Nightmare Child

Author Ed Gorman (1941-2016) was a prolific author that wrote series titles like Jack Dwyer, Dev Conrad, Tobin, and Sam McCain. He also used pseudonyms like E.J. Gorman and Robert David Chase to pen stand-alone novels. My experience with the writer has mostly been his western contributions, but I found that he wrote many horror novels using the name Daniel Ransom. Books like Toys in the Attic, The Forsaken, and The Babysitter are genre fun published by paperback pushers like Zebra. My first sample of Gorman's horror novels is Nightmare Child. It was published in 1990 by St. Martin's Press. 

The book's opening paragraphs informs readers that a married couple named Jeff and Mindy are driving in an air-conditioned BMW on a hot August afternoon. In the car's trunk lies a dying nine -year old girl – Mindy's little sister Jenny. By the time the couple arrive in a secluded forest little Jenny has perished from heat and lack of oxygen...which was the plan all along. Mindy needs Jenny dead and buried so she can inherit her uncle's fortune. 

The next chapters occur three-months later. Jeff is banging a co-worker at his advertising firm and Mindy is busy eating Swiss Cake Rolls and working hard brainstorming about the intended exercise regiment she plans to achieve. Next door is the book's main character, a widowed woman named Diane. Diane loved Jenny and often cared for her. But, Jenny has been missing for months and the police fear she is dead. 

Everything changes one afternoon when Jenny appears at Diane's house and asks to come inside. Then Nightmare Child begins to live up to its name with a traditional creepy kid outing that features young Jenny attempting to enact vengeance upon the couple that killed her. Diane seeks help from the local sheriff, creating a romantic chemistry as the two struggle to learn who or what Jenny really is. 

Gorman can write just about anything so traditional horror isn't outside of his wheelhouse. But, I felt this book wasn't indicative of his storytelling prowess. The book's main activity is experiencing the weird things that happen next door as Jeff and Mindy accept Jenny's mysterious return. Diane is suspicious when the couple begin acting strange (like getting nude and prancing around in the snow) and begins to investigate all of this weirdness. I attempted to suspend disbelief and go with it, but logically the plot has holes that could swallow Nebraska. I felt like at some point police or a medical staff would check Jenny's pulse. But, that's my “minor” complaints of Nightmare Child. Read and enjoy, but don't expect a revelation.

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Wolf Moon

From pseudonyms like E.J. Gorman, Daniel Ransom and Robert David Chase, Edward Gorman's body of literary work is rather diverse. From horror to crime, action to western, Gorman's career was prolific and varied, producing over 60 novels. Along with the four-book frontier series 'Guild', many fans also choose the stand-alone western “Wolf Moon” as one of his finest.

Gorman's passion for crime-noir is clearly evident in this violent western tale. Despite it's turn-of-the-century setting, the author utilizes many genre tropes to propel this gritty narrative forward. While readers enjoy the paperback’s melancholic prose - draped over characters like a bed sheet - I'm entranced by Gorman's talents to weave a simple plot into such a grandiose spectacle. By the book's fiery finale – the gnashing of teeth in a fog of gunsmoke – the story feels much bigger than it really is.

Young Chase is first introduced to readers as a southeastern hayseed plow-boy. His brothers Don and Glen conspire with a bank manager named Schroeder to rob his bank and split the money. Chase tags along to help his brothers, only to watch Schroeder double-cross the gang and fatally shoot Chase’s brothers. Making off with the cash, Schroeder leaves Chase to become ensnared by the authorities.

The novel's early portion focuses on Chase's 12-years in prison, a grueling, graphic account of utter brutality. During that time, Chase keeps a tender correspondence with his childhood sweetheart, Gillian. Shortly after learning that the unmarried Gillian moved to a western town named Rock Ridge, Chase is officially freed. After a rewarding reunion with Gillian, Chase settles into civilian life and begins building for the future.

After taking a deputy job working for notorious Sheriff Hollister (no background checks then), Chase discovers that Schroeder, using the guise of a wealthy businessman named Reeves, is now managing a bank in Rock Ridge. Wanting revenge for the loss of his freedom and brothers, Chase must balance life on a triple beam. Will he settle into his new life or possibly jeopardize his new family's safety by seeking retribution?

Gorman poignantly presents the classic western tale – traditionally simple and effective. Yet, portions of the narrative expand into the story of an aging wolf, a character that retains a larger role in Chase's life. Like good crime-noir, elements such as the bank heist, double-cross, love interest and gunplay are consuming and important. Additionally, by setting the paperback at the turn of the 20th century, the author incorporates the smells of burning oil and telephone wires to add a more modern touch.

While certainly not flawless, Gorman crafts his westerns in a way that no one else can. “Wolf's Moon” maintains stark traditionalism, and for that reason the average western fans will embrace it. But seasoned, well experienced genre readers will appreciate the fact that Gorman provides some fresh footprints while treading familiar ground.

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Leo Guild #01 - Guild

Edward Gorman (1941-2016) authored over 60 novels in a wide variety of genres ranging from horror to crime. His many pseudonyms included E.J. Gorman, Daniel Ransom and Robert David Chase. Some of his most beloved literary contributions are westerns, notably the four volume 'Leo Guild' series published between 1987 and 1991 by Ballantine.

The series debut, “Guild,” introduces readers to bounty hunter Leo Guild. In a backstory, we learn that Guild was a lawman who accidentally killed a young girl while pursuing criminals (like Lawrence Block's Matthew Scudder). Mercifully, Guild is found innocent of murder and is released to face his own demons. Burdened by heavy guilt while seeking retribution, Guild is now a middle-aged bounty hunter in the 1890s.

The story begins with Guild escorting a prisoner into the small town of Danton. Guild stumbles onto a murder mystery as a local banker is found dead. The culprit seems to be a drunken ex-circus performer named Earle, but Guild has second thoughts after talking with the man's young friend, Annie. Having no real allies, Guild agrees to look into the murder for Annie but is surprised to find that Earle has apparently committed suicide by hanging himself. Fearing that the law may be covering up the real murderer, Guild's pursuit of justice makes up the novel's narrative.

Like many westerns before and after Guild, the plot introduces the stereotypical villain in a rich playboy named Frank. As the son of wealthy land developer Mason Cord, Frank's silver spoon is Danton's bank. Guild learns that Frank had gambled and lost four-thousand dollars to Earle. Further, Frank is apparently draining the bank's assets in a frivolous attempt to purchase liberal amounts of both whiskey and prostitutes. This overwhelming evidence points Guild's guns at Frank in hopes of bringing justice and peace to Annie and her slain friend.

While telling a familiar tale, Gorman writes with enough conviction to captivate readers. I read  the 184-page novel in nearly one sitting, as evidence of the book's easy flow. There's a number of interesting characters – the rehabilitating criminal Maloney, the endearing widow Ruby, lovable Annie and of course our sole hero, the darkly complex Leo Guild. For action fans, Gorman injects a fair amount of gun play, but the storytelling and character development is the real trophy here.

“Guild” is a rock solid treat for western fans.

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