Friday the 13th - Friday the 13th Part 3

In one of the more bizarre occurrences in paperback history, two film novelizations occurred for Paramount's Friday the 13th Part 3 (often listed with III). The first was authored by Michael Avallone, a crime-fiction author that wrote the popular Ed Noon series of detective fiction as well as early installments in the Nick Carter: Killmaster series. Avallone wasn't a complete stranger to spookville. He also wrote gothic romance novels that possessed a familiar supernatural scent that appealed to 1970s readers. His F13 novelization was timed perfectly for the release of the film to theaters in 1982. However, Signet hired Simon Hawke, who had previously penned the prior two Friday the 13th novelizations, to write his own novelization of Friday the 13th Part 3 in 1988. Weird, right?

I like Avallone's writing so I chose to read his take on the film first. As a kid, I rented Friday the 13th films so much that the tapes were at my house more than the rental store. I also camped in front of cable television in the late 80s watching the USA Network air the films every Saturday on the Captain USA show or their Saturday Nightmares prime-time spot. Needless to say, I knew what the next page was going to offer. 

Avallone mostly sticks to the script for 90% of the book. If you haven't seen the film, this one has Jason attacking teen visitors at a nearby farm called Higgins Haven, which is adjacent to the Camp Crystal Lake original battleground. Many fans call this film “the barn one” because the action and body count intensifies in that dwelling. Plus, there's plenty of sharp things in there to penetrate soft bodies.

The hero of the film/book is Chris, a young woman that lived a horrifying ordeal as a child when she saw Jason Voorhees face to face in the woods. While she's dealing with repressed memories of that night, she orchestrates an outing to visit the lake where the murders occurred. She brings friends along that just make for easy slasher fodder – two potheads, a horny couple, a creepy lunatic nerd, and another sensible girl. She also brings her boyfriend Andy along for the massacre as well.

Jason begins hacking his way through the characters, including three black bikers, until Chris is the proverbial last girl. Avallone's writing borders on satire at times as if he is secretly rolling his eyes at the ludicrous concept of the undead killer killing...again and again. The perfect example is his take on the imbecile police in the third chapter, aptly titled “Give Him the Axe!”. Avallone is such a great storyteller that he is able to draw out some of the tension and cat-and-mouse intrigue to heights that even rival Harry Manfredini's intense musical score. 

The book's ending drifts into a different version than what is seen on film. In this book's ending Chris completely decapitates Jason whereas in the film she simply cleaves him in the head with an axe. Big difference. She also awakens in bed with the doctors and police outside in the hallway questioning her sanity. She escapes the room and journeys back to the barn to search for clues that the murders actually happened. She wants to prove that she didn't make all of this up. She finds a leg, a foot, and an arm in the hay before Jason decapitates her. The police then go check on Chris and find her still in bed. The whole scene was a nightmare. 

In the film, one of the best segments is when Chris escapes to the canoe and at dawn she sees Jason peering from a window before Mrs. Voorhees corpse erupts out of the water, which is later proved to just be a nightmare. Avallone omits this segment. I took a peek at Simon Hawke's treatment and he kept his novelization strictly to the film version, which may be why he was hired to do another novelization of the film in the first place. 

I love the Friday the 13th films in the same way that any old timer will tell you they loved all of the Hammer and Universal horror films when they were a kid. Jason, Michael, Freddy, and Leatherface have become the new Wolfman, Dracula, Frankenstein, and The Mummy. This book is a nostalgic trip through time but also showcases a superb writer doing the most he can with an unrealistic story. For that, I applaud the effort. This is an entertaining read.