Paperback Warrior Primer - Jon Messmann

Whether you enjoy men's action-adventure, adult westerns, comics, mysteries, vigilante sagas, or gothic romance, there's something for everyone when it comes to author Jon Messmann (1920-2004). We have covered so many of his books and titles thanks to publishers like Cutting Edge Books reprinting his work for modern readers. Hopefully, today's primer will shine a light on his life and literary work.

Jon Messmann was born in 1920. His parents forced him to play violin and some sources stated he really disliked playing music and preferred writing. In 1940, he began writing for the up-and-coming comic industry, a period known as the Golden Age of Comic Books. His first gig was for Fawcett Comics, an early, successful comic book publisher of that era. His co-workers were a dream-team of comic book icons such as Joe Simon, Jack Kirby, and Chic Stone. Messmann wrote for a decade on titles like Captain Marvel Jr., Human Torch, Sub-Mariner, Gabby Hayes, Don Winslow of the Navy, Tex Ritter, and Nyoka: The Jungle Girl.

In 1950, Messmann, co-created Carousel, an 8-page tabloid comics section in the Pittsburg Courier. This featured many of Messmann's comic ideas like secret agents, historical romance, sea adventure, private-eyes, jungle girls and even fairy tales. Carousel lasted five years and was distributed by New York's Smith-Mann Syndicate. But, Messmann wanted to get into writing full-length, paperback originals.

Beginning in the 1960s, Messmann’s transition into paperback full-length novels began with Lyle KenyonEngel’s star franchise, Nick Carter: Killmaster. Messmann’s first contribution to that series was it's 37th installment, 14 Seconds to Hell, published in 1968. The series, authored by a selection of ghost writers under the name Nick Carter, was a firm stepping stone for Messmann. The series paralleled the pulp industry in terms of campy, over-the-top secret-agent action. Messmann’s experience writing comics and comic strips made him a viable workhorse for Engel to rely on. The author contributed 14 more installments through 1970 before departing the series. Most Nick Carter fans will list Messmann in the highest tier of series contributors.

Engel, pleased with Messmann’s production, paired him with another Killmaster author named George Snyder for a series called Hot Line in 1970. The series lasted only three installments with Messmann only contributing to the debut, Our Spacecraft is Missing!. Again, this allowed Messmann to develop a modern secret-agent, in this case a President’s Man type of hero named Fowler.

Also in 1970, while writing Killmaster novels Messman wrote two books starring a vagabond hero named Logan. They were inspired by John D. MacDonald’s successful character Travis McGee. The books are Logan and Killers at Sea and were authored under the pseudonym Alan Joseph. Both books have been reprinted as new editions under Messmann's name. You can obtain them HERE.

Just like Gil Brewer, Dean R. Koontz, Hillary Waugh, and Gardner F. Fox, Jon Messmann also authored gothic romance paperbacks. The pseudonyms he used for these novels was Claudette Nicole and Claud Nicole.

After Mack Bolan's saga was unveiled in the hit series The Executioner in the late 1960s and early 70s, publishers began searching for vigilante fiction. In 1973, Signet began publishing a vigilante series called The Revenger, written by Jon Messmann. He crafted these novels through 1975 while also creating and writing another character, Jefferson Boone: Handyman. The sexual escapades of The Revenger's Ben Martin, Jefferson Boone: Handyman, and the Nick Carter series before that, led Messmann to what would ultimately become his meal ticket – Skye Fargo.

By 1978, adult western fiction rose to prominence and was led by a series heavyweight in Lou Cameron's Longarm. The concept was simply to incorporate two to three graphic sex scenes into a traditional western. The main character fights the bad guys and pleases the bad girls. Messmann, following the trend, created The Trailsman series in 1980 for Signet. Like Don Pendleton's The Executioner, Messmann had created an iconic hero in Skye Fargo – lake blue eyes/bed mattress Olympian – and placed him in nearly 400 total installments. Of those, Messmann wrote nearly half up until his retirement using the pseudonym Jon Sharpe. The publisher then handed the series over to a rotation of ghost writers using the Sharpe house name.

Messmann also created the short-lived Canyon 'O Grady western series in 1989 and authored three installments. It was rumored that Messmann had never been to the western regions of the U.S., instead writing every Trailsman and Canyon 'O Grady novel from the comfort of his Manhattan apartment.

Messmann even dipped his typewriter in the romance waters. Using the pseudonym Pamela Windsor, he wrote three romance novels for Jove from 1977 through 1980. He also authored a horror novel called The Deadly Deep in 1976 for New American Library, and thrillers like Phone Call for Signet in 1979, Jogger's Moon in 1980 for Penguin, and the western The Last Snow in 1989 for Random House. He also authored the stand-alone crime-fiction mystery novel A Bullet for the Bride in 1972 for Pyramid.

Jon Messmann died in 2004 at the age of 84 in a New York nursing home. His books are widely circulated and can often be found in just about any used bookstore across America. The fact that fans like myself are still discussing his literature is a true testament of his storytelling talent. Get many of his books and titles right HERE.

Friday the 13th - Friday the 13th Part 3

In one of the more bizarre occurrences in paperback history, two film novelizations occurred for Paramount's Friday the 13th Part 3 (often listed with III). The first was authored by Michael Avallone, a crime-fiction author that wrote the popular Ed Noon series of detective fiction as well as early installments in the Nick Carter: Killmaster series. Avallone wasn't a complete stranger to spookville. He also wrote gothic romance novels that possessed a familiar supernatural scent that appealed to 1970s readers. His F13 novelization was timed perfectly for the release of the film to theaters in 1982. However, Signet hired Simon Hawke, who had previously penned the prior two Friday the 13th novelizations, to write his own novelization of Friday the 13th Part 3 in 1988. Weird, right?

I like Avallone's writing so I chose to read his take on the film first. As a kid, I rented Friday the 13th films so much that the tapes were at my house more than the rental store. I also camped in front of cable television in the late 80s watching the USA Network air the films every Saturday on the Captain USA show or their Saturday Nightmares prime-time spot. Needless to say, I knew what the next page was going to offer. 

Avallone mostly sticks to the script for 90% of the book. If you haven't seen the film, this one has Jason attacking teen visitors at a nearby farm called Higgins Haven, which is adjacent to the Camp Crystal Lake original battleground. Many fans call this film “the barn one” because the action and body count intensifies in that dwelling. Plus, there's plenty of sharp things in there to penetrate soft bodies.

The hero of the film/book is Chris, a young woman that lived a horrifying ordeal as a child when she saw Jason Voorhees face to face in the woods. While she's dealing with repressed memories of that night, she orchestrates an outing to visit the lake where the murders occurred. She brings friends along that just make for easy slasher fodder – two potheads, a horny couple, a creepy lunatic nerd, and another sensible girl. She also brings her boyfriend Andy along for the massacre as well.

Jason begins hacking his way through the characters, including three black bikers, until Chris is the proverbial last girl. Avallone's writing borders on satire at times as if he is secretly rolling his eyes at the ludicrous concept of the undead killer killing...again and again. The perfect example is his take on the imbecile police in the third chapter, aptly titled “Give Him the Axe!”. Avallone is such a great storyteller that he is able to draw out some of the tension and cat-and-mouse intrigue to heights that even rival Harry Manfredini's intense musical score. 

The book's ending drifts into a different version than what is seen on film. In this book's ending Chris completely decapitates Jason whereas in the film she simply cleaves him in the head with an axe. Big difference. She also awakens in bed with the doctors and police outside in the hallway questioning her sanity. She escapes the room and journeys back to the barn to search for clues that the murders actually happened. She wants to prove that she didn't make all of this up. She finds a leg, a foot, and an arm in the hay before Jason decapitates her. The police then go check on Chris and find her still in bed. The whole scene was a nightmare. 

In the film, one of the best segments is when Chris escapes to the canoe and at dawn she sees Jason peering from a window before Mrs. Voorhees corpse erupts out of the water, which is later proved to just be a nightmare. Avallone omits this segment. I took a peek at Simon Hawke's treatment and he kept his novelization strictly to the film version, which may be why he was hired to do another novelization of the film in the first place. 

I love the Friday the 13th films in the same way that any old timer will tell you they loved all of the Hammer and Universal horror films when they were a kid. Jason, Michael, Freddy, and Leatherface have become the new Wolfman, Dracula, Frankenstein, and The Mummy. This book is a nostalgic trip through time but also showcases a superb writer doing the most he can with an unrealistic story. For that, I applaud the effort. This is an entertaining read.

Commander Shaw #08 - Skyprobe

United Kingdom author Philip Donald McCutchan (1920-1996) was the creator of the 22-book spy series starring British Naval Intelligence Commander Edmonde Shaw - a literary rival to Ian Fleming’s James Bond series. My first exposure to the series was the eighth installment, Skyprobe, from 1966.

I approached this series with some trepidation because of the whole “Commander” routine and my lack of interest in British Naval fiction or maritime adventures. I’m happy to report that there was no Navy stuff at all in the paperback, and Shaw may as well have been an operative for MI5, U.N.C.L.E., or The Salvation Army. He’s just a fairly generic British Spy working for The Crown.

While enjoying a beer at a pub, Shaw is approached by a man whom he immediately makes as a Polish Intel Officer. The Pole tells Shaw that there is a threat against the American spacecraft, Skyprobe IV, now in orbit. Soon thereafter, the informant is found dead in a park.

The man on the other side appears to be a Swiss mercenary who is clearly working for the dirty commies. But what harm could he cause an orbiting space mission that’s been in the sky for 13 days? The Brits care deeply about this mission because one of the astronauts on-board is a renowned British scientist, and the ship is using an experimental new fuel that will be a game-changer in the space race.

Shaw basically serves as a detective running down logical leads to learn who wishes to menace the orbiting spacecraft and why. The action cuts between Shaw on the ground and the astronauts inside Skyprobe IV blindly going about their mission while unknown forces are trying to undermine it.

I enjoyed this book and found it to be a good place to enter the series. Shaw is smart and tough, but not brimming with personality like, say, Matt Helm. You still like the guy because he’s competent and properly inquisitive. It was clearly written to be a James Bond clone, and I enjoyed the novel about as much as the Ian Fleming books I’ve read. I’d put Commander Shaw at the same quality level as Adam Hall’s Quiller series. It’s way better than Nick Carter: Killmaster, yet still inferior to Matt Helm.

Skyprobe is an easy recommendation for anyone enjoying a good spy yarn without the cartoonish conventions the genre often employs. In short, the novel made me want to explore the series further.

Buy a copy of this book HERE

Star Wars - Heir to the Jedi

Author Kevin Hearne is an established author that landed on the USA Today bestseller list with his debut hardcover Shattered. As an urban fantasy author, Hearne has authored nine installments of the Iron Druid Chronicles series, three novels in the Oberon's Meaty Mysteries, and countless novellas and short stories. My introduction to his work is his Star Wars novel Heir to the Jedi, published by Del Rey in 2015.

I am mostly a casual fan of the Star Wars media bonanza. I've seen the nine feature films repeatedly, and watch some of the spin-off shows. I can't quote you serial numbers on spaceships, but I know enough to just get by. I have only tackled one prior Star Wars book, and didn't care for it. But, as a Luke Skywalker fan, I was immediately drawn to the book's cover. I also liked the era in which the book is placed, snuggled between Episode IV A New Hope and Episode V The Empire Strikes Back. The book is considered canon, meaning it fits directly into the current Star Wars franchise owned and operated by Disney.

In the book's opening pages, Luke is provided a mission from Princess Leia and Admiral Ackbar. He must fly to Rodia in an effort to open a secret supply line to the Rebels. The idea is that the Chekko clan there might work with the Rebels and also manufacture weapons for them. Luke is assigned a floating yacht called the Desert Jewel for the mission, and pairs with the yacht owner's daughter, and deadly sniper, Nakari for the mission. 

The plot is a series of action-adventures ranging from Luke's monster fight on a jungle island, rescuing a cryptographer, contending with an infestation of skull-borer aliens, flying through an Imperial blockade, and of course fighting with other numerous enemies. As each side-story is resolved, it conveniently opens up another side-mission. For example, upgrading weapons by performing a task, locating a missing research crew to earn money, identifying a spy, etc. It reminded me of a modern video game where players work through checkpoints by solving problems. There is an emotional surprise near the end that I felt was a bold move on the author's part (hint - someone dies). This made the book conclude with an impact. More authors should do this. 

As a men's action-adventure reader and fan, the book is like a Nick Carter: Killmaster installment as the action jumps from mission to mission. Ultimately, Luke Skywalker could be any paperback warrior and these planets could be Russian or China when the Cold War raged. It's an espionage spy-thriller with a science-fiction twist that seemed both familiar and nostalgic. As a Star Wars novel, it offers a glimpse into Luke's examination of the Force and his early efforts to use Jedi mind tricks to move objects around. An interesting addition was Luke's disassembly of another lightsaber to see how it actually works. 

Heir to the Jedi is an action-packed novel complete with everything I love about adventure paperbacks. Whether you will love it or not shouldn't be dependent on your Star Wars knowledge or level of love. It's just an enjoyable book and I recommend it. 

Buy a copy of this book HERE.

Six Days of the Condor

James Grady wrote Six Days of the Condor when he was 21 years-old and sold it to a publisher in 1974. Thereafter, it was adapted into the film Three Days of the Condor (Confession: Haven’t seen it) in 1975, and the book has remained popular ever since.

Ronald Malcolm is a CIA researcher in a boring desk-jockey job with an insanely-stupid purpose (it’s too embarrassing to recount here) in a Washington, DC undercover off-site. One day while picking up lunch, he returns to his office and finds that all of his co-workers have been slaughtered. It was only dumb luck that the assassins failed to hit Malcolm, whose code-name is Condor. Now, Malcolm is on-the-run in DC trying to get to safety and into the arms of the CIA Good Guys.

Grady writes the novel in a fun “third-person with a personality” voice borrowed straight from Ed McBain’s 87th Precinct novels. It’s an omniscient narrator with a distinctive voice who goes on tangents to give background and context to events that occurs. This fuels a really enjoyable read.

As the novel opens, Malcolm is a pretty inept operative — completely unlike James Bond, Jason Bourne or Nick Carter. He’s a bookish fellow unsuited to real fieldwork, but he’s also a rebel and iconoclast among his office peers. These instincts play into his favor during the novel’s extended cat-and-mouse game with the assassins. He takes to killing quite well as the story unfolds.

The author certainly knows how to write a bloody and violent action scene, and there are plenty to enjoy here. The novel is fast moving and exciting. However, the solution to the central mystery of the mass-killing at the CIA off-site left me cold. There were some logical fallacies large enough to drive a bus through in the bad guys’ rationale.

Overall, this is an enjoyable paperback and certainly worth reading. 21st-century reprints contain an interesting introduction by the author discussing how the book came to be and its societal impact following the hit movie. The book also spawned several sequels, including one short story collection starring the hero. Recommended. 

Buy a copy of this book HERE.

Steve Holland: Paperback Hero

Michael Stradford served as the VP of A&R for Quincy Jones' Qwest Records, represented Sony Pictures Home Entertainment in both creating, producing, and overseeing content creation, and assisted in launching a film distribution platform at Warner Bros. Pictures. He has authored numerous books, including Black to the Movies and Other Pop Culture Musings and MilesStyle: The Fashion of Miles Davis. My first introduction to Stradford was an awe-inspiring 2021 book about model and actor Steve Holland, The World's Greatest Illustration Art Model. It was a follow-up to the author's first Steve Holland retrospective, Steve Holland: The Torn Shirt Sessions. 

The newest entry in the Steve Holland Library is Stradford's Steve Holland: Paperback Hero, which is in our wheelhouse here at Paperback Warrior. My office is wallpapered in hundreds of paperback book spines, of which, over half are probably sporting a painted cover of Steve Holland performing a breathtaking action pose while holding a gun, riding a horse, embracing a beautiful woman, or just gazing back at me with that “friendly but I mean business” stare. Typically, I buy everything with his face on it. The paperback rule of thumb is if Holland is on it, it's at the very least readable. It's like a signature of approval from the publisher, writer, and the character he embodies. 

Steve Holland: Paperback Hero is 212 glorious pages of colorful book covers indexed by genres like Spycraft, War, Westerns, Sci-Fi, etc. In Stradford's introduction, he explains that he has over a thousand Holland covers in his database, and a 45-page checklist averaging 42 titles per page. He estimates it to roughly 1900 titles sporting cover art that featured Holland. This doesn't include covers that couldn't directly be linked to Holland, but perhaps featured a likeness. Needless to say, Stradford is the world's foremost Holland historian. 

As a fan of vintage paperback fiction, I was thrilled to read Stradford's notes on the various series titles and novels. Each section features a few series titles and a summary of quantity, run length, and a brief description of the series. For example, the first section, Spycraft, features series titles like Coxeman, Nick Carter: Kill Master, and Man from O.R.G.Y. I was thrilled to see larger than life, colorful scans of the Killsquad series, featuring paintings by the legendary Bob Larkin. The artist is also featured in many of the pages, including four large panels of Conan paperbacks.

I love author Hammond Innes, but truthfully, I was drawn to the Avon paperbacks of the late 1960s. Those covers by Frank McCarthy are simply awesome, and Stradford focuses on that run specifically, with beautiful scans of the covers and a description of McCarthy's style. Another talented author, Jack Faragasso, is spotlighted in the Sci-Fi section, with a brief history and excerpts from an interview Stradford conducted. Some of Faragasso's cover art is featured here, ranging from Michael Moorcock's Hawkmoon to Lyle Kenyon Engel's Richard Blade series. 

Fans of men's action-adventure titles like Fargo, Peacemaker, The Protector, Jason Striker, The Penetrator, and The Lone Wolf are in for a visual feast in the Tough Guys section. Artwork by the likes of Mel Crair, Ron Lesser, and George Wilson are featured in full-page panels. A surprise to me was Holland on a cover of Ian Fleming's Goldfinger, painted by Frank McCarthy. There is also a larger section detailing Holland's modeling for The Spider, complete with black and white stills used for the various paintings. 

Once again, Michael Stradford has provided an amazing, visual buffet of many Steve Holland paperback covers. The amount of full-panel book scans, diversified by different genres, really shapes the impact and historic clout that Holland made in the 20th century publishing business. It's uncanny how often he appears, but this volume details the artists and notable series titles that made it happen. Overall, this is another mandatory addition for any paperback reader and collector. Recommended! More info at stevehollandbook.com. 

Buy a copy of this book HERE.

Mistress of Orion Hall

We keep reading and reviewing the robust body of literary work by the talented author Jon Messmann. From men's action-adventure titles like Nick Carter:Kill Master, The Revenger, and The Handyman, Messmann was a total success story, contributing to hundreds of paperback titles while creating one of the highest selling adult-western series titles of all-time, The Trailsman. While he was busy entertaining red-blooded American men, Messman also authored romance novels and gothic-suspense paperbacks for the ladies. Using the name Claudette Nicole, Messmann authored more than a handful of these books for the top tier paperback publisher of the time, Fawcett Gold Medal. 

Cutting Edge Books have released nearly all of Messmann's romance, vigilante, nautical-adventure, and gothics, including The Mistress of Orion Hall. It was originally published by Fawcett in 1970, and has remained out of print until now. This new edition of the novel is available in both paperback and ebook versions with updated cover art. 

The book begins in an interesting way, the death of the book's title character, the Mistress of Orion Hall. But, this was simply an early flashback to “long ago” when a woman was killed in a massive mansion by men in shrouded hoods. Needless to say, the book quickly moves to present day Vermont by introducing the protagonist, a young woman named Lisa. 

Like any good gothic paperback premise, Messmann knows that he needs a reason for the young female character to inhabit a large mansion on a rocky seaside bluff. Lisa needs to be an unemployed nurse, teacher, or nanny, or a newlywed returning home with her dashing new husband. Oddly, this one is fairly simplistic. Lisa speaks Greek and her Aunt Maggie is reopening the family's long abandoned mansion in Cyprus. She needs Lisa to come and live at the mansion and become a language translator for the many guests destined to stay at the luxury house. 

The journey with Maggie to Cyprus is met with a number of deadly occurrences. First, Lisa is nearly killed on the ship trying to save her aunt from falling overboard during a storm. Once she arrives at the mansion, she is pushed over the cliff and nearly perishes on the rocky coastline. An auto accident occurs as well, leading Lisa, and Maggie, to suspect that the mansion is either haunted or someone is attempting to stop the house's grand opening. 

In some ways, this traditional gothic tale reminded me of Frank Smith's gothic titles written under the pseudonym Jennifer Hale. The idea of the main character discovering an old painting of a woman who looks just like her is a common genre trope. Smith used it as a main plot point in his 1973 novel The Secret of Devil's Cave. With the central mystery of who, or what, is stalking the Orion Hall inhabitants, Messmann carefully walks the balance beam of presenting a physical murderer or a supernatural entity. If you've read one gothic or read them all, the answer is always the same. But, kudos to the author for allowing some nautical action to play a big part in the book's finale. Interesting enough, when Messmann unveils the answer to the mystery, it resembles a plot he used for his 1972 action-adventure novel A Bullet for the Bride. 

Like most of Messmann's literature, The Mistress of Orion Hall is another entertaining novel that follows paperback traditions of the time. Whether it has aged well is in the eye of the beholder, but I found it to be on par with his other gothic titles. Cutting Edge Books has nearly all of them at affordable prices, so there is plenty to choose from. 

Buy a copy of this book HERE.

Tarzan #02 - Return of Tarzan

I really enjoyed the Tarzan debut, Tarzan of the Apes, authored by Edgar Rice Burroughs. It was first published in 1912 in The All-Story and then later published as a novel in 1914. The book ended in what I would consider a cliff-hanger with a lot of loose ends requiring a resolution. The series second installment, The Return of Tarzan, does just that. It was first published in New Story Magazine from June through December of 1913. Later, it was published as a hardcover in 1915.

In this installment, Tarzan has an impromptu meeting with a French leader named Count Raoul. This leader assigns Tarzan the role of secret agent, working in Algeria to out two Russian criminals. This portion of the novel really surprised me, as the narrative explodes into a Nick Carter-esque adventure as Tarzan tangles with the criminals. After the skirmish, and the assignment, Tarzan joins a ship headed to Cape Town and creates a friendship with Hazel Strong, a friend of Tarzan's love interest, Jane Porter. Unfortunately, the two Russians joined the ship's passage and throw Tarzan overboard. He washes up on the same coastline he called home in the series debut. Through a wild sequence of events, Tarzan becomes the new chief of the Waziri, a fictional African tribe.

Coincidentally, Jane and her fiance, William Clayton (Tarzan's cousin) are also in route to the west coast of Africa. Ironically, their ship sinks and Clayton and Jane join a lifeboat with one of the Russian criminals. It's this part of Burrough's story that is absolute agony to behold. These characters are left to die without food and water. The extreme circumstances lead to a coin toss to determine which living person will be eaten by the others to survive. This is written with an emotional touch and also places William Clayton into a respectable light as protector and caregiver for Jane (albeit short lived).

Eventually, Jane and William wash up on the coastline shared by Tarzan, and the loose ends are all neatly tied up. William and Jane's proposed marriage ends (no spoilers on how) and Tarzan and Jane are reunited. More importantly, Jane also learns that Tarzan is a Greystoke and the sacrifice he made to keep that fact a secret from her.

The Return of Tarzan also introduces a mainstay of the series, the Lost City of Opar. Tarzan is taken prisoner there and first meets the villain La. It is here that Tarzan discovers a wealth of gold, fortunes that he will eventually return to again and again. There is a brief backstory on Opar's history, but Philip Jose Farmer fleshes this out in his own Tarzan stories and two non-Tarzan novels, Hadon of Ancient Opar (1974) and Flight to Opar (1976).

As an adventure novel, ERB offers so much for the reader in this one book. Shipwrecks, castaways, espionage, desert chases, seemingly endless fights, treasure hunts, survival horror, jungle adventure, and heaps of action. This is really a perfect novel by a fantastic author. As good as Tarzan of the Apes was, this sequel might be just as good. A must-read vintage novel! 

Buy a copy of this book HERE.

The Pursuit of Agent M

DeWitt Samuel Copp (1919-1999) authored fiction and nonfiction books with themes relating to military history, aviation, the Cold War, and espionage. His experience in the Army Air Corps during WWII, and role as a flight instructor pilot provides a unique realism to his writing. Copp also served in the Central Intelligence Agency and taught history and civics at St. Luke's School in Connecticut. 

Copp's literary work includes Notebooks, a three-book series of action-adventure novels written under a pseudonym of Sam Picard. As Nick Carter, Copp authored two novels in the Nick Carter: Killmaster series. The talented writer penned a screenplay for an episode of One Step Beyond, a Twilight Zone-esque anthology show on ABC and scripted episodes for other television programs like Three Musketeers, Kraft Theatre, and Lux Video Theatre. 

His spy-thriller The Pursuit of Agent M has been recently released in a new edition by Cutting Edge in digital and physical formats. The book was originally published as a hardcover in 1961 by Hammond and in paperback by Popular Library a year later. It has remained out of print until now. 

Agent M is Mark Costain, an American spy working for the CIA under the name Mark Vorak. His cover is that he is an engineering director at a Czechoslovakian company that manufactures rockets and missiles. In the time-period of the book's release, Czechoslovakia was a communist country controlled entirely by the very red Soviet Union. 

When readers first meet Costain, he is desperately struggling through the cold, harsh landscape of Czechoslovakia attempting to reach the freedom of the Austrian border. In close pursuit is the Czech military, who have positioned Costain as Public Enemy #1. Considering the novel is a man-on-the-run suspense-thriller, the book's simplistic title is perfectly fitting. 

The Pursuit of Agent M is presented in four acts that feature Czech characters aiding Costain's escape. In the first act, Costain meets an old man tending to his sheep. The brief relationship examines Costain's confession that he was stealing government secrets. The wise old man, who hides Costain from the military, doesn't chastise Costain over killing a police officer. Instead, the old man is infuriated over Costain's “theft” of government intelligence. This surprising response to theft versus murder is an intriguing debate. 

Costain's second meeting is with a poet-philosopher that lives in a one room apartment. The poet insists that he isn't Costain's enemy and allows him safe harbor with food and rest. The only repayment requirement is for Costain to hesitantly listen to the poet's readings asking for praise. When the poet risks death for Costain's getaway, Copp's narrative is morally uplifting, showing readers a most basic human principal. 

The third act, and arguably the most exciting, features Costain's hostage, a woman that is revealed to be the mistress to Krupina, a Czech official coincidentally leading the manhunt to find Costain. This sequence is a fevered, tight-laced portion of Copp's narrative that focuses on the woman's relationship with Krupina, and her efforts to assist Costain as a way to extract revenge on her lover. These events are central to a rural farmhouse with plenty of cat-and-mouse tactics between Costain, Krupina, and the mistress that they both are relying on. It's a brilliant premise that leads to Costain's retrieval of an aircraft, that eventually leads to disaster. 

The book's final act is a resounding resolution that introduces key characters that are paramount to Costain's original mission in Czechoslovakia. The characters include a young woman, Lisa, that shares a romantic chemistry with Costain. It's this satisfying conclusion that breathes a new life into the story, revealing Costain's experiences during WWII, both as a pilot and a prisoner-of-war. The circle becomes complete as Copp presents a roaring sequence of events that spring from a treacherous doctor and his association with the communist government. It's a unique twist on the story relevant to Costain's employer and the horrifying atrocities committed while serving as an undercover agent in the German Gestapo. 

The Los Angels Times said, “The writing and style of the book are superior”, when reviewing The Pursuit of Agent M. I would wholeheartedly agree with their praise as Copp's writing was certainly unique, charismatic, and often endearing. The book, rightfully categorized as a spy-thriller, contains a remarkable amount of emotion - human endurance, philosophy, the consequences of war, moralistic thinking, and personal indebtedness. It's a mature approach to the old-fashioned Cold War, espionage thriller that leaves a strong, noticeable effect on readers. 

As a casual, man-on-the-run story, the novel can be enjoyed as pure escapism, but it would be a travesty to ignore Copp's fundamental, underlining messages sprinkled throughout his work. It really sets him apart from his other military-fiction and espionage contemporaries of that era in a Hemingway style – invigorating circumstances propelling human need and suffering. Whether there is a happy ending is in the eye of the beholder. 

Buy a copy of this book HERE.

Strike Terror

Hy Steirman (1921-2009) was born in Canada and settled in New York City, where he became an editor for the publisher Street and Smith during the twilight of the pulp era and later served as chairman of publishing at Warner Books. He wrote a few himself, including a spy series starring an ex-FBI man named Zachary Jones that only lasted two installments, the first being Strike Terror from 1968.

Zach Jones is a former FBI agent and widower doing his best to be a single father to a young son. He is pressed back into service by his former boss when a woman he used to know is injured in an accident while possessing deadly weapons and bombs. The KGB has dispatched five trained assassins to blend in with American culture to assassinate a U.S. Counterintelligence chief. Could this woman from Zach’s past be part of this deadly conspiracy?

Zach is a very interesting three-dimensional character that isn't often seen in men’s adventure paperbacks, and the novel’s villains are completely awesome in their originality. The Soviet assassins are sleeper agents born and raised in the U.S. with skills cultivated literally from the womb awaiting activation from Mother Russia.

The author toggles between Zach’s third-person perspective and the perspective of his Soviet-controlled adversaries. While this takes a bit of the mystery away from the plot, it certainly enhances the cat-and-mouse game at play throughout the fast-moving paperback. The plotting is more pulpy than a John LeCarre espionage thriller, but it’s way smarter than a Nick Carter: Killmaster disposable paperback.

The novel plays with many of the tropes one often sees in the genre, including a female partner who is not entirely trustworthy but oozes sex appeal. Watching Zach and his FBI friends thwart one assassination attempt after another made for some fun reading - even when the traps set for them veer into the kind of silliness often seen in The Destroyer series. To be sure, you’ll need to repeatedly suspend your disbelief as the novel progresses, but that’s part of the enjoyment of a men’s adventure series paperback.

Overall, Strike Terror is a winner with some outstanding action scenes, and I look forward to diving into the sequel, Cry of the Hawk, from 1970. 

Buy a copy of this book HERE.

A Night for Treason

Before John Jakes struck gold with his Civil War epic North and South, he was a paperback author for dudes like us. A Night for Treason was a 1956 spy thriller that was released as an Ace Double with many subsequent reprints over the years. 

Our hero is an American secret agent named Max Ryan. The novel begins with an exciting action set-piece with Max hijacking a truck filled with military supplies. It’s a violent and fast-paced opening that sets the tone for this short, peppy paperback. 

We are quickly introduced to our villains: a shadowy European-based organized crime and intelligence cabal known only as The Combine seeking to steal American industrial secrets for its own profit and benefit. The focal point for this showdown between The Combine and Max’s agency is an Atomic energy conference hosted on the estate of an Air Force colonel. It’s up to Max to figure out who the technology thieving Combine spies are among the guests and neutralize them without getting whacked himself. 

The Air Force colonel has a sexy, 26 year-old niece named April who is the hostess of the conference and a pivotal player in the weekend’s intrigue. John Jakes keeps the narrative exciting with well-crafted action scenes every few pages. His plotting is basic but serviceable. 

Overall, this early work from a future famous author is about as good as one of the better Nick Carter: Killmaster installments. If you can score a cheap copy of A Night for Treason, you won’t regret reading it. However, it’s unlikely you’ll remember it for long after you’ve moved onto the next paperback in your stack. 

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Paperback Warrior Podcast - Episode 97

On Episode 97, Eric and Tom collaborate for a comprehensive feature on Jon Messmann, the prolific author and creator of The Trailsman series, The Revenger, The Handyman, and numerous Nick Carter: Killmaster novels. Eric also reviews Messmann's stand-alone action-adventure novel, Bullet for the Bride. Tom reviews a vintage crime-fiction paperback called The Mob Says Murder by author Marvin Albert and Eric offers insight on his new projects with Brash Books and Cutting Edge. Listen on any podcast app, paperbackwarrior.com or download directly HERE.

Listen to "Episode 97: Jon Messmann" on Spreaker.

Logan #02 - Killers at Sea

Jon Messmann authored comic books before moving into men's action-adventure paperbacks in the late 1960s. He contributed installments to the spy-fiction series Nick Carter: Killmaster as well as creating and writing his own titles like The Revenger, The Trailsman, and The Handyman. In 1970, Messmann wrote two novels starring a begrudged boatman named Logan. Thanks to Brash Books and Cutting Edge, two publishers that have concentrated on releasing brand new additions of Messmann's literary work, I had the opportunity to read the first book, the eponymous Logan. Enjoying the novel, I'm back to the well again with the book's sequel, Killers at Sea. 

Messmann moves the action from Panama to the quiet South Carolina coast for this second Logan adventure. The battle-scarred protagonist receives a letter from an old friend in the fictional one-horse town of Kingdom Point. Upon his return, Logan discovers an elderly man's body lying on a secluded beach. Before he can notify the authorities, the bullets start to fly. The dead man's young friend, a gorgeous woman named Julie, begins taking potshots at Logan believing he is the murderer. Wrestling the gun away from Julie, Logan is then forced to kill one of three savage tough-guys that arrive at Julie's house. 

Like a mid 20th century crime-noir novel, Logan unexpectedly finds himself a murder suspect and must prove his innocence. In doing so, Logan is forced to contend with the group of criminals that killed the old man searching for something valuable he possessed. Now, the criminals believe that Logan somehow knew the old man and has the goods. But, how does Julie fit into this robbery and murder? 

Killers at Sea isn't quite as effective as its predecessor, but still retains the same ingredients. Lots of sex, gunplay, and violence that reminded me of the Netflix original show Ozark. While Logan's signature is his fast boat, The Sea Urchin, most of the book's violence surprisingly occurs on dry land. Messmann's plot development moves at light speed, never pausing for lengthy dialogue. It's a sacrifice of character building in exchange for the pure adrenaline rush brought on by the hero's struggle.

With Logan's sexual prowess, “big” Colt Python, sleek speedboat, and savage instincts, Killers at Sea is a fun romp through the wild formula of men's action-adventure. Recommended.

Notes – Despite the book titles, I honestly feel as though Messmann wrote Killers at Sea first, then followed it up with Logan. In reading both books, Killers at Sea is a looser outline of the character. First, a little more backstory is revealed with Logan's charity in Sister Mary Angela. This has the genre tropes of an origin tale. The Logan installment briefly mentions Sister Mary Angela as if readers are already familiar with that character. Second, I'd venture to say that Messmann's writing isn't as good in Killers at Sea as it is in Logan, as if he was still working out the hero's characterization.

There is also the character of Julie, which I find interesting. In this book, Julie is Logan's lover and she experiences violence and criminality before Logan ditches her on an island on the last page. In the opening pages of Logan, he is arriving back at his boat with a girl named Julie. If this isn't the same person, why name two female characters the same? The Julie in the Logan novel doesn't really say much to reveal her past, and she quickly leaves Logan when bullets start flying. It was as if the Julie chapter of Logan's life had reached its conclusion. 

The end result is that Killers at Sea was first, Logan second. 

Buy a copy of this book HERE.

Cody's War #01 - Dragonfire!

Between 1982 and 1986, Stephen Mertz authored a number of gritty Mack Bolan installments that are considered some of the best of the series. He also created and authored installments of the M.I.A. Hunter series as well as the Kilroy mysteries and music-based novels like Hank and Muddy and Jimi After Dark. Recently, he launched a brand new action-adventure title called Cody's War. I'm always up for a rip-roaring, Mertz mule-kicker, so I chose to read the series debut, Dragonfire!. It's out now through Wolfpack Publishing.

Readers learn through backstory that CIA Agent Jack Cody experienced a personal tragedy when his family was killed by a terrorist bomb. Now, Cody seeks out the most perilous jobs in a quest to kill himself in the line of duty. Thus, his unconventional methods have earned him the nickname “Suicide Cody”.

In the book's opening chapters, Mertz introduces readers to his newest paperback warrior by placing Cody on a small, U.S. submarine en route to the Ocean Song, a recreational yacht containing a wanted Islamic terrorist named Hadi Abu. As Cody emerges from the tiny craft, there is a prophetic message in one simple line of text: “Cody lifted himself through the hatch, into the storm.” It kicks off the novel, the character's mission, this series debut, and puts readers in the harness seat as the author thrusts readers into the action.

On the Ocean Song, Cody disposes of the baddies, captures a valuable female accomplice, and faces off with one of the early Final Bosses. Abu, refusing to go quietly into submission, gets the 'ole one-two punch - a shotgun amputation and decapitation. Cody then thrusts the captive over his shoulder to ascend a swinging ladder to a helicopter spewing out M60 rounds into the Ocean Song's violent, but foolish crew. Wham! Bam! Thank you Uncle Sam.

After the fast-paced opening scene, Dragonfire! settles into a brisk pace as the next mission unfolds. A Chinese scientist is attempting to defect to America and is receiving assistance from a covert CIA agent. As one can imagine, the defection requires stealth support from resistance cells within Red China, an underground pathway that has already smuggled out the scientist's wife. This resistance cell, oddly enough, is backed by the Triad, China's version of the Mob. 

The exchange is set that will place the scientist on a road to freedom. However, when the final deal goes down, the CIA man is killed and the scientist is taken captive by a Major Zhao. It turns out, Zhao is working on a coup attempt from within the Chinese military. He will use Dragonfire, the scientist's deadly weapon, to shift the momentum and overthrow the Chinese government in a quest for world dominance. It's a pulp-fiction “take over the world with the biggest bomb” strategy that isn't far removed from an Ian Fleming (James Bond) or Michael Avallone (Nick Carter, Ed Noon) styled plot. 

U.S. President Harwood informs his close cabinet that Cody is The President's Man and has been for the three predecessors before him. Harwood elaborates, “He's as well-known in this office as he's unknown to the general public.” So, Harwood gives the orders to Cody's CIA controller and possible love interest, Sara Durell (an obvious ode to Mertz's favorite spy hero in Sam Durell). She meets with Cody, provides the rundown, and hooks him up with an embassy handler named Beth in Hong Kong. The mission is to locate the scientist while investigating the disappearances of an American fighter-jet and submarine, which readers already know were targeted, zapped, fried, and vaporized by Dragonfire. Cody's ultimate goal is to prevent Earth from falling under the bombastic spell of an even viler Chinese dictator.

Needless to say, Mertz is in full rock 'n roll mode with Cody's War. Dragonfire!, while being a modern, sophisticated shoot 'em up, is a throwback to the two-fisted, barrel-chested, bullet-belted heroes of the 1970s through the 1990s. Cody isn't completely exposed in this book, leaving a lot of his past in the dark. But, I love the madness to his motive and the idea that he is longing for his own death while fighting to save the lives of others. There's very little humor (if any) as Cody drills down to the bone marrow to find and eliminate targets. This keeps the book on the rails and moving towards a destination. Readers know the stops. I also love literary-longevity. Mertz has created a durable series hero that he can simply drop into the endless abundance of current Earthly war-zones. Plus, there's the whole “Sara 'n Cody” romance that can build up over time. 

In the introduction to Conan of the Isles, L. Sprague de Camp wrote about a lecture he attended on writers. I think this sort of sentiment describes talented authors like Stephen Mertz:

“A lecturer lately has said that, if a fiction writer wants sales, he should write exclusively either about politics or sex. A novel like The President's Boyfriend ought to be a lead-pipe cinch. There are still, however, many readers who read, not to be enlightened, improved, uplifted, reformed, baffled by the writer's obscurity, amazed by his cleverness, nauseated by his scatology, or reduced to tears by the plight of some mistreated person, class, or caste, but to be entertained.”

Whether he's throwing rounds downrange with a literary creation or blowin' the blues harp in a smoky dive, Mertz is an entertainer. With his newest fictional hero, this remarkable scribe ventures down another pathway to offer up another enjoyable, rock-solid good guy during a time when humanity needs more good guys. Jack Cody is that guy.

Cody's War Checklist

1 Dragonfire!
2 Camp David Has Fallen!
3 The Fires of Allah
4 Day of Reckoning
5 The Last Refuge
6 Cody's Return
7 Lethal Assault
8 Final Strike
9 Afghanistan Payback

10 Hellfire in Syria 

Buy a copy of this book HERE.

The Grave's in the Meadow

To the extent that he’s recalled at all, Manning Lee Stokes (1911-1976) is remembered for his pseudonymous work in men’s adventure paperback series titles, including John Eagle: Expeditor, Richard Blade, Nick Carter: Killmaster, and The Aquanauts. However, Stokes began his career authoring mystery novels beginning in 1945 and beyond. His crime-fiction output includes a largely unknown hardcover novel from 1959 titled The Grave’s in the Meadow that was later reprinted by both Dell and Manor Books in paperback.

Our narrator is an amoral sociopath named Dick Ludwell who just witnessed the murder of a middleweight boxer for refusing to take a dive. Dick was the only person to witness the killing at the hands of a ruthless mob henchman, and he correctly figures this makes him a marked man. Dick is a crooked newspaper reporter who supplements his income by providing tips to the local mob boss, but this cozy relationship isn’t going to be enough to save Dick’s bacon this time.

Dick decides to hide 100 miles from the city in his friend’s vacant farmhouse, and this is where the plot really takes off. The farm is located on the outskirts of a small town where everyone knows one another, and Dick assumes the identity of a dead hobo for his new life in exile. As Dick tries to assimilate into small-town life, an astute genre fiction reader begins to see exactly the direction the paperback is headed. He meets a girl and a sweet relationship evolves bolstered by the lies Dick tells her about his identity and background. Could this story be the tale of a heel redeemed by true love?

About halfway through the novel – right when you think you see where it’s going – there is a bonkers scene that turns the plot into a nasty, violent noir. I promise that there’s not a single reader who will ever forget the scene that sparks the paperback’s turning point. I never saw it coming and I read a ton of this stuff. From that point forward, the book erupts into one of the finest crime-noir stories I can recall reading in a long, long time. It reminds me of Dan J. Marlowe’s The Name of the Game is Death, but this Stokes novel predates the Marlowe classic by three full years.

The paperback sprints to the finish line with an exciting, bloody climax. A couple pages from the conclusion, you’ll be dying to know what’s going to happen at the very end. Stokes’ plotting is superb and he does a fantastic job getting you into the narrator’s warped mind. I honestly can’t get over how exciting and wild The Grave’s in the Meadow is, and I can’t believe it hasn't been reprinted since 1973. This is a forgotten paperback definitely worth rediscovering. Readers should seek out a copy, and reprint publishing houses should acquire the rights and resurrect this lost classic. Highest recommendation. 

Buy a copy of this book HERE

Paperback Warrior Primer - Nick Carter: Killmaster

The character of Nick Carter (or Nicholas Carter) was created by Ormond G. Smith and John R. Coryell in 1886. Smith was heir to the New York City publisher Street & Smith, the early catalyst for dime novels and pulp fiction as far back as 1855. Smith wanted a private-eye or detective character similar to Old Sleuth or Old Cap Collier to star in various forms of media. The first Nick Carter literary appearance began in New York Weekly, September 18, 1886, in a story called "The Old Detective's Pupil" or "The Mysterious Crime of Madison Square." The serial ran 13 total installments with the setting mostly being Victorian-Edwardian New York.  

Carter is described as 5' 4" and having bronze-skin, gray eyes, dark hair and a square jaw. The character was trained by his father, Old Sim Carter, to fight criminals, essentially becoming the opponent of global evil. He's a genius that is inhumanly strong and a master of disguise. The character was so popular with readers that Street & Smith created the Nick Carter Weekly dime novel series. These stories would later be reprinted as stand-alone titles under New Magnet Library. 

With its premier issue on October 15, 1915, the Nick Carter Weekly publication transitioned into Street & Smith's new Detective Story Magazine (just 10-cents twice a month!). The magazine ran 1,057 total issues, most of which concentrated on short crime-fiction with appearances from pulp heroes like The Shadow. The magazine's first 20 years featured covers by illustrator John A. Coughlin. In 1935, the magazine began suffering financial stress and officially stopped publishing in 1949.

Between 1924 and 1927, Street & Smith attempted a revival of the Nick Carter character in the pages of Detective Story Magazine. These stories also featured many of the same villains that Carter had faced in the prior Nick Carter Weekly publication (Dazaar the Arch-Fiend, Dr. Quartz, etc.). It seemed as if Carter's appearance in literature was over in 1927, but due to the success of The Shadow and Doc Savage, Street & Smith revived the character again. Between 1933 to 1936, the Nick Carter Detective Magazine was published. These stories introduced Carter as a more traditional hard-boiled detective. 

Beyond the page, two Nick Carter shows were featured on radio. Nick Carter, Master Detective radio show aired on Mutual Broadcasting System from 1943 to 1955. Nick Carter's son was the star of Chick Carter, Boy Detective from 1943 to 1945, followed by a film in 1946 under the title Chick Carter, Detective.

In 1908, the French film company Eclair ran a six-episode series starring Pierre Bressol as Nick Carter. Two French films were released, Nick Carter va tout casser (1964) and Nick Carter et le trefle rouge (1965). In Germany, four silent Nick Carter films were released: The Hotel in Chicago (1920), The Passenger in the Straitjacket (1922), Women Who Commit Adultry (1922), and Only One Night (1922). In the US, MGM released a trilogy of Nick Carter films: Nick Carter, Master Detective (1939), Phantom Riders (1940), and Sky Murder (1940). A television show called The Adventure of Nick Carter filmed one pilot, later released as an ABC movie.

The pulp version of Nick Carter continued in comic book form, with appearances in The Shadow, Army & Navy, and Doc Savage comics from 1940 through 1949. There was also a 1972 Italian comic strip and a Nick Carter comic book series from 1975. It lasted 12 issues and stars a character named Nick Carter that is a British soldier in WW2. However, it is not related to the Nick Carter spy series.

Little did fans know that a British secret-agent named James Bond would play a part in reviving the literary character 37 years later.

In the 1960s, Lyle Kenyon Engel began his plunge into paperback publishing. He was heir to his father's magazine publishing company, but sold that to become a publicity agent (supposedly one of his clients was the Today Show) and also a producer of children's records. To make an impact in publishing, he revived the familiar character of Nick Carter to capitalize on the 1960s spy fiction market. 

Nick Carter: Killmaster debuted in 1964 as a marketing attempt to cash-in on Ian Fleming's James Bond. The character was reinvented as a secret agent instead of a detective or private-eye. These novels were to be international adventures with a more robust approach compared to the serials, pulps and dime detective magazines. Basically, everything prior to 1964 was erased and this series was a complete reboot.

The general theme is that Nick Carter is an American secret-agent or spy working for an organization called Axe. The organization's leader is David Hawk. Axe and Hawk work closely with the American government and Hawk answers to "The Chief", presumably the U.S. President. Carter is referred to as N3 and we know there are other agents like him, also known as an N/number combination. In the first book, Run Spy Run, readers learn that Carter served in WW2 and also worked for OSS, the pre-cursor to what is now known as the CIA (like Matt Helm). Read our review of the book HERE.

One of the predominant characteristics of this version of Nick Carter is the three weapons he uses in the field. In the debut novel, it is explained that Carter took a Luger handgun from a German SS officer he killed in Munich during WW2. Carter named the gun Wilhelmina and it's included in nearly every novel. Hugo is the name for his Italian stiletto. He also carries a marble sized gas pellet that goes by the name Pierre. Carter can twist each half of the marble in separate directions and it will release a deadly toxin within 30-seconds, giving Carter enough time to flee the area. 

The Nick Carter: Killmaster series became immensely successful, running from 1964-1990 and offering 261 total novels. Each book on average sold 115,000 copies. Ironically, the series just lists Nick Carter as the author. The real authors aren't credited on the book's copyright page, a painful trademark of the series that frustrates readers, fans and collectors to no end. Engel typically split 50-50 with the authors he hired. He demanded lightning fast work, sometimes novels written in less than three weeks to meet furious deadlines. These books were released monthly, first by Avon and then later by Charter.

Notable author statistics:

- Valerie Moolman authored or co-wrote 11 novels between 1964 and 1967.

- Michael Avalone authored or co-authored 3 novels in 1964

-Manning Lee Stokes, of Richard Blade fame, wrote 18 novels

-Popular crime-fiction author Lionel White authored one Nick Carter book, the 18th installment from 1966. This was his second foray into spy fiction. He also wrote a stand-alone novel called Spykill under the name L.B. Blanco.

- Jon Messmann wrote 15 installments. Messman was a heavy contributor to action-adventure paperbacks. He was behind the popular adult western series The Trailsman along with the short-lived series titles Handyman: Jefferson Boone and The Revenger.

- George Snyder did 8 installments. He also wrote novels for the Grant Fowler series.

- Ralph Hayes authored 8 volumes in the series. He is known for his John Yard: Hunter series and Check Force among others.

- Martin Cruz Smith wrote 3 installments. Smith is primarily known for his Arkady Renko series that is still current to this day. The 1983 film Gorky Park was an adaptation of that series debut.

- Surprisingly, Chet Cunningham only wrote 1 book, # 72 Night of the Avenger, that was co-authored with Dan Streib. 

- Dennis Lynds authored 9 and his wife at the time, Gayle Lynds, wrote another 4. I've read one of Dennis Lynds' novels and I really enjoyed it. It was #211 Mercenary Mountain and it is reviewed HERE. Many will know Dennis Lynds as American author Michael Collins. He wrote the popular Dan Fortune series before his death in 2005.

- Saul Wernick wrote 5. Many remember him as writing the first Mack Bolan novel after Don Pendleton sold the series to Gold Eagle. 

- David Hagbert authored 25 books. He is primarily known for his CIA series starring Kirk McGarvey. 

- Death Merchant creator Joseph Rosenberger wrote 1.

- Jack Canon is the heaviest contributor with over 30 installments. I lost count, but I think it was 35. Not to be confused with Nelson Demille pseudonym Jack Cannon. 

- Robert Randisi authored 6 in the series. He's a respected western writer who also wrote 3 Destroyer books as well.

- Joseph Gilmore wrote 8.

- There are numerous authors that authored three or less that I haven't mentioned, but you can find a detailed list on spysandgals.com or Wikipedia.

- There is yet another Nick Carter series that ran from 2011-2019 called Project. It's written by Alex Lukeman and again features a starring character named Nick Carter that is an anti-terrorist sort of hero. Again, not related to the Nick Carter spy series.

Lyle Kenyon Engel would go on to create Book Creations in the 1970s. Ultimately, it was a cash cow and a rather unique company. Engel would create a series, imagine the story, hire authors to write it and even create book cover art. Then he sold these to various publishers. He was the paperback king and died a multi-millionaire in 1986. 

You can listen to the Paperback Warrior Podcast episode dedicated to Nick Carter HERE and the episode spotlighting Lyle Kenyon Engel HERE.