The book's first story is “At the Mountain of the Moon-God”, a sequel to Robert E. Howard's “Black Colossus” story that first appeared in Weird Tales in 1933. That story was adapted to comic form in the second issue of The Savage Sword of Conan by Roy Thomas, who takes the writing reigns to pen this sequel to Howard's original story. The art was created by both John Buscema and Pablo Marcos.
After the events of “Black Colossus”, Conan and a Khoraja princess named Yasmela are enjoying each other's company. However, a messenger climbs through the window carrying a warning that Yasmela's brother, King Khossus, is being held prisoner in Ophir. The messenger dies but passes a scrawled map of Khossus' whereabouts – the Mountain of the Moon-God. Conan makes the decision to journey to Ophir to liberate Khossus despite the qualms of a Prince of Stygia now serving Yasmela. Unfortunately, Yasmela's servant steals the map and delivers it to the King of Koth. The King of Koth wants to capture Khossus as well so he leads a badass named Sergius to the Mountain of the Moon God. Thankfully, Conan arrives and there's a three-way tussle to free Khossus.
This was an entertaining story perfectly penned by Thomas to incorporate so many elements and layers to this otherwise standard search-and-rescue tale. The artists create two formidable foes in Captain Geballus and Sergius, both possessing facial expressions that would stop a clock. The story's ending puts to rest this chapter of Conan's life.
“The First Barbarian: Chronicles of the Sword Part II” follows next. It is a continuation of the essay written by Lin Carter dating the sword-and-sorcery origins and Howard's acknowledgment of Clark Ashton Smith. He cites Smith's Atlantis stories as an inspiration on King Kull.
The next story continues Gil Kane's Blackmark novel with “The Testing of Blackmark”. The first two issues of Savage Sword of Conan introduced this post-apocalyptic hero. In this story, Blackmark is hurled into savage gladiator games by King Kargon. The main event is a highly touted match between Blackmark and the Flame Lizard. I enjoyed the story and liked the connection to a character from Blackmark's childhood. Kane's art is always delightful as he introduces another element to Blackmark mythos with a silver rocket. That will be the highlight of the next Blackmark adventure.
Next is “Kull of Atlantis”. The editors explain that in the early days of the Conan comic-magazine (I assume they are referencing Conan the Barbarian), Barry Smith and Roy Thomas toyed briefly with the idea of a Kull of Atlantis comic book. What follows is seven pages of Smith's artwork with quotes taken from Robert E. Howard's “Exile of Atlantis”. It is interesting to see that Smith draws Kull just like the early issues of Conan the Barbarian, complete with the same face and horned helmet. I'm fairly certain some of the character's poses and positioning were repurposed for Conan the Barbarian or vice-versa. Conan the Barbarian's first issue was in 1970 and this magazine was published in 1974. It would depend on what the editors are referring to as “the early days of the Conan comic-magazine”. My guess is that these drawings of Kull came after Conan the Barbarian's debut.
The last story is an adaptation of Bjorn Nyberg's “The People of the Summit”, originally published in The Mighty Swordsmen in 1970 by Lancer. Roy Thomas changed the title to “Demons of the Summit” and the artist is Tony deZuniga.
"Demons of the Summit” features a twenty-something Conan taking a job as a mercenary to serve King Yildiz of Turan. Conan is provided the role of makeshift sergeant and ordered to lead a small army of Turanians into the Khozgari Hills in hopes to bribe and threaten the restless tribesmen from raiding Turan's lowlands.
The Khozgari are brutal barbarians and they ambush the Turanian force leaving only Conan and a fellow soldier named Jamal alive to escape. The two are spotted by the daughter of a Khozgari chief, Shanya, and Conan takes her hostage to secure a safe pass back to a Turanian city. But, to avoid any unnecessary engagement, Conan decides to take the trio across the Misty Mountains. The chief's daughter begins screaming at Conan's decision and swears they will all be killed by the mysterious people there.
I read and reviewed Nyberg's short story recently and found this adaptation by Thomas a much better narrative. The inclusion of a ghastly leader named Shangara vying for control of Shanya really enhanced the story. Conan's fights with the hideous creatures is worth the price of this whole issue. de Zuniga's use of pitch black pencil shading cleverly leaves a little for the imagination. This was an excellent adaptation to what is otherwise an average Nyberg story.
The last pages of the issue advertises “Iron Shadows in the Moon” is included in the next issue. There is also a great advertisement for the seventh issue of Savage Tales featuring Ka-Zar.