The Flame Knife is set during Conan's “Free Companions” era. He's instructed by Kobad Shah, the king of Iranistan, to lead a team of men to hunt a bandit named Balash. The problem is that Conan and Balash are old allies and Conan refuses the task. Instead, he teams with his companion Tubal and the two, along with a woman named Nanaia, ride to Balash's camp in the Ilbars Mountains to warn him of Shah's pursuit. Meanwhile, Shah is stabbed in his chambers by an assassin carrying a sacred knife marked with a symbol of the Hidden Ones. Whatever that means. Shah, along with his royal guard's captain, believe that Conan's sudden departure and the arrival of this assassin means that the Cimmerian is instrumental to this Hidden Ones cult. Shah orders a large army to hunt and kill Conan.
Convinced by Balash that there are mysterious things happening on the Drujistan border, Conan, Tulal, and Nanaia head there. This is where the narrative finally begins to settle in. Conan discovers a large city within the rocky terrain housing the Zuagirs, a mysterious tribe led by a leader deemed The Magus who declares he is part of the ancient Hidden Ones cult.
Soon, the book kicks off a rapid pace as Conan escapes imprisonment and commits to freeing Nanaia, who has been captured by The Magus. Conan's overall goal is to overtake the Zuagirs and use their fortified city as a compound where he and the Free Companions can hold off Shah's oncoming forces. Conan fights a giant snow ape (depicted beautifully by Sanjulian on the Ace paperback cover) and finally ends a longtime rivalry with Olgerd Vladislav, the raider he usurped in Howard's 1934 Weird Tales story ”A Witch Shall Be Born”.
Overall, this was just an average novella. If you have read de Camp's Conan stories you know that his version of Conan is much different than Robert E. Howard's. In de Camp's novels Conan is a cookie-cutter hero that personifies all that is good. The bad guys are carbon-copy bad. In The Flame Knife, Conan wants to free Nanaia. If Howard wrote this, Conan's nihilistic approach would be something to the effect of, “So what?” Additionally, I'm not sure under Howard's watch if Conan would attempt to even save Balash. With de Camp's writing, I mentally can compartmentalize his work as more of Conan the Barbarian's comic character. I do the same with the Tor paperbacks. These are “heroic” Conan stories.
The Flame Knife is an average Conan novella filled with swordplay, prison escapes, crazy cults, and a fiendish cave creature. If the comic version of Conan is your jam, then this knife spreads the enjoyment. Get the book HERE.
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