One of the unique features of “The Curse of the House” is that it upends the haunted house formula, proving that Bloch was already thinking outside of the box with his macabre artistic style. Instead of the average-man thrust into nightmarish home ownership or positioned as a haunted house-guest, Bloch flips the narrative by having a house “haunt” the average-man. The key is that this haunted dwelling can travel and follow the man throughout his life. It is an animate object with the ability to transcend boundaries – both physical and literary.
The story is presented in first-person perspective by an unnamed doctor. He is interviewing his newest patient, a guy named Will Banks. Banks explains to the doctor that a house is haunting him. He then reveals that as a student he delved into the Black Arts. So much so that he traveled across the globe in a pursuit of olden devil-worship. His most alarming stop is in Edinburgh. It's here that Banks interviewed a warlock, Brian Droome. Droome invites Banks into his home and explains that his family have generations upon generations of active witchcraft. Droome is very open and hospitable to Banks, but as he temporarily leaves he instructs Banks to never go into the home's basement. He is adamant about this. But, Banks does and this creates the awful predicament that plagues his every waking moment. The house is alive.
There is a lot to this story that I can't divulge here. If you enjoy a classic horror tale that offers a non-traditional approach then look no further than Bloch's excellent “The Curse of the House”. While I'm not certain what Bloch is transcribing here, my guess is that it is a look at the mental health industry and its inner strengths and weaknesses in the early 20th century. The basement could represent an abstract approach to healthcare with authorities suggesting it is off-limits. The side-effects and long-term ailments could parallel the idea of the “house” haunting the patient.
You can read this story HERE.
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