 novel “Blonde Bait” shares a very similar opening premise. I also found that Dan J. Marlowe's 1969 book, “Operation Fireball,” emulates a lot of the book's second-half story-line wherein the hero recruits hardmen to boat down the east coast and liberate the prize from a Latin American compound. These plot devices later emulated by respected authors left me respecting Sterling Noel's innovative and influential work immensely, and any reader looking for an exciting paperback will find that “I See Red” definitely delivers the goods.
Buy a copy of this book HERE
The cover of “Ambush at Derati Wells” from 1977 credits Peter McCurtin as the author, but the novel was actually written by veteran action-adventure scribe Ralph Hayes. McCurtin was undoubtedly the editor for the entire “Soldier of Fortune” series although he only wrote the first three installments. Interestingly, in the British editions, the series was called “Jim Rainey: Death Dealer.”
The series is narrated by Jim Rainey who is an armed mercenary selling his combat services to the highest bidder in Earth’s most dangerous places. In this sixth episode, Rainey is in Kenya where he receives a tip from a dying man about an air shipment of valuable guns that recently crashed near Derati Wells, a remote location in Northern Kenya near the borders of Sudan and Ethiopia where “nobody seemed to die of old age.” Rainey figures that the weapons were being flown to an Ethiopian rebel group, and there’s money to be made in reaching the crash site first.
Hayes presents the wilds of Africa as being filled with deadly, thieving black people itching to rob and maim Rainey without provocation. On the other hand, Hayes certainly knows his way around violent fight scenes. In the first chapter, Rainey wastes a foul-smelling native attacker by plunging a screwdriver into the African’s ear during a frantic life-or-death fight. I enjoyed the hell out of the action sequences, but they’re not for the faint of heart, nor could a book like this with villainous caricatures of African bushmen ever be written and published today’s more genteel and sensitive times.
After a false start, Rainey returns to Nairobi where he learns of a rebel group seeking to overthrow the dastardly junta controlling Ethiopia. The rebels could sure use all those guns in the wrecked airplane, and they would be suitable buyers if Rainey can just get his hands on the cargo. However, the junta has also sent representatives to get the guns before the rebels do (hence, the ambush in the title). Also in their way is an African tribe who likes to take the testicles of intruders as trophies. Can Rainey lead his crew - including a sexy, hot-to-trot blonde - through the jungle to the crashed plane while keeping his nuts firmly attached?
If men’s action-adventure fiction of the 1970s is your jam, you’re going to love this book. It has everything you like - sex, violence, action, and politically-incorrect villains just itching to be killed. If you’re looking for realistic depictions of foreign cultures and War College combat tactics, this one’s not for you. Predictably, Ralph Hayes delivers the goods for readers interested in a paperback diversion to a simpler, and more violent, literary era. Recommended.
Buy this book HERE
The 35-book series 'The Butcher' was conceived by the Don King of the paperbacks – Lyle Kenyon Engel. Like many of these 70s and 80s action-adventure yarns, a series of literary works about a hot-headed, globe-trotting gruff crime fighter was really par for the course. Based on the overwhelming success of Pinnacle's own 'The Executioner', Engel formed 'The Butcher' in 1970 as a Pinnacle property possessing a rotating author schedule under house name Stuart Jason. Aside from Lee Floren's contributions to books 10 and 11, James Dockery wrote the first 26 novels. Michael Avallone authored the last nine.
“Kill Quick or Die” is the series debut and provides the obligatory origin. Bucher has enforced Syndicates for a number of years, but has a change of heart and leaves the rackets. Joining a mysterious crime-fighting organization called White Hats, Bucher receives assignments to battle international crime rings. In doing so, he must contend with the Syndicate and the lucrative contracts they offer for his demise.
Our introductory mission is tracking down a Chinese scientist named Dr. Fong who's invented some type of micro-transformer that holds a lot of energy. If the bad guys can gain access to it's power, they control Earth...somehow. None of it really makes any sense, but the reader tags along as Bucher fights the baddies in places like Atlanta, Cairo and Israel.
Meeting a former lover named Tzsenya, the two team-up on a Middle Eastern conspiracy to pipeline wealthy terrorists into the US. Bucher aims to stop the pipeline, but wants to learn how the pipeline works. Putting Dr. Fong and the micro-transformer horseshit aside, Bucher finds a torture fiend named Lobertini who melts his prisoners in the bowels of an old castle. Thus Fong, Lobertini, escaping the hitmen and avoiding Tzsenya's lovemaking invites (Bucher doesn't mix pleasure and business) is the entire premise of the novel.
Normally, this sort of thing we could file under 'Killmaster' and for the most part just have a lot of silly fun. Unfortunately, Dockery is underwhelming as a storyteller. His abstract writing style (read that as flaky) has more in common with Joseph Rosenberger, another author that I steer clear of. With “Kill Quick or Die”, and subsequent entires, Dockery uses pulp language to describe 70s action. Our hero routinely says things like “Shuck your heater” or jabs with “Son of camel filth” insults. Dockery describes shots like comic books – Koosh!
Overall, the plotting is so convoluted that I stopped caring by page 100. It's a literary minefield of bad writing. “Kill Quick or Die” is simply bad fiction. Here's the pot calling the kettle black – why would anyone spend time reading bad fiction when there's hundreds of golden gems of the 50s, 60s and 70s left to explore? I weep for the time I've wasted on so-called genre classics like 'The Butcher'.
Buy a copy of this book HERE
Richard Deming (1915-1983) was a crime fiction author born in Iowa who, as an adult in upstate New York, was one of the core contributors to “Manhunt” magazine and the early years of “Alfred Hitchcock Mystery Magazine.” In addition to over 300 published short stories and novelettes, he also wrote several full-length novels. His work is largely kept alive today through digital reprints of his short stories by Wildside Press and his novels by Prologue Books. “She’ll Hate Me Tomorrow” was a mid-career crime novel for Deming published by Monarch Books in 1963 that remains available today as an eBook.
Stella Parsons is a 23 year-old looker fresh out of secretarial school who lands a job with an attorney representing a Chicago crime boss. One day the mobster decides that the attorney, among others, knows too much about a recent murder and has the lawyer killed. It quickly becomes clear that Stella is also in danger for the unpardonable sin of having taken dictation from her boss detailing the client’s misdeeds.
With mob assassins on her tail, Stella takes off to the fictional Midwest city of St. Stephen where she lands a job as a coat check girl at an after-hours gambling joint. The proprietor is a gambler named Clancy Ross who’s been able to operate his joint free of influence from the local syndicate - thanks to an uneasy peace treaty with the local boss. When the Chicago mob sends a hit man to St. Stephen in search of Stella, Clancy needs to decide whether to protect his coat check girl or to serve her up.
Clancy the gambler is a fantastic, white knight hero for both Stella and the reader. He’s funny, self-deprecating, competent, and capable of extreme violence. I wanted to spend more time with him than the 143-page paperback allowed. Watching him solve problems with a direct and confrontational approach was a real pleasure, and I wish Deming could have figured out a way to bring him back for more adventures.
By the time the 1960s rolled around, Deming’s writing had improved markedly. He also seemed to have more latitude to be graphic in his sex scenes, which I appreciated. “She’ll Hate Me Tomorrow” is a lousy title, and I’m not really sure what it means in the context of the story. Regardless, this is a top-tier crime fiction paperback that’s absolutely worth reading. It’s also among Deming’s finest work. Highly recommended.
Buy a copy of this book HERE
John Shirley is a dynamic author who is mostly known for his science-fiction, fantasy and media tie-in novels. His 1999 horror collection, “Black Butterflies”, won coveted Bram Stoker and International Horror Guild awards. As John Cutter, Shirley wrote the 11-volume vigilante series 'The Specialist' and eight volumes of the post-apocalyptic series 'Traveler'. Book five, “Road War”, was released in 1985 by Dell and could be the best that the 'Traveler' series' has to offer.
At the end of the fourth book, “To Kill a Shadow”, the series mythos of Traveler fighting Vallone/Black Rider reached its conclusion (for now). The novel's climax had Traveler meet another road warrior named Link and the two formed an uneasy alliance. The opening pages of “Road War” features the two survivors racing across the Nevada desert in the Meat Wagon (a fortified van). When they hit the dusty town of Dirt, the premise of this installment is unveiled.
In a wild and wooly bar aptly called The Fallout Shelter, an old deranged miner hops up on the bar and starts throwing out maps. The reason? He's growing senile, hates all of the bikers and gangs and wants to see all of them kill each other. The maps spark a treasure hunt for the old man's loot. With that much gold, Traveler and Link know they can buy a lot of supplies for their roaming.
In what would be a visual feast on the big screen, Traveler and Link race across the desert fighting warring factions of Road Wasps (female biker psychos), Road Rats (male biker psychos), Glory Boys (fake military) and mutant cannibals. Our Travelers use the Meat Wagon (with The Stooges on full blast) as a battering ram, consistently running and gunning through waves of hostile forces on a quest to arrive at “X Marks the Spot”. From fighting off man eating villagers to a showdown in an old mining town, the book's locations are just as big as the characters.
While a thrill-ride, easily pleasing fans of post-apocalyptic novels, “Road War” is reminiscent of the similar series 'The Last Ranger'. The first four Traveler novels lacked the characters, action and romance of 'The Last Ranger', but by book five it seems like Shirley has righted the ship. Gone is the metaphysical aspects that drowned the last book, replaced by high-powered barbarian road carnage that one would expect from the book's title. This is one of the better books of the post-apocalyptic genre.
Buy a copy of the book HERE
John Trinian (1933-2008) is the pseudonym of Zekial Marko who was born as Marvin Leroy Schmoker. And if you think that’s confusing, one day I’ll tell you the story of Salvatore Lombino. As an adult in San Francisco, Marko ran with the Beat Generation writers, including Jack Kerouac, but his own writing gravitated towards the type of genre fiction that Paperback Warrior readers will find quite familiar. This includes his 1961 novel, “Scratch a Thief,” which was later adapted into the 1965 film “Once a Thief” featuring Ann Margaret and Jack Palance.
Eddie Pesek is a Hungarian-American in San Francisco trying to make ends meet working low-level jobs to support his wife and daughter at home. The problem is that Eddie has a past. Years ago, he was part of a heist crew along with his brother and a few other hardcases when a job went sideways, and Eddie shot a cop in the belly. This resulted in Eddie’s arrest and incarceration for a few years before he was granted parole. In any case, Eddie is now living a crime-free life as a legit citizen.
Eddie might be done with the past, but the past isn’t done with Eddie. His brother resurfaces in his life wanting him to come aboard for one big score. Meanwhile, Eddie is being harassed by the cop he shot years ago which makes it hard to hold a steady job. Will Eddie succumb to the familial and financial pressures and rejoin his brother’s heist crew? Can he shake the obsessed cop always looking over his shoulder?
“Scratch a Thief” is a better-than-average heist novel. It’s well-written and Eddie’s dilemmas seem real and consequential. However, if you’ve read more than a couple novels in the same genre (“The retired thief back for one last score!”), there won’t be many surprises in this one. I enjoyed it plenty as I was reading, but I can’t imagine recalling much about it in the future. Richard Stark, Dan Marlowe, and Lionel White all did basically the same thing with more style, but if you’ve burned through those authors, this Trinian paperback would be the next tier.
“Scratch a Thief” has been reprinted by Stark House as a double along with Trinian’s “House of Evil” about a Hollywood sex cult, which looks like a pretty good read as well, if you’re into Hollywood, sex, and cults. The new edition also features a lengthy introduction by Ki Longfellow who knew the author well. Recommended.
Buy a copy of this book HERE
Stephen Mertz and Joe R. Lansdale collaborated once again on this seventh entry in the 'M.I.A. Hunter' series. Released by Jove in 1987, “Saigon Slaughter' is the first of the series to feature a new moniker, 'Stone: M.I.A. Hunter'. Coincidentally, this book features a prelude to what will ultimately dominate the second half of the series.
Protagonist Mark Stone has spent his post-war life rescuing M.I.A./P.O.W.s from southeast Asia. The mission for “Saigon Slaughter” remains the same, rescuing three American soldiers from a Saigon prison. Vietnam, refusing to admit they still have prisoners, has agreed to an international summit with U.S. Senator Harler in Ho Chi Minh City (Saigon). Stone hopes to free the three prisoners and present them to the summit.
The series revelation is around page 43 as Mark Stone self-reflects on the missions and his foreseeable future. He realizes that the intel regarding missing prisoners of war has dwindled, and that everyone from the KGB, CIA and FBI has included him on the hot sheets of most wanted. The rescue of American prisoners in Vietnam and Laos had become a fool's errand. Knowing this, Stone, guided by creator Stephen Mertz, will eventually move his team into a mercenary role starting with the next novel, “Escape from Nicaragua”.
“Saigon Slaughter” features all of the action-oriented intensity of the prior novels. While never really understanding the ratio of Mertz and the rotating co-authors, this book seems to focus a lot of attention on Hog Wiley. It features the typical humorous banter between Wiley and Loughlin while they support Stone's penetration into Saigon. The three align with a network of resistance fighters including Asian beauty Mai.
The book's entrance and eventual escape from the prison features all of the firefights we've come to expect. Enhancing the action is some fierce underground tunnel action as well as a clever ruse to lure an evil general into purchasing Mai as a prostitute. With backing support of Stone, Mai is able to gain key intel on where the prisoners are being held. Experienced readers know the liberation will occur, but how Stone's trio breaks in is always the greatest pleasure.
This was the third and final contribution from Lansdale. Overall, another exciting Stone adventure that will please genre fans.
Note - There is another "Saigon Slaughter" featured in the 'Black Eagles' series. It was released in November, 1984 by Zebra.
Buy a copy of this book HERE
Charles Willeford (1919-1988) was a heroic and decorated U.S. Army veteran who served in World War 2, and fought in the Battle of the Bulge. He continued with his military career after the war, and began writing in his free time while still enlisted. “Wild Wives” was released in 1956 and was his third published novel - originally packaged by Beacon Books as a double along with his 1953 debut, “High Priest of California.” Over the past 63 years, “Wild Wives” has been reprinted several times and is available today as a one-dollar eBook.
The short novel is a narrated by a low-rent San Francisco private eye named Jake Blake. His new client is Florence Weintraub, the voluptuous and promiscuous daughter of a prominent local architect. Daddy has hired a couple of goons to tail Florence and ensure she stays out of trouble. She hires Jake to help her shake the surveillance for a couple hours of unsupervised living. The prospect of a $25 daily fee is a payday too tasty for Jake to decline, so he accepts the gig.
While working the assignment, things abruptly shift gears from a remarkably-good private eye novel to a simply-amazing femme fatale noir story. If you read enough of these books, you learn the basic formula, but I never knew where this sexually-graphic story of action and violence was headed. In fact, I’m trying to remember the last crime novel I’ve read that was this awesome.
I recall reading “High Priest of California” years ago, and I’m comfortable saying that “Wild Wives” is a superior novel in every way. Willeford’s writing is excellent and it’s clear he was having a lot of fun with the tropes of the hardboiled detective genre (“She clung to me like jello in a molding tin.”). It’s difficult for me to recommend this short paperback with more enthusiasm than I already have. I wish I had enough dollars to buy the eBook for all Paperback Warrior readers and assign this to you as mandatory reading. For the love of all things holy, drop what you’re doing and read this novel. Highest recommendation.
Buy a copy of this book HERE
British author Peter Leslie (1922-2007) was a talented writer who penned a number of various literary works in his lifespan. Writing five novels in the popular television tie-in series Man from U.N.C.L.E., Leslie also penned a three book trilogy, Father Hayes, about a Catholic priest battling demonic forces. Along with a trilogy of Chicago gangster novels, Bruno Farrell (as Ed Mazzaro), action fans might remember Leslie best as a heavy contributor to the The Executioner series. Beginning with Ice Cold Kill (1984), Leslie went on to write seven The Executioner titles as well as five giant size Mack Bolan entries.
Ice Cold Kill offers an interesting assignment for Bolan. The Grand Duchess Rytova, an exile from Czarist Russia, asks Bolan to penetrate the Soviet Union and rescue an esteemed scientist. The scientist, Korsun, has created a complex computer that makes deductions that mirror the human brain. In effect, it can make inspired guesses bases on a infinite number of unrelated data. In reality, none of this really matters. We want to see Bolan kill bad guys.
The interesting aspect to the assignment is that Korsun's identity hasn't been fully established. All Rytova and Bolan know is that Korsun wants to defect from the Soviet Union to China, expecting to serve the cause of communism better. Bolan must escort her out of the country but also persuade her to defect to the west. Bolan's persuasion isn't typically in verbal debate. This mission adds a deeper depth to the typical run 'n gun.
Leslie provides a ton of fireworks through this 180-page advenute. From breaking into the Soviet Union, meeting Korsun (which turns out to be a surprise for the reader) and escaping, there is plenty of action sequences to please genre fans. Aside from the normal episodic delivery, Ice Cold Kill is much better than average and a firm entry in this long-running endeavor.
Buy a copy of this book HERE
By the time the 1970s rolled around, the quality of output from the Fawcett Gold Medal paperback imprint had decreased noticeably. The publisher that practically invented the paperback original was getting its clock cleaned by upstart violent adventure houses like Pinnacle Books anchored by series titles including ‘The Executioner’ by Don Pendleton. Fawcett Gold Medal needed to change with the times or disappear into obscurity.
Enter Basil Heatter.
During this life, Heater wrote 20 suspense and adventure novels - many with maritime themes, including the successful “Virgin Cay” for Fawcett Gold Medal in 1963. However, a decade later when the demands of the market called for bloody paperback vengeance, Heatter delivered his publisher “The Scarred Man.” It’s a violent and shocking revenge story about a mild-mannered attorney forced to hunt and kill the motorcycle punks who raped his wife, and it’s a successful entry in the vengeance genre.
William Shaw is a Manhattan corporate lawyer who is given some vacation time after a client prevails in a $40 million dispute. William and his wife head down to Florida, purchase an old wooden boat, and begin the repairs needed to sail to the Bahamas together. Through William’s first-person narration, Heatter does a great job conveying to the reader just how much William loves Stacey. She is everything to him.
One day they take a break from sanding, patching, and painting their boat and rent a Honda motorcycle to cruise through the Everglades of South Florida. William is in heaven riding with Stacey behind him, her arms wrapped around his torso. Out of nowhere, they are forced off the road by three motorcycle punks looking for kicks as they beat William’s body and face with a chain. As he’s fading into unconsciousness, William sees the naked ass of a leather-clad ruffian lowering himself onto Stacey while she is being restrained by the other thugs.
William awakens in the hospital (this is still the very beginning of the paperback) to find his face has been mutilated from the attack. He’ll be left with a nasty scar that will also provide the basis for the novel’s title. Stacey has also survived the attack - sedated and severely traumatized from the sexual assault. Unfortunately, neither William nor Stacey recall enough descriptive details to be useful to the police in identifying the attackers. It’s just another unsolved violent crime for the books.
Because this is a 1973 men’s adventure paperback written in the wake of “Death Wish”’ and “The Executioner,” it comes as no surprise to the reader that William decides to hunt and kill the barbarians on bikes who scarred his face and shattered his bride. William’s plan for infiltrating the biker gang subculture is pretty clever, and I won’t spoil it here. The bulk of the novel consists of the investigative steps undertaken by William to locate and get close to his wife’s assailants. As you might expect, neither motorcycle nor hippie youth culture get a particularly fair shake in the story, but this is a vendetta paperback, not a sociology textbook. You get what you pay for, and there’s no shortage of scenes featuring explosive violence.
I have no idea if “The Scarred Man” was a commercial success for Fawcett Gold Medal. I suspect that if it sold well, we would have seen “Scarred Man 2: Mississippi Mayhem”, but no such sequel exists. The stand-alone novel is better written than most entries in the 1970s vigilante genre and, at moments, packs a real adrenaline punch for the reader. Some of the dialogue with bikers and hippies was a bit cartoonish and stereotypical, but that’s par for the course in this genre. Because the novel is out-of-print, you’ll need to find yourself a copy on the used paperback market where it remains available at fairly reasonable prices. If violent revenge fantasies are your thing, “The Scarred Man” is certainly satisfying reading. Recommended.
Buy a copy of this book HERE
The king of the paperbacks, Harry Whittington, released “A Trap for Sam Dodge” as part of an ACE double in 1961. It was packaged with Lee Floren's “High Thunder”, but the book was later reprinted by ACE with Whittington's “Valley of Savage Men”. It's another rock-solid western entry from a master of the genre.
The book begins as Sam Dodge returns to the small town of Bent River. Dodge had originally ran for sheriff in the town, opposing his friend Miles Ringo. Ringo eventually won the election and Dodge left town. Now, Dodge has returned for Ringo's funeral, and to find some answers to his mysterious murder.
Dodge learns that Ringo was shot in the chest by an unknown assailant behind the horse corral. Dodge feels that Ringo was smart and deadly fast with a gun. No one could have shot Ringo face to face. There has to be more to the murder than what Marshall Sid Kane explains. Heaping even more intrigue onto the crime is the fact that Kane is now dating Ringo's widow Mae. So soon? Dodge feels that Kane, Judge Wilkes and land baron Kurt Duvall all had a hand in Ringo's murder.
Whittington spins this western entry into the proverbial “whodunit” and why. While there's a great deal of crime mystery in the presentation, the author still injects a surprising amount of action into the narrative. While Dodge discovers the truth, he's forced to outgun Duvall's hired hands while also protecting two Mexican farmer's from Duvall's aggressive land grab.
While firmly entrenched in the “land baron bullies the town” formula, Whittington adds enough surprising elements to make this a delight to read. It's short, fast-paced, engaging and ultimately a one-sit read.
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Between 1955 and 1992, William Campbell Gault authored 14 novels starring Hollywood private investigator - and former L.A. Rams guard - Brock Callahan. I’m told the books stand-alone well enough, so I’m starting the series with the 1956 second installment, “Day of the Ram,” a hardboiled mystery that brings Callahan back into the world of NFL football.
It’s pre-season for the L.A. Rams who just beat George Hallas’ Chicago Bears in an exhibition game thanks to the leadership of rookie quarterback, Johnny Quirk. Brock knows a thing or two about pro-football and believes that it’s entirely possible that Quirk could be one of the immortals of the game. As such, he’s surprised when Quirk shows up at his office seeking to engage Brock’s investigative services. Quirk has received a vague but threatening letter that may have been from an underworld sports gambler seeking to manipulate his performance on the field, and he wants Brock to get to the bottom of the situation.
Brock loops the police into his investigation and is relegated to nighttime protection detail of the football prodigy. When the stakes increase with a murder, Brock begins investigating in tandem with the police causing the working relationship to become strained, and the story becomes a rather commonplace private eye mystery with clues, suspects, red herrings, and tough-guy stuff.
I can’t imagine anyone enjoying this book if they don’t have an interest in NFL football. If that’s your bag, the inside information presented to the reader about nuances of the game and players’ lives will be a fascinating window dressing for a pretty straightforward, by-the-numbers mystery story. Of particular interest is the league’s determined efforts to keep the sport free of underworld gambling influence, so it doesn’t wind up like boxing.
Brock is a likable character - tough but self-deprecating and fiercely loyal to his new girlfriend, Jan, who plays a recurring and evolving role in Brock’s life over the entire series of paperbacks. Overall, there’s nothing really to dislike about “Day of the Ram” - particularly for fans of private eye mysteries and the NFL. Recommended.
Addendum
Here is the series order for the Brock Callahan books:
1. Ring Around the Rosa (1955, also titled: Murder in the Raw)
2. Day of the Ram (1956)
3. The Convertible Hearse (1957)
4. Come Die With Me (1959)
5. Vein of Violence (1961)
6. County Kill (1962)
7. Dead Hero (1963)
8. The Bad Samaritan (1982)
9. The Cana Diversion (1982; crossover with the author’s other series character, Joe Puma)
10. Death in Donegal Bay (1984)
11. The Dead Seed (1985)
12. The Chicano War (1986)
13. Cat and Mouse (1988)
14. Dead Pigeon (1992)
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“Dead Low Tide” was John D. MacDonald’s sixth published novel. The 1953 Fawcett Gold Medal release is a tasty bit of Florida noir that predates his iconic Travis McGee series by over a decade and remains a fresh and exciting crime thriller 66 years later. The book is still in print currently with a loving introduction by Dean R. Koontz.
The narrator of “Dead Low Tide” is the extremely likable Andy McClintock, an over-qualified clerk with a business degree from Syracuse working for a Florida gulf-coast home-builder named John Long. One night, Andy is visited by his boss’ wife at home. Mrs. Long is concerned that her husband has recently been behaving strangely and asks Andy to snoop around and determine what’s happening. Andy is taken aback by both the visit but reluctantly gets roped into helping her.
The paperback’s back-cover synopsis reveals that Mr. Long is murdered with Andy as the primary suspect. Of course, it falls upon Andy to solve the crime and save his own hide. It’s a setup you’ve read before, and the author’s execution of the basic murder mystery format is predictably solid. The appeal of this vintage paperback is that MacDonald’s writing is top-notch, and the reader really gets to know and love Andy through the first-person narration. MacDonald touches on many of the themes he explores decades later in the Travis McGee books - most notably the ins-and-outs of real estate development on Florida’s coasts. Moreover, he makes it interesting, and you walk away knowing a thing or two you didn’t know before.
MacDonald creates a vivid supporting cast particularly in the form of Andy’s buxom neighbor with whom he used to sleep before they decided to just be friends and confidantes. The hapless police chief, the intrepid local reporter, and the clever town attorney are also examples of superior characterization in this thin, fast-moving novel.
I’ve been working my way through MacDonald’s stand-alone novels and the quality varies wildly. “Dead Low Tide”’ is a definite winner in the bunch - perhaps the best I’ve read thus far. The central mystery is compelling but not groundbreaking. However, the writing is so good that you won’t want it to end. Highly recommended.
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Iconic American author Louis L'Amour is prominently associated with his western legacy. His short-stories and novels delighted western fans for decades. While known for his sweeping frontier sagas, L'Amour also wrote a number of novellas and short-stories for the pulps, including “Hills of Homicide”, which originally appeared in Detective Tales in May, 1949. A pulp themed short-story collection was released in 1983, entitled “Hills of Homicide”, which featured this story along with L'Amour's “I Hate to Tell his Widow”, “Collect from a Corpse”, “Stay Out of my Nightmare!” and “Street of Lost Corpses”.
The story begins with a private investigator arriving in the desert town of Ranagat. Written in the first-person, the premise unfolds in a verbal exchange with a cab driver. A man named Bitner has been murdered in his cliff-side cabin. The main suspects are Johnny Holben, a feuding neighbor from the bottom of the ridge, Bitner's girlfriend Karen and a rowdy gambler named Blacky Caronna, who had been fighting with Bitner recently.
The two interesting aspects to the case: 1) Bitner's house sits on it's cliff-side retreat completely free of any paths or roads aside from the one that passes directly by the Holben place. 2) Our main character, the investigator, has been hired by Blacky Caronna to find evidence that proves he is innocent. But, as the story evolves, all signs point to Caronna as being the prime suspect. Surely the killer wouldn't hire a private investigator for a murder he committed, right?
L'Amour's whodunit is 53 pages of standard 80s paperback. While novella length, it feels like a full-length novel. It's procedural, featuring an alliance with the town sheriff, and of course includes the obligatory fist-fight, well-scripted in the L'Amour boxing style. In some ways it's the locked room mystery with a handful of possible killers. The surprise is unveiled three-fourths in, delivering a quality payout for what is ultimately an entertaining read.
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Gil Brewer’s “Nude on thin Ice” was published in 1960 and is narrated by Ken McCall, who isn’t the kind of guy you’d want dating your sister. He’s a player who enjoys no-strings attached female companionship before he inevitably casts the woman aside for a better offer. The novel has been reprinted by Stark House along with Brewer’s “Memory of Passion” and an informative introduction by academic David Rachels.
We meet Ken on a Key West vacation, where he’s ready to dump his recent sex-partner after she’s served her purpose of providing him with wild coupling and plenty of bikini time. Ken receives a letter notifying him that his close friend from New Mexico is dead, and his friend’s wife is now sitting on a fortune. The letter asks Ken to look after the grieving Nanette in her time of need. The Florida chick is quickly cast aside, and Ken is on the road headed for New Mexico, a place of new possibilities with a recent widow and her millions.
Ken is an anti-hero who isn’t bogged down in rationalizations for his behavior. He’s a heel who loves babes and money and will do anything to get them. Growing up dirt poor, he’s certain that cash is the elixir for all of life’s suffering. Ken doesn’t ever want to feel that cold, empty-stomach longing again and knows that his dead friend’s wife might be his golden ticket away from a life of sticking up filling stations for dough.
Upon arrival at Nanette’s house, it becomes apparent that Ken isn’t the only one with his eye on her fortune. It seems a cast of characters has gathered around Nanette in her time of grief. Each of the visiting eccentrics seems to have their own agenda, and not all of them pure of heart - most notably a horny, female relative with her eye on Ken. The scenes between Ken and this young nymph are sexy as hell until they take a dark and perverse turn - be warned.
If “The Vengeful Virgin” was the high-mark of Brewer’s writing career, “Nude on thin Ice” might be a close second. The scenes of sex and violence are a notch more intense than most 1960 paperbacks, and the story didn’t meander much at all. It’s a cautionary tale of the pitfalls of greed and lust, and it’s a damn fine noir paperback. Recommended.
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From 1989 through 1991, Berkley released a six-book science-fiction series under their Action-Adventure line. The series was stamped with the house name of Keith William Andrews. The novels were actually written by brothers William H. Keith and J. Andrew Keith. How does a time-traveling series gain valuable shelf-space in the men's action-adventure aisles? Gun porn. Lots of gun porn. And compelling covers.
Beginning with the series' eponymous debut, the familiar narrative of the US falling to invading Soviet forces begins. The idea is that the Soviet Union won the Cold War and thus took command of Europe using the guise of “U.N. Forces”. By 2008, the Soviet-Russian control has reached the U.S., gobbling up all of the major cities. Like a “Red Dawn” concept, there are pockets of resistance in rural places. The headquarters is Free American Central Command at Jackson Hole, Wyoming, where Freedom Rangers utilize a top secret time-travel base to thwart the Soviet Union through the annals of time...because the Reds have a time travel device as well. Seriously.
While I don't completely know the debut mission, my paperback collection features books two and three. The second entry, “Raiders of the Revolution”, contained a backstory for new beginners. Lieutenant Travis Hunter leads a small group of time-traveling Rangers, which is ultimately the cast of characters featured in the series. Each book features a new location in time with this novel's setting being the Battle of Brandywine in the Revolutionary War. The mission is to stop the K.G.B. from assassinating George Washington!
With all that being said, the book was a real blast to read. As I mentioned in my introduction, the Keiths inject copious amounts of firearm lingo into the narrative. It's one of those writing styles where every gun in the room is described in detail. Because the Rangers can't risk leaving, say an Uzi or AK-47, in the 1700s, they must fight the Soviets and then retrieve any firearms to carry back to the future. Interesting enough, they leave thousands upon thousands of brass rounds lying everywhere. Bonkers. Why wouldn't people just pick up these brass artifacts and reverse engineer a .223 round? Regardless, it's a fun concept.
Unfortunately, J. Andrew Keith passed away in 2009 but his brother runs a detailed author site explaining many of his own science-fiction novels including some info on this series. You can check it out here.
In 2016, Hard Case Crime re-released a lost Lawrence Block novel titled “Sinner Man” that was written in the late 1950s and rejected by paperback houses until it was published in 1968 as “Savage Lover” under his Sheldon Lord pseudonym. The story behind this lost work is pretty interesting and is addressed by Block in the afterward to the recent reprint.
The paperback opens with insurance salesman Donald Barshter inadvertently killing his wife during a domestic squabble fueled by alcohol and high emotions. Instead of calling the police and rolling the dice on a likely manslaughter charge, he decides to run away. Barshter splits to Buffalo and creates a new identity for himself as “Nat Crowley,” an enigmatic wise guy from Miami.
Barshter finds it liberating to shed his skin and don a a new personality with a more brash attitude than the insurance industry would permit. As Crowley, he fights, gets laid (fairly graphically, thank heavens) and begins to attract the attention of the local mafia and the Buffalo Police. After he falls in with a crime boss, he becomes enmeshed in regional mob rivalries and makes some difficult choices along the way. Inevitably, things get increasingly murderous as Barshter goes all-in with his new persona.
Reading Block’s earliest writing is such a pleasure because it’s so recognizably him. The dialogue is crisp and realistic and the narrator’s thought process is logical and well-reasoned - even when you need to suspend disbelief that a suburban insurance man can segue so seamlessly into the Syndicate or that his desire to do so is wise under the circumstances.
Block has become a better writer over the past 60 years as you’d expect, but the guy was never a hack. Fans know he’s got real gifts, and he had them back in the day, as well. “Sinner Man” is a stand-alone winner, and you won’t regret the time spent reading this thin rediscovered paperback. Highly recommended.
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With over 19 pseudonyms and over 350 novels, few have rivaled James Reasoner's blueprint on men's adventure fiction. Along with penning a number of adult western titles like 'Longarm' and 'Trailsman', Reasoner wrote a number of short stories for magazines and compilations. One of those, “Down in the Valley”, first appeared in “Mike Shayne's Mystery Magazine” in September, 1979. In 1997 the story was included in the “American Pulp” compilation edited by Ed Gorman, Bill Pronzini and Martin Greenberg.
“Forty-three men huddled in the back of the truck, cold and afraid. There was no moon and the canvas flaps on the side cut out what little starlight there was. It was pitch black inside and none of the men knew where they were headed.”
Beginning any literary work with that opening paragraph just demands that your audience sit up and pay attention. I was actually thumbing through this compilation and was immediately roped in by simply glancing at those few lines. Who are the men? Where are they headed?
Reasoner's story features a truck driver named Flood driving a truckload of illegal aliens from Mexico to San Antonio. The backstory has Flood, a bitter blue collar laborer, leaving his wife and newborn baby to pursue better money, fancy women and tasty whiskey. While his illegal pipeline work as a human trafficker is lucrative, he's found the women are harder to come by.
The story's second character displays the same determination, yet reaches for a different goal – working anywhere other than hot fields. Ramon has a lover in Mexico named Elena and he's pursing the American dream – regardless of which color the collar is. Exhausted from laboring in the hot sun, Ramon wants to escape to America to achieve his own goals and has paid Flood hard-earned money to deliver him to San Antonio.
The night-time dash across the boarder evolves into hot-pursuit. Reasoner conveniently places a sting operation into the mix with state patrol officers coordinating a roadblock. Flood's off road driving will be put to the test as Ramon simply awaits his fate. As the story reaches a crescendo, we realize just how closely paralleled the two characters are and how far they will go to achieve success.
At under 10-pages, Reasoner orchestrates a quick and overly entertaining short story. “Down in the Valley” should appeal to action fans but the heart of the story is providing insight on both Flood and Ramon. The author proves that we all may be headed to the same destination, sometimes on the same path, but the measures we use to reach success varies substantially.
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