Paperback Warrior Primer - Jon Messmann

Whether you enjoy men's action-adventure, adult westerns, comics, mysteries, vigilante sagas, or gothic romance, there's something for everyone when it comes to author Jon Messmann (1920-2004). We have covered so many of his books and titles thanks to publishers like Cutting Edge Books reprinting his work for modern readers. Hopefully, today's primer will shine a light on his life and literary work.

Jon Messmann was born in 1920. His parents forced him to play violin and some sources stated he really disliked playing music and preferred writing. In 1940, he began writing for the up-and-coming comic industry, a period known as the Golden Age of Comic Books. His first gig was for Fawcett Comics, an early, successful comic book publisher of that era. His co-workers were a dream-team of comic book icons such as Joe Simon, Jack Kirby, and Chic Stone. Messmann wrote for a decade on titles like Captain Marvel Jr., Human Torch, Sub-Mariner, Gabby Hayes, Don Winslow of the Navy, Tex Ritter, and Nyoka: The Jungle Girl.

In 1950, Messmann, co-created Carousel, an 8-page tabloid comics section in the Pittsburg Courier. This featured many of Messmann's comic ideas like secret agents, historical romance, sea adventure, private-eyes, jungle girls and even fairy tales. Carousel lasted five years and was distributed by New York's Smith-Mann Syndicate. But, Messmann wanted to get into writing full-length, paperback originals.

Beginning in the 1960s, Messmann’s transition into paperback full-length novels began with Lyle KenyonEngel’s star franchise, Nick Carter: Killmaster. Messmann’s first contribution to that series was it's 37th installment, 14 Seconds to Hell, published in 1968. The series, authored by a selection of ghost writers under the name Nick Carter, was a firm stepping stone for Messmann. The series paralleled the pulp industry in terms of campy, over-the-top secret-agent action. Messmann’s experience writing comics and comic strips made him a viable workhorse for Engel to rely on. The author contributed 14 more installments through 1970 before departing the series. Most Nick Carter fans will list Messmann in the highest tier of series contributors.

Engel, pleased with Messmann’s production, paired him with another Killmaster author named George Snyder for a series called Hot Line in 1970. The series lasted only three installments with Messmann only contributing to the debut, Our Spacecraft is Missing!. Again, this allowed Messmann to develop a modern secret-agent, in this case a President’s Man type of hero named Fowler.

Also in 1970, while writing Killmaster novels Messman wrote two books starring a vagabond hero named Logan. They were inspired by John D. MacDonald’s successful character Travis McGee. The books are Logan and Killers at Sea and were authored under the pseudonym Alan Joseph. Both books have been reprinted as new editions under Messmann's name. You can obtain them HERE.

Just like Gil Brewer, Dean R. Koontz, Hillary Waugh, and Gardner F. Fox, Jon Messmann also authored gothic romance paperbacks. The pseudonyms he used for these novels was Claudette Nicole and Claud Nicole.

After Mack Bolan's saga was unveiled in the hit series The Executioner in the late 1960s and early 70s, publishers began searching for vigilante fiction. In 1973, Signet began publishing a vigilante series called The Revenger, written by Jon Messmann. He crafted these novels through 1975 while also creating and writing another character, Jefferson Boone: Handyman. The sexual escapades of The Revenger's Ben Martin, Jefferson Boone: Handyman, and the Nick Carter series before that, led Messmann to what would ultimately become his meal ticket – Skye Fargo.

By 1978, adult western fiction rose to prominence and was led by a series heavyweight in Lou Cameron's Longarm. The concept was simply to incorporate two to three graphic sex scenes into a traditional western. The main character fights the bad guys and pleases the bad girls. Messmann, following the trend, created The Trailsman series in 1980 for Signet. Like Don Pendleton's The Executioner, Messmann had created an iconic hero in Skye Fargo – lake blue eyes/bed mattress Olympian – and placed him in nearly 400 total installments. Of those, Messmann wrote nearly half up until his retirement using the pseudonym Jon Sharpe. The publisher then handed the series over to a rotation of ghost writers using the Sharpe house name.

Messmann also created the short-lived Canyon 'O Grady western series in 1989 and authored three installments. It was rumored that Messmann had never been to the western regions of the U.S., instead writing every Trailsman and Canyon 'O Grady novel from the comfort of his Manhattan apartment.

Messmann even dipped his typewriter in the romance waters. Using the pseudonym Pamela Windsor, he wrote three romance novels for Jove from 1977 through 1980. He also authored a horror novel called The Deadly Deep in 1976 for New American Library, and thrillers like Phone Call for Signet in 1979, Jogger's Moon in 1980 for Penguin, and the western The Last Snow in 1989 for Random House. He also authored the stand-alone crime-fiction mystery novel A Bullet for the Bride in 1972 for Pyramid.

Jon Messmann died in 2004 at the age of 84 in a New York nursing home. His books are widely circulated and can often be found in just about any used bookstore across America. The fact that fans like myself are still discussing his literature is a true testament of his storytelling talent. Get many of his books and titles right HERE.

Hangman's Territory

Jack M. Bickham (1930-1997) wrote predominantly westerns during his career while also teaching writing at the University of Oklahoma. Hangman’s Territory was half of a 1961 Ace Double later reprinted as a stand-alone paperback.

Our hero is Eck Jackson and he’s on his way to Rimrock, Montana at the request of a friend. The town has been taken over by Ebeneezer Taunt, who is acting as a self-appointed judge, jury and executioner along with a phalanx of gunmen. Taunt has a hard-on for hanging and has erected a six-rope gallows in the center of town to kill a half-dozen men with one lever pull. To bolster the credibility of his fiefdom, Taunt is importing an Ohio lawyer named John Powers to be his public prosecutor.

When we meet Powers, he’s actually an honest and earnest lawyer who accepts the job remotely with a legitimate interest in bringing law and order to a western town. He packs up his wife and heads west to become a public servant to the people of Rimrock. Will he buy-into Taunt’s perverted version of justice or will he stand up for what is right?

Bubbling under the surface of the tensions is a conflict between sheep herders and cattle farmers. Both groups want to use the same public lands for grazing, but the valley upon which the town sits just isn’t big enough to accommodate both the cattle people and the sheep people. In the world of western fiction, this is what is known as a “range war” when things turn violent. For his part, Judge Taunt, his lawman, and his hangman are all siding with the cattlemen.

The comic relief of the novel lies in the character of Boom Boom O’Malley, a redheaded ruffian explosives man who dresses in crazy outfits and is always looking for a fight. The author renamed and rebranded the character later in his career for his Wildcat O’Shea successful series of westerns written under the name Jeff Clinton (Hat Tip to the Six-Gun Justice website for also noticing the same thing).

The author brings all the characters together for an actioned-packed conflict that’s both exciting and violent. Overall, this was a very satisfying, quick-read western and an easy recommendation to fans of the genre. Bickham was a pro whose books deserve to be reprinted and remembered.

Buy a copy of this book HERE.

Blood Red Sun

Stephen Mertz cut his teeth writing hard-nosed action-adventure fiction set in Don Pendleton's Mack Bolan literary universe. In the 1980s, while penning some of the very best Executioner novels, Mertz expanded the scope of his writing by elevating genre fiction into a much broader scale. That successful experiment was Blood Red Sun, a novel first published in 1989 by independent publisher Diamond Books, a company funded by The Destroyer author Warren Murphy. The book was later reprinted by Crossroad Press in 2012, and is now available in a sleek, revised new edition from Wolfpack Publishing.

Unlike many WWII military-fiction novels, Blood Red Sun is unique in its premise and timeline. The narrative takes place in September, 1945, after Japan's formal surrender to the Allied forces following the atomic bombings of Hiroshima and Nagasaki. The book's protagonist is savvy Sergeant John Ballard, a thirty-five year-old fighting man who has spent the majority of the war engaged in combat in the Pacific Theater. What's left of his unit is ultimately just two men, Tex Hanklin and Wilbur Mischkie, both of which play important roles in Ballard's next assignment – preventing the assassination of U.S. General Douglas MacArthur.

In the book, Japan's surrender leads to a fragmented state of affairs for the country's military leadership. Within the ranks of the upper echelon, conspirators exist to prevent Japan's formal surrender to MacArthur. These conspirators refuse to accept defeat and feel that Japan's Emperor, Hirohito, is doing an injustice and disservice to the proud Japanese people. The schemers, all defined as opposing forces of Hirohito, are secretly building their own alliances to counter each other. It's essentially a den of snakes that also involves a proud Japanese flying Ace named Baron Tamura. The Baron's portion of the narrative involves his niece Keiko, a twenty-four year-old woman sympathetic to the Allied force initiative. Keiko also plays a prominent role as a potential love interest for Ballard. 

As a fan of Stephen Mertz's pulpy writing style, and his masterful grip on men's action-adventure writing, I was savoring the opportunity to read Blood Red Sun. Mertz draws on his prior experiences and strengths to create the story. As a fan of his M.I.A. Hunter series, I could see some similarities. 

The characters Ballard, Hanklin, and Mischkie reminded me of M.I.A. Hunter trio of Stone, Wiley, and Loughlin. Like a great M.I.A. Hunter novel, the same type of setup presents itself here when Ballard's team enters the Japanese jungle to retrieve a military leader. They rely on a small band of Filipino guerrillas to help them with the mission. This same sort of scenario was often used as Stone's team entered Asian jungles with an assist from Laos, Cambodian, or “South Vietnamese” guerrillas. Mertz even introduces ninjas into the story, an element that M.I.A. Hunter co-writer Joe Lansdale seemed to fixate on, shown in the series' fourth installment, Mountain Massacre. Additionally, the characteristics of Tex Hanklin was similar to Stone's Texan teammate Hog Wiley. 

These similarities to other Mertz creations doesn't make Blood Red Sun unoriginal or any less enjoyable. Quite the contrary. In fact, it illustrates how Mertz is cohesive and continuous, using his strengths and experiences as a genre storyteller to broaden the narrative. In fact, this is Mertz's most ambitious novel as it incorporates a lot of fine details surrounding WWII, the political landscape of Japan and the U.S. during that era, and famous, historical figures that are featured as characters in the story. Mertz takes some liberty with these characters, but left me feeling as though what he presented in terms of command, dialogue, and behavior, was probably art imitating real life.

In terms of action-adventure, Blood Red Sun has it all. The white-knuckled scenes of Ballard storming a landing strip with all guns blazin' was ripped right out of the pages of a vibrant Men's Action-Adventure Magazine. Mertz's descriptions of walls descending in bullet-hail, prison breaks, Kamikaze dives, ninja attacks and jungle warfare are balanced well with the political, backroom brawling conducted by various Japanese and American military leaders. 

Mertz's novels like Blood Red Sun are positioned on a grander international scale like The Castro Directive (Cuba) and The Korean Intercept (Asia), but still possess the men's action-adventure tropes that make the books way more enjoyable than a bestselling Tom Clancy ghostwritten tech-thriller. Mertz's literary mojo is authentic, extremely enjoyable, and saturated with human emotion that easily conveys to his readers. Blood Red Sun is a scorching red-hot read and I highly recommend it. 

Buy a copy of this book HERE.

The Daring Daylight Raid on Germany's Mile-High Fortress

When I was a kid, a film my father seemed to always have on was The Devil's Brigade. It was originally released in 1968, but played consistently on cable television in the 1980s. The movie starred William Holden, Cliff Robertson, and Andrew Prine as rugged Canadian-American commandos ascending a “mile-high” fortress occupied by the Nazis during WW2. 

Surprisingly, I was thumbing through the December, 1960 issue of Male and stumbled on a story titled, “The Daring Daylight Raid on Germany's Mile-High Fortress”. The title connected me to the movie, and after diving into the story, I realized it was the same real-life account of “the devil's brigade”, complete with artwork by the legendary Gil Cohen (The Executioner). The author is Martin Luray, a name that I'm not familiar with.

Luray's story is more like a traditional MAM informative piece detailing the true story of Major General Robert Tryon Frederick and his leadership of the hybrid Canadian-American military force known as 1st Special Service Force. The team was comprised of 2,400 men culled from prior-military professions like loggers, forest rangers, woodsmen, game wardens, and prospectors. The recruitment for the U.S. volunteers took place in the American Southwest and on the Pacific Coast. 

At 3,000 feet high, Monte La Difensa (known as Hill 960) was a strong-point in the defensive German line strung across the high peaks of Italy. To train for the extraordinary climb and fight, the 1st Special Service Force trained in Helena, Montana, Camp Bradford, Virginia, and Forth Ethan Allen in Vermont. 

In December 1943 and January 1944, the 1st Special Service Force conducted a series of operations at Monte la Difensa, Monte la Remetanea, Monte Sammucro (Hill 720) and Monte Vischiataro. The 1st Special Service Force attacked and captured the enemy forces at the impregnable Monte la Difensa. 

This informative piece authored by Luray inserts various quotes from infantrymen and leaders, including Major General Frederick. While not a stirring, action-adventure narrative, the short story provided an education on this chapter of American-Canadian history while provoking me to read more high-adventure literature. 

Brother and Sister

Do you remember the Don Pendleton series The Executioner? Of course you do, don't be ridiculous. Even a perfect stranger completely alienated from men's action-adventure literature will know who Mack Bolan is. Probably. Anyhow, in the debut of that series, War Against the Mafia, Mack Bolan is in the U.S. military and serving in Vietnam. He receives a letter from home advising him that his parents are dead. So, he comes home and starts banging on mobsters. 

But, if there was a PornHub take on War Against the Mafia, say 17 years before Mack Bolan and 30 years before the internet, it could have a U.S. military serviceman receiving a letter from home telling him that his parents are dead. So, he goes home and starts banging his sister. That's the introduction of Brother and Sister, a Monarch paperback original from 1961 authored by Edwin West, who is none other than the famous Donald Westlake who uses the name Richard Stark to pen the Parker series, the best heist books of all-time. 

Seventeen year old Angie's child-body has developed into voluptuous womanhood. So, she's consistently fighting off the sex-starved Bob by the dim light of the dashboard radio every Friday night. But, she's finally had enough lip-puckering and wants to totally take a low blow. So, she informs heavy-handed Bob that her parents are gone and if he can slip in and out really fast, they can successfully liberate her body from its virgin prison. But, when Bob pulls into Angie's driveway, all of the house lights are on and an old aunt is in the doorway. Angie learns that her parents have both died in a horrible car wreck. Bob's receipt of the news is equally devastating, but in a different way. 

Paul is twenty-one and an Airman Second Class in the United States Air Force. After bedding down a young woman in Germany, he marries her and they both live happily ever after for four consecutive months. But, one day Paul arrives home early and finds his wife serving as a blow-up doll for a another hump-happy Airman (see what I did there?). Paul divorces his slut of a wife, and after a few months receives the devastating news that his parents have died in a car wreck. The only thing he can think of is his little sister Angie. He has to come home quick.

After the funeral, Paul and Angie decide to just live together in their childhood suburban home. When Bob comes over to provide Angie physical therapy to mourn, Paul punches his lights out and sends him packing. After a few days, Paul begins to think of Angie in a different way. Angie begins to substitute Paul for Bob in her own mind. Before you know it, Paul and Angie are doing the nasty and pretending like they are married. It's a lot of incest. I mean a lot.

Thankfully, Westlake throws in a bit of crime-fiction when Paul and Angie's devious uncle appears to claim the house as his through a series of neglected loan payments. Apparently holing up in your dead parents' house committing acts of incest does come with a price. There's a mortgage payment and bills to screw with too. Ultimately, the book's second-half is like a countdown to madness as Paul and Angie begin to question their own sanity. The book's closing pages will be stuck in my mind forever. It was such a wild, crazy romp to the finish with a climax that borders on dark psychological horror. 

Despite how you feel about incest (hopefully we aren't bipartisan on this), Brother and Sister was a thrill to read. Westlake is a masterful storyteller, and even when he wasn't writing crime-fiction, he could stir the emotional suspense. If you love Westlake, this is an easy recommendation. But, if you just want a wild and crazy leap into a PG-13 level sexcapade (nothing graphic here), Brother and Sister is the way to do it.

Buy a copy of this book HERE

Children of the Dragon

From my research, author Frank Robinson is a retired New York judge and an expert on coin values and collecting. He only authored one work of fiction in his short writing career. The book is Children of the Dragon, published in 1978 by Avon. Admittedly, a 450 page paperback isn't normally something I'm interested in reading, but the novel's cover art is extraordinary. It was painted by popular Spanish artist Manuel Perez Clemente, referred to as Sanjulian. His career work includes characters like Conan, Vampirella and magazines like Eerie, Creepy, and Famous Monsters of Filmland. In stereotypical fashion, I was totally prepared to judge a book by its cover. 

As a long fantasy novel, Robinson spends some time building the world the story exists in. It's a fictional place called Bergharran, similar to Robert E. Howard's Hyborian Age. There are regions (countries), dialects, languages, cultures, and so forth that are explained in great detail. But, overall I speculate that Robinson mirrored parts of the book after the Timurid Empire of the 15th century, what is known now as modern Iran, Iraq, Afghanistan, Pakistan and portions of North India and Turkey. Bergharran is experiencing an age similar to a post-Civil War. The Tnemghadi (the North) defeated the Urhemmedhi (the South) and they now rule with an iron fist as a tyrannical empire. The book's sprawling landscape fits the book's narrative, a storyline that encompasses 20ish years of Bergharran history. 

Over the course of time, the book examines several characters and their growth from poverty to royalty, most playing a supporting role to the chief protagonist, a man named Jehan Henghmani. He's married with two daughters, and in the opening pages it is explained that he had been captured by the Emperor of Tnemghadi. Jehan, a bandit by trade, is able to break his bonds and kill the executioner assigned to behead him. Because of this, and his inability to escape the dungeon, the Emperor imposes a strict punishment. He is to be tortured each day for the rest of his life. Any dungeon master that allows this prisoner to die under torture will receive the same punishment as Jehan. Further, he is fed only human flesh. These torture scenes, which is sometimes described in great detail, were extremely vile and disturbing. After years of abuse, Jehan's wife and kids are brought in and raped repeatedly in front of him. 

Eventually, Jehan is able to escape his Hell and begins to create a new group of roving bandits. But, instead of stealing from the Tnemghadi, he wants to destroy them. The next 300 pages are saturated with Jehan's creation of a large military force that collides with Tnemghadi's reign. There are large swaths of land and regions that are slowly devoured through calculated battles. In essence, Jehan rises to become a new leader through military tactics. This is where the problem lies - the book's focus on continental reformation.

Robinson's book is captivating at times, and feels epic – as it should. But, the narrative is bogged down with so much political strife and turmoil that I became exhausted. This isn't a fantasy novel, nor is it science-fiction or sword and sorcery. There is no dragons or magic and there isn't anything cosmic. This is purely a fictional middle-ages type of story with normal people displaying acts of barbarism, brutality, and violence on one another. At times, the torture sequences rivaled one of the most graphic novels I've ever read, Jack Ketchum's The Girl Next Door. This isn't for the squeamish. 

If political intrigue, royalty chess games, and the pursuit of power by ruthless, self-absorbed characters is your thing, then by all means reading this book should be a pleasant experience. Robinson is a great writer and the overall storyline is superb. But, at the end of the day, it's a lengthy book and requires some patience, and I simply don't have it.

Buy a copy of this book HERE.

M.I.A. Hunter #10 - Miami Warzone

M.I.A. Hunter was a series of men's action-adventure novels published by Jove in the 1980s and early 1990s. The series was created by Stephen Mertz (Cody's War, Kilroy) and featured his outlines and editing with a revolving door of authors including Joe Lansdale, Arthur Moore, and Mike Newton. Crime-fiction author and popular blogger Bill Crider (1941-2018) contributed as well with his series debut, Miami Warzone. It is the 10th installment, originally published in 1988 and existing today in digital format through Wolfpack Publishing. 

Miami Warzone is the first domestic appearance of Mark Stone, Terrence Loughlin, and Hog Wiley, the three-man retrieval team effectively known as “M.I.A. Hunter”. The series began with dangerous missions into Southeast Asia to rescue American prisoners held captive from the Vietnam War. Stone's team was working without permission from the U.S. Government, therefore their activities were highly illegal and placed them on a C.I.A. hitlist. But, the American government caught on to Stone's skills in the same way that they caught on to The Executioner. If you can't beat them, join them. So, a U.S. Senator (Harler I think?) in book seven liberates the three hunters and places them on the federal payroll working out of Fort Bragg. You're all caught up now.

In this 10th installment, Crider introduces readers to Jack Wofford, a former teammate of Stone's during the Vietnam War. He even helped to save Stone's life during a nasty firefight at a seemingly abandoned village. In a terrific backstory, Crider tells of how Wofford's brother succumbed to drug addiction and eventually died. To avenge his brother's loss, Wofford went vigilante and began running his own one-man vice-squad. Eventually, he had enough intel and dirt on some of America's most powerful drug dealers. The D.E.A. were impressed with Wofford's talents and placed him on the payroll, similar to what happened with Stone and the C.I.A. But, on a recent undercover buy, Wofford is caught and becomes imprisoned as collateral during a Cuban and Columbian drug war. 

Stone receives a call from Wofford's wife stating that the D.E.A. isn't doing enough to free her husband. The trio takes the job to track down Wofford's whereabouts while also attempting to destroy the drug importing operation devouring Miami. The narrative has a tremendously high body count as the locations include park battlefields, a wild Everglades romp, the ultimate barfight, a mansion blowout, and even a shootout at an airport. 

M.I.A. Hunter isn't Hemingway and never professed to be. Instead, it's a rip-roar, ass-kicking team commando series with explosive action and a slight dose of testosterone humor (Hog is a riot!). As much as I loved the old fashioned “bring 'em back alive” Vietnam rescue missions, the idea of Stone and company working domestically is a nice change of pace. The last two novel locations, the Soviet Union and Nicaragua, were both excellent choices to move this series into another dynamic. Crider's writing style is ultra-violent, but also balances out with a quality story laced with crime-fiction elements, sex, and a buddy cop camaraderie. In other words, this one is a series standout. 

Buy a copy of this book HERE.

Say it was Murder

Stephen Mertz (b. 1947) is a mystery, action-adventure, and short-story writer that has contributed, or created, series titles like M.I.A. Hunter, Kilroy, Cody's Army, and the wildly successful Cody's War. He cut his teeth in the literary world as a Don Pendleton protegee, penning 12 novels in the hit series titles The Executioner/Mack Bolan from 1982-1986. He's utilized pseudonyms like Cliff Banks, Jim Case, Stephen Brett, and Jack Buchanan. But, perhaps his most descriptive name is “Mojo”, a moniker that friends and family (one in the same) use to describe Mertz through the lights, heat, and haze of a blues bar on the edges of a middle-of-nowhere Arizona town. In fact, the author's newest book is a love letter of sorts, an outlet to profess his love for the magical place he resides in.

In Say it was Murder, published in 2022 as a revised version by Rough Edges Press, Mertz describes Cochise County as Big Sky country. This slice of Southeastern Arizona paints the U.S. and Mexico border, a beautiful 100-miles stretch of open prairie and rugged mountains not to be confused with The Grand Canyon, Phoenix, or Tucson. Mertz places his private-eye protagonist, a fellow named McShan, in Bisbee, the real-life, neo-hippie small-town that he frequents. Mertz, through his fictional hero, experiences a profound connection with the area:

The desert will either chew you up and spit you out or will touch you in ways that are as deep and mysterious as they are difficult to express.

The fondness that Mertz fosters of the land and its lush beauty is only rivaled by one thing, his sincere love for crime-noir. In Say it was Murder, the author steps into the shoes filled by his literary heroes like Mike Hammer and Ed Noon. In fact, Mertz's private-eye, McShann could be a nod to private-eye Rex McBride, authored by Cleve Adams and Mike Shayne, created by Davis Dresser using the name Brett Halliday.

Like Mertz's other private-eye, Kilroy, McShan operates out of Denver, Colorado, a city that also holds a special place for the author. McShan is employed by Honeycutt Personal Services, a large agency with offices in every state specializing in detectives, cybersecurity, bodyguards, and kidnapping protection. This enterprise of ex-military and law-enforcement is ran by Miss Honeycutt, a 63-year old heavyset woman that inherited the agency from her father.

McShan's newest assignment is aiding a client named Marna, a divorced mother that hired the Honeycutt agency to find her missing daughter. When McShan arrives in Cochise County, he learns that the woman's daughter, Janine, has joined a mysterious religious sect. As McShan digs into the case, he learns more about Janine's step-father, a wealthy entrepreneur with a very violent streak. Connecting the dots, the case leads into energy and land development, illegal human-trafficking, incest, and the weird cult-like organization that has a grasp on Marna's family. 

Comparisons are made to Ross MacDonald's fantastic Lew Archer series, and that may be valid, but I felt that Mertz's characters were wilder and more diverse. McShan contends with a deadly lesbian biker and her maniacal brother, the town's barber. I also felt McShan was more reserved in his approach, keeping the dialogue, brief and more directly linked to the case. There is a sexy smoothness to Mertz's inclusion of a blonde bombshell, a potential – seemingly obligatory – love interest for the gumshoe hero. 

With its sturdy, well crafted plot, vivid locale, surprise twist, and shocking ending, Say it was Murder is a brisk, highly-satisfying crime-thriller by one of the genre's best storytellers. 

Buy a copy of this book HERE.

The Executioner #104 - Devil's Horn

Remember the one where Mack Bolan becomes the star of the Chuck Norris “bring'em back” alive flick Missing in Action? Well, it never happened, but it should have based on Dan Schmidt's The Executioner installment Devil's Horn (1987), the 104th book in the series. Like a combination of Missing in Action, Rambo 2, and an installment of MIA Hunter, Devil's Horn deposits Bolan and Jack Grimaldi in a Southeast Asia Hellhole as prisoners in a drug cartel's brutal labor camp. Interested? Read on.

When Devil's Horn begins, Bolan is in The Bowery, the Lower East Side of Manhattan Island, trailing the origins of a massive amount of domestic drug imports. His trail leads to Ronny Brennan, a top-tier drug dealer with arms in various criminal factions as a Mob businessman. After Bolan destroys a drug warehouse, he pressures Brennan to reveal the source of a huge opium farm in Thailand. After a furious firefight, Bolan forces Brennan to ride shotgun as drug enforcers and low-level dealers tail the two to a local airstrip where Grimaldi is waiting. Quickly, Bolan and Brennan climb aboard as Grimaldi rockets the trio to Southeast Asia. 

With a large load of armament and equipment, Grimaldi's plane flies over the whereabouts of the drug farm. But, he gets a little too low and the plane is shot down on the outskirts of the farm. While pushing Brennan into the bush, both Grimaldi and Bolan attempt to escape the onslaught of waves of Vietnamese soldiers, hired mercenaries, prison sentries, and drug enforcers. In a scene right out of Rambo 2, Bolan and Grimaldi climb a hill to make a final stand against the invading forces. Eventually, the two are forced to surrender and are ushered into the living Hell of prison life in the jungle. 

A sadistic warlord named Torquemandan controls the Thai drug farm and has two top henchman inflicting years of punishment on the farm's prisoners. Bolan and Grimaldi discover that a large majority of the prisoners are American military prisoners-of-war that have been transported into Thailand by the Vietnamese government. Bolan also learns that there's a CIA spook imprisoned as well as many South Vietnamese prisoners that were allies to the U.S. during the Vietnam War. 

The orientation outlines what Bolan and Grimaldi will expect in their new lives. The duo will join the other prisoners as slave labor. They work from dawn until dusk scraping the sap off of poppy seeds (opium) and placing it in buckets. Their only nourishment is a handful of rice and a cup of water at dinner. Most of the prisoners are on the verge of death and are routinely beaten, whipped, tortured, and killed. Bolan is warned by the prisoners to never eat the meat that is served with the rice - it's the cooked flesh of the prisoners that are executed! After the harvest season, the prisoners will carry 100-pounds of opium on their backs and forced to march 200 miles to deliver it. Most will then be executed or die of exhaustion. 

I read Dan Schmidt's Eagle Force installment Death Camp Columbia years ago and loved it for all of the same reasons I loved Devil's Horn. I enjoy Schmidt's workmanlike writing style and his use of ultra-violent prison settings for both of these novels. Death Camp Columbia was authored just two years after Devil's Horn, and features a similar premise when the four-man mercenary team Eagle Force becomes imprisoned in a Columbian jungle Hell. It was obvious that Devil's Horn served as a template for that particular novel. 

Schmidt is an on-the-nose writer that uses a low dose of gun-porn to describe and detail the harrowing action sequences in his men's action-adventure novels. His style incorporates a violent, gory combination laced with plenty of brutal scenes of torture and dismemberment. If you need “brains bashed into pulpy matter” then Schmidt is your guy. He was an active Bolan scribe and had a great handle on the high-numbered version of the character. In Devil's Horn, Schmidt also incorporates a human element to Bolan's suffering, but also a sympathetic, endearing quality to Bolan's love of American soldiers and the overpowering need to free the prisoners-of-war. I also enjoyed both Grimaldi and Bolan's chemistry while enduring the harsh elements and horrendous torture dished out by Torquemandan's henchmen. Needless to say, good things come to those who wait. The inevitable confrontation was worth the price of admission and felt like a satisfying conclusion to one of the most violent Executioner novels I've read. Devil's Horn is an absolute must-read if you love Mack Bolan. 

Buy a copy of this book HERE.

The Executioner #12 - Boston Blitz

Don Pendleton's The Executioner storms into the American Northeast with its 12th installment, Boston Blitz. After Bolan's flourish of successful run 'n gun tactics on the West Coast, he learns of some troubling news from his old ally and undercover mobster Leo Turrin. Remember Bolan's little brother? That 14 year-old kid named Johnny from the series debut War Against the Mafia? He's been kidnapped from his secretive witness protection blanket at a prep school. Worse, Bolan's “love of his life”, Val, has been captured as well. Remember Val? I don't. But, in looking at the series order, apparently Val was one of three hotties Bolan was banging way back in the debut. I don't remember her since then, but Bolan sure does. 

In one of the strangest novels of Pendleton's early contributions, Bolan invades Boston and kills over 60 thugs over the course of 30ish hours. He guns through the strip joints, gambling dives, whore houses, bars, mobster pads, country clubs, and so forth. None of it is really told in a compelling narrative, only mentioned to the reader as past events. The reader is disconnected from the action. It's an odd book, and a bizarre way of presenting the story. My biggest problem with it is that I still don't know what the book was about as I read the last few lines. 

From what I can gather, there's a criminal named Al 88 that has risen through the underworld ranks to capture some coveted Boston territory. Harry “The Skipper” Sicilia doesn't want this Al dude to start grabbing huge swaths of prime real-estate, so he kidnaps Johnny and Val to lead Bolan to Boston to start mowing down baddies. Or, did Al 88 kidnap Johnny? None of these people are featured as actual characters in the book (that I can remember), only names dropped in fragmented dialogue. There's Al's wife thrown in the mix that loves her husband, but then helps Bolan's execution. Also added for laughs (?) is this Books Figarone, “Attorney-to-the-Mob”, fellow that Bolan saves and uses as a ploy to lead more mobsters to the chatter gun. 

Boston Blitz isn't particularly memorable, but features some old names that we haven't seen in Bolan books for a long time. There's also a mention of Hal Brognola to part the seas and guide Mack Daddy to his next destination, Washington D.C.'s Capitol Hell. Wait, that was a Penetrator novel. But, yeah, D.C. is next for Bolan. 

Buy a copy of this book HERE

Coldiron #01 - Coldiron

F.M. Parker (Fearl Parker) worked in factories as a laborer, herded sheep, served as a bellhop, served in the Navy and is a Korean War vet. After earning a degree in geology, Parker went into mining, oil drilling, and a long career within the Bureau of Land Management. He became a full-time author, penning over 20 westerns beginning with his novel Skinner in 1981. New to his writing, I wanted to experience the author with one of his bestselling novels, Coldiron. It was originally published in 1984 and led to four subsequent novels starring the Luke Coldiron character. It remains available in ebook under the title Coldiron: Judge and Executioner.

What is interesting about the Coldiron series is that the order of the books really doesn't matter after the second installment, Shadow of the Wolf (1985). The books jump around in time, for example Coldiron begins in 1843 but covers a 20 year time period until 1863. The second installment, Shadow of the Wolf, is set in 1864. Distant Thunder, aka Thunder of Cannon, the series fourth installment, is set in 1862. Spoils of War, aka The Thieves, is in 1846. Basically, one could just jump around in the series because the past doesn't matter too much. All you really need to know is that Coldiron owns a large horse ranch (The Steel Trap Brand) in what was then known as the Colorado Territory. 

At 223 pages, this Coldiron novel serves as an excellent, detailed origin story. Beginning in 1843, Parker explains that the trapping industry was nearing the end of an era. Luke Coldiron and his partner are in their fourth year of trapping in The Rocky Mountains (Sangre de Cristo). Through a wild skirmish, Coldiron's partner is killed by a gang attempting to steal furs. This ordeal forces Coldiron to help his partner's pregnant Native-American widow. This new relationship is nearing a long-term romance when she is injured by a mountain lion. She gives birth to a baby girl and then dies. Coldiron then carries the baby into the plains where he gives her to a team of settlers to raise.

Fast-forward 20 years, Coldiron has worked hard to create the best horse ranch within a 500 mile radius. He breeds horses to sell to the U.S. Army and makes great money with his Steel Trap Brand. In the novel's second act, Coldiron faces deadly horse wranglers and an odd visit from a young woman named Cris pretending to be a cowboy. It's no secret that she was the baby that Coldiron gave up. She wants to kill Coldiron for “killing” her mother. It's all a misunderstanding, but makes for an inventive narrative.

F.M. Parker's Coldiron shares similarities with the early William W. Johnstone's The Last Mountain Man, which was published the same year. Both Parker's Luke Coldiron and Johnstone's Smoke Jensen were mountain men trappers turned ranchers. Coldiron has the Steel Trap and Jensen is the Sugarloaf. Both experienced the loss of their mentors in the mountains, both face rustlers and killers, and both are tough as nails. One could say that any western hero worth his salt has all of these same characteristics and history, but the two are written in the same way. 

I enjoyed Coldiron, and loved learning about his origin and how the horse ranch began. There's a small backstory dedicated to Cliff, a former alcoholic that Coldiron saved and put to work as the ranch chef. The story on Cris, the abandoned baby, was presented well and paired nicely with Coldiron's grief over her mother and his partner's murder. The duo of Cliff, Coldiron, and Cris was a great assemblage of characters with different strengths and weaknesses. If you want military-fiction, unbridled western action, a formidable hero, and realistic descriptions of the mid-1800s frontier, then Coldiron is absolutely a must-read. Honorary mention to Parker's depth of knowledge of horses and ranching. This was educational and enjoyable. Highly recommended. Get a copy of the book HERE.

Coldiron Series

Coldiron (aka, Judge & Executioner, 1984)
Shadow of the Wolf (1985)
The Shanghaiers (1987)
Distant Thunder (aka Thunder of Cannon, 1999)
Spoils of War (aka The Thieves, 2017)

Joe Broderick's Woman

In the 1970s, Hollywood became fascinated with the large transport truck, aka “big rig”, “18-wheeler”, “tractor-trailer” or simply “Mack”. Films like Smokey and the Bandit (1977), White Line Fever (1975), Breaker! Breaker! (1977), and Convoy (1978) captured the heart and soul of the blue-collar truck-driving man, albeit with plenty of zany, over-the-top action hijinks that elevated the profession into a type of comic book heroism. The genre swerved into the men's action-adventure lane on occasion, prompting series titles like William W. Johnstone's Rig Warrior (1987) and Bob Ham's Overload (1989). 

Manor Books published an action-adventure-trucker novel titled Joe Broderick's Woman. It was released in 1978 and was authored by a possible “one 'n done” author named John H. Arbor. My internet search produced no other results for the author. Based on the quality of the book, I was hoping Arbor had written more. 

Joe Broderick is the owner and operator of a trucking company in Baltimore called Broderick Lines. Joe is former military and now lives a peaceful and successful life delivering the goods to a hard-earned book of business. In the novel's opening pages, readers gain a glimpse of the trucker lifestyle as more of a business with a secretary, driving crew, and various clients adding shipments to schedules. Not exactly Lincoln Hawk stuff (Over the Top, 1987).

Unbeknownst to him, Joe is married to a mobster's former mistress, a nice woman named Aletha. The two met a few years ago after Aletha successfully escaped the clutches of Sartorius Roth, a New Jersey kingpin. Aletha created a new life for herself, but warned Joe that she has a shady past and that someday her past may catch up to her. Now, pregnant, domesticated, and totally in love, Aletha is finally found by Roth's hired hands. While Joe is at work, the goons break into his house and capture Aletha. 

Arbor's narrative is a three-way presentation consisting of the inner workings of Roth's empire and his right-hand man attempting to unseat him. This presentation also includes Roth's reunion with Aletha and the sentence he serves her. There's some graphic violence and rape as Aletha is thrown to the wolves as a sex servant for Roth's men, ultimately losing her sanity in the torture and abuse. The second presentation is that of Roth's current mistress, a woman named Rosalyn. She is skeptical of Roth reuniting with Aletha and wants to keep her position of power. The third storyline is Joe's hunt for Roth and his plans to rescue Aletha.

As a B-grade action novel, Joe Broderick's Woman wins on all levels. It has a great storyline that isn't far removed from the typical vigilante stories we all love – The Executioner, The Revenger, etc. It's brutal when it needs to be, emotional at the right times, and hard-hitting as a Mack truck when the bullets start to fly. I really liked Joe's character and his progressive relationship with a former mob girl named Darla as well as his team-up with a former military veteran named Hap. The vengeance angle never seemed forced to me, which is a testament to Arbor's patient writing style. It all comes to fruition in due time. 

Whether John H. Arbor is a real guy or not remains to be seen. His style is reminiscent of Jon Messmann, but I don't believe Arbor was a pseudonym he used. With Manor publications, unmasking the identity of authors and artists is like trying to locate an honest representative in Congress. We may never find the answer. But don't let the mystery keep you from enjoying Joe Broderick's Woman. It's an entertaining 1970s beat 'em up that crosses lanes with trucker pop-culture. Recommended. 

Buy a copy of this book HERE

Killinger #01 - Killinger (aka The Turquoise-Yellow Case)

I read something online the other day that said Hell will be attempting to insert a USB into your computer for eternity. The catch is that no matter which side you place up, it will never properly fit. While that form of Hell would certainly warrant good behavior for a lifetime, I have a different version of Hell. It would require the condemned party to be placed on a small deserted island for eternity with an indestructible copy of Keith Parnell's paperback novel, and Hall of Shame inductee, Killinger. 

The front-cover blurb of the 1980 Pinnacle version, placed cleverly beside a rifle-toting, fit-as-a-fiddle Steve Holland, says this about Killinger:

“He likes his wine good, his women bad, and his enemies dead.”

What it fails to mention is that the book is nearly 250 pages in length and that anyone subjecting themselves to one page of this nonsense will suffer unimaginable horrors. This is Roadblaster bad, which is the epitome of bad literature. Whether it slides into the fiction-abomination, smelly cesspool as that novel is in the eye of the beholder, or nose of the sniffer. 

Jedediah Killinger III is retired and lives on a large yacht called Sybaris, docked in uneventful Santa Barbara, California. The boat has a secretary, a Japanese houseboy, 13 flavors of ice-cream, wood carvings of sexual positions, and lots of wine and fresh fish. In his spare time, he works as a maritime insurance investigator. Which brings him into an assignment to look into a shipping junk called Katja that was damaged at sea. Conveniently, the damaged vessel is docked near his own boat.

Killinger's investigation is basically just trying to bed down the daughter of the vessel's owner. He never leaves the dock area, has no actual purpose in the book, and just stands by eating, drinking, and partaking in intercourse with various characters. But, there's a heavy wooden crate on the damaged vessel and two people desire the crate. 

The plot is so dull and boring that it pains me to even outline it here. Two criminals, K.Y. Smith and Count Vaclav Risponyl, both want the crate. But, they feel like they must steal the crate. Think of the old roadrunner and coyote cartoon. There's elaborate attempts to steal the crate, which requires a giant crane, that end in disaster. These attempts are unintentionally comical, convoluted, and completely uninspiring. It's like how a great action installment, like Executioner or M.I.A. Hunter, would have a plot like this for about a half-page just to further the actual plot. Unfortunately, Parnell uses this simple plot for a full 250 page novel. 

Killinger should be avoided at all costs. It's tough, because Pinnacle released two versions, one in 1974 with a different cover and title as The Turquoise-Yellow Case, obviously cashing in on John D. MacDonald's nautical private-eye series Travis McGee and its color-coded naming convention. The 1980 version is simply Killinger. To add lemon juice to the wound, there is a second Killinger novel called The Rainbow-Seagreen Case. Essentially, three opportunities for you to have a Hellish reading experience. Stay alert in the book stores for this literary danger. Handle with care. See something, say something. 

Buy a copy of this book HERE 

Penetrator #03 - Capitol Hell

We've covered the first two Penetrator novels, authored by Mark K. Roberts (odd numbered installments) and Chet Cunningham (even numbered installments) using the pseudonym Lionel Derrick. This was a long-running men's action-adventure series published by Pinnacle in the style of The Executioner and The Butcher (among others). Mostly, this is just fun escapism that's completely disposable. The series is available in audio book format through Books in Motion, narrated by Gene Engene or Kevin Foley, which is typically how I enjoy this series, and in digital by Wolfpack.

In the series third novel, Capitol Hell, Mark Hardin (The Penetrator) witnesses a car crash involving a Mob goon. The criminal's dying breath whispers the word “SIE”, which leads Hardin to a special Washington D.C. club called Societe International d'Elite. This reminded me of Ian Fleming's Moonraker, when James Bond is invited to join the posh club at Blades in London. Hardin not only wants to learn more about the club and its relation to the dead mobster, but also who assassinated the press secretary to the President of the U.S., which just so happened to be Hardin's buddy. 

There's an oddball cast of club members that have established a secret club within the club. They dress in robes, partake in weird chants, and have obligatory plans to take over the world. This club nonchalantly provides hypnotic drugs to the VP and have a strategy to blow-up Airforce One, which is utterly ridiculous. Also, once the club takes control of the U.S. (and I guess the Speaker of the House, Senate leader, and Secretary of State) they will force more military chaos in Latin America to increase their profits.

For the most part, Capitol Hell is a fun ride filled with outrageous moments of unintentional hilarity and wild action-adventure. Hardin is nearly indestructible, gets laid by two women, and fights this clandestine cult-club on a golf course and in old Williamsburg, Virginia. His tools of the trade are his trusty Colt Commander .45 and a dart gun (1 dart for sleepy, 2 for death!). These books tend to connect to each other in small ways, and Capitol Hell connects to the last two events in Los Angeles and Vegas. It isn't necessary to read them in order I suppose, but why not? If you are taking the trouble to track down the series, buy them in sequential order. 

Get the eBook HERE.

Monster Man

In 2011, authors Paul Bishop (Lie Catchers, Penalty Shot) and Mel Odom (The Executioner, Hellgate) each wrote and self-published a pulp-styled boxing novella. The books were so well received, a brand was created called Fight Card. Various authors would try their hand at crafting a 25,000-30,000 word novella centralized around boxing in the 1940s and 1950s. The ebooks were published under a house name of Jack Tunny with physical editions printed with the author's real name. The brand created spin-offs like Fight Card MMA, Fight Card Now, Fight Card Luchadors, and even Fight Card: Sherlock Holmes. 

My introduction to the Fight Card series is an installment called Monster Man. It was authored by Jason Chirevas and published in 2014. It has also been included in a three-book omnibus titled Under the Lights and Heat, a collection of three connected Fight Card novellas written by Chirevas. In 2019, Chirevas contributed a short story to Paul Bishop's collection Bandit Territory: Ten New Tales of Murder & Mayhem and he created and authored the western series Ames & Fyre. 

Monster Man, set in 1953, stars a talented young boxer named Ben Harman. He grew up an orphan in St. Vincent's home for boys in Chicago. After the Army, Ben found that he was a gifted and natural boxer. Rising in the ranks of the fight game, Ben meets an unlikely fate one night in Albuquerque, New Mexico. His powerful right hand fatally injures his opponent in the ring. The death leads to Ben's removal from the big-time fight game. 

The narrative then moves to Toronto and readers learn that Ben is now paired with his old friend Pete. Together, the two are running a fight scam from city to city. The gimmick is that Ben fights in amateur bouts and he either takes a dive (pretending to be knocked out so he loses) or he runs a hustle and fakes that he is brand new in the fight business, then proceeds to knock out the city's local champ. Either way, Pete makes the bets depending on the scam, and the two pocket the money evenly. The catch is that they can't be seen together and they have to conduct business east of New Mexico so no one will recognize Ben as a former pro. But, where does “Monster Man” fit in?

Ben is suffering from the early onslaught of acromegaly, a disease in which an individual's hands, feet, forehead, nose, and jaw grow disproportionately due to an increased hormone growth. You may remember WWE Hall of Fame legend Andre the Giant as the most famous human to have acromegaly. But, there was also 1933 world heavyweight boxing champion Primo Carnera, which influenced the author's decision to write the main character in this way. Throughout the story, Ben researches the disease in all of the town libraries he visits. He also reads up on Carnera's condition. Ultimately, Ben begins to suffer severe pain in his wrists and hands and he fully understands what his future entails.

Monster Man absolutely shines like a classic mid-century crime-noir, fitting in the most rudimentary staples that the genre possesses – gambling, criminals, romance, money and an examination of the average human condition. Like Clark Howard's masterful 1967 crime-fiction novel The Arm, Monster Man emphasizes the gambling addiction – bad, worse, and worst – but introduces a love interest that steadily begins to chip away at the criminality factor. The “monster” isn't Ben, it's the game. In a clever twist, Ben falls for a prostitute named Vicky, a once beautiful, aspiring actress that now has a physical flaw. Ben and Vicky share the same imperfections, and they are both caught up in a life of crime. 

I read a lot of fiction, from the greats to the aspiring authors that still have some rows to ho. In my experience as a reader, Jason Chirevas proves that he is truly something special. He has a unique talent to convey so much emotion and drama in his wording. I felt invested in the characters and sympathized with their predicament. There's no easy way out, and Chirevas' doesn't short-change anything. 

Monster Man is gritty, entertaining, and wildly unpredictable. It caters to boxing fans, crime-fiction readers, and anyone that just loves an engrossing story. While I hung on to the ending for dear life, I'm relieved to know that Ben and Vicky's story continues in the 2015 follow-up Job Girl. Look for my review of that in the coming days. 

You can buy Monster Man as a Kindle stand-alone ebook HERE or the omnibus Under the Lights and Heat as digital or physical HERE.

Doctor Death #01 - Doctor Death

Author Herb Fisher (1932-2001), a North Philadelphia native, began writing as a sports editor for his high school. On a football scholarship, Fisher attended Temple University and majored in journalism. Nicknamed Herbie or Fish, the author gained employment at Cherry Hill's East and West high schools as an English and Drama teacher while also coaching football. 

Beginning at age 55, Fisher had enjoyed writing so much that he wrote five screenplays, a novel and two television scripts. His agent suggested that one of the screenplays would be better suited as a book. The screenplay, Doctor Death, was whittled down to an epic novel. Eventually, that was trimmed and edited into a four book series of men's action-adventure paperbacks published by Berkley. The first novel, simply titled Doctor Death, was published in 1988 with misleading cover art and blurb. After reading it, I feel strongly that Herb Fisher deserved better treatment from his publisher.

Upon first glance, Doctor Death appears to be a late 80s cash grab targeting Mack Bolan fans. The concept of a Vietnam vet returning home to become a vigilante had become stale by the late 1970s. Dozens of movies and hundreds of books utilized the formula and most of them are all entertaining to a degree. But, after reading the first 100-pages of Herb Fisher's book, I began to understand that this isn't a cookie-cutter, “law in your own hands” styled action-adventure. It's much better than that.

The book's 18-page prologue takes place in the green jungles of the Mekong Delta in 1969. Army Special Forces (Green Beret) Sergeant Kyle Youngblood is fiercely defending an American camp as a large Vietcong battalion attack. As his fellow soldiers die, Kyle experiences a range of emotions from shock to raw, animalistic anger. Using grenades, mortars, wire, and guns, Kyle is able to hold the line while bleeding from a leg wound. When a backup platoon arrives, they find Kyle unconscious and nickname him “Doctor Death.”

The first chapter places the narrative in the present day where Kyle is now a farmer in Silver Lake, Nevada. He's living a happy, quiet small town existence with his wife and two young children. Everyone in town is fond of Kyle and considers him a hometown hero. In the opening chapters, readers are introduced to the Fallon family. They reside 25-miles west of Kyle and control a large portion of the Las Vegas underworld. In a backstory, it's explained that Marty Fallon was shot by rival mobsters and paralyzed from the waist down. He controls the action from a wheelchair in his posh, enormous mansion. His sons are screw ups, but they maintain a portion of the mob action. The youngest, Buddy, is Marty's pride and joy. But, Buddy is a wild man, sort of a juvenile delinquent right out of a 1950s crime-noir. He's a buck-wild drinker, gambler, and womanizer partying through life with his father's endless supply of money.

On Kyle's trip into town to purchase supplies, he makes a poor decision to stop in Andy's Place for a quick drink. Buddy is inside, backed by two enforcers, drinking and talking smack to anyone who will listen. Surprisingly, Kyle ignores all of it as a promise to his wife that he won't fight again. But, when Buddy's Lincoln and Kyle's beat-up pickup truck collide in the parking lot, all Hell breaks loose. Kyle is happy to swap insurance cards, but Buddy wants to swap fists. Provoked into the fight, Kyle ends up injuring the two enforcers and killing Buddy. The town sheriff is owned by the mob, so Kyle is jailed even though the fight was self-defense.

The court releases Kyle on bond, but he can't escape the trouble. When Marty learns that Buddy is dead, he places a hit on Kyle and his family. Several enforcers attempt to kill his family, but Kyle survives. In the book's third act, Kyle and his family are thrown to the wolves by the local law enforcement. They allow a mob army to descend on Kyle's farm to obliterate everything standing. The book's finale has Kyle defending the farm in the same manner as he did in Vietnam. But, instead of Army supplies, Kyle is left to make an unusual defense using farming tools and household items. The final battle is nothing short of spectacular. 

Herb Fisher gets everything right with Doctor Death. Kyle is an admirable protagonist and his willingness to sacrifice himself for his family transcends from the printed page to the beating heart. I cared about these characters and raced to the end just to learn of their fates. But, it's the little details that Fisher includes that make all of the difference.

So many books and films miss key moments to build small side-stories that will later become important events later. Fisher gets it. In the beginning, Kyle learns that the store owner doesn't have the ammo he needs. Instead, he has to settle on an undesirable caliber. This will play a large role in the book's finale. Or, something as simple as Kyle aiming a rifle, but placing extra shells between each of the fingers on his left hand for easy reloading. This reinforces battlefield experience. It's a statement that Kyle is a believable hero. Fisher even adds in the fact that the sheriff doesn't remove his hat when talking with Kyle, but the deputy does. It solidifies a good relationship, an alliance, between the deputy and Kyle. These little things are important. 

While I'm sure Fisher was delighted that his books were published by Berkley, the publisher misled the consumer. Kyle isn't the “M-16 vigilante of Vegas” like the cover suggests. I recently acquired the second and third books of the series and they have equally frustrating covers. While I enjoy The Vigilante, Sharpshooter, The Executioner, and so forth, Doctor Death isn't that type of debut. It's a different presentation and style, a screenplay to the extent that it fits into a novel. In other words, make an appointment with Doctor Death and take your damn medicine. 

Buy a copy of the brand new edition HERE

The Penetrator #02 - Blood on the Strip

With the success of The Executioner, Pinnacle began creating titles that captured the action-oriented, vigilante feel. In 1973, the publisher released The Target is H, the first novel of The Penetrator series. It ran a total of 53 installments under the house name of Lionel Derrick. The odd numbers were written by Mark K. Roberts and the even installments by Chet Cunningham. I enjoyed the series debut and wanted to revisit the character. The second entry, Blood on the Strip, was published in October, 1973.

Cunningham begins the novel with an eight-page prologue recapping the character's origin story and events from the first book. The series can be read in any order and features hero Mark Hardin as a Vietnam veteran fighting crime vigilante style. He's aided by two behind-the-scenes allies in Professor Hawkins and a Native American named Red Eagle. This opener explains that Hardin destroyed a California mob family and he's now prowling Las Vegas searching for his next mission.

The book's opening chapters has Hardin detonating charges at a talent agency called Starmaker. After, he heads to Professor Hawkins and Red Eagle to summarize events in Vegas. Thus, his recount to them makes up this entire novel and explains the sequence of events that led to Starmaker's fiery destruction. I like when books start with the conclusion and then map out how these events developed. It's like starting with the Oreo stuffing.

Hardin meets a young woman named Sally Johnson, an aspiring model and actress trying to earn a living in Vegas. At a restaurant bar, she advises Hardin that the talent agency she is using wants her to begin stripping and prostituting. When she refuses, they issue violent threats. When Hardin attempts to escort Johnson to her car, he's jumped by enforcers of the agency. Sally is cut to shreds and left to bleed out in the parking lot. Thankfully, she's rushed to the hospital and Hardin begins assembling a plan of attack. 

Cunningham's narrative keeps a steady pace as Hardin investigates the agency and its owner. In what will become a familiar formula, the investigation leads to some hit and run tactics destroying parts of this immense criminal empire. The villain behind the agency is like a knockoff female nemesis of James Bond. She keeps sex slaves locked in cages and eventually captures Sally to lead Hardin to her enforcers. Readers know how the story ends, but the ride is a lot of fun.

Since this was Cunningham's first Penetrator novel, I think this installment is a feeling out process. Hardin doesn't necessarily behave in the same manner in future novels and it becomes less elementary and neanderthal. Roberts had a better version of the hero in the debut, but Cunningham eventually finds a connection to the character and delivers equally enjoyable installments (so I've been told). If you love  the 1970s men's action-adventure genre, The Penetrator is in the upper echelon.