Commander Shaw #08 - Skyprobe

United Kingdom author Philip Donald McCutchan (1920-1996) was the creator of the 22-book spy series starring British Naval Intelligence Commander Edmonde Shaw - a literary rival to Ian Fleming’s James Bond series. My first exposure to the series was the eighth installment, Skyprobe, from 1966.

I approached this series with some trepidation because of the whole “Commander” routine and my lack of interest in British Naval fiction or maritime adventures. I’m happy to report that there was no Navy stuff at all in the paperback, and Shaw may as well have been an operative for MI5, U.N.C.L.E., or The Salvation Army. He’s just a fairly generic British Spy working for The Crown.

While enjoying a beer at a pub, Shaw is approached by a man whom he immediately makes as a Polish Intel Officer. The Pole tells Shaw that there is a threat against the American spacecraft, Skyprobe IV, now in orbit. Soon thereafter, the informant is found dead in a park.

The man on the other side appears to be a Swiss mercenary who is clearly working for the dirty commies. But what harm could he cause an orbiting space mission that’s been in the sky for 13 days? The Brits care deeply about this mission because one of the astronauts on-board is a renowned British scientist, and the ship is using an experimental new fuel that will be a game-changer in the space race.

Shaw basically serves as a detective running down logical leads to learn who wishes to menace the orbiting spacecraft and why. The action cuts between Shaw on the ground and the astronauts inside Skyprobe IV blindly going about their mission while unknown forces are trying to undermine it.

I enjoyed this book and found it to be a good place to enter the series. Shaw is smart and tough, but not brimming with personality like, say, Matt Helm. You still like the guy because he’s competent and properly inquisitive. It was clearly written to be a James Bond clone, and I enjoyed the novel about as much as the Ian Fleming books I’ve read. I’d put Commander Shaw at the same quality level as Adam Hall’s Quiller series. It’s way better than Nick Carter: Killmaster, yet still inferior to Matt Helm.

Skyprobe is an easy recommendation for anyone enjoying a good spy yarn without the cartoonish conventions the genre often employs. In short, the novel made me want to explore the series further.

Buy a copy of this book HERE

Steve Holland: Paperback Hero

Michael Stradford served as the VP of A&R for Quincy Jones' Qwest Records, represented Sony Pictures Home Entertainment in both creating, producing, and overseeing content creation, and assisted in launching a film distribution platform at Warner Bros. Pictures. He has authored numerous books, including Black to the Movies and Other Pop Culture Musings and MilesStyle: The Fashion of Miles Davis. My first introduction to Stradford was an awe-inspiring 2021 book about model and actor Steve Holland, The World's Greatest Illustration Art Model. It was a follow-up to the author's first Steve Holland retrospective, Steve Holland: The Torn Shirt Sessions. 

The newest entry in the Steve Holland Library is Stradford's Steve Holland: Paperback Hero, which is in our wheelhouse here at Paperback Warrior. My office is wallpapered in hundreds of paperback book spines, of which, over half are probably sporting a painted cover of Steve Holland performing a breathtaking action pose while holding a gun, riding a horse, embracing a beautiful woman, or just gazing back at me with that “friendly but I mean business” stare. Typically, I buy everything with his face on it. The paperback rule of thumb is if Holland is on it, it's at the very least readable. It's like a signature of approval from the publisher, writer, and the character he embodies. 

Steve Holland: Paperback Hero is 212 glorious pages of colorful book covers indexed by genres like Spycraft, War, Westerns, Sci-Fi, etc. In Stradford's introduction, he explains that he has over a thousand Holland covers in his database, and a 45-page checklist averaging 42 titles per page. He estimates it to roughly 1900 titles sporting cover art that featured Holland. This doesn't include covers that couldn't directly be linked to Holland, but perhaps featured a likeness. Needless to say, Stradford is the world's foremost Holland historian. 

As a fan of vintage paperback fiction, I was thrilled to read Stradford's notes on the various series titles and novels. Each section features a few series titles and a summary of quantity, run length, and a brief description of the series. For example, the first section, Spycraft, features series titles like Coxeman, Nick Carter: Kill Master, and Man from O.R.G.Y. I was thrilled to see larger than life, colorful scans of the Killsquad series, featuring paintings by the legendary Bob Larkin. The artist is also featured in many of the pages, including four large panels of Conan paperbacks.

I love author Hammond Innes, but truthfully, I was drawn to the Avon paperbacks of the late 1960s. Those covers by Frank McCarthy are simply awesome, and Stradford focuses on that run specifically, with beautiful scans of the covers and a description of McCarthy's style. Another talented author, Jack Faragasso, is spotlighted in the Sci-Fi section, with a brief history and excerpts from an interview Stradford conducted. Some of Faragasso's cover art is featured here, ranging from Michael Moorcock's Hawkmoon to Lyle Kenyon Engel's Richard Blade series. 

Fans of men's action-adventure titles like Fargo, Peacemaker, The Protector, Jason Striker, The Penetrator, and The Lone Wolf are in for a visual feast in the Tough Guys section. Artwork by the likes of Mel Crair, Ron Lesser, and George Wilson are featured in full-page panels. A surprise to me was Holland on a cover of Ian Fleming's Goldfinger, painted by Frank McCarthy. There is also a larger section detailing Holland's modeling for The Spider, complete with black and white stills used for the various paintings. 

Once again, Michael Stradford has provided an amazing, visual buffet of many Steve Holland paperback covers. The amount of full-panel book scans, diversified by different genres, really shapes the impact and historic clout that Holland made in the 20th century publishing business. It's uncanny how often he appears, but this volume details the artists and notable series titles that made it happen. Overall, this is another mandatory addition for any paperback reader and collector. Recommended! More info at stevehollandbook.com. 

Buy a copy of this book HERE.

Penetrator #03 - Capitol Hell

We've covered the first two Penetrator novels, authored by Mark K. Roberts (odd numbered installments) and Chet Cunningham (even numbered installments) using the pseudonym Lionel Derrick. This was a long-running men's action-adventure series published by Pinnacle in the style of The Executioner and The Butcher (among others). Mostly, this is just fun escapism that's completely disposable. The series is available in audio book format through Books in Motion, narrated by Gene Engene or Kevin Foley, which is typically how I enjoy this series, and in digital by Wolfpack.

In the series third novel, Capitol Hell, Mark Hardin (The Penetrator) witnesses a car crash involving a Mob goon. The criminal's dying breath whispers the word “SIE”, which leads Hardin to a special Washington D.C. club called Societe International d'Elite. This reminded me of Ian Fleming's Moonraker, when James Bond is invited to join the posh club at Blades in London. Hardin not only wants to learn more about the club and its relation to the dead mobster, but also who assassinated the press secretary to the President of the U.S., which just so happened to be Hardin's buddy. 

There's an oddball cast of club members that have established a secret club within the club. They dress in robes, partake in weird chants, and have obligatory plans to take over the world. This club nonchalantly provides hypnotic drugs to the VP and have a strategy to blow-up Airforce One, which is utterly ridiculous. Also, once the club takes control of the U.S. (and I guess the Speaker of the House, Senate leader, and Secretary of State) they will force more military chaos in Latin America to increase their profits.

For the most part, Capitol Hell is a fun ride filled with outrageous moments of unintentional hilarity and wild action-adventure. Hardin is nearly indestructible, gets laid by two women, and fights this clandestine cult-club on a golf course and in old Williamsburg, Virginia. His tools of the trade are his trusty Colt Commander .45 and a dart gun (1 dart for sleepy, 2 for death!). These books tend to connect to each other in small ways, and Capitol Hell connects to the last two events in Los Angeles and Vegas. It isn't necessary to read them in order I suppose, but why not? If you are taking the trouble to track down the series, buy them in sequential order. 

Get the eBook HERE.

Cody's War #01 - Dragonfire!

Between 1982 and 1986, Stephen Mertz authored a number of gritty Mack Bolan installments that are considered some of the best of the series. He also created and authored installments of the M.I.A. Hunter series as well as the Kilroy mysteries and music-based novels like Hank and Muddy and Jimi After Dark. Recently, he launched a brand new action-adventure title called Cody's War. I'm always up for a rip-roaring, Mertz mule-kicker, so I chose to read the series debut, Dragonfire!. It's out now through Wolfpack Publishing.

Readers learn through backstory that CIA Agent Jack Cody experienced a personal tragedy when his family was killed by a terrorist bomb. Now, Cody seeks out the most perilous jobs in a quest to kill himself in the line of duty. Thus, his unconventional methods have earned him the nickname “Suicide Cody”.

In the book's opening chapters, Mertz introduces readers to his newest paperback warrior by placing Cody on a small, U.S. submarine en route to the Ocean Song, a recreational yacht containing a wanted Islamic terrorist named Hadi Abu. As Cody emerges from the tiny craft, there is a prophetic message in one simple line of text: “Cody lifted himself through the hatch, into the storm.” It kicks off the novel, the character's mission, this series debut, and puts readers in the harness seat as the author thrusts readers into the action.

On the Ocean Song, Cody disposes of the baddies, captures a valuable female accomplice, and faces off with one of the early Final Bosses. Abu, refusing to go quietly into submission, gets the 'ole one-two punch - a shotgun amputation and decapitation. Cody then thrusts the captive over his shoulder to ascend a swinging ladder to a helicopter spewing out M60 rounds into the Ocean Song's violent, but foolish crew. Wham! Bam! Thank you Uncle Sam.

After the fast-paced opening scene, Dragonfire! settles into a brisk pace as the next mission unfolds. A Chinese scientist is attempting to defect to America and is receiving assistance from a covert CIA agent. As one can imagine, the defection requires stealth support from resistance cells within Red China, an underground pathway that has already smuggled out the scientist's wife. This resistance cell, oddly enough, is backed by the Triad, China's version of the Mob. 

The exchange is set that will place the scientist on a road to freedom. However, when the final deal goes down, the CIA man is killed and the scientist is taken captive by a Major Zhao. It turns out, Zhao is working on a coup attempt from within the Chinese military. He will use Dragonfire, the scientist's deadly weapon, to shift the momentum and overthrow the Chinese government in a quest for world dominance. It's a pulp-fiction “take over the world with the biggest bomb” strategy that isn't far removed from an Ian Fleming (James Bond) or Michael Avallone (Nick Carter, Ed Noon) styled plot. 

U.S. President Harwood informs his close cabinet that Cody is The President's Man and has been for the three predecessors before him. Harwood elaborates, “He's as well-known in this office as he's unknown to the general public.” So, Harwood gives the orders to Cody's CIA controller and possible love interest, Sara Durell (an obvious ode to Mertz's favorite spy hero in Sam Durell). She meets with Cody, provides the rundown, and hooks him up with an embassy handler named Beth in Hong Kong. The mission is to locate the scientist while investigating the disappearances of an American fighter-jet and submarine, which readers already know were targeted, zapped, fried, and vaporized by Dragonfire. Cody's ultimate goal is to prevent Earth from falling under the bombastic spell of an even viler Chinese dictator.

Needless to say, Mertz is in full rock 'n roll mode with Cody's War. Dragonfire!, while being a modern, sophisticated shoot 'em up, is a throwback to the two-fisted, barrel-chested, bullet-belted heroes of the 1970s through the 1990s. Cody isn't completely exposed in this book, leaving a lot of his past in the dark. But, I love the madness to his motive and the idea that he is longing for his own death while fighting to save the lives of others. There's very little humor (if any) as Cody drills down to the bone marrow to find and eliminate targets. This keeps the book on the rails and moving towards a destination. Readers know the stops. I also love literary-longevity. Mertz has created a durable series hero that he can simply drop into the endless abundance of current Earthly war-zones. Plus, there's the whole “Sara 'n Cody” romance that can build up over time. 

In the introduction to Conan of the Isles, L. Sprague de Camp wrote about a lecture he attended on writers. I think this sort of sentiment describes talented authors like Stephen Mertz:

“A lecturer lately has said that, if a fiction writer wants sales, he should write exclusively either about politics or sex. A novel like The President's Boyfriend ought to be a lead-pipe cinch. There are still, however, many readers who read, not to be enlightened, improved, uplifted, reformed, baffled by the writer's obscurity, amazed by his cleverness, nauseated by his scatology, or reduced to tears by the plight of some mistreated person, class, or caste, but to be entertained.”

Whether he's throwing rounds downrange with a literary creation or blowin' the blues harp in a smoky dive, Mertz is an entertainer. With his newest fictional hero, this remarkable scribe ventures down another pathway to offer up another enjoyable, rock-solid good guy during a time when humanity needs more good guys. Jack Cody is that guy.

Cody's War Checklist

1 Dragonfire!
2 Camp David Has Fallen!
3 The Fires of Allah
4 Day of Reckoning
5 The Last Refuge
6 Cody's Return
7 Lethal Assault
8 Final Strike
9 Afghanistan Payback

10 Hellfire in Syria 

Buy a copy of this book HERE.

Tightrope Men, The

British resident Giles Denison awakens in an unfamiliar place with vague memories of his past. When he stumbles into the bathroom, he is shocked to see the face staring back at him is not his own. The mirror's reflection, and wallet, prove that Denison is a doctor named Harold Meyrick. Upon further inspection, Denison discovers that he is in a hotel room in Oslo, Norway. Going with the flow, and hoping sanity returns, Denison heads to the front desk and learns that he's been a guest of the hotel for three weeks. Finding his car, Denison is further perplexed when he finds a small doll inside with an invitation for a meeting at a nearby popular tourist spot.

When Denison arrives at the rural, forested attraction, he's immediately attacked by three men. Barely surviving the encounter, Denison escapes with his life and is soon arrested by the Norwegian police. Thankfully, Denison finds some solace when men from the British embassy arrive to spring him from jail. They attempt to explain the bizarre circumstances surrounding Denison's newfound identity. It turns out that Dr. Meyrick was assisting British intelligence in locating hidden papers regarding a top-secret weapon. Some red agency captured Meyrick and the perfectly pedestrian Denison. Meyrick is either dead or undergoing torture, while Denison has been brain-scooped and surgically rendered to resemble Meyrick. 

Desmond Bagley's The Tightrope Men (1973) is a clever, high-speed espionage thriller with the obligatory suit 'n tie good guys fighting global terror with an unlikely hero. Denison's transformation from unwilling, shocked suburbanite into the willing and capable spy was really enjoyable. The author injects some humor and a lot of fun banter with Denison, as Meyrick, forced to engage in relationships with Meyrick's friends and a beautiful daughter. The latter becomes a real mess for Denison as he is falling in love with the woman that is supposed to be his daughter. There's reader speculation on who's in the know and who isn't when it comes to Denison's facade as Meyrick, which made for a great mystery. Of course, there's gunplay and action-adventure in the deep, rural wilderness of Finland (similar to Bagley's Running Blind taking place in the remote wilds of Iceland).    

Needless to say, Bagley rarely disappoints. The Tightrope Men is a well-crafted, superb spy-thriller with danger, intrigue, and romance at the forefront. If you love Ian Fleming, Hammond Innes, and Alistair MacLean, then you are probably already familiar with Desmond Bagley. If not, this is a perfect representation of his work. Highly, highly recommended.

Fun Fact about Paperback Warrior – I'm a bit of a Finland history buff and Bagley provides an excellent, digestible history on Finland's relationship with Russia. There's also passages regarding the Karelian Isthmus, an area in northwestern Russia, where the Finnish population was seemingly replaced with Russian. In particular, I've read poems and stories associated with Finland's National epic Kalevala. There's a great Finnish band called Amorphis that writes and performs songs associated with Finnish history and the Kalevala poems. 

Buy a copy of this book HERE.

Tarzan #01 - Tarzan of the Apes

Many of the classic, more mainstream series titles or novels we discuss here at Paperback Warrior are presented from the perspective of a brand new reader. Novels from the likes of Ian Fleming, Jack London, Robert E. Howard, etc. have been devoured by millions of readers through many generations. However, for the most part they remain brand new to us. Aside from various media – comics, movies, television, non-fiction analysis – these classic literary works are a paradise of undiscovered gems. Slowly, we pull these classics from the rainy day stash to read and review. Thus, I've now arrived at Edgar Rice Burroughs' acclaimed 24 book series of novels starring the iconic Tarzan.

Tarzan of the Apes originally appeared in magazine format in the October, 1912 issue of All-Story. It was first published as a hardcover in 1914 and then later as a paperback by Ballantine in 1963 (with a cover painting by Dick Powers). It's a rather long novel at 220 pages of smaller paperback font size, making it a thorough and comprehensive origin story to kick off the series. 

The book begins with explanations that John Clayton (known as Lord Greystoke or Viscount Greystoke) is a British Lord that has accepted an assignment by the British Colonial Office to investigate racial relations in West Africa. While excited for his new career boost, Clayton also feels dismayed that he must bring his pregnant wife Alice to a harsh landscape. En route to their destination, the crew of their passenger ship overthrows the Captain and nearly kill Clayton and his wife. Thanks to crew leader Black Michael, the couple is spared. Instead of being thrown overboard, Black Michael leaves them on the shores of a dense coastal jungle. In essence, the Claytons are marooned on a dangerous, unfamiliar island in the middle of nowhere. Death seems inevitable.

Through the book's first chapters, the narrative highlights the Claytons early determination to beat the odds. As the months go by, and a rescue seems unlikely, the hopes and determination begin to fade. Enclosing their meager existence is the menacing jungle wildlife, complete with roaring lions, ferocious apes, and other predatory animals. After Alice is nearly killed by an ape, she becomes emotionally unhinged. One year after giving birth to the couple's son, she dies from emotional distress. With great difficulty carrying the immense, lonely burden, Clayton simply gives up and is soon killed by a tribal king ape named Kerchak. A motherly ape named Kala, who just lost her own child, rescues the baby boy and raises him as her own. Thus, his name becomes Tarzan, which means “White Skin” in  the ape language. 

As one would expect, the middle chapters are the proverbial coming-of-age narrative concerning Tarzan's childhood and transformation from the tribe's weakling to the savage “King of the Apes”. It's action-adventure focused as Tarzan becomes a skilled hunter, fighter, and leader of the tribe through various battles with other apes and wildlife. Tarzan spends his calm moments at his parents' small, makeshift cottage going through various trinkets and books, learning more about his own race and why he is different than the apes. He teaches himself to read and write based on the numerous baby books the Claytons had packed for their trip. Through these quiet moments, Tarzan takes the necessary steps to slowly evolve into a civilized man.

A couple of decades pass and then a new crew finds themselves marooned on this same island. This is how Tarzan meets young Jane Porter, his love interest and future wife. Ironically, Tarzan's cousin is one of the members of the party, William Clayton, son of Lord Greystoke (Tarzan's uncle). This portion of the narrative was really fragmented and uneven, with a number of characters involved in events in different locations on the island. Eventually, Jane is rescued by Tarzan after discovering his parents' cottage. She falls in love with him, but realizes he isn't civilized enough and would be unhappy anywhere other than the jungle. The book's finale concludes with Tarzan learning a modern way of existence through a French soldier named D'Arnot. The story's ending is a bit of a cliffhanger as Tarzan learns of his Clayton/Greystoke heritage, but withholds the information in an effort to allow Jane to marry William without complications.

Overall, Tarzan of the Apes was a fun reading experience, but I would be remiss if I didn't express that I was a little underwhelmed. After the lofty literary praise I've read about the book in my lifetime, I felt that the narrative was unnecessarily dense in spots. Further, there were way too many characters in the book's third act to enforce any sort of isolation or loneliness within the tight narrative. The action-adventure aspect was still intact, but only marginally so. I also felt that Tarzan's development from savage to civilized man was rushed too quickly. I really disliked the ending with the Wisconsin farm, Jane's economic situation, and the convenient forest fire. None of the elements conveyed the same enjoyment I experienced within the rural, dangerous jungle. Arguably, it was too cavalier, but I completely understand it is a product of the time. 

With both its racial awkwardness and dominant masculinity paired with Burroughs documented eugenics support, Tarzan of the Apes doesn't age particularly well. The misguided beliefs about African culture was uncomfortable at times, but again, I do understand this was a controversial era with bad choices and uneducated world views. To read any early to mid-20th century literature does require some patience in that regard. But, I was generally pleased with the book's pacing, the main character, and some of the early events with the mutiny of the ship. I liked it enough to want to read the second installment. 

Buy a copy of this book HERE.

James Bond #04 - Diamonds Are Forever

Diamonds Are Forever is the fourth installment of Ian Fleming's wildly successful James Bond series of spy-thrillers. It was originally published by Jonathan Cape in the U.K. in 1956. The novel's central theme is diamond smuggling, a criminal operation that intrigued Fleming enough to not only use it as a plot, but also a non-fiction book he wrote in 1957, The Dimaond Smugglers. In 1971, the novel was adapted into the seventh James Bond film. 

In the book's opening chapters, Bond and his superior M engage in a deep discussion about the diamond industry. At the time, England was importing diamonds from Africa and then selling large amounts to various international companies and countries. It made up a large percentage of the country's income and represented what would ultimately be one of the largest diamond exporting operations. One of the largest buyers, House of Diamonds, has reduced their purchases of English diamonds, creating a financial gap in the Brits lucrative business. 

It's explained that House of Diamonds is a legitimate business owned and controlled by an American mob family named The Spangs. M, and the Special Branch, suspect that a criminal element has been introduced which is creating the rift. House of Diamonds surely must be obtaining their diamonds by smuggling them in at a cheaper price. M wants Bond to investigate the operation by infiltrating the smuggling ring into New York and Las Vegas under the disguise of a common burglar named Peter Franks. He wants Bond to engage in the job and then converse with a woman named Tiffany Case, one of the gang members involved in the smuggling.  

Bond's journey is quite epic, first beginning in New York to retrieve the smuggling money owed on the latest smuggle. His payer is a gang leader named Shady Tree. He explains that their operation doesn't just pay out the full payment for security reasons. To fulfill his payout to Bond, aka Peter Franks, he orchestrates a number of rigged gambling ventures that will produce fragmented payments. The first payout is an exciting stretch at a rigged horse race in Saratoga. Then, a rigged blackjack game in Las Vegas dealt by Tiffany. But, Bond flips the score and pays off the jockey to disrupt the payoff and then wins too much money at blackjack.

If I provide anything else pertaining to the story, it's going to provoke you to skip Ian Fleming and just read me. I'd never forgive myself. Here's the thing, read Diamonds Are Forever if you want to see Bond deeply entrenched in hardboiled danger. Fleming throws everything but the kitchen sink at readers: intrigue on a ship, danger in the desert, a train-car chase, torture, romance, and gunplay. The chemistry between Tiffany and Bond was perfect with both needing something from each other. Former American CIA agent Felix Leiter returns to this book and I found his addition to the story effective. My only real complaint is the “cowboy” appearance of one of the Spangs and the longer than necessary ending. Otherwise, Bond absolutely wins again. Recommended. 

Buy the book HERE.

James Bond #03 - Moonraker

James Bond's third series installment, Moonraker, was first published in the U.K. as a hardcover by Cape on April 5, 1955. Macmillan published the U.S. edition on September 20, 1955, followed by Pan Books publishing a paperback edition in the U.K. a month later. In December of 1955, Permabooks published a paperback version in the U.S. under the title Too Hot to Handle. In 1979, the book's title was used for the eleventh James Bond film and the fourth appearance of Roger Moore as the Secret Service hero and heartthrob. The film's production company, Eon Productions, authorized Christopher Wood to write a novelization of the film, which was published under the title James Bond and Moonraker (a bestseller that I've heard is quite terrible). 

In Moonraker, Fleming begins by providing a more intimate look at Bond's day-to-day activities. Readers gain a peek into his home, his routines, and his official desk assignments when he isn't globetrotting to extinguish international fires. It's shown that Bond is having affairs with three married women, works a desk schedule of 10 to 6, and likes to play cards in the evenings with friends. 

Fleming reveals that Bond uses a stimulant known as Benzedrine to stay awake and alert, and even combines the amphetamine with champagne. It was also,interesting to watch his habit of sprinkling black pepper on the surface of vodka. 

It is all of these things that further connected me to the character. I also found it fascinating that Bond was contemplating how many more assignments he has to complete before he can retire. He even fathoms how many will introduce the real possibility of his own death. It was written in such a poignant way that made me sympathize with him. Personally, I felt that his characteristics from Casino Royale were further enhanced by this novel. The idea that he wants to move on and have a normal existence is re-visited at the beginning and ending of Moonraker, leaving an emotional impact on readers.

Down to business, M approaches Bond about a personal favor, sort of an “off the record” assignment. He wants Bond to join him at an exclusive gentleman's club called Blades to play poker with a wealthy entrepreneur named Hugo Drax. M suspects Drax is cheating, but wants Bond to discover his method. This segment of the novel includes intense rounds of bridge as Bond verifies Drax's cheating and beats him with a stacked deck of cards, winning seven times his annual salary. All of this is important because the narrative focuses on Bond and Drax's working relationship later.

Bond's official assignment comes to fruition when a Ministry of Supply security officer is fatally shot in a facility housing England's first nuclear missile. This missile has been created by Drax's company and is to take flight as a demo version for England and foreign powers. Bond is assigned as the security officer's replacement in an effort to determine what's going on. I found his investigation hard-boiled and edgy, culminating in a high-speed chase between Bond and Drax's crew from the town of Deal to London. Of course, it wouldn't be a Bond novel without the inclusion of a beautiful co-worker named Brand. 

Moonraker is rather unique due to its settings. The entire novel takes place in and around London, with a focus on atmosphere as Bond is centralized on the sprawling White Cliffs of Dover, the countryside, and the battering of the North Sea and the English Channel. There's a sense of isolation as Bond gazes at the ocean at night, listening for the ship's foghorns and spotting a beacon. I felt that this, combined with Bond's lonely position in the book's last pages, added a sense of solitude to the story. 

Drax's backstory of his rise to criminality, war atrocities, and his fevered attempts to destroy London paired nicely with Bond's “do or die” mission. There's violence, sexiness, thrills, car chases, shootouts, and the pesky Russians to keep the pages moving at a brisk pace. The storytelling improved drastically from the rather average prior installment, Live and Let Die. While that book was action-packed, it came  across a bit campy when compared to the series debut in Casino Royale. Ian Fleming is all business in Moonraker, making it a fan favorite among James Bond fans. Recommended! 

Get the book HERE.

Paperback Warrior Primer - Nick Carter: Killmaster

The character of Nick Carter (or Nicholas Carter) was created by Ormond G. Smith and John R. Coryell in 1886. Smith was heir to the New York City publisher Street & Smith, the early catalyst for dime novels and pulp fiction as far back as 1855. Smith wanted a private-eye or detective character similar to Old Sleuth or Old Cap Collier to star in various forms of media. The first Nick Carter literary appearance began in New York Weekly, September 18, 1886, in a story called "The Old Detective's Pupil" or "The Mysterious Crime of Madison Square." The serial ran 13 total installments with the setting mostly being Victorian-Edwardian New York.  

Carter is described as 5' 4" and having bronze-skin, gray eyes, dark hair and a square jaw. The character was trained by his father, Old Sim Carter, to fight criminals, essentially becoming the opponent of global evil. He's a genius that is inhumanly strong and a master of disguise. The character was so popular with readers that Street & Smith created the Nick Carter Weekly dime novel series. These stories would later be reprinted as stand-alone titles under New Magnet Library. 

With its premier issue on October 15, 1915, the Nick Carter Weekly publication transitioned into Street & Smith's new Detective Story Magazine (just 10-cents twice a month!). The magazine ran 1,057 total issues, most of which concentrated on short crime-fiction with appearances from pulp heroes like The Shadow. The magazine's first 20 years featured covers by illustrator John A. Coughlin. In 1935, the magazine began suffering financial stress and officially stopped publishing in 1949.

Between 1924 and 1927, Street & Smith attempted a revival of the Nick Carter character in the pages of Detective Story Magazine. These stories also featured many of the same villains that Carter had faced in the prior Nick Carter Weekly publication (Dazaar the Arch-Fiend, Dr. Quartz, etc.). It seemed as if Carter's appearance in literature was over in 1927, but due to the success of The Shadow and Doc Savage, Street & Smith revived the character again. Between 1933 to 1936, the Nick Carter Detective Magazine was published. These stories introduced Carter as a more traditional hard-boiled detective. 

Beyond the page, two Nick Carter shows were featured on radio. Nick Carter, Master Detective radio show aired on Mutual Broadcasting System from 1943 to 1955. Nick Carter's son was the star of Chick Carter, Boy Detective from 1943 to 1945, followed by a film in 1946 under the title Chick Carter, Detective.

In 1908, the French film company Eclair ran a six-episode series starring Pierre Bressol as Nick Carter. Two French films were released, Nick Carter va tout casser (1964) and Nick Carter et le trefle rouge (1965). In Germany, four silent Nick Carter films were released: The Hotel in Chicago (1920), The Passenger in the Straitjacket (1922), Women Who Commit Adultry (1922), and Only One Night (1922). In the US, MGM released a trilogy of Nick Carter films: Nick Carter, Master Detective (1939), Phantom Riders (1940), and Sky Murder (1940). A television show called The Adventure of Nick Carter filmed one pilot, later released as an ABC movie.

The pulp version of Nick Carter continued in comic book form, with appearances in The Shadow, Army & Navy, and Doc Savage comics from 1940 through 1949. There was also a 1972 Italian comic strip and a Nick Carter comic book series from 1975. It lasted 12 issues and stars a character named Nick Carter that is a British soldier in WW2. However, it is not related to the Nick Carter spy series.

Little did fans know that a British secret-agent named James Bond would play a part in reviving the literary character 37 years later.

In the 1960s, Lyle Kenyon Engel began his plunge into paperback publishing. He was heir to his father's magazine publishing company, but sold that to become a publicity agent (supposedly one of his clients was the Today Show) and also a producer of children's records. To make an impact in publishing, he revived the familiar character of Nick Carter to capitalize on the 1960s spy fiction market. 

Nick Carter: Killmaster debuted in 1964 as a marketing attempt to cash-in on Ian Fleming's James Bond. The character was reinvented as a secret agent instead of a detective or private-eye. These novels were to be international adventures with a more robust approach compared to the serials, pulps and dime detective magazines. Basically, everything prior to 1964 was erased and this series was a complete reboot.

The general theme is that Nick Carter is an American secret-agent or spy working for an organization called Axe. The organization's leader is David Hawk. Axe and Hawk work closely with the American government and Hawk answers to "The Chief", presumably the U.S. President. Carter is referred to as N3 and we know there are other agents like him, also known as an N/number combination. In the first book, Run Spy Run, readers learn that Carter served in WW2 and also worked for OSS, the pre-cursor to what is now known as the CIA (like Matt Helm). Read our review of the book HERE.

One of the predominant characteristics of this version of Nick Carter is the three weapons he uses in the field. In the debut novel, it is explained that Carter took a Luger handgun from a German SS officer he killed in Munich during WW2. Carter named the gun Wilhelmina and it's included in nearly every novel. Hugo is the name for his Italian stiletto. He also carries a marble sized gas pellet that goes by the name Pierre. Carter can twist each half of the marble in separate directions and it will release a deadly toxin within 30-seconds, giving Carter enough time to flee the area. 

The Nick Carter: Killmaster series became immensely successful, running from 1964-1990 and offering 261 total novels. Each book on average sold 115,000 copies. Ironically, the series just lists Nick Carter as the author. The real authors aren't credited on the book's copyright page, a painful trademark of the series that frustrates readers, fans and collectors to no end. Engel typically split 50-50 with the authors he hired. He demanded lightning fast work, sometimes novels written in less than three weeks to meet furious deadlines. These books were released monthly, first by Avon and then later by Charter.

Notable author statistics:

- Valerie Moolman authored or co-wrote 11 novels between 1964 and 1967.

- Michael Avalone authored or co-authored 3 novels in 1964

-Manning Lee Stokes, of Richard Blade fame, wrote 18 novels

-Popular crime-fiction author Lionel White authored one Nick Carter book, the 18th installment from 1966. This was his second foray into spy fiction. He also wrote a stand-alone novel called Spykill under the name L.B. Blanco.

- Jon Messmann wrote 15 installments. Messman was a heavy contributor to action-adventure paperbacks. He was behind the popular adult western series The Trailsman along with the short-lived series titles Handyman: Jefferson Boone and The Revenger.

- George Snyder did 8 installments. He also wrote novels for the Grant Fowler series.

- Ralph Hayes authored 8 volumes in the series. He is known for his John Yard: Hunter series and Check Force among others.

- Martin Cruz Smith wrote 3 installments. Smith is primarily known for his Arkady Renko series that is still current to this day. The 1983 film Gorky Park was an adaptation of that series debut.

- Surprisingly, Chet Cunningham only wrote 1 book, # 72 Night of the Avenger, that was co-authored with Dan Streib. 

- Dennis Lynds authored 9 and his wife at the time, Gayle Lynds, wrote another 4. I've read one of Dennis Lynds' novels and I really enjoyed it. It was #211 Mercenary Mountain and it is reviewed HERE. Many will know Dennis Lynds as American author Michael Collins. He wrote the popular Dan Fortune series before his death in 2005.

- Saul Wernick wrote 5. Many remember him as writing the first Mack Bolan novel after Don Pendleton sold the series to Gold Eagle. 

- David Hagbert authored 25 books. He is primarily known for his CIA series starring Kirk McGarvey. 

- Death Merchant creator Joseph Rosenberger wrote 1.

- Jack Canon is the heaviest contributor with over 30 installments. I lost count, but I think it was 35. Not to be confused with Nelson Demille pseudonym Jack Cannon. 

- Robert Randisi authored 6 in the series. He's a respected western writer who also wrote 3 Destroyer books as well.

- Joseph Gilmore wrote 8.

- There are numerous authors that authored three or less that I haven't mentioned, but you can find a detailed list on spysandgals.com or Wikipedia.

- There is yet another Nick Carter series that ran from 2011-2019 called Project. It's written by Alex Lukeman and again features a starring character named Nick Carter that is an anti-terrorist sort of hero. Again, not related to the Nick Carter spy series.

Lyle Kenyon Engel would go on to create Book Creations in the 1970s. Ultimately, it was a cash cow and a rather unique company. Engel would create a series, imagine the story, hire authors to write it and even create book cover art. Then he sold these to various publishers. He was the paperback king and died a multi-millionaire in 1986. 

You can listen to the Paperback Warrior Podcast episode dedicated to Nick Carter HERE and the episode spotlighting Lyle Kenyon Engel HERE.

Matt Helm #03 - The Removers

Ian Fleming's mega-star James Bond influenced a number of spy fiction titles, including Assignment and Nick Carter: Killmaster. One of the most popular is the Matt Helm series authored by Donald Hamilton. It ran from 1960-1993 with 27 total books. I was lukewarm on the series first two installments, but the character still intrigued me enough to warrant further pursuit. I grabbed a copy of The Removers, the third installment of the Matt Helm series. It was originally published by Fawcett Gold Medal in 1961 and remains readily available today in audio, digital and physical reprints.

In Death of a Citizen, the series debut, Helm is married to a woman named Beth and has three children. He's a former OSS agent (the early CIA) that established a writing career and a sense of normalcy after retirement. But, events drag him back into the spy business and he rejoins his former department. I didn't particularly like the book, despite its enormous popularity, and felt that it was incomplete. The idea that Helm simply left his wife and kids (and has an affair nonetheless) didn't sit well with me. Thankfully, The Removers circles back to his family and completes the origin tale in its entirety.

The Removers begins by explaining that Beth Helm is now remarried and lives on a cattle ranch in Reno, Nevada with her kids. She's now Mrs. Lawrence and her husband is a British chap that has a shadowy past. Helm receives a letter from Beth asking him for a favor. Thus, the opening chapter has Helm in Reno preparing for an uncomfortable meeting with his ex-wife. However, Helm also receives word from his boss Mac that a young agent is working an assignment in Reno and may need a light assist. 

Helm learns from Beth that her husband was involved in a prior business similar to Helm's. Because of some sort of past event, shady people are threatening the family. Helm takes it all with a grain of salt until he meets Beth's husband Logan. Helm's theory is that Logan isn't really British, but is legitimately some sort of skilled professional capable of defending Helm's kids and ex-wife. In fact, Logan politely, but sternly, advises Helm to leave the ranch and never look back. 

The star of the show is Moira, a young and sexy woman that physically distracts Helm. The two get it on, and in doing so Helm learns that Moira is the daughter of Big Sal Fredericks, a Reno mobster. Fredericks is employing a foreign spy/enforcer named Martell, a man that Mac warns Helm about. After learning that Logan Lawrence is a former gun for Fredericks, Helm begins to connect the dots. Logan left the business, but Fredericks needs him for one more run to Mexico to recapture stolen heroin. Logan refuses, thus the not-so-gentle rub.

All of this ties in beautifully and creates a really engaging story. Helm engages in some awesome dialogue, never comically witty, but maintaining a hard-edged coolness. The action scenes are fairly swift and keep the narrative flowing into a much longer finale that is soaked with violence. Oddly, it was told with a sense of western traditionalism. The hero rides to the rural cabin in the woods to fight the unruly bad guys that have raped and captured his woman. But, that hero isn't really Helm. 

In a clever way, Hamilton mirrors Helm's origin story by telling a similar tale with Logan Lawrence. In this case, Lawrence is the one married to Beth and is called back into action after violent events begin to intrude into his retirement. Arguably, Logan is the real hero.

My main beef with Matt Helm is that he personifies the hardened tough guy. He talks tough, his first-person perspective is menacing, and he genuinely has old war stories or missions that he shares to validate his callous command. But, he never actually does much fighting. In the first two books, Helm doesn't really get the job done and people unexpectedly die. In this book, Helm watches Moira get abused by two women until her own dog makes the save and kills the would-be-rapists. Helm is knocked in the head outside of his motel room and then captured by Martell and Fredericks. 

In the finale, Logan is shot in the leg and placed on the sofa. Helm is tied up and has to listen to his ex-wife being raped in the next room. He has the audacity to question why one-legged, bleeding Logan isn't doing anything about it. The book's rowdy conclusion has Logan saving Helm's life. But, for whatever reason it all just works and Hamilton's prose is so damn cool. I loved the timeline and pacing, the brilliant conclusion of Moira (the obligatory spoiled sex kitten), Beth's neediness, the escalated violence, and Logan's expertise in disposing of the bad guys. Helm should have been the hero (and maybe he is somehow?), but I can settle for him as a co-partner.

I've already started the fourth volume, The Silencers. In the opening chapters, Helm is sent on a mission to Mexico to save a female agent. Wouldn't you know it...she's stabbed to death in front of him. But, it's written so well that I don't even care how inept the hero is. I'm sure an alternate hero will rise to the occasion. Buy a copy of the book HERE

Men's Adventure Quarterly #02

Earlier in the year, Men's Adventure Quarterly made its debut. The concept is to bring back the style and substance of action-adventure magazines for men (MAMs), those tough-guy magazines that prospered after the pulp magazines lost their appeal. The first issue of Men's Adventure Quarterly, edited by Robert Deis and Bill Cunningham (also graphic design), focused on western literature and artwork and included a number of reprinted stories from vintage MAMs. It was with great joy to receive this brand new issue, which has an espionage theme similar to Ian Fleming's James Bond. In addition, it features a guest introduction by Paperback Warrior's very own scholar, Tom Simon. So that alone is worth the price of admission.

Men's Adventure Quarterly features artwork by the legendary Mort Kunstler as well as well-known peers like Walter Popp, Basil Gogos and Gil Cohen. This issue includes seven spy stories, a special showcase of artwork from classic MAMs, introductions by Deis and Cunningham, and a photographic look at the popular female spy craze. 

We like colorful illustrations, but our meat and potatoes here at Paperback Warrior are fiction reviews. I had the opportunity to read the issue cover to cover and here are capsule reviews of a couple of included stories:

The Deadly Spy Mystery Of The Formosa Joy Girls

This story first appeared in the March 1963 issue of Man's Action and features interior art by artist Basil Gogos. The author is an unknown name in Brand Hollister. The reason is because of the often used MAM marketing gimmick of these authors pretending to be retired spies who are forced to use pen names to preserve their own safety. In this story, Hollister and his partner Mastin are employed as US counter-intelligence agents. They both work to determine who is divulging information from Formosa (a former island of Taiwan) into Red China. As Hollister's story unfolds, the leak in U.S. intelligence is stemming from Madam Fu-Ming's strip club. There are a few shootings and a mystery to make the story stand out. Overall, I really enjoyed this short story of espionage.

The Kremlin Agent Will Be Wearing A Pink Nightgown

Martin Fass wrote short stories for MAMs while also contributing to the daily Nero Wolfe newspaper comic strip. This Fass story was first featured in the October 1961 issue of Male. A two-page illustration by Walter Popp follows the narrative. The story uses another popular marketing trick from the period when the writer receives first-hand information from a spy or law enforcement member. Typically blue-collar males swallowed it hook, line and sinker due to the bogus photos showing the "real" person passing the story to the author. The story unfolds in Germany and features a beautiful woman named Magda Karoli working for Major Mancuso in a US. counter-intelligence agency. While Mancuso is away at meetings, Magda bugs his office in hopes of obtaining valuable intelligence reports that she can provide a Hungarian spy ring that serves the Soviet Union. As leaks occur frequently, Fass's story concentrates on Mancuso's robust investigation. I thought this was the best story that Deiss and Cunningham chose for this issue. I liked the interaction between Magda and Mancuso and the tension that moves slowly as the noose tightens on this network of spies. Kudos for the superb ending with Magda seducing her way through another bureaucracy.

With 157 full-color pages, Men's Adventure Quarterly Issue 2 is another big success. Like Deis's other contributions (Barbarians on Bikes, Cuba: Sugar, Sex, and Slaughter, Cryptozoologoy Anthology), the book is stacked with vintage stories, stunning artwork and a real sense of purpose. The magazine honors the men and women that contributed consistently to the Men's Action-Adventure Magazines that populated store shelves in the mid-20th century. Deis and Cunningham's hot-blooded passion for this style of storytelling is exhibited through their hard work and steadfast dedication to the art form. Raise your glasses high in appreciation. Or, better yet, go purchase a copy and support their latest effort.

Buy a copy of this magazine HERE

Driscoll’s Diamonds

Crime-noir author Marvin Albert (1924-1996) began writing stylish, high-adventure novels in the 1970s under the pseudonym Ian MacAlister. It was a commercialized combination of successful writers such as Ian Fleming and Alistair MacLean. I especially liked Albert's writing style and I've been on an adventure-fiction kick of late. It was this motivation that led me to try out the 1973 Fawcett Gold Medal paperback Driscoll’s Diamonds.

In the middle chapters of the book, it is explained that the mercenary Driscoll, his partner Royan and three other hardmen ambushed diamond smugglers in Africa. Following the shooting, the diamonds were successfully stolen and the gang fled the scene. En route to the getaway plane, Royan betrayed the group and killed all but Driscoll. In the bloody exchange, Driscoll took the diamonds, left on the plane, but then crashed near a shore in the Middle East. Having survived the accident, Driscoll’s diamonds were stuck in the pilot's seat that was now underwater. 

Albert's narrative is a sprawling adventure yarn as Driscoll attempts to reclaim the diamonds from the sunken aircraft. He is in love with a woman named Shana and both have a big future planned based on recovering the diamonds. Unfortunately, Driscoll and Shana are both taken hostage by Royan and several hardened mercenaries. They have to lead Royan to the diamonds in return for their lives. Driscoll knows that he and Shana are dead anyway, so he's fighting tooth and nail along the way. There's a multitude of escape attempts, gun battles and the obligatory tough guy talk as Royan and Driscoll recount some of their old missions together. 

I loved this novel and found it better than Albert's other Middle East scavenger hunt novel, Valley of the Assassins. Driscoll and Shana are two admirable characters and I liked the heated tension between the various characters. There's a surprise when two other parties join the hunt, but I'm going to leave that unexplained in the hope that you read this book. If you love desert climates with tough men betraying other tough men looking for dirty money, then you are going to love Driscoll’ Diamonds. It's a gem.

Buy a copy of this book HERE

James Bond #02 - Live and Let Die

British author Ian Fleming created what is generally believed to be the most popular secret agent of all time, James Bond. The series began in 1953 with Casiono Royale, an origin novel that introduced Bond's continuous war with Russia's counterespionage agency SMERSH. Nearly a year after Casino Royale's publication, Live and Let Die was released. It's the second novel in the James Bond series and features many elements that were dissected and added to the Bond films For Your Eyes Only (1981) and License to Kill (1989). 

In Live and Let Die, Bond is ordered by M to investigate a villain named Buonaparte Ignace Gallia, otherwise known as "Mr. Big". The dense plot has Mr. Big as an African-American voodoo priest utilizing 17th century gold coins to fund operations for SMERSH. In the opening chapters, Bond's investigation leads him to Harlem, New York.

Partnering with CIA agent Felix Leiter (who also starred in Casino Royale), Bond locates Mr. Big in a lavish nightclub. But, the two are quickly captured by the villain and Bond finds himself being tortured by Mr. Big while having his fortune read by a beautiful woman named Solitaire. After Bond's finger is brutally broken, the British agent and Felix manage to escape. But once they arrive in St. Petersburg, Florida to search for Mr. Big's warehouses, Fleming escalates the violence and tension. In a horrifying manor, Felix is written out of the book (and possibly the series) and Bond gains an assist from Solitaire in fighting the vile villain. 

I challenge anyone to say this is a worthy sequel to Casino Royale. While I didn't hate the book, I found it to be absurd even in the often wacky world of fictional espionage. Mr. Big is a strange villain and the book's multiple locales warranted a more epic storyline. Instead, Bond fights Mr. Big in nightclubs, a giant aquarium and an underground oceanic cavern in lieu of a high-wire spy act. While Fleming obviously spotlights the action, the plotline left something to be desired. If you can swallow the far-fetched story, Live and Let Die is still a pleasurable reading experience.

Buy a copy of the book HERE

James Bond #01 - Casino Royale

The best-known fictitious undercover agent of all time is James Bond. The character was created by British writer Ian Fleming (1908-1964) and appears in 14 of Fleming's novels between 1953 and 1966, two after his death. Beginning in 1981, authors John Gardner, Raymond Benson, Sebastian Fualks, Jeffery Deaver and others continuously added new original novels in the series. The character became an icon of cinema with 27 films in total featuring the secret agent. Needless to say, you can take a deep dive into the character's history and pop-culture phenomenon on your own time. This review is dedicated to the very first James Bond novel, Casino Royale, published in April, 1953 by Jonathan Cape.

James Bond, 007 is an agent of the British Secret Service (MI6) and works for a superior simply named M. Through brief explanations, readers learn that Bond served in WW2, and later books state he was a Royal Navy officer. The 007, pronounced "double-o-7", is partly a symbolic name that the agent killed an enemy of the state. Bond and his colleagues receive various weapons and trainings from Branch Q, a research and development department.

In this first novel, Bond receives a mission from M to join a high stakes baccarat game at the Royal-les-Eaux in northern France. He's assigned a female companion named Vesper Lynd and an American CIA agent named Felix Leiter as support. The mission is to bankrupt Le Chiffre, a stateless man who brings financial advantages to the Russian counterespionage agency SMERSH. After Le Chiffre lost most of his fortune on a brothel front, he joins this lucrative card game in an effort to recoup most of the money. If he loses, SMERSH will probably kill him.

The first 70 pages of Casino Royale are extremely slow with much of the story transfixed with the art of baccarat. Through pages and pages of card playing, Bond attempts to win the game and at one point gains a large sum of money from Felix. Although this first half doesn't provide a captivating story, Fleming definitely shines in the second half of the novel.

Bond's romantic relationship with Lynd builds into a crescendo. Bond is considering leaving the espionage business and marrying Lynd. He even dreams of settling in a suburban environment where foreign adversaries simply do not exist. It is this very humane aspect that makes this book and this character so interesting. Once Bond leaves the casino, Fleming ratchets up Casino Royale with car chases, gunfire, a long and breathtaking torture sequence and the required violence to emphasize that Bond is fighting some truly bad people.

Like Donald Hamilton's Death of a Citizen, there's a savage scene where James Bond evolves into the British agent that we know today. It is the mythology of a very human person transformed by violence into a living and breathing weapon. Hamilton did it with Matt Helm. Pendleton did that to Mack Bolan. Fleming does it with expertise with James Bond. The final sentence of the book is one of the strongest lines in fictional history - in my opinion.

Whether you saw the comedy movie version of Casino Royale or the modern remake with Daniel Craig, nothing is comparable to the book. Considering the first half is rather lackluster, the strength of the second half more than makes up for the failure. The last line of the book introduces themes and villains that Bond will contend with for the life of the series. As an origin tale, Casino Royale delivers on all fronts. Highest possible recommendation.

Buy a copy of this book HERE

McHugh #02 - It's Murder, McHugh

The McHugh series of American spy novels was a five-book series originally published between 1959 and 1962. The author of the McHugh books was a colorful, hard-drinking character named Jay Flynn (1927-1985). The first four books in the series remain available as affordable ebooks, including the second installment, It’s Murder, McHugh from 1960.

McHugh is a spy for the Pentagon who spends his time working in a San Francisco bar awaiting his next assignment from D.C. This case finds McHugh dispatched to Mexico to find two missing Navy pilots from the same jet squadron and a missing supersonic fighter jet. The Department of Defense doesn’t know if the men are alive or dead, guilty or innocent, and it’s McHugh’s job to figure out the truth.

The missing pilots are Nate Bramhall and Donald Long. Before they disappeared, they were both sharing the same woman, Nate’s wife Peggy. McHugh thinks that Peggy may be the key to this mystery as she recently drove to Mexico and has a history of radical leftist politics. When McHugh tracks her down in a small Mexican village, she’s changed her hair color and is otherwise acting quite squirrelly.

While in Mexico, McHugh is joined by his seaplane-flying sidekick and a freelance soldier of fortune with questionable loyalties. The search for the missing pilots and the jet uncovers a sinister Soviet plot with high stakes for Mexico - and the U.S. - requiring some expert thwarting. The author writes good action sequences, but he relies on seaplane travel way too much to push the messy plot forward.

As long as you control your expectations, It’s Murder, McHugh (a crappy title that doesn’t fit the book) is a fun way to kill a few hours. It’s slightly better than an average Nick Carter: Killmaster novel but nowhere near as good as the espionage fiction of Ian Fleming, Donald Hamilton or Edward S. Aarons. There’s nothing particularly wrong with this paperback, but it’s also nothing you should be eager to tackle. 

Buy a copy of this book HERE

Man from A.P.E. #01 - Overkill

Norman Daniels (real name Norman Danberg, 1905-1995) was a prolific American author who successfully shifted from pulp magazines to paperback originals in the 1950s. After long running pulp series titles including The Black Bat, Daniels saw a resurgence in his popularity by authoring novels in multiple genres. Whether it was crime-noir, military-fiction or a Gothic-romance, Daniels was considered a good - never great - always consistent author.

Perhaps his most widely known paperback work is his Man from A.P.E. spy series of the 1960s. Now, before you think this is a collection of theories and essays on evolution (man from ape, get it?), remember the time frame. By the 1960s, Ian Fleming's James Bond character had become marketing gold. Every publisher and author was cashing checks from the creation of Bond spy-clones. Norman Daniels was no different. He authored eight installments of his espionage series from 1964-1971.  My first experience with the Man from A.P.E. books is the debut, Overkill, published in 1964 by Pyramid.

In Overkill, readers are told that A.P.E. stands for American Policy Executive, a clandestine agency of the U.S. government relatively unknown to America's other intel agencies. The organization uses a select network of spies across the globe to fight terrorists and criminal-masterminds. Really, it's a series of "the good guy Americans fighting those Russian and Chinese baddies." The star of the series is a character named John Keith, an A.P.E. secret agent that goes by the code name Darius. In Overkill's second half, it is disclosed that Keith was a language arts major in college and is able to speak several languages fluently (suspiciously similar to Jack Higgins' spy-character Paul Chavasse from 1962). This comes in handy in negotiations with allies and criminals worldwide.

In this series debut, Keith is assigned the task of locating a missile in Albania. After talking with his Russian sources, Keith learns that years ago Russia provided the Albanians a catastrophically-dangerous medium-range missile. The Albanians hid the missile and refuse to return it to Russia. Through network chatter, Russia and the U.S. discovered that four Chinese scientists are headed to Albania to work on sanitation issues. Of course, this is really a front for China to assist Albania in assembling the missile and destroying parts of Moscow in hopes that the world will blame the U.S. Smartly, Russia has bought the cover story and are allowing the Chinese scientists to cross their country to perform their task. The idea is that the Russians can follow the scientists and discover the missile's secret location. What's Keith's role? He is to work with the Russians in fighting a common enemy.

Personally, this read like a less action-packed Nick Carter: Killmaster paperback. Daniels plays it straight and doesn't provide a funny nickname for Keith's .45. Like Carter, Keith gets laid while on assignment and generally spends most of the job just interviewing people and avoiding hot water. There are some fisticuffs, some gunfire and a compelling investigation as Keith tries to locate the important missile (it could have easily been a gemstone, a world-changing document, a defector, or a KFC recipe) that doesn't really matter in the narrative itself. The journey is important, and Daniels does a serviceable job making this as exciting as it can be. I loved the book's final pages and the inevitable showdown between Keith, his ally and the Russian agents. For that alone, Overkill is well worth the price of admission. I'd certainly read another installment. You would, too.

Buy a copy of this book HERE