Conversations - The Book Graveyard

In this episode of Paperback Warrior: Conversations, our host joins forces with Nick Anderson of YouTube’s Book Graveyard to unearth a haunting treasure from 1953 — The Brooding Lake by Dorothy Eden. Originally published twice by Dell, this classic gothic novel drips with atmosphere, mystery, and psychological tension. Together, they explore what makes The Brooding Lake a true gothic masterpiece — from its stormy setting to its shadowy secrets — and put it to the ultimate test: Does it pass The Guide to Gothics checklist? Along the way, they draw uncanny parallels between Eden’s mid-century suspense and David Lynch’s Twin Peaks, revealing how both works blur the line between beauty and menace. Tune in for literary analysis, dark nostalgia, and a touch of the uncanny — all in one brooding conversation. Listen on any podcasting platform or stream below. You can also watch this as a video presentation HERE.

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The Sinister House of Secret Love #01

DC Comics flirted with the gothic romance/suspense genre with a couple of titles in 1971. The Dark Mansion of Forbidden Love, originally published in September/October 1971, ran four issues before abandoning the gothic romance feel for more of a horror anthology flavor under the new title Forbidden Tales of Dark Mansion. DC's other venture into the genre was The Sinister House of Secret Love, which also launched September/October 1971. Again, it ran four issues before abandoning the gothic romance tropes with its new title Secrets of Sinister House. I wanted to give The Sinister House of Secret Love (what a name!) a try, so I read the first issue.

This debut is titled “The Curse of the Macintyres”. It was written by Mary Skrenes, a veteran scripter that also contributed to The Dark Mansion of Forbidden Love, House of Mystery, House of Secrets, Young Love, and Detective Comics. The artwork is by the famed Don Heck, a talent that touched hundreds of comic titles during his illustrious career. 

In the opening pages, Rachel's father is dying. On his deathbed, he tells Rachel he has a formula that will make her rich, but he stresses that she hide his journal, go live with her cousin Blair, and to beware of the Macintyres Curse. Included in the first chapter is the initial meeting between Rachel and Blair at her father's funeral service, Blair's explanation that his wife died, and that he has a young son named Jamie. He asks that Rachel be the boy's tutor and she accepts.

Days later, as Rachel is traveling to Blare's dilapidated mansion, she receives ominous warnings from the train conductor and the coachman. Inside the mansion, Rachel meets Blare's dwarf cousin, Jamie, and the family maid. She's warned to never go to the third floor, which is a bold invitation in any gothic romance paperback. Eventually, Rachel learns that Blare may have a split personality and his sister may be a giant lunatic living upstairs.

The book's narrative features several attacks on Rachel, her romantic involvement with Blare, and the inevitable origins of the family's curse stemming from genetic deformity. I enjoyed the homage to The Strange Case of Dr. Jekyll and Mr. Hyde, and the gothic romance overtones that saturate nearly every page – new job, stranger in a strange land, atmosphere, supernatural rumors, the giant mansion, and of course, the vulnerable beauty striving to escape her newfound prison.

The Shadow Guest

Hillary Waugh was a successful author that wrote numerous novels including a police procedural series starring a Connecticut Police Chief named Fred Fellows. His stories were published in mystery magazines like Alfred Hitchcock and Ellery Queen and the slicks like Cosmopolitan. Like so many accomplished authors like Gil Brewer, Jon Messmann , and Dean Koontz, Waugh delved into the gothic-romance and suspense marketplace in the 1970s. His novel The Shadow Guest was originally published in 1971 by Victor Gollancz in the U.K. and Doubleday in the U.S. However, Dell capitalized on the book by marketing it as a gothic paperback in 1972.

Waugh introduces readers to a prosperous 34 year-old New York architect named Howard. He meets a 20 year-old actress, Angela, and the two develop a relationship and eventually marry. However, Angela develops a mental condition that spirals into paranoia and depression. After working through the debilitating condition, Angela begins to get well and Howard moves the couple to London to work on a large building contract. But, it is Howard's turn to become ill after suffering a heart attack.

Angela finds a seaside cottage on the western shore of England and convinces Howard, who's now in a rest and recovery mode, that the two should move there. Hesitantly, Howard agrees and the couple move in to a previously abandoned home titled Heather Cottage. But, the house has a haunting history.

According to various townsfolk, Heather Cottage is haunted by an “angry man”. Three years prior a young couple had died in a horrendous car wreck on the winding road leading to the house. Howard is quick to dismiss the claims, but the two have a housekeeper named Beverly that is a rumored psychic. She has an incident upon first entering the home. But, the bulk of Waugh's narrative concerns sinister events that haunt the couple.

Howard typically is awakened each night by the sounds of macabre laughter downstairs. There's also a mystery surrounding the home's attic with a light that consistently turns itself on. Angela is haunted by nightmares and visions of a bloody man wearing an Army coat. Howard eventually sees the same man on the couple's front lawn. What is happening at Heather Cottage?

It is debatable on whether The Shadow Guest is a genuine gothic. It has the familiar tropes – vulnerable people moving into a rural dwelling and experiencing supernatural or mysterious events that are difficult to explain to side characters that aren't eye witnesses to these events. That's the mainframe of gothic-suspense paperbacks. However, Waugh mixes it up by having two main characters instead of one. There's also the structure with Heather Cottage being a much smaller house than the typical vast estate or mansion. Additionally, instead of just having one character experiencing strange events, there are two. These make the book a little bit different and unique compared to the standard gothic fluff. 

Whether it is gothic or not doesn't influence the quality – The Shadow Guest is a wonderful reading experience with a prevalent mystery that left me guessing until the very end. The book's finale and afterthought left me fully satisfied. The narrative breezes by with Waugh's easily readable prose and each detail in the novel ultimately pays dividends in the book's finale. 

You can watch a video of me and Nick Anderson of The Book Graveyard reviewing the book in great detail HERE. Also, you can purchase the book HERE. 

Paperback Warrior Primer - Norman Daniels

Norman Daniels (Norman Arthur Danberg, 1905-1995) was a prolific author that experienced tremendous success in the pulp market before creating a second career writing numerous paperback originals, novelizations, and television tie-ins in a variety of genres. He used a multitude of pseudonyms and even collaborated with his wife Dorothy, a sensational paperback writer that specialized in gothic-romance titles. I presented the author's life and literary work on a podcast episode HERE, but wanted to provide a text on this workaholic writer that has seemingly vanished from the reader radar.

Here's a Paperback Warrior Primer on Norman Daniels. 

Norman Arthur Danberg was born in 1905 in Connecticut. He attended both Columbia and Northwestern University. Daniels' first published story was "The Death House Murder", which appeared in Detective-Dragnet magazine in 1932. That same year he saw his stories in magazines like The Shadow Detective Monthly, All-Detective Magazine and Gangster Stories. The December 1933 issue of Thrilling Detective featured a story called “Cold Steel”. This was an important moment for Daniels because it secured a relationship with the pulp powerhouse Standard, which was owned by Ned Pines. They produced a ton of titles in the 30s and 40s and competed with the equally productive publisher Street & Smith. 

Daniels was asked by Standard to pen stories starring their pulp hero The Phantom Detective. From my research it shows that he wrote over 30 installments of the series. After a little bit of a downward curve in pulp sales, the publisher began to think of new ways to gain readers. The idea was to create new heroes. Norman Daniels came up with the idea of The Black Bat character and placed him in Black Book Detective magazine in July 1939. I have a review for the first Black Bat story HERE.

Daniels not only created The Black Bat, he also had a hand in writing, and if not outright creating, a slew of other titles like Dan Fowler G-Man, The Crimson Mask, The Eagle, The Candid Camera Kid, Captain Danger, The Masked Rider, Range Riders as well as also writing for the rival Street and Smith publisher with their pulps like The Avenger, Crime Busters, Doc Savage, The Feds and the popular The Shadow Magazine. 

The author's Masked Detective character debuted in Masked Detective in 1940. It ran for 12 total issues with a 13th story appearing in Thrilling Mystery. Daniels wrote the first few issues of the series before handing the project off to the other work-horse authors of that era like Sam Merwin Jr. and W.T. Ballard. I reviewed the first appearance of the character HERE.

The author proved to be extremely busy in the 1940s writing shorts for the likes of Romantic Range, Army-Navy Flying Stories, Popular Detective, G-Men Detective, Sky Fighters, Clues Detective Stories, Crack Detective Stories, Thrilling Detective, and Exciting Navy Stories.

The birth of the paperback in the 1950s would be a welcome mat for Daniels to increase his productivity. Using a variety of pseudonyms, Daniels went to work on creating a number of full-length novels that appeared in paperback format. While he was writing for this new format, he continued to write shorts for the magazines and pulps like Western Romance and Mystery Detective. But his paperback output really flourished at this time.

Under the pseudonym of Mark Reed he wrote sleazy books for publishers like Falcon and Rainbow. Books like Street of Dark Desires, The Nude Stranger, Sins of the Flesh, House of 1000 Desires. As David Wade, Daniels wrote at least six books - Come Night, Come Desire, Raise the Devil, She Walks by Night, Bedroom with a View, Only Human and Walk the Evil Street (review HERE). Under the name Norma Dunn he wrote Lida Lynn, Shack Girl, The Twist and Another Man in your Life. Under his real name of Norman Daniels, he produced novels like Mistress on a Deathbed, Sweet Savage and Bedroom in Hell.

While writing a lot of 1950s paperbacks, Daniels also wrote television scripts. According to IMDB, Daniels penned scripts for shows like Alfred Hitchcock Presents, Sugarfoot, Colt. 45, Zane Grey Theater, Ford Theater and General Electric Theater among others. In the 1960s, Daniels incorporated television novelizations and tie-ins into his repertoire with books based on shows like Arrest and Trial, Sam Benedict, The Smith Family, Chase, The Detectives, Ben Casey, Dr. Kildare, The Avengers, etc.

Also in the 1960s, Daniels created an eight-book spy series called The Man from A.P.E. starring a secret agent named John Keith. That series ran from 1964-1971. I read and reviewed the debut HERE. Daniels also wrote a two book series of spy novels starring a CIA agent named Bruce Baron. These were The Baron of Hong Kong from 1967 and Baron's Mission to Peking from 1968. He also wrote a stand-alone spy novel called Spy Hunt in 1960 (reviewed HERE). 

He wrote for a number of other publishers in the 1960s including several WW2 novels like Moments of Glory, Battalion, and Strike Force (aka Killer Tank, reviewed HERE). 

Daniels also wrote another short series starring a California police chief named Kelly Carvel. These books were The Rape of a Town in 1970 followed by One Angry Man in 1971 and concluding with License to Kill in 1972. I reviewed the series debut HERE.

Daniels also submerged himself into the marketable medical thriller and hospital trend. He authored titles like The Surgeon, Savage Heart, Jennifer James RN, Stanton Bishop MD and The Tarnished Scalpel.

In the 1970s, Norman Daniels began delving into the gothics genre. Daniels wrote many of them under the name Angela Gray. Some title names were The Ashes of Falconwyk, Ravenswood Hall, Watcher in the Dark and The Warlock's Daughter. He also wrote them under the name Suzanne Somers. These had titles like Mists of Mourning, Until Death, The House on Thunder Hill and House of Eve. He also used the name Cynthia Kavanaugh to pen gothic romances like The Deception and Bride of Lenore. He also wrote at least one under the name Geraldine Thayer, a novel titled The Dark Rider.  Daniels even wrote some gothic-romance novels under his wife's name to leverage her market value and name.

Norman Daniels was very prolific because he knew the paperback trends and pop-culture. He wrote what was popular at the time and hinged much of his success on what was selling at the cinema. If spy films were popular then he wrote espionage thrillers. Once the gothic market took off he was quick to jump into that concept. When WW2 and high-adventure became a trend, Daniels was quick to place his efforts in that niche. 

Norman Daniels died in Camarillo California in 1995. Much of his literary work, journals, notes and manuscripts were donated to Bowling Green University where they remain available for anyone wishing to browse the author's work. His wife Dorothy, who sold over 10 million copies and wrote over 150 novels, passed away in 2001.

Conversations - The Book Graveyard

Eric collaborates with Nick from The Book Graveyard channel to review the 1971 gothic paperback The Shadow Guest. They also explore the gothic paperback scene of the 1960s–80s, focusing on its mix of supernatural and mystery elements. The discussion is available as a podcast you can stream below and as a video on The Book Graveyard channel HERE. I encourage you to watch the video version to see book covers and our physical interaction discussing this great novel. 

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Annalisa

Forbes Rydell was a pseudonym for crime-fiction author Deloris Stanton Forbes (1923-2013) and Helen B. Rydell. The two collaborated on four novels including Annalisa, originally published in 1959 in hardcover. Thanks to Cutting Edge Books, the book is finally back in print 63 years later as both an ebook and paperback. 

Dana Hebert takes a leave from the military to return to his hometown in Louisiana. His younger brother Claude is marrying a childhood friend named Annalisa. It is Dana's hopes that he can convince Claude and the family to cancel the wedding to secure his brother's safety and sanity. But, what does Annalisa possess that could create such a deep harboring resent within Dana's tortured soul?

Through murky flashbacks, readers learn that Dana and Claude's parents were murdered by Annalisa's mother in a jealous rage. The two brothers were raised in a grand estate owned by Annalisa's Grand'mere. It is here in this half-castle that the two befriended young Annalisa and the three grew up together. 

Dana's reunion is met with stiff opposition from Claude, a frustrated young man that feels Dana is in love with Annalisa. Grand'mere seems to know more about the brothers' past but has withheld murderous secrets from the family. Additionally, Grand'mere's sister Celia warns Dana that a killer is stalking the halls of Bon Plaisir. As the wedding grows nearer, Dana and Claude return to their parent's derelict abandoned mansion to search for answers regarding Annalisa and who may have really been behind the smoking gun that night. 

Annalisa is a well-written, patient Southern Gothic that dangles all of the answers just a few inches from captivated readers. As the narrative unfolds, the mysteries of Dana and Claude's family is unveiled in a rewarding fashion. The old cemetery, cavernous mansion, and sweeping Spanish moss provides enough rainy day atmosphere to enhance this enjoyable mystery. If you love Mignon G. Eberhart, Elisabeth Sanxay Holding, and Elizabeth Fenwick then Annalisa is sure to please. Recommended. Get it HERE.

Paperback Warrior Podcast - Episode 115

It's another investigative Paperback Warrior episode! In this feature, Eric delves into the murky life and career of crime-fiction, science-fiction, and western writer Louis Trimble. The noir author wrote over 80 novels and dozens of stories for the pulp magazines in the 1940s, but was mostly known in Europe for a controversial book celebrated by the Soviets. Plus, Eric reviews a creepy 1959 Southern Gothic novel titled Annalisa and reviews one of his favorite YouTube channels. Stream the episode below or on YT HERE. Also, you can download HERE. 

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Dark Shadows #03 - Strangers at Collins House

Paperback Library published the Dark Shadows paperback novels that tied to the television show. The series was authored by goth king William Ross beginning with the 1966 eponymous debut Dark Shadows. I've been torn on the series thus far, enjoying the second novel Victoria Winters more than the plodding starter. I decided to keep the porch light on and continued with the third installment, Strangers at Collins House, published in 1967.

The through story thus far concerns young Victoria Winters, a governess working at an enormous seaside mansion in Maine titled Collins House. Her employers are Elizabeth and Roger Collins, siblings that occupy the house and share an empire of wealth created by the fishing and canning business – although in this novel it is suggested that the Collins family made their fortune from the 19th century slave trade business. Victoria grew up an orphan and is desperate to learn who her real parents were. 

The “strangers” of Collins House in this novel is a reclusive man named Henry Collins, Elizabeth's elderly uncle. He brings along a suspicious caregiver named Benjamin and Benjamin's son, the chauffer named Jack. Before their arrival Elizabeth reveals to Victoria that Henry actually has his own room at Collins House but it is a secret quarters hidden behind a closet. Inside the room Victoria sees that it is decorated as if it is a New York apartment from the early 1900s.

When Henry arrives the chaos begins for Victoria. She begins seeing a female apparition that calls her name from afar. Additionally, Henry behaves in a strange manner and pines for a lover he once had – a lover that was found dead in a parking lot during the height of her singing career on Broadway. Soon the murder attempts begin as always. Victoria stumbles in the dark wine cellar, is nearly killed by a runaway motorist, and is intimidated and threatened by a sinister nighttime roadblock. Par for the course. 

Strangers at Collins House was an okay mystery that delves into Victoria's possible relationship with Henry and her unlikely connection to the dead singer. Admittedly, I was holding out hope that by the book's end Victoria's self discovery would be fulfilled. Maybe it was? In the meantime the book has enough atmosphere and shady characters to keep the pages flying. I enjoyed the book and now it's two books to one that Dark Shadows is an entertaining series. Get the book HERE.

Paperback Warrior Podcast - Episode 107

On this spook-filled episode, Eric takes listeners through the darkened hallways and staircases of gothic-romance novels. His feature today looks at the most prolific author of all-time, William Edward Daniel Ross. He wrote over 350 novels of gothic-romance, nurse-fiction, and short-stories. He also authored the 32-book series of Dark Shadows paperbacks that were tie-in novels to the popular supernatural ABC television show. In addition, Eric reviews a 1990 vintage horror novel about a killer amusement park and reads a short-story by Stephen Mertz titled The King of Horror. Stream the episode below or HERE and be sure to check out the companion video HERE.

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Dark Shadows #02 - Victoria Winters

I’ve been making my way through the literary work of William Ross, evident with seven of the author’s novels reviewed right here on the blog. Ross used a myriad of pseudonyms throughout his career to become the most popular and prolific scribe of gothic paperbacks through the 1960s and 1970s. His body of work also contains 33 paperbacks that serve as television tie-ins to the supernatural soap opera Dark Shadows. I read and reviewed the first installment, Dark Shadows, and wanted to revisit the series in hopes of a better experience. I plunged into the foggy seaside village of Collinsport for the series second installment, Victoria Winters (1967).

As I mentioned in my Dark Shadows review, these stories have their own continuity and feature ideas and characters that don’t appear in the television show. For example, Collins House features Roger Collins, a middle-aged man who doesn’t appear in the television show. In the first novel, young Victoria Winters takes a job at Collins House as a governess to Elizabeth’s nephew David. In Victoria Winters, Victoria has a few weeks off from work due to David and his cousin being away from Collins House on holiday. This sets up the book’s premise for Victoria to be tormented again by ghosts and human foes.

Elizabeth agrees to allow a businessman named Henry and his two daughters a temporary residence at Collins House. Henry’s daughter Dorothy is recuperating from a brain surgery and will need her older sister Rachel and the quiet salty air of Maine’s coast to rehabilitate.

Victoria soon begins seeing a mysterious woman in Collins House that resembles a dead woman named Stella Hastings. How can she be alive after plunging from a cliff to her death? To complicate things more, Vicki sees a figure lurking around Roger Collins’ boat. There’s also a mysterious man named Paul Caine who professes to be an artist, yet knows nothing about art. Like most of Ross’s novels, and the novel before this one, Victoria is attacked numerous times and the list of suspects ranges from the groundskeeper to Henry himself. When attacks aren’t happening, the author sprinkles in Victoria’s nightmares to pad out the pages (a common trait with Ross).

Victoria Winters is actually a pretty good crime-fiction mystery. If you take away the fact that this is a Dark Shadows novel, and strictly read it as a stand-alone mystery, then I think you’ll be more appreciative of the slow formula. There is a great deal of dialogue, like Dark Shadows, but the development is quick, and the overall mystery is compelling. The suspect list is a diverse one and I must admit that the abandoned wing of Collins House is creepy even without vampires and werewolves stalking the corridors. If you enjoy Ross’s gothics, or just like a confined mystery, then Victoria Winters is a fine choice. Recommended. 

Buy a copy of this book HERE

Dark of the Moon

William Ross used combinations of his name, as well as pseudonyms like Marilyn Ross, Clarissa Ross, Dan Roberts, and Ellen Randolph to write hundreds of gothic paperbacks through the 1960s and 1970s. I’ve mostly focused on his stand-alone novels like Dark Legend, Phantom Manor, and Secret of MalletCastle. Browsing my Ross collection, I stumbled on one with an awesome sci-fi styled name and font – Dark of the Moon. The glorious painted cover was created by talented artist Carl Hantman, known for his illustrations adorning western paperbacks by Zane Grey, Max Brand, and Louis L’Amour. The book was published in 1969 by McFadden Books using the author’s middle name of Dan. Gothics are my guilty pleasure, so I opened the door to another creepy mansion.

The book is set in 1869 in the aftermath of Abraham Lincoln’s assassination and the ending of America’s Civil War. The protagonist is Julia, an heiress to a large estate that consists of a large mansion in New York. Julia’s marriage to a Chicago businessman named Gregory Hunt prompts strict scrutiny from Julia’s only remaining relative, Aunt Cornelia. She hires an attorney to investigate Hunt’s background. The findings aren’t positive.

Gregory Hunt lost the family fortune in the nation’s banking crisis. All that’s left is a mansion in Chicago and his meager salary as a minor officer for a New York bank. Julia is willing to dismiss Hunt’s misfortune, deciding that character is more important. However, the attorney discovers a dark past in the Hunt lineage. Gregory’s father was an alcoholic, and his brother, Norman, had a reputation for wildness. Norman was tied to the murder of a young girl that led to him leaving the country to travel abroad. Similarly, Gregory’s uncle on his father’s side was also tied to the murder of a young girl. After an investigation he was charged and executed for the crime. Not exactly a fruitful family tree.

In a peculiar sequence of events, Gregory advises Julia that he must take care of affairs in Chicago and departs immediately. Weeks go by with no word from Gregory. Later, she learns that the Chicago estate was sold and that Gregory, and his mother, moved to a farm in upstate New York. The rattled Julia decides to travel to New York for a surprise visit. When she arrives, Gregory is irate.

The author then descends the familiar literary path of placing near death experiences in Julia’s path. She’s nearly trampled by a horse, crushed by a falling chandelier, and shot. But she escapes the murder attempts while dealing with Gregory’s psychopathic tendencies, his bizarre mother, a deranged Hunt cousin, and a British military leader. Of course, Ross must pad the narrative with descriptive nightmares that plague the main character, an element that the author uses in almost every story to create action.

Is Dark of the Moon any good? It depends on your patience level and overall interest in the repetitive nature of gothic romance. Crime-noir typically uses the innocent man-on-the-run as a formula staple and these gothics utilize a vulnerable woman caught in a wicked love affair that is traditionally set in a mansion. The genre is nearly cookie-cutter in its storytelling, but the way the story is presented is key – atmosphere, a thick dread, a hint of the supernatural, and a strong female lead. Under that curriculum, Dark of the Moon is a passing grade. Recommened. 

Buy a copy of this book HERE

Message from a Ghost

Those of you familiar with our goth reviews will recognize the name William Ross, a Canadian author that wrote hundreds of novels in the genre including over 30 books in the Dark Shadows television tie-in series. His pseudonyms include Marilyn Ross, Clarissa Ross, Dan Ross, Dana Ross, Laura Brooks, Lydia Colby, and a host of others. I've read over a handful of the Ross goths and the mileage varies. I decided to try his 1971 stand-alone novel Message from a Ghost, authored under his Marilyn Ross pseudonym and published by Paperback Library. 

The book is set in present day 1971 and features a rich protagonist named Gale Garvis. Her father died and left both her and her sister Emily millions, including a robust house in Connecticut. As the novel begins, Gale is returning home after winning several high-profile swimming competitions and discovers that Emily has become a superstitious hippie. The free-spirited sister has invited another hippie to live with the family and this deadbeat smokes all day and plays with the Ouija board. Practical sister Gale isn't having any of it and demands that the hippie beat it (there's also fear that the hippie will do anything to support his marijuana fix!). He soon skedaddles, but not after delivering a stern warning that the estate's attorney is out to kill both Gale and Emily. The girls' dead father told him through...you guessed it...the 'ole Ouija board.

After a heated argument with Emily, Gale is encouraged to take a two-week vacation at a resort. The author makes good use of this transition by surprisingly positioning the story in a different location outside of the cavernous mansion. At the resort, Gale befriends a married couple, but also sees the evil drug-induced hippie working there in the shadows. Gale strikes up a number of other flirting friendships with stockbrokers and attorneys, including a brief exchange with a mobster. 

After the two weeks, Gale is persuaded to allow the married couple to drive her back to her home in Connecticut. But, the idea was a ruse to drug Gale. She wakes up in an old abandoned theater to the sounds of an organ. She sees the married couple and another bad guy from the resort and they are all behaving like lunatics. Things escalate when a deviant midget shows up wearing a mask and toting a gun. What is the “message from a ghost”?

William Ross's novel is really three different books – the first with the hippie stuff in Connecticut, the wining and dining at the resort, and the third as a sort of creepy prison-break story. While they all connect, it reads like three different books. The situation with Gale kidnapped in the old theater is obviously the best of the three. This last act features a number of near-escapes, a little gunplay, the crazy midget, and a sense that this nice woman could be raped and bludgeoned all exist to tighten up the narrative. There's also the possibility that a dead actress's ghost may be haunting the building. But, if you know your gothics, the supernatural is typically super rare. The reason for Gale's kidnapping hooks the readers, but the final reveal is preposterous. 

If you enjoy William Ross's traditional “beauties running from the big house”, then this is a fresh change of pace that combines goth with a mystery crime-fiction element. Message from a Ghost received loud and clear – get the book cheap or free for a satisfying read. Otherwise, you may regret the few bucks you did spend when the final reveal occurs. 

Buy a copy of this book HERE

Fog Hides the Fury

Paul Hugo Little (1915-1987) authored novels in genres like historical-fiction, romance, erotica, gothics, and crime-fiction. Supposedly, Little authored over 700 novels in his career, averaging a novel every week and a half beginning in 1963. He used numerous pseudonyms like Marie de Jourlet and Leigh Franklin James. My first experience with Little is his gothic novel Fog Hides the Fury. It was published by Magnum in 1967 under the pseudonym Paula Minton. 

Arlene Dade inherits her family fortune when her father dies in an automobile wreck. The fortune stems from a shipping business created by her great grandfather. Since she was a young girl, Arlene has been living with her Aunt Clara, a sickly woman plagued by asthma attacks. After graduating college, Arlene begins an honorary career of attending her company's legislative and leadership meetings to determine the future of the company.

After having her purse snatched at a local restaurant, a young man springs into action and runs after the thief to retrieve the purse. Arlene marries the man, and later discovers that his family had partnered with her family in the shipping business until things went sour to create an amicable split. Could this whole purse-snatching skit just be a sham so that the man can get Arelene to fall in love with him? Is he secretly hoping to marry into her fortune to gain a free ride on easy street?

Unfortunately, the plot is revealed just like it sounds. There is no shocking twist here, as Aunt Clara even predicts the book's ending. At 218 pages of large font (Easy Eye edition), Little simply goes through the motions of writing a narrative about Arlene's life. Her childhood, high school, college, marriage, and discovery of her husband's deceit is all wrung out of this boring, plodding narrative.

Magnum lists “gothic” on the book's spine, but the novel doesn't really have much in common with a gothic aside from a large house (in San Francisco for God's sake) and some thick fog. It's missing the mysterious painting, rumors of ghosts on the upper floors, the family curse, and a penchant for the dark and spooky. Granted, there's a shoreline, a family secret, some bumps in the night, and two deaths, but nothing that stands out as atmospherically “goth”. 

If you are wanting a predictable romance novel, then by all means track this one down. If you want entertainment, look elsewhere. The book is average at best.

Buy a copy of this book HERE

The Secret of Mallet Castle

The Secret of Mallet Castle was originally published with a horrific juvenile cover by Arcadia House in 1966 under William Ross's popular pseudonym Clarissa Ross. I can't bring myself to even show you that artwork here, so you'll need to check it out on your own. The book was later published by Manor in 1977 with a more traditional gothic cover under the name Dan Ross. In the middle of these publications was a McFadden-Bartell with perhaps the best cover, that was published in 1967 under the name Dan Ross. This version was also used by Paperback Classics for their 2023 audio edition (available on CD and Audible) narrated by Romy Nordlinger. 

Eve Grant is a scrub nurse working at a hospital in Ohio. She receives a strange message from a law firm indicating that an uncle she never knew of has left her an immense fortune in his will. For the record, I will inherit debts from every family member I know and don't know. These things only happen to cute paperback nurses, teachers, and nannies. The deal is that she will inherit the fortune and a large castle that was carefully constructed in Cape Cod. Her uncle is terminally ill and near death, but the law firm would like Eve to go to the castle at once to meet the man before he dies. 

Ross does a great job of characterization by having Eve hesitant to inherit the fortune, instead wishing to concentrate on her own career to make her own way. For the record, if this event happens to me, I'm capitalizing on whatever Hell the family member had to endure to earn his or her fortune. My lousy sales agent job with an insurance company can take a hike. I'll make my own way with other people's money anytime. But, Eve does visit the castle and is introduced to her uncle's wife, a snobbish older retired Hollywood actress who is angry with Eve because she gets the bulk of the money. Also, Eve is introduced to her uncle's caretaker, a former Hollywood director or agent that is slightly over-the-top and seems to have a particular disdain for Eve.

Eve's closest ally and friend in the novel is a local town surgeon, who immediately strikes up a romantic connection. But, the narrative consists of Eve being nearly killed by the caretaker, her uncle's son-in-law, and a brutish former pro-wrestler that serves as a type of house bodyguard. Unpleasant things happen to Eve to the point where she questions the motives of her uncle's people. But, where is the uncle in all of this?

Despite Eve's best efforts, she is routinely blocked from meeting her uncle. His keepers seem to have an agenda to keep Eve from physically meeting him. The mystery introduced to readers is whether her uncle is really alive. If he isn't, then who is the man they claim is in the west tower? Also, is there any actual truth to the rumors of a floating apparition in the castle hallways? Is the castle haunted, is it inhabited by murderers, or is this a figment of Eve's imagination stemming from exhaustion? 

This is one of the best gothic novels I've read by William Ross. It certainly follows the formula of a female protagonist in danger within a large structure, but there's enough variety here to make it enjoyable. Eve is a stronger character than some of the prior gothic beauties, and the twist at the end actually threw me off a little. This may also be the first gothic I've read that had the main character packing heat. Needless to say, the ending went out with a loud bang. Overall, The Secret of Mallet Castle is worth a listen or read.

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Mistress of Orion Hall

We keep reading and reviewing the robust body of literary work by the talented author Jon Messmann. From men's action-adventure titles like Nick Carter:Kill Master, The Revenger, and The Handyman, Messmann was a total success story, contributing to hundreds of paperback titles while creating one of the highest selling adult-western series titles of all-time, The Trailsman. While he was busy entertaining red-blooded American men, Messman also authored romance novels and gothic-suspense paperbacks for the ladies. Using the name Claudette Nicole, Messmann authored more than a handful of these books for the top tier paperback publisher of the time, Fawcett Gold Medal. 

Cutting Edge Books have released nearly all of Messmann's romance, vigilante, nautical-adventure, and gothics, including The Mistress of Orion Hall. It was originally published by Fawcett in 1970, and has remained out of print until now. This new edition of the novel is available in both paperback and ebook versions with updated cover art. 

The book begins in an interesting way, the death of the book's title character, the Mistress of Orion Hall. But, this was simply an early flashback to “long ago” when a woman was killed in a massive mansion by men in shrouded hoods. Needless to say, the book quickly moves to present day Vermont by introducing the protagonist, a young woman named Lisa. 

Like any good gothic paperback premise, Messmann knows that he needs a reason for the young female character to inhabit a large mansion on a rocky seaside bluff. Lisa needs to be an unemployed nurse, teacher, or nanny, or a newlywed returning home with her dashing new husband. Oddly, this one is fairly simplistic. Lisa speaks Greek and her Aunt Maggie is reopening the family's long abandoned mansion in Cyprus. She needs Lisa to come and live at the mansion and become a language translator for the many guests destined to stay at the luxury house. 

The journey with Maggie to Cyprus is met with a number of deadly occurrences. First, Lisa is nearly killed on the ship trying to save her aunt from falling overboard during a storm. Once she arrives at the mansion, she is pushed over the cliff and nearly perishes on the rocky coastline. An auto accident occurs as well, leading Lisa, and Maggie, to suspect that the mansion is either haunted or someone is attempting to stop the house's grand opening. 

In some ways, this traditional gothic tale reminded me of Frank Smith's gothic titles written under the pseudonym Jennifer Hale. The idea of the main character discovering an old painting of a woman who looks just like her is a common genre trope. Smith used it as a main plot point in his 1973 novel The Secret of Devil's Cave. With the central mystery of who, or what, is stalking the Orion Hall inhabitants, Messmann carefully walks the balance beam of presenting a physical murderer or a supernatural entity. If you've read one gothic or read them all, the answer is always the same. But, kudos to the author for allowing some nautical action to play a big part in the book's finale. Interesting enough, when Messmann unveils the answer to the mystery, it resembles a plot he used for his 1972 action-adventure novel A Bullet for the Bride. 

Like most of Messmann's literature, The Mistress of Orion Hall is another entertaining novel that follows paperback traditions of the time. Whether it has aged well is in the eye of the beholder, but I found it to be on par with his other gothic titles. Cutting Edge Books has nearly all of them at affordable prices, so there is plenty to choose from. 

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The Bleeding House (aka The House)

Hilda Lawrence (1906-1976) was a pseudonym for Hildegarde Kronmiller Lawrence, a mid-20th century author that wrote four novels in the 1940s. Nearly all of the books feature the characters of Mark East, a private investigator in Manhattan, and two New England spinsters, Miss Beulah and Miss Bessy. My only experience with the author is her last published work, Duet of Death. This 1949 offering consists of two short novellas – The Bleeding House (aka The House) and Death has Four Hands (aka Composition for Four Hands). 

Cutting Edge Books has recently published new editions of The House and Composition for Four Hands. Each novella is featured as a paperback and also collected digitally in the omnibus Best Pulp Noir Fiction Volume Nine: Four Hardboiled Novels. I chose to concentrate my efforts on The House. 

The book is presented in first-person by Isobel, a young woman living in a large, cavernous mansion left to her by her late father. Her dull days are spent under the constant scrutiny of her callous mother. Her only enjoyment in life is spying on her neighbors, a group of middle-aged cousins and friends that indulge in drinking affairs that typically involve rumors of Isobel's father, her mother, and her household. 

Through's Isobel's recollections, readers learn that Isobel's father died under mysterious circumstances. He acquired a terminal illness and spent his dying days with blue-collar men at a nearby labor camp. But, his death was linked to a tragic, fiery car accident on a road between the two dwellings. 

In the book's opening chapters, Isobel begins seeing a mysterious figure in the house. Her father's dog, which she inherited after his death, senses that the stranger may be a family member. Other signs begin to appear that perhaps Isobel's father isn't really dead. Is she mentally experiencing things she desires or is something supernatural occurring? Lawrence's spongy narrative twists and turns as Isobel, and her cavalier fiance, attempt to unravel the family mystery. 

As a veteran of 60s and 70s Gothics, it was interesting to see Lawrence using that same formula 15-20 years before the genre's paperback boom. Arguably, the author was inspired by Mary Roberts Rinehart, who cleverly invented some of the genre's consistent tropes in her early 1900s fiction. Atmosphere is key to these stories, and I felt like Lawrence missed an opportunity here. Otherwise, the book's central mystery, defining characters, and the obvious Gothic overtones were a real pleasure to experience. If you enjoy these cozy mansion-mysteries, then The House is worth visiting. 

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Dark Shadows #01 - Dark Shadows

Paperback Library published 33 Dark Shadows novels from 1966 through 1972. These gothic paperbacks were based on the American soap opera that ran on ABC television from 1966 until 1971. The paperbacks were authored by popular gothic author William Edward Daniel Ross under his pseudonym Marilyn Ross. Thankfully, these novels make up a stand-alone series that can be read independently of the television show. They re-create the show, evident with this first paperback, the eponymous Dark Shadows, capturing most of what occurs in the Dark Shadows debut episode. But, the paperback series changes some of the characters and even adds new ones that aren't featured on the television version. Thus, it creates its own universe and continuity. If you want to avoid sappy daytime television reruns, then this paperback series is exactly what you need. Plus, it is completely affordable as audio books on CD or on your favorite streaming service like Hoopla or Audible. 

In Ross's series debut, young Victoria Winters arrives in the fictional Maine seaside village of Collinsport. Readers learn that she was orphaned as a baby and she never learned who her parents were. Money was mysteriously supplied to her throughout her upbringing in the form of a mailed check. Now, she is ready for her next job as a governess to a young boy at Collins House, an enormous mansion that houses over 40 rooms. 

Meeting the family, she discovers that Elizabeth Collins Stoddard hasn't left the house in nearly 20 years. Her brother, Roger Collins, is a single guy that possesses a rather dull outlook on life in between his routine cocktails. There's also Carolyn, a rambunctious, spunky young adult that finds relief from the boredom at a local bar. But, the most interesting character is that of Ernest Collins, a symphony violinist that experienced the death of two loves. The first was his wife Elaine, who supposedly died in a car accident. The second was a lover that threw herself from Widow's Hill, a place far above the rocky shore where women apparently jump to their deaths. 

Throughout the narrative, Victoria is tormented by an unseen stalker that plays tricks on her. At night she can hear heavy breathing and footsteps outside of her room. She finds a creepy mask hanging from her ceiling and is attacked in the dark cellar. The scariest moment for Victoria is when her car suddenly loses control and crashes. Of course, Elizabeth and others refuse to believe that anyone is stalking Victoria. But, the mystery points to Ernest as a possible suspect.

Unfortunately, this debut Dark Shadows paperback is a dull, uninspiring read. Ross utilizes long, drawn out dialogue to pad the book's length, leaving readers lulled into a bored mood with the pointless conversations. The attempts to scare or harm Victoria are few and far between, leaving very little activities to keep readers enthralled. Further, the atmosphere is described as sunny and warm, which left me disconnected from the television visuals of the old seaside mansion draped in fog. If I didn't read the title or the “Victoria Winters” name, I never could have guessed this was a Dark Shadows book. In addition, both Elizabeth, Ernest, and his lovers are not included in the television show.

Perhaps the series will improve with more of a supernatural element. Barnabas Collins, despite appearing on the cover of at least one printing of this specific paperback, doesn't appear in the series until the fifth installment. In the meantime, steer well clear of this dud.

Bloodroots Manor

Author Jon Messmann cut his teeth writing for the Golden Age of Comics before moving into full-length novels. At the height of men's action-adventure fiction, Messmann created and authored the vigilante series The Revenger, the Travis McGee-styled Logan books, and the enormously popular adult western series The Trailsman. But, Messmann also capitalized on the gothic paperback craze of the 1960s and 1970s. As Claudette Nicole and Pamela Windsor, Messmann authored a number of gothic mystery and romance novels for Fawcett Gold Medal and Pyramid. Cutting Edge Books has published a number of Messmann titles in new editions, including his gothic paperbacks like Bloodroots Manor. It was originally published by Fawcett in 1970 and has been out of print for more than 50 years.

Nancy Hazleton married a man named Dirk and the two set off for a “happily ever after” life in New York. But, Dirk refused to become intimate with Hazleton and often placed her in audacious stunts to impress his friends. In a wild chain of events, Nancy realizes that Dirk has been attempting to murder her throughout their short marriage. During a life or death struggle, Nancy escapes Dirk's wrath and he plunges to his death. Nancy is placed into a mental hospital to rehabilitate.

After regaining her mental stability, and working through her horrendous past, Nancy becomes enrolled in an interior design school. Upon graduation, Nancy is hired by a man named Samuel Howell to redesign his spacious country house. As the book begins, Nancy is riding a train to Deepwell Junction in the rural mountains of Kentucky. When she arrives late at night, she is shocked to discover that Deepwell Junction's train station is an abandoned husk. Further, the directions leading to Howell's estate lead Nancy to a large abandoned house that's severely damaged. To escape a thunderstorm, Nancy takes shelter inside of the old dwelling. In a terrifying sequence, a horribly disfigured man emerges from the shadows and attacks Nancy in the house. She attempts to escape through the forest and collapses. Is this a nightmare or reality?

At 150 pages, I read Bloodroots Manor in one sitting. Messmann was such a craftsman and he builds this narrative into a crescendo of mystery and white-knuckle suspense. Nancy's exploration of the mysterious town, the Howell family legacy, and her relationship with a local historian all add small ingredients to the much larger mystery. Messmann conveys a real sense of isolation and panic as Nancy contends with the idea that she may have been lured into a deadly trap. Each chapter felt like one more step to some grisly discovery. 

If you love the traditional, atmospheric haunted house tale and the “evil thing down the hall” type of storytelling, then Bloodroots Manor is an easy recommendation. With its cursed heirs, family secrets, phantoms on the hillside, and cavernous mansion, this one has everything we all love about the old fashioned gothic novel. 

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The Haiti Circle

Our coverage of beautiful women running from scary places continues with The Haiti Circle, a 1976 gothic paperback with the name Marilyn Ross on the cover. The author is really William Edward Daniel Ross, a prolific Canadian writer that authored over 50 gothics in the 60s and 70s. A few of his books have been published as audio books recently by Paperback Library with narration by Romy Nordlinger. 

In The Haiti Circle, a woman named Agnes is suffering from the recent loss of her mother. After a nervous breakdown, Agnes journeys to Haiti for a vacation and a life reset. It is here that she meets a Creole doctor named Martinez, who immediately falls in love with her. Understanding she is a teacher, Martinez introduces Agnes to wealthy widow Mr. Dodge and his daughter Germaine. Agnes learns that Germaine's mother committed suicide by jumping from the high walls of Seacrest, the family mansion. Now, Germaine is in need of a tudor and caregiver.

Once Agnes starts her new job, she begins hearing rumors of voodoo rituals on the island. There are a number of shady characters living at Seacrest, so speculations runs rampant on which white people are involved in the voodoo cult. Agnes is targeted by some sort of curse that places a tarantula in her bed and bats in her room. Further, Agnes sees a “zombie” outside of the mansion and learns it is a link to a prior suicide before the Dodges took ownership of Seacrest. 

Ross uses essentially the same character as the female protagonist in each of his novels. Agnes is the same cookie-cutter character as Jan (Phantom Manor), another Jan (Dark Legend), Victoria (Dark Shadows series), and Stella (Fog Island) – teacher/tudor, vulnerable, single, unsuspecting. The mysteries are numerous, which makes the book a little more tolerable. Also, the idea of a zombie and the whole voodoo-cult-thingy is just wacky enough to make the book interesting. I had a few guesses on who the culprit was, but the ending surprised me. 

The Haiti Circle is one of the better Ross novels I've read. Recommended for its spooky ambiance, a number of compelling characters, and a surprise ending. I also enjoyed the audio book version, although I'm tired of Nordlinger's narration. 

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Paperback Warrior Podcast - Episode 97

On Episode 97, Eric and Tom collaborate for a comprehensive feature on Jon Messmann, the prolific author and creator of The Trailsman series, The Revenger, The Handyman, and numerous Nick Carter: Killmaster novels. Eric also reviews Messmann's stand-alone action-adventure novel, Bullet for the Bride. Tom reviews a vintage crime-fiction paperback called The Mob Says Murder by author Marvin Albert and Eric offers insight on his new projects with Brash Books and Cutting Edge. Listen on any podcast app, paperbackwarrior.com or download directly HERE.

Listen to "Episode 97: Jon Messmann" on Spreaker.