Little Sister

Robert Martin (1908-1976) wrote a fair amount of crime and mystery paperbacks under his own name as well as the pseudonym Lee Roberts. Little Sister was a 1952 stand-alone Fawcett Gold Medal hardboiled private-eye paperback that has been reborn as a Black Gat reprint, including an insightful introduction by Bill Pronzini.

Our narrator is Private Detective Andrew Brice, and he is summoned to a new client meeting at a large estate. His client is a wealthy, attractive woman named Miss Vivian Prosper who has just gone through a financially-advantageous divorce. Vivian shares the lakefront mansion with her little sister, Linda — and since the novel is called Little Sister, you probably saw that coming.

Little Sister Linda is a 17 year-old whiskey-swilling hellion, and she stands to inherit a pile of money from a trust fund soon when she reaches 18. Linda intends to marry a 30 year-old gas station attendant, and Big Sister Vivian wants PI Brice to break up the romance because the loser boyfriend is clearly just trying to get his claws on the trust fund cash.

All of this is conveyed in the Chapter One meeting between Brice and Vivian. The reader sees where this is going, and then Little Sister Linda arrives home in her convertible, drunk-as-a-skunk with a dead body in the trunk. And THAT’S how you start a private eye paperback.

As a licensed professional, Brice is duty bound to report the corpse in the trunk to the police, but sexy Vivian has other ideas. Could the prospect of getting laid with the seductive divorcee possibly convince our PI to dispose of the body with no police involvement? That’s the kind of thing that could turn a hardboiled private eye mystery into a femme fatale crime noir paperback.

You’ll need to read the book to find out how Brice handles this and other dilemmas he confronts throughout this lean paperback. The plot eventually settles into a pretty standard PI mystery with Brice interviewing one witness after another until the situation becomes both more clear and more messy as red herrings arise. It’s all well-written with a sexy undercurrent thanks to the seductive sisters at the eye of the storm and the fact that every female interviewee throws themselves at Brice.

The climactic conclusion is a scene where the villain, now revealed, explains the motivation and execution of the murder in painstaking detail while holding a gun on Brice. It’s an overused trope in mystery fiction, but well-executed in this case.

And that’s the thing with Little Sister. This paperback breaks zero new ground for a private eye mystery of the 1950s. However, if you’re in the mood for a completely traditional and readable genre paperback, you could do a lot worse. It’s about as good as a better-than-average Mike Shayne novel. 

Buy a copy of this book HERE.

Say it was Murder

Stephen Mertz (b. 1947) is a mystery, action-adventure, and short-story writer that has contributed, or created, series titles like M.I.A. Hunter, Kilroy, Cody's Army, and the wildly successful Cody's War. He cut his teeth in the literary world as a Don Pendleton protegee, penning 12 novels in the hit series titles The Executioner/Mack Bolan from 1982-1986. He's utilized pseudonyms like Cliff Banks, Jim Case, Stephen Brett, and Jack Buchanan. But, perhaps his most descriptive name is “Mojo”, a moniker that friends and family (one in the same) use to describe Mertz through the lights, heat, and haze of a blues bar on the edges of a middle-of-nowhere Arizona town. In fact, the author's newest book is a love letter of sorts, an outlet to profess his love for the magical place he resides in.

In Say it was Murder, published in 2022 as a revised version by Rough Edges Press, Mertz describes Cochise County as Big Sky country. This slice of Southeastern Arizona paints the U.S. and Mexico border, a beautiful 100-miles stretch of open prairie and rugged mountains not to be confused with The Grand Canyon, Phoenix, or Tucson. Mertz places his private-eye protagonist, a fellow named McShan, in Bisbee, the real-life, neo-hippie small-town that he frequents. Mertz, through his fictional hero, experiences a profound connection with the area:

The desert will either chew you up and spit you out or will touch you in ways that are as deep and mysterious as they are difficult to express.

The fondness that Mertz fosters of the land and its lush beauty is only rivaled by one thing, his sincere love for crime-noir. In Say it was Murder, the author steps into the shoes filled by his literary heroes like Mike Hammer and Ed Noon. In fact, Mertz's private-eye, McShann could be a nod to private-eye Rex McBride, authored by Cleve Adams and Mike Shayne, created by Davis Dresser using the name Brett Halliday.

Like Mertz's other private-eye, Kilroy, McShan operates out of Denver, Colorado, a city that also holds a special place for the author. McShan is employed by Honeycutt Personal Services, a large agency with offices in every state specializing in detectives, cybersecurity, bodyguards, and kidnapping protection. This enterprise of ex-military and law-enforcement is ran by Miss Honeycutt, a 63-year old heavyset woman that inherited the agency from her father.

McShan's newest assignment is aiding a client named Marna, a divorced mother that hired the Honeycutt agency to find her missing daughter. When McShan arrives in Cochise County, he learns that the woman's daughter, Janine, has joined a mysterious religious sect. As McShan digs into the case, he learns more about Janine's step-father, a wealthy entrepreneur with a very violent streak. Connecting the dots, the case leads into energy and land development, illegal human-trafficking, incest, and the weird cult-like organization that has a grasp on Marna's family. 

Comparisons are made to Ross MacDonald's fantastic Lew Archer series, and that may be valid, but I felt that Mertz's characters were wilder and more diverse. McShan contends with a deadly lesbian biker and her maniacal brother, the town's barber. I also felt McShan was more reserved in his approach, keeping the dialogue, brief and more directly linked to the case. There is a sexy smoothness to Mertz's inclusion of a blonde bombshell, a potential – seemingly obligatory – love interest for the gumshoe hero. 

With its sturdy, well crafted plot, vivid locale, surprise twist, and shocking ending, Say it was Murder is a brisk, highly-satisfying crime-thriller by one of the genre's best storytellers. 

Buy a copy of this book HERE.

The Best of Manhunt #04 - The Jack Ritchie Stories

In this fourth volume of stories from Manhunt, the good folks at Stark House Press took a different approach by focusing on a single author, Jack Ritchie. If you’ve never heard of Jack Ritchie, consider it further evidence that short-story writers don’t get the respect and adoration lavished upon novelists.

Jack Ritchie was the prolific pseudonym of Wisconsin native John G. Reitci (1922-1983). During his career as an author, he sold countless stories to publications including Manhunt, Murder!, Alfred Hitchcock’s Mystery Magazine, Mike Shayne Mystery Magazine, The Saint Mystery Magazine and on and on. To my knowledge, he never wrote a novel - short works were his specialty.

As Paperback Warrior fans are well aware, Manhunt was the premier fiction digest for hardboiled, noir crime stories in the 1950s and 1960s, and Ritchie began selling his grittiest work to Manhunt in 1954. In total, Manhunt published 23 of Ritchie’s stories through the year 1965.

Mystery fiction scholar Jeff Vorzimmer lovingly compiled this chronological collection of Ritchie’s Manhunt work — as well as five extra stores from similar publications of the era. Vorzimmer’s introduction is also an insightful look into this largely-forgotten, but insanely productive, crime fiction master.

Let’s sample some stories and see if this guy is the real deal.

“My Game, My Rules” (July 1954)

A slumlord is forced to pay protection money to a local mobster. When he refuses, his buildings start mysteriously catching fire. The crime boss has also taken over the local gambling racket as well as the politicians and police force. A coalition of displaced leaders wants the thug gone, and approach our narrator Johnny to make it happen. Johnny has his own reasons for wanting the crime boss eradicated. This was Ritchie’s first sale to Manhunt, and it’s outstanding.

“Hold Out” (May 1955)

As with most of Ritchie’s stories, this one opens in the middle of the action. Ed and his partner have kidnapped a guy named Pete with the intention of holding him for ransom. Pete’s boss is a nightclub owner and may be willing to pay fifty grand to get his right hand man back in one piece. This story has a nasty twist you won’t see coming until it hits you like a gut punch. Top-shelf stuff.

“Shatter Proof” (October 1960)

An assassin arrives at the narrator’s house. It’s abundantly clear that his much younger wife commissioned the hit. Despite the unusual circumstances, the interaction between the victim and his soon-to-be-murderer is surprisingly cordial and businesslike. The patter is so alluring that you may not even see the double-cross coming. Another solid entry.

“Going Down?” (July 1965)

Ritchie’s final appearance in Manhunt finds the narrator on a urban building ledge prepared to jump while a police sergeant tries to keep him talking. The poor copper didn’t ask for this assignment. He was just walking by the building at the wrong time. The comedic back and forth between would-be-suicider and would-be rescuer is a stitch as the men compare their problems and failures. Another winner with a fun ending.

The Paperback Warrior Verdict?

This superb collection is proof positive that Jack Ritchie was a master of the hardboiled short story game. His work exemplifies everything that made Manhunt great, and this compilation should go along way toward cementing his legacy as one of the greats. Buy a copy of this book HERE.

Johnny Liddell #06 - Bare Trap

Inspired by the countless private-eye novels and shorts, original paperbacks (and some hardcovers) began appearing featuring heroic detectives solving the outrageous cases. There was Mike Shayne, Mike Hammer, and Lew Archer leading the way. Frank Kane's New York private-eye Johnny Liddell was among the publisher's top echelon, The series ran a total of 29 novels and a multitude of short stories, beginning with 1947's About Face (aka Fatal Foursome). I've read a handful of the novels and mostly enjoy them. I have a slew of the series paperbacks, so I picked Bare Trap to read next. It is the series sixth installment and was originally published in 1952. It was later reprinted in 1965 by Dell with different cover art. 

Liddell is finishing up a case in San Francisco when he receives a phone call from series staple and love interest Mugsy. She asks if Liddell can take on a new case in Los Angeles before he flies back home to New York. A young actor named Shad has gone missing and his agent wants the investigation to be hush-hush. If they hire a local PI, the missing kid could make the papers and create a career misstep. With a chance to visit Mugsy in LA, Liddell takes the case.

Shad's agent is a guy named Richards, a fat loudmouth that explains that Shad is set to inherit a ton of money when he reaches the age of 21. There's hints that the kid is in some trouble, but Liddell thinks the disappearing act will solve itself. A few hours later, Liddell finds the kid riddled with bullet holes in the back. 

Liddell's case transforms from a missing person's gig to a murder investigation. With the assistance of Mugsy, a local inspector, and a prolific columnist, Kane's hero runs a convoluted gauntlet of blackmail and deception. The road leads to Richards running a badger scheme where he uses a local honey to photograph high-profile Hollywood celebs. He then uses extortion tactics to push the celebs into writing IOUs, which Richards then turns into gambling debts to repay back the mob to settle his own sheets. Got it? 

Frank Kane was notorious for recycling plots and Bare Trap is no different. In the series debut, About Face (Fatal Foursome), Liddell is hired to find a missing actor in Hollywood and receives help from a journalist and a coroner. The 'ole extortion bit using photographs or videos is an overly used genre trope, most notably Mickey Spillane's third Mike Hammer novel, Vengeance is Mine. Yet, there's a really abrasive tone to the novel – actresses with cut throats, multiple beatings, numerous fist and gun fights, a knife attack, and tons of shady characters - to keep the reader fully invested. While never particularly dense, I still had to consult a short list of characters to remember who everyone was. 

Detective stories can be run of the mill, familiar, and stereotypical, but they still provide a lot of enjoyment for crime-fiction fans. Bare Trap is no exception. 

Buy the eBook HERE.

Mike Hammer #03 - Vengeance is Mine

In 1980, the top 15 list of all-time US fiction bestsellers included seven novels by Mickey Spillane. That's a true testament to the power and popularity of Spillane's iconic private-detective, Mike Hammer. As I make my way through Spillane's bibliography, I found that the Mike Hammer debut, I, the Jury (1947) left much to be desired. However, the book's sequel, My Gun is Quick (1950), was nothing short of amazing with its masterful prose soaked with realism, impending doom, and emotional anguish. Appreciating that particular masterpiece, I held off on reading another Mike Hammer novel for over a year. Now, the time has come for the third series installment, Vengeance is Mine. It was originally published in 1950 as a hardcover by E.P. Dutton and has been reprinted countless times in multiple formats. 

“The guy was dead as Hell. He lay on the floor in his pajamas with his brains all over the rug and my gun in his hand.”

That's the opener to Vengeance is Mine. Thankfully, the remainder of the book remains just as heavy and unforgiving. Throughout this violent, twisting narrative, Spillane slaps readers with Hammer's hardest case yet, one that pays with redemption instead of cash. The plot concerns Hammer awakening after a night of drinking with his friend, Chester Wheeler, dead. Hammer isn't a murder suspect because the police feel that his friend simply committed suicide. But, Hammer knows he always carried six loads in his gun, and two shots were fired. The circumstances lead to Hammer contending with the DA and using his police ally Pat to find a teardrop in the ocean. Who killed Wheeler?

Hammer's investigation leads through a swamp of political blackmail and conspiracy within the slimy walls of a sin palace called The Bowery. It is here that Hammer meets a sexy dancer named Connie and a bit player named Dinky, an old nemesis that Hammer previously shot. Connecting the dots proves to be difficult considering all roads leading to Chester Wheeler are closed. Anyone involved with Wheeler's past is wearing bullet holes or broken necks. But, Hammer is consistently moving forward as he vengefully fights for his dead friend.  

Vengeance is Mine features Hammer's secretary Velda more involved than ever in the investigation. It's also the first novel where she fatally shoots a bad guy. Both Hammer and Velda become more intimate, but Hammer is still plagued by flashbacks and memories of Charlotte Manning, a lover from the series debut, I, the Jury, that he had had to shoot and kill. Like the prior novels, Hammer is also still suffering from PTSD from his war experience. I felt that the emotional baggage added more depth to the character, making Hammer a more dynamic hero when compared to his contemporaries in Johnny Liddell and Mike Shayne.

While not as good as My Gun is Quick, Vengeance is Mine is still an absolute masterpiece and another fine example of Mickey Spillane's extraordinary storytelling. It just doesn't get much better than this. Highly, highly recommended.

Note –  Supposedly, Spillane bet his editor $1,000 that he could write a book that, if the last word was left out, would change everything in the narrative that had happened before. The editor took the bet and lost (credit to author Stephen Mertz for sharing that). 

Buy a copy of this book HERE.

Scratch One Mark

Crime-fiction author Dan J. Marlowe's best literary work was the period between 1959's Doorway to Death and 1969's One Endless Hour. I've read many of the 15 novels Marlowe produced during that 10 year span, but I haven't explored his numerous short stories for the likes of Alfred Hitchcock's Mystery Magazine, Man from U.N.C.L.E. Magazine, and Ellery Queen Mystery Magazine. According to philsp.com's excellent database, “Scratch One Mark” may have been Marlowe's first published short-story. It appeared in the July, 1959 issue of Mike Shayne Mystery Magazine. Thankfully, I had the opportunity to read it at archive.org.

The 13 page “Scratch One Mark” story features Joseph Conway as the youngest police lieutenant in the state (presumably New Hampshire, Marlowe's home at the time). Conway is a no-nonsense tough guy that is dating Judge Schofield's daughter Ann. Every Wednesday morning, Conway receives a small white-envelope containing $150 of hush-up money to ignore the backroom gambling at the local hardware store. Everyone knows about the game and even Judge Schofield and Conway both play from time to time. It's innocent enough as long as the 'ole boys keep the money at a minimum. Needless to say, Conway is flabbergasted when a player named Ted drops by and explains that some of the guys are in the hole up to $17K. 

The news creates a violent chain of events when Conway learns that Judge Schofield's nephew is a debtor to the game. The story centers around Conway's allegiances to the town and his struggles with the new high-rollers while navigating a bumpy relationship with the Schofields, which could be his future family. These conflicts collide in a savage end, but who's the victor?

What's interesting about “Scratch One Mark” is that it is written from experience. Marlowe was a professional gambler for a number of years - arguably the only thing he really did other than watching sports and writing – so there is a realism to the storytelling, a grainy know-how that blankets these seedy characters. In a few short pages, I developed a love and hate relationship for the main character. These are all of Marlowe's strengths, assets he would later develop into his anti-hero Earl Drake in the heist novel The Name of the Game is Death. 

“Scratch One Mark” is a short, enjoyable read and a forecast on where Marlowe was heading so early in his writing career. You can read this story for free below or HERE.

Larry Kent #751 - Spanish Harlem

Larry Kent was a hardboiled New York private detective in a long-running series first published in Australia. Many of the novels were written by an American immigrant to Australia named Don Haring, including #751 Spanish Harlem from 1974 currently available from reprint publishers Bold Venture Press (paper) and Piccadilly Press (ebook).

The novel begins with PI Larry Kent being forcibly brought to see a gangster who runs the numbers game in Spanish Harlem. The racketeer’s teenage son has disappeared from a military academy in Georgia, and he needs Larry to find the boy. Kidnapping? Murder? Mob feud? No one knows.

Larry travels down to Dixieville, Georgia, where Greystones Military Academy stands. The missing boy - his name is Phillip - is the “best pass catcher” on the Academy’s football team, so the school is anxious to have him back in pads. Based on the description of the boy’s field position, I gather the author wasn’t much of a football fan himself. It doesn’t take long before Larry is being menaced by a parade of walking southern stereotypes who try to beat him and call him a “nigra lover.”

All roads lead to a racist domestic extremist group called the Sons of the South, who wear white sheets, engage in arson, advocate for sterilization of blacks, etc., etc., etc. Of course they have the local sheriff in their back pocket. Rescuing the missing boy is more complicated than you’d expect and plunges Larry into organized criminal politics among Black Harlem, Spanish Harlem and The Syndicate.

This is a middle-of-the-road Larry Kent novel. It’s not one of the great ones or one of the incomprehensible ones. It’s a bit generic and reminded me of a Mike Shayne mystery without much sex or action. The whole novel is pretty weighted down in racial politics, which became pretty tiresome given today’s never-ending discussions of race. By now, you know if this is your thing or not. 

Buy a copy of this book HERE.

Path to Savagery

According to Mystery File, Robert Edmond Alter authored over 40 stories for magazines and digests like Mike Shayne, Man from UNCLE, Argosy, Alfred Hitchcock Mystery Magazine, and Manhunt. He wrote two novels that were published by Fawcett Gold Medal, Swamp Sister in 1961 and Carny Kill in 1966. Both of those were reprinted by Black Lizard in 1993. We reviewed Swamp Sister in 2020 and it failed to impress us, but we went back to the well again with Alter’s novel Path to Savagery. It was published posthumously by Avon in 1969, three years after Alter's death. The post-apocalyptic novel was adapted into the 1979 Sony Pictures film The Ravagers starring Ernest Borgnine and Richard Harris. 

The book is set about 20 years after a global nuclear war. What's left are large swaths of wilderness, packs of wild dogs, and large cities that have mostly been ransacked. On the coasts, some of these cities are now marshy islands due to excessive flooding from broken seawalls. Civilization now exists in three classes. Flockers guard their food, water, and weapons and exist in packs. Neanderthalers are your common savages that use barbarism on a quest for dominance. The Loners are guys like Falk, the book's protagonist, that simply exist as troubadours scouring the countryside for supplies in an effort to live a peaceful existence. But, Falk packs a .45 and a Thompson submachine gun in case things get hairy. 

The first thing you need to know is that Path to Savagery is nearly awesome. It begins and ends with total awesomeness. What's in the middle is just plain 'ole great. Alter's pace is sometimes sluggish, but at 174 pages he spends productive time on characterization, something that was not afforded to him writing shorts. His descriptions were so vivid and real. For example, in the book's opening pages, Falk finds a dark, cavernous mansion that's been ransacked and abandoned. Bad guys follow him inside, hoping for a quick and quiet kill. Alter's descriptions of Falk fighting the enemy in the dark mansion's bedrooms and hallway were exhilarating. I loved that Falk couldn't see his attacker's faces until they were illuminated by his gun's muzzle flashes. 

Falk moves through the bogs and brambles and stumbles upon a woman named Faina, which he buys for the night using spare tobacco. Faina becomes a supporting character and surprises Falk when he reaches a flooded coastal city. In what becomes the book's central location, Falk and Faina find a large, multilevel department store. The store has different sections like sporting goods, housewares, furniture, camping, clothing, etc. This large department store becomes a hunting ground when Falk and Faina discover it is occupied by a large band of Flockers. 

Without spoiling too much of the story, Falk and the leader of the Flockers, a strong, combative man named Rann, enter a contest of survival. Each of them enters the department store naked without weapons. Once inside the enormous store, they can use anything they find as a weapon to hunt and kill their opponent. Falk and Rann's battle will determine the winner of the tribe's sexiest woman. Falk has a prior connection with the lady, so his efforts to kill Rann are elevated. Rann is fighting to hold his place as tribal leader. 

Needless to say, the idea of living in an abandoned shopping mall is a neat one. Alter makes fun use of this combat arena and adds in some surprising elements that add a dose of horror to the narrative. There is a crime-fiction ingredient as well when Rann conspires with another Flocker to secretly murder someone. The book's premise borders on both science-fiction and post-apocalyptic, making this alternate version of Earth a pretty scary place. 

Despite reading tons of doomsday fiction, and viewing an equal assortment of genre films, I was thoroughly pleased with the book's innovation and ideas. Alter really had a great thing going and I can't help but think this would have been a series if he would have lived long enough to tell it. Unfortunately, Path to Savagery is all we have of this great concept. 

Buy a copy of this book HERE

Challenge the Widow-Maker and Other Stories of People in Peril

Clark Howard was a crime-fiction and true crime author that grew up as an orphan in Chicago's lower West Side. After surviving the Korean War's Battle of the Punchbowl, Howard became a full-time writer and a prominent contributor to mystery magazines like Alfred Hitchcock, Ellery Queen, and Mike Shayne. Thankfully, his estate has partnered with Mysterious Press/Open Road to offer two reprinted books collecting many of Howard's most well-known and award-winning short stories. 

The first is Challenge the Widow-Maker and Other Stories of People in Peril and the second is Crowded Lives and Other Stories of Desperation and Danger. Originally these were released as rather unattractive hardcover editions in 2000 by Five Star Publishing. Mysterious Press/Open Road reprinted these books in 2020 with modern covers in ebook format. My first peek at these is Challenge the Widow-Maker...

The book contains 12 short stories, including Ellery Queen Readers Award winners like "The Dakar Run", "Scalplock", "Animals" and his 1980 Edgar Award winner, "Horn Man". Most of the other stories were all nominated for various awards, including two Spur nominees in "The Plateau" and "Custer's Ghost". After reading the collection, here are a few highlights:

"Horn Man"

This story was probably influenced by the author's fondness of jazz, a genre he discovered in southern America in the 1940s. In the story's beginning, a former jazz star named Dix departs a Greyhound bus in New Orleans. After talking with an old friend, Dix explains that he has been in prison for 16 years after taking the fall for a woman named Madge. He asks his friend where Madge is now and that he wants to see her. His friend isn't sure if Dix is wanting to rekindle a relationship with the woman or murder her. It's an entrancing story as Dix is courted by both a jazz club owner and his friend to pick up an instrument again. When a seasoned cop becomes involved, this 31-page story speeds to an interesting finale where the sins of the past come to light. 

"The Plateau"

While this was nominated for a Spur award, it's not a traditional western. The story is set in a western town in the future. The last two living North American buffalo are owned by an old widowed man nicknamed Tank. The buffalo owner scratches out a meager living in a small Montana town with his daughter Delia. The state has created a lottery system where three winners will be allowed to hunt the last remaining buffalo in North America. But, when Tank realizes that one of the buffalo has died, he begins to gain a fondness for the remaining animal. Her name is Hannah and she's an old, female buffalo (cow) that has been in Tank's life for a long time. While he desperately needs the proceeds paid to him by the state, Tank attempts to smuggle Hannah into the rugged Black Hills ahead of the three hunters. The ensuing chase is a an exhilirating, and emotional read as Tank not only faces Hannah's extinction but also his own morality. It's an exceptionally well-written story.

"The Dakar Run"

Jack Sheffield is an aging race-car driver with a gambling addiction. Due to some bad luck, he's racked up a large debt owed to a French criminal named Marcel. One evening, his estranged daughter Chelsea appears and advises Jack that she's dating a race-car driver. She is requesting that Jack visit her boyfriend to review a super-car he's created for the famous, grueling race known as the Paris-Dacar Rally (today it's the Dacar Rally). It's an off-road endurance race that welcomes any driver and any vehicle. The event transpires across multiple countries, including a long stretch of the Sahara Desert. Jack has run the race before and lost, but his experience could prove valuable to Chelsea and her boyfriend. After Jack reviews the car, known as Max-One, he realizes it has a real shot at winning. The problem is that Marcel approaches Jack later and demands that he sabotage the car so that Marcel's large gamble on a marquee driver could potentially pay off. If Max-One wins, Jack's estranged daughter will benefit and his relationship with her could improve. If Max-One loses, Marcel will erase Jack's gambling debt from his books. I would love to reveal the surprise twist, but that wouldn't be fair to potential readers. This story was simply awesome and it possessed some of the same elements of Howard's stuntman novel The Last Great Death Stunt (1977).

Here is a complete listing of the book's stories and the original publication they were culled from:

"Horn Man" - Ellery Queen Mystery Magazine June 1980
"All the Heroes Are Dead" - Ellery Queen Mystery Magazine December 1982
"Puerto Rican Blues" - Ellery Queen Mystery Magazine April 1983
"Challenge the Widow-Maker" - Ellery Queen Mystery Magazine August 1990
"Animals" - Ellery Queen Mystery Magazine June 1985
"Scalplock" - Ellery Queen Mystery Magazine July 1986
"The Dakar Run" - Ellery Queen Mystery Magazine August 1988
"Custer's Ghost" - Ellery Queen Mystery Magazine May 1983
"The Plateau" - Ellery Queen Mystery Magazine July 1984
"Split Decisions" - Ellery Queen Mystery Magazine December 1994
"Mexican Triangle" - Ellery Queen Mystery Magazine October 1981
"The Dublin Eye"- Ellery Queen Prime Crimes February 1984

Overall, Challege the Widow-Maker...should be in your Kindle library right now. If it isn't, please use the below link and remedy that problem HERE

Mike Macauley #02 - City Limits

Will Oursler (1913-1985) was an American author, lecturer, radio commentator and the son of notable novelist Fulton Oursler. Over Oursler's career, he authored a number of non-fiction works as well as crime-fiction novels under his own name as well as Gale Gallagher (Chord in Crimson, I Found Him Dead). 

Using the pseudonym Nick Marino, Oursler wrote the book One Way Street in 1952. It was the first of two books featuring tough Assistant District Attorney Mike Macauley. The second Macauley novel, City Limits, was originally published in 1958 by Pyramid and then later reprinted again in 1963. It is currently available as an affordable ebook via Wildside Press. Although Nick Marino's name is on the cover of City Limits, my research indicates that the novel was authored by Richard Deming. Apparently Oursler wrote the outline for the book and either gave it to Deming by way of an agent or publisher. The ultimate result is City Limits is by Richard Deming under the pseudonym of Nick Marino.

Assistant D.A. Mike Macauley lives and works in an unnamed city in Missouri. Mike's friend and colleague Harry works for the city's vice squad. In the book's opening pages, Harry is on the stand providing testimony on his collar of a prostitute named Gloria Townsend. After beating the rap, Gloria phones Macauley and offers information on the location of a call girl racket outside the city. She asks Mike to meet her near the area in a country and western bar. When Mike arrives, he finds Gloria nearly beaten to death in a bathroom stall and a dense coverup from that town's sheriff.

Investigating the beatings and the testimony of Gloria, Mike finds himself in a perplexing position. The call girl ring is run outside of city limits and outside of Mike's jurisdiction. Furthermore, Mike's administration, including Harry and the police, may be involved in this prostitution scheme and is continuously fighting Mike's efforts to stop the operation. His only ally is Gloria when the two of them find themselves as targets by the ring's hired killers.

There's a lot to like about Deming's fast-paced narration. There is violence, romance, a profound mystery and a number of outlaws and shady ladies. I found Mike's position as Assistant D.A. a suitable replacement as a stereotypical private detective. Like a Mike Hammer, Mike Shayne or Johnny Liddell, Mike's quest for justice contains the typical protocol - working with a sexy secretary, finding allies within the local law-enforcement and beating the streets searching for clues and answers. There is also a bureaucratic examination of the chain of command between the prosecutor's office and the police.

Overall, this was another fantastic crime-fiction novel by Richard Deming. I'm not sure how this compares to the first Mike Macauley novel considering it was written by a totally different author. I can only say that I loved this character and thoroughly enjoyed City Limits.

Buy a copy of this book HERE

Back Alley Jungle

Leo Margulies (1900-1975) is a familiar name in the world of pulps, MAMs and digests. Originally from New York, he started as a researcher for 20th Century Fox before becoming the editor of Ned Pines' Standard Magazines. Along with magazines like Mike Shayne, Popular Detective and Thrilling Detective, Margulies also compiled and edited a number of anthology collections including Back Alley Jungle. This 1960 collection of short stories was initially published by Fawcett Gold Medal under the Crest brand name. Here’s some highlights:

Ed McBain (written under the name of Richard Marsten) is the author of the 1952 story entitled “Carrera’s Woman”. In it, a man named Jeff has been working the oil fields in Mexico. After many hard years, Jeff amassed $10,000 in savings. Before returning to America to start a new life he was robbed by a co-worker named Carrera and his girlfriend Linda. When the story starts, Jeff takes Linda hostage behind big rocks. Carrera is across the dry gulch firing futilely into the rocks hoping to kill Jeff and reclaim Linda. During the night, the three parties are at each other's throats with both sides taking potshots across the gap. But the story changes fast as Linda starts to seduce Jeff. Is this an escape strategy or is she sincere in her sexual advances? This is the ultimate question McBain is asking, and it's such a tempting one. I really liked this story and it's a key part of the collection. 

In Steve Frazee's 1953 "Graveyard Shift" story, the close narration focuses on a busy police dispatcher on a late night shift. When a woman holding a gun enters the police station, this lone dispatcher is ordered to place all of the city's patrol cars in one section of the city. The woman's motive becomes clear when the dispatcher locates the pattern - she's purposefully maneuvering the police away from the local casino. Involved in this complex case, it is up to the dispatcher to use code words so that officers redirect efforts to the casino. This is a really unique story that presents a rare, but deserving hero - the police dispatcher.

The longest and most enjoyable story is Richard Deming's 1955 short "The War". This starts with a woman named Janice entering the Rotunda Club, a posh casino owned by Clancy Ross. After a talk and a call upstairs, Clancy greets Janice in his office. In short, Janice is the widow of Clancy's old Army buddy from the Korean War. She explains to Clancy that her husband witnessed a mob slaying and was later gunned down by killers working for a syndicate kingpin named Lawson. During the exchange, the Mob framed Janice so that she would appear as a frustrated wife who shot her husband during a heated argument. After the arrest, the Mob posted bail for her in an effort to then kill her in a way that would resemble suicide. With no friends or allies, Janice fled to Clancy hoping he will keep her safe. This violent and explosive story features Clancy at odds with Lawson over the woman's safety. But is there some secret about her? Deming was a great storyteller and “The War” is absolutely awesome. I can't say enough good things about it.

Other authors appearing in this compilation are Jonathan Craig (Frank E. Smith), Dan Sontup, Mann Rubin, Charles Boeckman, Robert Turner and Don Stanford. There's an additional Ed McBain story titled "Clean Break" that's listed under the pseudonym Hunt Collins.

At 150-pages and 10 solid short-stories, Back Alley Jungle is an absolute joy to read and a fairly affordable used paperback considering the era and publisher. Highly recommended.

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Harry Horne #01 - End of a J.D.

Robert Morton Terrall (1914-2009) is mostly remembered for his Ben Gates series written under the pseudonym Robert Kyle and his late-period Mike Shayne novels as Brett Halliday. He also authored a little-known three-book series as John Gonzales starring journalist Harry Horne starting with End of a J.D. from 1960.

Our narrator is Harry Horne, investigative reporter for a New York weekly news magazine, similar to Time (where the author started his own career as a professional writer). One night Harry returns home from a nightclub to find a beautiful young woman showering in his apartment naked - because that’s how people showered in 1960. After getting out of the bathroom and getting minimally dressed, she attempts to kill Harry in his own bachelor pad before taking off into the night. Who does that?

Before the attack, Harry had been working on a big story about juvenile delinquent gangs. He embedded with a youth gang called the Sorcerers who took a liking to Harry - until they decided they didn’t like his attitude. Harry sets out to determine who wants him dead employing a gambit that is one of the most clever I can remember in a vintage crime paperback. There are a lot of instances of cleverness and wit here, and Horne is a great narrator to guide the reader on this mystery.

Mostly, Death of a J.D. is a typical Terrall novel - well-written, smart, funny with a plot too convoluted for its own good. It’s also an artifact of its time when Americans were terrified of teenage delinquents with switchblades, pomade and rock-n-roll music. Now we just call that era “the good old days.” And in the big scheme of things, I suppose this yellowing paperback was a “good old book.” Recommended.

Appendix:

The Harry Horne books are:

1. Death of a J.D. (1960) - Recently re-released as an ebook retitled as “Out of the Frying Pan and Into the Funeral” (Buy a copy of that book HERE)
2. Someone’s Sleeping in My Bed (1962)
3. Follow that Hearse (1963)

Virgil Tibbs #01 - In the Heat of the Night

New York native John Ball (real name John Dudley Ball Jr., 1911-1988) worked as a newspaper and magazine reporter, a part-time Los Angeles deputy and a book review columnist for Mike Shayne Mystery Magazine. In addition to his three Talon police procedural novels, Ball also authored a seven-book series of novels starring African-American homicide detective Virgil Tibbs. The author is memorialized for the series' debut title, 1965's In the Heat of the Night. The Edgar Award-winning book was adapted to cinema in 1967, capturing five Oscars including Best Picture. After enjoying Ball's first Talon novel, 1977's Police Chief, I was anxious to read what is considered his finest work.

The book begins by introducing readers to Wells, South Carolina. It's the proverbial 1960s Southern small town where they can still smell the Civil War powder burning and probably always will. It's here where young cop Sam Wood patrols the city's streets on the graveyard shift. After a midnight lunch break, Wood discovers a dead body lying in the highway. After notifying police chief Bill Gillespie, Wood is instructed to immediately prowl the area for strangers. In a dark and cavernous train station, Wood finds a black man casually reading a paperback book. After discovering the black man has a wallet of cash, Wood hauls him in as the prime murder suspect.

Perhaps one of Hollywood's most treasured movie quotes is found in the book's fourth chapter - “They call me Mister Tibbs.” After the police question the black man, they learn that he is Virgil Tibbs, a veteran homicide detective from Pasadena, CA. As the narrative tightens, readers learn that Tibbs was trained in martial arts with a specialty in karate, judo and aikido. In addition, he's a veteran of the Pasadena police force, becoming a homicide detective after five years of patrol. It's also hinted that he may have attended an FBI school. Tibbs is a polymath, like Ball's favorite literature hero Sherlock Holmes. He is astute at problem solving with an almost supernatural attention to detail. But in the deep South of the 1960s, Tibbs finds he's in a different world.

As one can imagine, Ball explores the line between racial hostility and small-town justice. After learning that Tibbs is a highly regarded detective, Gillespie asks for his assistance with the corpse. Through character interviews, Tibbs learns more about the case despite the town's opposition that a colored man is leading the investigation. Tibbs, knowing that Gillespie and Wood are both inexperienced, is extremely humble and complacently accepts his role as a victim of racism. This is where Ball absolutely shines as a storyteller. Tibbs doesn't particularly care about the injustice, the racial hostility or Gillespie's browbeating. He's far above all of that, never in the ditch but up on the road. Tibbs is consumed by the murder mystery. Through the book's 150-pages, I don't recall Tibbs stopping for rest. Instead, he ascends to a plane of existence that only contains him, the murdered and the murderer. Thankfully, Ball doesn't make readers rest in this headspace. Instead, he presents the story by centralizing Wood and Gillespie. Readers rarely ride with Tibbs but instead are presented his findings just like Wood and Gillespie.

I'm probably off base here, but for some reason I couldn't help but think of Ross MacDonald's Lew Archer character. Tibbs isn't Archer, but the narrative's twists and turns reminds me of MacDonald's writing style. Or, it could just be that I'm aligning two West-Coast detectives. Nevertheless, In the Heat of the Night is a masterpiece of police procedural fiction. If you are a fan of the film, there are key differences in the novel. The film has Tibbs from Philadelphia, the murdered man as someone quite different and the suspects having different professions and roles. Most notably is that the film version presents Tibbs as an angered individual when faced with racism. As I alluded to earlier, the novel is the opposite. Thankfully, the old adage applies here: The book is better than the movie (or television show).

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Johnny Aloha #01 - Dead in Bed

Many authors thrived off of the stand-alone mid-20th century paperback novels, but it was the creation of a recurring or series character that seemingly added additional mileage to the author's literary journey. Like Harry Whittington, Day Keene (real name: Gunnard R. Hjertstedt) is one of the few noteworthy crime-noir authors who failed to create a marketable series character. While mostly unnoticed, Keene did attempt to create one in Johnny Aloha. This Los Angeles private-eye appears in two of Keene's full-length novels, 1959's Dead in Bed and 1960's Payola. Within my budget, I opted for an affordable introduction to Johnny Aloha via the recent Armchair Fiction reprint of Dead in Bed.

As the name implies, Johnny Aloha is half-Irish, half-Hawaiian. After his stint as a U.S. Marine in the Korean War, Aloha became a successful private-eye in Los Angeles. He is summoned to San Francisco by the police to help identify the bullet-riddled corpse of a notorious pusher and pimp named Harry Lee. After the identification, Aloha spends the night planning his long-awaited vacation to Hawaii. His only obstacle is a beautiful woman named Gwen who is in desperate need of Aloha's services in locating her mother, Hope Star. Aloha declines the work but after recognizing a photo of Star, realizes that he knew her from his childhood in the islands. Canceling his vacation, Aloha accepts the $5K retainer to locate the woman.

Dead in Bed doesn't read like a traditional Keene crime fiction paperback. In many ways, it seems as if Keene made a genuine, wholehearted effort to create a stereotypical private-eye who would be fashionable and profitable. It was a red hot market with successful Pls like Mike Shayne, Mike Hammer, Shell Scott and Johnny Liddell exploding off the shelves. I think Keene purposefully writes Aloha under the same premise – a deeply masculine playboy and private-eye with a homely but flirty secretary and a police ally. The books are presented to readers in first-person narrative with the frequent injection of comedic touches. Despite all of the average genre tropes, Dead in Bed was a thrilling read that I nearly read in one sitting.

Gwen and Aloha have this thick sexual chemistry with one other that literally begs to be uncovered (pun intended). After numerous attempts at lovemaking, the two are always interrupted by an attempted murder, an unwanted guest or a snafu of the right time at the wrong place. Enveloping the sexual tension is the fact that Aloha mostly uses his wits and hands in place of pulling his revolver. There is gunfire, but most of it is aimed at Aloha. While the core mystery was delightful, the characters that Keene weaves into the story's fabric really add a much-needed backdrop for the mystery to evolve.

The Armchair Fiction reprint features both Dead in Bed as well as a novella by Bruno Fischer called Bones Will Tell. At $12.95, this is an easy pill to swallow. I can't wait to read Payola (never reprinted to my knowledge) to learn more about Aloha's next case. The sequel will hopefully determine why this private-eye never had any longevity with the author or publisher. In theory, there's nothing really separating Aloha from any of the other formulaic private-eyes of the era. Why didn't Keene make a more sizable play with what should have been a long-running series mainstay? Perhaps we'll never know.

Buy a copy of the Armchair Fiction reprint HERE

John Easy #01 - If Dying Was All

Pop-culture historian and multi-genre author Ron Goulart wrote four novels and three short stories starring a swinging Hollywood private eye named John Easy in the 1970s. Thanks to Mysterious Press, the novels remain in print today, so I’m starting the series with the first installment, If Dying Was All, from 1971.

An Oscar-winning screenwriter named Mr. McCleary hires Easy to solve a family mystery. The client’s daughter Jackie committed suicide by jumping into the Pacific Ocean five years ago, yet Mr. McCleary just received a letter from the girl. Fortunately for the plot, Jackie’s body was never recovered. In the letter, Jackie says she’s in trouble, but she can’t come into the open just yet. Jackie drops a lot of inside info, and the handwriting looks right. Convinced that his twentysomething daughter is alive and in trouble, the old man hires Easy to find Jackie.

Easy isn’t convinced Jackie is alive, but he follows logical leads - gossipy news clippings, the post-office, her friend-group, etc. This brings him in the orbit of many quirky California types, but Easy is himself is rather generic. In fact, he makes fictional detectives like Mike Shayne and Johnny Liddell seem downright charismatic in comparison. Instead of imbuing Easy with personality, Goulart chooses to make him a competent professional among scads of California stereotypes (“The classical string quartet at the cafe is nude!”).

Man, this was a by-the-numbers tedious and boring book. It’s possible that Goulart was trying to lampoon the private eye genre, but he forgot to actually make it funny. Characters do wacky California things like grab Easy’s crotch while he’s interviewing them, but these attempts at promiscuous edginess fell flat to me. The entire novel is just a series of interviews Easy conducts with witnesses and possible suspects who may have knowledge of Jackie’s death or disappearance. By the time we arrive at a solution to the central mystery, I was way past caring.

If any of this sounds like your thing, please just read any of the Carter Brown mysteries. He did the same thing so much better. If Dying Was All isn’t even bad enough to be noteworthy. The novel is blessedly short, so you won’t need to suffer through much tedium to reach the ending. Better idea: just skip it altogether.

Buy a copy of this book (if you must) HERE

Ben Gates #03 - Kill Now, Pay Later

Robert Terrall (1914-2009) served in WWII and later wrote for Time and the Saturday Evening Post. After becoming a full-time writer, Terrall used the pseudonym John Gonzales to author a three-book series starring crime-fighting journalist Harry Horne. Arguably, Terrall's claim to fame came when Mike Shayne creator and author Davis Dresser departed the successful private-eye series. Terrall took over the reigns and authored another 25 installments using the series house name Brett Halliday. From 1958-1964, Terrall also authored a five-book series of mysteries starring private-eye Ben Gates using the pseudonym of Robert Kyle. My first experience with the series is the third installment, Kill Now, Pay Later, published by Dell in 1960 and later reprinted by Hard Case Crime in 2007.

In the book's beginning pages, New York City private-eye Ben Gates is working a ritzy wedding for an insurance company. The job is simple: guard the wedding presents and keep the tipsy guests from making off with the family jewels. After Gates is teased by a sultry female guest, he mistakenly drinks a handful of sleeping pills hidden in a mug of hot coffee. Gates falls into snoozeland while the groom's mother is shot and killed in a robbery attempt. The thief is also killed, but there's more to the story.

After Gates awakens, he is questioned by the groom's family and a hard-nosed cop named Lieutenant Minturn. The police think Gates was in on the grab, and the officer seems to have a personal vendetta against private-eyes in general (not uncommon in crime-fiction). A combination of events puts Gates into the driver's seat of the investigation.

First, a newspaper article is published about the murder and points out that Gates was asleep through the debacle. Gates wants to redeem himself and discover who was serving him loaded coffee. Second, Mr. Pope, the wealthy groom's father, brings Gates into the family circle. He explains to Gates that the police and family aren't aware that $75,000 was stolen from his safe during the murder. He wants the money back and hires Gates to find it.

I really love this Ben Gates character. He's the middle ground between serious Lew Archer and comedic Shell Scott. The author's witty dialogue and candor enhance the story and character, making them both instantly enjoyable. Gates doesn't necessarily chase women, but he isn't one to turn away from a hot undercover romp. In Kill Now, Pay Later, there are a number of sexy women attempting to lure Gates into bed or simply remove him from the investigation. While mostly a loner, Gates does rely on a few supporting characters throughout the procedure including a colleague named Davidson.

If you love these urban detective novels, there's plenty to enjoy here. Kill Now, Pay Later is another solid private-eye novel that stands out in the crowded field of mid-20th Century crime-fiction. Ben Gates’ charisma is leveraged by the author to really define the storytelling experience. Based on the high level of quality here, I'll be searching for the remaining series installments.

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A Piece of this Country

Thomas Taylor (1934-2017), a West Point graduate, was a Captain in the U.S. Army and served in the 101st Airborne Division during the Vietnam War. After an intense engagement with a Viet Cong battalion, Taylor was awarded the Silver and Bronze Stars as well as a Purple Heart. After his service, Taylor graduated from University of California, Berkley and became a writer. His work includes a number of non-fiction volumes on military history and combatants' first-hand accounts as well as fictional novels like A-18 (1967). My first experience with Taylor is his 1970 military fiction novel A Piece of this Country.

The paperback is set in 1965 during the U.S.'s early involvement in the war. Sergeant Roscoe Jackson is an African-American fighting with the ARVN (Army of Vietnam) near the Laos border. Jackson is a short-timer with just four months of active duty remaining before he returns to the U.S. As a husband and father of four, Jackson is anxious to leave the hot and steamy jungles and get back to Maryland. However, after being offered the dangerous job of overseeing the remote and isolated Fort Cougar, Jackson decides he wants to pursue an officer's rank. To obtain it, he'll need to work closely with a South Vietnamese leader to fortify the base and protect it from waves of Viet Cong.

Thomas Taylor's military combat experience is deeply ingrained into this violent and exciting narrative. Jackson tells readers that he keeps his matches inside of condoms, carries hornet spray and wears his poncho backwards. It's these little, descriptive things that make the story come alive with detail. The artillery fire, mortars and minefields are the book's soundscape, drowning Jackson in a sea of emotions as he contemplates his family's financial stress and discrimination back home in the U.S. Through mail correspondence with his wife, Jackson learns that she has a blood disorder and can't work. Further, his oldest son seems to have chosen a criminal path to overcome racial and financial struggles. Knowing that an officer's rank will pay more, Jackson's decision to re-enlist is a costly one.

Once Taylor arrives at Fort Cougar, he begins to formulate a strategy. His collaboration with Vietnamese commander Dai Uy Nguyen involves building escape tunnels while engaging the enemy on small jungle patrols. After numerous attacks on their ranks, Jackson begins to question Nguyen's allegiance. The book's fiery finale places the smaller American and South Vietnamese forces against wave after wave of enemies as they await aerial support from afar.

I really enjoyed so many aspects of A Piece of this Country. It contains so many memorable scenes. There's a powerful dialogue between Jackson where an enemy soldier tells him to leave Vietnam. He explains, “I'm trying to liberate my south. Why don't you liberate yours?” referring to Jackson's race and southern heritage. In another, Jackson explains that he has heard artillery fire so much that he isn't sure that weather-related thunder even exists in Southeast Asia. There's a humorous scene where Jackson trades two Mike Shayne novels to a fellow soldier in exchange for a nudie book. It's all of these realistic things that enhance the propulsive plot points and emotional characters.

If you love military fiction then you'll certainly enjoy A Piece of this Country. Anyone interested in Thomas Taylor's career and proud military lineage should check out both Taylor and his heroic father Maxwell Taylor's Wiki pages to learn more. I'm anxious to read more of this author's work.

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Best of Manhunt: Volume 2

In 2019, Stark House Press generated a commercial and critical hit with the release of The Best of Manhunt, an anthology of stories from the legendary 1950s crime fiction digest. Knowing a good thing when they see it, the reprint publisher has compiled a second volume of blood-on-the-knuckles tales from the popular magazine’s heyday for an August 2020 release.

By way of background, Manhunt began publishing in January 1953 capitalizing on the success of a new breed of hardboiled authors with Mickey Spillane leading the pack supported by muscular authors including Evan Hunter and David Goodis willing to make five cents per word for their stories. While the magazine’s run stretched into 1967, everyone knows that the publication largely lost its way by the mid-1960s. As such, the new anthology front-loads the content with stories primarily form the 1950s.

Before the stories, the reader is treated to a series of essays about Manhunt Magazine by scholars Peter Enfantino, Jon L. Breen, and Robert Turner followed by over 400 pages of twisted, violent short fiction. Anthology editor Jeff Vorzimmer intentionally sought out many “deep tracks” from the magazine’s history choosing many authors who never achieved paperback stardom. There’s a lot to enjoy in stories by John M. Sitan, Roy Carroll, and Glenn Canary who share the pages with heavy hitters including Bruno Fischer, Donald E. Westlake, and Erle Stanley Gardner.

Reviewing an anthology is always a challenging task - particularly in a literary buffet filled to the brim with this much quality. Here are some thoughts regarding a handful of noteworthy stories in the collection:

As I Lay Dead by Fletcher Flora (February 1953)

Fletcher Flora brings the reader a perverse and twisted little tale. Cousins Tony and Cindy work each other into a sexual lather while oiling each other’s skin on the man-made beach. Meanwhile, their wealthy, fat grandpa floats in the lake nearby. It occurs to the lusty twins that if something happened to grandpa, they’d be free - and financially-set - to run away to Acapulco together where the booze, sun and screwing never stops.

Flora’s novels are often tinged with a heavy dose of non-graphic sexuality, and “As I Lay Dead” amplifies that aspect of this writing. Murder, blackmail, and double-crosses are also on the menu making for a perfect story. Whatever you do, don’t skip this one. It’s everything that dark crime fiction should be. With over 160 published short stories to his name, I can’t help but think this might be his best magazine work.

Shakedown by Roy Carroll (April 1953)

Roy Carroll was a pseudonym for Robert Turner, a short story guy who started in the pulp magazines. His literary agent was Scott Merideth, who curated a lot of the talent that appeared in Manhunt. It was at Merideth’s urging that Turner shifted his style from over-the-top pulp writing to the gritty and realistic crime digest format.

“Shakedown” is narrated by Van who has just knocked up a chick at work and has no intention of doing the right thing by the poor girl. He comes up with the idea that she should bang their boss, pin the pregnancy on him, and be set for life as the old man’s wife.

As you can imagine, the plan goes very wrong when the boss doesn’t take kindly to being shaken down by a knocked-up employee in his typing pool. If you can handle some 1950s misogyny with your crime fiction, you’re going to enjoy this one just fine.

One More Mile to Go by F.J. Smith (June 1956)

I could find next to nothing about author F.J. Smith other than the fact that several of his stories appeared in various Alfred Hitchcock anthologies. “One More Mile to Go” is a rare third-person narration from the pages of Manhunt. A small-town Louisiana shopkeeper strangles his nagging wife in her sleep and needs to hide the body somewhere (a recurring theme in Manhunt).

Along the way to the body stash site, he’s pulled over by a state trooper, and the interaction feeds the tension of the situation. It’s a good, simple story. Nothing revelatory, but certainly not a waste of your time.

The Geniuses by Max Franklin (June 1957)

Richard Deming is the only author to appear twice in the anthology with one story under his own name and this one under his Max Franklin pseudonym. “The Geniuses” is about two teenage thrill-killers long before murderous youth was a regular occurrence in American life.

Bart and Edward are high-IQ college kids who find themselves to be social pariahs among their campus peers. A conversation about how one might craft the perfect murder takes a nefarious turn when they begin experimenting with these ideas on a classmate. It begins as an intellectual exercise and then becomes deadly real high-wire act. Under any name, Deming is a solid talent and was rightfully among the bedrock of the Manhunt talent pool.

Girl Friend by Mark Mallory (September 1957)

Mark Mallory was a pseudonym for Morris Hershman who did a lot of writing in the mid-20th Century in the science fiction, war and crime genres. He was also a regular contributor to Mike Shayne Mystery Magazine.

“Girl Friend” is a diabolical little story told as an interrogation transcript of a 14 year-old girl accused of murder. As the story unfolds, the kid appears to be the daughter of a prostitute pressed into service herself. Her mom would command top dollar for the girl by telling the clients she was a twelve year-old virgin. As the nightmare narrative shifts into a murder confession, the brilliance of this nasty little story really takes shape. Despite the disturbing set-up, don’t skip this gem.

Midnight Caller by Wade Miller (January 1958)

Wade Miller was the popular collaboration of Robert Wade and Bill Miller that produced so many outstanding crime and adventure novels in the paperback original era. “Midnight Caller” is a short-short story - only two pages long - about a woman being menaced by a sexually-aggressive intruder in her bedroom. It’s a tense little story with a fun punch line at the end.

Paperback Warrior Verdict:

The Best of Manhunt 2 is another masterpiece of short fiction that will be an essential part of any hardboiled library. I’m hoping that it’s another monster success for Stark House to justify more volumes in the future. Highly recommended.

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Mike Shayne #01 - Dividend on Death

It's no secret that Mickey Spillane's Mike Hammer series was an empire. It's like the KISS of crime-fiction and by the late 1940s Spillane and Hammer boosted the genre to lofty commercial heights. Detective fiction was real cool...again. But, a decade before, a guy named Davis Dresser had done the same.

Dresser's Mike Shayne character was a media phenomenon. Beginning with the character's debut in 1939's Dividend on Death, Dresser, using the pseudonym Brett Halliday, penned fifty novels through 1958. The series forged 12 films, three decades of magazines, over 300 short-stories, comics, nine years of radio and 32-episodes of NBC television. Not that anyone is counting...but after Dresser's departure the book series continued for another 27 installments. That's remarkable considering Dividend on Death was reportedly refused by 21 publishers before finally being finding a home. Unfamiliar with the character, I chanced on a copy of Dividend on Death and spent the night with it.

While the series debut doesn't reveal much backstory, Shayne is a red-headed, Miami private-eye. Like most of his literary peers, Shayne is a heavy drinker and smoker who enjoys mingling with the ladies. Mixing business with pleasure is his M.O., and occasionally he can rely on his friendship with Miami Police Chief Will Gentry to ease him out of the most complex jams. In this first case presented to readers, Dresser creates a conundrum for Shayne and Gentry to navigate together. 

A young woman named Phyllis drops in on Shayne and asks him for a rather odd job. Phyllis' mother is arriving at the family's Miami mansion and Phyllis wants Shayne to keep her from killing her own mother. The client suffers from a fixation that makes her want to kill her own mother to keep from sharing her with her new stepfather. Shayne takes the case but later finds Phyllis wandering around in the dark mansion with blood on her nightgown. A further probe shows that Phyllis' mother has indeed been murdered and Phyllis is the likely suspect. But here's the curveball: Shayne quickly scoops up Phyllis and drops her at his own apartment - including the bloody knife! Any reader would feel Phyllis is guilty as sin, but Shayne draws a different conclusion.

Dividend on Death was excellently written for 1939. For 2020 readers, I feel that Dresser's voice hasn’t aged as well as Mickey Spillane, Frank Kane, Ross MacDonald or even Richard Prather for that matter. This early novel comes across in a pulpy style that reminded me of the Golden Age detectives. I enjoy stuff like The Avenger, Green Lama and Doc Savage because I know what I'm getting. Dividend on Death took me by surprise in its rudimentary story-telling. Shayne is beaten senseless, shot four times, hides Phyllis from the very people that want to help him and her, including the city's police chief. Shayne seemingly steers completely off-road when he doesn't have to. These things don't necessarily ruin the story, but they certainly don't elevate the hero to a heightened sense of alertness and heroic turpitude. Maybe that's the whole point – screwball clumsiness meets investigative hunches. Like Shell Scott.

As a new Mike Shayne reader, I have an entire universe to explore. I'm not going to saddle my criticism, disappointment and lack of enjoyment on the fact that Dividend on Death wasn't a fabulous book. It probably isn't a fabulous representation of Dresser's voice and the style that he attained after numerous novels. If there is a short-list of Shayne’s greatest paperback hits, I'd entertain a deeper dive. For now, I respect the character, enjoyed witnessing Dresser's developing talents and appreciate what the Shayne character has contributed to the success of the crime-fiction genre.

Buy a copy of this book HERE